I’m so excited to have two of my favorite gay YA sophomores on the site today, chatting about their newest books! Lev Rosen is the author of Jack of Hearts (and other parts)and Camp, the latter of which released this past Tuesday (along with Jack‘s redesigned paperback), and Cale Dietrich is the author of The Love Interest and the upcoming The Friend Scheme, which releases on July 28! Make sure to check out all four of those titles, and to read on below for their conversation about the books, toxic masculinity, internalized homophobia, and more:
Lev: Hi Cale! I’m so excited to talk to you about your forthcoming novel, The Friend Scheme, and my new novel, Camp, which came out on Tuesday. I really loved your last book The Love Interest, so getting to read The Friend Scheme was very exciting! And I love the setup – closeted son of a mafia family falls for a guy who he knows is the son of the rival mafia family who may be seducing him to destroy his family. Love, lust, trust, betrayal, family loyalty. Who could say no to all that? But let’s get this out of the way: There’s a minor character named Lev in The Friend Scheme, and he’s a shmuck. Should I be deeply insulted or merely offended?
Cale: Hi Lev! First up: DEEPLY OFFENDED. Obviously. Just kidding, that schmuck Lev has nothing to do with you, because I adore you. Jack and Camp are two of my all time favourite-YA books, they’re so smart and really explore the modern queer identity while being fun and romantic. I love them. I’m so happy I get to talk to you about Camp! One of the things I loved most about it was its exploration of masculinity, and the complicated relationship it has with being queer. Was this something you’d always wanted to explore in a novel, or did something inspire you?
Lev: WELL! I shall be deeply offended then. Let me get out my burn book…
And yeah, Camp is so much about navigating patriarchal gender nonsense as a queer man, and how somehow, even when we’re out and proud, that straight mindset can creep in and cause a lot of pain. But the original inspiration was actually old Doris Day/Rock Hudson 60s screwball sex comedies. And, if I’m being honest, the post-modern redo of those movies, Down With Love. That was the big inspiration – I wanted a contemporary queer YA version of those movies, because I love those movies. I love Down With Love. But of course, those movies center around the idea of “the battle of the sexes” – very 60s. And making that queer wasn’t going to work quite right, until I realized it could be battle of the masc/femme. And once that occurred to me, everything fell into place – masc4masc stuff, the summer camp setting. I always love exploring post-coming out stuff, though, so I imagine something would have snuck in there eventually. I just knew it needed to be in a queer space to work. If you’re out in the world with this, straight people are going to seriously interfere and try to tell you that masc gays are better, or femme gays are more fabulous, really try to put you in a category. In an entirely queer space, the characters can play with these ideas of gender performance and it can be seen as just exploring identity. Straight people seldom let queer kids do that. And queer community was so interesting to me in your book, The Friend Scheme, as well, because it’s Matt’s lack of queer community that really kind of puts him in this impossible situation – he’s closeted and has no queer friends, so the first one that comes along becomes his everything, his entire community, and he has to rely on that one person so much that it becomes dangerous. I was wondering if that was intentional? Like, did you go into this wanting to show the dangers of being an isolated queer person?
Cale: AHHH. I wonder who else is in that burn book!
INTERESTING. You mention that the straights in relation to saying masc gays are better, or femme gays are more fabulous etc, but what do you think about the pressures of being masculine coming from within the gay community itself? To me it feels like there is a lot of pressure on social media and the like within the gay world to live up to a certain standard of masculinity, (which is really rubbish). I understood why Randy decided to act more masc to attract Hudson – scroll Instagram and you’ll see a specific type of gay sexuality continually heralded as the most attractive – the buff, masc gym gay. I’m just wondering where you think the pressure on gay guys to be masculine is coming from — is it from straight people, or is it from other gay men?
As for TFS and Matt being isolated, absolutely! I think we were both trying to explore queer masculinity in two different ways, which I think is so great and I’m so bummed we no longer share a release date so we could be a double feature! To me, Matt’s whole story is about him not living up to the kind of man his father wants him to be, and a lot of that has to be with his masculinity. As much as he tries to push himself into the guy that his family set out for him, he only really finds happiness once he starts accepting he isn’t the kind of guy his dad wants him to be. I was trying to explore that feeling through a genre story. And to answer your question: it was intentional! I did want to show how that lack of support and community can be incredibly painful, especially when you’re cut off from them by being closeted. I ratcheted things up to fit the genre, but mostly I was trying to explore how that feels. I don’t want to spoil anything but hopefully the epilogue shows how things can improve once you’ve found a queer community!
Lev: The Burn Book is large and long. Top of the list right now is whoever is responsible for the pre-9AM jackhammering directly outside my window during all this social distancing. They are a terrible human being.
And yeah, Camp deals with that internalized homophobia, too, the way the community can essentially take part in that! But I think that problem isn’t exactly exclusive to the gay community. It’s a problem of patriarchy and toxic masculinity – being queer doesn’t save you from that. It can even make it worse; when Hudson starts to explore why he values masculinity so much, it comes out that it’s a form of protection. A lot of “masc4masc” guys think it makes them better because it makes them pass as straight, it makes them acceptable to straight people – which is something I don’t think queer people need to be worrying about. Because while being queer doesn’t save you from the patriarchy, it gives you an opportunity to sidestep it. Being gay is a gift. When you come out, you have a chance to step aside from all that nonsense and look at patriarchy and say “okay, so I’m not into ladies like they want me to be, which makes me less of a man, supposedly, but… what if all those ideas were nonsense? What if everything is meaningless and behaviors we attribute to genders are made up? What if I get to be whatever I want, and fuck gender conforming?” Being given that opportunity – and I genuinely think its a lot harder for straight people to be given it – is a gift. Sadly, its not one a lot of gay people unwrap because coming out is so traumatic for them that they cling to the patriarchy even harder than straight people do, hoping it will make them not actually straight again (well, probably some of them), but make them essentially “count as” straight in the eyes of society. And that sucks so hard for them. There’s nothing wrong with being “masc-acting” and queer (in Camp, Brad fills that role, that’s just who he is, there’s no performance). But to be trapped feeling like you have to be masc acting, like it effects your value as a human being? That’s awful. So I actually feel sorry for those guys on instagram. I mean, I have no problem with a guy who’s built and bearded or whatever (I, myself am bearded, and I DO have a build). But a guy who says he’s “manly” or “masc” – that’s where it gets sad for me. And those guys being more praised for their masculinity by the community makes me sad, too. Like… we were all given this gift guys. Unwrap it.
And yes! Friend Scheme is all about a very old school, very blunt form of masculinity. I keep thinking “murder is masculine,” so you should see if that can be the tagline of your novel. I think, in fact, Matt’s whole story is about having that gay gift I talk about – his queerness is what allows him to see himself outside this mold they try to put him in, this future they want for him. And I love how you somehow manage to combine that exciting mafioso action with what is essentially a really sweet romance. You did it in The Love Interest, too. And they’re both about how these guys know they’re not who they’re supposed to be and fall for a guy who they know they can’t trust. It makes me think about dating in the closet, how you want to be with this person but also by being with them you’re kind of giving them the power to destroy your life. Is that why that theme comes up for you? Do you think dating as a queer person is more fraught with issues of distrust?
Cale: This is such a good answer!!! I agree with everything you say. It’s such a complicated issue, and I’m so happy that you explore it in Camp, as I think it’s a question that’s extremely relevant to modern queer people. I’m such a fan of yours!! Ah!
Omgosh, “murder is masculine,” is the perfect tagline for TFS! I love it! And I totally agree about Matt having the gay gift that you talk about – it is 100% what I was going for! I wanted to explore exactly what you talk about in your answer — I feel like being queer does force you to have these sorts of conversations with yourself, and makes you see yourself outside of the mold people try to put you in. That leads to a lot of questioning and growth. As for the danger of dating in the closet – that has appealed to me as it just made sense for the characters and the stories I was trying to tell – it definitely adds a layer of distrust and danger and that’s what my books are sort of built on! But my book three hero is out and proud, so I think I’ve explored closeted characters as much as I would like to (for a while, anyway).
I’m really curious, what would be your response to someone who says that they have a preference for masc guys?
Lev: I mean, I think I’d say that’s fine. Randy clearly is into Hudson is who is masc… but I think it’s also worth interrogating your own desires. Some people are like “that’s my type, tee-hee, don’t need to think about it,” but if your type is hyper-specific, it worth taking a moment to wonder why. Are you attracted to guys like that because society has always told you to be? Because they represent something you want to be? Because you think being seen with them in public, or by your parents, is what will make people accept you? Is your lust determined by societal approval? Lust isn’t just lizard-brain. Or it can be, but then it gets tempered. I think a lot of about guys who are into plus size women, but never ever admit it. It’s a different issue and I’m not the one to talk about it, but it’s something that happens a lot and at least part of the reason why has to do with societal pressure to punish women for being fat. Likewise, there’s a lot of societal pressure to punish gay men for not being a certain way. And sometimes that effects desire. So if you’re into muscles cause you’re into muscles, cool. But if you’re into “straight-acting” guys, or even just full on straight guys (and many of us have been at some point), ask yourself why. Why do you want someone you know will never want you? Why do you want someone who represents something you’ll never be but which culture is constantly telling you to be? And this can be applied to more than just “masc.”
That being said, I did want to show a character whose masc-ness wasn’t about performance and trying to be the “special gay” who isn’t like those other gays, all in your face, etc. That’s why Brad is there. He’s just as butch as Hudson, but it’s not an entire identity for him. He lets the guy he likes put nail polish on him because it makes that guy happy, he doesn’t care about what his partner is like, socially – even if he clearly likes a man with body hair. And I think that’s the distinction. Are you into a type of guy because of something physical only, or are you into a guy because of something social – some conception of things? A lot of stuff can end up being either, so it’s really about YOU. (and in case anyone is wondering, saying you’re not into a guy because they’re a certain race is always a racist social thing). So yeah, I’d say to a guy “why?” and see what he says. Especially since ‘masc’ is one of those terms that can mean different things to different people. There, that was a long meandering way of getting to the answer. But hey, long meandering way of getting to the answer is just another word for novel.
But I think on that note our word count here is probably becoming perhaps too long and meandering, so I just wanted to say thank you again for talking with me! It was a lot of fun and I’m so excited for people to get their hands on The Friend Scheme. It’s a really fun, sexy novel.
Cale: No, thank you for talking to me! Camp is such a wonderful, important and fun book. I’m so happy teens (and everyone else) will be able to get it starting today!
From the bestselling author of She’s Not There: A Life in Two Genders, Good Boy is a memoir that explores seven crucial moments of growth and transformation in Boylan’s life, accompanied by seven unforgettable dogs.
“Boylan’s newest book is a touching look at the different identities she’s inhabited through her many furry friends—whose love has been a constant in a life marked by change.” —O, The Oprah Magazine, “44 LGBTQ Books That Are Changing the Literary Landscape in 2020”
The pirate Florian, born Flora, has always done whatever it takes to survive—including sailing under false flag on the Dove as a marauder, thief, and worse. Lady Evelyn Hasegawa, a highborn Imperial daughter, is on board as well—accompanied by her own casket.
But Evelyn’s one-way voyage to an arranged marriage in the Floating Islands is interrupted when the captain and crew show their true colors and enslave their wealthy passengers.
Both Florian and Evelyn have lived their lives by the rules, and whims, of others. But when they fall in love, they decide to take fate into their own hands—no matter the cost.
What he needs is for his favorite author to release another one of her sexy supernatural novels and more people to sign up for the romance book club that he fears is slowly and steadily losing its steam. He also needs for the new employee at his local bookstore to stop making fun of him for reading things meant for “grandmas.”
The very last thing he needs is for that same employee, Rex Bailey, to waltz into his living room and ask to join Meet Cute Club. Despite his immediate thoughts—like laughing in his face and telling him to kick rocks—Jordan decides that if he wants this club to continue thriving, he can’t turn away any new members. Not even ones like Rex, who somehow manage to be both frustratingly obnoxious and breathtakingly handsome.
As Jordan and Rex team up to bring the club back from the ashes, Jordan soon discovers that Rex might not be the arrogant troll he made himself out to be, and that, like with all things in life, maybe he was wrong to judge a book by its cover.
Felix Love has never been in love—and, yes, he’s painfully aware of the irony. He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.
When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle….
But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.
Alani Baum, a non-binary photographer and teacher, hasn’t seen their mother since they ran away with their girlfriend when they were seventeen — almost thirty years ago. But when Alani gets a call from a doctor at the assisted living facility where their mother has been for the last five years, they learn that their mother’s dementia has worsened and appears to have taken away her ability to speak. As a result, Alani suddenly find themselves running away again — only this time, they’re running back to their mother.
Staying at their mother’s empty home, Alani attempts to tie up the loose ends of their mother’s life while grappling with the painful memories that—in the face of their mother’s disease — they’re terrified to lose. Meanwhile, the memories inhabiting the house slowly grow animate, and the longer Alani is there, the longer they’re forced to confront the fact that any closure they hope to get from this homecoming will have to be manufactured.
The Art of Drag by Jake Hall, ill. by Sofie Birkin, Helen Li, Jasjyot Singh Hans (5th)
The history of drag has been formed by many intersections: fashion, theatre, sexuality and politics–all coming together to create the show stopping entertainment millions witness today. In this extensive work, Jake Hall delves deep into the ancient beginnings of drag, to present day and beyond. Vibrant illustrations enhance the rich history from Kabuki theatre to Shakespearean, the revolutionary Stonewall riots to the still thriving New York ballroom scene. Nothing will go undocumented in this must-have documentation of all things drag.
“Toward what goal do I aspire, ever, but collision? Always accident, concussion, bodies butting together . . . By collision I also mean metaphor and metonymy: operations of slide and slip and transfuse.”
In his new nonfiction collection, poet, artist, critic, novelist, and performer Wayne Koestenbaum enacts twenty-six ecstatic collisions between his mind and the world. A subway passenger’s leather bracelet prompts musings on the German word for stranger; Montaigne leads to the memory of a fourth-grade friend’s stinky feet. Koestenbaum dreams about a hand job from John Ashbery, swims next to Nicole Kidman, reclaims Robert Rauschenberg’s squeegee, and apotheosizes Marguerite Duras as a destroyer of sentences. He directly proposes assignments to readers: “Buy a one-dollar cactus, and start anthropomorphizing it. Call it Sabrina.” “Describe an ungenerous or unkind act you have committed.” “Find in every orgasm an encyclopedic richness . . . Reimagine doing the laundry as having an orgasm, and reinterpret orgasm as not a tiny experience, temporally limited, occurring in a single human body, but as an experience that somehow touches on all of human history.” Figure It Out is both a guidebook for, and the embodiment of, the practices of pleasure, attentiveness, art, and play.
Skyler, Ellie, Scarlett and Amelia Grace are forced to spend the summer at the lake house where their moms became best friends.
One can’t wait. One would rather gnaw off her own arm than hang out with a bunch of strangers just so their moms can drink too much wine and sing Journey two o’clock in the morning. Two are sisters. Three are currently feuding with their mothers.
One almost sets her crush on fire with a flaming marshmallow. Two steal the boat for a midnight joyride that goes horribly, awkwardly wrong. All of them are hiding something.
One falls in love with a boy she thought she despised. Two fall in love with each other. None of them are the same at the end of the summer.
A young teenager stays a step ahead of her parents’ sexuality-based restrictions by running away and learns a very different set of rules. A woman grieves the loss of a sister, a “gay divorce,” and the pain of unacknowledged abuse with the help of a lone wallaby on a farm in Washington State. A professor of women’s and gender studies revels in academic and sexual power but risks losing custody of the family dog.
In Corinne Manning’s stunning debut story collection, a cast of queer characters explore the choice of assimilation over rebellion. In this historical moment that’s hyperaware of and desperate to define even the slowest of continental shifts, when commitment succumbs to the logic of capitalism and nobody knows what to call each other or themselves—Gay? Lesbian? Queer? Partners? Dad?—who are we? And if we don’t know who we are, what exactly can we offer each other?
Spanning the years 1992 to 2019, and moving from New York to North Carolina to Seattle, the eleven first-person stories in We Had No Rules feature characters who feel the promise of a radically reimagined world but face complicity instead.
Have you ever met someone and felt like you’ve known them in a thousand different lifetimes?
Lindsay Hall was a high school senior when she and her friend Patty discovered peach schnapps, listened to a past-life hypnosis CD, and got an up-close look at who she once was. And who she used to love. The knowledge of her past life has always haunted Lindsay. As her ex-husband is happy to point out, it’s made her a pretty crappy partner, too. Even her teenage daughter has politely suggested that she “get the eff over it.” Except she didn’t say eff.
Ren Christopher just wants a quick break before she starts a new job in London. She’s just extracted herself from a not-brief-enough, drama-filled relationship. A few weeks relaxing, drinking too much wine, and hanging with her old college friend Patty is just what the doctor ordered. No pressure, no expectations, and absolutely no drama.
Everything is perfect until Lindsay faints at the sight of Ren.
It’s the late 1960s in McKinney, Texas. At the downtown theater and the local drive-in, movies—James Bond, My Fair Lady, Alfie, and Dr. Zhivago—feed the dreams and obsessions of a ten-year-old Clarke who loves Audrey, Elvis, his family, and the handsome boy in the projector booth. Then Clarke loses his beloved mother, and no one will tell him how she died. No one will tell her either. She is floating above the trees and movie screens of McKinney, trapped between life and death, searching for a glimpse of her final moments on this earth. Clarke must find the shattering truth, which haunts this darkly humorous and incredibly moving novel.
Living in a small town where magic is frowned upon, Sam needs his friends James and Delia—and their time together in their school’s magic club—to see him through to graduation.
But as soon as senior year starts, little cracks in their group begin to show. Sam may or may not be in love with James. Delia is growing more frustrated with their amateur magic club. And James reveals that he got mixed up with some sketchy magickers over the summer, putting a target on all their backs.
With so many fault lines threatening to derail his hopes for the year, Sam is forced to face the fact that the very love of magic that brought his group together is now tearing them apart—and there are some problems that no amount of magic can fix.
Nishat doesn’t want to lose her family, but she also doesn’t want to hide who she is, and it only gets harder once a childhood friend walks back into her life. Flávia is beautiful and charismatic, and Nishat falls for her instantly. But when a school competition invites students to create their own businesses, both Flávia and Nishat decide to showcase their talent as henna artists. In a fight to prove who is the best, their lives become more tangled―but Nishat can’t quite get rid of her crush, especially since Flávia seems to like her back.
As the competition heats up, Nishat has a decision to make: stay in the closet for her family, or put aside her differences with Flávia and give their relationship a chance.
More than five years in the making, Mark Gevisser’s The Pink Line: The World’s Queer Frontiers is a globetrotting exploration of how the human rights frontier around sexual orientation and gender identity has come to divide—and describe—the world in an entirely new way over the first two decades of the twenty-first century. No social movement has brought change so quickly and with such dramatically mixed results. While same-sex marriage and gender transition is celebrated in some parts of the world, laws are being strengthened to criminalize homosexuality and gender nonconformity in others. A new Pink Line, Gevisser argues, has been drawn across the world, and he takes readers to its frontiers.
In between sharp analytical chapters about culture wars, folklore, gender ideology, and geopolitics, Gevisser provides sensitive and sometimes startling profiles of the queer folk he’s encountered on the Pink Line’s front lines across nine countries. They include a trans Malawian refugee granted asylum in South Africa and a gay Ugandan refugee stuck in Nairobi; a lesbian couple who started a gay café in Cairo after the Arab Spring, a trans woman fighting for custody of her child in Moscow, and a community of kothis—“women’s hearts in men’s bodies”—who run a temple in an Indian fishing village.
Eye-opening, moving, and crafted with expert research, compelling narrative, and unprecedented scope, The Pink Line is a monumental—and vital—journey through the border posts of the world’s new LGBTQ+ frontiers.
New Year’s Eve, 1929. Millie is the emcee of the Cloak & Dagger, an LGTQ-friendly speakeasy deep in the heart of the French Quarter, full of bootleg booze, cabaret acts, and where the New Orleans elite comes out to play. Her best friend, Marion, is the star of the show–his diehard fans wouldn’t miss a performance from the boy in the red dress. And together they rule the underground scene.
Then a young socialite draped in furs starts asking questions, wielding a photograph of a boy who looks a lot like Marion. When the socialite’s body is found slumped in the back alley, all signs point to Marion as the murderer. Millie is determined to prove her best friend’s innocence, even if that means risking her own life. As she chases clues that lead to cemeteries and dead ends, Millie’s attention is divided between the wry and beautiful Olive, a waitress at the Cloak & Dagger, and Bennie, the charming bootlegger who’s offered to help her find the murderer. The clock is ticking for the fugitive Marion, but the truth of who the killer is might be closer than Millie thinks.
Emma Lane’s forced to face her fears when her mother unceremoniously dumps her on the doorstep of Camp Mapplewood, abandoning her for the summer while she heads off on a cruise with her latest husband. It’s the last place Emma wants to be with no shortage of creepy creatures, keen campers, and mandatory activities that she fears will hinder managing her anxiety and depression. When Emma breaks into the tool shed on her first day there, the fall out from her escapades leads her right into the path of her counsellor Vivian Black, and nothing is ever the same.
This is the second book in the Magic in Manhattan seriesNew York, 1925
Psychometric Rory Brodigan’s life hasn’t been the same since the day he met Arthur Kenzie. Arthur’s continued quest to contain supernatural relics that pose a threat to the world has captured Rory’s imagination—and his heart. But Arthur’s upper-class upbringing still leaves Rory worried that he’ll never measure up, especially when Arthur’s aristocratic ex arrives in New York.
For Arthur, there’s only Rory. But keeping the man he’s fallen for safe is another matter altogether. When a group of ruthless paranormals throws the city into chaos, the two men’s strained relationship leaves Rory vulnerable to a monster from Arthur’s past.
With dark forces determined to tear them apart, Rory and Arthur will have to draw on every last bit of magic up their sleeves. And in the end, it’s the connection they’ve formed without magic that will be tested like never before.
Hannah Walsh just wants a normal life. It’s her senior year, so she should be focusing on classes, hanging out with her best friend, and flirting with her new girlfriend, Morgan. But it turns out surviving a murderous Witch Hunter doesn’t exactly qualify as a summer vacation, and now the rest of the Hunters seem more intent on destroying her magic than ever.
When Hannah learns the Hunters have gone nationwide, armed with a serum capable of taking out entire covens at once, she’s desperate to help. Now, with witches across the country losing the most important thing they have—their power—Hannah could be their best shot at finally defeating the Hunters. After all, she’s one of the only witches to escape a Hunter with her magic intact.
Or so everyone believes. Because as good as she is at faking it, doing even the smallest bit of magic leaves her in agony. The only person who can bring her comfort, who can make her power flourish, is Morgan. But Morgan’s magic is on the line, too, and if Hannah can’t figure out how to save her—and the rest of the Witches—she’ll lose everything she’s ever known. And as the Hunters get dangerously close to their final target, will all the Witches in Salem be enough to stop an enemy determined to destroy magic for good?
Everyone knows about the dare: Each week, Bryson Keller must date someone new–the first person to ask him out on Monday morning. Few think Bryson can do it. He may be the king of Fairvale Academy, but he’s never really dated before.
Until a boy asks him out, and everything changes.
Kai Sheridan didn’t expect Bryson to say yes. So when Bryson agrees to secretly go out with him, Kai is thrown for a loop. But as the days go by, he discovers there’s more to Bryson beneath the surface, and dating him begins to feel less like an act and more like the real thing. Kai knows how the story of a gay boy liking someone straight ends. With his heart on the line, he’s awkwardly trying to navigate senior year at school, at home, and in the closet, all while grappling with the fact that this “relationship” will last only five days. After all, Bryson Keller is popular, good-looking, and straight…right?
The team at King’s Row must face the school that defeated them in the fencing state championships last year, but first Nicholas and Seiji must learn to work together as a team…and maybe something more!
Just as Nicholas, Seiji and the fencing team at the prodigious Kings Row private school seem to be coming together, a deadly rival from their past stands in their way once more. MacRobertson is the school that knocked Kings Row out of the State Championships last year – but unless Nicholas and Seiji can learn to work together as a team, their school is doomed once again! And maybe those two can learn to be something more than teammates too…
For the first time, best-selling novelist C.S. Pacat (Captive Prince) and popular online sensation Johanna The Mad present the next all-new thrilling chapter in the story of Nicholas Cox’s entry into the world of competitive fencing where scoring points is the name of the game—but finding out who you really are is the only way to truly win!
In this bewitching first novel, a sensitive teen, newly arrived in Alabama, falls in love, questions his faith, and navigates a strange power. While his German parents don’t know what to make of a South pining for the past, shy Max thrives in the thick heat. Taken in by rowdy football players, he learns how to catch a spiraling ball, point a gun, and hide his innermost secrets. When Max meets fishnet-wearing Pan in physics class, they embark on an all-consuming relationship: Max tells Pan about his supernatural powers, and Pan tells Max about the snake poison initiations of a local church. The boys, however, aren’t sure what is more frightening—embracing their true selves, or masking their true selves. Evoking Dorothy Allison, Lambda Award finalist Genevieve Hudson offers a nuanced portrait of masculinity, immigration, and the adolescent pressures that require total conformity—in short, a twenty-first-century South that would have been unimaginable to the late Harper Lee.
My Maddy by Gayle E. Pitman and Anne Passchier (25th)
My Maddy has hazel eyes which are not brown or green. And my Maddy likes sporks because they are not quite a spoon or a fork.
Some of the best things in the world are not one thing or the other. They are something in between and entirely their own.
Randall Ehrbar, PsyD, offers an insightful note with more information about parents who are members of gender minority communities, including transgender, gender non-binary, or otherwise gender diverse people.
The first book to foreground the voices and experiences of autistic trans people, this collection of interviews explores questions of identity and gender from a neurodiverse perspective and examines how this impacts family, work, healthcare and religion.
Sixteen-year-old Randy Kapplehoff loves spending the summer at Camp Outland, a camp for queer teens. It’s where he met his best friends. It’s where he takes to the stage in the big musical. And it’s where he fell for Hudson Aaronson-Lim – who’s only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.
This year, though, it’s going to be different. Randy has reinvented himself as ‘Del’ – buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he’s determined to get Hudson to fall for him.
But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn’t know who he truly is?
Intimacy has always eluded twenty-seven-year-old Maggie Krause—despite being brought up by married parents, models of domestic bliss—until, that is, Lucia came into her life. But when Maggie’s mom, Iris, dies in a car crash, Maggie returns home only to discover a withdrawn dad, an angry brother, and, along with Iris’s will, five sealed envelopes, each addressed to a mysterious man she’s never heard of.
In an effort to run from her own grief and discover the truth about Iris—who made no secret of her discomfort with her daughter’s sexuality—Maggie embarks on a road trip, determined to hand-deliver the letters and find out what these men meant to her mother. Maggie quickly discovers Iris’s second, hidden life, which shatters everything Maggie thought she knew about her parents’ perfect relationship. What is she supposed to tell her father and brother? And how can she deal with her own relationship when her whole world is in freefall?
Told over the course of a funeral and shiva, and written with enormous wit and warmth, All My Mother’s Lovers is the exciting debut novel from fiction writer and book critic Ilana Masad. A unique meditation on the universality and particularity of family ties and grief, and a tender and biting portrait of sex, gender, and identity, All My Mother’s Lovers challenges us to question the nature of fulfilling relationships.
Hollywood powerhouse Jo is photographed making her assistant Emma laugh on the red carpet, and just like that, the tabloids declare them a couple. The so-called scandal couldn’t come at a worse time—threatening Emma’s promotion and Jo’s new movie.
As the gossip spreads, it starts to affect all areas of their lives. Paparazzi are following them outside the office, coworkers are treating them differently, and a “source” is feeding information to the media. But their only comment is “no comment”.
With the launch of Jo’s film project fast approaching, the two women begin to spend even more time together, getting along famously. Emma seems to have a sixth sense for knowing what Jo needs. And Jo, known for being aloof and outwardly cold, opens up to Emma in a way neither of them expects. They begin to realize the rumor might not be so off base after all…but is acting on the spark between them worth fanning the gossip flames?
Fairest is a memoir about a precocious boy with albinism, a “sun child” from a rural Philippine village, who would grow up to become a woman in America. Coping with the strain of parental neglect and the elusive promise of U.S. citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as she was treated by others with special preference or public curiosity. As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved.
A follow-up to the critically acclaimed All Out anthology, Out Now features seventeen new short stories from amazing queer YA authors. Vampires crash prom, aliens run from the government, a president’s daughter comes into her own, a true romantic tries to soften the heart of a cynical social media influencer, a selkie and the sea call out to a lost soul. Teapots and barbershops, skateboards and VW vans, Street Fighter and Ares’s sword: Out Now has a story for every reader and surprises with each turn of the page!
Pony just wants to fly under the radar during senior year. Tired from all the attention he got at his old school after coming out as transgender, he’s looking for a fresh start at Hillcrest High. But it’s hard to live your best life when the threat of exposure lurks down every hallway and in every bathroom.
Georgia is beginning to think there’s more to life than cheerleading. She plans on keeping a low profile until graduation…which is why she promised herself that dating was officially a no-go this year.
Then, on the very first day of school, the new guy and the cheerleader lock eyes. How is Pony supposed to stay stealth when he wants to get close to a girl like Georgia? How is Georgia supposed to keep her promise when sparks start flying with a boy like Pony?
Rowan has too many secrets to write down in the pages of a diary. And if he did, he wouldn’t want anyone he knows to discover them. He understands who he is and what he likes, but it’s not safe for others to know. Now, the kids at school say he’s too different to spend time with. He’s not the “right kind” of girl, and he’s not the “right kind” of boy. His mom ignores him. And at night, his dad hurts him in ways he’s not ready to talk about yet.
But Rowan discovers another way to share his secrets: letters. Letters he attaches to balloons and releases into the universe, hoping someone new will read them and understand. But when he befriends a classmate who knows what it’s like to be lonely and scared, even at home, Rowan realizes that there might already be a person he can trust right by his side.
Iris Turner hightailed it out of Salty Cove, Maine, without so much as a backward glance. Which is why finding herself back in her hometown—in her childhood bedroom, no less—has the normally upbeat Iris feeling a bit down and out. Her spirits get a much-needed lift, though, at the sight of the sexy girl next door.
No one knows why Jude Wicks is back in Salty Cove, and that’s just how she likes it. Jude never imagined she’d be once again living in her parents’ house, never mind hauling lobster like a local. But the solitude is just what she needs—until Iris tempts her to open up.
A no-strings summer fling seems like the perfect distraction for both women. Jude rides a motorcycle, kisses hard and gives Iris the perfect distraction from her tangled mess of a life. But come September, Iris is still determined to get out of this zero-stoplight town.
That is, unless Jude can give her a reason to stay…
Alice lives in a world of stifling privilege and luxury – but none of it means anything when your own head plays tricks on your reality. When her troubled friend Bunny goes missing, Alice becomes obsessed with finding her. On the trail of her last movements, Alice discovers a mysterious invitation to ‘Wonderland’: the party to end all parties – three days of hedonistic excess to which only the elite are welcome.
Will she find Bunny there? Or is this really a case of finding herself? Because Alice has secrets of her own, and ruthless socialite queen Paisley Hart is determined to uncover them, whatever it takes.
Alice is all alone, miles from home and without her essential medication. She can trust no-one, least of all herself, and now she has a new enemy who wants her head…
Jake D’Arcy has spent most of his twenty-nine years trying to get his life just right. He’s nearly there: great girlfriend, great friends, stable job. A distant relationship with his boisterous family – which is exactly the way he wants it. So why does everything feel so wrong?
When his popular, irritatingly confident teenage brother Trick comes out as gay to a rapturous response, Jake realises he has questions about his own repressed bisexuality, and that he can’t wait any longer to find his answers.
As Trick begins to struggle with navigating the murky waters of adult relationships, Jake begins a journey that will destroy his relationship with girlfriend Amelia, challenge his closest friendships, and force him to face up to the distance between him and his family – but offers new friends, fewer inhibitions, and a glimpse of the magnificent life he never thought could be his.
There’s a New Queer Year upon us, and so much goodness within it can hardly be contained in a single post! Below are 72 (!) new US and UK YA titles releasing in the next six months, filled with representation across genres and genders, races and orientations.
If you’re looking for trends and landmarks, as I always do, you might notice the continued rise of queer (and especially Sapphic) YA fantasy, or the record-setting number of trans guy protags, or the first traditionally published bigender and demiboy MCs in YA. You might notice that a significant number of these books are set outside the US (yes, even the ones publishing there), and that you know some of these authors names quite well but have never seen them write queer YA before. You might notice that these covers are particularly phenomenal, so a huge shoutout to everyone responsible for them. (You can find info on a bunch of them here.)
(You also might notice that this post was a ton of work, so please do avail yourself of those affiliate links for Amazon and especially IndieBound and preorder yourself some goodness while also helping financially support the site!)
Moving on from her m/m fantasy series with a bang, Sim tackles a retelling of The Count of Monte Cristowith a literal vengeance, alternating between the points of view of Amaya, who’s been in servitude on a debtors’ ship for way too long, and Cayo, who’s in a similarly precarious though far more privileged situation, especially when someone he cares about is harmed. When she finds an opportunity for revenge and he falls into her crosshairs, sparks fly in all the ways, which is perhaps inconveniently timed for all the betrayal going on around them. (Amz|B&N|IB)
Relationship breakups may be heavily covered in YA, but friendship breakup stories are still few and far between. Enter the story of James and Kat, two girls who were once beyond close and now watch their friendship unravel as college nears. Things are complicated for both girls: James’s mother has left her and her father for another guy, and she doesn’t know how to talk about it, not even to Kat or her still-too-present ex, Logan. Kat’s discovering that her feelings for her new friend Quinn aren’t strictly “friendly,” and in fact, she’s realizing she’s bisexual and falling head over heels for a girl. It’s a bittersweet story to be sure, and while it definitely has its fun scenes, close moments, painful familial interactions, and tingly romance (what Spalding book doesn’t??), you’ll spend much of the book wishing you could push the characters together and say “Justtalkalready”…but isn’t that exactly how life goes? (Amz|B&N|IB)
If you’re a fan of queer YA, it’s a pretty safe bet you’re familiar with this particular pioneer of it, which will make this short story collection all the sweeter. Want to revisit “A” of the Every Day series? How about the characters of Two Boys Kissing? Or would you rather meet some new romantics entirely? Perhaps some non-fiction? Maybe even verse? This book inspired by Levithan’s tradition of his writing his friends a story each Valentine’s Day has got a little something for everybody, whether or not you’ll find a paper heart on your desk come February 14. (Amz|B&N|IB)
The author who brought you lesbians surviving a bloody apocalypse is back with a main character named Amelia who’s questioning a whole lot more than her sexuality (though there is that too); when she wakes up in the hospital in recovery from a fall, she doesn’t remember a thing…except that she was pushed, no matter how hard everyone else tries to deny it. The only person she can trust to help her find the truth is her new boyfriend, Liam, but maybe she doesn’t want the truth…or maybe trying to find it will be the last thing she ever does. (Amz|B&N|IB)
This newest McLemore title will make their fourth queer book in four years, and I think I can safely speak on behalf of the entire queer community when I say we are emphatically lucky for it. (And that there’s no sign of them letting up, either, with at least two more queer books slated for the next couple of years.) While McLemore generally writes with a sort of timelessness, this romantic and magical dual-timeline narrative is half set in 1518 Strasbourg, inspired by the dancing plague, where it stars a Romani cis girl in love with a trans boy, and half set in modern day, where centuries later, dancing fever threatens to return to Rosella Oliva, who happens to have the affectionate of attention of Emil, descendant of that same Romani family and the only one who might know how to help her. (Amz|B&N|IB)
That’s right, your contemporary (and so lightly speculative it’s basically contemporary) fave is diving headfirst into magical fantasy with his fifth book, and while it’s definitely a departure, there’s plenty you’ll recognize, including characters from the Bronx, diverse racial representation, and, of course, queer main characters. And yes, that’s an intentional plural! There are four points of view in this series opener: brothers Emil (who’s gay) and Brighton, who are obsessed with the powerful Spell Walkers and anxiously awaiting the discovery of whether or not they’ll be among them when their eighteenth birthday hits; Maribelle, who’s already a super well-known Spell Walker, and Ness, who’s…complicated. (And bisexual, as is Maribelle.) The Spell Walkers aren’t the only magical game in town, though, and having to watch their backs from the magic-siphoning Specters is getting both tiring and violent. When one of the twins’ (and only one’s) powers manifest during a fight, it rocks their world, especially when it turns out his powers are greater than anyone could’ve imagined, and it’s about to land them both in an all-out war. (Amz|B&N|IB)
If you dig SFF with a heavy dose of shenanigans, England is your author. Here they’re jumping from sci-fi over to fantasy but maintaining the zany, troublesome cast, led by Diz, who, together with her three best friends, make their cash the less-than-legal way by siphoning highly illegal maz, aka magic, which used to be free to all but has now gone the way of the drug trade. When they uncover an explosive new strain, it’s up to Diz and her gang to dig into the conspiracy behind it and save the world as they know it. Is there also a little time for kissing with one of those friends, nonbinary spellweaver Remi? There might be. Theeeeeere might be. (Amz|B&N|IB)
Finally, ’tis the year for trans guy main characters, and Canada’s kicking us off with this intense contemporary thriller about a grieving trans boy named Jason who’s out to prove his sister’s death was no accident. When a clue leads him to a boxing gym, Jason finds not just a mystery but a pastime he actually enjoys, especially given he’s got plenty of experience fighting. But balancing his (actually pretty wonderfully affirming) new friendships with his deadly quest might be more than he can handle. This is a hi-lo title, meaning it’s specifically designed for “high-interest, low-reading level” book lovers, and it definitely delivers when it comes to pacing, action, mystery, and representation. (Amz|B&N|IB)
This f/f YA horror set in 17th century Hungary recounts the story of a scullery maid working for Countess Elizabeth Báthory, which is just about the most awesome damn thing I’ve ever heard. (I am here for allll the horrifying and bloody Sapphic villains, to be clear.) But Anna doesn’t stay a scullery maid for long, because when Elizabeth takes a shine to her, she promotes her to chambermaid and keeps her, uh, pretty close. Close enough that Anna is drifting completely away from her old life to be absorbed into the countess’s, until she realizes she’s nothing more than a prisoner. And there’s nothing to keep a prisoner safe from becoming a serial killer’s next victim. (Amz|B&N|IB)
Fresh off one of my favorite YA fantasy duologies of all time, queer or otherwise (though it is most definitely queer), Miller is back with another magic-filled fantasy with a dual-POV, one of which belongs to a biromantic ace girl named Annette who comes from humble beginnings but gets a chance to shed them and pursue her love of the Midnight Arts when our other heroine, the aristocratic Emilie, begs her to do an identity swap so she can run off to become one of the few female students of medicine. (And might there be an attractive, charming, and intelligent trans guy at that school? There might.) As the land around them tilts toward revolution, both Emilie and Annette will have to figure out their places and how to work together to bring peace and justice. (Amz|B&N|IB)
This is a lovely and bighearted debut chock full of space nerdery, big dreams, new beginnings, and social media scandal. Cal’s life is completely uprooted when his dad shocks them all by being chosen for a space mission, something his family had never taken seriously as a lifelong dream. Worst of all, he’s forbidden from documenting life in the new compound, forcing him to leave his massive social media following behind. On the bright side, there’s Leon, son of another astronaut on the program and immediate thief of Cal’s heart. But when things go awry in the program and secrets are revealed, Cal will have to decide exactly what he’s willing to do to get the truth out there, and who he’s willing to lose. (Amz|B&N|IB)
The post-apocalyptic zombie-filled UK YA debut stars Peter, a resident of a community called Wranglestone that’s survived thus far by living in a national park surrounded by water that serves as a barrier to the Dead. But when winter comes and the water ices over, the water can no longer save them…and Peter puts them all in grave danger by bringing in a stranger. Now he’s been exiled, and all he can do is help Cooper, the rancher he’s been crushing on forever, herd the dead before the lake completely ices over. But as the two work together and fall for each other, they uncover a dark secret that’ll change everything. (The Book Depository)
Celia and Anna are “inklings,” Profeta devotees who use magic to tattoo flowers that represent the will of the Divine and steer the inked to action. Once upon a time they believed like everyone else that it was a noble calling, but now they know the truth: that their marks strip away free will and the temple is actually a prison. When they finally get a chance to escape, it seems like a bright future is ahead…until the very deity they sought to escape comes a-calling. (Amz|B&N|IB)
Janelle “Ellie” Baker is a Black demisexual girl living in a center in NYC controlled by the Ilori, aliens who invaded Earth two years earlier and who keep all humans in fear of death by punishing emotional transgressions by death. All manners of art are illegal, but Ellie flouts the rules with a secret library…a library from which a book disappears, putting her life on the line. In fact, lab-born M0Rr1S is sent to bring her to her death, but he has his own “moral failing”: he’s obsessed with human music. Together, they bond over their love of the forbidden arts and embark on a dangerous road trip, armed with books and music, toward a destination thousands of miles away that may be their only hope for salvation. (Amz|B&N|IB)
The Inn at Havenfall has protected refugees for generations, with one major rule: if you disrupt the peace, you are never to come back. Maddie loves it at the inn, where her uncle serves at innkeeper, as she will too someday; it’s an escape from her traumatic family, the place where she fell in love with soldier boy Brekken, and her future. But then the peace is completely shattered by a murder, and now her uncle is injured, Brekken is missing, and Maddie is in charge, which means she’s the one who has to learn the truth of what’s happened…together with Taya, a new staff member at the inn who’s both way too compelling and knows too much. (Amz|B&N|IB)
The Winner’s Curse happens to be my favorite YA fantasy series, so I am especially thrilled to see Rutkoski return with a new one that’s f/f! It stars Nirrim, who lives in a shady society with strict rules for all but those of high status; someone like Nirrim isn’t allowed to enjoy so much as a cupcake. Then she meets Sid, a charming traveler who encourages her to seek out the same magic the High Caste enjoys. It’ll mean giving up her old life, and on the suggestion of someone who probably can’t be trusted. But both the head and heart want what they want… (Amz|B&N|IB)
Greasegoes gay YA in this rom-com about two boys whose dreamy summer fling comes crashing into a harsh reality when our lead, Oliver, transfers to Will’s school thanks to a family crisis-driven move, only to find out Will isn’t Out and isn’t about to be. As Ollie finds his own ways to settle in, he can’t seem to shake Will’s presence. But whether there’s a future for them remains to be seen. This sophomore novel is warmly delightful and delightfully warm, with some tears on the side for the aforementioned family crisis, and some hard-earned queer solidarity is the icing on the cake. (Amz|B&N|IB)
2019 and 2020 are truly the years of the Sapphic YA witches, and we are here for every single one. Latimer’s debut utilizes ancient Celtic mythology in its story of Dayna, a girl with somatic OCD who’s just been outed as bi in her conservative Irish town and seen her long-lost mom return. But the only things she really wants to focus on is that she about to finally become a full witch, at least until another coven comes to town and gets in her way. Worst of all is the granddaughter of the coven’s leader, Meiner King, who’s charming, maddening, and Dayna’s only hope at helping her find a serial killer who’s returned to targeting witches. (Amz|B&N|IB)
Ekata lives in perpetual danger, but when her brother is named heir to the dukedom of Kylma Above, she’ll finally be able to leave her deadly family for good, even if it means leaving behind everything else she loves. Then her entire family falls under a mysterious sleeping sickness, and Ekata alone is left to be duke and to find a cure. At least it comes with one perk: she also gets her brother’s warrior bride, which will have to make up for the fact that the rest of her life is now filled with diplomacy, war, power, war, and magic she’s never wanted and will now have to learn to use to her advantage if she’s going to survive. (Amz|B&N|IB)
What do you do when you’re conquering the hell out of adult SFF? If you’re Gailey, who barely seems to need to breathe before authoring another critically acclaimed novel of awesomeness, you come to the place the real magic happens: YA! Their debut young adult novel brings together a group of magical girls who accidentally kill a boy on prom night and have to work together to fix it. Unfortunately, it’s not going so well, and it makes things a little more complicated each time they fail, which sucks since things were already a little complicated what with Alexis being in love with her best friend and all. Yikes all around? Yikes all around. (Amz|B&N|IB)
This bi YA may not be new to the UK, but it’s newly jumping over the pond to the US this year, and I am very grateful for that! It stars sixteen-year-old Vetty, who’s kept things pretty close to the vest since her mom died and her family relocated. But now, four years later, they’re moving back to their old neighborhood, and that means Vetty just might start to get her life back. Item one on the agenda? Reconnecting with Pez, her childhood best friend. But Pez has changed a lot in the last four years, and it isn’t easy to find who he was beneath who he’s become. It is, unfortunately, easy to fall for March, who happens to be Pez’s girlfriend. (Amz|B&N|IB)
Speaking of UK YA by authors who’ve crossed into the US (though not with this title yet, so hint hint, American publishers!), Steven’s first queer YA is a bi rom-com about a physics genius named Caro who’s crushing it at school but not so much at romance. Then she figures out how to use her academic skills to help her love life, and finds herself in a new sort of mess: juggling her new relationship with her longtime crush (and whether or not the feelings are real) with the fact that she’s suddenly into her female best friend. How much is the experiment and how much is her heart? Can’t wait to find out! (The Book Depository)
Claire is a superhero fangirl, a card-carrying member of Warrior Nation. And when she finds an unexpected way (with some unexpected help) into winning an internship with the Chicago WarNat branch, it should be everything she’s ever dreamed of. But that unexpected help is proving very difficult to work with; it’s in the form of Girl Power (aka Joy), the newest hero and a pain in Claire’s butt. A very, very cute pain in Claire’s butt. But distraction or no distraction, Claire’s determined to prove herself, especially when she and Bridgette, a WarNat, who’s tired of being “the girlfriend” to an even more famous hero, decides to mentor her and they end up having to be exactly the heroes Chicago needs. (Amz|B&N|IB)
The cover of Sproul’s historical (Yep, 1999 counts as that now) debut may be dreamy, but having a crush on your best friend? Is kind of a nightmare. Such is the situation for Taylor, who’s queen of her high school both literally and figuratively, but isn’t interested in settling for a cozy life of 2.5 kids and a dental hygienist job with a homecoming king. The time has come for Taylor to move the hell on from her school, her town, her boyfriend, and Susan…but how? (Amz| B&N|IB)
Lulu may be a bit of a social media celebrity, but That Video wasn’t meant for public consumption, and it certainly wasn’t meant for her boyfriend to see. But anyway, it’s all happened and then suddenly there’s Cass, a girl who doesn’t care about Lulu’s online fame, or about online fame at all. She only cares about getting to know Lulu at The Hotel, and Old Hollywood-style spot that’s become Lulu’s dream getaway from it all. But can she really get out of the spotlight, or is she doomed to become a social media cautionary tale? What will it take for Lulu to get her own life back? (Amz|B&N|IB)
One of my favorite things about how much queer YA we get these years is that we’re finally allowed to have the messy stuff, the representation that isn’t the neatest and most pristine and clear cut and dare I say the whitest? In no 2020 YA that I’ve read is this more evident than in Kanakia’s sophomore, about a boy named Nandan who surprises everyone, including himself, by hooking up with new boy Dave. But what starts with him being pretty chill about this development starts to increase his anxiety about what it means that he’s now with a guy. Is he bisexual? Is he in it to be more interesting? Is he always going to be “different” now, even more than before? So many questions and no great answers, but exploring the complexity of it all is the beauty of this book. (Amz|B&N|IB)
Talley is one of queer YA’s most prolific genre jumpers, but she seems to be making herself beautifully at home in historical with this follow-up to 2018’s Pulp, again set amid a context of vital queer American history. This time around, it’s 1977, and Tammy Larson would love more than anything to come out of the closet as a lesbian, but that’s a major no-go where she lives. Her only outlet is to write “letters” to the activist Harvey Milk, at least until she’s matched with a pen pal to whom she can write letters for real. Sharon makes for a much better companion than Tammy’s diary, and she can sympathize, given her brother is gay and feeling all the same misery in the wake of Anita Bryant’s leading to a successful repeal of their protections. Together they’ll find their own brand of activism and learn to fight back against a world of hate. (Amz|B&N|IB)
Oseman’s crossed the pond before with Radio Silence, so this American’s fingers are crossed she’ll do it again with her newest, about a girl named Georgia who’s struggling with the fact that she’s eighteen and has never had so much as a crush. She’s sick of people thinking she’s broken or weird, and it isn’t like she isn’t into romance; she’s just not into it for herself. When she gets to university, she thinks maybe she can “fix” things with her roommate’s help. But what if it turns out there’s nothing to fix, and Georgia’s great and perfectly capable of happiness just as she is? (The Book Depository)
This f/f standalone fantasy stars Lia, a teenage queen, and Xania, the spymaster she brings in who, unbeknownst to her, actually agrees to the job as part of a plot to avenge her father and figure out who killed him. It’s a tricky situation full of secrets, treason, betrayal, and, oh yes, romance. At present it’s publishing strictly in Ireland, but thankfully, we have ways of getting our hands on it anyway because seriously, who could pass up an f/f queen/spymaster romance?? Not I, said the person who preordered this book while writing this blurb! Not I. (The Book Depository)
You know we’ve gotta sound the airhorn whenever a First for traditionally published queer lit is involved, so step up and take note of its first on-page bigender main character! That character is Aleks/Alexis, who gets a fresh start by moving in with their uncle, who happens to be a priest. But their new home provides something they definitely didn’t anticipate: an earful of confessionals, which inspires them to want to help these “sinners.” But all the enjoyment of finding a goodwill mission crumbles when they overhear a confession that rocks them to their bones and brings back the very trauma they’re escaping, trauma they’ll have no choice but to face now. (Want a sneak peek? Click here for the entire first chapter!) (Amz|B&N|IB|Lerner)
Breaking up is hard to do, but breaking up with your best friend is even harder, and when your school’s got slim pickins in terms of out queer kids? Well. Let’s just say Quinn is not taking it all that great, especially when she suspects Jamie might be recovering much faster than she is. But when sexy, heretofore-thought-unattainable Ruby Ocampo suddenly comes back on the market and turns out to be bi, it looks like Quinn might just get her second chance at happiness. But what if that second chance is happening with the wrong person? This YA debut is sweet, funny, and heartbreaking in all the right places. (Amz|B&N|IB)
When this was originally published in the UK in early 2019, it sounded so good I begged to know when it was coming over. Turns out I got both my answer and my confirmation that yes, this is an A+ queer thriller. It stars a girl named Sydney who’s not just grieving the death of her dad, but investigating it; it seems impossible he just went off the road like that, and the creepy texts she’s been getting since his funeral seem to confirm that. Another mystery? Why June, the most popular girl in school, with the most perfect relationship, seems to be one of her dad’s top mourners. That’s a mystery more easily solved when she reveals she was one of Sydney’s dads psychological patients, but why she’s still hanging around Sydney? That’s another story. (B&N|IB)
Think The Never Tilting World by Rin Chupeco meets The Good Luck Girls by Charlotte Nicole Davis plus a little John Steinbeck (yeah, I said what I said) and you’ll have something like this fantasy about an experimental town in mid-20th-century Oklahoma led by a witch and created at the whim of the goddesses. Our (seemingly unwitting?) Sapphic, Sal, has been the town outcast ever since she predicted a rain that never came, but she’s making up for it now that she’s been chosen at the successor to Mother Morevna, the witch who runs the entirety of Elysium and makes all its rules. Of course, the job isn’t all what she imagined, and the arrival of Asa, a demon disguised as a human who has his own wild powers, just makes things even more confusing. When Sal and Asa screw up and find themselves exiled into the Desert, they’ll have to join up with a girl gang led by a fellow exile and do whatever they can to halt the inevitable apocalypse. (Amz|B&N|IB)
To traditional publishing, Quindlen is a debut, but those of us who’ve been following queer-girl YA for a while know she’s behind one of its biggest indie titles, the Catholic Louisiana-set best friends-to-lovers romanceHer Name in the Sky. Whether you knew her before or not, though, you’re definitely gonna wanna get on board for this deeply felt and highly relatable one about a girl trying to find her way forward out of late-bloomerdom and into happiness. Codi’s never been kissed, which doesn’t put hertoofar behind her best friends Maritza and JaKory, but far enough that despite all of them being late bloomers, she’s the one they both seem to agree is hopeless. So when she stumbles into a new social circle, one in which she’s valued and no one knows her as a dork, she decides to keep it all for herself, even if it means not telling her best friends she’s falling in love. But Codi doesn’twantto abandon them, so what’s she supposed to now that she’s been lying for weeks? Is there a way to have everything she wants with just the right amount of who she used to be? (Amz|B&N|IB)
Dugan debuted with one of my absolute favorite queer YA rom-coms (seriously, if you haven’t yet read Hot Dog Girl, do yourself a favor), so I’m thrilled to see her returning with another one, this one an m/f pairing where both halves of the couple are bi (or, more accurately, one is bi and one is still figuring it out). Juliette is an elite cellist with a major audition coming up and a side job working at her stepmom’s indie comic shop. Ridley works at his parents’ comic shop too, only theirs is a big chain, and no friend to the little guy. Which makes it a little difficult when the two meet at a comic-con prom and immediately hit it off, despite their family feud. I’ll take Romeo & Juliet with a much happier ending and heaps of bisexuality any day, wouldn’t you? (Amz|B&N |IB)
The one non-fiction entry on this list is a memoir-manifesto by noted queer Black activist and journalist George M. Johnson, about his life from childhood through college in New Jersey and Virginia, including bullying, sexual relationships, and other ups and downs. Intended to serve as “a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color,” clearly this is a book that is not to be missed. (Amz|B&N|IB)
One of the things I’m often asked to recommend is books that feature mlm and wlw solidarity, and I especially love giving answers that show it not just in characters but in authorship. Here, two Canadian rock stars of queer YA come together with a story about cousins named Mark and Talia who are reunited from their respective Canadian coasts after a death in the family and decide to take a road trip together to Toronto so Talia can see her non-binary partner and Mark can get to Pride. The two don’t have much in common, and they’ll have to let Mark’s little sister tag along, but they both know some kind of magic awaits them in TO, and they can’t wait to get there. (Amz|B&N|IB)
Whether you’re a fan of queer pirate novels, queer witch novels, or just dreamy, adventurous romance, this just might be the book of your dreams. Flora knows the only way to get by on the pirate ship she calls home is to be the merciless Florian to everybody else, but when she’s charged with guarding a beautiful passenger on a voyage that will see all its ticket holders turned into hostages, she hits her limit. There’s no way she can destroy Evelyn’s life like this, which means the two have no choice but to escape and find a notorious witch who might be able to help them. But the witch has plots of her own, and no one is safe in this tremendous journey of the unexpected. This is one of the most breathlessly romantic and adventurous queer fantasies I’ve ever read, and also one of the best explorations of gender fluidity I’ve read in YA. (Amz|B&N|IB)
Klune’s doing double duty this year (or maybe even more? Damn, it’s hard to keep up), following up an adult contemporary fantasy with his first entry into YA, about a boy named Nick who happens to be the Extraordinaries fandom’s most popular fanfic writer, and who aims to be even more extraordinary when he meets the hero he’s been crushing on. (But maybe he’s in love with his best friend, Seth? It’s complicated. It’s always complicated.) (Amz|B&N|IB)
I swear Kat Dunn must’ve been reading my dream journal to come up with an f/f fantasy set during the French Revolution. It stars Camille, the daughter of a revolutionary who’s a rebel in her own right, leading a group of misfits under the banner of the Battalion des Morte. But when they save a girl who isn’t the aristocrat-in-hiding she seemed to be, they all have questions: what is up with her dangerous powers and why are people on both sides of the revolution hunting her? (The Book Depository)
Allen’s been a personal favorite of mine since her subversive feminist debut, 17 First Kisses, and I’m thrilled to see her releasing her first queer YA, which basically looks like a gay Traveling Pants except not all the girls actually wanna be spending the summer together at the lake house where their moms became besties. Most of them can’t even stand their moms right now. All of them have secrets. And two of them…well, two of them are in love with each other, so one way or another it’s gonna be a hell of a summer. (Amz|B&N|IB)
Callender is having a monster of a publication year, having released both an adult fantasy (Queen of the Conquered) and a queer Middle Grade contemporary (King and the Dragonflies) in the last six months. Now they’re capping it off with this extraordinary trans YA about a boy (usually, which is another part of the story, and one that I will happily spoil results in trad-pubbed YA having it’s first on-page demiboy) named Felix who’s hell-bent on getting revenge against a transphobe at school, only to find the person he assumed was the culprit might actually be the exact person he needed in his life. (Amz|B&N|IB)
You may have already heard me talking about this sophomore novel by the author of Girls Made of Snow and Glass as maybe my new favorite f/f YA fantasy, and if not, lemme tell you right now, if you haven’t heard me say it before, you’re gonna wanna hear it now: do not miss this Persian mythology-inspired book. It stars a girl named Soraya who’s been cursed from birth to poison anyone she touches, and who finally emerges into the public on the day of her brother’s wedding, setting off a chain of events that have her finding love, acceptance, and power in the most unexpected of places. (Amz|B&N|IB)
Eliopulos has brought you some of your queer faves as an editor, but thrillingly, this is his first time bringing the rainbow goodness on the author side of the desk. Sam and his best friends, James and Delia, live in a small Georgia town where magic is frowned upon, but their school provides a respite in the form of a magic club. Then Sam realizes he might be in love with James, Delia’s getting tired of the club, and James has accidentally screwed them all over by getting involved with some shady magickers over the summer. So much for a great senior year… (Amz|B&N|IB)
It’s New Year’s Eve, 1929 at the Cloak & Dagger in the French Quarter, and Millie’s serving as the speakeasy’s MC while her best friend, Marion, aka “The Boy in the Red Dress,” stars in the show. Then a fancy stranger sashays in with a mouth full of questions a photo of a boy who happens to look just like Marion. When she’s found dead in the back alley, Marion becomes the prime suspect, which Millie will not let stand. While she pursues proof that her best friend is innocent, she’s also got two other attractive distractions: waitress Olive and bootlegger Bennie, the latter of whom promises to help her on her quest. Can she find who’s framing Marion before time runs out for them both? (Amz|B&N|IB)
Sideways is a misfit lesbian witch, which sounds awesome to you and me but less so to the West High social food chain. At least until three of its most popular girls pay her cash to cast a spell at their Halloween party, luring her into their clique and forming a coven. She never expected to become best friends with these girls, but they’ll all have to learn to count on each other if they’re going to save themselves from fundamentalist witch hunters! (And yes, this is the first in a trilogy!) (Amz|B&N|IB)
Okay, so get this: Enemies-to-lovers. With rival henna businesses. Set in Ireland. And both protags are WoC. (I KNOW.) Our heroine, Nishat, is a Bengali lesbian who’s maybe not quite as artistically talented as our love interest, the gifted and new-to-school Afro-Brazilian Flávia, with whom Nishat reunites at a Desi wedding after going to school together as kids. The girls have instant chemistry, but they also have a pretty instant problem, as Flávia not only creates a competing henna business for their class project, but sees no problem with having appropriated a cultural custom of Nishat’s to do it. (Not to mention that her partner is the school’s most notorious racist.) So now Nishat’s gotta contend with Feelings she really doesn’t wanna have, competition with a business that shouldn’t even exist, the fact that her coming out to her family didn’t go so well…but wait, there’s more! Is there possibly a happily ever after to be found amid all the drama? (Amz|B&N|IB)
If this book looks like the cutest, fluffiest, most make-you-melt kind of romance, it’s because it is…at least in the little romantic bubble that ensued when when Kai took advantage of a dare that requires Bryson Keller to agree to date the first person to ask him out every Monday morning for that week. But outside the bubble, the world is still wondering who Bryson Keller’s mystery girlfriend is, the one person not to shout from the rooftops that she’s got the guy. And Kai isn’t gonna be the one to tell them it isn’t a girl at all; his spontaneous request made Bryson the first and only person he’s ever come out to. But when both the answer and Kai himself are forcibly outed, he and the boy he’s come to fall for, the boy who’s only just realized he himself is gay, will have to band together and put their relationship through the ultimate test. (Amz|B&N|IB)
This post-apocalyptic debut set in the aftermath of a modern-day plague has trans, intersex, bisexual seventeen-year-old Pip taking fellow survivor twelve-year-old Iris under her wing. Together, the two are forced to flee Spokane to avoid slave traders, gangs, and all manners of violence, but they do find a third member of their new found family in a brave older girl named Fly. Now they must all work together to survive in their terrifying new reality. (Amz|B&N|IB)
Fresh out of UK YA’s 2019 lineup, this coming-of-age novel-in verse tells the story of a mixed-race (half Jamaican, half Greek Cypriot) gay kid named Michael who’s struggling to balance his identities and being different from other kids while growing up in London. It isn’t until he heads off to university that he finally finds his identity and style as a drag artist named The Black Flamingo. (Amz|B&N|IB)
Rosen already has one of my favorite queer YAs of all time with Jack of Hearts, but he managed to deliver another one packed with heart and important conversations in this wonderful love letter to queer spaces. When Randy returns to Camp Outland as Del in the hopes of finally landing The Guy (who happens to be an athlete, and who would never be caught dead with nail polish on his fingers), he’s convinced that if he can just land Hudson, the object of his long-time affection will fall in love with not just who he’s pretending to be that summer, but who he really is. It…goes about as well as you’d expect! But it also sets up an important exploration of masc4masc culture and what it means to change yourself for someone else. (Amz|B&N|IB)
The subtitle of this follow up to theAll Outanthology is “Queer We Go Again,” and if that’s not the best thing you’ve ever heard than we are very different people. This time around, the collection is going contemporary, with voices like Julian Winters (How to Be Remy Cameron), Katherine Locke (The Spy With the Red Balloon), CB Lee (Not Your Sidekick), Candice Montgomery (By Any Means Necessary), Caleb Roehrig (Death Prefers Blondes), Mark Oshiro (Anger is a Gift), and more taking a variety of genres set in the here and now and with one major thing in common: every main character is queer and/or trans. (Amz|B&N|IB)
This coming-of-age debut stars a trans boy named Pony who’s keeping his transness under wraps in his new school, exhausted with how much attention it garnered at his old one. Still, it’s hard not to stay on his guard, especially when he meets Georgia, a gorgeous cheerleader who’s ready to put her “keep a low profile” plans on hold when sparks fly with the new boy. The chemistry between them is utterly adorable, and Pony knows he can’t enter a physical relationship without telling her. He’ll have to decide whether she’s worth the risk, and whether his heart can take it if she isn’t. (Amz|B&N|IB)
Mashing romance with the unexpected is kinda Dietrich’s thing, for those who haven’t read The Love Interest, and here it’s romance and thriller that are going head to head. What happens when the son of a mobster and the son of a police commissioner realize they’ve got a thing for each other? Probably nothing neat and easy, but that’s the problem facing Matt and Jason, even if they don’t know it yet. (Amz|B&N|IB)
Sign me the hell up for literally every enemies-to-lovers f/f rom-com, but especially this one, where the girls who hate each other at Alabama’s Conservatory for the Arts have no idea they’re falling for each other online as they collaborate on a graphic novel for a fanfic site under their online identities. That’s…everything I love in book? Yep, pretty much! (Amz|B&N|IB)
Ami’s been living in seclusion her whole life at Heavenly Shepherd, her family’s survival compound. And it’s been fine, and even lucky, or so she thought. But then her grandfather arranges a marriage for her, and Ami realizes she’s not ready to live out her “destiny” to procreate, even if she’s one of the last few at the compound who can. And so she escapes on a search for her long-lost mother, and meets people her age for the very first time, including a girl she hadn’t even known she was capable of wanting. (Amz|B&N|IB)
Dylan and Ellis’s relationship is a secret, or at least it was until it was exposed online. Now Dylan’s been forced out, but is pleased to find the reception to his news is surprisingly positive. Wasn’t it? Because something has to explain why Ellis’s personality has suddenly changed, and why he lost control of the car. Something has to explain why Dylan lost Ellis to the lake that night. And as he mourns the loss of the boy he loved, Dylan is determined to figure out what it was, no matter how much it hurts. (The Book Depository)
Sapphic witches meets enemies-to-lovers in this bi f/f YA fairy tale about a girl named Lina who gives herself up to the queen in order to save the boy she loves from Caldella’s annual custom of sacrificing a boy to the full moon to save the city from the deadly tide. Queen Eva gladly accepts Lina’s sacrifice; as long as someone dies and the city is saved, that’s all that matters. Until they spend time together waiting for the full moon to come. Until Lina and Eva start to fall for each other. Until the streets begin to fill with water. Until a choice must be made whether to save themselves or their city. (Amz|IB)
Sage and Charlie are that non-couple, the one everyone things are destined for love, if only they’d figure it out. But Charlie isn’t the Carmichael twin Sage is into (that’d be his brother, Nick), and Charlie’s more interested in new boy Luke, something he isn’t comfortable with anybody knowing. As Charlie worries his secret relationship will get out and Sage stresses about things with Nick moving too fast, the two will have to find solace in each other and their friendship to make things work with their respective boyfriends. (Amz|B&N|IB)
When an earthquake quite literally rocks Sasha’s world, it leaves her effectively orphaned and living with her estranged grandparents, who have a vision of exactly how to turn Sasha into the perfect girl. But Sasha isn’t interested in their plans, including a relationship with the boy of their choosing; all she can do is try to make it work and find solace in the time she spends with Lily, a new friend who gives Sasha a serious case of Feelings. Being with Lily is definitely not The Right Path, but can Sasha put herself first even if it means upsetting the last family she has left? (Amz|B&N|IB)
Attending Pennington College and becoming a doctor has always been Liz’s plan for getting out of her small town, but when her financial aid falls through, the one thing she wanted most now looks impossible. Of course, there’s one shot at winning a scholarship, but that would mean winning becoming prom queen, and there’s no way she can deal with all the crap that involves, is there? With her eyes on the prize, Liz shoves her fear of the spotlight, trolls, and all the rest to the side, determined to one thing crown, and soon, there’s only one thing in the way: the fact that she’s falling for her competition. (Amz|B&N|IB)
Queer YA that discusses HIV are few and far between, but the slow climb has been one of the best trends of the past couple of years. Adding to that conversation in a big way is this Brazilian import set in Rio, and revolving around three boys: Ian, who was recently diagnosed positive; Victor, who was recently diagnosed negative, and Henrique, who’s been living with HIV for three years. Victor and Henrique are boyfriends, but Victor is seriously pissed to have learned of Henrique’s positive status only after they had sex. But when he meets Ian while they’re both getting tested and Ian’s test comes back positive, he knows Henrique’s guidance is too invaluable not to connect him with Ian, even if it means staying in his life. (Amz|B&N|IB)
Kisner is three for three in putting gloriously queer YA on shelves, and I am in love with the idea of this newest, which takes the famous “Twelve Angry Men” and situates it in Mock Trial with an ace lead. Raina’s killing it at life, until suddenly she isn’t. Millie’s in a similar spot, having just been ousted from the all-male Mock Trial team. When the two pair up to start a rival girls’ team, it isn’t just their opponents they’re gunning for—it’s the whole motherfluffin’ patriarchy. (Amz|B&N|IB)
‘Tis the year for political YAs, for obvious reasons, and this contemporary romance also does double duty of being a touching demisexual coming out story that happens to take place across the aisle. (The political aisle, that is.) When Dean, the son the of the Republican candidate, and Dre, son of the Democratic candidate, find themselves locked in close quarters, they’re surprised to find that they quite enjoy the company of someone else who knows what it’s like to be in the junior spotlight. Soon, romance sparks, which is a bit of problem considering the whole “opponents” thing, not to mention Dean still trying to figure out how to deal with and discuss the fact that he’s demisexual. But someone out there seems determined to make their problem much, much bigger, and they’ll have to figure out who wants their relationship outed, how they can make it work, and how they can reconcile a future. (Amz|B&N|IB)
Alex Sanchez is the author of the first gay YA I ever read, so it’s very cool to see him and Blue is the Warmest Color illustrator Julie Maroh picking up the pens for DC’s Aqualad. Set in Truth or Consequences, New Mexico, our hero Jake is decidedly not a swimmer, but he still loves the ocean and dreams of going to college on the coast. And so he secretly applies to Miami University, against the wishes of both his mother and his best friend. Hell, he’s already living dangerously just by having a crush on the rebellious swim team captain, Kenny. And there’s also the small matter of the blue marks on his skin that light up when they touch water…what’s the deal with those, anyway? (Amz|B&N|IB)
Love books that make you laugh, swoon, and cry? Then you are going to fall head over heels for Smyth’s debut, an Ireland-set romantic contemporary about a girl named Saiorse who’s losing her mother to early-onset dementia and is determined never to get involved with anyone as a result…until she meets Ruby, and all bets are off. The girls agree to a no-strings-attached summer of just the good parts of romance, the movie montage where the couple does all sorts of fun things as they fall in love. But when the end of the summer comes, will they be able to let go? (Amz|B&N|IB)
Yadriel’s family isn’t buying that he’s a boy, leaving him just one choice: prove that he’s a real brujo by finding and freeing the ghost of his murdered cousin. The only problem is that whoops, he’s accidentally summoned Julian Diaz, school bad boy, instead, and Julian isn’t having it, not without solving the mystery behind his death first, even if it means dragging Yadriel along as an unwilling participant. But the more time the boys spend together, the less, uh, “unwilling” their hanging out gets to be in this paranormal trans Latinx debut that promises to have your heart flip-flopping all over the damn place. (Also, let the record show that Thomas has another book releasing next year, and though it isn’t queer, that’s still pretty badass.) (Amz|B&N|IB)
Duet Books, the all-queer publisher responsible for Summer Love, among many other wonderful queer titles, is back with another short collection, this one populated by Julia Ember (The Seafarer’s Kiss), Jude Sierra (Idlewild), Tom Wilinsky and Jen Sternick (Snowsisters), and Kate Fierro (Love Starved). For more info on the book and the stories within it, click here. (Amz|IB|Book Depository)
In this queer retelling of Snow White and Rose Red, Ivory and Rosie have been on the road for years with their mother’s circus, and finally, they’re returning to Port End. But it’s a different Port End from what they remember, filled with preachers and fundamentalists and portents of doom. Still, they prepare a dazzling homecoming show, but when Rosie’s tightrope act goes wrong, Ivory and the magician she loves will have to find an evil priest and save their family. (Amz|B&N|IB)
This YA sci-fi Dystopian stars Nate, a genetically engineered medical surrogate (GEM) who was created to be a cure for the elite of Gathos City to help with the rapidly traveling fatal lung rot and was smuggled out of the lab as a child and kept prisoner in the lawless region of the Withers. There, he becomes a Tinker, fixing broken technology for room and board, and he meets and falls for the sweet Reed, who comes with a gang of misfits that feels like the first group Nate could ever call family. But as a GEM, Nate is reliant on a medication controlled by the city in order to stop from aging, and violence in the Withers cuts off his supply and harms Reed. Now Nate has to make a choice, whether he’s going to join a terrorist group to get the meds he needs to stay alive, or remain in the Withers with Reed and watch their lives ebb into nothing. (Amz|B&N|IB)
2020 is seriously Lee’s year, debuting with an MG series (yes, series—you can already preorder three of them) and with this bi K-pop that’s got one of my favorite covers ever and also happens to have a sequel in the works. Skye Shin knows no one thinks she or any other fat girl has any business on stage, but she doesn’t care what they say; she cares about becoming a K-Pop star. When a successful audition allows her to do just that, it’s a dream come true, even as trolls and fatphobes do their best to turn it into a nightmare. And then there’s Henry, who’s supposed to be Skye’s competitor, so why does she want nothing more than to, uh, make beautiful music with him? (Amz|B&N|IB)
Queer thrillers are having a fabulous day in the sun, and if you’re as big a fan of the genre as I am, then check out this one starring a bi girl named Flora who’s haunted by having found a classmate’s body years earlier and has all that pain brought to the forefront when a text from her old flame, Ava, has her showing up just in time to see her die. Now Flora’s on a determined mission to find not only who shot Ava, but who’s responsible for the deaths of all the girls whose killers have never been found and brought to justice. But she doesn’t expect the massive conspiracy she uncovers, and threats from the killer aren’t helping. If she gives up the hunt, she’ll never get justice. But if she doesn’t, she might not live to see another day. (Amz|B&N|IB)
But wait, there’s more! Stay tuned for a separate post on upcoming queer sequels! And until then, tell me: what YA are you dying to read in 2020?