Tag Archives: Razorbill

Cover Reveal

Exclusive Cover Reveal: The Nameless Witch by Natalie C. Parker

Leave a comment

Today on the site I’m delighted to welcome the one and only Natalie C. Parker, w ho’s revealing the cover of The Nameless Witch, “the wickedly exciting and queer sequel” to last year’s Middle Grade fantasy adventure The Devouring Wolf! The Nameless Witch is coming from Razorbill/Penguin on August 8, 2023, and here’s the story:

For fans of Soman Chainani, Anne Ursu, and stories with lots of magic, action and a big heart.

If you give your witch your name…
               …she’ll steal your magic and grind your bones…

After defeating the Devouring Wolf, Riley and her friends hoped they could leave scary legends behind and focus on being the best werewolves they can be. Nicknamed the Winter Pack because of when they turned, they’ve got a unique bond thanks to how different they are as a prime, and some of the other pups think they get special treatment. It’s all Riley and her friends can do to practice their magic skills, get all their homework done, and not let the other young wolves pick fights.

Suddenly their bond leads them to a new threat—a young witch on the run. She isn’t just any runaway, though. She’s the next in line to become the magic-hungry Nameless Witch and even being in her presence is dangerous for werewolves. They say the Nameless Witch can take anything she wants from you if she knows your name.

But this runaway doesn’t want to be Nameless, she wants to choose for herself. The Winter Pack understands better than other wolves what that feels like, and they pledge to help her. Too bad the terrible power of the Nameless Witch has already marked the runaway, and Riley and her pack have no time before their new friend will turn, steal their magic and bones, and possibly even destroy all of Clawroot…

And here’s the magical cover, illustrated by Tyler Champion and designed by Jessica Jenkins!

Alt text: Five 13-year-olds stand in the middle of a magical orb surrounded by an ominous green mist. Outside of the orb a hooded figure is just visible in the darkness, their hands hover to either side of the orb as though they are spying on the children. A candle burns on one side and a mortar and pestle sit on the other. The title at the top of the page reads The Nameless Witch.

Buy it: B&N | Amazon | IndieBound

Natalie C. Parker is an author, editor, and community organizer. She has written several award winning books for teens and young readers and has edited multiple anthologies including the Indie Bestselling anthology Vampires Never Get Old. Her work has been included on the NPR Best Books list, the Indie Next List, and the TAYSHAS Reading List, and in Junior Library Guild selections. In addition to writing, Natalie also runs Madcap Retreats, which has partnered with We Need Diverse Books and Reese’s Book Club to host the writers workshops for their new internship Lit Up. She grew up in a navy family finding home in coastal cities from Virginia to Japan and currently lives with her wife on the Kansas prairie.

Uncategorized

Writing the Characters of Your Heart: a Guest Post by The Bone Spindle Author Leslie Vedder

Leave a comment

Today on the site, I’m thrilled to welcome author Leslie Vedder, whose debut YA fantasy, The Bone Spindle, releases today from Razorbill/Penguin! Leslie’s here to talk about writing the characters of your heart, but first, a little more about the book, billed as Sleeping Beauty Meets Indiana Jones…

58082223Fi is a bookish treasure hunter with a knack for ruins and riddles, who definitely doesn’t believe in true love.

Shane is a tough-as-dirt girl warrior from the north who likes cracking skulls, pretty girls, and doing things her own way.

Briar Rose is a prince under a sleeping curse, who’s been waiting a hundred years for the kiss that will wake him.

Cursed princes are nothing but ancient history to Fi–until she pricks her finger on a bone spindle while exploring a long-lost ruin. Now she’s stuck with the spirit of Briar Rose until she and Shane can break the century-old curse on his kingdom.

Dark magic, Witch Hunters, and bad exes all stand in her way–not to mention a mysterious witch who might wind up stealing Shane’s heart, along with whatever else she’s after. But nothing scares Fi more than the possibility of falling in love with Briar Rose.

Buy it: Bookshop | Amazon | IndieBound

And now, here’s the post by Leslie Vedder!

When I was a kid, one of my absolute favorite TV shows was Xena: Warrior Princess. It’s very dated now, and not without its flaws, but it still holds a special place in my heart. Xena was the first woman character I ever saw who felt like a larger-than-life hero to me. She was a badass. She was respected. She had a dark past. Nobody messed with her, and when she swaggered into a shady tavern, bad guys shook in their boots.

But she could also be funny, and loving, and flawed in all the best ways. It was a show full of camp that knew how to be silly and not take itself too seriously.

Xena was almost everything I wanted in a female character. But when it came to her sexuality…it was kind of a letdown.

Xena had an absolute glut of male love interests, and only tongue-in-cheek references to women. The show was absolutely swimming with subtext between Xena and her longtime sidekick Gabriel. But alas, it was an old show, so it could never just go there.

Xena was full of the possibility of queerness—but that’s all it could ever be. A possibility. A character who had been so bold and loud and downright brash about everything else was suddenly reduced to a wink and a nod.

I wanted an openly queer Xena. I don’t think I ever stopped wanting that. And that desire to see a character who got to be just as brash and tough and funny as Xena, but totally queer this time, was a big part of the inspiration for Shane, one of the two main characters of my debut YA fantasy, The Bone Spindle.

The Bone Spindle stars two girl treasure hunting partners, each with their own love story. Fi is a bookish historian who is in an m/f love story, and Shane is the ax-wielding lesbian mercenary of my dreams in an f/f relationship. (Also, she’s my wife’s absolute favorite character!)

Shane grew into so much more than her inception. The moment she exploded onto the page, she had her own voice and humor and desires. She’s got a secret past she’s left behind. A rivalry with a vicious cult of Witch Hunters. A love of gambling (though she’s not that good at it). She’s also loud and brash, and definitely the type to swagger into a tavern and leave bad guys shaking in their boots!

Maybe my favorite thing about Shane is that she’s unapologetically herself at every moment, whether that’s flirting with girls or breaking noses, and definitely when she starts falling head over heels for Red, a mysterious and dangerous Witch. If Shane was born in part from my desire for a queer Xena, then Red must be inspired at least a little by the idea of a queer Catwoman-esque femme fatale. Their love story is probably one I’ve been dreaming of writing for a long time (and I can’t wait to dig into them even more, in the later books of the trilogy!).

Working toward bringing out a first book is a major roller coaster, but one of the high points has definitely been hearing some early readers say they fell in love with Shane. She’s truly the character of my heart.

Queer representation has come a long way since Xena was on the air. There are so many amazing fantasy books and shows coming out these days with queer characters that would have set my teenage heart on fire! And they still mean the world to me right now. If I had a time machine, I would empty my current bookshelf through to my younger self. But in the absence of that, I’m so proud to get to share a character like Shane with today’s readers—and I hope she’ll be exactly what somebody’s looking for.

But I still wouldn’t say no to a totally queer Xena reboot!

***

Leslie Vedder Author Web Size.jpg
© MICHELLE DOTTER

Leslie Vedder (she/her) is a queer ace author who loves fairytale retellings with girl adventurers and heroes! She grew up on fantasy books, anime, fanfiction and the Lord of the Rings movies, and met her true love in high school choir. She graduated from San Francisco State University with a B.A. in creative writing and currently lives in Colorado with her wife and two spoiled house cats.

​When she’s not reading or writing, you can find her watching anime and sci-fi shows, walking in the woods and pretending they’re enchanted forests, or playing old video games. She always collects all the Skulltulas in Zelda and all the Dalmation puppies in Kingdom Hearts.

Deal Announcements

June 2021 Deal Announcements

Leave a comment

Adult Fiction

World Fantasy Award winner Emily Tesh‘s SOME DESPERATE GLORY, her debut novel, pitched as Vorkosigan meets GIDEON THE NINTH set in a world reminiscent of Mass Effect, in which a young soldier trains to avenge the murder of Earth at the hands of an all-powerful, reality-shaping alien weapon, before discovering she might have to take everything into her own hands, to Ruoxi Chen at Tor.com, in a good deal, in an exclusive submission, in a two-book deal, for publication in for hardcover in fall 2022, by Kurestin Armada at Root Literary (NA).

Campiello Prize winner Viola Di Grado‘s BLUE HUNGER, an erotic novel tinged with Gothic horror and urban pop—a story of obsessive love between a young Italian woman who is mourning her twin brother and a young Chinese woman who shows her Shanghai’s illicit and abandoned side, to be translated from the Italian by recent NEA translation fellowship recipient Jamie Richards, to Callie Garnett at Bloomsbury, for publication in 2023, by Sandra Pareja at Massie & McQuilkin (NA).

Author of The Hotel Tito Ivana Bodrozic’s SONS, DAUGHTERS, the story of great complexity that depicts a wrenching love between a transgender man and a woman, a demanding love between a mother and a daughter; with all characters deeply marked and wounded by the patriarchy in each owns way; also a story of breaking through and liberation of the mind, family, society through one’s body, and about the power of narration, to Dan Simon at Seven Stories, for publication in fall 2023, by Diana Matulic at Corto Literary Agency (world English).

Claudia Cravens’s RED, a genre-bending queer feminist Western pitched as True Grit meets Sarah Waters, following a young woman’s transformation from forlorn orphan to successful prostitute to revenge-seeking gunfighter, exploring desire, loyalty, power, and chosen family, to Katy Nishimoto at Dial Press, in a major deal, at auction, by Alexa Stark at Trident Media Group (NA).

Winner of the Betty Berzon Emerging Writer Award and finalist for the Lambda Literary Award for Trans Fiction Imogen Binnie’s NEVADA, previously published in 2013, following a terminally self-aware trans woman living in New York City who, when her life falls apart, embarks on an eventful cross-country road trip, to Jackson Howard at MCD/FSG, for publication in fall 2022, by Julia Masnik at Watkins Loomis (world).

Longlisted for the CBC Short Story Prize Ashton Noone‘s SUBURBAN ANIMALS, an #OwnVoices queer suspense thriller, where a woman on the run from a violent ex finds herself thrust back into a troubling mystery that haunts the town of her youth, to Luisa Cruz Smith at Scarlet, in a nice deal, in an exclusive submission, for publication in spring 2022, by Penelope Burns at Gelfman Schneider/ICM (world).

Coeditor of literary journal The Hunger and author of two poetry books Erin Slaughter’s A MANUAL FOR HOW TO LOVE US, a debut story collection pitched as reminiscent of Alissa Nutting and Samantha Hunt, about the animalistic nature of women’s grief, which queers the domestic and honors the feral and fantastic ways women embrace their wild to claim control, to Emma Kupor at Harper Perennial, for publication in 2022, by Cassie Mannes Murray at Howland Literary (world).

Children’s Fiction

Terry Benton‘s ALEX WISE VS. THE END OF THE WORLD, in which a 12-year-old is reeling from his best friend abandoning him, after he told his friend that he’s gay, and must save his sister and the world when his sister is possessed by the spirit of one of the four horsemen—evil former gods from a parallel world determined to bring forth the apocalypse—all while learning to love himself and accept that he is enough just as he is, to Liesa Abrams at Labyrinth Road, in a significant deal, at auction, in a three-book deal, for publication in fall 2023, by Patrice Caldwell at New Leaf Literary & Media (world English).

Author of QUEER, THERE, AND EVERYWHERE and RAINBOW REVOLUTIONARIES Sarah Prager’s picture book KIND LIKE MARSHA: LEARNING FROM LGBTQ+ LEADERS, introducing young children to important and inspiring historical figures in the queer community, along with empowering them with strong attributes, such as kindness, resilience, thoughtfulness, and more, illustrated by Cheryl “Ras” Thuesday, to Julie Matysik at Running Press Kids, for publication in May 2022, by Carrie Howland at Howland Literary (world).

Veronica Park Anderson’s BLOOD CITY ROLLERS, pitched as a tween Buffy the Vampire Slayer meets Roller Girl, a humorous and queer graphic novel following a talented ice skater recruited into an underground roller derby league as the “human jammer” on an otherwise all-vampire team who are hiding out in an abandoned mall, illustrated by Tatiana Hill, to Liesa Abrams at Labyrinth Road, for publication in summer 2023, by Mandy Hubbard at Emerald City Literary Agency for the author, and by Moe Ferrara at BookEnds for the illustrator (world English).

Young Adult Fiction

Alyson Derrick and NYT-bestselling coauthor of FIVE FEET APART Rachael Lippincott‘s SHE GETS THE GIRL, a LGBTQ+ romance in which two college freshmen who are total opposites set out to help each other get the girls of their dreams to fall for them, but as they do they both begin to wonder if maybe they’re the ones falling for each other, to Alexa Pastor at Simon & Schuster Children’s, for publication in spring 2022, by Emily van Beek at Folio Literary Management (world).

Author of HOT DOG GIRL Jennifer Dugan’s MELT WITH YOU, a queer rom-com about two girls on a summer road trip in an ice cream truck, to Stephanie Pitts at Putnam Children’s, for publication in summer 2022, by Brooks Sherman, formerly at Janklow & Nesbit. Dugan is now represented by Sara Crowe at Pippin Properties (world English).

Author of A WICKED MAGIC Sasha Laurens’s YOUNGBLOOD, when a teen vampire transfers into an elite vampire boarding school, she is drawn into a dark conspiracy at the heart of Vampirdom, and she suddenly finds herself falling for her roommate, Kat’s childhood friend and the school’s only out student, to Ruta Rimas at Razorbill, in a nice deal, in an exclusive submission, for publication in summer 2022, by Stephanie Kim at New Leaf Literary & Media (world English).

Actress Asha Bromfield‘s SONGS OF IRIE, set in ’70s Jamaica in the midst of devastating political turmoil, following two girls who must navigate their opposing upbringings as they fall in love and choose between the futures decided for them and the futures they desire, to Sara Goodman at Wednesday Books, for publication in spring 2023, by Emily van Beek at Folio Literary Management (NA).

Non-Fiction

Manuel Betancourt’s THE MALE GAZED, a narrative that uses film and television to examine queer men’s complex and often conflicted relationship with masculinity, mingling personal anecdotes with cultural history and gender theory to offer an exploration of desire, intimacy, and homoeroticism, to Alicia Kroell at Catapult, by Michael Bourret at Dystel, Goderich & Bourret (NA).

Former radio host and Daily Show correspondent Frank DeCaro’s DISCO AT 50, a celebration of the musical phenomenon that brought LGBTQ and BIPOC cultures into the pop mainstream in its 1970s heyday and its continued influence on current music, to Ellen Nidy at Rizzoli USA, by Rica Allannic at David Black Literary Agency (world).

BBC journalist William Lee Adams’s WILD DANCES, a memoir of a queer, Vietnamese American boy from Georgia who survives an unconventional childhood to become the world’s most recognized Eurovision blogger, diving into notions of belonging, identity, how our origins and passions shape us, and the powerful joy, and surprising importance, of the song contest itself, to Alessandra Bastagli at Astra House, in a pre-empt, for publication in spring 2023, by Will Lippincott and Max Edwards at Aevitas Creative Management UK (world).

Queer Kid Stuff host, activist, and TED speaker Lindz Amer’s THE RADICAL NOTION OF QUEER JOY: THE IMPORTANCE OF TALKING TO KIDS ABOUT GENDER AND SEXUALITY, a guidebook for progressive adults who want to create queer-positive spaces for today’s kids but don’t know how, to Sylvan Creekmore at St. Martin’s, for publication in fall 2022, by Claire Draper at The Bent Agency (world).

Global trans rights advocate, model, TV host, and producer Geena Rocero‘s OPEN THE LIGHT, about a young femme born in Manila who grew up to become the highest-earning and most successful trans pageant queen in the Philippines and ultimately one of the most visible and prolific trans women of color in the world, and the persistence, grit, and love that paved her road to self-acceptance, to Katy Nishimoto at Dial, at auction, by Jon Michael Darga at Aevitas Creative Management (world).

Author/illustrator of the 2020 YALSA finalist THE GREAT NIJINSKY Lynn Curlee‘s THE OTHER PANDEMIC: AN AIDS MEMOIR, an illustrated account of coming of age during the gay liberation movement in New York City and living through the AIDS pandemic, losing multiple friends and his life partner, to Yolanda Scott at Charlesbridge Teen, for publication in spring 2023, by Liz Nealon at Great Dog Literary (world).

Journalist Andrew Sampson‘s TOMMY SEXTON: COMIC GENIUS, QUEER REVOLUTIONARY, a biography of Newfoundland icon Tommy Sexton, a groundbreaking gay comedian and founding member of CODCO, to Bruce Walsh at House of Anansi, with Michelle MacAleese editing, for publication in fall 2023 (world).

 

Deal Announcements

May 2020 Book Deal Announcements

1 Comment

MG Fiction


Jazz Taylor’s MEOW OR NEVER, in which a girl unexpectedly lands the lead role in her school’s musical and finds help with her stage fright and anxiety from a girl who might be her first crush—and a stray cat who lives backstage, to Olivia Valcarce at Scholastic, in an exclusive submission, for publication in winter 2021, by Holly Root at Root Literary (world).

YA Fiction


Tobly McSmith’s ACT COOL, about a transgender teen accepted into a prestigious performing arts high school in New York and cast in a role that hits too close to home—that of a trans teen whose family is intent on conversion therapy—who must learn how to be true to himself, apart from any role, to Andrew Eliopulos at Quill Tree, in a two-book deal, for publication in fall 2021, by Tina Dubois at ICM (world).

THESE WITCHES DON’T BURN author Isabel Sterling’s THE COLDEST TOUCH, about a mortal girl who feels the death of anyone she touches and the vampire assigned to recruit her, as they team up to stop a paranormal killer and realize they might be falling in love, to Julie Rosenberg at Razorbill, for publication in fall 2021, by Kathleen Rushall at Andrea Brown Literary Agency (NA).

Playwright and Modern Love contributor David Valdes’s SPIN ME RIGHT ROUND, about an out-and-proud Latinx teen who accidentally time travels to his parents’ era and makes it his mission to save a closeted classmate from a tragic end, pitched as an #OwnVoices twist on Back to the Future, to Allison Moore at Bloomsbury Children’s, in a two-book deal, for publication in fall 2021, by Annie Bomke at Annie Bomke Literary Agency (world).

Anne Camlin’s graphic novel MISMATCHED, pitched as a queer, modern-day retelling of EMMA, set in a high school in Queens where the president of the school’s GSA club fancies himself just the matchmaker his friends need, illustrated by Isadora Zeferino, to Andrea Colvin at Little, Brown Children’s, in a six-figure deal, in a pre-empt, for publication in 2023, by Britt Siess at Martin Literary Management (world).

Joy McCullough, Caroline Tung Richmond, Jessica Spotswood, and Tess Sharpe’s GREAT OR NOTHING, pitched as a reimagining of Little Women set in the spring of 1942, when the United States is reeling from the attack on Pearl Harbor, in which each March sister’s point of view is written by a separate author; a story of grief, family, and finding one’s way in a world undergoing catastrophic change, to Wendy Loggia at Delacorte, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world English).

GIRL AT MIDNIGHT and RATED author Melissa Grey’s THE VALIANT LADIES OF POTOSI, in which two proper young 17th-century Peruvian ladies trade their skirts for swords and end up as vigilante crime fighters, while falling for each other along the way, to Holly West at Feiwel and Friends, for publication in winter 2022, by Catherine Drayton at Inkwell Management (world English).

Al Graziadei’s ICEBREAKER, following a hockey legacy kid who is on track to become the NHL’s number one draft pick even while barely coping with his untreated depression, until a boy threatens both his number one spot and steals his heart—something that makes him the happiest he’s ever been and could threaten both their dreams if the truth came out, to Rachel Murray at Holt Children’s, in a good deal, at auction, in a two-book deal, for publication in winter of 2022, by Jennifer Azantian at Azantian Literary Agency (world English).

Editor of A PHOENIX FIRST MUST BURN Patrice Caldwell, ed.’s ETERNALLY YOURS, a paranormal romance anthology including short stories by Kendare Blake, Patrice Caldwell, Kat Cho, Melissa de la Cruz, Emily Duncan, Hafsah Faizal, Sarah Gailey, Alexis Henderson, Adib Khorram, Kwame Mbalia, Anna-Marie McLemore, Casey McQuiston, Sandhya Menon, Danielle Paige, Akshaya Raman, Marie Rutkoski, and Julian Winters, to Dana Leydig at Viking Children’s, in an exclusive submission, for publication in fall 2022, by Alexandra Machinist and Hillary Jacobson at ICM (world English).

Printz Honor winner Mary McCoy’s INDESTRUCTIBLE OBJECT, in which a queer teen girl who hosts a podcast about the love stories of great artists finds her life falling apart when her parents announce they’re divorcing and her boyfriend breaks up with her right after her high school graduation, then sets out on a new summer podcast project about whether love even exists at all and discovers herself in the process, to Kendra Levin at Simon & Schuster Children’s, for publication in summer 2021, by Patricia Nelson at Marsal Lyon Literary Agency (world).

Arianne Lewin at Putnam has acquired, in a preempt, in a two-book deal, debut author Leslie Vedder’s THE BONE SPINDLE, a gender-flipped Sleeping Beauty meets Indiana Jones, in which a cursed treasure hunter and an axe-wielding huntswoman must team up: one destined to rescue the prince sleeping in the Forest of Thorns, the other falling hard for a wicked witch. The title is set to publish in Spring 2022. Carrie Hannigan and Ellen Goff at HG Literary made the deal for North American rights.

Adult Fiction

Canada Council for the Arts grant recipient Emily Austin’s EVERYONE IN THIS ROOM WILL SOMEDAY BE DEAD, following a morbidly anxious young woman who stumbles into a job as a receptionist at a Catholic church, where she hides her atheist lesbian identity and becomes obsessed with the mysterious circumstances surrounding her predecessor’s death; a humorous exploration of what it takes to stay afloat in a world where our eventual expiration is the only certainty, pitched for fans of GOODBYE, VITAMIN and MOSTLY DEAD THINGS, to Daniella Wexler at Atria, in a pre-empt, by Heather Carr at Friedrich Agency (world).

Kosoko Jackson’s I’M SO (NOT) OVER YOU, the author’s adult debut, an #OwnVoices queer rom-comedy of errors about what happens when two exes, the heir to a brewery empire and a struggling journalist, are forced to pretend they are still a couple and realize that the spark between them may not be extinguished, to Kristine Swartz at Berkley, in a two-book deal, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Nebula, Hugo, and Lambda Award nominee Lee Mandelo’s SUMMER SONS, pitched as THE SECRET HISTORY meets HISTORY IS ALL YOU LEFT ME in a queer, speculative Southern Gothic novel, about a Vanderbilt student searching for the truth behind his best friend’s death as ghosts, literal and figurative, haunt his nights, to Carl Engle-Laird at Tor.com, in a nice deal, in a pre-empt, in a two-book deal, for publication in fall 2021, by Tara Gilbert and Saritza Hernandez at Corvisiero Literary Agency (world English).

Non-Fiction

Historian and author of GAY AMERICAN HISTORY and THE INVENTION OF HETEROSEXUALITY Jonathan Ned Katz’s SEX REBEL: THE DARING LIFE AND TROUBLED TIMES OF EVE ADAMS, the first biography of the pioneering activist who ran lesbian and gay friendly speakeasies in Greenwich Village in the 1920s and published the novel LESBIAN LOVE (to be included in its entirety), which led to her surveillance, arrest, and eventual deportation back to Europe where she later died at Auschwitz, to Jerry Pohlen at Chicago Review Press, for publication in June 2021, by Robert Guinsler at Sterling Lord Literistic (world English).

Husband of former Democratic presidential candidate Pete Buttigieg, Chasten Buttigieg’s I HAVE SOMETHING TO TELL YOU, a memoir about growing up gay in his small Midwestern town, his relationship with Pete, and his hope for America’s future, to Rakesh Satyal at Atria, in an exclusive submission, for publication in September 2020, by Alia Hanna Habib at The Gernert Company (NA).

Jennifer Berney’s THE OTHER MOTHERS, recounting her and her wife’s experience of trying to conceive, placing it within the larger story of how the LGBTQ community has undertaken the quest for parenthood over the last several decades, redefining what the nuclear family can be, to Anna Michels at Sourcebooks, with Jenna Jankowski editing, for publication in February 2021, by Rachel Vogel at Dunow, Carlson & Lerner (world English).

Deal Announcements

April Book Deal Announcements

2 Comments

Adult

Lecturer in creative writing at San Francisco State University and creator and teacher at The Lab: Writing Classes Matthew Clark Davison‘s DOUBTING THOMAS, chronicling a year in the life of a gay fourth grade teacher at a school serving Portland, Oregon’s progressive Obama-era elite; he is fired, even after being cleared of a false molestation accusation, just before a family tragedy makes him the guardian of his 12-year-old biracial nephew; digging into the disparity between ideals and reality, to Michael Nava at Amble, in a nice deal, in an exclusive submission, for publication in spring 2021 (world English).

Cornell University MFA graduate, poet, professor, and performer Ryka Aoki‘s LIGHT FROM UNCOMMON STARS, about three women trying to escape their pasts—a hell-damned violin legend and teacher, a young transgender runaway and aspiring musician, and a spaceship captain fleeing a faraway war—who find each other, and unexpected magic, in California’s San Gabriel Valley, to Lindsey Hall at Tor, in a pre-empt, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world English).

Gretchen Felker-Martin‘s MANHUNT, about trans women scavenging for estrogen in a post-apocalyptic world where a viral plague has transformed all cis men into feral monstrosities, fighting tooth and nail against a menace they’ll join if they miss a dose, and on the run from an authoritarian faction of cis women who see them as a dangerous liability, pitched as a trans woman’s response to Y: THE LAST MAN, plus another standalone horror novel, to Kelly Lonesome at Nightfire, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in March 2022, by Connor Goldsmith at Fuse Literary (world).

Freya Marske‘s A MARVELLOUS LIGHT, a historical fantasy pitched as JONATHAN STRANGE AND MR. NORRELL meets WITCHMARK, about a young civil servant named as liaison to the secret magical bureaucracy of Britain who must work with his magician counterpart to unravel a dangerous conspiracy, while struggling with their unexpected attraction and a deadly curse, to Ruoxi Chen at Tor.com, in a three-book deal, for publication in 2021, by Diana Fox at Fox Literary (NA).

Brooklyn-based writer and VONA/Voices and Queer Art Mentorship alumna Emily Hashimoto’s A WORLD BETWEEN, in which a college fling between two women turns into a lifelong connection, to Lauren Hook at Feminist Press, for publication in September 2020, by Robert Guinsler at Sterling Lord Literistic (NA).

Lambda-nominated writer and critic Megan Milks’s MARGARET AND THE MYSTERY OF THE MISSING BODY, a genre-bending queer and trans coming-of-age story that combines a ’90s-era girl group mystery series with a haunted eating disorder treatment center and a surreal mutant body-world, and SLUG AND OTHER STORIES a reissue of their debut collection with new stories, to Lauren Hook at Feminist Press, in a two-book deal, by Rach Crawford at MacKenzie Wolf (world English).

Charlotte Anne Hamilton‘s OF TRUST & HEART, an #OwnVoices f/f 1920s historical in which a lesbian Scottish heiress, who must find a husband soon, falls for a singer at a speakeasy, to Lydia Sharp at Entangled Embrace, for publication in 2021 (world).

Children’s/Middle Grade

Rosiee Thor and Taylor Barton‘s Picture Book THE MEANING OF PRIDE, about the significance, beauty, and universality of the concept of pride, as celebrated by millions of queer people and their allies around the world, illustrated by Sam Kirk, to Erika Turner at Versify, for publication in spring 2022, by Saba Sulaiman at Talcott Notch Literary Services for the author, and by Nicolas Gomez and Michelle Collins at A Non-Agency for the illustrator (world).

Author of SEAFIRE Natalie Parker‘s Middle Grade THE DEVOURING WOLF, in which a young werewolf-to-be struggles to understand why she hasn’t yet transformed as expected, and to get to the bottom of the mystery and become the wolf she was always meant to be, she will have to unearth her community’s deepest secrets and face off against a terrifying creature from legend, to Chris Hernandez at Razorbill, in a very nice deal, in a two-book deal, for publication in fall 2021, by Lara Perkins at Andrea Brown Literary Agency (world English).

Founder and executive director of inQluded and 2019 SCBWI Emerging Voices winner medina’s THE ONE WHO LOVES YOU THE MOST, which follows a 12-year-old who lives at the intersection of multiple identities as they long to find their place in the world, but a school project, new trans and queer friends, and a YouTube channel helps them find purpose in their journey and find community, to Nick Thomas at Levine Querido, in a pre-empt, for publication in fall of 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (NA and Dutch).

Young Adult

Aden Polydoros‘s YA THE CITY BEAUTIFUL, set against the backdrop of the 1893 Chicago World’s Fair, a queer Jewish Gothic fantasy that follows a young immigrant who is possessed by the dybbuk of his murdered best friend and is thrust into a deadly hunt for a serial killer, to Rebecca Kuss at Inkyard Press, in a nice deal, in a two-book deal, for publication in fall 2021, by Thao Le at Sandra Dijkstra Literary Agency (world English).

Robin Gow‘s YA A MILLION QUIET REVOLUTIONS, a love story in verse between two transgender boys who come out to each other the weekend before their senior year; together, they explore their identities and search history for the often untold stories of queer people like them, to Trisha de Guzman at Farrar, Straus Children’s, in a good deal, at auction, in a two-book deal, for publication in winter 2022, by Jordan Hamessley at New Leaf Literary & Media (NA).

Adrienne Tooley‘s SOFI AND THE BONE SONG, after losing everything to an undeserving rival, a young musician sets out to expose that her rival’s newfound musical abilities stem from an illegal use of magic—but what she discovers will rock everything she knows about her family, music, and the girl she thought was her enemy, to Sarah McCabe at Simon Pulse, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Emery Lee’s MEET CUTE DIARY, about a trans teen who must decide if he’s dedicated to romantic formulas or open to unpredictable love after an internet troll-attack on his trans romance blog compels him and a fan to start fake-dating to salvage the blog’s reputation, to Alexandra Cooper at Quill Tree, for publication in summer 2021, by Beth Phelan at Gallt and Zacker Literary Agency (world English).

Kevin van Whye‘s NATE PLUS ONE, a teenage boy dreads the idea of attending his wealthy aunt’s wedding retreat in South Africa, until his crush, an indie rock musician, volunteers to be his plus-one; an #OwnVoices gay love story pitched as What if It’s Us meets Crazy Rich Asians, to Polo Orozco at Random House Children’s, for publication in spring 2022, by Robert Guinsler at Sterling Lord Literistic (world English).

Cara Davis-Araux, Candice Montgomery, and Adrianne Russell‘s ALL SIGNS POINT TO YES, an anthology of love stories for each of the star signs that will showcase BIPOC characters and celebrate the myriad facets of love, from meet-cutes to the lesser-explored love expressed by aromantic people, to Natashya Wilson at Inkyard Press, for publication in winter 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Hannah Blumenreich‘s FULL-COURT CRUSH, about a basketball player whose team is being shut down, and her bookish girlfriend who is struggling alone with her chronically depressed mother; together, they learn how to navigate the troubles of life and 11th grade, to Kiara Valdez at First Second, in a significant deal, at auction, in a two-book deal, for publication in 2023, by Linda Camacho at Gallt and Zacker Literary Agency (NA).

Aaron Aceves‘s THIS IS WHY THEY HATE US, a debut about a bisexual Latino teen from East L.A. who is determined to get over his crush on his best friend by summer’s end and winds up discovering hilarious, heartfelt truths about friendship, family, and himself, to Jennifer Ung at Simon Pulse, for publication in spring 2022, by Tina Dubois at ICM (NA).

Lambda Literary Award-winning author Rebecca Podos and Stonewall honoree Ashley Herring Blake‘s FOOLS IN LOVE, a YA romance anthology offering up fresh takes on classic romance tropes in multiple genres, featuring Rebecca Barrow, Gloria Chao, Sara Farizan, Claire Kann, Hannah Moskowitz, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, Natasha Ngan, Julian Winters, and more, to Britny Brooks at Running Press Kids, for publication in December 2021, by Eric Smith at P.S. Literary Agency (world).

Author of HAVE A LITTLE FAITH IN ME Sonia Hartl’s THE LOST GIRLS, about a girl who sets out for revenge against the undead ex-boyfriend who turned her into a vampire decades ago, then starts to fall for his mortal girlfriend, to Ashley Hearn at Page Street, for publication in fall 2021, by Rebecca Podos at Rees Literary Agency (world).

Jonny Garza Villa’s FIFTEEN HUNDRED MILES FROM THE SUN, an #OwnVoices debut pitched as SIMON VS. THE HOMO SAPIENS AGENDA meets One Day at a Time, about a Texas high school senior who accidentally comes out to the world on social media and must now juggle the joy of first love and fear of his socially conservative father finding out before he’s ready, to Carmen Johnson at Skyscape, at auction, by Claire Draper at The Bent Agency (world).

Nonfiction

Author of PEN/Diamonstein-Spielvogel Award and Lambda Literary Award-nominated essay collection MINE Sarah Viren‘s AUTOBIOGRAPHY OF SHADOWS, a dual narrative memoir about her coming-of-age and coming out in mid-’90s Florida under the tutelage of a conspiracy theorist high school teacher and her wife’s Title IX investigation as the result of false accusations leveled by a professional rival, as covered in the author’s viral New York Times Magazine essay, to Sally Howe at Scribner, in a pre-empt, by Matt McGowan at Frances Goldin Literary Agency (world English).