Happy Trans Day of Visibility! As usual, we’re celebrating with books by trans and/or nonbinary authors and starring trans and/or nonbinary main characters, so please check ’em out! (Also as usual, this post only includes books that weren’t featured in previous years’ dedicated posts, so you can find even more here and here.)
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This post is generously sponsored by OrangeSky Audio in honor of the newly released A Million Quiet Revolutions by Robin Gow, narrated by Salem Korwin and Kaden Catalina!
Robin Gow’s A Million Quiet Revolutions is a modern love story, told in verse, about two teenaged trans boys who name themselves after two Revolutionary War soldiers. A lyrical, aching young adult romance perfect for fans of The Poet X, Darius the Great is Not Okay, and Aristotle and Dante Discover the Universe.
Sixteen-year-old shy, socially awkward trans teen Bass reluctantly skips school and goes on a boat trip with his adventure-seeking girlfriend, Rosie. When a sudden storm smashes their boat on a rocky shore off a deserted island, Bass and Rosie struggle to make it to safety. Bruised and battling hypothermia, the pair have to seek shelter and work together to survive until they can be rescued. After a horrible night, Rosie, an experienced climber, decides to scale a steep cliff to find help. She falls and injures herself badly. Now Bass has to find the strength and courage to swim around a dangerous headland and make his way back to civilization before it’s too late.
It’s four in the morning, and our narrator is walking home from the club when they realise that it’s February 29th – the birthday of the man who was something like their first love. Piecing together art, letters and memory, they set about trying to write the story of a doomed affair that first sparked and burned a decade ago.
Ten years earlier, and our young narrator and a boy named Thomas James fall into bed with one another over the summer of their graduation. Their ensuing affair, with its violent, animal intensity and its intoxicating and toxic power play will initiate a dance of repulsion and attraction that will cross years, span continents, drag in countless victims – and culminate in terrible betrayal.
The Hope Juvenile Treatment Center is ironically named. No one has hope for the delinquent teenagers who have been exiled there; the world barely acknowledges that they exist.
Then the guards at Hope start acting strange. And one day…they don’t show up. But when the teens band together to make a break from the facility, they encounter soldiers outside the gates. There’s a rapidly spreading infectious disease outside, and no one can leave their houses or travel without a permit. Which means that they’re stuck at Hope. And this time, no one is watching out for them at all.
As supplies quickly dwindle and a deadly plague tears through their ranks, the group has to decide whom among them they can trust and figure out how they can survive in a world that has never wanted them in the first place.
Avery Lindt finally opened her dream restaurant—and there’s no customers. She’s staying optimistic, though: she’s confident she can fake it till she makes it, roll with the punches, and find a way to save her luxury restaurant, Paramour.
But it gets harder when she gets restaurant mogul and star chef Mike Wallace angry, and finds herself on the other end of a campaign to shut down Paramour.
Celebrity chef Holly Mason’s show is in trouble: people are bored with her routine of helping struggling restaurants. Worse, her ex-boyfriend Mike Wallace is making backdoor deals trying to steal the starring role.
Luckily, Holly’s agent Tay has a solution: ditch her show plans for the season, throw their lot in with luxury restaurant Paramour against Mike Wallace’s racketeering operation of a restaurant partnership. The cherry on top? A fake relationship between Holly and Avery to stir up drama.
It would already be a mess if Holly and Avery weren’t already struggling to hold back their attraction for one another. Despite their promise not to date, the lines between acting and reality get awfully blurry sometimes.
On June 2, 2016, a protrusion of rock growing from the Central Park Reservoir is spotted by a jogger. Three weeks later, when it finally stops growing, it’s nearly two-and-a-half miles tall, and has been determined to be an active volcano.
As the volcano grows and then looms over New York, an eight-year-old boy in Mexico City finds himself transported 500 years into the past, where he witnesses the fall of the Aztec Empire; a Nigerian scholar in Tokyo studies a folktale about a woman of fire who descends a mountain and destroys an entire village; a white trans writer in Jersey City struggles to write a sci-fi novel about a thriving civilization on an impossible planet; a nurse tends to Syrian refugees in Greece while grappling with the trauma of living through the bombing of a hospital in Kunduz, Afghanistan; a nomadic farmer in Mongolia is stung by a bee, magically transforming him into a green, thorned, flowering creature that aspires to connect every living thing into its consciousness.
For as long as they can remember, Aaron and Oliver have only ever had each other. In a small town with few queer teenagers, let alone young trans men, they’ve shared milestones like coming out as trans, buying the right binders—and falling for each other.
But just as their relationship has started to blossom, Aaron moves away. Feeling adrift, separated from the one person who understands them, they seek solace in digging deep into the annals of America’s past. When they discover the story of two Revolutionary War soldiers who they believe to have been trans man in love, they’re inspired to pay tribute to these soldiers by adopting their names—Aaron and Oliver. As they learn, they delve further into unwritten queer stories, and they discover the transformative power of reclaiming one’s place in history.
When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who’s come to donate her wife’s papers, there’s an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the “vampire disease.”
Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job.
In the wake of the First World War, Jonathan Morgan stows away on an Antarctic expedition, determined to find his rightful place in the world of men. Aboard the expeditionary ship of his hero, the world-famous explorer James “Australis” Randall, Jonathan may live as his true self—and true gender—and have the adventures he has always been denied. But not all is smooth sailing: the war casts its long shadow over them all, and grief, guilt, and mistrust skulk among the explorers.
When disaster strikes in Antarctica’s frozen Weddell Sea, the men must take to the land and overwinter somewhere which immediately seems both eerie and wrong; a place not marked on any of their part-drawn mapsof the vast white continent. Now completely isolated, Randall’s expedition has no ability to contact the outside world. And no one is coming to rescue them.
In the freezing darkness of the Polar night, where the aurora creeps across the sky, something terrible has been waiting to lure them out into its deadly landscape…
As the harsh Antarctic winter descends, this supernatural force will prey on their deepest desires and deepest fears to pick them off one by one. It is up to Jonathan to overcome his own ghosts before he and the expedition are utterly destroyed.
The playful and poignant novel Little Blue Encyclopedia (for Vivian) sifts through a queer trans woman’s unrequited love for her straight trans friend who died. A queer love letter steeped in desire, grief, and delight, the story is interspersed with encyclopedia entries about a fictional TV show set on an isolated island.
The experimental form functions at once as a manual for how pop culture can help soothe and mend us and as an exploration of oft-overlooked sources of pleasure, including karaoke, birding, and butt toys. Ultimately, Little Blue Encyclopedia (for Vivian) reveals with glorious detail and emotional nuance the woman the narrator loved, why she loved her, and the depths of what she has lost.
The nine stories in Morgan Thomas’s shimmering debut collection, Manywhere, witness Southern queer and genderqueer characters determined to find themselves reflected in the annals of history, at whatever cost. As each character traces deceit and violence through Southern tall tales and their own pasts, their journeys reveal the porous boundaries of body, land, and history, and the sometimes ruthless awakenings of self-discovery.
A trans woman finds her independence through the purchase of a pregnancy bump. A young Virginian flees their relationship, choosing instead to immerse themselves in the life of an intersex person from Colonial-era Jamestown. A young writer tries to evade the murky and violent legacy of an ancestor who supposedly disappeared into a midwifery bag. And in the uncanny title story, a young trans person brings home a replacement daughter for their elderly father.
Winding between reinvention and remembrance, transition and transcendence, these origin stories rebound across centuries. With warm, meticulous emotional intelligence, Thomas uncovers how the stories we borrow to understand ourselves in turn shape the people we become. Ushering in a new form of queer mythmaking, Manywhere introduces a storyteller of uncommon range and talent.
In a lush solarpunk future, plants have stripped most of the poison from the air and bounty hunters keep resource hoarders in check. Orfeus only wants to be a travelling singer, famed and adored. She has her share of secrets, but she’s no energy criminal, so why does a bounty hunter want her dead? Not just any bounty hunter but the Wolf, most fearsome of all the Order of the Vengeful Wild. Orfeus will call in every favor she has to find out, seeking answers while clinging to her pride and fending off the hunters of the Wild. But she isn’t the only one at risk: every misstep endangers the enemies she turns into allies, and the allies she brings into danger. There are worse monsters than the Wolf hiding in this new green world.
In this young adult novel by award-winning author Anna-Marie McLemore, two non-binary teens are pulled into a magical world under a lake – but can they keep their worlds above water intact?
Everyone who lives near the lake knows the stories about the world underneath it, an ethereal landscape rumored to be half-air, half-water. But Bastián Silvano and Lore Garcia are the only ones who’ve been there. Bastián grew up both above the lake and in the otherworldly space beneath it. Lore’s only seen the world under the lake once, but that one encounter changed their life and their fate.
Then the lines between air and water begin to blur. The world under the lake drifts above the surface. If Bastián and Lore don’t want it bringing their secrets to the surface with it, they have to stop it, and to do that, they have to work together. There’s just one problem: Bastián and Lore haven’t spoken in seven years, and working together means trusting each other with the very things they’re trying to hide.
At first, the death of millionaire businessman Charles Parsons seems like a straightforward suicide. There’s no sign of forced entry or struggle in his lavish New Jersey mansion—just a single gunshot wound from his own weapon. But days later, a different story emerges. Computer techs pick up a voice recording that incriminates Parsons’ adoptive daughter, Ann, who duly confesses and pleads guilty.
Erin McCabe has little interest in reviewing such a slam-dunk case—even after she has a mysterious meeting with one of the investigating detectives, who reveals that Ann, like Erin, is a trans woman. Yet despite their misgivings, Erin and her law partner, Duane Swisher, ultimately can’t ignore the pieces that don’t fit.
As their investigation deepens, Erin and Swish convince Ann to withdraw her guilty plea. But Ann clearly knows more than she’s willing to share, even if it means a life sentence. Who is she protecting, and why?
Fighting against time and a prosecutor hell-bent on notching another conviction, the two work tirelessly—Erin inside the courtroom, Swish in the field—to clear Ann’s name. But despite Parsons’ former associates’ determination to keep his—and their own—illegal activities buried, a horrifying truth emerges—a web of human exploitation, unchecked greed, and murder. Soon, a quest to see justice served becomes a desperate struggle to survive . . .
Y: The Last Man meets The Girl With All the Gifts in Gretchen Felker-Martin’s Manhunt, a fast-paced body horror that examines a post-apocalyptic world through the lens of trans women and men trying to survive.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they’ll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren’t safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics―all while outrunning packs of feral men, and their own demons.
Centering transgender women seeking stable, adult lives, A Dream of a Woman finds quiet truths in prairie high-rises and New York warehouses, in freezing Canadian winters and drizzly Oregon days.
In “Hazel and Christopher,” two childhood friends reconnect as adults after one of them has transitioned. In “Perfect Places,” a woman grapples with undesirability as she navigates fetish play with a man. In “Couldn’t Hear You Talk Anymore,” the narrator reflects on her tumultuous life and what might have been as she recalls tender moments with another trans woman.
Grace Lavery is a reformed druggie, an unreformed omnisexual chaos Muppet, and 100 percent, all-natural, synthetic female hormone monster. As soon as she solves her “penis problem,” she begins receiving anonymous letters, seemingly sent by a cult of sinister clowns, and sets out on a magical mystery tour to find the source of these surreal missives. Misadventures abound: Grace performs in a David Lynch remake of Sunset Boulevard and is reprogrammed as a sixties femmebot; she writes a Juggalo Ghostbusters prequel and a socialist manifesto disguised as a porn parody of a quiz show. Or is it vice versa? As Grace fumbles toward a new trans identity, she tries on dozens of different voices, creating a coat of many colors.
With more dick jokes than a transsexual should be able to pull off, Please Miss gives us what we came for, then slaps us in the face and orders us to come again.
No job, no money, no love – and to make things worse, 27-year-old Charlie has no choice but to leave New York City and move in with his mom in his isolated and conservative hometown of Sunset Springs.
Home isn’t a comfortable place for Charlie. One of very few Black residents and the only trans person around town that he knows of, this will be Charlie’s first time back in Sunset Springs since he transitioned. He expects confusion and maybe even hostility. He definitely does not expect Jackson Ford.
Jack was the brooding yet beloved football star at their high school, but now, he’s an outsider after coming out as gay. When Charlie and Jackson fall for each other in a swift and surprising romance, Charlie has to decide if he’s willing to exchange his old dreams for a new one.
Sunset Springs is an audio novella about finding courage to allow unexpected change, even at the risk of a broken heart.
Kris Claus has spent her entire life preparing to become the next Santa Claus. After all, she’s Santa’s daughter, so she’s certain to be next in line for the title. She’s gotten the degrees, served as his assistant… nothing can stop her. Well, nothing except her lawyer ex, who is trying to sneak his way into the title by bringing up an archaic gender law that says women can’t be Santa.
Steeped in small-town politics and a rivalry for the ages, Kris won’t stop until she’s gotten what she’s fought for her whole life, but she won’t give up who she really is — a proud woman — to reach her dreams. When a letter from a transgender girl down South reminds her of herself as a child, Kris knows exactly what’s at stake, not just for her own dreams, but for the dreams of girls everywhere.
By National Book Award and the National Book Critics’ Circle Award finalist for An Unnecessary Woman, Rabih Alameddine, comes a transporting new novel about an Arab American trans woman’s journey among Syrian refugees on Lesbos island.
Mina Simpson, a Lebanese doctor, arrives at the infamous Moria refugee camp on Lesbos, Greece, after being urgently summoned for help by her friend who runs an NGO there. Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp’s children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya’s secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants’ displacement, as well as her own constraints in helping them.
Sequel to Victories Greater Than Death, this is the second book in the Unstoppable series
They’ll do anything to be the people they were meant to be — even journey into the heart of evil.
Rachael Townsend is the first artist ever to leave Earth and journey out into the galaxy — but after an encounter with an alien artifact, she can’t make art at all. Elza Monteiro is determined to be the first human to venture inside the Palace of Scented Tears and compete for the chance to become a princess — except that inside the palace, she finds the last person she ever wanted to see again. Tina Mains is studying at the Royal Space Academy with her friends, but she’s not the badass space hero everyone was expecting. Soon Rachael is journeying into a dark void, Elza is on a deadly spy mission, and Tina is facing an impossible choice that could change all her friends lives forever.
Parapsychologist Dr. Nigel Taylor doesn’t work with psychic mediums. Until, that is, a round of budget cuts threatens his job and an eccentric old woman offers him a great deal of grant money. The only catch: he must investigate a haunted house with a man she believes to have a true gift.
Oscar Fox, founder of the ghost-hunting team OutFoxing the Paranormal, has spent his life ignoring the same sort of hallucinations that sent his grandmother to an insane asylum. When he agrees to work with the prestigious—and sexy—Dr. Taylor, he knows he’ll have to keep his visions under wraps, so his team can get a desperately needed pay day.
Soon after Nigel, Oscar, and the OtP team arrive at the house, the questions begin to pile up. Why is there a blood stain in the upstairs hallway? What tragedy took place in the basement? And who is the spirit lurking in the closet of a child’s bedroom?
One thing is certain: if Oscar can’t accept the truth about his psychic abilities, and Nigel can’t face the demons of his past, they’ll join the forgotten souls of the house…forever.
have never felt like I belonged to my body. Never in the way rhythm belongs to a song or waves belong to an ocean.
It seems like most people figure out where they belong by knowing where they came from. When they look in the mirror, they see their family in their eyes, in their sharp jawlines, in the texture of their hair. When they look at family photos, they see faces of people who look like them. They see faces of people who they’ll look like in the future.
For me, I only have my imagination.
But I’m always trying.
Twelve-year-old Gabriela is trying to find their place in the world. In their body, which feels less and less right with each passing day. As an adoptee, in their all-white family. With their mom, whom they love fiercely and do anything they can to help with her depression. And at school, where they search for friends.
A new year will bring a school project, trans and queer friends, and a YouTube channel that helps Gabriela find purpose in their journey.
When Viola Carroll was presumed dead at Waterloo she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood.
Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become.
As Viola strives to bring Gracewood back to himself, fresh desires give new names to old feelings. Feelings that would have been impossible once and may be impossible still, but which Viola cannot deny. Even if they cost her everything, all over again.
The jellyfish commonly known as a Portuguese man o’ war is neither Portuguese, nor a jellyfish, nor a man, nor even a singular organism. If you can cope with those facts, you can begin to understand River McIntyre, an elite high school swimmer who’s bad at counting laps.
River McIntyre has lived all their life in the shadow of Sea Planet, a now infamous ocean theme park slowly going out of business in the middle of Ohio. As Sea Planet drifts toward its final end, so does River’s high school career and, worse, their time as a competitive swimmer. Or maybe not. When River makes an impulsive dive into Ocean Planet’s shark tank, they unintentionally set off on a wrenching journey of self-discovery, from internalized homophobia and self-loathing through layers of coming out, gender confirmation surgery, and true love. And at the end of this race? Who knows. After all, counting laps has never been River’s strong suit.
Two weeks after the door to Faery closed once more, Asalin is still in turmoil. Emyr and Wyatt are hunting Derek and Clarke themselves after having abolished the corrupt Guard, and are trying to convince the other kingdoms to follow their lead. But when they uncover the hidden truth about the witches’ real place in fae society, it becomes clear the problems run much deeper than anyone knew. And this may be more than the two of them can fix.
As Wyatt struggles to learn control of his magic and balance his own needs with the needs of a kingdom, he must finally decide on the future he wants—before he loses the future he and Emyr are building…
Achilles has fled her home and her vicious Myrmidon clan to live as a woman with the kallai, the transgender priestesses of Great Mother Aphrodite. When Odysseus comes to recruit the “prince” Achilles for a war against the Hittites, she prepares to die rather than fight as a man. However, her divine mother, Athena, intervenes, transforming her body into the woman’s body she always longed for, and promises her everything: glory, power, fame, victory in war, and, most importantly, a child born of her own body. Reunited with her beloved cousin, Patroklos, and his brilliant wife, the sorceress Meryapi, Achilles sets out to war with a vengeance.
But the gods—a dysfunctional family of abusive immortals that have glutted on human sacrifices for centuries—have woven ancient schemes more blood-soaked and nightmarish than Achilles can imagine. At the center of it all is the cruel, immortal Helen, who sees Achilles as a worthy enemy after millennia of ennui and emptiness. In love with her newfound nemesis, Helen sets out to destroy everything and everyone Achilles cherishes, seeking a battle to the death.
An innovative spin on a familiar tale, this is the Trojan War unlike anything ever told, and an Achilles whose vulnerability is revealed by the people she chooses to fight…and chooses to trust.
To conclude the trio of anthologies that started with critically acclaimed All Out and Out Now, Out There features seventeen original short stories set in the future from fantastic queer YA authors.
Explore new and familiar worlds where the human consciousness can be uploaded into a body on Mars…an alien helps a girl decide if she should tell her best friend how she feels…two teens get stuck in a time loop at a space station…people are forced to travel to the past or the future to escape the dying planet…only a nonbinary person can translate the binary code of a machine that predicts the future…everyone in the world vanishes except for two teen girls who are in love.
This essential and beautifully written collection immerses and surprises with each turn of the page.
Sixteen-year-old trans boy Benji is on the run from the cult that raised him—the fundamentalist sect that unleashed Armageddon and decimated the world’s population. Desperately, he searches for a place where the cult can’t get their hands on him, or more importantly, on the bioweapon they infected him with.
But when cornered by monsters born from the destruction, Benji is rescued by a group of teens from the local Acheson LGBTQ+ Center, affectionately known as the ALC. The ALC’s leader, Nick, is gorgeous, autistic, and a deadly shot, and he knows Benji’s darkest secret: the cult’s bioweapon is mutating him into a monster deadly enough to wipe humanity from the earth once and for all.
Still, Nick offers Benji shelter among his ragtag group of queer teens, as long as Benji can control the monster and use its power to defend the ALC. Eager to belong, Benji accepts Nick’s terms…until he discovers the ALC’s mysterious leader has a hidden agenda, and more than a few secrets of his own.
If you’ve been searching for smutty, fearless, gender diverse erotica written by affirming own-voices folks who get it, then this is the book you’ve been looking for Packed with explicit erotic stories from trans and nonbinary gender diverse writers, Heckin’ Lewd celebrates sexual nonconformity, queerness, nontraditional relationship structures, and unrestrained lust, pleasure, and kink.
Santi has only had his heart broken one time, and it was all his fault. When he accidentally leaked his internet best friend Memo’s song, and it became an overnight hit, Memo disappeared—leaving their song’s cult fame, and Santi, behind.
Three years later, Santi arrives in Los Angeles with a mission: get over the ghost of Memo. Thankfully, his new school and its wildly-talented Sunshower marching band welcome him with open arms. All except for his section leader, the prickly, proud, musical prodigy Suwa. But when Santi realizes Suwa is trans, then Suwa realizes Santi takes his identity in stride, both boys begin to let their guards down. Santi learns Suwa’s surliness masks a painful, still raw history of his own, and as they open up to each other, their friendship quickly takes on the red-hot blush of a mutual crush.
Just as Santi is feeling settled in this new life, with a growing found family and a head-over-heels relationship with Suwa, he begins to put together the pieces of an impossible truth—that he knows both more and less of Suwa’s story than he’s been told. Their fragile fresh start threatens to rip apart at the seams again when Suwa is offered the chance to step into the spotlight he’s owed but has always denied himself. Now, Santi and Suwa must finally reckon with their dreams, their pasts—and their futures, together or apart.
Just days before spring break, Neil Kearney is set to fly across the country with his childhood friend (and current friend-with-benefits) Josh, to attend his brother’s wedding―until Josh tells Neil that he’s in love with him and Neil doesn’t return the sentiment.
With Josh still attending the wedding, Neil needs to find a new date to bring along. And, almost against his will, roommate Wyatt is drafted.
At first, Wyatt (correctly) thinks Neil is acting like a jerk. But when they get to LA, Wyatt sees a little more of where it’s coming from. Slowly, Neil and Wyatt begin to understand one another… and maybe, just maybe, fall in love for the first time…
Self-Made Boys by Anna-Marie McLemore (September 6th)
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick’s feelings grow more complicated when he finds himself falling hard for Jay’s openness, idealism, and unfounded faith in the American Dream.
As each new decade begins, the Sun’s power must be replenished so that Sol can keep traveling along the sky and keep the evil Obsidian gods at bay. Ten semidioses between the ages of thirteen and eighteen are selected by Sol himself as the most worthy to compete in The Sunbearer Trials. The winner carries light and life to all the temples of Reino del Sol, but the loser has the greatest honor of all—they will be sacrificed to Sol, their body used to fuel the Sun Stones that will protect the people of Reino del Sol for the next ten years.
Teo, a 17-year-old Jade semidiós and the trans son of Quetzal, goddess of birds, has never worried about the Trials…or rather, he’s only worried for others. His best friend Niya—daughter of Tierra, the god of earth—is one of the strongest heroes of their generation and is much too likely to be chosen this year. He also can’t help but worry (reluctantly, and under protest) for Aurelio, a powerful Gold semidiós and Teo’s friend-turned-rival who is a shoo-in for the Trials. Teo wouldn’t mind taking Aurelio down a notch or two, but a one-in-ten chance of death is a bit too close for Teo’s taste.
But then, for the first time in over a century, Sol chooses a semidiós who isn’t a Gold. In fact, he chooses two: Xio, the 13-year-old child of Mala Suerte, god of bad luck, and…Teo. Now they must compete in five mysterious trials, against opponents who are both more powerful and better trained, for fame, glory, and their own survival.
Lark Winters wants to be a writer, and for now that means posting on their social media accounts––anything to build their platform. When former best friend Kasim accidentally posts on Lark’s Twitter a thread declaring his love for a secret, unrequited crush, Lark’s tweets are suddenly the talk of the school—and beyond. To protect Kasim, Lark decides to take the fall, pretending they accidentally posted the thread in reference to another classmate. It seems like a great idea: Lark gets closer to their crush, Kasim keeps his privacy, and Lark’s social media stats explode. But living a lie takes a toll—as does the judgment of thousands of Internet strangers. Lark tries their best to be perfect at all costs, but nothing seems good enough for the anonymous hordes––or for Kasim, who is growing closer to Lark, just like it used to be between them . . .
In the end, Lark must embrace their right to their messy emotions and learn how to be in love.
Uriel the angel and Little Ash (short for Ashmedai) are the only two supernatural creatures in their shtetl (which is so tiny, it doesn’t have a name other than Shtetl). The angel and the demon have been studying together for centuries, but pogroms and the search for a new life have drawn all the young people from their village to America. When one of those young emigrants goes missing, Uriel and Little Ash set off to find her.
Along the way the angel and demon encounter humans in need of their help, including Rose Cohen, whose best friend (and the love of her life) has abandoned her to marry a man, and Malke Shulman, whose father died mysteriously on his way to America.
But there are obstacles ahead of them as difficult as what they’ve left behind. Medical exams (and demons) at Ellis Island. Corrupt officials, cruel mob bosses, murderers, poverty. The streets are far from paved with gold.
Elisheva Cohen has just returned to Brooklyn after almost a decade. The wounds of abandoning the Orthodox community that raised her, then shunned her because of her substance abuse, are still painful. But when she gets an amazing opportunity to study photography with art legend Wyatt Cole, Ely is willing to take the leap.
On her first night back in town, Ely goes out to the infamous queer club Revel for a celebratory night of dancing. Ely is swept off her feet and into bed by a gorgeous man who looks like James Dean, but with a thick Carolina accent. The next morning, Ely wakes up alone and rushes off to attend her first photography class, reminiscing on the best one-night stand of her life. She doesn’t even know his name. That is, until Wyatt Cole shows up for class—and Ely realizes that the man she just spent an intimate and steamy night with is her teacher.
Everyone in the art world is obsessed with Wyatt Cole. He’s immensely talented and his notoriously reclusive personal life makes him all the more compelling. But there’s a reason why his past is hard for him to publicize. After coming out as transgender, Wyatt was dishonorably discharged from the military and disowned by his family. From then on he committed to sobriety and channeled his pain into his flourishing art career. While Ely and Wyatt’s relationship started out on a physical level, their similar struggles spark a much deeper connection. The chemistry is undeniable, but their new relationship as teacher and student means desperately wanting what they can’t have.
With only a drop of flare, one can light the night sky with fireworks . . . or burn a building to the ground — and seventeen-year-old Ingrid Ellis wants her fair share.
Ingrid doesn’t have a family fortune, monetary or magical, but at least she has a plan: Rise to the top on the arm of Linden Holt, heir to a hefty political legacy and the largest fortune of flare in all of Candesce. Her only obstacle is Linden’s father who refuses to acknowledge her.
So when Senator Holt announces his run for president, Ingrid uses the situation to her advantage. She strikes a deal to spy on the senator’s opposition in exchange for his approval and the status she so desperately craves. But the longer Ingrid wears two masks, the more she questions where her true allegiances lie.
Will she stand with the Holts, or will she forge her own path?
In New York City everybody needs a side hustle, and perfumer Vic Fowler has developed a delicate art that has proved to be very lucrative: creating bespoke scents that evoke immersive memories—memories that, for Vic’s clients, are worth killing for. But the city is expensive, and these days even artisanal murder doesn’t pay the bills. When Joseph Eisner, a former client with deep pockets, offers Vic an opportunity to expand the enterprise, the money is too good to turn down. But the job is too intricate—and too dangerous—to attempt alone.
Manipulating fellow struggling artists into acting as accomplices is easy. Like Vic, they too are on the verge of burnout and bankruptcy. But as relationships become more complicated, Vic’s careful plans start to unravel. Hounded by guilt and a tenacious private investigator, Vic grows increasingly desperate to complete Eisner’s commission. Is there anyone—friends, lovers, coconspirators—that Vic won’t sacrifice for art?
Lethal Lit follows Tig Torres, a Cuban American teen detective, in her hometown of Hollow Falls. In season one of the hit podcast, Tig used her smarts and fearlessness to track down the infamous “Lit Killer,” a serial killer who staged his murders after death scenes from famous books. But there’s no rest for courageous, mystery-solving teens in a place like Hollow Falls, and though the Lit Killer is now behind bars, his protégé, Tig’s classmate and crush Oly, has disappeared!
And that’s not the only game afoot. Tig has caught the attention of the town’s local armchair detective group, the Murder of Crows. They’re obsessed with Hollow Falls’ dark past and fixated on a dangerous search for the missing body of the town’s founder. There are rumors about what’s buried with the body that could be life-changing for whoever finds it, and with a mission like that underway, it’s not long before a member of the Murder of Crows turns up dead.
Tig, along with her friends Max and Wyn, steps in to help, but the stakes are getting higher and the hunt more deadly. Someone’s willing to kill to keep the town’s secrets buried, and if Tig’s not careful, she’ll be the Murder of Crows’ next victim.
This original Lethal Lit story takes place between Seasons 1 and 2 of the podcast, and features a brand-new, never-before-told story starring Tig Torres and her sleuthing friends!
Cameron Battle grew up reading The Book of Chidani, cherishing stories about the fabled kingdom that cut itself off from the world to save the Igbo people from danger. Passed down over generations, the Book is Cameron’s only connection to his parents who disappeared one fateful night, two years ago.
Ever since, his grandmother has kept the Book locked away, but it calls to Cameron. When he and his best friends Zion and Aliyah decide to open it again, they are magically transported to Chidani. Instead of a land of beauty and wonder, they find a kingdom in extreme danger, as the Queen’s sister seeks to destroy the barrier between worlds. The people of Chidani have been waiting for the last Descendant to return and save them . . . is Cameron ready to be the hero they need?
Margot Cooper doesn’t do relationships. She tried and it blew up in her face, so she’ll stick with casual hookups, thank you very much. But now her entire crew has found “the one” and she’s beginning to feel like a fifth wheel. And then fate (the heartless bitch) intervenes. While touring a wedding venue with her engaged friends, Margot comes face-to-face with Olivia Grant—her childhood friend, her first love, her first… well, everything. It’s been ten years, but the moment they lock eyes, Margot’s cold, dead heart thumps in her chest.
Olivia must be hallucinating. In the decade since she last saw Margot, her life hasn’t gone exactly as planned. At almost thirty, she’s been married… and divorced. However, a wedding planner job in Seattle means a fresh start and a chance to follow her dreams. Never in a million years did she expect her important new client’s Best Woman would be the one that got away.
When a series of unfortunate events leaves Olivia without a place to stay, Margot offers up her spare room because she’s a Very Good Person. Obviously. It has nothing to do with the fact that Olivia is as beautiful as ever and the sparks between them still make Margot tingle. As they spend time in close quarters, Margot starts to question her no-strings stance. Olivia is everything she’s ever wanted, but Margot let her in once and it ended in disaster. Will history repeat itself or should she count her lucky stars that she gets a second chance with her first love?
With the emotional undertow of Ocean Vuong and the astute political observations of Natalie Diaz, a powerful poetry debut exploring the effects of racism, war and colonialism, queer love and desire.
In their breathtaking international debut, Aaiún Nin plumbs the depths of the lived and enduring effects of colonialism in their native country, Angola. Now seeking asylum in Denmark, Nin untangles complexities of exile, the reckoning of familial love, but also reveals the power of queer love and desire through the body that yearns to love and be loved. Nin shows the ways in which faith and devotion serve as forms of oppression and interrogates the nature of home by reclaiming the persistent echoes of trauma. A captivating blend of evocative prose and intimate testimony, Nin speaks to the universal vulnerability of existence.
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the façade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
Caiden has been on the run for ten years with his unique starship in order to keep his adversary, Threi, imprisoned. But when an old friend he’d once thought dead reappears, he is lured into a game of cat and mouse with the one person whose powers rival Threi’s: Threi’s sister Abriss.
Now with both siblings on the hunt for Caiden and his ship, Caiden must rescue his long-lost friend from their clutches and uncover the source of both his ship’s power and his own origins in order to stop Abriss’s plan to collapse the multiverse.
Julia has lived her whole life inside the Wall, the shining fortress her father built. But she dreams of knowing the world, and one day, the world calls to her. She runs away from home with a false name, a magical gift from her ailing mother, and her lion companion. But leaving triggers a curse, and no matter how hard she tries to outrun it, it catches up with her-as curses often do.
Now, with only the help of a mysterious archer she meets along her journey, Julia must confront dark magic, uncover the secrets of her mother’s past and her own abilities, and discover who she is outside of the Wall, if she is ever to survive the curse and build a life of her own.
Chance has been in love only once, but it wasn’t with the girlfriend she stayed with for far too long. The same girlfriend who dropped Chance when she became too inconvenient. Or maybe just boring.
To bury her disappointment, Chance tries to return to the woman she loved back when she was too afraid to be herself. A stud attracted to other studs.
Instead of her old love, though, Chance finds Garet: a new and persistent admirer with the kind of swagger that leaves Chance weak in the knees. Garet is hot and very popular with her half a million followers on social media. She’s also a lot younger than Chance is used to. Not to mention there’s something familiar about her, something dangerous, that Chance can’t quite put her finger on.
Three factions vie for control of the galaxy. Rig, a gunslinging, thieving, rebel with a cause, doesn’t give a damn about them and she hasn’t looked back since abandoning her faction three years ago.
That is, until her former faction sends her a message: return what she stole from them, or they’ll kill her twin sister.
Rig embarks on a journey across the galaxy to save her sister – but for once she’s not alone. She has help from her network of resistance contacts, her taser-wielding librarian girlfriend, and a mysterious bounty hunter.
If Rig fails and her former faction finds what she stole from them, trillions of lives will be lost–including her sister’s. But if she succeeds, she might just pull the whole damn faction system down around their ears. Either way, she’s going to do it with panache and pizzazz.
It’s the summer before senior year. Gabriel, Reese, Sal, and Heath are best friends, bonded in their small, rural town by their queerness, their good grades, and their big dreams. But they have plans for the summer, each about to embark on a new adventure.
Gabriel is interning at an environmental nonprofit in Boston.
Reese is attending design school in Paris.
Sal is volunteering on Capitol Hill for a senator.
Heath is heading to Florida, to help out at his aunt’s boardwalk arcade.
What will this season of world-expanding travel and life-changing experiences mean for each of them–and for their friendship?
Ophelia Rojas knows what she likes: her best friends, Cuban food, rose-gardening, and boys – way too many boys. Her friends and parents make fun of her endless stream of crushes, but Ophelia is a romantic at heart. She couldn’t change, even if she wanted to.
So when she finds herself thinking more about cute, quiet Talia Sanchez than the loss of a perfect prom with her ex-boyfriend, seeds of doubt take root in Ophelia’s firm image of herself. Add to that the impending end of high school and the fracturing of her once-solid friend group, and things are spiraling a little out of control. But the course of love―and sexuality―never did run smooth. As her secrets begin to unravel, Ophelia must make a choice between clinging to the fantasy version of herself she’s always imagined or upending everyone’s expectations to rediscover who she really is, after all.
JJ is certain he’s got everything figured out. He’s straight, right? He’s just not into the hookup culture prevalent on his college soccer team. But he’s trying to hide that to avoid getting on his team captain’s bad side.
Kade is anything but straight. Out and proud, he’s curious about how the “other half” lives… even as his best friends remind him there’s more to the LGBTQ+ community than just the “G.” Curious, Kade texts JJ a simple question: do straight guys ever get off together?
When JJ’s reply leads to a head-spinning sexual spark, he starts questioning everything he knows about his sexuality, both in terms of who he’s attracted to, and also why hookups have never been his thing. But when JJ endures trauma that confuses him more, he starts pushing Kade away. Kade has to learn how to be a supportive friend, and more than that, a supportive partner, or risk losing JJ altogether. And JJ? He has to fight for his team to be team players, even when they suspect he’s “playing for the other team.”
A boy, a murder, a girl, a secret. From award-winning author Mariko Tamaki comes Cold, a haunting YA novel about a shocking crime in a quiet town and four students who knew too much and said too little.
This is the story of a boy who died―and a girl who wants to know why.
Todd Mayer is dead. Now he’s some sort of ghost, hovering over his body, which has just been found in the town park, naked and frozen in the snow. As detectives investigate Todd’s homicide,Todd replays the events that lead him to his end in the park.
Georgia didn’t know Todd. But she can’t stop thinking about him. Maybe because they’re both outcasts at their school, or because they’re both queer. It might also be because Georgia has a feeling she’s seen Todd somewhere before, somewhere he wasn’t supposed to be.
Told through the voices of Todd in his afterlife and Georgia as she uncovers the truth behind his death, Cold is an immersive, emotional, and provocative read.
Grace Lavery is a reformed druggie, an unreformed omnisexual chaos Muppet, and 100 percent, all-natural, synthetic female hormone monster. As soon as she solves her “penis problem,” she begins receiving anonymous letters, seemingly sent by a cult of sinister clowns, and sets out on a magical mystery tour to find the source of these surreal missives. Misadventures abound: Grace performs in a David Lynch remake of Sunset Boulevard and is reprogrammed as a sixties femmebot; she writes a Juggalo Ghostbusters prequel and a socialist manifesto disguised as a porn parody of a quiz show. Or is it vice versa? As Grace fumbles toward a new trans identity, she tries on dozens of different voices, creating a coat of many colors.
With more dick jokes than a transsexual should be able to pull off, Please Miss gives us what we came for, then slaps us in the face and orders us to come again.
When they were kids, Fassen’s fighter spaceship crash-landed on a planet that Lu’s survey force was exploring. It was a forbidden meeting between a kid from a war-focused resistance movement and a kid whose community and planet are dedicated to peace and secrecy.
Lu and Fassen are from different worlds and separate solar systems. But their friendship keeps them in each other’s orbit as they grow up. They stay in contact in secret as their communities are increasingly threatened by the omnipresent, ever-expanding empire.
As the empire begins a new attack against Fassen’s people–and discovers Lu’s in the process–the two of them have the chance to reunite at last. They finally are able to be together…but at what cost?
This beautifully illustrated graphic novel is an epic science fiction romance between two non-binary characters as they find one another through time, distance, and war.
Seattle teacher and part-time blogger Hayden McCall wakes sporting one hell of a shiner, with the police knocking at his door. It seems that his new crush, dancer Camilo Rodriguez, has gone missing and they suspect foul play. What happened the night before? And where is Camilo?
Determined to find answers, pint-sized, good-hearted Hayden seeks out two of Camilo’s friends—Hollister and Burley—both lesbians and both fiercely devoted to their friend. From them, Hayden learns that Camilo is a “Dreamer” whose parents had been deported years earlier, and whose sister, Daniela, is presumed to have returned to Venezuela with them. Convinced that the cops won’t take a brown boy’s disappearance seriously, the girls join Hayden’s hunt for Camilo.
The first clues turn up at Barkingham Palace, a pet store where Camilo had taken a part-time job. The store’s owner, Della Rupert, claims ignorance, but Hayden knows something is up. And then there’s Camilo’s ex-boyfriend, Ryan, who’s suddenly grown inexplicably wealthy. When Hayden and Hollister follow Ryan to a secure airport warehouse, they make a shocking connection between him and Della—and uncover the twisted scheme that’s made both of them rich.
The trail of clues leads them to the grounds of a magnificent estate on an island in Puget Sound, where they’ll finally learn the truth about Camilo’s disappearance—and the fate of his family.
In 1968, a seventeen-year-old queer girl traveled to Alaska disguised as a boy.
Tracy should have been a boy. Even her older brother Spencer says so, though he wouldn’t finish the thought with, “And I should have been a girl.”
Though both feel awkward in their own skin, they have to face who they are—queers in the late 60s.
When both are caught with gay partners, their lives and futures are endangered by their homophobic father as their mother struggles to defend them.
While the Vietnam War threatens to take Spencer away, Tracy and her father wage a war of their own, each trying to save the sweet, talented pianist.
At seventeen, Tracy dresses as a boy and leaves her parents in turmoil, with only the slimmest hope of finding peace within herself. She journeys to a girl with a guitar, calling to her from a photo, “Come to Alaska. We’d be great friends.”
Three strangers heading to a convention in Toronto are stranded in rural Ontario, where a small town with a subtle kind of magic leads each to discover what he’s been searching for.
Ed Sinclair and his friends get stuck in Hopewell after their car breaks down. It’s snark at first sight when he meets local mechanic Lyn, but while they’re getting under each other’s skin, the town might show them a way into one another’s hearts.
Rome Epstein is out and proud and clueless about love. He’s hosting a giant scavenger hunt at the convention, but ends up in Hopewell. When the town starts leaving him clues for its own scavenger hunt, he discovers a boy who could be the prize he’s been searching for.
Fielding Roy has a gift for seeing the past. His trip to reunite with friends hits an unexpected stop in Hopewell, but a long-lost love letter and two local boys give him a chance to do more than watch the past. This time, Fielding might be able to fix the present.
This title was originally published in Dutch in 2017. This is the release of the English translation.
Travel journalist and mountaineer Nick Grevers awakes from a coma to find that his climbing buddy, Augustin, is missing and presumed dead. Nick’s own injuries are as extensive as they are horrifying. His face wrapped in bandages and unable to speak, Nick claims amnesia—but he remembers everything.
He remembers how he and Augustin were mysteriously drawn to the Maudit, a remote and scarcely documented peak in the Swiss Alps.
He remembers how the slopes of Maudit were eerily quiet, and how, when they entered its valley, they got the ominous sense that they were not alone.
He remembers: something was waiting for them…
But it isn’t just the memory of the accident that haunts Nick. Something has awakened inside of him, something that endangers the lives of everyone around him…
It’s one thing to lose your life. It’s another to lose your soul.
Two years ago, Csorwe and Shuthmili risked the anger of the wizard Belthandros Sethennai to gain their freedom. Now, they make their living exploring relic worlds of the ancient serpent empire of Echentyr. They think they’re prepared for anything―but when one of their expeditions releases an Echentyri soldier who has slept undisturbed since the fall of her homeland, they are thrown back into a conflict that has lain dormant for thousands of years. Shuthmili will give anything to protect the woman and the life that she loves, but as events spiral out of control, she is torn between clinging to her humanity and embracing her eldritch power.
Meanwhile, Tal Charossa returns to Tlaanthothe to find that Sethennai has gone missing. Tal wants nothing to do with his old boss and former lover, so when a magical catastrophe befalls the city, Tal tries to run rather than face his past―but he soon learns that something even worse may lurk in the future. Throughout the worlds of the Echo Maze, fragments of an undead goddess begin to awaken, and not all confrontations can be put off forever . . .
Beth Kramer is a “townie” who returns to her sophomore year after having endured a year of judgment from her roommate, Sarah.
But Sarah Brunson knows there’s more to that story.
Amanda Priya “Spence” Spencer is the privileged daughter of NYC elites, who is reeling from the realization that her family name shielded her from the same fate as Sarah.
Ramin Golafshar arrives at Chandler as a transfer student to escape the dangers of being gay in Iran, only to suffer brutal hazing under the guise of tradition in the boys’ dorms.
And Freddy Bello is the senior who’s no longer sure of his future but has fallen hard for Spence and knows he has to stand up to his friends after what happened to Ramin.
At Chandler, the elite boarding school, these five teens are brought together in the Circle, a coveted writing group where life-changing friendships are born—and secrets are revealed. Their professor tells them to write their truths. But is the truth enough to change the long-standing culture of abuse at Chandler? And can their friendship survive the fallout?
In Black Leopard, Red Wolf, Sogolon the Moon Witch proved a worthy adversary to Tracker as they clashed across a mythical African landscape in search of a mysterious boy who disappeared. In Moon Witch, Spider King, Sogolon takes center stage and gives her own account of what happened to the boy, and how she plotted and fought, triumphed and failed as she looked for him. It’s also the story of a century-long feud—seen through the eyes of a 177-year-old witch—that Sogolon had with the Aesi, chancellor to the king. It is said that Aesi works so closely with the king that together they are like the eight limbs of one spider. Aesi’s power is considerable—and deadly. It takes brains and courage to challenge him, which Sogolon does for reasons of her own.
Both a brilliant narrative device—seeing the story told in Black Leopard, Red Wolf from the perspective of an adversary and a woman—as well as a fascinating battle between different versions of empire, Moon Witch, Spider King delves into Sogolon’s world as she fights to tell her own story. Part adventure tale, part chronicle of an indomitable woman who bows to no man, it is a fascinating novel that explores power, personality, and the places where they overlap.
Though Owen Tanner has never met anyone else who has a chatty bird in their chest, medical forums would call him a Terror. From the moment Gail emerged between Owen’s ribs, his mother knew that she had to hide him away from the world. After a decade spent in hiding, Owen takes a brazen trip outdoors in the middle of a forest fire, and his life is upended forever.
Suddenly, Owen is forced to flee the home that had once felt so confining and hide in plain sight with his uncle and cousin in Washington. There, he feels the joy of finding a family among friends; of sharing the bird in his chest and being embraced fully; of falling in love and feeling the devastating heartbreak of rejection before finding a spark of happiness in the most unexpected place; of living his truth regardless of how hard the thieves of joy may try to tear him down. But the threat of the Army of Acronyms is a constant, looming presence, making Owen wonder if he’ll ever find a way out of the cycle of fear.
Not long ago, Earth’s colonies and space stations threw off the yoke of planet Earth’s tyrannical rule. Decades later, trouble is brewing in the Four Systems, and Old Earth is flexing its power in a bid to regain control over its lost territories.
The Order of Saint Rita—whose mission is to provide aid and mercy to those in need—bore witness to and defied Central Governance’s atrocities on the remote planet Phyosonga III. The sisters have been running ever since, staying under the radar while still trying to honor their calling.
Despite the sisters’ secrecy, the story of their defiance is spreading like wildfire, spearheaded by a growing anti-Earth religious movement calling for revolution. Faced with staying silent or speaking up, the Order of Saint Rita must decide the role they will play—and what hand they will have—in reshaping the galaxy.
It all began with trying to fly. After jumping off the roof of his house in the middle of the night, Daniel Kim wakes up far from Neverland, his reprieve from the real world. Thrust into a mental health hospital and then into a brand-new high school, he struggles to hold onto reality while haunted by both his very-present past and his never-present parents. But when he joins Cranbrook Preparatory’s cross-country team, he starts to feel like he’s walking on his own two feet once again. He meets Jiwon Yoon―another cross-country runner, who may be the first person to join Daniel in his Neverland daydreams. Or maybe Jiwon is the one who will finally break Daniel free.
Aspen Silverglade used to be a force for good, but now she’s just a sword for hire. On the run from the people she once trusted most, she needs to keep her head down and keep moving.
But old habits are hard to quit. One night in a tavern, Aspen tries to save a woman from some unwanted attention. The woman, Charm Linville, is in the middle of a subtle and delicate act of thievery, and she does not appreciate Aspen blundering in.
The disastrous and public rescue-gone-wrong makes the townspeople think Aspen and Charm are a couple. This mistake sets Aspen’s bloodthirsty betrayers on Charm’s trail, tying the two of them together.
Even if Aspen can’t run from her past any longer, Charm shouldn’t have to suffer. Despite Aspen’s determination to work alone, Charm insists on helping—and she has a past of her own. The two of them don’t care for each other’s methods, but as they journey through the villages and wildernesses of Falland, solving problems and meeting magical friends and foes, Aspen and Charm grudgingly come to care for each other. Can these two guarded, stubborn women admit their feelings, or will Aspen’s enemies kill them first?
Claudia Lin is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she’s just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she’s landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate—and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
It’s been months since aspiring journalist Kian Andrews has heard from his ex-boyfriend, Hudson Rivers, but an urgent text has them meeting at a café. Maybe Hudson wants to profusely apologize for the breakup. Or confess his undying love. . . But no, Hudson has a favor to ask—he wants Kian to pretend to be his boyfriend while his parents are in town, and Kian reluctantly agrees.
The dinner doesn’t go exactly as planned, and suddenly Kian is Hudson’s plus one to Georgia’s wedding of the season. Hudson comes from a wealthy family where reputation is everything, and he really can’t afford another mistake. If Kian goes, he’ll help Hudson preserve appearances and get the opportunity to rub shoulders with some of the biggest names in media. This could be the big career break Kian needs.
But their fake relationship is starting to feel like it might be more than a means to an end, and it’s time for both men to fact-check their feelings.
All you must know is that today she will become one of the four saints of Haven. The elders will mark her and place the red hood on her head. With her sisters, she will stand against the evil power that lives beneath the black mountain–an evil which has already killed nine of her village’s men.
She will tell no one of the white-eyed beasts that follow her. Or the faceless gray women tall as houses. Or the girls she saw kissing in the elm grove.
Today she will be a saint of Haven. She will rid her family of her mother’s shame at last and save her people from destruction. She is not afraid. Are you?
This searing and lyrically written novel by the critically acclaimed author of Sawkill Girls beckons readers to follow its fierce heroine into a world filled with secrets and blood–where the truth is buried in lies and a devastating power waits, seething, for someone brave enough to use it.
Y: The Last Man meets The Girl With All the Gifts in Gretchen Felker-Martin’s Manhunt, a fast-paced body horror that examines a post-apocalyptic world through the lens of trans women and men trying to survive.
Beth and Fran spend their days traveling the ravaged New England coast, hunting feral men and harvesting their organs in a gruesome effort to ensure they’ll never face the same fate.
Robbie lives by his gun and one hard-learned motto: other people aren’t safe.
After a brutal accident entwines the three of them, this found family of survivors must navigate murderous TERFs, a sociopathic billionaire bunker brat, and awkward relationship dynamics―all while outrunning packs of feral men, and their own demons.
Delilah Green swore she would never go back to Bright Falls—nothing is there for her but memories of a lonely childhood where she was little more than a burden to her cold and distant stepfamily. Her life is in New York, with her photography career finally gaining steam and her bed never empty. Sure, it’s a different woman every night, but that’s just fine with her.
When Delilah’s estranged stepsister, Astrid, pressures her into photographing her wedding with a guilt trip and a five-figure check, Delilah finds herself back in the godforsaken town that she used to call home. She plans to breeze in and out, but then she sees Claire Sutherland, one of Astrid’s stuck-up besties, and decides that maybe there’s some fun (and a little retribution) to be had in Bright Falls, after all.
Having raised her eleven-year-old daughter mostly on her own while dealing with her unreliable ex and running a bookstore, Claire Sutherland depends upon a life without surprises. And Delilah Green is an unwelcome surprise…at first. Though they’ve known each other for years, they don’t really know each other—so Claire is unsettled when Delilah figures out exactly what buttons to push. When they’re forced together during a gauntlet of wedding preparations—including a plot to save Astrid from her horrible fiancé—Claire isn’t sure she has the strength to resist Delilah’s charms. Even worse, she’s starting to think she doesn’t want to…
When archivist Sol meets Elsie, the larger than life widow of a moderately famous television writer who’s come to donate her wife’s papers, there’s an instant spark. But Sol has a secret: he suffers from an illness called vampirism, and hides from the sun by living in his basement office. On their way to falling in love, the two traverse grief, delve into the Internet fandom they once unknowingly shared, and navigate the realities of transphobia and the stigmas of carrying the “vampire disease.”
Then, when strange things start happening at the collection, Sol must embrace even more of the unknown to save himself and his job.
Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept it—no matter how bizarre the interview or how vague the job description.
By day, she is assistant to the family doctor and his charge, Jonathan, the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious. By night, Lena discovers the more sinister side of the family, as she works overtime at their lavish parties, helping to hide their self-destructive tendencies . . . and trying not to fall for Jonathan’s alluring sister, Audrey. But when she stumbles upon the knowledge that the Verdeau patriarch is the one responsible for the ruin of her own family, Lena vows to get revenge—a poison-filled quest that leads her further into this hedonistic world than she ever bargained for, forcing her to decide how much—and who—she’s willing to sacrifice for payback.
The Myrian Enclave is in disarray after a Dathirii strike team interrupts Avenazar’s dangerous ritual, but Diel Dathirii is in no position to take advantage of it while his home is lost to Allastam’s soldiers.
Despite the Myrian trade war’s brutal turn, its key battles still happen in the shadows. Resistance inside the Dathirii Tower organizes itself around the family’s new steward, Yultes, even though he is as uncertain of his allegiances as everyone else. Outside, Branwen reaches to every spymaster resource she has to strengthen their position and undermine the Myrian-Allastam alliance.
When Master Avenazar recovers from his grievous injury and sets his mind to revenge, the unsteady alliances forged within and without the Dathirii Tower will decide the city’s future.
Lecturer in creative writing at San Francisco State University and creator and teacher at The Lab: Writing Classes Matthew Clark Davison‘s DOUBTING THOMAS, chronicling a year in the life of a gay fourth grade teacher at a school serving Portland, Oregon’s progressive Obama-era elite; he is fired, even after being cleared of a false molestation accusation, just before a family tragedy makes him the guardian of his 12-year-old biracial nephew; digging into the disparity between ideals and reality, to Michael Nava at Amble, in a nice deal, in an exclusive submission, for publication in spring 2021 (world English).
Cornell University MFA graduate, poet, professor, and performer Ryka Aoki‘s LIGHT FROM UNCOMMON STARS, about three women trying to escape their pasts—a hell-damned violin legend and teacher, a young transgender runaway and aspiring musician, and a spaceship captain fleeing a faraway war—who find each other, and unexpected magic, in California’s San Gabriel Valley, to Lindsey Hall at Tor, in a pre-empt, in a two-book deal, by Meredith Kaffel Simonoff at DeFiore and Company (world English).
Gretchen Felker-Martin‘s MANHUNT, about trans women scavenging for estrogen in a post-apocalyptic world where a viral plague has transformed all cis men into feral monstrosities, fighting tooth and nail against a menace they’ll join if they miss a dose, and on the run from an authoritarian faction of cis women who see them as a dangerous liability, pitched as a trans woman’s response to Y: THE LAST MAN, plus another standalone horror novel, to Kelly Lonesome at Nightfire, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in March 2022, by Connor Goldsmith at Fuse Literary (world).
Freya Marske‘s A MARVELLOUS LIGHT, a historical fantasy pitched as JONATHAN STRANGE AND MR. NORRELL meets WITCHMARK, about a young civil servant named as liaison to the secret magical bureaucracy of Britain who must work with his magician counterpart to unravel a dangerous conspiracy, while struggling with their unexpected attraction and a deadly curse, to Ruoxi Chen at Tor.com, in a three-book deal, for publication in 2021, by Diana Fox at Fox Literary (NA).
Brooklyn-based writer and VONA/Voices and Queer Art Mentorship alumna Emily Hashimoto’s A WORLD BETWEEN, in which a college fling between two women turns into a lifelong connection, to Lauren Hook at Feminist Press, for publication in September 2020, by Robert Guinsler at Sterling Lord Literistic (NA).
Lambda-nominated writer and critic Megan Milks’s MARGARET AND THE MYSTERY OF THE MISSING BODY, a genre-bending queer and trans coming-of-age story that combines a ’90s-era girl group mystery series with a haunted eating disorder treatment center and a surreal mutant body-world, and SLUG AND OTHER STORIES a reissue of their debut collection with new stories, to Lauren Hook at Feminist Press, in a two-book deal, by Rach Crawford at MacKenzie Wolf (world English).
Charlotte Anne Hamilton‘s OF TRUST & HEART, an #OwnVoices f/f 1920s historical in which a lesbian Scottish heiress, who must find a husband soon, falls for a singer at a speakeasy, to Lydia Sharp at Entangled Embrace, for publication in 2021 (world).
Children’s/Middle Grade
Rosiee Thor and Taylor Barton‘s Picture Book THE MEANING OF PRIDE, about the significance, beauty, and universality of the concept of pride, as celebrated by millions of queer people and their allies around the world, illustrated by Sam Kirk, to Erika Turner at Versify, for publication in spring 2022, by Saba Sulaiman at Talcott Notch Literary Services for the author, and by Nicolas Gomez and Michelle Collins at A Non-Agency for the illustrator (world).
Author of SEAFIRE Natalie Parker‘s Middle Grade THE DEVOURING WOLF, in which a young werewolf-to-be struggles to understand why she hasn’t yet transformed as expected, and to get to the bottom of the mystery and become the wolf she was always meant to be, she will have to unearth her community’s deepest secrets and face off against a terrifying creature from legend, to Chris Hernandez at Razorbill, in a very nice deal, in a two-book deal, for publication in fall 2021, by Lara Perkins at Andrea Brown Literary Agency (world English).
Founder and executive director of inQluded and 2019 SCBWI Emerging Voices winner medina’s THE ONE WHO LOVES YOU THE MOST, which follows a 12-year-old who lives at the intersection of multiple identities as they long to find their place in the world, but a school project, new trans and queer friends, and a YouTube channel helps them find purpose in their journey and find community, to Nick Thomas at Levine Querido, in a pre-empt, for publication in fall of 2021, by Marietta Zacker at Gallt and Zacker Literary Agency (NA and Dutch).
Young Adult
Aden Polydoros‘s YA THE CITY BEAUTIFUL, set against the backdrop of the 1893 Chicago World’s Fair, a queer Jewish Gothic fantasy that follows a young immigrant who is possessed by the dybbuk of his murdered best friend and is thrust into a deadly hunt for a serial killer, to Rebecca Kuss at Inkyard Press, in a nice deal, in a two-book deal, for publication in fall 2021, by Thao Le at Sandra Dijkstra Literary Agency (world English).
Robin Gow‘s YA A MILLION QUIET REVOLUTIONS, a love story in verse between two transgender boys who come out to each other the weekend before their senior year; together, they explore their identities and search history for the often untold stories of queer people like them, to Trisha de Guzman at Farrar, Straus Children’s, in a good deal, at auction, in a two-book deal, for publication in winter 2022, by Jordan Hamessley at New Leaf Literary & Media (NA).
Adrienne Tooley‘s SOFI AND THE BONE SONG, after losing everything to an undeserving rival, a young musician sets out to expose that her rival’s newfound musical abilities stem from an illegal use of magic—but what she discovers will rock everything she knows about her family, music, and the girl she thought was her enemy, to Sarah McCabe at Simon Pulse, for publication in spring 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).
EmeryLee’s MEET CUTE DIARY, about a trans teen who must decide if he’s dedicated to romantic formulas or open to unpredictable love after an internet troll-attack on his trans romance blog compels him and a fan to start fake-dating to salvage the blog’s reputation, to Alexandra Cooper at Quill Tree, for publication in summer 2021, by Beth Phelan at Gallt and Zacker Literary Agency (world English).
Kevin van Whye‘s NATE PLUS ONE, a teenage boy dreads the idea of attending his wealthy aunt’s wedding retreat in South Africa, until his crush, an indie rock musician, volunteers to be his plus-one; an #OwnVoices gay love story pitched as What if It’s Us meets Crazy Rich Asians, to Polo Orozco at Random House Children’s, for publication in spring 2022, by Robert Guinsler at Sterling Lord Literistic (world English).
Cara Davis-Araux, Candice Montgomery, and Adrianne Russell‘s ALL SIGNS POINT TO YES, an anthology of love stories for each of the star signs that will showcase BIPOC characters and celebrate the myriad facets of love, from meet-cutes to the lesser-explored love expressed by aromantic people, to Natashya Wilson at Inkyard Press, for publication in winter 2022, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Hannah Blumenreich‘s FULL-COURT CRUSH, about a basketball player whose team is being shut down, and her bookish girlfriend who is struggling alone with her chronically depressed mother; together, they learn how to navigate the troubles of life and 11th grade, to Kiara Valdez at First Second, in a significant deal, at auction, in a two-book deal, for publication in 2023, by Linda Camacho at Gallt and Zacker Literary Agency (NA).
Aaron Aceves‘s THIS IS WHY THEY HATE US, a debut about a bisexual Latino teen from East L.A. who is determined to get over his crush on his best friend by summer’s end and winds up discovering hilarious, heartfelt truths about friendship, family, and himself, to Jennifer Ung at Simon Pulse, for publication in spring 2022, by Tina Dubois at ICM (NA).
Lambda Literary Award-winning author Rebecca Podos and Stonewall honoree Ashley Herring Blake‘s FOOLS IN LOVE, a YA romance anthology offering up fresh takes on classic romance tropes in multiple genres, featuring Rebecca Barrow, Gloria Chao, Sara Farizan, Claire Kann, Hannah Moskowitz, Lilliam Rivera, Laura Silverman, Amy Spalding, Rebecca Kim Wells, Natasha Ngan, Julian Winters, and more, to Britny Brooks at Running Press Kids, for publication in December 2021, by Eric Smith at P.S. Literary Agency (world).
Author of HAVE A LITTLE FAITH IN ME Sonia Hartl’s THE LOST GIRLS, about a girl who sets out for revenge against the undead ex-boyfriend who turned her into a vampire decades ago, then starts to fall for his mortal girlfriend, to Ashley Hearn at Page Street, for publication in fall 2021, by Rebecca Podos at Rees Literary Agency (world).
Jonny Garza Villa’s FIFTEEN HUNDRED MILES FROM THE SUN, an #OwnVoices debut pitched as SIMON VS. THE HOMO SAPIENS AGENDA meets One Day at a Time, about a Texas high school senior who accidentally comes out to the world on social media and must now juggle the joy of first love and fear of his socially conservative father finding out before he’s ready, to Carmen Johnson at Skyscape, at auction, by Claire Draper at The Bent Agency (world).
Nonfiction
Author of PEN/Diamonstein-Spielvogel Award and Lambda Literary Award-nominated essay collection MINE Sarah Viren‘s AUTOBIOGRAPHY OF SHADOWS, a dual narrative memoir about her coming-of-age and coming out in mid-’90s Florida under the tutelage of a conspiracy theorist high school teacher and her wife’s Title IX investigation as the result of false accusations leveled by a professional rival, as covered in the author’s viral New York Times Magazine essay, to Sally Howe at Scribner, in a pre-empt, by Matt McGowan at Frances Goldin Literary Agency (world English).