Fire Song by Adam Garnet Jones
Love After the End ed. by Joshua Whitehead (anthology)
Songs that Sound Like Blood by Jared Thomas
Bonus: Coming in 2024, Godly Heathens by H.E. Edgmon
Fire Song by Adam Garnet Jones
Love After the End ed. by Joshua Whitehead (anthology)
Songs that Sound Like Blood by Jared Thomas
Bonus: Coming in 2024, Godly Heathens by H.E. Edgmon
Happy Trans Day of Visibility! As usual, we’re celebrating with books by trans authors and starring trans main characters, so please check ’em out! (Please note that this post only includes books that weren’t featured last year, so you can find even more here.)
Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn’t hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.
Ames isn’t happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese–and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames’s boss and lover, Katrina, reveals that she’s pregnant with his baby–and that she’s not sure whether she wants to keep it–Ames wonders if this is the chance he’s been waiting for. Could the three of them form some kind of unconventional family–and raise the baby together?
For fans of George and Ivy Aberdeen’s Letter to the World, a heartfelt coming of age story about a nonbinary character navigating a binary world.
Twelve-year-old Ana-Marie Jin, the reigning US Juvenile figure skating champion, is not a frilly dress kind of kid. So, when Ana learns that next season’s program will be princess themed, doubt forms fast. Still, Ana tries to focus on training and putting together a stellar routine worthy of national success.
Once Ana meets Hayden, a transgender boy new to the rink, thoughts about the princess program and gender identity begin to take center stage. And when Hayden mistakes Ana for a boy, Ana doesn’t correct him and finds comfort in this boyish identity when he’s around. As their friendship develops, Ana realizes that it’s tricky juggling two different identities on one slippery sheet of ice. And with a major competition approaching, Ana must decide whether telling everyone the truth is worth risking years of hard work and sacrifice.
In this #OwnVoices LGBTQ young adult debut, Alex comes to realize his true identity as a young woman named Sasha Masha.
Alex feels like he is in the wrong body. His skin feels strange against his bones. And then comes Tracy, who thinks he’s adorably awkward, who wants to kiss him, who makes him feel like a Real Boy. But it is not quite enough. Something is missing. Is the missing piece a part of Alex himself?
As Alex grapples with his identity, he finds himself trying on dresses and swiping on lipstick in the quiet of his bedroom. He meets Andre, a gay boy who is beautiful and unafraid to be who he is. Slowly, Alex begins to realize: Maybe his name isn’t Alex at all. Maybe it’s Sasha Masha.
Three years ago, Ash’s mom, Kristin, left home and never came back. Now, Ash lives in the house where Kristin grew up. All of her things are there. Her old room, her old clothes, and the shed, where she spent her childhood creating a fantasy world called Koretris.
Ash knows all about Koretris: how it’s a haven for girls, with no men or boys allowed, and filled with fanciful landscapes and creatures. When Ash’s friends decide to try going to Koretris, using one of Kristin’s spellbooks, Ash doesn’t think anything will happen. But the spell works, and Ash discovers that the world Kristin created is actually a real place, with real inhabitants and very real danger.
But if Koretris is real, why is Ash there? Everyone has always called Ash a boy. Ash uses he/him pronouns. Shouldn’t the spell have kept Ash out? And what does it mean if it let Ash in?
Carey Parker dreams of being a diva, and bringing the house down with song. They can hit every note of all the top pop and Broadway hits. But despite their talent, emotional scars from an incident with a homophobic classmate and their grandmother’s spiraling dementia make it harder and harder for Carey to find their voice.
Then Carey meets Cris, a singer/guitarist who makes Carey feel seen for the first time in their life. With the rush of a promising new romantic relationship, Carey finds the confidence to audition for the role of Elphaba, the Wicked Witch of the West, in the school musical, setting off a chain reaction of prejudice by Carey’s tormentor and others in the school. It’s up to Carey, Cris, and their friends to defend their rights–and they refuse to be silenced.
Tina never worries about being “ordinary”—she doesn’t have to, since she’s known practically forever that she’s not just Tina Mains, average teenager and beloved daughter. She’s also the keeper of an interplanetary rescue beacon, and one day soon, it’s going to activate, and then her dreams of saving all the worlds and adventuring among the stars will finally be possible. Tina’s legacy, after all, is intergalactic—she is the hidden clone of a famed alien hero, left on Earth disguised as a human to give the universe another chance to defeat a terrible evil.
But when the beacon activates, it turns out that Tina’s destiny isn’t quite what she expected. Things are far more dangerous than she ever assumed–and everyone in the galaxy is expecting her to actually be the brilliant tactician and legendary savior Captain Thaoh Argentian, but Tina….is just Tina. And the Royal Fleet is losing the war, badly–the starship that found her is on the run and they barely manage to escape Earth with the planet still intact.
Luckily, Tina is surrounded by a crew she can trust, and her best friend Rachel, and she is still determined to save all the worlds. But first she’ll have to save herself.
New York, 1949
After years of trying to break into New York City’s literary scene, Madeline Slaughter is emotionally and physically exhausted. When a friend offers her a safe haven as the live-in companion to reclusive, bestselling novelist Victor Hallowell she jumps at the chance to escape the city.
Madeline expects to find rest and quiet in the forests of Upstate New York. Instead, she finds Victor, handsome and intensely passionate, and Audrey Coffin, Victor’s mysterious and beautiful neighbor.
When Victor offers her a kiss and the promise of more Madeline allows herself to become entangled even as Audrey is also claiming her heart. The only problem is that Audrey and Victor are ex-lovers with plenty of baggage between them. As Madeline finds herself opening up and falling in love with both she starts to wonder, can there be a future for all three?
Buy it: Amazon
It’s the summer before middle school and eleven-year-old Bug’s best friend Moira has decided the two of them need to use the next few months to prepare. For Moira, this means figuring out the right clothes to wear, learning how to put on makeup, and deciding which boys are cuter in their yearbook photos than in real life. But none of this is all that appealing to Bug, who doesn’t particularly want to spend more time trying to understand how to be a girl. Besides, there’s something more important to worry about: A ghost is haunting Bug’s eerie old house in rural Vermont…and maybe haunting Bug in particular. As Bug begins to untangle the mystery of who this ghost is and what they’re trying to say, an altogether different truth comes to light—Bug is transgender.
This is the sequel to Finna.
Derek is LitenVärld’s most loyal employee. He lives and breathes the job, from the moment he wakes up in a converted shipping container at the edge of the parking lot to the second he clocks out of work 18 hours later. But after taking his first ever sick day, his manager calls that loyalty into question. An excellent employee like Derek, an employee made to work at LitenVärld, shouldn’t need time off.
To test his commitment to the job, Derek is assigned to a special inventory shift, hunting through the store to find defective products. Toy chests with pincers and eye stalks, ambulatory sleeper sofas, killer mutant toilets, that kind of thing. Helping him is the inventory team—four strangers who look and sound almost exactly like him. Are five Dereks better than one?
Dean Foster knows he’s a trans guy. He’s watched enough YouTube videos and done enough questioning to be sure. But everyone at his high school thinks he’s a lesbian—including his girlfriend Zoe, and his theater director, who just cast him as a “nontraditional” Romeo. He wonders if maybe it would be easier to wait until college to come out. But as he plays Romeo every day in rehearsals, Dean realizes he wants everyone to see him as he really is now––not just on the stage, but everywhere in his life. Dean knows what he needs to do. Can playing a role help Dean be his true self?
Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.
When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.
Two boys are starting at a new school.
Jules is just figuring out what it means to be gay and hasn’t totally decided whether he wants to be out at his new school. His parents and friends have all kinds of opinions, but for his part, Jules just wants to make the basketball team and keep his head down.
Jack is trying to start over after a best friend break-up. He followed his actor father clear across the country to LA, but he’s also totally ready to leave his past behind. Maybe this new school where no one knows him is exactly what he needs.
When the two boys meet, the sparks are undeniable. But then a video surfaces linking Jack to a pair of popular transgender vloggers, and the revelations about Jack’s past thrust both Jack and Jules into the spotlight they’ve been trying to avoid. Suddenly both boys have a choice to make—between lying low where it’s easier or following their hearts.
Jeremy Harkiss, cheer captain and student body president, won’t let coming out as a transgender boy ruin his senior year. Instead of bowing to the bigots and outdate school administration, Jeremy decides to make some noise—and how better than by challenging his all-star ex-boyfriend, Lukas for the title of Homecoming King?
Lukas Rivers, football star and head of the Homecoming Committee, is just trying to find order in his life after his older brother’s funeral and the loss long-term girlfriend—who turned out to be a boy. But when Jeremy threatens to break his heart and steal his crown, Lukas kick starts a plot to sabotage Jeremy’s campaign.
When both boys take their rivalry too far, the dance is on the verge of being canceled. To save Homecoming, they’ll have to face the hurt they’re both hiding—and the lingering butterflies they can’t deny.
The year is 20__, and Penfield R. Henderson is in a rut. When he’s not walking dogs for cash or responding to booty calls from his B-list celebrity hookup, he’s holed up in his dingy Bushwick apartment obsessing over holograms of Aiden Chase, a fellow trans man and influencer documenting his much smoother transition into picture-perfect masculinity on the Gram. After an IRL encounter with Aiden leaves Pen feeling especially resentful, Pen enlists his roommates, the Witch and the Stoner-Hacker, to put their respective talents to use in hexing Aiden. Together, they gain access to Aiden’s social media account and post a picture of Pen’s aloe plant, Alice, tied to a curse:
Whosoever beholds the aloe will be pushed into the Shadowlands.
When the hex accidentally bypasses Aiden, sending another young trans man named Blithe to the Shadowlands (the dreaded emotional landscape through which every trans person must journey to achieve true self-actualization), the Rhiz (the quasi-benevolent big brother agency overseeing all trans matters) orders Pen and Aiden to team up and retrieve him. The two trace Blithe to a dilapidated motel in California and bring him back to New York, where they try to coax Blithe to stop speaking only in code and awkwardly try to pass on what little trans wisdom they possess. As the trio makes its way in a world that includes pitless avocados and subway cars that change color based on occupants’ collective moods but still casts judgment on anyone not perfectly straight, Pen starts to learn that sometimes a family isn’t just the people who birthed you.
When Liam Cooper’s older brother Ethan is killed in a hit-and-run, Liam has to not only learn to face the world without one of the people he loved the most, but also face the fading relationship with his two best friends.
Feeling more alone and isolated than ever, Liam finds themself sharing time with Marcus, Ethan’s best friend, and through Marcus, Liam finds the one person that seems to know exactly what they’re going through, for the better, and the worse.
This book is about grief. But it’s also about why we live. Why we have to keep moving on, and why we should.
Wyatt would give anything to forget where he came from—but a kingdom demands its king.
In Asalin, fae rule and witches like Wyatt Croft…don’t. Wyatt’s betrothal to his best friend, fae prince Emyr North, was supposed to change that. But when Wyatt lost control of his magic one devastating night, he fled to the human world.
Now a coldly distant Emyr has hunted him down. Despite transgender Wyatt’s newfound identity and troubling past, Emyr has no intention of dissolving their engagement. In fact, he claims they must marry now or risk losing the throne. Jaded, Wyatt strikes a deal with the enemy, hoping to escape Asalin forever. But as he gets to know Emyr, Wyatt realizes the boy he once loved may still exist. And as the witches face worsening conditions, he must decide once and for all what’s more important—his people or his freedom.
Fifteen-year-old Spencer Harris is a proud nerd, an awesome big brother, and a David Beckham in training. He’s also transgender. After transitioning at his old school leads to a year of isolation and bullying, Spencer gets a fresh start at Oakley, the most liberal private school in Ohio.
At Oakley, Spencer seems to have it all: more accepting classmates, a decent shot at a starting position on the boy’s soccer team, great new friends, and maybe even something more than friendship with one of his teammates. The problem is, no one at Oakley knows Spencer is trans–he’s passing. So when a discriminatory law forces Spencer’s coach to bench him after he discovers the “F” on Spencer’s birth certificate, Spencer has to make a choice: cheer his team on from the sidelines or publicly fight for his right to play, even though it would mean coming out to everyone– including the guy he’s falling for.
Vaseline on the teeth makes a smile shine. It’s a cheap stunt, but Mark Adams knows it’s optics that can win or ruin an election.
Everything Mark learned about politics, he learned from his father, the congressman who still pretends he has a daughter and not a son. To protect his father’s image, Mark promises to keep his past hidden and pretend to be the cis guy everyone assumes he is. But when he sees a manipulatively charming candidate for student body president inflame dangerous rhetoric, Mark decides to risk the low profile he assured his father and insert himself as a political challenger.
One big problem? No one really knows Mark. He didn’t grow up in this town, and he has few friends; plus, the ones he does have aren’t exactly with the in-crowd. Still, thanks to countless seasons of Scandal and The West Wing, these nerds know where to start: from campaign stops to voter polling to a fashion makeover. Soon Mark feels emboldened to get in front of and engage with voters—and even start a new romance. But with an investigative journalist digging into his past, a father trying to silence him, and a bully front-runner who stands in his way, Mark will have to decide which matters most: perception or truth, when both are just as dangerous.
Ash is no stranger to feeling like an outcast. For someone who cycles through genders, it’s a daily struggle to feel in control of how people perceive you. Some days Ash is undoubtedly girl, but other times, 100 percent guy. Daniel lacks control too—of his emotions. He’s been told he’s overly sensitive more times than he can count. He can’t help the way he is, and he sure wishes someone would accept him for it.
So when Daniel’s big heart leads him to rescue a dog that’s about to be euthanized, he’s relieved to find Ash willing to help. The two bond over their four-legged secret. When they start catching feelings for each other, however, things go from cute to complicated. Daniel thinks Ash is all girl . . . what happens when he finds out there’s more to Ash’s story?
With so much on the line—truth, identity, acceptance, and the life of an adorable pup named Chewbarka—will Ash and Daniel forever feel at war with themselves because they don’t fit into the world’s binaries? Or will their friendship help them embrace the beauty of living in between?
Dani’s best friend, Sarah, is a ghost. But maybe that’s normal when you’ve spent your childhood running from an abusive parent.
Dani and Sarah might be more than friends, though Dani dares not say so. Dani is afraid that if he tells Sarah he’s trans, she won’t bother haunting him anymore. Sarah’s got good reason to distrust boys, having been strangled by one.
After Sarah and Dani come across another ghost haunted by her own brutal murder, they set out to bring peace and safety to spirits like her. But when an old rival reenters Dani’s life, their unexpected friendship gives Dani a strange new feeling of belonging. As Dani starts to find his place in the living world, he’ll need to let go of his ghosts.
Krys Malcolm Belc’s visual memoir-in-essays explores how the experience of gestational parenthood—conceiving, birthing, and breastfeeding his son Samson—eventually clarified his gender identity.
Krys Malcolm Belc has thought a lot about the interplay between parenthood and gender. As a nonbinary, transmasculine parent, giving birth to his son Samson clarified his gender identity. And yet, when his partner Anna adopted Samson, the legal documents listed Belc as “the natural mother of the child.”
By considering how the experiences contained under the umbrella of “motherhood” don’t fully align with Belc’s own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. With this visual memoir-in-essays, Belc has created a new kind of life record, one that engages directly with the documentation often thought to constitute a record of one’s life—childhood photos, birth certificates—and addresses his deep ambivalence about the “before” and “after” so prevalent in trans stories, which feels apart from his own experience.
The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.
Second chances take many forms…
Violetta Benedetti knows how to hide things. She spent years concealing herself behind the persona her father expected of her. Now she hides in the dark corners of Vermagna’s underworld, lying low to keep her father from using her magic in his unending quest for power.
But her biggest secret is her love for her best friend, who only knew her as Mercurio Benedetti, not the woman she is today. Now he’s dead, and she’ll never be able to tell him the truth.
Tibario Gianbellicci was dead. And then…he wasn’t. Reborn as an immortal, he has powers he never imagined. Powers his crime boss mother wants to tap into to destroy their longtime rivals: House Benedetti.
But Tibario is hiding something, too: his best friend is a Benedetti—and the love of his life. With a second chance at life, he’ll have to risk revealing his heart.
Buy it: Amazon
Gala, a young trans woman, works at a hostel in Truth or Consequences, New Mexico. She is obsessed with the Get Happies, the quintessential 1960s Californian band, helmed by its resident genius, B—-. Why did the band stop making music? Why did they never release their rumored album, Summer Fun?
Gala writes letters to B—- that she light not only on the Get Happies, but paint an extraordinary portrait of Gala. The parallel narratives of B—- and Gala form a dialogue about creation–of music, identity, self, culture, and counterculture.
Annie is a smart, antisocial lesbian starting her senior year of high school who’s under pressure to join the cheerleader squad to make friends and round out her college applications. Her former friend BeeBee is a people-pleaser—a trans girl who must keep her parents happy with her grades and social life to keep their support of her transition. Through the rigors of squad training and amped up social pressures (not to mention micro aggressions and other queer youth problems), the two girls rekindle a friendship they thought they’d lost and discover there may be other, sweeter feelings springing up between them.
There are just two things keeping Finch Kelly from a full-blown case of high-school senioritis: a) the agony of waiting to learn whether he’s gotten off the deferral list to Georgetown, the school of his nerdy political dreams; and b) the prospect of taking home the gold at Nationals, the culmination of his four-year unbroken debate team winning streak. With his own unmatched expertise, and with the charming, silver-tongued Jonah Cabrera as his partner and #1 fan, Finch is nearly invincible — until a devastating second-place finish at the State Championship sends him reeling into self-doubt.
Nationals are Finch’s chance at redemption, and his last, best shot at showing Georgetown that he belongs there. But no amount of debate prep can shake Finch of his deeply held fears: that his wrinkled Gap Kids suit will never measure up to his prep-school competitors’ starched uniforms and that he’ll never have a love as picture-perfect as the one Jonah has with his movie-star-handsome boyfriend. But as Finch knows better than anyone else, there’s always more than one side to every argument.
April French doesn’t do relationships and she never asks for more.
A long-standing regular at kink club Frankie’s, she’s kind of seen it all. As a trans woman, she’s used to being the scenic rest stop for others on their way to a happily-ever-after. She knows how desire works, and she keeps hers carefully boxed up to take out on weekends only.
After all, you can’t be let down if you never ask.
Then Dennis Martin walks into Frankie’s, fresh from Seattle and looking a little lost. April just meant to be friendly, but one flirtatious drink turns into one hot night.
When Dennis asks for her number, she gives it to him.
When he asks for her trust, well…that’s a little harder.
And when the desire she thought she had such a firm grip on comes alive with Dennis, April finds herself wanting passion, purpose and commitment.
But when their relationship moves from complicated to impossible, April will have to decide how much she’s willing to want.
Buy it: Amazon
Aspiring actor August Greene just landed a coveted spot at the prestigious School of Performing Arts in New York. There’s only one problem: His conservative parents won’t accept that he’s transgender. And to stay with his aunt in the city, August must promise them he won’t transition.
August is convinced he can play the part his parents want while acting cool and confident in the company of his talented new friends.
But who is August when the lights go down? And where will he turn when the roles start hitting a little too close to home?
Obie knew his transition would have ripple effects. He has to leave his swim coach, his pool, and his best friends. But it’s time for Obie to find where he truly belongs.
As Obie dives into a new team, though, things are strange. Obie always felt at home in the water, but now he can’t get his old coach out of his head. Even worse are the bullies that wait in the locker room and on the pool deck. Luckily, Obie has family behind him. And maybe some new friends too, including Charlie, his first crush. Obie is ready to prove he can be one of the fastest boys in the water—to his coach, his critics, and his biggest competition: himself.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka’s ear with her wild talent, Shizuka can almost feel the curse lifting. She’s found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn’t have time for crushes or coffee dates, what with her very soul on the line, but Lan’s kind smile and eyes like stars might just redefine a soul’s worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.
As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.
Assistant Books Editor at O, the Oprah Magazine WE DO WHAT WE DO IN THE DARK, about a young woman who has an affair with an older, married female professor during college, and how that relationship reshapes the rest of her life; a story of desire, loneliness, and the secrets we keep, even from ourselves, to Laura Perciasepe at Riverhead, in a pre-empt, by Sarah Burnes at The Gernert Company (NA).‘s
New Yorker contributor and University Fellow at the Syracuse MFA program AFTERPARTIES, in which young Cambodian Americans grapple with race, sexuality, and their inherited traumas from the Khmer Rouge genocide, even as they carve out lives in the California Central Valley and Bay Area, and STRAIGHT THRU CAMBOTOWN, about three Cambodian-American cousins who inherit their late aunt’s illegitimate loan sharking business and then become embroiled in a Hollywood conspiracy, to Helen Atsma at Ecco, in a significant deal, at auction, in a two-book deal, for publication in summer 2021, by Rob McQuilkin at Massie & McQuilkin (NA).‘s
THIS IS NOT THE END, a polyamorous romance in which a deeply reserved songwriter is invited to join his best friend and his wife in bed for a night, and what starts as a fling may just turn into forever, to Stephanie Doig at Carina Press (world).‘s
Author of LILY AND THE OCTOPUS and THE EDITOR THE GUNCLE, about a reclusive television star who takes his young niece and nephew into his Palm Springs home after a family tragedy, and how his outsized lifestyle and unusual life wisdom bring about a season of healing that redefines their understanding of family and finally leads him back to himself, again to Sally Kim at Putnam, by Rob Weisbach at Rob Weisbach Creative Management (NA).‘s
NYT-bestselling author of THREE LITTLE WORDS and THREE MORE WORDS Ashley Rhodes-Courter’s SAM IS OUR SISTER, a picture book based on the experiences of the author’s family that follows three siblings, one of whom is transgender, as they play astronauts, learn about what it means to become your true self, and realize they will always be together, illustrated by MacKenzie Haley, to Wendy McClure at Albert Whitman, for publication in spring 2021, by Jacqueline Flynn at Joelle Delbourgo Associates for the author, and by Samantha Groff at Advocate-Art for the illustrator (world).
Katherine Locke and Nicole Melleby’s THIS IS OUR RAINBOW: 16 STORIES OF HER, HIM, THEM, AND US, a middle grade anthology that collects short stories, poetry, and comics about LGBTQIA+ characters and experiences by contributors Locke, Melleby, Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Mariama Lockington, Marieke Nijkamp, Claribel Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and A.J. Sass, to Marisa DiNovis at Knopf Children’s, for publication in fall 2021, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Stephanie Stein at HarperCollins has bought, at auction, in a two-book deal, middle grade novel THE INSIDERS by Schneider Family Award winner Mark Oshiro (ANGER IS A GIFT). The book features a queer boy who, fleeing from bullies, discovers a magical closet that not only provides him sanctuary, but also unites him with two other kids facing persecution at their own schools across the country, helping them find friendship and strength in one another. Publication is slated for fall 2021; DongWon Song at Howard Morhaim Literary Agency negotiated the deal for North American rights.*
Natashya Wilson at Inkyard Press has acquired THE WITCH KING plus a sequel from debut author H.E. Edgmon. The YA fantasy duology tells the story of witch and angry trans boy Wyatt Croft, who wants nothing to do with his mediocre magic or his betrothal to fae prince Emyr North, but his plans to change his fate are shattered when the kingdom is threatened by a coup and Emyr comes to claim him. Publication of book one is planned for summer 2021; Rena Rossner at the Deborah Harris Agency brokered the deal for North American rights.*
Krista Marino at Delacorte has bought, at auction, Victoria Lee’s (THE FEVER KING and THE ELECTRIC HEIR) A LESSON IN VENGEANCE. Pitched as The Secret History meets Genuine Fraud and The Craft, the YA novel follows Felicity Morrow, a senior returning to school after her girlfriend’s tragic death, only to meet a new student and teenage literary prodigy who transferred to research the school’s bloody history, and recruits Felicity into a murderous experiment of their own. Publication is set for 2021; Holly Root and Taylor Haggerty at Root Literary negotiated the deal for North American rights.*
Maya Marlette at Scholastic has bought Leah Johnson’s (YOU SHOULD SEE ME IN A CROWN) new YA romance, RISE TO THE SUN. Set over the course of four days at a music festival, the novel features strangers Toni and Olivia, who meet and realize that the music is more than just a way out; it’s a way through… if they are brave enough to face it together. Publication is scheduled for summer 2021; Sarah Landis at Sterling Lord Literistic brokered the deal for world rights.*
FENCE: STRIKING DISTANCE, based on the comic series created by C.S. Pacat and Johanna The Mad, following the rise of a sixteen-year-old outsider in the world of competitive fencing as he joins the team at an elite boys school and experiences intense rivalries, lifelong friendships, and romance between teammates, to Mary-Kate Gaudet at Little, Brown Children’s, for publication in fall 2020, by Suzie Townsend at New Leaf Literary & Media (world).‘s
IN THE RAVENOUS DARK, a LGBTQIA+ dark fantasy featuring a teen blood-magic user bound to an undead guardian, to John Morgan at Imprint, for publication in summer 2021, by Hannah Bowman at Liza Dawson Associates (world).‘s
Jonah Newman’s OUT OF LEFT FIELD, a semi-autobiographical young adult graphic novel in which a gay teen boy, determined to excel at baseball but decidedly much more at home in a history book, discovers himself, to Andrea Colvin at Little, Brown Children’s, at auction, for publication in summer 2023, by Chad Luibl at Janklow & Nesbit (world).
Oxford University research fellow and LitHub contributor Jack Parlett’s WRITTEN IN THE SAND, a blend of memoir and literary history, exploring the queer identity, idyllic beaches, and famous locales of an iconic destination—Fire Island; pitched as in the vein of Hugh Ryan’s WHEN BROOKLYN WAS QUEER and Olivia Laing’s THE LONELY CITY, examining a number of key literary figures like W.H. Auden, Carson McCullers, Edmund White, Andrew Holleran, and Jeremy O. Harris, who together tell the story of what it means to create a queer space, to John Glynn at Hanover Square Press, at auction, by David Forrer at Inkwell Management, on behalf of Jane Finigan at Lutyens & Rubinstein (NA).
Kelly Delaney at Knopf has acquired, in a preempt, ALL THE THINGS I’VE KEPT FROM MYSELF by Karina Manta. This YA memoir tells of the champion figure skater’s experiences as a professional athlete, coming out as bisexual in a hyper-feminine sport, and her continually evolving body image. Publication is scheduled for fall 2021; Jess Regel at Foundry Literary + Media brokered the deal for North American rights.*
Arkady Martine’s A MEMORY CALLED EMPIRE and A DESOLATION CALLED PEACE, to J’ai Lu (France), in a two-book deal, by Danny Baror at Baror International; also to Mondadori (Italy), in a two-book deal, by Danny Baror at Baror International; on behalf of DongWon Song at Howard Morhaim Literary Agency.
Morgan Rogers’s HONEY GIRL, to DTV (Germany), by Heather Baror-Shapiro at Baror International, on behalf of Holly Root at Root Literary.
Taylor Jenkins Reid’s THE SEVEN HUSBANDS OF EVELYN HUGO, to Locus (Bulgaria), by Katalina Sabeva at Anthea Agency, on behalf of Taryn Fagerness Agency and Carly Watters at P.S. Literary.
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