December 1st was World AIDS Day, and there’s a lot familiar in the horrible handling and terrible ignorance of it for anyone who was around during the AIDS crisis. Whether that’s a history that’s familiar to you or not, you’ll be hard-pressed to find a YA novel that handles it more poignantly than Abdi Nazemian’s Stonewall Honor sophomore YA, Like a Love Story, which follows three teens each experiencing the effects of the disease in different ways. Check it out:
It’s 1989 in New York City, and for three teens, the world is changing.
Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He’s terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he’s gay, but all he knows of gay life are the media’s images of men dying of AIDS.
Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance…until she falls for Reza and they start dating.
Art is Judy’s best friend, their school’s only out and proud teen. He’ll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.
As Reza and Art grow closer, Reza struggles to find a way out of his deception that won’t break Judy’s heart—and destroy the most meaningful friendship he’s ever known.
Historical f/f Romance (especially Regency) is definitely having a moment, and whether or not it sounds like your jam, I submit The Lady’s Guide to Celestial Mechanics by Olivia Waite as the title that will tell you for sure. It’s smart and sexy, but my favorite thing about it is the way both heroines are passionate about not just each other but their personal skills. It feels groundbreaking and defiant while being beautifully queer, and there’s no better time to pick it up because the second in the series, The Care and Feeding of Waspish Widows, releases later this month!
As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.
Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.
While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?
A riotous collection of “witty and captivating” (Bitch Magazine) essays by a gay Filipino immigrant in America learning that everything is about sex–and sex is about power
When Matt Ortile moved from Manila to Las Vegas, the locals couldn’t pronounce his name. Harassed as a kid for his brown skin, accent, and femininity, he believed he could belong in America by marrying a white man and shedding his Filipino identity. This was the first myth he told himself. The Groom Will Keep His Name explores the various tales Ortile spun about what it means to be a Vassar Girl, an American Boy, and a Filipino immigrant in New York looking to build a home.
As we meet and mate, we tell stories about ourselves, revealing not just who we are, but who we want to be. Ortile recounts the relationships and whateverships that pushed him to confront his notions of sex, power, and the model minority myth. Whether swiping on Grindr, analyzing DMs, or cruising steam rooms, Ortile brings us on his journey toward radical self-love with intelligence, wit, and his heart on his sleeve.
Ava, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children.
Julian is a banker. A banker who likes to spend money on Ava, to have sex and discuss fluctuating currencies with her. But when she asks whether he loves her, he cannot say more than “I like you a great deal.”
Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her.
And then Julian writes to tell Ava he is coming back to Hong Kong… Should Ava return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?
Everyone at the prestigious Bexley School believes that Sage Morgan and Charlie Carmichael are meant to be….that it’s just a matter of time until they realize that they are actually in love.
When Luke Morrissey shows up on the Bexley campus his presence immediately shakes things up. Charlie and Luke are drawn to each other the moment they meet, giving Sage the opportunity to steal away to spend time with Charlie’s twin brother, Nick.
But Charlie is afraid of what others will think if he accepts that he has much more than a friendship with Luke. And Sage fears that things with Nick are getting too serious too quickly. The duo will need to rely on each other and their lifelong friendship to figure things out with the boys they love.
In Southern California, no one lives more than thirty miles from the nearest fault line. Sasha Bloom is standing right on top of one when her world literally crumbles around her. With her mother now dead and father out of the picture, Sasha moves in with her estranged grandparents.
Living in her mom’s old bedroom, Sasha has no idea who she is anymore. Luckily, her grandparents are certain they know who she should be: A lawyer in the making. Ten pounds skinnier. In a socially advantageous relationship with a boy from a good family—a boy like Cole Edwards.
And Cole has ideas for who Sasha should be, too. His plus one at lunch. His girlfriend. His.
Sasha tries to make everything work, but that means folding away her love of photography, her grief for her mother, and he growing interest in the magnificently clever Lily Chen. Sasha wants to follow Lily off the beaten path, to discover hidden beaches, secret menus, and the truth about dinosaur pee.
But being friends with Lily might lead somewhere new. Is Sasha willing to stop being the girl everyone expects and let the girl beneath the surface breath through?
Charming, charismatic, and effortlessly popular, Conrad Stewart seems to have it all…but in reality, he’s scrambling to keep his life from tumbling out of control.
Brilliant, guarded, and endlessly driven, Alden Roth may as well be the poster boy for perfection…but even he can’t help but feel a little broken inside.
When these mortal enemies are stuck together on a cross-country road trip to the biggest fan convention of their lives, their infamous rivalry takes a backseat as an unexpected connection is forged. Yet each has a reason why they have to win the upcoming Odyssey gaming tournament and neither is willing to let emotion get in the way―even if it means giving up their one chance at something truly magical.
Liz Lighty has always believed she’s too black, too poor, too awkward to shine in her small, rich, prom-obsessed midwestern town. But it’s okay — Liz has a plan that will get her out of Campbell, Indiana, forever: attend the uber-elite Pennington College, play in their world-famous orchestra, and become a doctor.
But when the financial aid she was counting on unexpectedly falls through, Liz’s plans come crashing down . . . until she’s reminded of her school’s scholarship for prom king and queen. There’s nothing Liz wants to do less than endure a gauntlet of social media trolls, catty competitors, and humiliating public events, but despite her devastating fear of the spotlight she’s willing to do whatever it takes to get to Pennington.
The only thing that makes it halfway bearable is the new girl in school, Mack. She’s smart, funny, and just as much of an outsider as Liz. But Mack is also in the running for queen. Will falling for the competition keep Liz from her dreams . . . or make them come true?
Henrique has been living with HIV for the past three years.
When Victor finds himself getting tested for HIV for the first time, he can’t help but question his entire relationship with Henrique, the guy he has-had-been dating. See, Henrique didn’t disclose his positive HIV status to Victor until after they had sex, and even though Henrique insisted on using every possible precaution, Victor is livid.
That’s when Victor meets Ian, a guy who’s also getting tested for HIV. But Ian’s test comes back positive, and his world is about to change forever. Though Victor is loath to think about Henrique, he offers to put the two of them in touch, hoping that perhaps Henrique can help Ian navigate his new life. In the process, the lives of Ian, Victor, and Henrique will become intertwined in a story of friendship, love, and stigma-a story about hitting what you think is rock bottom, but finding the courage and support to keep moving forward.
Set in Rio de Janeiro, Brazil, this utterly engrossing debut by Brazilian author Lucas Rocha calls back to Alex Sanchez’s Rainbow Boys series, bringing attention to how far we’ve come with HIV, while shining a harsh light on just how far we have yet to go.
Dr. Jessie Drake, in her mid-sixties, following the sudden deaths of her parents and Kat, her partner of twenty years, has fled the Vermont life she has known for decades.
In an effort to escape the oppressive constancy of grief, she accepts a job from an old flame from her residency in New York City’s Roosevelt Hospital, and agrees to assist Ben as the ship’s doctor on a British liner. Jessie boards in Hong Kong, and, as the Amphitrite sails throughout Southeast Asia and the Middle East, cruise ship antics ensue. Jessie is lulled back into a long-ago romance with the ship’s co-doctor, and both she and her new/old beau become enmeshed with the ship’s lead (female) singer/entertainer. Among the passengers who fling socialized behavior aside on the high seas: a former Florida beauty queen (Miss Florida Power and Light) on a second honeymoon with her husband, as she causes high-velocity scandal, while juggling onboard affairs with a suicidal golf pro, and a defrocked priest hired as one of the liner’s gentleman hosts, until she vanishes–poof!–from the ship off the coast of Portugal . . . As the ship sails through the Gulf of Aden and into a possible hijacking by Somali pirates, Jessie retreats into her lover’s journals, written during her final months, journals filled with sketches of potential characters, observations on life and love–as well as drafts of a long new poem in progress, “Swan Song,” that seems to be about being in love with someone else, someone new. As Jessie’s grief turns to suspicion about the woman she thought she knew so well, her illumination of the poem’s meaning begins to lift the constraints of the past and make clear the way toward the future.
Saoirse doesn’t believe in love at first sight. She definitely doesn’t believe in happy endings. If they were real, her mother would still be able to remember her name. She wouldn’t be in a care home with early onset dementia, a condition Saoirse may one day develop herself. So Saoirse isn’t looking for a relationship. She doesn’t see the point.
But Saoirse is about to break her own rules. For a girl with one blue freckle, an irresistible sense of mischief, and a passion for rom-coms.
Unbothered by Saoirse’s no-relationships rulebook, Ruby proposes a loophole. They don’t need true love to have one summer of fun, complete with every cliché, rom-com montage-worthy date they can dream up—and a binding agreement to end their romance come fall.
It would be the perfect plan . . . if they weren’t forgetting one thing about the Falling in Love Montage: when it’s over, the characters have fallen in love for real.
Jake Hyde doesn’t swim––not since his father drowned. Luckily, he lives in Truth or Consequences, New Mexico, which is in the middle of the desert, yet he yearns for the ocean and is determined to leave his hometown for a college on the coast. But his best friend, Maria, wants nothing more than to make a home in the desert, and Jake’s mother encourages him to always play it safe.
There’s nothing “safe” about Jake’s future—not when he’s attracted to Kenny Liu, swim team captain and rebel against conformity. And certainly not when he secretly applies to Miami University. Jake’s life begins to outpace his small town’s namesake, which doesn’t make it any easier to come out to his mom, or Maria, or the world.
But Jake is full of secrets, including the strange blue markings on his skin that glow when in contact with water. What power will he find when he searches for his identity, and will he turn his back to the current or dive headfirst into the waves?
Isabella is beautiful, inscrutable, and popular. Her best friend, Bridget, keeps quietly to the fringes of their Connecticut Catholic school, watching everything and everyone, but most especially Isabella.
In 1957, when the girls graduate, they land coveted spots at the Accademia di Belle Arti di Pentila in northern Italy, a prestigious art history school on the grounds of a silent convent. There, free of her claustrophobic home and the town that will always see her and her Egyptian mother as outsiders, Bridget discovers she can reinvent herself as anyone she desires… perhaps even someone Isabella could desire in return.
But as that glittering year goes on, Bridget begins to suspect Isabella is keeping a secret from her, one that will change the course of their lives forever.
Seven years have passed since the Siege — a time when the hungry dead had risen — but the memories still haunt Illi Basbowen. Though she was trained to be an elite assassin, now the Basbowen clan act as Ghadid’s militia force protecting the resurrected city against a growing tide of monstrous guul that travel across the dunes.
Illi’s worst fears are confirmed when General Barca arrives, bearing news that her fledgling nation, Hathage, also faces this mounting danger. In her search for the source of the guul, the general exposes a catastophic secret hidden on the outskirts of Ghadid.
To protect her city and the realm, Illi must travel to Hathage and confront her inner demons in order to defeat a greater one — but how much can she sacrifice to protect everything she knows from devastation?
When ex-CIA agent Vera Kelly loses her job and her girlfriend in a single day, she reluctantly goes into business as a private detective. Heartbroken and cash-strapped, she takes a case that dredges up dark memories and attracts dangerous characters from across the Cold War landscape. Before it’s over, she’ll chase a lost child through foster care and follow a trail of Dominican exiles to the Caribbean. Forever looking over her shoulder, she nearly misses what’s right in front of her: her own desire for home, connection, and a new romance at the local bar.
Twins Rosie and Ivory have grown up at their ringmaster mother’s knee, and after years on the road, they’re returning to Port End, the closest place to home they know. Yet something has changed in the bustling city: fundamentalist flyers paper the walls and preachers fill the squares, warning of shadows falling over the land. The circus prepares a triumphant homecoming show, full of lights and spectacle that could chase away even the darkest shadow. But during Rosie’s tightrope act, disaster strikes.
In this lush, sensuous novel interwoven with themes of social justice and found family, it’s up to Ivory and her magician love—with the help of a dancing bear—to track down an evil priest and save their circus family before it’s too late.
Skye Shin has heard it all. Fat girls shouldn’t dance. Wear bright colors. Shouldn’t call attention to themselves. But Skye dreams of joining the glittering world of K-Pop, and to do that, she’s about to break all the rules that society, the media, and even her own mother, have set for girls like her.
She’ll challenge thousands of other performers in an internationally televised competition looking for the next K-pop star, and she’ll do it better than anyone else.
When Skye nails her audition, she’s immediately swept into a whirlwind of countless practices, shocking performances, and the drama that comes with reality TV. What she doesn’t count on are the highly fat-phobic beauty standards of the Korean pop entertainment industry, her sudden media fame and scrutiny, or the sparks that soon fly with her fellow competitor, Henry Cho.
But Skye has her sights on becoming the world’s first plus-sized K-pop star, and that means winning the competition—without losing herself.
When Lady Eleanor “Nell” St. George arrives in Wales after serving as a veterinarian in the Great War, she doesn’t come alone. With her is her former captain’s beloved warhorse, which she promised to return to him—and a series of recurring nightmares that torment both her heart and her soul. She wants only to complete her task, then find refuge with her family, but when Nell meets the captain’s eldest daughter, all that changes.
Beatrice Hughes is resigned to life as the dutiful daughter. Her mother grieves for the sons she lost to war; the care of the household and remaining siblings falls to Beatrice, and she manages it with a practical efficiency. But when a beautiful stranger shows up with her father’s horse, practicality is the last thing on her mind.
Despite the differences in their social standing, Beatrice and Nell give in to their unlikely attraction, finding love where they least expect it. But not everything in the captain’s house is as it seems. When Beatrice’s mother disappears under mysterious circumstances, Nell must overcome her preconceptions to help Beatrice, however she’s able. Together they must find out what really happened that stormy night in the village, before everything Beatrice loves is lost—including Nell.
That painful fact of life couldn’t be truer for the Sullivan sisters. Once, they used to be close, sharing secrets inside homemade blanket castles. Now, life in the Sullivan house means closed doors and secrets left untold.
Fourteen-year-old Murphy, an aspiring magician, is shocked by the death of Siegfried, her pet turtle. Seventeen-year-old Claire is bound for better things than her Oregonian hometown—until she receives a crushing rejection from her dream college. And eighteen-year-old Eileen is nursing a growing addiction in the wake of life-altering news.
Then, days before Christmas, a letter arrives, informing the sisters of a dead uncle and an inheritance they knew nothing about. The news forces them to band together in the face of a sinister family mystery…and, possibly, murder.
The Sullivan Sisters is an unforgettable novel about the ghosts of the past, the power of connection, and the bonds of sisterhood.
Brooklyn, 1970s. Born into the ruins of a Syrian Jewish family that once had it all, David is painfully displaced. Trapped in an insular religious community that excludes him and a family coming apart at the seams, he is plunged into suicidal depression by the age of eight. Through adolescence, David tries to suppress his homosexual feelings and fit in, but when pushed to the breaking point, he makes the bold decision to cut off his family, erase his past, and leave everything he knows behind. There’s only one problem: who should he be? Bouncing between identities he steals from the pages of fashion magazines, tomes of philosophy, sitcoms and foreign films, and practically everyone he meets–from Rastafarians to French preppies–David begins to piece together an entirely new adult self. But is this the foundation for a life, or just a kind of quicksand?
Moving from the glamour and dysfunction of 1970s Brooklyn, to the sybaritic materialism of Reagan’s 1980s to post-9/11 New York, Lot Six offers a quintessentially American tale of an outsider striving to reshape himself in the funhouse mirror of American culture. Adjmi’s memoir is a genre bending Künstlerroman in the spirit of Charles Dickens and Alison Bechdel, a portrait of the artist in the throes of a life and death crisis of identity. Raw and lyrical, and written in gleaming prose that veers effortlessly between hilarity and heartbreak, Lot Six charts Adjmi’s search for belonging, identity, and what it takes to be an artist in America.
Will Sedgwick can’t believe that after months of searching for his oldest friend, Martin Easterbrook is found hiding in an attic like a gothic nightmare. Intent on nursing Martin back to health, Will kindly kidnaps him and takes him to the countryside to recover, well away from the world.
Martin doesn’t much care where he is or even how he got there. He’s much more concerned that the man he’s loved his entire life is currently waiting on him hand and foot, feeding him soup and making him tea. Martin knows he’s a lost cause, one he doesn’t want Will to waste his life on.
As a lifetime of love transforms into a tender passion both men always desired but neither expected, can they envision a life free from the restrictions of the past, a life with each other?
Agoraphobe Jaden shouldn’t have let his big brother put a ticket in a blind date raffle for him. He wasn’t expecting to win. And certainly not an overnight trip to the Grand Canyon with a gorgeous stranger—and his total opposite, a hunky wilderness guide.
Henry’s excited to meet a guy he clicks with, having finally finished bottom surgery. He’s been living stealth as the man he is for years, but he’s growing tired of hiding his past. Jaden not only accepts him, he captivates Henry, who resolves to be courageous and vulnerable in the rest of his life.
Back home in Denver, Henry starts to take pride in reconnecting with the trans community, while Jaden pushes himself out of his comfort zone. But freedom always comes at a price. Can they take the plunge into their wide open future together?
Summer Hemlock never meant to come back to Omen, Massachusetts.
But with his mother in need of help, Summer has no choice but to return to his hometown, take up a teaching residency at the Albin Academy boarding school—and work directly under the man who made his teenage years miserable.
Professor Fox Iseya.
Forbidding, aloof, commanding: psychology instructor Iseya is a cipher who’s always fascinated and intimidated shy, anxious Summer. But that fascination turns into something more when the older man challenges Summer to be brave. What starts as a daily game to reward Summer with a kiss for every obstacle overcome turns passionate, and a professional relationship turns quickly personal.
Yet Iseya’s walls of grief may be too high for someone like Summer to climb…until Summer’s infectious warmth shows Fox everything he’s been missing in life.
Now both men must be brave enough to trust each other, to take that leap.
Introducing Brie Hutchens: soap opera super fan, aspiring actor, and so-so student at her small Catholic school. Brie has big plans for eighth grade. She’s going to be the star of the school play and convince her parents to let her go to the performing arts high school. But when Brie’s mom walks in on her accidentally looking at some possibly inappropriate photos of her favorite actress, Brie panics and blurts out that she’s been chosen to crown the Mary statue during her school’s May Crowning ceremony. Brie’s mom is distracted with pride—but Brie’s in big trouble: she has not been chosen. No one has. Worse, Brie has almost no chance to get the job, which always goes to a top student.
Desperate to make her lie become truth, Brie turns to Kennedy, the girl everyone expects to crown Mary. But sometimes just looking at Kennedy gives Brie butterflies. Juggling her confusing feelings with the rapidly approaching May Crowning, not to mention her hilarious non-star turn in the school play, Brie navigates truth and lies, expectations and identity, and how to—finally—make her mother really see her as she is.
Rose and Lily Winters are twins, as close as the bond implies; they feel each other’s emotions, taste what the other is feeling. Like most young women, they’ve struggled with their bodies and food since childhood, and high school finds them turning to food—or not—to battle the waves of insecurity and the yearning for popularity. But their connection can be as destructive as it is supportive, a yin to yang. when Rose stops eating, Lily starts—consuming everything Rose won’t or can’t.
Within a few years, Rose is about to mark her one-year anniversary in a rehabilitation facility for anorexics. Lily, her sole visitor, is the only thing tethering her to a normal life.
Today on the site, I’m delighted to welcome Jake Martinez, whose debut YA, The Mixtape to My Life, releases today from Deep Hearts YA! Here’s a little more about the book:
Justin Ortega might as well be starring in his very own coming-of-age 80s movie. If only he could find his dream boy to pull up in front of his house in a red convertible and sweep him off his feet, already! At seventeen years young, he isn’t quite Mexican enough for his South Texas town; isn’t manly enough for his father; can sometimes be too much of a smart mouth for his mother; and as for the other kids at school—let’s just say he’d be cast as the quiet nerd with a heart of gold…and an ear for music.
The one solace Justin has is his love of 80s hair metal bands, which he listens to on his beloved Sony Walkman. The songs, lyrics, and melody keep him just sane enough to escape the pressures of school and help navigate the hurdles life brings. Especially with the doozy this year is shaping up to be. Not only does he have to try out for a captain position which is rightfully his, but his best friend has found a new girlfriend, leaving Justin to fend for himself in a school where he’s mostly known as simply Coconut.
Enter Dominic Mendoza. Sweet, funny, and a blast from his past, the hunky football player has moved in next door. Justin could never forget how Dominic protected him in the eighth grade, nor the way Dominic made him feel, then…and now.
Except, this isn’t a movie. Confusion, friendship, and love won’t guarantee a happy ending unless Justin can learn to accept himself for who he truly is. Hair bands and all.
I’d like to thank LGBTQ Reads for giving me the opportunity to talk about my book and why I decided to set it during the 90s.
When I started writing The Mixtape to My Life, there were certain things I knew I wanted. First, that it was going to be a Young Adult story. Second, that I wanted it to be set in South Texas. Then third, and most important, I wanted it to take place during the 90s. It’s not that I didn’t think that I wouldn’t be able to write a novel set in today’s world, it’s just that I thought if I were able to tap into the feelings I had as a young gay kid growing up in 90s era South Texas, then it might make the main character and all his pent up emotions feel more authentic. But it did make me wonder that if my novel is set in the 90s, would today’s YA audience be able to relate? The answer is yes, because even though it’s a different time, some things never change.
One of the main motivations I had for writing a YA novel was the fact that even though we have made great strides in this world towards LGBTQIA+ acceptance, there are still places where many young people feel the need to hide who they are. The fear and uncertainty of what might happen if they came out is a frightening thought. Some go on with their lives, while others pray and pray that they will change and become what others consider to be “normal.”
I thought, maybe, just maybe if they saw that someone in a different time went through the same thing and came out of it okay, then maybe it might give them hope. That’s why it doesn’t matter if they don’t know what Teen Witch is or know the words to Welcome to the Jungle by Guns N’ Roses. Emotions are universal despite the time frame. So is hope. That’s what I wish for people to feel when they read this: hope.
Bullying and Homophobia
One thing that maybe make people uncomfortable about The Mixtape to My Life is the use of homophobic and racial slurs that bullies in the book hurl at Justin, the main character. Some of them are quite harsh and could cause a negative reaction in someone. Trust me, I thought long and hard about whether or not to use them. But in the end, I felt that the story would lose something without it. I heard them on almost a daily basis, and while those slurs may not be as accepted as they were before, they are still used against many in the gay community. A queer teen who hears them as much as I did needs to see that someone can overcome this and find true acceptance. Like I mentioned before, I want that shy queer kid who feels alone to know that no matter what people throw at them, there is still hope that things will get better. You can find people who accept you, and you don’t have to change who you are to have that.
So yes, despite possible unfamiliar cultural references, I do feel that today’s YA audience can relate to a book set during the 90s. The techniques may be more advanced in this current age, but bullying is still bullying, and we can all relate to the hurt that it causes.
Jake Martinez is a former South Texas resident who has found a new home in Chicago. He has been writing all his life but has only recently sought to be published. His debut novel, The Mixtape to My Life, reflects on life as a gay teen growing up in South Texas. Jake holds an MFA in Creative Writing and also loves to write plays and screenplays. Aside from writing, you can find him hanging out at home with his husband, their newborn son, and an eclectic group of fur babies.
SCBWI Crystal Kite Award winner Lawrence Schimel’s EARLY ONE MORNING and BEDTIME, NOT PLAYTIME, two board books that show LGBTQ families living ordinary lives, illustrated by Elina Braslina, to Ruth Linka at Orca Books, in a two-book deal, for publication in spring 2021 (NA).
Jeremy Whitley’s THE DOG KNIGHT, in which a non-binary kid must balance the real life troubles of middle school with the chance to face down the forces of chaos alongside a council of dog superheroes, illustrated by Bre Indigo, to Holly West at Feiwel and Friends, in a nice deal, in a three-book deal, for publication in early 2021, by Moe Ferrara at BookEnds for the author, and by Brent Taylor at TriadaUS Literary Agency for the illustrator (world).
Kate Prosswimmer at S&S/McElderry has acquired LIES LIKE POISON by Chelsea Pitcher, in which a queer teen is charged with a murder she plotted to commit—before she ultimately backed out—and now must team up with her conspirators, whom she’s not sure she can trust, to uncover the truth and clear her name in a high-stakes whodunit for fans of Riverdale and Kara Thomas’s The Cheerleaders. Publication is slated for fall 2020; Mandy Hubbard at Emerald City Literary Agency brokered the deal for world rights.
Melbourne-based professor of literary studies’ debut novel Kate Hazel Hall’s FROM DARKNESS: Ari Wyndham is looking forward to summer holidays and a new baby sister. But when a tiger-snake delivers a deathly bite, a beautiful, ghostly and strangely familiar young woman appears, summoning Ari’s soul to the underworld. Ari and her summoner decide to break the rules and stay in the land of the living, where they must battle the evils of the underworld and the laws of life and death to prove that their love is strong enough to defy the Fates and save the world from darkness, to Annie Harper at Duet Books, the YA imprint of Interlude Press. Publication is slated for November 2020.
Carolina Ortiz at HarperCollins has acquired L.L. McKinney’s ESCAPING MR. ROCHESTER, a YA reimagining of Charlotte Bronte’s classic novel that asks: what if the real villain of Jane Eyre was actually Mr. Rochester? In this queer romance, Jane Eyre and Bertha Mason—Mr. Rochester’s wife, whom he’s imprisoned within the house for years—must save each other from the horrifying machinations of Mr. Rochester. Publication is planned for winter 2022; Victoria Marini at Irene Goodman Literary Agency negotiated the deal for world rights.
Orlando Dos Reis at Scholastic Press has acquired HERE THE WHOLE TIME, a contemporary YA debut by Brazilian author Vitor Martins, originally published in Portuguese in Brazil, and translated by Larissa Helena. The novel follows Felipe – who is fat and gay – as he spends 15 days with his lifelong crush, Caio, in a love story about body image, self-acceptance, and standing up to bullying. Publication is slated for Fall 2020; Taissa Reis and Gui Liaga at Pagina 7 Agency in Brazil negotiated the deal for World Rights (except Portuguese).
Thomas Wolfe Fiction Prize winner and SUGAR RUN author Mesha Maren’s PERPETUAL WEST, the story of a young couple—a Mexican-American man in search of his past, and a West Virginian woman seeking a future—trying to make their home among the academics and young leftists in the Mexican border city of Juárez, pulled from one another by an affair with a Lucha Libre fighter, a troubled cartel leader, their fears of and tethers to their own bodies, and the loud cry of home, to Kathy Pories at Algonquin, by Bill Clegg at The Clegg Agency (NA).
Asian-Australian former diplomat and international development adviser Shelley Parker-Chan‘s SHE WHO BECAME THE SUN, pitched as Mulan meets the SONG OF ACHILLES, a queer, alt-history reimagining of the founding emperor of the Ming Dynasty as an iron-willed peasant girl who steals her brother’s identity and great fate, and, defying the bounds of gender, rises from monk to leader of the rebellion against China’s Mongol rulers, to Diana Gill at Tor, in a good deal, at auction, in a two-book deal, for publication in spring 2021, by Laura Rennert at Andrea Brown Literary Agency (world English).
Gordy Sauer’s CHILD IN THE VALLEY, a coming-of-age story set in the harsh landscape of Gold Rush America, centering on a 17-year-old orphan’s journey to California in a wagon train of ruthless 49ers, which redefines his morality within the context of greed, his sexuality, and the still-fledgling American government, to Meg Reid at Hub City Press, for publication in April 2021, by Kirby Kim at Janklow & Nesbit (world English).
Catherine Hernandez’s CROSSHAIRS, a tale of a dystopian near-future, where a fascist regime threatens the lives of people of color, the disabled, the elderly, and all “other” communities, and four larger-than-life LGBTQ survivors band together and fight back, to Michelle Herrera Mulligan at Atria, for publication in fall 2020, by Marilyn Biderman at Transatlantic Literary Agency.
Kris Ripper’s THE LOVE STUDY, in which a commitment-phobic office temp agrees to be featured on a popular nonbinary YouTuber’s dating advice show, only to find himself falling for the host, to Stephanie Doig at Carina Press, in a three-book deal, by Courtney Miller-Callihan at Handspun Literary (world).
Cat Sebastian’s A BEGINNER’S GUIDE TO CAPITAL CRIME, a Georgian historical romance about a dashing highwayman and the disgraced aristocrat who tempts him out of retirement as they join forces to bring down a common enemy, to Elle Keck at Avon, in a nice deal, in a two-book deal, by Deidre Knight at The Knight Agency (world).
Transgender comic artist and illustrator Julia Kaye‘s MY LIFE IN TRANSITION, picking up where her first book, SUPER LATE BLOOMER left off, showing what it’s like to live as a trans woman in modern society, the importance of one’s “chosen family,” navigating moments of dysphoria and misgendering, learning to lean on friends in times of need, and finding peace in a life that keeps moving forward post transition, again to Allison Adler at Andrews McMeel, in an exclusive submission, by Meg Thompson at Thompson Literary Agency (world).
Executive director of Bard Early College Initiative and education faculty member Michael Sadowski’s MEN I’VE NEVER BEEN, pitched in the tradition of BETTYVILLE and THE TENDER BAR, the coming-of-age journey of a gender non-conforming male trying to navigate the blind alleys of traditional manhood, facing the gauntlet of masculinity tests he feels destined to fail: the role models that don’t deliver, the TV tropes and archetypes that never seem to fit; about finding one’s true identity, to Nathan MacBrien at University of Wisconsin Press in the Living Out series, for publication in spring 2021, by Joelle Delbourgo at Joelle Delbourgo Associates (world).
I freaking love books that are helmed by female spies, and this brilliant historical about a queer woman working as one during the Cold War was everything I’d wanted it to be when I read it in one sitting on a flight. Who is Vera Kelly? is fun and surprising and clever and a good glimpse into a fraught era from both a political and queer perspective, so do yourself a favor and check it out!
New York City, 1962. Vera Kelly is struggling to make rent and blend into the underground gay scene in Greenwich Village. She’s working night shifts at a radio station when her quick wits, sharp tongue, and technical skills get her noticed by a recruiter for the CIA.
Next thing she knows she’s in Argentina, tasked with wiretapping a congressman and infiltrating a group of student activists in Buenos Aires. As Vera becomes more and more enmeshed with the young radicals, the fragile local government begins to split at the seams. When a betrayal leaves her stranded in the wake of a coup, Vera learns the Cold War makes for strange and unexpected bedfellows, and she’s forced to take extreme measures to save herself.
The year is 1973. The Watergate hearings are in full swing. The Vietnam War is still raging. And homosexuality is still officially considered a mental illness. In the midst of these trying times is sixteen-year-old Jonathan Collins, a bullied, anxious, asthmatic kid, who aside from an alcoholic father and his sympathetic neighbor and friend Starla, is completely alone. To cope, Jonathan escapes to the safe haven of his imagination, where his hero David Bowie’s Ziggy Stardust and dead relatives, including his mother, guide him through the rough terrain of his life. In his alternate reality, Jonathan can be anything: a superhero, an astronaut, Ziggy Stardust, himself, or completely “normal” and not a boy who likes other boys. When he completes his treatments, he will be normal—at least he hopes. But before that can happen, Web stumbles into his life. Web is everything Jonathan wishes he could be: fearless, fearsome and, most importantly, not ashamed of being gay.
Jonathan doesn’t want to like brooding Web, who has secrets all his own. Jonathan wants nothing more than to be “fixed” once and for all. But he’s drawn to Web anyway. Web is the first person in the real world to see Jonathan completely and think he’s perfect. Web is a kind of escape Jonathan has never known. For the first time in his life, he may finally feel free enough to love and accept himself as he is.
A poignant coming-of-age tale, Ziggy, Stardust and Me heralds the arrival of a stunning and important new voice in YA.
On the run from the FBI.
Targeted by a murderous cult.
Labeled a cyber-terrorist by the media.
Irritated texts from his best friend.
Eye contact with a nice-looking guy on the train.
Aidan has a lot to deal with, and he’s not quite sure which takes top priority.
Finding himself alone in a posh New York City hotel room for the night, Aidan does what any red-blooded seventeen-year-old would do—he tries to hook up with someone new. But that lapse in judgement leads to him waking up next to a dead guy, which sparks an epic case of mistaken identity that puts Aidan on the run from everyone—faceless federal agents, his eccentric family, and, naturally, a cyber-terrorist group who will stop at nothing to find him.
He soon realizes the only way to stop the chase is to deliver the object everyone wants, before he gets caught or killed. But for Aidan, the hardest part is knowing who he can trust not to betray him—including himself.
There are many ways the world could end. A fire. A catastrophic flood. A super eruption that spews lakes of lava. Ellis Kimball has made note of all possible scenarios, and she is prepared for each one.
What she doesn’t expect is meeting Hannah Marks in her therapist’s waiting room. Hannah calls their meeting fate. After all, Ellis is scared about the end of the world; Hannah knows when it’s going to happen.
Despite Ellis’s anxiety—about what others think of her, about what she’s doing wrong, about the safety of her loved ones—the two girls become friends. But time is ticking down, and as Ellis tries to help Hannah decipher the details of her doomsday premonition, their search for answers only raises more questions.
When does it happen? Who will believe them? And how do you prepare for the end of the world when it feels like your life is just getting started?
Lady’s maid Molly Wilkins is done with thieving—and cheating and stabbing and all the rest of it. She’s determined to keep her hands to herself, so she really shouldn’t be tempted to seduce her employer’s prim and proper companion, Alice. But how can she resist when Alice can’t seem to keep her eyes off Molly?
Finds her own heart
For the first time in her life, Alice Stapleton has absolutely nothing to do. The only thing that seems to occupy her thoughts is a lady’s maid with a sharp tongue and a beautiful mouth. Her determination to know Molly’s secrets has her behaving in ways she never imagined as she begins to fall for the impertinent woman.
Has been stolen
When an unwelcome specter from Alice’s past shows up unexpectedly at a house party, Molly volunteers to help the only way she knows how: with a little bit of mischief.
Words have always been more than enough for Ken Z, but when he meets Ran at the mall food court, everything changes. Beautiful, mysterious Ran opens the door to a number of firsts for Ken: first kiss, first love. But as quickly as he enters Ken’s life, Ran disappears, and Ken Z is left wondering: Why love at all, if this is where it leads?
Letting it end there would be tragic. So, with the help of his best friends, the comfort of his haikus and lists, and even strange, surreal appearances by his hero, Oscar Wilde, Ken will find that love is worth more than the price of heartbreak.
The long-awaited sequel to Of Fire and Stars—in which Mare and Denna travel to a new and dangerous kingdom where Denna must be trained to tame her magic by a mysterious queen who is not all she seems. Perfect for fans of Kristin Cashore and Tamora Pierce.
Princesses Denna and Mare are in love and together at last—only to face a new set of dangers.
Mare just wants to settle down with the girl she loves, which would be easier if Denna weren’t gifted with forbidden and volatile fire magic. Denna must learn to control her powers, which means traveling in secret to the kingdom of Zumorda, where she can seek training without fear of persecution. Determined to help, Mare has agreed to serve as an ambassador as a cover for their journey.
But just after Mare and Denna arrive in Zumorda, an attack on a border town changes everything. Mare’s diplomatic mission is now urgent: She must quickly broker an alliance with the Zumordan queen to protect her homeland. However, the queen has no interest in allying with other kingdoms—it’s Denna’s untamed but powerful magic that catches her eye. The queen offers to teach Denna herself, and both girls know it would be dangerous to refuse.
As Denna’s powers grow stronger, Mare does her best to be the ambassador her kingdom needs. Her knowledge of Zumorda and its people grows, and so too do her suspicions about the queen’s intentions. With rising tensions and unexpected betrayals putting Mare and Denna in jeopardy and dangerous enemies emerging on all sides, can they protect their love and save their kingdoms?
When Deena’s wild older sister Mandy goes missing, presumed dead, Deena refuses to believe it’s true. Especially when letters start arriving–letters from Mandy–which proclaim that their family’s blighted history is not just bad luck or bad decisions but a curse, handed down to women from generation to generation. Mandy’s gone to find the root of the curse before it’s too late for Deena. But is the curse even real? And is Mandy still alive? Deena’s desperate, cross-country search for her beloved sister–guided only by the notes that mysteriously appear at each destination, leading her to former Magdalene laundry sites and more–is a love letter to women and a heartbreaking cathartic journey.