Bishop left without a word. Shiloh never knew why. Four years later, neither of them has recovered.
Now Bishop’s album is falling apart, and the only producer who understands her sound is the ex she ghosted. Shiloh doesn’t do chaos, second chances, or Bishop. But when she hears that dying demo, something cracks. Because the raw honesty on that track? That’s theirs. That’s what they used to make together. Before the fame. Before the silence.
Four months. One studio. Two people who used to be everything to each other, now barely able to share air.
The music is pulling them closer. The past is daring them to run.
And if track four isn’t about her…why does it sound like an apology?
Maybe this is possession; maybe this is truly what it is to be haunted.
There’s a ghost hanging out in Drew Larpin’s new room. He’s a fellow Pine Hollow high schooler named Liam, and technically, it’s his old room. Now he’s stuck haunting it―unsure of how he died or why he hasn’t moved on to the afterlife. Drew knows she has to help him. . . . She has to figure out how to resolve Liam’s earthly regrets. Otherwise, he’ll degrade―just like any ghost who hangs around the living for too long―until all that’s left is a hungry, mindless husk of who he used to be.
So, Drew interviews Liam about his life, getting the rundown on her new classmates in the process. She slowly falls into Liam’s old group of friends, experiencing their grief with the painful knowledge that Liam is watching it all play out from right beside her. Things get more complicated when Drew realizes she and Liam share a hopeless attraction to valedictorian-to-be, walking sunshine Hannah Sullivan. Liam was Hannah’s best friend in life, and at first, he doesn’t seem to mind being Drew’s wingman in death. But his unrequited feelings boil under the surface. The spectral energy cast off by his emotions is so powerful that it catches the attention of something truly sinister.
It’s lurking in the woods, watching Liam, attracted by the intensity of his grief and frustration. Whatever this “Watcher” has in store for him, it’s a fate far worse than death. Drew is determined to save him from it. But with Hannah slowly catching on that Liam might not be totally gone, the tangled mess of everyone’s emotions only draws the Watcher closer. It becomes a race against the clock to help Liam come to terms with his own death―even if it means shattering the fragile, painful normalcy his loved ones have built in his absence.
Happy Latine Heritage Month! We’re celebrating as we do with books by Latine authors, mostly starring Latine main characters, and if you want even more recs, check out past years’ posts!
Middle Grade
It’s All or Nothing, Vale by Andrea Beatriz Arango
All these months of staring at the wall? All these months of feeling weak? It’s ending— I’m going back to fencing. And then it’ll be like nothing ever happened.
No one knows hard work and dedication like Valentina Camacho. And Vale’s thing is fencing. She’s the top athlete at her fencing gym. Or she was . . . until the accident.
After months away, Vale is finally cleared to fence again, but it’s much harder than before. Her body doesn’t move the way it used to, and worst of all is the new number one: Myrka. When she sweeps Vale aside with her perfect form and easy smile, Vale just can’t accept that. But the harder Vale fights to catch up, the more she realizes her injury isn’t the only thing holding her back. If she can’t leave her accident in the past, then what does she have to look forward to?
Today on the site, I am so delighted to welcome back Anna-Marie McLemore to reveal the cover of their brand-new YA historical thriller, We Could Be Anyone, releasing May 26, 2026 from Feiwel & Friends! Here’s the story:
Lola and Lisandro are actors during Hollywood’s Golden Age, but you won’t see them on any silver screen. Instead, these siblings use their talents to scam the rich and famous out of their ill-begotten cash. They have their act down to a science: Lola plays the tragic ghost who haunts the mansions of the wealthy, and Lisandro plays the brave spiritualist who will help her soul find peace. For a small fee, of course.
The siblings have their sights set on their next target: The Coterie, the opulent estate of newspaper tycoon Bixby Fairfax and his famous mistress Blythe Bell. A score this big will allow them to move… well, anywhere but here. But this job requires them to do something they’ve never done before: switch roles. And as strange things keep happening at The Coterie… things that even Lola and Lisandro can’t explain.
As they are drawn deeper into The Coterie’s gleaming façade and tensions rise between brother and sister, one question looms over them. Will they be able to pull off their act? Or will this be their last performance?
And here’s the gorgeous cover, designed by L. Whitt with art by Andreea Dumuta!
Anna-Marie McLemore (they/them) grew up hearing la llorona in the Santa Ana winds and now writes books as queer, Latine, and nonbinary as they are. They are the author of William C. Morris YA Debut Award finalist The Weight of Feathers; Wild Beauty; Blanca & Roja, one of Time magazine’s 100 Best Fantasy Books of All Time; Dark and Deepest Red; Lambda Literary Award Finalist Lakelore; Flawless Girls; and National Book Award longlist selections When the Moon Was Ours, The Mirror Season, and Self-Made Boys: A Great Gatsby Remix. Find them online at annamariemclemore.com.
AI meets American Girl Dolls in this quirky novel about a group of preteen androids who have been cast aside and have to make their own way in the world.
Max isn’t always sweet and bubbly. That wouldn’t be an issue except for the fact that she’s programmed to be. “Max” isn’t even her real name. She’s a Libby– one of the most popular A.I.Cademy Girl social robots, which top the sales charts for girls ages eight to twelve. They look almost human and there’s a companion to fit every personality. Wendys are smart. Robins are sporty. Noras are artistic. And Libbys? As the box they come in says: Always chipper, cheerful, and sweet, Libby(TM) makes the perfect friend.
But despite her packaging and her programmed memories, Max is feeling the opposite of perfect. The only thing she wants to know is why. But this question uncovers bigger answers than she bargained for – like the shocking fate of the other A.I.Cademy Girls, and what the founders of their idyllic community are really hiding. Max may not be the perfect Libby, but she’ll have to embrace what makes her uniquely Max to save herself and her friends before they’re all sent to the junkyard.
Due to the delightfully large volume of titles, Romances will be getting their own post later this week!
Mothers and Sons by Adam Haslett (January 7th)
At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter’s numbness, the event that he has avoided for twenty years returns to haunt him.
Ann, his mother, who runs a women’s retreat center she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built. She long ago banished from her mind the decision that divided her from her son. But as Peter’s case plunges him further into the fraught memory of his first love and the night of violence that changed his life forever, he and his mother must confront the secret that tore them apart.
Bishop left without a word. Shiloh never knew why. Four years later, neither of them has recovered.
Maybe this is possession; maybe this is truly what it is to be haunted.
All these months of staring at the wall?
AI meets American Girl Dolls in this quirky novel about a group of preteen androids who have been cast aside and have to make their own way in the world.
At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter’s numbness, the event that he has avoided for twenty years returns to haunt him.