Obie knew his transition would have ripple effects. He has to leave his swim coach, his pool, and his best friends. But it’s time for Obie to find where he truly belongs.
As Obie dives into a new team, though, things are strange. Obie always felt at home in the water, but now he can’t get his old coach out of his head. Even worse are the bullies that wait in the locker room and on the pool deck. Luckily, Obie has family behind him. And maybe some new friends too, including Charlie, his first crush. Obie is ready to prove he can be one of the fastest boys in the water—to his coach, his critics, and his biggest competition: himself.
She can pry into folks’ memories with just a touch of their belongings. It’s something she’s always kept hidden — especially from her big, chaotic family. Their lives are already chock-full of worries about Daddy’s job and Mama’s blues without Tennie rocking the boat.
But when the Lancasters move to the mountains for a fresh start, Tennie’s gift does something new. Instead of just memories, her touch releases a ghost with a terrifying message: Trouble is coming. Tennie wants to ignore it. Except her new friend Fox — scratch that, her only friend, Fox — is desperate to go ghost hunting deep in the forest. And when Tennie frees even more of the spirits, trouble is exactly what she gets… and it hits close to home. The ghosts will be heard, and now Tennie must choose between keeping secrets or naming an ugly truth that could tear her family apart.
Magic and mayhem abound in this spooky story about family legacies, first friendships, and how facing the ghosts inside can sometimes mean stirring up a little bit of ruckus.
In Other Boys, debut author Damian Alexander delivers a moving middle grade graphic memoir about his struggles with bullying, the death of his mother, and coming out.
Damian is the new kid at school, and he has a foolproof plan to avoid the bullying that’s plagued him his whole childhood: he’s going to stop talking. Starting on the first day seventh grade, he won’t utter a word. If he keeps his mouth shut, the bullies will have nothing to tease him about―right?
But Damian’s vow of silence doesn’t work―his classmates can tell there’s something different about him. His family doesn’t look like the kind on TV: his mother is dead, his father is gone, and he’s being raised by his grandparents in a low-income household. And Damian does things that boys aren’t supposed do, like play with Barbies instead of GI Joe. Kids have teased him about this his whole life, especially other boys. But if boys can be so cruel, why does Damian have a crush on one?
San Francisco and Orangevale may be in the same state, but for Héctor Muñoz, they might as well be a million miles apart. Back home, being gay didn’t mean feeling different. At Héctor’s new school, he couldn’t feel more alone.
Most days, Héctor just wishes he could disappear. And he does. Right into the janitor’s closet. (Yes, he sees the irony.) But one day, when the door closes behind him, Héctor discovers he’s stumbled into a room that shouldn’t be possible. A room that connects him with two new friends from different corners of the country—and opens the door to a life-changing year full of magic, friendship, and adventure.
In a modern mega-city built around dragons, one boy gets caught up in the world of underground dragon battles and a high-stakes gang war that could tear his family apart.
Once, dragons nearly drove themselves to extinction. But in the city of Drakopolis, humans domesticated them centuries ago. Now dragons haul the city’s cargo, taxi its bustling people between skyscrapers, and advertise its wares in bright, neon displays. Most famously of all, the dragons battle. Different breeds take to the skies in nighttime bouts between the infamous kins―criminal gangs who rule through violence and intimidation.
Abel has always loved dragons, but after a disastrous showing in his dragon rider’s exam, he’s destined never to fly one himself. All that changes the night his sister appears at his window, entrusting him with a secret…and a stolen dragon.
Turns out, his big sister is a dragon thief! Too bad his older brother is a rising star in Drakopolis law enforcement…
To protect his friends and his family, Abel must partner with the stolen beast, riding in kin battles and keeping more secrets than a dragon has scales.
When everyone wants him fighting on their side, can Abel figure out what’s worth fighting for?
This is Our Rainbow ed. by Katherine Locke and Nicole Melleby (October 19th)
The first LGBTQ+ anthology for middle-graders featuring stories for every letter of the acronym, including realistic, fantasy, and sci-fi stories by authors like Justina Ireland, Marieke Nijkamp, Alex Gino, and more!
A boyband fandom becomes a conduit to coming out. A former bully becomes a first-kiss prospect. One nonbinary kid searches for an inclusive athletic community after quitting gymnastics. Another nonbinary kid, who happens to be a pirate, makes a wish that comes true–but not how they thought it would. A tween girl navigates a crush on her friend’s mom. A young witch turns herself into a puppy to win over a new neighbor. A trans girl empowers her online bestie to come out.
From wind-breathing dragons to first crushes, This Is Our Rainbow features story after story of joyful, proud LGBTQIA+ representation. You will fall in love with this insightful, poignant anthology of queer fantasy, historical, and contemporary stories from authors including: Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Katherine Locke, Mariama J. Lockington, Nicole Melleby, Marieke Nijkamp, Claribel A. Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and AJ Sass.
Struggling with anxiety after witnessing a harrowing instance of gun violence, Manuel Soto copes through photography, using his cell-phone camera to find anchors that keep him grounded. His days are a lonely, latchkey monotony until he’s teamed with his classmates, Sebastian and Caysha, for a group project.
Sebastian lives on a grass-fed cattle farm outside of town, and Manuel finds solace in the open fields and in the antics of the newborn calf Sebastian is hand-raising. As Manuel aides his new friends in their preparations for the local county fair, he learns to open up, confronts his deepest fears, and even finds first love.
When Jay starts eighth grade with a few pimples he doesn’t think much of it at first…except to wonder if the embarrassing acne will disappear as quickly as it arrived. But when his acne goes from bad to worse, Jay’s prescribed a powerful medication that comes with some serious side effects. Regardless, he’s convinced it’ll all be worth it if clear skin is on the horizon!
Meanwhile, school isn’t going exactly as planned. All of Jay’s friends are in different classes; he has no one to sit with at lunch; his best friend, Brace, is avoiding him; and–to top it off–Jay doesn’t understand why he doesn’t share the same feelings two of his fellow classmates, a boy named Mark and a girl named Amy, have for him.
Eighth grade can be tough, but Jay has to believe everything’s going to be a-okay…right?
Born in Paris, Kentucky, and raised on her gram’s favorite country music, Cline Alden is a girl with big dreams and a heart full of song. When she finds out about a young musicians’ workshop a few towns over, Cline sweet-talks, saves, and maybe fibs her way into her first step toward musical stardom.
But her big dreams never prepared her for the butterflies she feels surrounded by so many other talented kids—especially Sylvie, who gives Cline the type of butterflies she’s only ever heard about in love songs.
As she learns to make music of her own, Cline begins to realize how much of herself she’s been holding back. But now, there’s a new song taking shape in her heart—if only she can find her voice and sing it.
For the past two years, Lee has been laser-focused on two things: her job as a sound tech at a local coffee shop and her podcast “Artists in Love,” which she cohosts with her boyfriend Vincent.
Until he breaks up with her on the air right after graduation.
When their unexpected split, the loss of her job, and her parent’s announcement that they’re separating coincide, Lee’s plans, her art, and her life are thrown into turmoil. Searching for a new purpose, Lee recruits her old friend Max and new friend Risa to produce a podcast called “Objects of Destruction,” where they investigate whether love actually exists at all.
But the deeper they get into the love stories around them, the more Lee realizes that she’s the one who’s been holding love at arm’s length. And when she starts to fall for Risa, she finds she’ll have to be more honest with herself and the people in her life to create a new love story of her own.
Sophie Roseingrave hates nothing more than a swindler. After her family lost their piano shop to a con man in London, they’re trying to start fresh in a new town. Her father is convinced Carrisford is an upright and honest place, but Sophie is not so sure. She has grave suspicions about silk-weaver Madeline Crewe, whose stunning beauty doesn’t hide the fact that she’s up to something.
All Maddie Crewe needs is one big score, one grand heist to properly fund the weavers’ union forever. She has found her mark in Mr. Giles, a greedy draper, and the entire association of weavers and tailors and clothing merchants has agreed to help her. The very last thing she needs is a small but determined piano-teacher and composer sticking her nose in other people’s business. If Sophie won’t be put off, the only thing to do is to seduce her to the cause.
Will Sophie’s scruples force her to confess the plot before Maddie gets her money? Or will Maddie lose her nerve along with her heart?
As a nonbinary, transmasculine parent, Krys Malcolm Belc has thought a lot about the interplay between parenthood and gender. Giving birth to his son Samson clarified his gender identity and allowed him to project a more masculine self. And yet, when his partner Anna adopted Samson, the legal documents listed Belc as “the natural mother of the child.”
By considering how the experiences contained under the umbrella of “motherhood” don’t fully align with Belc’s own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. The Natural Mother of the Child is a visual memoir-in-lyric-essays, an archive of Belc’s queerness. By engaging directly with the documentation often thought to constitute a record of one’s life—childhood photos, birth certificates—Belc creates a new kind of life record, one that addresses his own ambivalence about the “before” and “after” so prevalent in trans stories, which feels apart from his own.
The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.
A young gay man in a perfect marriage will do anything to keep a dangerous indiscretion from his loving husband.
Oliver Park, a recovering addict from Indiana, finally has everything he ever wanted: sobriety and a loving, wealthy partner in Nathan, a prominent DC trauma surgeon. Despite their difference in age and disparate backgrounds, they’ve made a perfect life together. With everything to lose, Oliver shouldn’t be visiting Haus, a gay bathhouse. But through the entrance he goes, and it’s a line crossed. Inside, he follows a man into a private room, and it’s the final line. Whatever happens next, Nathan can never know. But then, everything goes wrong, terribly wrong, and Oliver barely escapes with his life.
He races home in full-blown terror as the hand-shaped bruise grows dark on his neck. The truth will destroy Nathan and everything they have together, so Oliver does the thing he used to do so well: he lies.
What follows is a classic runaway-train narrative, full of the exquisite escalations, edge-of-your-seat thrills, and oh-my-god twists. P. J. Vernon’s Bath Haus is a scintillating thriller with an emotional punch, perfect for readers curious for their next must-read novel.
Part historical fiction, part magical realism, and 100 percent adventure. Thirteen-year-old Mei reimagines the myths of Paul Bunyan as starring a Chinese heroine while she works in a Sierra Nevada logging camp in 1885.
Aware of the racial tumult in the years after the passage of the Chinese Exclusion Act, Mei tries to remain blissfully focused on her job, her close friendship with the camp foreman’s daughter, and telling stories about Paul Bunyan–reinvented as Po Pan Yin (Auntie Po), an elderly Chinese matriarch.
Anchoring herself with stories of Auntie Po, Mei navigates the difficulty and politics of lumber camp work and her growing romantic feelings for her friend Bee. The Legend of Auntie Po is about who gets to own a myth, and about immigrant families and communities holding on to rituals and traditions while staking out their own place in America.
In the waning days of the Civil War, brothers Prentiss and Landry—freed by the Emancipation Proclamation—seek refuge on the homestead of George Walker and his wife, Isabelle. The Walkers, wracked by the loss of their only son to the war, hire the brothers to work their farm, hoping through an unexpected friendship to stanch their grief. Prentiss and Landry, meanwhile, plan to save money for the journey north and a chance to reunite with their mother, who was sold away when they were boys.
Parallel to their story runs a forbidden romance between two Confederate soldiers. The young men, recently returned from the war to the town of Old Ox, hold their trysts in the woods. But when their secret is discovered, the resulting chaos, including a murder, unleashes convulsive repercussions on the entire community. In the aftermath of so much turmoil, it is Isabelle who emerges as an unlikely leader, proffering a healing vision for the land and for the newly free citizens of Old Ox.
A lesbian romance filled with intrigue and sizzling sexual tension as enemies discover that the other side of hatred…is desire.
Agnes Noble is private, mysterious, and untouchable. She rules House of Agnes, the most exclusive escort agency on the East Coast, with a diamond fist. Crossing her is a mistake no one makes twice.
Investigative reporter Lola Osbourne is not afraid. She’s gunning for the House and its so-called queen. She’ll make sure no other innocent gets dragged into Agnes’s alluring web, to be used and discarded the way Lola’s sister was.
But her plan to get close to the elusive madam shatters the moment her eyes meet the Queen’s. One look and everything’s different. More complicated. Dangerous.
Now, Lola’s not just fighting to topple a queen from her throne, she’s also scrambling to escape their explosive collision with her suddenly vulnerable heart intact.
When she was twenty-six and broke, Skye didn’t think twice before selling her eggs and happily pocketing the cash. Now approaching forty, Skye still moves through life entirely—and unrepentantly—on her own terms, living out of a suitcase and avoiding all manner of serious relationships. Maybe her junior high classmates weren’t wrong when they voted her “Most Likely to Be Single” instead of “Most Ride-or-Die Homie,” but at least she’s always been free to do as she pleases.
Then a twelve-year-old girl tracks Skye down during one of her brief visits to her hometown of Philadelphia and informs Skye that she’s “her egg.” Skye’s life is thrown into sharp relief and she decides that it might be time to actually try to have a meaningful relationship with another human being. Spoiler alert: It’s not easy.
Things get even more complicated when Skye realizes that the woman she tried and failed to pick up the other day is the girl’s aunt, and now it’s awkward. All the while, her brother is trying to get in touch, her mother is being bewilderingly kind, and the West Philly pool halls and hoagie shops of her youth have been replaced by hipster cafés.
With its endearingly prickly narrator and a cast of characters willing to both challenge her and catch her when she falls, this novel is a clever, moving portrait of a woman and the relationships she thought she could live without.
Dani’s best friend, Sarah, is a ghost. But maybe that’s normal when you’ve spent your childhood running from an abusive parent.
Dani and Sarah might be more than friends, though Dani dares not say so. Dani is afraid that if he tells Sarah he’s trans, she won’t bother haunting him anymore. Sarah’s got good reason to distrust boys, having been strangled by one.
After Sarah and Dani come across another ghost haunted by her own brutal murder, they set out to bring peace and safety to spirits like her. But when an old rival reenters Dani’s life, their unexpected friendship gives Dani a strange new feeling of belonging. As Dani starts to find his place in the living world, he’ll need to let go of his ghosts.
In the series of linked stories at the heart of Filthy Animals, set among young creatives in the American Midwest, a young man treads delicate emotional waters as he navigates a series of sexually fraught encounters with two dancers in an open relationship, forcing him to weigh his vulnerabilities against his loneliness. In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.
One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as “a writer who wields his craft in absolutely unforgettable ways.” With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.
Growing up a Guyanese Indian immigrant in Central Florida, Rajiv Mohabir is fascinated by his family’s abandoned Hindu history and the legacy of his ancestors, who were indentured laborers on British sugarcane plantations. In Toronto he sits at the feet of Aji, his grandmother, listening to her stories and songs in her Caribbean Bhojpuri. By now Aji’s eleven children have immigrated to North America and busied themselves with ascension, Christianity, and the erasure of their heritage andCaribbean accents. But Rajiv wants to know more: where did he come from, and why does he feel so out of place?
Embarking on a journey of discovery, he lives for a year in Varanasi, on the banks of the Ganges, perfecting his Hindi and Bhojpuri and tracing the lineage of his Aji’s music. Returning to Florida, the cognitive dissonance of confederate flags, Islamophobia, and his father’s disapproval sends him to New York, where finds community among like-minded brown activists, work as an ESL teacher, and intoxication in the queer nightlife scene. But even in the South Asian paradise of Jackson Heights, Rajiv feels like an outsider: “Coolie” rather than Desi. And then the final hammer of estrangement falls when his cousin outs him as an “antiman”—a Caribbean slur for men who love men—and his father and aunts disown him.
But Aji has taught Rajiv resilience. Emerging from the chrysalis of his ancestral poetics into a new life, he embraces his identity as a poet and reclaims his status as an antiman—forging a new way of being entirely his own. Rapturous, inventive, and devastating in its critique of our own failures of inclusion, Antiman is a hybrid memoir that helps us see ourselves and relationships anew, and announces an exciting new talent in Rajiv Mohabir.
Elfreda Raughn will avoid pregnancy if it kills her, and one way or another, it will kill her. Though she’s able to stomach her gruesome day-to-day duties, the reality of preserving the Sisterhood of Aytrium’s magical bloodline horrifies her. She wants out, whatever the cost.
So when a shadowy faction approaches Elfreda with an offer of escape, she leaps at the opportunity. As their spy, she gains access to the highest reaches of the Sisterhood, and enters a glittering world of opulent parties, subtle deceptions, and unexpected bloodshed.
The shadow of Godolia’s tyrannical rule is spreading, aided by their giant mechanized weapons known as Windups. War and oppression are everyday constants for the people of the Badlands, who live under the thumb of their cruel Godolia overlords.
Eris Shindanai is a Gearbreaker, a brash young rebel who specializes in taking down Windups from the inside. When one of her missions goes awry and she finds herself in a Godolia prison, Eris meets Sona Steelcrest, a cybernetically enhanced Windup pilot. At first Eris sees Sona as her mortal enemy, but Sona has a secret: She has intentionally infiltrated the Windup program to destroy Godolia from within.
As the clock ticks down to their deadliest mission yet, a direct attack to end Godolia’s reign once and for all, Eris and Sona grow closer―as comrades, friends, and perhaps something more…
Briseis has a gift: she can grow plants from tiny seeds to rich blooms with a single touch.
When Briseis’s aunt dies and wills her a dilapidated estate in rural New York, Bri and her parents decide to leave Brooklyn behind for the summer. Hopefully there, surrounded by plants and flowers, Bri will finally learn to control her gift. But their new home is sinister in ways they could never have imagined–it comes with a specific set of instructions, an old-school apothecary, and a walled garden filled with the deadliest botanicals in the world that can only be entered by those who share Bri’s unique family lineage.
When strangers begin to arrive on their doorstep, asking for tinctures and elixirs, Bri learns she has a surprising talent for creating them. One of the visitors is Marie, a mysterious young woman who Bri befriends, only to find that Marie is keeping dark secrets about the history of the estate and its surrounding community. There is more to Bri’s sudden inheritance than she could have imagined, and she is determined to uncover it . . . until a nefarious group comes after her in search of a rare and dangerous immortality elixir. Up against a centuries-old curse and the deadliest plant on earth, Bri must harness her gift to protect herself and her family.
High school is a monster, and it’s eating everyone Robin knows. As sophomore year starts, Robin’s Odd Squad friends have decided to try to be just like everyone else. Her best friends couple up and expect her to come along for the ride. They can’t stop talking about school and college and careers. But Robin has bigger problems–she’s been hiding out with the band kids since middle school, hoping nobody would notice that she’s something even stranger than a French horn player who can speak four languages: she’s gay.
She’s convinced the only way she can learn to be herself is by fleeing to Europe for a summer to experience real life. But she has no money, no permission, and no one to share the adventure with. How is she supposed to be her true self in Hawkins, Indiana? The weirdest girl in Hawkins has spent her whole life trying to fit in. Now, she’s going to break out.
Sprinkled with Easter eggs that reference our favorite Stranger Things characters, this contemporary coming-of-age story set in the ’80s is about one girl’s realization that the only person she needs to be accepted by is herself.
Happy Asian American Pacific Islander Heritage month! May is a fabulous month to celebrate all these books and authors, so if there are any missing from your bookshelf, please use the links below to rectify that! (They are indeed affiliate links, so a percentage of your purchase goes to supporting LGBTQReads.) See a fave of yours that is or isn’t mentioned here? Please recommend it in the comments!
(My apologies in advance if I’m incorrect about any of these authors being American. I researched as best I could on this front but I know this is a mistake I make often! I do, of course, also recommend checking out many other books by authors of Asian descent, be they Asian, Asian-Canadian, etc., including The Henna Wars and Hani and Ishu’s Guide to Fake Dating by Adiba Jaigirdar, The Jasmine Throne by Tasha Suri, Iron Widow by Xiran Jay Zhao, The Never Tilting World by Rin Chupeco, Hard Sell by Hudson Lin, and Blood Water Sister by Zen Cho.)
Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.
As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.
With unflinching honesty and lyrical prose, spanning from 1960s Hawai’i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.
Seventeen-year-old Lily Hu can’t remember exactly when the question took root, but the answer was in full bloom the moment she and Kathleen Miller walked under the flashing neon sign of a lesbian bar called the Telegraph Club.
America in 1954 is not a safe place for two girls to fall in love, especially not in Chinatown. Red-Scare paranoia threatens everyone, including Chinese Americans like Lily. With deportation looming over her father—despite his hard-won citizenship—Lily and Kath risk everything to let their love see the light of day.
I know I’m not gay. Gay boys like other boys. I hate boys. They’re mean, and scary, and they’re always destroying something or saying something dumb or both.
I hate that word. Gay. It makes me feel . . . unsafe.
It’s the summer between middle school and high school, and Aiden Navarro is away at camp. Everyone’s going through changes―but for Aiden, the stakes feel higher. As he navigates friendships, deals with bullies, and spends time with Elias (a boy he can’t stop thinking about), he finds himself on a path of self-discovery and acceptance.
Words have always been more than enough for Ken Z, but when he meets Ran at the mall food court, everything changes. Beautiful, mysterious Ran opens the door to a number of firsts for Ken: first kiss, first love. But as quickly as he enters Ken’s life, Ran disappears, and Ken Z is left wondering: Why love at all, if this is where it leads?
Letting it end there would be tragic. So, with the help of his best friends, the comfort of his haikus and lists, and even strange, surreal appearances by his hero, Oscar Wilde, Ken will find that love is worth more than the price of heartbreak.
Disgraced witch Harrietta Lee has made a lot of mistakes in her life; there’s a reason she’s got a sizable burn scar slapped across the side of her neck and a formal letter of excommunication from the international underground magical community. But who has time to dwell on the past when you’re trying to make rent in New York? Things are mostly clean and simple, until her next odd job is brought to her by the representative of a powerful corporate family—a family she once had close personal ties to. As she unwillingly digs through six years’ worth of personal baggage, she’s also got to contend with an inhuman admirer shadowing her in the street.
But hey, maybe it’ll be worth it for the beautiful women she gets to kiss…
Nandan’s got a plan to make his junior year perfect. He’s going to make sure all the parties are chill, he’s going to smooth things over with his ex, and he’s going to help his friend Dave get into the popular crowd—whether Dave wants to or not. The high school social scene might be complicated, but Nandan is sure he’s cracked the code.
Then, one night after a party, Dave and Nandan hook up, which was not part of the plan—especially because Nandan has never been into guys. Still, Dave’s cool, and Nandan’s willing to give it a shot, even if that means everyone starts to see him differently.
But while Dave takes to their new relationship with ease, Nandan’s completely out of his depth. And the more his anxiety grows about what his sexuality means for himself, his friends, and his social life, the more he wonders whether he can just take it all back. But is breaking up with the only person who’s ever really gotten him worth feeling “normal” again?
A story of love and demons, family and witchcraft.
Nova Huang knows more about magic than your average teen witch. She works at her grandmothers’ bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town.
One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home.
Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.
Rumi Seto spends a lot of time worrying she doesn’t have the answers to everything. What to eat, where to go, whom to love. But there is one thing she is absolutely sure of—she wants to spend the rest of her life writing music with her younger sister, Lea.
Then Lea dies in a car accident, and her mother sends her away to live with her aunt in Hawaii while she deals with her own grief. Now thousands of miles from home, Rumi struggles to navigate the loss of her sister, being abandoned by her mother, and the absence of music in her life. With the help of the “boys next door”—a teenage surfer named Kai, who smiles too much and doesn’t take anything seriously, and an eighty-year-old named George Watanabe, who succumbed to his own grief years ago—Rumi attempts to find her way back to her music, to write the song she and Lea never had the chance to finish.
Danny Cheng has always known his parents have secrets. But when he discovers a taped-up box in his father’s closet filled with old letters and a file on a powerful Bay Area family, he realizes there’s much more to his family’s past than he ever imagined.
Danny has been an artist for as long as he can remember and it seems his path is set, with a scholarship to RISD and his family’s blessing to pursue the career he’s always dreamed of. Still, contemplating a future without his best friend, Harry Wong, by his side makes Danny feel a panic he can barely put into words. Harry’s and Danny’s lives are deeply intertwined and as they approach the one-year anniversary of a tragedy that shook their friend group to its core, Danny can’t stop asking himself if Harry is truly in love with his girlfriend, Regina Chan.
When Danny digs deeper into his parents’ past, he uncovers a secret that disturbs the foundations of his family history and the carefully constructed facade his parents have maintained begins to crumble. With everything he loves in danger of being stripped away, Danny must face the ghosts of the past in order to build a future that belongs to him in this complex, lyrical novel.
When Noah Lau joined the Vampire Hunters Association, seeking justice for his parents’ deaths, he didn’t anticipate ending up imprisoned in the house of the vampire he was supposed to kill—and he definitely didn’t anticipate falling for that vampire’s lover.
Six months later, Noah’s life has gotten significantly more complicated. On top of being autistic in a world that doesn’t try to understand him, he still hunts vampires for a living…while dating a vampire himself. Awkward. Yet Jordan Cross is sweet and kind, and after braving their inner demons and Jordan’s vicious partner together, Noah wouldn’t trade him for the world.
But when one of Jordan’s vampire friends goes missing and Noah’s new boss at the VHA becomes suspicious about some of his recent cases, what starts off as a routine paperwork check soon leads Noah to a sinister conspiracy. As he investigates, he and Jordan get sucked into a deadly web of intrigue that will test the limits of their relationship—and possibly break them. After all, in a world where vampires feed on humans and humans fear vampires, can a vampire and a vampire hunter truly find a happy ending together?
To Daya Wijesinghe, a bruise is a mixture of comfort and control. Since her parents died in an accident she survived, bruises have become a way to keep her pain on the surface of her skin so she doesn’t need to deal with the ache deep in her heart.
So when chance and circumstances bring her to a roller derby bout, Daya is hooked. Yes, the rules are confusing and the sport seems to require the kind of teamwork and human interaction Daya generally avoids. But the opportunities to bruise are countless, and Daya realizes that if she’s going to keep her emotional pain at bay, she’ll need all the opportunities she can get.
The deeper Daya immerses herself into the world of roller derby, though, the more she realizes it’s not the simple physical pain-fest she was hoping for. Her rough-and-tumble teammates and their fans push her limits in ways she never imagined, bringing Daya to big truths about love, loss, strength, and healing.
Poppy wants to go to college like everyone else, but her father has other ideas. Ever since her mirror twin sister, Lola, mysteriously vanished, Poppy’s father has been depressed and forces her to stick around. She hopes she can convince Lola to come home, and perhaps also procure her freedom, by sending her twin a series of eighteen letters, one for each year of their lives.
When not excavating childhood memories, Poppy is sneaking away with her girlfriend Juniper, the only person who understands her. But negotiating the complexities of queer love and childhood trauma are anything but simple. And as a twin? That’s a whole different story.
Rahul Kapoor is heading into seventh grade in a small town in Indiana. The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather, Bhai, gives him some well-meaning advice: Find one thing you’re really good at and become the BEST at it.
Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge…. But what if he discovers he isn’t the bestat anything?
Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.
On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard.
With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years.
Raised among the ruins of a conquered mountain nation, Maren dreams only of sharing a quiet life with her girlfriend Kaia—until the day Kaia is abducted by the Aurati, prophetic agents of the emperor, and forced to join their ranks. Desperate to save her, Maren hatches a plan to steal one of the emperor’s coveted dragons and storm the Aurati stronghold.
If Maren is to have any hope of succeeding, she must become an apprentice to the Aromatory—the emperor’s mysterious dragon trainer. But Maren is unprepared for the dangerous secrets she uncovers: rumors of a lost prince, a brewing rebellion, and a prophecy that threatens to shatter the empire itself. Not to mention the strange dreams she’s been having about a beast deep underground…
With time running out, can Maren survive long enough to rescue Kaia from impending death? Or could it be that Maren is destined for something greater than she could have ever imagined?
But Tiến still enjoys reading his favorite stories with his parents from the books he borrows from the local library. It’s hard enough trying to communicate with your parents as a kid, but for Tiến, he doesn’t even have the right words because his parents are struggling with their English. Is there a Vietnamese word for what he’s going through?
In 2004, college students Eleanor Suzuki and Leena Shah meet in an elevator. Both girls are on the brink of adulthood, each full of possibility and big ideas, and they fall into a whirlwind romance. Years later, Eleanor and Leena collide on the streets of San Francisco. Although grown and changed and each separately partnered, the two find themselves, once again, irresistibly pulled back together.
Seventeen-year-old Pakistani immigrant Zara Hossain has been leading a fairly typical life in Corpus Christi, Texas, since her family moved there for her father to work as a pediatrician. While dealing with the Islamophobia that she faces at school, Zara has to lay low, trying not to stir up any trouble and jeopardize their family’s dependent visa status while they await their green card approval, which has been in process for almost nine years.
But one day her tormentor, star football player Tyler Benson, takes things too far, leaving a threatening note in her locker, and gets suspended. As an act of revenge against her for speaking out, Tyler and his friends vandalize Zara’s house with racist graffiti, leading to a violent crime that puts Zara’s entire future at risk. Now she must pay the ultimate price and choose between fighting to stay in the only place she’s ever called home or losing the life she loves and everyone in it.
Nineteen-year-old Tara Muvvala didn’t mean to lead a double life. But her bone-deep aversion to math + a soul-deep desire to please her mother = her failing math grade + exploding food vlog ‘this masala life’.
Enter her mother’s research intern and resident math genius Farah Ahmed. Tara makes a deal with Farah – help her pass the math course and she’ll welcome Farah into the local Bollywood Drama & Dance Society.
Grumpy girl gets life lessons…
After losing her mom to a heart attack, dumping her small-minded boyfriend (she’s bisexual, not confused) and reluctantly moving to the US to be near her dad – all in the span of eighteen months, twenty-three-year-old Farah has hit the full quota on LIFE. Two things keep her going – her internship with a brilliant statistics professor and the possibility of meeting her dancing idol through the Bollywood Drama & Dance Society. That is, if her new hot-mess housemate will let her.
Soon Tara and Farah are bonding over chicken biryani, dancing to Bollywood Beats at midnight and kissing… against all the odds. And maybe beginning to realize that while life’s even more complicated than math, love is the one variable that changes everything!
Skye Shin has heard it all. Fat girls shouldn’t dance. Wear bright colors. Shouldn’t call attention to themselves. But Skye dreams of joining the glittering world of K-Pop, and to do that, she’s about to break all the rules that society, the media, and even her own mother, have set for girls like her.
She’ll challenge thousands of other performers in an internationally televised competition looking for the next K-pop star, and she’ll do it better than anyone else.
When Skye nails her audition, she’s immediately swept into a whirlwind of countless practices, shocking performances, and the drama that comes with reality TV. What she doesn’t count on are the highly fat-phobic beauty standards of the Korean pop entertainment industry, her sudden media fame and scrutiny, or the sparks that soon fly with her fellow competitor, Henry Cho.
But Skye has her sights on becoming the world’s first plus-sized K-pop star, and that means winning the competition—without losing herself.
Noah Ramirez thinks he’s an expert on romance. He has to be for his popular blog, the Meet Cute Diary, a collection of trans happily ever afters. There’s just one problem—all the stories are fake. What started as the fantasies of a trans boy afraid to step out of the closet has grown into a beacon of hope for trans readers across the globe.
When a troll exposes the blog as fiction, Noah’s world unravels. The only way to save the Diary is to convince everyone that the stories are true, but he doesn’t have any proof. Then Drew walks into Noah’s life, and the pieces fall into place: Drew is willing to fake-date Noah to save the Diary. But when Noah’s feelings grow beyond their staged romance, he realizes that dating in real life isn’t quite the same as finding love on the page.
Jordan Baker grows up in the most rarefied circles of 1920s American society—she has money, education, a killer golf handicap, and invitations to some of the most exclusive parties of the Jazz Age. She’s also queer, Asian, adopted, and treated as an exotic attraction by her peers, while the most important doors remain closed to her.
But the world is full of wonders: infernal pacts and dazzling illusions, lost ghosts and elemental mysteries. In all paper is fire, and Jordan can burn the cut paper heart out of a man. She just has to learn how.
When Nozomi Nagai pictured the ideal summer romance, a fake one wasn’t what she had in mind.
That was before she met the perfect girl. Willow is gorgeous, glamorous, and…heartbroken? And when she enlists Nozomi to pose as her new girlfriend to make her ex jealous, Nozomi is a willing volunteer.
Because Nozomi has a master plan of her own: one to show Willow she’s better than a stand-in, and turn their fauxmance into something real. But as the lies pile up, it’s not long before Nozomi’s schemes take a turn toward disaster…and maybe a chance at love she didn’t plan for.
Part historical fiction, part magical realism, and 100 percent adventure. Thirteen-year-old Mei reimagines the myths of Paul Bunyan as starring a Chinese heroine while she works in a Sierra Nevada logging camp in 1885.
Aware of the racial tumult in the years after the passage of the Chinese Exclusion Act, Mei tries to remain blissfully focused on her job, her close friendship with the camp foreman’s daughter, and telling stories about Paul Bunyan–reinvented as Po Pan Yin (Auntie Po), an elderly Chinese matriarch.
Anchoring herself with stories of Auntie Po, Mei navigates the difficulty and politics of lumber camp work and her growing romantic feelings for her friend Bee. The Legend of Auntie Po is about who gets to own a myth, and about immigrant families and communities holding on to rituals and traditions while staking out their own place in America.
The shadow of Godolia’s tyrannical rule is spreading, aided by their giant mechanized weapons known as Windups. War and oppression are everyday constants for the people of the Badlands, who live under the thumb of their cruel Godolia overlords.
Eris Shindanai is a Gearbreaker, a brash young rebel who specializes in taking down Windups from the inside. When one of her missions goes awry and she finds herself in a Godolia prison, Eris meets Sona Steelcrest, a cybernetically enhanced Windup pilot. At first Eris sees Sona as her mortal enemy, but Sona has a secret: She has intentionally infiltrated the Windup program to destroy Godolia from within.
As the clock ticks down to their deadliest mission yet, a direct attack to end Godolia’s reign once and for all, Eris and Sona grow closer―as comrades, friends, and perhaps something more…
Seamlessly transitioning between the absurd and the tenderhearted, balancing acerbic humor with sharp emotional depth, Afterparties offers an expansive portrait of the lives of Cambodian-Americans. As the children of refugees carve out radical new paths for themselves in California, they shoulder the inherited weight of the Khmer Rouge genocide and grapple with the complexities of race, sexuality, friendship, and family.
A high school badminton coach and failing grocery store owner tries to relive his glory days by beating a rising star teenage player. Two drunken brothers attend a wedding afterparty and hatch a plan to expose their shady uncle’s snubbing of the bride and groom. A queer love affair sparks between an older tech entrepreneur trying to launch a “safe space” app and a disillusioned young teacher obsessed with Moby-Dick. And in the sweeping final story, a nine-year-old child learns that his mother survived a racist school shooter.
With nuanced emotional precision, gritty humor, and compassionate insight into the intimacy of queer and immigrant communities, the stories in Afterparties deliver an explosive introduction to the work of Anthony Veasna So.
Working as a political activist in the early days of the Obama presidency, Seema still struggles with her father’s long-ago decision to exile her from the family after she came out as lesbian, forcing her to construct a new life in the West. Now, nine months pregnant and estranged from the father of her unborn son, Seema seeks reconciliation with the family that once renounced her: her ailing mother, Nafeesa, traveling alone to California from Chennai, and her devoutly religious sister, Tahera, an OB-GYN living in Texas with her husband and children.
Pushed apart and drawn together in equal measure by their often conflicting beliefs, Seema, Tahera, and Nafeesa must confront the complex yearnings in their relationships with one another—and within their innermost selves—as the events that transpire over the course of one fateful week unearth an accumulated lifetime of love, betrayal, and misunderstandings.
Told from the point of view of Seema’s child at the moment of his birth and infused with the poetry of Wordsworth, Keats, and the Quran, Radiant Fugitives is an operatic debut from a bold new voice, exploring the tensions between ideology and practicality, hope and tradition, forgiveness and retribution for one family navigating a shifting political landscape.
Two intrepid girls hunt for a legendary treasure on the deadly high seas in this YA remix of the classic adventure novel Treasure Island.
1826. The sun is setting on the golden age of piracy, and the legendary Dragon Fleet, the scourge of the South China Sea, is no more. Its ruthless leader, a woman known only as the Head of the Dragon, is now only a story, like the ones Xiang has grown up with all her life. She desperately wants to prove her worth, especially to her mother, a shrewd businesswoman who never seems to have enough time for Xiang. Her father is also only a story, dead at sea before Xiang was born. Her single memento of him is a pendant she always wears, a simple but plain piece of gold jewelry.
But the pendant’s true nature is revealed when a mysterious girl named Anh steals it, only to return it to Xiang in exchange for her help in decoding the tiny map scroll hidden inside. The revelation that Xiang’s father sailed with the Dragon Fleet and tucked away this secret changes everything. Rumor has it that the legendary Head of the Dragon had one last treasure—the plunder of a thousand ports—that for decades has only been a myth, a fool’s journey.
Xiang is convinced this map could lead to the fabled treasure. Captivated with the thrill of adventure, she joins Anh and her motley crew off in pursuit of the island. But the girls soon find that the sea—and especially those who sail it—are far more dangerous than the legends led them to believe.
Shizuka Satomi made a deal with the devil: to escape damnation, she must entice seven other violin prodigies to trade their souls for success. She has already delivered six.
When Katrina Nguyen, a young transgender runaway, catches Shizuka’s ear with her wild talent, Shizuka can almost feel the curse lifting. She’s found her final candidate.
But in a donut shop off a bustling highway in the San Gabriel Valley, Shizuka meets Lan Tran, retired starship captain, interstellar refugee, and mother of four. Shizuka doesn’t have time for crushes or coffee dates, what with her very soul on the line, but Lan’s kind smile and eyes like stars might just redefine a soul’s worth. And maybe something as small as a warm donut is powerful enough to break a curse as vast as the California coastline.
As the lives of these three women become entangled by chance and fate, a story of magic, identity, curses, and hope begins, and a family worth crossing the universe for is found.
Assistant Books Editor at O, the Oprah Magazine Michelle Hart‘s WE DO WHAT WE DO IN THE DARK, about a young woman who has an affair with an older, married female professor during college, and how that relationship reshapes the rest of her life; a story of desire, loneliness, and the secrets we keep, even from ourselves, to Laura Perciasepe at Riverhead, in a pre-empt, by Sarah Burnes at The Gernert Company (NA).
New Yorker contributor and University Fellow at the Syracuse MFA program Anthony Veasna So‘s AFTERPARTIES, in which young Cambodian Americans grapple with race, sexuality, and their inherited traumas from the Khmer Rouge genocide, even as they carve out lives in the California Central Valley and Bay Area, and STRAIGHT THRU CAMBOTOWN, about three Cambodian-American cousins who inherit their late aunt’s illegitimate loan sharking business and then become embroiled in a Hollywood conspiracy, to Helen Atsma at Ecco, in a significant deal, at auction, in a two-book deal, for publication in summer 2021, by Rob McQuilkin at Massie & McQuilkin (NA).
Sidney Bell‘s THIS IS NOT THE END, a polyamorous romance in which a deeply reserved songwriter is invited to join his best friend and his wife in bed for a night, and what starts as a fling may just turn into forever, to Stephanie Doig at Carina Press (world).
Author of LILY AND THE OCTOPUS and THE EDITOR Steven Rowley‘s THE GUNCLE, about a reclusive television star who takes his young niece and nephew into his Palm Springs home after a family tragedy, and how his outsized lifestyle and unusual life wisdom bring about a season of healing that redefines their understanding of family and finally leads him back to himself, again to Sally Kim at Putnam, by Rob Weisbach at Rob Weisbach Creative Management (NA).
Children’s
NYT-bestselling author of THREE LITTLE WORDS and THREE MORE WORDS Ashley Rhodes-Courter’s SAM IS OUR SISTER, a picture book based on the experiences of the author’s family that follows three siblings, one of whom is transgender, as they play astronauts, learn about what it means to become your true self, and realize they will always be together, illustrated by MacKenzie Haley, to Wendy McClure at Albert Whitman, for publication in spring 2021, by Jacqueline Flynn at Joelle Delbourgo Associates for the author, and by Samantha Groff at Advocate-Art for the illustrator (world).
Katherine Locke and Nicole Melleby’s THIS IS OUR RAINBOW: 16 STORIES OF HER, HIM, THEM, AND US, a middle grade anthology that collects short stories, poetry, and comics about LGBTQIA+ characters and experiences by contributors Locke, Melleby, Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Mariama Lockington, Marieke Nijkamp, Claribel Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and A.J. Sass, to Marisa DiNovis at Knopf Children’s, for publication in fall 2021, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Stephanie Stein at HarperCollins has bought, at auction, in a two-book deal, middle grade novel THE INSIDERS by Schneider Family Award winner Mark Oshiro (ANGER IS A GIFT). The book features a queer boy who, fleeing from bullies, discovers a magical closet that not only provides him sanctuary, but also unites him with two other kids facing persecution at their own schools across the country, helping them find friendship and strength in one another. Publication is slated for fall 2021; DongWon Song at Howard Morhaim Literary Agency negotiated the deal for North American rights.*
Natashya Wilson at Inkyard Press has acquired THE WITCH KING plus a sequel from debut author H.E. Edgmon. The YA fantasy duology tells the story of witch and angry trans boy Wyatt Croft, who wants nothing to do with his mediocre magic or his betrothal to fae prince Emyr North, but his plans to change his fate are shattered when the kingdom is threatened by a coup and Emyr comes to claim him. Publication of book one is planned for summer 2021; Rena Rossner at the Deborah Harris Agency brokered the deal for North American rights.*
Krista Marino at Delacorte has bought, at auction, Victoria Lee’s (THE FEVER KING and THE ELECTRIC HEIR) A LESSON IN VENGEANCE. Pitched as The Secret History meets Genuine Fraud and The Craft, the YA novel follows Felicity Morrow, a senior returning to school after her girlfriend’s tragic death, only to meet a new student and teenage literary prodigy who transferred to research the school’s bloody history, and recruits Felicity into a murderous experiment of their own. Publication is set for 2021; Holly Root and Taylor Haggerty at Root Literary negotiated the deal for North American rights.*
Maya Marlette at Scholastic has bought Leah Johnson’s (YOU SHOULD SEE ME IN A CROWN) new YA romance, RISE TO THE SUN. Set over the course of four days at a music festival, the novel features strangers Toni and Olivia, who meet and realize that the music is more than just a way out; it’s a way through… if they are brave enough to face it together. Publication is scheduled for summer 2021; Sarah Landis at Sterling Lord Literistic brokered the deal for world rights.*
Sarah Rees Brennan‘s FENCE: STRIKING DISTANCE, based on the comic series created by C.S. Pacat and Johanna The Mad, following the rise of a sixteen-year-old outsider in the world of competitive fencing as he joins the team at an elite boys school and experiences intense rivalries, lifelong friendships, and romance between teammates, to Mary-Kate Gaudet at Little, Brown Children’s, for publication in fall 2020, by Suzie Townsend at New Leaf Literary & Media (world).
A.M. Strickland‘s IN THE RAVENOUS DARK, a LGBTQIA+ dark fantasy featuring a teen blood-magic user bound to an undead guardian, to John Morgan at Imprint, for publication in summer 2021, by Hannah Bowman at Liza Dawson Associates (world).
Graphic Novels
Jonah Newman’s OUT OF LEFT FIELD, a semi-autobiographical young adult graphic novel in which a gay teen boy, determined to excel at baseball but decidedly much more at home in a history book, discovers himself, to Andrea Colvin at Little, Brown Children’s, at auction, for publication in summer 2023, by Chad Luibl at Janklow & Nesbit (world).
Non-Fiction
Oxford University research fellow and LitHub contributor Jack Parlett’s WRITTEN IN THE SAND, a blend of memoir and literary history, exploring the queer identity, idyllic beaches, and famous locales of an iconic destination—Fire Island; pitched as in the vein of Hugh Ryan’s WHEN BROOKLYN WAS QUEER and Olivia Laing’s THE LONELY CITY, examining a number of key literary figures like W.H. Auden, Carson McCullers, Edmund White, Andrew Holleran, and Jeremy O. Harris, who together tell the story of what it means to create a queer space, to John Glynn at Hanover Square Press, at auction, by David Forrer at Inkwell Management, on behalf of Jane Finigan at Lutyens & Rubinstein (NA).
Kelly Delaney at Knopf has acquired, in a preempt, ALL THE THINGS I’VE KEPT FROM MYSELF by Karina Manta. This YA memoir tells of the champion figure skater’s experiences as a professional athlete, coming out as bisexual in a hyper-feminine sport, and her continually evolving body image. Publication is scheduled for fall 2021; Jess Regel at Foundry Literary + Media brokered the deal for North American rights.*
Foreign/Subrights
Arkady Martine’s A MEMORY CALLED EMPIRE and A DESOLATION CALLED PEACE, to J’ai Lu (France), in a two-book deal, by Danny Baror at Baror International; also to Mondadori (Italy), in a two-book deal, by Danny Baror at Baror International; on behalf of DongWon Song at Howard Morhaim Literary Agency.
Morgan Rogers’s HONEY GIRL, to DTV (Germany), by Heather Baror-Shapiro at Baror International, on behalf of Holly Root at Root Literary.
Taylor Jenkins Reid’s THE SEVEN HUSBANDS OF EVELYN HUGO, to Locus (Bulgaria), by Katalina Sabeva at Anthea Agency, on behalf of Taryn Fagerness Agency and Carly Watters at P.S. Literary.