Author of the Booker Prize-shortlisted REAL LIFE Brandon Taylor‘s THE LATE AMERICANS, exploring the tension between inner lives and projected selves within a creative community in Iowa City; and GROUP SHOW, about five striving assistants navigating the straits of desire, complicity, and belief behind the scenes at a regional art museum, to Cal Morgan at Riverhead, in a significant deal, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world).
Author of SOCIAL CREATURE and STRANGE RITES: NEW RELIGIONS FOR A GODLESS WORLD Tara Isabella Burton‘s THE WORLD CANNOT GIVE, a coming-of-age novel about queer desire, religious zealotry, and the hunger for transcendence among the devoted members of a cultic chapel choir in a prestigious Maine boarding school, and the obsessively ambitious, terrifyingly charismatic girl that rules over them, to Carina Guiterman at Simon & Schuster, in an exclusive submission, in a two-book deal, by Emma Parry at Janklow & Nesbit (world).
Chencia C. Higgins‘s READY, SET, WED!, in which two women thrown together on a reality show that’s never produced a permanent couple fight with everything they’ve got to get to the altar—before the quest for TV ratings keeps them from turning something fake into forever, to Kerri Buckley at Carina Press Adores, for publication in early 2022.
Timothy Janovsky‘s debut OVER THE RIVER AND THROUGH THE WOODS, pitched as a LGBTQ+ romantic comedy that blends the riches-to-rags humor of Schitt’s Creek with the feel-good romance of a Hallmark Christmas movie, to Mary Altman at Sourcebooks Casablanca, in an exclusive submission, in a two-book deal, for publication in fall 2023, by Kevin O’Connor at O’Connor Literary Agency (world).
Iowa Writers Workshop Rona Jaffe Fellow, Best American Short Stories 2020 contributor, and mutual aid organizer Sarah Thankam Mathews‘s ALL THIS COULD BE DIFFERENT, following a young woman fresh out of college as she tries to forge a new life in Milwaukee during Obama’s second term—navigating precarious employment, queerness, immigration, a dizzying romance with a ballet dancer, and the pulls of blood and chosen family—and unfolding a story that circles the question of how a better world might be, to Lindsey Schwoeri at Viking, at auction, by Bill Clegg at The Clegg Agency (NA).
Author of WHO IS VERA KELLY and VERA KELLY IS NOT A MYSTERY Rosalie Knecht’s third installment in the Vera Kelly series, exploring issues of gender, sexuality, and class, set in the early 1970s, in which a private investigator travels to meet her girlfriend’s family at their extravagant Los Angeles estate, and in the process finds herself with a new high-stakes case: the search for her missing girlfriend, to Masie Cochran at Tin House Books, for publication in summer 2022, by Soumeya Bendimerad Roberts at HG Literary (NA).
Roan Parrish and Timmi Meskers‘s STRANGE COMPANY, a collection of queer horror short stories and original music, to Steve Feldberg at Audible Originals, in an exclusive submission, by Courtney Miller-Callihan at Handspun Literary (world).
Children’s/Young Adult Fiction
Anna-Marie McLemore‘s retelling of THE GREAT GATSBY, featuring Gatsby as a transgender young man, amid all the glamour and sparkle of the 1920s; part of the upcoming Remixed Classics series, to Emily Settle at Feiwel and Friends, for publication in fall 2022, by Taylor Martindale Kean at Full Circle Literary (world).
THE FELL OF DARK author Caleb Roehrig‘s untitled book, pitched as bringing a queer perspective to ROMEO AND JULIET, to Emily Settle at Feiwel and Friends, for publication in winter 2023, by Rosemary Stimola at Stimola Literary Studio (world).
Sacha Lamb‘s WHEN THE ANGELS LEFT THE OLD COUNTRY, pitched as having a voice reminiscent of a (queer) Isaac Bashevis Singer story, about an angel and a demon, centuries-long study partners in their small shtetl, who decide to travel to America (a place that turns out to be more complicated than they expect) with two young women who are deeply connected, to Arthur Levine at Levine Querido, in a pre-empt, for publication in fall 2022, by Rena Rossner at Deborah Harris Agency (world).
Michael Gray Bulla‘s debut A TYPE OF BLEEDING, about a trans teenager who joins his town’s LGBTQ+ support group where he meets a cute boy, sparking a friendship that upends his life and challenges his ideas of love, family, and friendship, to Karen Chaplin at Quill Tree, in a good deal, in a two-book deal, for publication in summer 2022, by Pete Knapp at Park & Fine Literary and Media (world English).
Maggie Horne‘s debut HAZEL HAYES IS GONNA WIN THIS ONE, a humorous friendship story that follows a feisty 12-year-old girl who, after one of her classmates is harassed online, devises a plan to take down the school’s golden boy and hopefully win her beloved public speaking competition, to Lily Kessinger at Houghton Mifflin Harcourt Children’s, at auction, for publication in fall 2022, by Claire Friedman at Inkwell Management (NA).
Lambda Literary and MacDowell Fellow Jas Hammonds‘s WE DESERVE MONUMENTS, following a queer, Black, biracial teen who moves to small-town Georgia to live with her estranged grandmother and becomes entangled in a web of family secrets, the town’s racist history, and her growing feelings for the girl next door, to Mekisha Telfer at Roaring Brook Press, in a pre-empt, in a two-book deal, for publication in summer 2022, by Suzie Townsend at New Leaf Literary & Media (world English).
NYT-bestselling author Gayle Forman‘s debut FRANKIE & BUG, about the friendship between a feisty 10-year-old girl who feels abandoned when her older brother decides he’d rather hang out with his friends than with her, and an 11-year-old trans boy who is spending the summer with his gay uncle and only wants to have the chance to be who he is, to Kristin Gilson at Aladdin, for publication in fall 2021, by Michael Bourret at Dystel, Goderich & Bourret (world English).
Ashley Woodfolk‘s NOTHING BURNS AS BRIGHT AS YOU, a novel-in-verse that tells the story of a tumultuous romance between two girls in nonlinear chapters, anchored by a single day where they set a fire and their relationship spirals out of control, to Margaret Raymo at Versify, in a significant deal, in a pre-empt, for publication in spring 2022, by Beth Phelan at Gallt and Zacker Literary Agency (world).
Michael Leali‘s debut THE CIVIL WAR OF AMOS ABERNATHY, in which a 12-year-old openly gay historical reenactor sets out to prove to himself and his closeted crush that queer people always have and always will exist in American history; the story is told partly in letters to Albert D.J. Cashier, the Union soldier his research uncovers, who becomes his confidant and historical queer icon, to Stephanie Stein at Harper Children’s, in a pre-empt, in a two-book deal, for publication in summer 2022, by Sara Crowe at Pippin Properties (NA).
Author of DAMAGED GOODS and PROBLEMATIC Dianna Anderson‘s THEY/THEM, part memoir, part gender theory, examining the emergence and history of nonbinary gender, including interviews with gender nonconforming individuals and experts on gender affirming care, along with the author’s own story, to Lisa Kloskin at Broadleaf, in a nice deal, for publication in fall 2022, by Hannah Bowman at Liza Dawson Associates (world).
Author of the NYT Editor’s Choice CONFESSIONS OF THE FOX Jordy Rosenberg‘s THE DAY UNRAVELS WHAT THE NIGHT HAS WOVEN, an exploration of transgender sexuality, Jewish assimilation, and the author’s difficult relationship with his mother—an accomplished bargain-hunter, committed homophobe, and dazzling old world yenta—weaved throughout with fictional vignettes of the author’s mother’s life, as well as her imagined retellings of landmarks of leftist philosophy, to Nicole Counts at One World, by Rob McQuilkin at Massie & McQuilkin (world).
Comedian, TV writer, and The Lesbian Agenda host Sophie Santos‘s THE ONE YOU WANT TO MARRY (AND OTHER IDENTITIES I’VE HAD), a memoir of growing up an army brat and the daughter of a Filipino and Spanish lieutenant colonel and strong Southern nurse, about the author’s search—through pee-wee football, puberty, pageant life, and University of Alabama sorority sisterhood—to embrace her identity as a proud lesbian comedian, to Hafizah Geter at Topple Books, with Laura Van der Veer editing, by Jack Greenbaum at The Arlook Group (world).