Jazz Taylor’s MEOW OR NEVER, in which a girl unexpectedly lands the lead role in her school’s musical and finds help with her stage fright and anxiety from a girl who might be her first crush—and a stray cat who lives backstage, to Olivia Valcarce at Scholastic, in an exclusive submission, for publication in winter 2021, by Holly Root at Root Literary (world).
Tobly McSmith’s ACT COOL, about a transgender teen accepted into a prestigious performing arts high school in New York and cast in a role that hits too close to home—that of a trans teen whose family is intent on conversion therapy—who must learn how to be true to himself, apart from any role, to Andrew Eliopulos at Quill Tree, in a two-book deal, for publication in fall 2021, by Tina Dubois at ICM (world).
THESE WITCHES DON’T BURN author Isabel Sterling’s THE COLDEST TOUCH, about a mortal girl who feels the death of anyone she touches and the vampire assigned to recruit her, as they team up to stop a paranormal killer and realize they might be falling in love, to Julie Rosenberg at Razorbill, for publication in fall 2021, by Kathleen Rushall at Andrea Brown Literary Agency (NA).
Playwright and Modern Love contributor David Valdes’s SPIN ME RIGHT ROUND, about an out-and-proud Latinx teen who accidentally time travels to his parents’ era and makes it his mission to save a closeted classmate from a tragic end, pitched as an #OwnVoices twist on Back to the Future, to Allison Moore at Bloomsbury Children’s, in a two-book deal, for publication in fall 2021, by Annie Bomke at Annie Bomke Literary Agency (world).
Anne Camlin’s graphic novel MISMATCHED, pitched as a queer, modern-day retelling of EMMA, set in a high school in Queens where the president of the school’s GSA club fancies himself just the matchmaker his friends need, illustrated by Isadora Zeferino, to Andrea Colvin at Little, Brown Children’s, in a six-figure deal, in a pre-empt, for publication in 2023, by Britt Siess at Martin Literary Management (world).
Joy McCullough, Caroline Tung Richmond, Jessica Spotswood, and Tess Sharpe’s GREAT OR NOTHING, pitched as a reimagining of Little Women set in the spring of 1942, when the United States is reeling from the attack on Pearl Harbor, in which each March sister’s point of view is written by a separate author; a story of grief, family, and finding one’s way in a world undergoing catastrophic change, to Wendy Loggia at Delacorte, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world English).
GIRL AT MIDNIGHT and RATED author Melissa Grey’s THE VALIANT LADIES OF POTOSI, in which two proper young 17th-century Peruvian ladies trade their skirts for swords and end up as vigilante crime fighters, while falling for each other along the way, to Holly West at Feiwel and Friends, for publication in winter 2022, by Catherine Drayton at Inkwell Management (world English).
Al Graziadei’s ICEBREAKER, following a hockey legacy kid who is on track to become the NHL’s number one draft pick even while barely coping with his untreated depression, until a boy threatens both his number one spot and steals his heart—something that makes him the happiest he’s ever been and could threaten both their dreams if the truth came out, to Rachel Murray at Holt Children’s, in a good deal, at auction, in a two-book deal, for publication in winter of 2022, by Jennifer Azantian at Azantian Literary Agency (world English).
Editor of A PHOENIX FIRST MUST BURN Patrice Caldwell, ed.’s ETERNALLY YOURS, a paranormal romance anthology including short stories by Kendare Blake, Patrice Caldwell, Kat Cho, Melissa de la Cruz, Emily Duncan, Hafsah Faizal, Sarah Gailey, Alexis Henderson, Adib Khorram, Kwame Mbalia, Anna-Marie McLemore, Casey McQuiston, Sandhya Menon, Danielle Paige, Akshaya Raman, Marie Rutkoski, and Julian Winters, to Dana Leydig at Viking Children’s, in an exclusive submission, for publication in fall 2022, by Alexandra Machinist and Hillary Jacobson at ICM (world English).
Printz Honor winner Mary McCoy’s INDESTRUCTIBLE OBJECT, in which a queer teen girl who hosts a podcast about the love stories of great artists finds her life falling apart when her parents announce they’re divorcing and her boyfriend breaks up with her right after her high school graduation, then sets out on a new summer podcast project about whether love even exists at all and discovers herself in the process, to Kendra Levin at Simon & Schuster Children’s, for publication in summer 2021, by Patricia Nelson at Marsal Lyon Literary Agency (world).
Arianne Lewin at Putnam has acquired, in a preempt, in a two-book deal, debut author Leslie Vedder’s THE BONE SPINDLE, a gender-flipped Sleeping Beauty meets Indiana Jones, in which a cursed treasure hunter and an axe-wielding huntswoman must team up: one destined to rescue the prince sleeping in the Forest of Thorns, the other falling hard for a wicked witch. The title is set to publish in Spring 2022. Carrie Hannigan and Ellen Goff at HG Literary made the deal for North American rights.
Canada Council for the Arts grant recipient Emily Austin’s EVERYONE IN THIS ROOM WILL SOMEDAY BE DEAD, following a morbidly anxious young woman who stumbles into a job as a receptionist at a Catholic church, where she hides her atheist lesbian identity and becomes obsessed with the mysterious circumstances surrounding her predecessor’s death; a humorous exploration of what it takes to stay afloat in a world where our eventual expiration is the only certainty, pitched for fans of GOODBYE, VITAMIN and MOSTLY DEAD THINGS, to Daniella Wexler at Atria, in a pre-empt, by Heather Carr at Friedrich Agency (world).
Kosoko Jackson’s I’M SO (NOT) OVER YOU, the author’s adult debut, an #OwnVoices queer rom-comedy of errors about what happens when two exes, the heir to a brewery empire and a struggling journalist, are forced to pretend they are still a couple and realize that the spark between them may not be extinguished, to Kristine Swartz at Berkley, in a two-book deal, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Nebula, Hugo, and Lambda Award nominee Lee Mandelo’s SUMMER SONS, pitched as THE SECRET HISTORY meets HISTORY IS ALL YOU LEFT ME in a queer, speculative Southern Gothic novel, about a Vanderbilt student searching for the truth behind his best friend’s death as ghosts, literal and figurative, haunt his nights, to Carl Engle-Laird at Tor.com, in a nice deal, in a pre-empt, in a two-book deal, for publication in fall 2021, by Tara Gilbert and Saritza Hernandez at Corvisiero Literary Agency (world English).
Historian and author of GAY AMERICAN HISTORY and THE INVENTION OF HETEROSEXUALITY Jonathan Ned Katz’s SEX REBEL: THE DARING LIFE AND TROUBLED TIMES OF EVE ADAMS, the first biography of the pioneering activist who ran lesbian and gay friendly speakeasies in Greenwich Village in the 1920s and published the novel LESBIAN LOVE (to be included in its entirety), which led to her surveillance, arrest, and eventual deportation back to Europe where she later died at Auschwitz, to Jerry Pohlen at Chicago Review Press, for publication in June 2021, by Robert Guinsler at Sterling Lord Literistic (world English).
Husband of former Democratic presidential candidate Pete Buttigieg, Chasten Buttigieg’s I HAVE SOMETHING TO TELL YOU, a memoir about growing up gay in his small Midwestern town, his relationship with Pete, and his hope for America’s future, to Rakesh Satyal at Atria, in an exclusive submission, for publication in September 2020, by Alia Hanna Habib at The Gernert Company (NA).
Jennifer Berney’s THE OTHER MOTHERS, recounting her and her wife’s experience of trying to conceive, placing it within the larger story of how the LGBTQ community has undertaken the quest for parenthood over the last several decades, redefining what the nuclear family can be, to Anna Michels at Sourcebooks, with Jenna Jankowski editing, for publication in February 2021, by Rachel Vogel at Dunow, Carlson & Lerner (world English).
From the bestselling author of She’s Not There: A Life in Two Genders, Good Boy is a memoir that explores seven crucial moments of growth and transformation in Boylan’s life, accompanied by seven unforgettable dogs.
“Boylan’s newest book is a touching look at the different identities she’s inhabited through her many furry friends—whose love has been a constant in a life marked by change.” —O, The Oprah Magazine, “44 LGBTQ Books That Are Changing the Literary Landscape in 2020”
The pirate Florian, born Flora, has always done whatever it takes to survive—including sailing under false flag on the Dove as a marauder, thief, and worse. Lady Evelyn Hasegawa, a highborn Imperial daughter, is on board as well—accompanied by her own casket.
But Evelyn’s one-way voyage to an arranged marriage in the Floating Islands is interrupted when the captain and crew show their true colors and enslave their wealthy passengers.
Both Florian and Evelyn have lived their lives by the rules, and whims, of others. But when they fall in love, they decide to take fate into their own hands—no matter the cost.
What he needs is for his favorite author to release another one of her sexy supernatural novels and more people to sign up for the romance book club that he fears is slowly and steadily losing its steam. He also needs for the new employee at his local bookstore to stop making fun of him for reading things meant for “grandmas.”
The very last thing he needs is for that same employee, Rex Bailey, to waltz into his living room and ask to join Meet Cute Club. Despite his immediate thoughts—like laughing in his face and telling him to kick rocks—Jordan decides that if he wants this club to continue thriving, he can’t turn away any new members. Not even ones like Rex, who somehow manage to be both frustratingly obnoxious and breathtakingly handsome.
As Jordan and Rex team up to bring the club back from the ashes, Jordan soon discovers that Rex might not be the arrogant troll he made himself out to be, and that, like with all things in life, maybe he was wrong to judge a book by its cover.
Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.
When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle….
But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.
Alani Baum, a non-binary photographer and teacher, hasn’t seen their mother since they ran away with their girlfriend when they were seventeen — almost thirty years ago. But when Alani gets a call from a doctor at the assisted living facility where their mother has been for the last five years, they learn that their mother’s dementia has worsened and appears to have taken away her ability to speak. As a result, Alani suddenly find themselves running away again — only this time, they’re running back to their mother.
Staying at their mother’s empty home, Alani attempts to tie up the loose ends of their mother’s life while grappling with the painful memories that—in the face of their mother’s disease — they’re terrified to lose. Meanwhile, the memories inhabiting the house slowly grow animate, and the longer Alani is there, the longer they’re forced to confront the fact that any closure they hope to get from this homecoming will have to be manufactured.
The Art of Drag by Jake Hall, ill. by Sofie Birkin, Helen Li, Jasjyot Singh Hans (5th)
The history of drag has been formed by many intersections: fashion, theatre, sexuality and politics–all coming together to create the show stopping entertainment millions witness today. In this extensive work, Jake Hall delves deep into the ancient beginnings of drag, to present day and beyond. Vibrant illustrations enhance the rich history from Kabuki theatre to Shakespearean, the revolutionary Stonewall riots to the still thriving New York ballroom scene. Nothing will go undocumented in this must-have documentation of all things drag.
“Toward what goal do I aspire, ever, but collision? Always accident, concussion, bodies butting together . . . By collision I also mean metaphor and metonymy: operations of slide and slip and transfuse.”
In his new nonfiction collection, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts twenty-six ecstatic collisions between his mind and the world. A subway passenger’s leather bracelet prompts musings on the German word for stranger; Montaigne leads to the memory of a fourth-grade friend’s stinky feet. Koestenbaum dreams about a hand job from John Ashbery, swims next to Nicole Kidman, reclaims Robert Rauschenberg’s squeegee, and apotheosizes Marguerite Duras as a destroyer of sentences. He directly proposes assignments to readers: “Buy a one-dollar cactus, and start anthropomorphizing it. Call it Sabrina.” “Describe an ungenerous or unkind act you have committed.” “Find in every orgasm an encyclopedic richness . . . Reimagine doing the laundry as having an orgasm, and reinterpret orgasm as not a tiny experience, temporally limited, occurring in a single human body, but as an experience that somehow touches on all of human history.” Figure It Out is both a guidebook for, and the embodiment of, the practices of pleasure, attentiveness, art, and play.
Skyler, Ellie, Scarlett and Amelia Grace are forced to spend the summer at the lake house where their moms became best friends.
One can’t wait. One would rather gnaw off her own arm than hang out with a bunch of strangers just so their moms can drink too much wine and sing Journey two o’clock in the morning. Two are sisters. Three are currently feuding with their mothers.
One almost sets her crush on fire with a flaming marshmallow. Two steal the boat for a midnight joyride that goes horribly, awkwardly wrong. All of them are hiding something.
One falls in love with a boy she thought she despised. Two fall in love with each other. None of them are the same at the end of the summer.
A young teenager stays a step ahead of her parents’ sexuality-based restrictions by running away and learns a very different set of rules. A woman grieves the loss of a sister, a “gay divorce,” and the pain of unacknowledged abuse with the help of a lone wallaby on a farm in Washington State. A professor of women’s and gender studies revels in academic and sexual power but risks losing custody of the family dog.
In Corinne Manning’s stunning debut story collection, a cast of queer characters explore the choice of assimilation over rebellion. In this historical moment that’s hyperaware of and desperate to define even the slowest of continental shifts, when commitment succumbs to the logic of capitalism and nobody knows what to call each other or themselves—Gay? Lesbian? Queer? Partners? Dad?—who are we? And if we don’t know who we are, what exactly can we offer each other?
Spanning the years 1992 to 2019, and moving from New York to North Carolina to Seattle, the eleven first-person stories in We Had No Rules feature characters who feel the promise of a radically reimagined world but face complicity instead.
Have you ever met someone and felt like you’ve known them in a thousand different lifetimes?
Lindsay Hall was a high school senior when she and her friend Patty discovered peach schnapps, listened to a past-life hypnosis CD, and got an up-close look at who she once was. And who she used to love. The knowledge of her past life has always haunted Lindsay. As her ex-husband is happy to point out, it’s made her a pretty crappy partner, too. Even her teenage daughter has politely suggested that she “get the eff over it.” Except she didn’t say eff.
Ren Christopher just wants a quick break before she starts a new job in London. She’s just extracted herself from a not-brief-enough, drama-filled relationship. A few weeks relaxing, drinking too much wine, and hanging with her old college friend Patty is just what the doctor ordered. No pressure, no expectations, and absolutely no drama.
Everything is perfect until Lindsay faints at the sight of Ren.
It’s the late 1960s in McKinney, Texas. At the downtown theater and the local drive-in, movies—James Bond, My Fair Lady, Alfie, and Dr. Zhivago—feed the dreams and obsessions of a ten-year-old Clarke who loves Audrey, Elvis, his family, and the handsome boy in the projector booth. Then Clarke loses his beloved mother, and no one will tell him how she died. No one will tell her either. She is floating above the trees and movie screens of McKinney, trapped between life and death, searching for a glimpse of her final moments on this earth. Clarke must find the shattering truth, which haunts this darkly humorous and incredibly moving novel.
Living in a small town where magic is frowned upon, Sam needs his friends James and Delia—and their time together in their school’s magic club—to see him through to graduation.
But as soon as senior year starts, little cracks in their group begin to show. Sam may or may not be in love with James. Delia is growing more frustrated with their amateur magic club. And James reveals that he got mixed up with some sketchy magickers over the summer, putting a target on all their backs.
With so many fault lines threatening to derail his hopes for the year, Sam is forced to face the fact that the very love of magic that brought his group together is now tearing them apart—and there are some problems that no amount of magic can fix.
Nishat doesn’t want to lose her family, but she also doesn’t want to hide who she is, and it only gets harder once a childhood friend walks back into her life. Flávia is beautiful and charismatic, and Nishat falls for her instantly. But when a school competition invites students to create their own businesses, both Flávia and Nishat decide to showcase their talent as henna artists. In a fight to prove who is the best, their lives become more tangled―but Nishat can’t quite get rid of her crush, especially since Flávia seems to like her back.
As the competition heats up, Nishat has a decision to make: stay in the closet for her family, or put aside her differences with Flávia and give their relationship a chance.
More than five years in the making, Mark Gevisser’s The Pink Line: The World’s Queer Frontiers is a globetrotting exploration of how the human rights frontier around sexual orientation and gender identity has come to divide—and describe—the world in an entirely new way over the first two decades of the twenty-first century. No social movement has brought change so quickly and with such dramatically mixed results. While same-sex marriage and gender transition is celebrated in some parts of the world, laws are being strengthened to criminalize homosexuality and gender nonconformity in others. A new Pink Line, Gevisser argues, has been drawn across the world, and he takes readers to its frontiers.
In between sharp analytical chapters about culture wars, folklore, gender ideology, and geopolitics, Gevisser provides sensitive and sometimes startling profiles of the queer folk he’s encountered on the Pink Line’s front lines across nine countries. They include a trans Malawian refugee granted asylum in South Africa and a gay Ugandan refugee stuck in Nairobi; a lesbian couple who started a gay café in Cairo after the Arab Spring, a trans woman fighting for custody of her child in Moscow, and a community of kothis—“women’s hearts in men’s bodies”—who run a temple in an Indian fishing village.
Eye-opening, moving, and crafted with expert research, compelling narrative, and unprecedented scope, The Pink Line is a monumental—and vital—journey through the border posts of the world’s new LGBTQ+ frontiers.
New Year’s Eve, 1929. Millie is the emcee of the Cloak & Dagger, an LGTQ-friendly speakeasy deep in the heart of the French Quarter, full of bootleg booze, cabaret acts, and where the New Orleans elite comes out to play. Her best friend, Marion, is the star of the show–his diehard fans wouldn’t miss a performance from the boy in the red dress. And together they rule the underground scene.
Then a young socialite draped in furs starts asking questions, wielding a photograph of a boy who looks a lot like Marion. When the socialite’s body is found slumped in the back alley, all signs point to Marion as the murderer. Millie is determined to prove her best friend’s innocence, even if that means risking her own life. As she chases clues that lead to cemeteries and dead ends, Millie’s attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who’s offered to help her find the murderer. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks.
Emma Lane’s forced to face her fears when her mother unceremoniously dumps her on the doorstep of Camp Mapplewood, abandoning her for the summer while she heads off on a cruise with her latest husband. It’s the last place Emma wants to be with no shortage of creepy creatures, keen campers, and mandatory activities that she fears will hinder managing her anxiety and depression. When Emma breaks into the tool shed on her first day there, the fall out from her escapades leads her right into the path of her counsellor Vivian Black, and nothing is ever the same.
This is the second book in the Magic in Manhattan seriesNew York, 1925
Psychometric Rory Brodigan’s life hasn’t been the same since the day he met Arthur Kenzie. Arthur’s continued quest to contain supernatural relics that pose a threat to the world has captured Rory’s imagination—and his heart. But Arthur’s upper-class upbringing still leaves Rory worried that he’ll never measure up, especially when Arthur’s aristocratic ex arrives in New York.
For Arthur, there’s only Rory. But keeping the man he’s fallen for safe is another matter altogether. When a group of ruthless paranormals throws the city into chaos, the two men’s strained relationship leaves Rory vulnerable to a monster from Arthur’s past.
With dark forces determined to tear them apart, Rory and Arthur will have to draw on every last bit of magic up their sleeves. And in the end, it’s the connection they’ve formed without magic that will be tested like never before.
Hannah Walsh just wants a normal life. It’s her senior year, so she should be focusing on classes, hanging out with her best friend, and flirting with her new girlfriend, Morgan. But it turns out surviving a murderous Witch Hunter doesn’t exactly qualify as a summer vacation, and now the rest of the Hunters seem more intent on destroying her magic than ever.
When Hannah learns the Hunters have gone nationwide, armed with a serum capable of taking out entire covens at once, she’s desperate to help. Now, with witches across the country losing the most important thing they have—their power—Hannah could be their best shot at finally defeating the Hunters. After all, she’s one of the only witches to escape a Hunter with her magic intact.
Or so everyone believes. Because as good as she is at faking it, doing even the smallest bit of magic leaves her in agony. The only person who can bring her comfort, who can make her power flourish, is Morgan. But Morgan’s magic is on the line, too, and if Hannah can’t figure out how to save her—and the rest of the Witches—she’ll lose everything she’s ever known. And as the Hunters get dangerously close to their final target, will all the Witches in Salem be enough to stop an enemy determined to destroy magic for good?
Everyone knows about the dare: Each week, Bryson Keller must date someone new–the first person to ask him out on Monday morning. Few think Bryson can do it. He may be the king of Fairvale Academy, but he’s never really dated before.
Until a boy asks him out, and everything changes.
Kai Sheridan didn’t expect Bryson to say yes. So when Bryson agrees to secretly go out with him, Kai is thrown for a loop. But as the days go by, he discovers there’s more to Bryson beneath the surface, and dating him begins to feel less like an act and more like the real thing. Kai knows how the story of a gay boy liking someone straight ends. With his heart on the line, he’s awkwardly trying to navigate senior year at school, at home, and in the closet, all while grappling with the fact that this “relationship” will last only five days. After all, Bryson Keller is popular, good-looking, and straight…right?
The team at King’s Row must face the school that defeated them in the fencing state championships last year, but first Nicholas and Seiji must learn to work together as a team…and maybe something more!
Just as Nicholas, Seiji and the fencing team at the prodigious Kings Row private school seem to be coming together, a deadly rival from their past stands in their way once more. MacRobertson is the school that knocked Kings Row out of the State Championships last year – but unless Nicholas and Seiji can learn to work together as a team, their school is doomed once again! And maybe those two can learn to be something more than teammates too…
For the first time, best-selling novelist C.S. Pacat (Captive Prince) and popular online sensation Johanna The Mad present the next all-new thrilling chapter in the story of Nicholas Cox’s entry into the world of competitive fencing where scoring points is the name of the game—but finding out who you really are is the only way to truly win!
In this bewitching first novel, a sensitive teen, newly arrived in Alabama, falls in love, questions his faith, and navigates a strange power. While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by rowdy football players, he learns how to catch a spiraling ball, point a gun, and hide his innermost secrets. When Max meets fishnet-wearing Pan in physics class, they embark on an all-consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of a local church. The boys, however, aren’t sure what is more frightening—embracing their true selves, or masking their true selves. Evoking Dorothy Allison, Lambda Award finalist Genevieve Hudson offers a nuanced portrait of masculinity, immigration, and the adolescent pressures that require total conformity—in short, a twenty-first-century South that would have been unimaginable to the late Harper Lee.
My Maddy by Gayle E. Pitman and Anne Passchier (25th)
My Maddy has hazel eyes which are not brown or green. And my Maddy likes sporks because they are not quite a spoon or a fork.
Some of the best things in the world are not one thing or the other. They are something in between and entirely their own.
Randall Ehrbar, PsyD, offers an insightful note with more information about parents who are members of gender minority communities, including transgender, gender non-binary, or otherwise gender diverse people.
The first book to foreground the voices and experiences of autistic trans people, this collection of interviews explores questions of identity and gender from a neurodiverse perspective and examines how this impacts family, work, healthcare and religion.
Sixteen-year-old Randy Kapplehoff loves spending the summer at Camp Outland, a camp for queer teens. It’s where he met his best friends. It’s where he takes to the stage in the big musical. And it’s where he fell for Hudson Aaronson-Lim – who’s only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.
This year, though, it’s going to be different. Randy has reinvented himself as ‘Del’ – buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he’s determined to get Hudson to fall for him.
But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn’t know who he truly is?
Intimacy has always eluded twenty-seven-year-old Maggie Krause—despite being brought up by married parents, models of domestic bliss—until, that is, Lucia came into her life. But when Maggie’s mom, Iris, dies in a car crash, Maggie returns home only to discover a withdrawn dad, an angry brother, and, along with Iris’s will, five sealed envelopes, each addressed to a mysterious man she’s never heard of.
In an effort to run from her own grief and discover the truth about Iris—who made no secret of her discomfort with her daughter’s sexuality—Maggie embarks on a road trip, determined to hand-deliver the letters and find out what these men meant to her mother. Maggie quickly discovers Iris’s second, hidden life, which shatters everything Maggie thought she knew about her parents’ perfect relationship. What is she supposed to tell her father and brother? And how can she deal with her own relationship when her whole world is in freefall?
Told over the course of a funeral and shiva, and written with enormous wit and warmth, All My Mother’s Lovers is the exciting debut novel from fiction writer and book critic Ilana Masad. A unique meditation on the universality and particularity of family ties and grief, and a tender and biting portrait of sex, gender, and identity, All My Mother’s Lovers challenges us to question the nature of fulfilling relationships.
Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn’t come at a worse time—threatening Emma’s promotion and Jo’s new movie.
As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a “source” is feeding information to the media. But their only comment is “no comment”.
With the launch of Jo’s film project fast approaching, the two women begin to spend even more time together, getting along famously. Emma seems to have a sixth sense for knowing what Jo needs. And Jo, known for being aloof and outwardly cold, opens up to Emma in a way neither of them expects. They begin to realize the rumor might not be so off base after all…but is acting on the spark between them worth fanning the gossip flames?
Fairest is a memoir about a precocious boy with albinism, a “sun child” from a rural Philippine village, who would grow up to become a woman in America. Coping with the strain of parental neglect and the elusive promise of U.S. citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as she was treated by others with special preference or public curiosity. As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved.
A follow-up to the critically acclaimed All Out anthology, Out Now features seventeen new short stories from amazing queer YA authors. Vampires crash prom, aliens run from the government, a president’s daughter comes into her own, a true romantic tries to soften the heart of a cynical social media influencer, a selkie and the sea call out to a lost soul. Teapots and barbershops, skateboards and VW vans, Street Fighter and Ares’s sword: Out Now has a story for every reader and surprises with each turn of the page!
Pony just wants to fly under the radar during senior year. Tired from all the attention he got at his old school after coming out as transgender, he’s looking for a fresh start at Hillcrest High. But it’s hard to live your best life when the threat of exposure lurks down every hallway and in every bathroom.
Georgia is beginning to think there’s more to life than cheerleading. She plans on keeping a low profile until graduation…which is why she promised herself that dating was officially a no-go this year.
Then, on the very first day of school, the new guy and the cheerleader lock eyes. How is Pony supposed to stay stealth when he wants to get close to a girl like Georgia? How is Georgia supposed to keep her promise when sparks start flying with a boy like Pony?
Rowan has too many secrets to write down in the pages of a diary. And if he did, he wouldn’t want anyone he knows to discover them. He understands who he is and what he likes, but it’s not safe for others to know. Now, the kids at school say he’s too different to spend time with. He’s not the “right kind” of girl, and he’s not the “right kind” of boy. His mom ignores him. And at night, his dad hurts him in ways he’s not ready to talk about yet.
But Rowan discovers another way to share his secrets: letters. Letters he attaches to balloons and releases into the universe, hoping someone new will read them and understand. But when he befriends a classmate who knows what it’s like to be lonely and scared, even at home, Rowan realizes that there might already be a person he can trust right by his side.
Iris Turner hightailed it out of Salty Cove, Maine, without so much as a backward glance. Which is why finding herself back in her hometown—in her childhood bedroom, no less—has the normally upbeat Iris feeling a bit down and out. Her spirits get a much-needed lift, though, at the sight of the sexy girl next door.
No one knows why Jude Wicks is back in Salty Cove, and that’s just how she likes it. Jude never imagined she’d be once again living in her parents’ house, never mind hauling lobster like a local. But the solitude is just what she needs—until Iris tempts her to open up.
A no-strings summer fling seems like the perfect distraction for both women. Jude rides a motorcycle, kisses hard and gives Iris the perfect distraction from her tangled mess of a life. But come September, Iris is still determined to get out of this zero-stoplight town.
That is, unless Jude can give her a reason to stay…
Alice lives in a world of stifling privilege and luxury – but none of it means anything when your own head plays tricks on your reality. When her troubled friend Bunny goes missing, Alice becomes obsessed with finding her. On the trail of her last movements, Alice discovers a mysterious invitation to ‘Wonderland’: the party to end all parties – three days of hedonistic excess to which only the elite are welcome.
Will she find Bunny there? Or is this really a case of finding herself? Because Alice has secrets of her own, and ruthless socialite queen Paisley Hart is determined to uncover them, whatever it takes.
Alice is all alone, miles from home and without her essential medication. She can trust no-one, least of all herself, and now she has a new enemy who wants her head…
Jake D’Arcy has spent most of his twenty-nine years trying to get his life just right. He’s nearly there: great girlfriend, great friends, stable job. A distant relationship with his boisterous family – which is exactly the way he wants it. So why does everything feel so wrong?
When his popular, irritatingly confident teenage brother Trick comes out as gay to a rapturous response, Jake realises he has questions about his own repressed bisexuality, and that he can’t wait any longer to find his answers.
As Trick begins to struggle with navigating the murky waters of adult relationships, Jake begins a journey that will destroy his relationship with girlfriend Amelia, challenge his closest friendships, and force him to face up to the distance between him and his family – but offers new friends, fewer inhibitions, and a glimpse of the magnificent life he never thought could be his.