Tag Archives: Sterling Lord Literistic

March 2022 Deal Announcements

Adult Fiction

Iowa Writer’s Workshop graduate Eliot Duncan’s PONYBOY, about trans masculinity, addiction, sex, family, self-destruction, and the pains—and inevitable joy—of becoming, documenting the narrator’s spiral into and out of his body, and set in Paris, Berlin, and the Midwest, to Mo Crist at Norton, by Ian Bonaparte and PJ Mark at Janklow & Nesbit (NA)

CJ Connor’s BOARD TO DEATH, the first in a queer cozy mystery series featuring a 30-something professor-turned-board game shop proprietor who juggles keeping his father’s Salt Lake City-based board game shop alive, a budding romance with the handsome florist next door, and a murder that threatens the game shop’s livelihood, to Elizabeth Trout at Kensington, in a two-book deal, by Jessica Faust at BookEnds.

Kat Caliteri‘s debut BOYSTOWN HEARTBREAKERS, in which a Chicago hairstylist has only three things to his name: a pair of $1,200 shears, a Boystown studio apartment, and a list of men who’ve broken his heart written on his closet wall; will this friends-to-lovers romance end in a happily ever after?, to Alexandria Brown at Rising Action, in an exclusive submission, for publication in spring 2024.

Recipient of the National Book Foundation’s Medal for Distinguished Contribution to American Letters Edmund White‘s THE HUMBLE LOVER, about a rich older man who falls in love with a young star in the New York City Ballet and becomes something between his patron, friend, and lover, to Daniel Loedel at Bloomsbury, for publication in 2023, by Bill Clegg at The Clegg Agency (world English).

Author of THE GOLDEN SEASON Madeline Kay Sneed’s THE BEST DAY OF OUR LIVES, pitched for fans of Maggie Shipstead’s SEATING ARRANGEMENTS, a layered family drama starring an ensemble cast set at a big, splashy Texas wedding over the course of a weekend, in which a member of the wedding party is forced to reconnect—explosively—with her ex-wife, throwing several other relationships into chaos as a result, to Brittany Lavery at Graydon House, for publication in winter 2024, by Amy Elizabeth Bishop at Dystel, Goderich & Bourret (world English).

Playwright Jeffrey Richards’s WE ARE ONLY GHOSTS, a psychological novel with LGBTQ+ themes about a Jewish survivor of Auschwitz, who after the war, finds his way to New York City, where two decades later he is confronted by the man who was both his tormentor and his savior, to John Scognamiglio at Kensington, for publication in spring 2024, by Matthew Carnicelli at Carnicelli Literary Management (world).

Carlyn Greenwald‘s SIZZLE REEL, a love triangle rom-com following an aspiring cinematographer and talent manager’s assistant who, after coming out as bi at 23, finds herself attracted to an ambiguously gay A-list actress who takes an interest in her career, complicating her already-complex friendship with her suave, nonbinary lesbian best friend, to Caitlin Landuyt at Vintage, in a pre-empt, in a two-book deal, for publication in spring 2023, by Janine Kamouh at William Morris Endeavor (NA).

University of Memphis professor and author of the story collection QUANTUM CONVENTION Eric Schlich’s ELI HARPO’S ADVENTURE TO THE AFTERLIFE, a coming-of-age story about a boy raised to believe he briefly went to heaven, whose religious doubts and questions about his sexuality start to emerge at the worst possible time—on his family’s road trip to Bible World to see the new attraction based on his near-death experience, to Abby Muller at Algonquin, by Rachel Ludwig at David Black Literary Agency (world).

Lesbian comic artist Ren Strapp’s HOW COULD YOU?, in which a group of college women must navigate platonic and romantic love through heartbreak, matchmaking, and a semester abroad, to Jasmine Amiri at Oni Press, in a nice deal, for publication in 2024, by Stephanie Winter at P.S. Literary Agency (world).

Co-editor of the Cambridge University Press Elements in Crime Narratives Series and Lambda Literary Award Finalist Margot Douaihy’s debut SCORCHED CROSS, the first in a series of hardboiled-inspired queer whodunits following a chain-smoking, heavily tattooed, queer nun, who puts her amateur sleuthing skills to the test after her convent becomes the target of a shocking arson spree, leading her down a twisty path of suspicion and secrets during the end of a sweltering New Orleans summer, to Gillian Flynn Books, in a pre-empt.

Artist, filmmaker, and poet Navid Sinaki’s MEDUSA OF THE ROSES, an Iranian noir steeped in Persian and Greek mythology that follows a queer petty thief and morbid romantic in a feverish search for answers and revenge after his boyfriend disappears, to Katie Raissian at Grove/Atlantic, by Mariah Stovall at Trellis Literary Management (NA).

DEPART, DEPART! author Sim Kern’s REAL SUGAR IS HARD TO FIND, a collection of stories exploring intersections of climate change, identity, reproductive justice, queerness, and family trauma, charting a path from climate despair toward resilience and revolutionary optimism, to Justine Norton-Kertson at Android, in a nice deal, for publication in August 2022 (world English).

David R. Slayton’s TO CATCH A GEEK, pitched in the vein of FANGIRL meets RED, WHITE & ROYAL BLUE, in which a man wants to reboot his favorite sci-fi show but the creator’s embittered son stands in his way; when the son plots to use his reboot to show the world who his father really was, he learns that being a geek isn’t a bad thing while he learns that meeting your heroes sometimes is, to Tera Cuskaden at Crazy Maple Studio, for publication in winter 2023, by Lesley Sabga at The Seymour Agency (world).

Poet Natasha Siegel‘s debut SOLOMON’S CROWN, pitched in the vein of Madeline Miller’s THE SONG OF ACHILLES, a queer, alt-history reimagining of two medieval kings, Richard the Lionheart and Philip Augustus, who fall into a forbidden affair and must choose between betraying one another for the sake of their legacies, or following their hearts, to Jesse Shuman at Bantam Dell, in a two-book deal, by Tara Gilbert at Jennifer De Chiara Literary Agency (world English).

Children’s/Middle Grade Fiction

Jazz Taylor‘s STARTING FROM SCRATCH, about a girl whose new stepsister throws off her carefully crafted coping mechanisms, takes over her favorite activities and friends, and moves in with a cat even though she is scared of them—leaving her to figure out how to deal with a copycat sister and a stubbornly affectionate feline in their new blended home, to Olivia Valcarce at Scholastic, in an exclusive submission, for publication in spring 2023, by Holly Root at Root Literary (world).

Author-illustrator Elijah Forbes’s debut ANONG AND THE RIBBON SKIRT, a middle-grade graphic novel featuring a Two-Spirit nonbinary child who sets out to create and wear a ribbon skirt—a piece of clothing typically worn by women in the Anishinaabe tradition—at an upcoming powwow, to Cassandra Pelham Fulton at Graphix, for publication in fall 2024, by Nicole Geiger at Full Circle Literary (world).

Elizabeth Lee at Penguin Workshop has bought, in an exclusive submission, Playbook for Imperfect Planets by debut author Erin Becker. This contemporary, dual-POV middle grade novel is an enemies-to-first-crushes story following two 13-year-old girls whose fierce rivalry on the soccer field is complicated by their burgeoning feelings for each other. Publication is scheduled for summer 2024; Joanna Volpe and Abigail Donoghue at New Leaf Literary & Media negotiated the deal for world English rights.

Young Adult Fiction

Justin Arnold’s WICKED LITTLE THINGS, a campy horror in which a recently outed teen discovers he is a witch and returns to his small hometown to solve the murder of his cousin; in order to catch the rabbit-faced killer, he reluctantly joins a coven of fashion-forward mean girls and gets up close and personal with a werewolf, all while learning to embrace his power, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in fall 2022 (world English).

Author of NEVER KISS YOUR ROOMMATE Philline Harms’s LOVE AND OTHER WICKED THINGS, a witchy, sapphic romance set in a small, magical town, to Rebecca Sands at Wattpad, for publication in spring 2023 (world).

Dale Walls’s debut THE QUEER GIRL IS GOING TO BE OKAY, about a tight-knit group of three queer girls navigating love, friendship, and changes during their senior year of high school in Houston, to Meghan Maria McCullough at Levine Querido, in an exclusive submission, for publication in fall 2023, by Garrett Alwert at Emerald City Literary Agency (world).

Alex Crespo’s SAINT JUNIPER’S FOLLY, a queer Gothic mystery pitched as CEMETERY BOYS meets THE DEVOURING GRAY, in which a straight-laced golden boy and a novice witch team up to rescue a Mexican American teen with a cryptic past who has become trapped inside a haunted mansion in Vermont, to Ashley Hearn at Peachtree Teen, in a two-book deal, for publication in summer of 2023, by Mary C. Moore of Kimberley Cameron & Associates (world).

Anna-Marie McLemore and Elliott McLemore‘s VENOM & VOW, a YA fantasy about a transgender prince doubling for his brother, and a bigender boy assassin/lady-in-waiting, who, thanks to their concealed identities, don’t realize they’re simultaneously falling for and trying to destroy each other, to Kat Brzozowski at Feiwel and Friends, for publication in spring 2023, by Taylor Martindale Kean at Full Circle Literary (NA).

Elle Gonzalez Rose‘s debut CAUGHT IN A BAD FAUXMANCE, a queer, Latinx rom-com pitched as TO ALL THE BOYS I’VE LOVED BEFORE meets Schitt’s Creek, in which an aspiring artist’s winter vacation devolves into hijinks after his family’s affluent long-time rivals challenge them to a bet that could cost his family their beloved lake cabin; but when the enemy’s attractive son comes to him in desperate need of a fake boyfriend, he reluctantly agrees to set aside loathing for love to take down the other family once and for all, to Bria Ragin, Nicola Yoon, and David Yoon at Joy Revolution, for publication in fall 2023, by Uwe Stender at TriadaUS Literary Agency (world).

Claire Winn‘s CITY OF VICIOUS NIGHT, the sequel to CITY OF SHATTERED LIGHT, a queer, female-led cyberpunk adventure, in which an heiress-turned-smuggler and a gunslinger are forced to vie for leadership of an underworld faction after a mysterious hacker turns the city against them; meanwhile, a captured crew member must ally with an old enemy to find his way home, to Meg Gaertner at Flux, for publication in spring 2023, by Cortney Radocaj at Belcastro Agency (world).

Stacey Anthony’s MAKEUP, BREAKUP, an LGBTQ+ contemporary romance in which a self-taught, up-and-coming makeup artist competes against rival influencers—one of whom happens to be their ex—in a cosplay competition to win a scholarship to a prestigious special effects school, to Britny Brooks at Running Press Kids, in a nice deal, for publication in the summer of 2023, by Haley Casey at Creative Media Agency (world English).

Musician Jessamyn Violet‘s SECRET RULES TO BEING A ROCKSTAR, a queer debut about a teenage musician who jumps at a chance to play in her favorite rock band on their upcoming world tour, only to realize her heroes have their own agenda and might be leading her down a dark path, to Peter Carlaftes at Three Rooms Press, with Kat Georges editing, in a nice deal, for publication in April 2023, by Devon Halliday at Transatlantic Literary Agency (world English).

Jason June‘s RILEY WEAVER NEEDS A DATE TO THE GAYBUTANTE BALL, in which a gay, femme 16-year-old hopes to enter the Gaybutante Society, a world-renowned organization full of queer tastemakers, and when he’s told by a gay cis classmate that gay guys aren’t attracted to femme gays, he bets he’ll find a boyfriend in time for the Gaybutante Ball, to Megan Ilnitzki at Harper Teen, in a good deal, in a two-book deal, for publication in summer 2023, by Brent Taylor at TriadaUS Literary Agency (world English).

Linda Cheng’s debut YA, GORGEOUS GRUESOME FACES (and its sequel), a supernatural sapphic YA horror novel pitched as WILDER GIRLS meets LOVEBOAT, TAIPEI set in the glittering, cut-throat world of Asian pop that follows a disgraced teen idol who comes face to face with a former bandmate and the demons of their shared past when the two enter a competition that devolves into a deadly nightmare, to Kate Meltzer at Roaring Brook Press, at auction, for publication in 2023, by John Cusick at Folio Literary Management/Folio (world).

BETWEEN PERFECT AND REAL author Ray Stoeve‘s THE SUMMER LOVE STRATEGY, in which two girls (one cis, one trans) decide to emulate romcoms to help each other find love and end up falling for each other, to Maggie Lehrman at Amulet, in a two-book deal, by Lauren Abramo at Dystel, Goderich & Bourret (world English).

Sarah Van Name‘s THESE BODIES BETWEEN US, pitched as The Craft by way of Nina LaCour, following four friends in a North Carolina beach town who spend their summer learning to become invisible until their newfound powers start to spiral out of control, to Hannah Hill at Delacorte, for publication in spring 2024, by Maria Bell at Sterling Lord Literistic (world English).

Xan van Rooyen‘s MY NAME IS MAGIC, set at a Finnish school for the magically gifted, in which a 15-year-old magically challenged nonbinary student must save their disappearing friends, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in September 2022, by Lindsay Leggett at The Rights Factory (world English).

Emmett Nahil and George Williams’s LET ME OUT, a queer horror graphic novel set during the Satanic panic, in which four friends must unravel a conspiracy involving secret government bureaus and strange rituals, while things take a turn for the hellish—literally, to Jasmine Amiri at Oni Press, for publication in 2023, by Tamara Kawar at ICM (world).

Non-Fiction

Dance photographer and journalist duo Yael Malka and Coco Romack‘s QUEER DANCE, a photojournalistic celebration of LGBTQ+ dancers, choreographers, companies, and collectives across the country who are challenging the heteronormative status quo of the dance world, pairing Malka’s images with Romack’s reported essays, to Mirabelle Korn at Chronicle, for publication in spring 2024, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (world).

Pop culture writer, video-maker, and queer geek extraordinaire Matt Baume‘s untitled book, which traverses the history of sitcoms from the ’60s to the present to tell the story of how subversive queer comedy transformed the American sitcom—and how our favorite sitcoms transformed America, to Robb Pearlman at Smart Pop, by Lauren Abramo at Dystel, Goderich & Bourret (world).

Filmmaker and cofounder of the Asian American Writers’ Workshop Curtis Chin‘s EVERYTHING I LEARNED, I LEARNED IN A CHINESE RESTAURANT, about coming of age and coming out, tracing the author’s journey through 1980s Detroit, navigating rising xenophobia, the AIDS epidemic, and the Reagan revolution to find his voice as a writer and activist, set against the backdrop of his family’s popular Chinese restaurant, to Vivian Lee at Little, Brown, in a good deal, at auction, by Sonali Chanchani and Erin Harris at Folio Literary Management (NA).

NYT essayist, poet, and the first out active bisexual NFL player R. K. Russell’s THE YARDS BETWEEN US, which traces his experience discovering his sexuality alongside his career in football as it explores the defining people and moments in his life; a fresh look at masculinity, sexuality, race, sports, and how they intersect, to Jennifer Levesque at Andscape, with Kelli Martin editing, at auction, for publication in fall 2022, by Sarah Bowlin at Aevitas Creative Management (world).

May 2020 Book Deal Announcements

MG Fiction


Jazz Taylor’s MEOW OR NEVER, in which a girl unexpectedly lands the lead role in her school’s musical and finds help with her stage fright and anxiety from a girl who might be her first crush—and a stray cat who lives backstage, to Olivia Valcarce at Scholastic, in an exclusive submission, for publication in winter 2021, by Holly Root at Root Literary (world).

YA Fiction


Tobly McSmith’s ACT COOL, about a transgender teen accepted into a prestigious performing arts high school in New York and cast in a role that hits too close to home—that of a trans teen whose family is intent on conversion therapy—who must learn how to be true to himself, apart from any role, to Andrew Eliopulos at Quill Tree, in a two-book deal, for publication in fall 2021, by Tina Dubois at ICM (world).

THESE WITCHES DON’T BURN author Isabel Sterling’s THE COLDEST TOUCH, about a mortal girl who feels the death of anyone she touches and the vampire assigned to recruit her, as they team up to stop a paranormal killer and realize they might be falling in love, to Julie Rosenberg at Razorbill, for publication in fall 2021, by Kathleen Rushall at Andrea Brown Literary Agency (NA).

Playwright and Modern Love contributor David Valdes’s SPIN ME RIGHT ROUND, about an out-and-proud Latinx teen who accidentally time travels to his parents’ era and makes it his mission to save a closeted classmate from a tragic end, pitched as an #OwnVoices twist on Back to the Future, to Allison Moore at Bloomsbury Children’s, in a two-book deal, for publication in fall 2021, by Annie Bomke at Annie Bomke Literary Agency (world).

Anne Camlin’s graphic novel MISMATCHED, pitched as a queer, modern-day retelling of EMMA, set in a high school in Queens where the president of the school’s GSA club fancies himself just the matchmaker his friends need, illustrated by Isadora Zeferino, to Andrea Colvin at Little, Brown Children’s, in a six-figure deal, in a pre-empt, for publication in 2023, by Britt Siess at Martin Literary Management (world).

Joy McCullough, Caroline Tung Richmond, Jessica Spotswood, and Tess Sharpe’s GREAT OR NOTHING, pitched as a reimagining of Little Women set in the spring of 1942, when the United States is reeling from the attack on Pearl Harbor, in which each March sister’s point of view is written by a separate author; a story of grief, family, and finding one’s way in a world undergoing catastrophic change, to Wendy Loggia at Delacorte, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world English).

GIRL AT MIDNIGHT and RATED author Melissa Grey’s THE VALIANT LADIES OF POTOSI, in which two proper young 17th-century Peruvian ladies trade their skirts for swords and end up as vigilante crime fighters, while falling for each other along the way, to Holly West at Feiwel and Friends, for publication in winter 2022, by Catherine Drayton at Inkwell Management (world English).

Al Graziadei’s ICEBREAKER, following a hockey legacy kid who is on track to become the NHL’s number one draft pick even while barely coping with his untreated depression, until a boy threatens both his number one spot and steals his heart—something that makes him the happiest he’s ever been and could threaten both their dreams if the truth came out, to Rachel Murray at Holt Children’s, in a good deal, at auction, in a two-book deal, for publication in winter of 2022, by Jennifer Azantian at Azantian Literary Agency (world English).

Editor of A PHOENIX FIRST MUST BURN Patrice Caldwell, ed.’s ETERNALLY YOURS, a paranormal romance anthology including short stories by Kendare Blake, Patrice Caldwell, Kat Cho, Melissa de la Cruz, Emily Duncan, Hafsah Faizal, Sarah Gailey, Alexis Henderson, Adib Khorram, Kwame Mbalia, Anna-Marie McLemore, Casey McQuiston, Sandhya Menon, Danielle Paige, Akshaya Raman, Marie Rutkoski, and Julian Winters, to Dana Leydig at Viking Children’s, in an exclusive submission, for publication in fall 2022, by Alexandra Machinist and Hillary Jacobson at ICM (world English).

Printz Honor winner Mary McCoy’s INDESTRUCTIBLE OBJECT, in which a queer teen girl who hosts a podcast about the love stories of great artists finds her life falling apart when her parents announce they’re divorcing and her boyfriend breaks up with her right after her high school graduation, then sets out on a new summer podcast project about whether love even exists at all and discovers herself in the process, to Kendra Levin at Simon & Schuster Children’s, for publication in summer 2021, by Patricia Nelson at Marsal Lyon Literary Agency (world).

Arianne Lewin at Putnam has acquired, in a preempt, in a two-book deal, debut author Leslie Vedder’s THE BONE SPINDLE, a gender-flipped Sleeping Beauty meets Indiana Jones, in which a cursed treasure hunter and an axe-wielding huntswoman must team up: one destined to rescue the prince sleeping in the Forest of Thorns, the other falling hard for a wicked witch. The title is set to publish in Spring 2022. Carrie Hannigan and Ellen Goff at HG Literary made the deal for North American rights.

Adult Fiction

Canada Council for the Arts grant recipient Emily Austin’s EVERYONE IN THIS ROOM WILL SOMEDAY BE DEAD, following a morbidly anxious young woman who stumbles into a job as a receptionist at a Catholic church, where she hides her atheist lesbian identity and becomes obsessed with the mysterious circumstances surrounding her predecessor’s death; a humorous exploration of what it takes to stay afloat in a world where our eventual expiration is the only certainty, pitched for fans of GOODBYE, VITAMIN and MOSTLY DEAD THINGS, to Daniella Wexler at Atria, in a pre-empt, by Heather Carr at Friedrich Agency (world).

Kosoko Jackson’s I’M SO (NOT) OVER YOU, the author’s adult debut, an #OwnVoices queer rom-comedy of errors about what happens when two exes, the heir to a brewery empire and a struggling journalist, are forced to pretend they are still a couple and realize that the spark between them may not be extinguished, to Kristine Swartz at Berkley, in a two-book deal, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Nebula, Hugo, and Lambda Award nominee Lee Mandelo’s SUMMER SONS, pitched as THE SECRET HISTORY meets HISTORY IS ALL YOU LEFT ME in a queer, speculative Southern Gothic novel, about a Vanderbilt student searching for the truth behind his best friend’s death as ghosts, literal and figurative, haunt his nights, to Carl Engle-Laird at Tor.com, in a nice deal, in a pre-empt, in a two-book deal, for publication in fall 2021, by Tara Gilbert and Saritza Hernandez at Corvisiero Literary Agency (world English).

Non-Fiction

Historian and author of GAY AMERICAN HISTORY and THE INVENTION OF HETEROSEXUALITY Jonathan Ned Katz’s SEX REBEL: THE DARING LIFE AND TROUBLED TIMES OF EVE ADAMS, the first biography of the pioneering activist who ran lesbian and gay friendly speakeasies in Greenwich Village in the 1920s and published the novel LESBIAN LOVE (to be included in its entirety), which led to her surveillance, arrest, and eventual deportation back to Europe where she later died at Auschwitz, to Jerry Pohlen at Chicago Review Press, for publication in June 2021, by Robert Guinsler at Sterling Lord Literistic (world English).

Husband of former Democratic presidential candidate Pete Buttigieg, Chasten Buttigieg’s I HAVE SOMETHING TO TELL YOU, a memoir about growing up gay in his small Midwestern town, his relationship with Pete, and his hope for America’s future, to Rakesh Satyal at Atria, in an exclusive submission, for publication in September 2020, by Alia Hanna Habib at The Gernert Company (NA).

Jennifer Berney’s THE OTHER MOTHERS, recounting her and her wife’s experience of trying to conceive, placing it within the larger story of how the LGBTQ community has undertaken the quest for parenthood over the last several decades, redefining what the nuclear family can be, to Anna Michels at Sourcebooks, with Jenna Jankowski editing, for publication in February 2021, by Rachel Vogel at Dunow, Carlson & Lerner (world English).

April Book Deal Announcements

Adult

Lecturer in creative writing at San Francisco State University and creator and teacher at The Lab: Writing Classes Matthew Clark Davison‘s DOUBTING THOMAS, chronicling a year in the life of a gay fourth grade teacher at a school serving Portland, Oregon’s progressive Obama-era elite; he is fired, even after being cleared of a false molestation accusation, just before a family tragedy makes him the guardian of his 12-year-old biracial nephew; digging into the disparity between ideals and reality, to Michael Nava at Amble, in a nice deal, in an exclusive submission, for publication in spring 2021 (world English).

Cornell University MFA graduate, poet, professor, and performer Ryka Aoki‘s LIGHT FROM UNCOMMON STARS, about three women trying to escape their pasts—a hell-damned violin legend and teacher, a young transgender runaway and aspiring musician, and a spaceship captain fleeing a faraway war—who find each other, and unexpected magic, in California’s San Gabriel Valley, to Lindsey Hall at Tor, in a pre-empt, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world English).

Gretchen Felker-Martin‘s MANHUNT, about trans women scavenging for estrogen in a post-apocalyptic world where a viral plague has transformed all cis men into feral monstrosities, fighting tooth and nail against a menace they’ll join if they miss a dose, and on the run from an authoritarian faction of cis women who see them as a dangerous liability, pitched as a trans woman’s response to Y: THE LAST MAN, plus another standalone horror novel, to Kelly Lonesome at Nightfire, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in March 2022, by Connor Goldsmith at Fuse Literary (world).

Freya Marske‘s A MARVELLOUS LIGHT, a historical fantasy pitched as JONATHAN STRANGE AND MR. NORRELL meets WITCHMARK, about a young civil servant named as liaison to the secret magical bureaucracy of Britain who must work with his magician counterpart to unravel a dangerous conspiracy, while struggling with their unexpected attraction and a deadly curse, to Ruoxi Chen at Tor.com, in a three-book deal, for publication in 2021, by Diana Fox at Fox Literary (NA).

Brooklyn-based writer and VONA/Voices and Queer Art Mentorship alumna Emily Hashimoto’s A WORLD BETWEEN, in which a college fling between two women turns into a lifelong connection, to Lauren Hook at Feminist Press, for publication in September 2020, by Robert Guinsler at Sterling Lord Literistic (NA).

Lambda-nominated writer and critic Megan Milks’s MARGARET AND THE MYSTERY OF THE MISSING BODY, a genre-bending queer and trans coming-of-age story that combines a ’90s-era girl group mystery series with a haunted eating disorder treatment center and a surreal mutant body-world, and SLUG AND OTHER STORIES a reissue of their debut collection with new stories, to Lauren Hook at Feminist Press, in a two-book deal, by Rach Crawford at MacKenzie Wolf (world English).

Charlotte Anne Hamilton‘s OF TRUST & HEART, an #OwnVoices f/f 1920s historical in which a lesbian Scottish heiress, who must find a husband soon, falls for a singer at a speakeasy, to Lydia Sharp at Entangled Embrace, for publication in 2021 (world).

Children’s/Middle Grade

Rosiee Thor and Taylor Barton‘s Picture Book THE MEANING OF PRIDE, about the significance, beauty, and universality of the concept of pride, as celebrated by millions of queer people and their allies around the world, illustrated by Sam Kirk, to Erika Turner at Versify, for publication in spring 2022, by Saba Sulaiman at Talcott Notch Literary Services for the author, and by Nicolas Gomez and Michelle Collins at A Non-Agency for the illustrator (world).

Author of SEAFIRE Natalie Parker‘s Middle Grade THE DEVOURING WOLF, in which a young werewolf-to-be struggles to understand why she hasn’t yet transformed as expected, and to get to the bottom of the mystery and become the wolf she was always meant to be, she will have to unearth her community’s deepest secrets and face off against a terrifying creature from legend, to Chris Hernandez at Razorbill, in a very nice deal, in a two-book deal, for publication in fall 2021, by Lara Perkins at Andrea Brown Literary Agency (world English).

Founder and executive director of inQluded and 2019 SCBWI Emerging Voices winner medina’s THE ONE WHO LOVES YOU THE MOST, which follows a 12-year-old who lives at the intersection of multiple identities as they long to find their place in the world, but a school project, new trans and queer friends, and a YouTube channel helps them find purpose in their journey and find community, to Nick Thomas at Levine Querido, in a pre-empt, for publication in fall of 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (NA and Dutch).

Young Adult

Aden Polydoros‘s YA THE CITY BEAUTIFUL, set against the backdrop of the 1893 Chicago World’s Fair, a queer Jewish Gothic fantasy that follows a young immigrant who is possessed by the dybbuk of his murdered best friend and is thrust into a deadly hunt for a serial killer, to Rebecca Kuss at Inkyard Press, in a nice deal, in a two-book deal, for publication in fall 2021, by Thao Le at Sandra Dijkstra Literary Agency (world English).

Robin Gow‘s YA A MILLION QUIET REVOLUTIONS, a love story in verse between two transgender boys who come out to each other the weekend before their senior year; together, they explore their identities and search history for the often untold stories of queer people like them, to Trisha de Guzman at Farrar, Straus Children’s, in a good deal, at auction, in a two-book deal, for publication in winter 2022, by Jordan Hamessley at New Leaf Literary & Media (NA).

Adrienne Tooley‘s SOFI AND THE BONE SONG, after losing everything to an undeserving rival, a young musician sets out to expose that her rival’s newfound musical abilities stem from an illegal use of magic—but what she discovers will rock everything she knows about her family, music, and the girl she thought was her enemy, to Sarah McCabe at Simon Pulse, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Emery Lee’s MEET CUTE DIARY, about a trans teen who must decide if he’s dedicated to romantic formulas or open to unpredictable love after an internet troll-attack on his trans romance blog compels him and a fan to start fake-dating to salvage the blog’s reputation, to Alexandra Cooper at Quill Tree, for publication in summer 2021, by Beth Phelan at Gallt and Zacker Literary Agency (world English).

Kevin van Whye‘s NATE PLUS ONE, a teenage boy dreads the idea of attending his wealthy aunt’s wedding retreat in South Africa, until his crush, an indie rock musician, volunteers to be his plus-one; an #OwnVoices gay love story pitched as What if It’s Us meets Crazy Rich Asians, to Polo Orozco at Random House Children’s, for publication in spring 2022, by Robert Guinsler at Sterling Lord Literistic (world English).

Cara Davis-Araux, Candice Montgomery, and Adrianne Russell‘s ALL SIGNS POINT TO YES, an anthology of love stories for each of the star signs that will showcase BIPOC characters and celebrate the myriad facets of love, from meet-cutes to the lesser-explored love expressed by aromantic people, to Natashya Wilson at Inkyard Press, for publication in winter 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Hannah Blumenreich‘s FULL-COURT CRUSH, about a basketball player whose team is being shut down, and her bookish girlfriend who is struggling alone with her chronically depressed mother; together, they learn how to navigate the troubles of life and 11th grade, to Kiara Valdez at First Second, in a significant deal, at auction, in a two-book deal, for publication in 2023, by Linda Camacho at Gallt and Zacker Literary Agency (NA).

Aaron Aceves‘s THIS IS WHY THEY HATE US, a debut about a bisexual Latino teen from East L.A. who is determined to get over his crush on his best friend by summer’s end and winds up discovering hilarious, heartfelt truths about friendship, family, and himself, to Jennifer Ung at Simon Pulse, for publication in spring 2022, by Tina Dubois at ICM (NA).

Lambda Literary Award-winning author Rebecca Podos and Stonewall honoree Ashley Herring Blake‘s FOOLS IN LOVE, a YA romance anthology offering up fresh takes on classic romance tropes in multiple genres, featuring Rebecca Barrow, Gloria Chao, Sara Farizan, Claire Kann, Hannah Moskowitz, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, Natasha Ngan, Julian Winters, and more, to Britny Brooks at Running Press Kids, for publication in December 2021, by Eric Smith at P.S. Literary Agency (world).

Author of HAVE A LITTLE FAITH IN ME Sonia Hartl’s THE LOST GIRLS, about a girl who sets out for revenge against the undead ex-boyfriend who turned her into a vampire decades ago, then starts to fall for his mortal girlfriend, to Ashley Hearn at Page Street, for publication in fall 2021, by Rebecca Podos at Rees Literary Agency (world).

Jonny Garza Villa’s FIFTEEN HUNDRED MILES FROM THE SUN, an #OwnVoices debut pitched as SIMON VS. THE HOMO SAPIENS AGENDA meets One Day at a Time, about a Texas high school senior who accidentally comes out to the world on social media and must now juggle the joy of first love and fear of his socially conservative father finding out before he’s ready, to Carmen Johnson at Skyscape, at auction, by Claire Draper at The Bent Agency (world).

Nonfiction

Author of PEN/Diamonstein-Spielvogel Award and Lambda Literary Award-nominated essay collection MINE Sarah Viren‘s AUTOBIOGRAPHY OF SHADOWS, a dual narrative memoir about her coming-of-age and coming out in mid-’90s Florida under the tutelage of a conspiracy theorist high school teacher and her wife’s Title IX investigation as the result of false accusations leveled by a professional rival, as covered in the author’s viral New York Times Magazine essay, to Sally Howe at Scribner, in a pre-empt, by Matt McGowan at Frances Goldin Literary Agency (world English).

February Book Deal Announcements

Adult Fiction

Assistant Books Editor at O, the Oprah Magazine Michelle Hart‘s WE DO WHAT WE DO IN THE DARK, about a young woman who has an affair with an older, married female professor during college, and how that relationship reshapes the rest of her life; a story of desire, loneliness, and the secrets we keep, even from ourselves, to Laura Perciasepe at Riverhead, in a pre-empt, by Sarah Burnes at The Gernert Company (NA).

New Yorker contributor and University Fellow at the Syracuse MFA program Anthony Veasna So‘s AFTERPARTIES, in which young Cambodian Americans grapple with race, sexuality, and their inherited traumas from the Khmer Rouge genocide, even as they carve out lives in the California Central Valley and Bay Area, and STRAIGHT THRU CAMBOTOWN, about three Cambodian-American cousins who inherit their late aunt’s illegitimate loan sharking business and then become embroiled in a Hollywood conspiracy, to Helen Atsma at Ecco, in a significant deal, at auction, in a two-book deal, for publication in summer 2021, by Rob McQuilkin at Massie & McQuilkin (NA).

Sidney Bell‘s THIS IS NOT THE END, a polyamorous romance in which a deeply reserved songwriter is invited to join his best friend and his wife in bed for a night, and what starts as a fling may just turn into forever, to Stephanie Doig at Carina Press (world).

Author of LILY AND THE OCTOPUS and THE EDITOR Steven Rowley‘s THE GUNCLE, about a reclusive television star who takes his young niece and nephew into his Palm Springs home after a family tragedy, and how his outsized lifestyle and unusual life wisdom bring about a season of healing that redefines their understanding of family and finally leads him back to himself, again to Sally Kim at Putnam, by Rob Weisbach at Rob Weisbach Creative Management (NA).

Children’s

NYT-bestselling author of THREE LITTLE WORDS and THREE MORE WORDS Ashley Rhodes-Courter’s SAM IS OUR SISTER, a picture book based on the experiences of the author’s family that follows three siblings, one of whom is transgender, as they play astronauts, learn about what it means to become your true self, and realize they will always be together, illustrated by MacKenzie Haley, to Wendy McClure at Albert Whitman, for publication in spring 2021, by Jacqueline Flynn at Joelle Delbourgo Associates for the author, and by Samantha Groff at Advocate-Art for the illustrator (world).

Katherine Locke and Nicole Melleby’s THIS IS OUR RAINBOW: 16 STORIES OF HER, HIM, THEM, AND US, a middle grade anthology that collects short stories, poetry, and comics about LGBTQIA+ characters and experiences by contributors Locke, Melleby, Eric Bell, Lisa Jenn Bigelow, Ashley Herring Blake, Lisa Bunker, Alex Gino, Justina Ireland, Shing Yin Khor, Mariama Lockington, Marieke Nijkamp, Claribel Ortega, Mark Oshiro, Molly Knox Ostertag, Aida Salazar, and A.J. Sass, to Marisa DiNovis at Knopf Children’s, for publication in fall 2021, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Stephanie Stein at HarperCollins has bought, at auction, in a two-book deal, middle grade novel THE INSIDERS by Schneider Family Award winner Mark Oshiro (ANGER IS A GIFT). The book features a queer boy who, fleeing from bullies, discovers a magical closet that not only provides him sanctuary, but also unites him with two other kids facing persecution at their own schools across the country, helping them find friendship and strength in one another. Publication is slated for fall 2021; DongWon Song at Howard Morhaim Literary Agency negotiated the deal for North American rights.*

Natashya Wilson at Inkyard Press has acquired THE WITCH KING plus a sequel from debut author H.E. Edgmon. The YA fantasy duology tells the story of witch and angry trans boy Wyatt Croft, who wants nothing to do with his mediocre magic or his betrothal to fae prince Emyr North, but his plans to change his fate are shattered when the kingdom is threatened by a coup and Emyr comes to claim him. Publication of book one is planned for summer 2021; Rena Rossner at the Deborah Harris Agency brokered the deal for North American rights.*

Krista Marino at Delacorte has bought, at auction, Victoria Lee’s (THE FEVER KING and THE ELECTRIC HEIR) A LESSON IN VENGEANCE. Pitched as The Secret History meets Genuine Fraud and The Craft, the YA novel follows Felicity Morrow, a senior returning to school after her girlfriend’s tragic death, only to meet a new student and teenage literary prodigy who transferred to research the school’s bloody history, and recruits Felicity into a murderous experiment of their own. Publication is set for 2021; Holly Root and Taylor Haggerty at Root Literary negotiated the deal for North American rights.*

Maya Marlette at Scholastic has bought Leah Johnson’s (YOU SHOULD SEE ME IN A CROWN) new YA romance, RISE TO THE SUN. Set over the course of four days at a music festival, the novel features strangers Toni and Olivia, who meet and realize that the music is more than just a way out; it’s a way through… if they are brave enough to face it together. Publication is scheduled for summer 2021; Sarah Landis at Sterling Lord Literistic brokered the deal for world rights.*

Sarah Rees Brennan‘s FENCE: STRIKING DISTANCE, based on the comic series created by C.S. Pacat and Johanna The Mad, following the rise of a sixteen-year-old outsider in the world of competitive fencing as he joins the team at an elite boys school and experiences intense rivalries, lifelong friendships, and romance between teammates, to Mary-Kate Gaudet at Little, Brown Children’s, for publication in fall 2020, by Suzie Townsend at New Leaf Literary & Media (world).

A.M. Strickland‘s IN THE RAVENOUS DARK, a LGBTQIA+ dark fantasy featuring a teen blood-magic user bound to an undead guardian, to John Morgan at Imprint, for publication in summer 2021, by Hannah Bowman at Liza Dawson Associates (world).

Graphic Novels

Jonah Newman’s OUT OF LEFT FIELD, a semi-autobiographical young adult graphic novel in which a gay teen boy, determined to excel at baseball but decidedly much more at home in a history book, discovers himself, to Andrea Colvin at Little, Brown Children’s, at auction, for publication in summer 2023, by Chad Luibl at Janklow & Nesbit (world).

Non-Fiction

Oxford University research fellow and LitHub contributor Jack Parlett’s WRITTEN IN THE SAND, a blend of memoir and literary history, exploring the queer identity, idyllic beaches, and famous locales of an iconic destination—Fire Island; pitched as in the vein of Hugh Ryan’s WHEN BROOKLYN WAS QUEER and Olivia Laing’s THE LONELY CITY, examining a number of key literary figures like W.H. Auden, Carson McCullers, Edmund White, Andrew Holleran, and Jeremy O. Harris, who together tell the story of what it means to create a queer space, to John Glynn at Hanover Square Press, at auction, by David Forrer at Inkwell Management, on behalf of Jane Finigan at Lutyens & Rubinstein (NA).

Kelly Delaney at Knopf has acquired, in a preempt, ALL THE THINGS I’VE KEPT FROM MYSELF by Karina Manta. This YA memoir tells of the champion figure skater’s experiences as a professional athlete, coming out as bisexual in a hyper-feminine sport, and her continually evolving body image. Publication is scheduled for fall 2021; Jess Regel at Foundry Literary + Media brokered the deal for North American rights.*

Foreign/Subrights

Arkady Martine’s A MEMORY CALLED EMPIRE and A DESOLATION CALLED PEACE, to J’ai Lu (France), in a two-book deal, by Danny Baror at Baror International; also to Mondadori (Italy), in a two-book deal, by Danny Baror at Baror International; on behalf of DongWon Song at Howard Morhaim Literary Agency.

Morgan Rogers’s HONEY GIRL, to DTV (Germany), by Heather Baror-Shapiro at Baror International, on behalf of Holly Root at Root Literary.

Taylor Jenkins Reid’s THE SEVEN HUSBANDS OF EVELYN HUGO, to Locus (Bulgaria), by Katalina Sabeva at Anthea Agency, on behalf of Taryn Fagerness Agency and Carly Watters at P.S. Literary.

***

*Copyright (c) Publishers Weekly PWxyz LLC. Used by permission.