It’s Trans Day of Visibility, and we’re celebrating (as we celebrate everything) with a whole bunch of great trans books! As always, this post only includes titles that were not included in full in past posts, but definitely check those out for even more trans lit goodness!
Halfway through sixth grade, Noah’s best friend and the only other trans boy in his school, Lewis, passed away in a car accident. Lewis was adventurous and curious, always bringing a new paranormal story to share with Noah. Together they daydreamed about cryptids and shared discovering their genders and names. After his death, lonely and yearning for someone who could understand him like Lewis once did, Noah starts writing letters to Mothman, wondering if he would understand how Noah feels and also looking for evidence of Mothman’s existence in the vast woods surrounding his small Poconos town. Noah becomes determined to make his science fair project about Mothman, despite his teachers and parents urging him to make a project about something “real.”
Meanwhile, as Noah tries to find Mothman, Noah also starts to make friends with a group of girls in his grade, Hanna, Molly, and Alice, with whom he’d been friendly, but never close to. Now, they welcome him, and he starts to open up to each of them, especially Hanna, who Noah has a crush on. But as strange things start to happen and Noah becomes sure of Mothman’s existence, his parents and teachers don’t believe him. Noah decides it’s up to him to risk everything, trek into the woods, and find Mothman himself.
Twelve-year-old Abigail (she/her/hers) is so excited to spend her summer at Camp QUILTBAG, an inclusive retreat for queer and trans kids. She can’t wait to find a community where she can be herself—and, she hopes, admit her crush on Laura Dern to kids who will understand.
Thirteen-year-old Kai (e/em/eir) is not as excited. E just wants to hang out with eir best friend and eir parkour team. And e definitely does not want to think about the incident that left eir arm in a sling—the incident that also made Kai’s parents determined to send em somewhere e can feel like emself.
After a bit of a rocky start at camp, Abigail and Kai make a pact to help each other find their footing, all while navigating crushes, their queer identities, and a competition pitting cabin against cabin.
Eleven-year-old Simon and his siblings, Talia and Rose, are staying the week at Nanaleen’s century-old house. This time, though, it’s not their usual summer vacation trip. In fact, everything’s different. It’s fall, not summer. Mom and Dad are staying behind to have a “talk.” And Nanaleen’s house smells weird, plus she keeps forgetting things. And these aren’t the only things getting under Simon’s skin: He’s the only one who knows that his name is Simon, and that he and him pronouns are starting to feel right. But he’s not ready to add to the changes that are already in motion in his family.
To make matters worse, Simon keeps hearing a scratching in the walls, and shadows are beginning to build in the corners. He can’t shake the feeling that something is deeply wrong…and he’s determined to get to the bottom of it—which means launching a ghost hunt, with or without his sisters’ help. When Simon discovers the hidden story of his great-aunt Brie, he realizes that Brie’s life might hold answers to some of his worries. Is Brie’s ghost haunting the old O’Hagan house? And will Simon’s search for ghosts turn up more secrets than he ever expected?
Sixteen-year-old trans boy Miles Jacobson has two New Year’s resolutions: 1) win back his ex-boyfriend (and star of the football team) Shane McIntyre, and 2) finally beat his slimy arch-nemesis at the Midwest’s biggest classical piano competition. But that’s not going to be so easy. For one thing, Shane broke up with Miles two weeks after Miles came out as trans, and now Shane’s stubbornly ignoring him, even when they literally bump into each other. Plus, Miles’ new, slightly terrifying piano teacher keeps telling him that he’s playing like he “doesn’t know who he is”—whatever that means.
Then Miles meets the new boy in town, Eric Mendez, a proudly queer cartoonist from Seattle who asks his pronouns, cares about art as much as he does—and makes his stomach flutter. Not what he needs to be focusing on right now. But after Eric and Miles pretend to date so they can score an invite to a couples-only Valentine’s party, the ruse turns real with a kiss…which is also definitely not in the plan. Why does Eric like him so much, anyway? It’s not like he’s cool or confident or comfortable in his own skin. He’s not even good enough at piano to get his fellow competitors to respect him…especially now, as Miles. Nothing’s ever been as easy for him as for other people—other boys. He’s only ever been almost enough.
So why, when he’s with Eric, does it feel like the only person he’s ever really not been enough for…is himself?
El Diablo is in the details in this Latinx pirate fantasy starring a transmasculine nonbinary teen with a mission of revenge, redemption, and revolution.
On Mar León-de la Rosa’s 16th birthday, el Diablo comes calling. Mar is a transmasculine nonbinary teen pirate hiding a magical ability to manipulate fire and ice. But their magic isn’t enough to reverse a wicked bargain made by their father and now el Diablo has come to collect his payment: the soul of Mar’s father and the entire crew of their ship.
When Mar is miraculously rescued by the sole remaining pirate crew in the Caribbean, el Diablo returns to give them a choice: give up your soul to save your father by the Harvest Moon or never see him again. The task is impossible–Mar refuses to make a bargain and there’s no way their magic is any match for el Diablo. Then, Mar finds the most unlikely allies: Bas, an infuriatingly arrogant and handsome pirate — and the captain’s son; and Dami, a genderfluid demonio whose motives are never quite clear. For the first time in their life, Mar may have the courage to use their magic. It could be their only redemption — or it could mean certain death.
Seventeen-year-old Gael is used to keeping to himself. Though his best friend convinces him to attend a meeting of Plus, a support group for LGBTQIA+ teens, Gael doesn’t plan on sharing much. Where would he even start?
Between supporting his mother through her bouts of depression, dealing with his estranged father, and navigating senior year as a transgender boy at a conservative Tennessean high school, his life is a lot to unload on strangers.
But after meeting easygoing Declan, Gael is welcomed into a new circle of friends who make him want to open up. As Gael’s friendship with Declan develops into something more, he finds himself caught between his mother’s worsening mental health and his father’s attempts to reconnect.
After tragedy strikes, Gael must decide if he can risk letting the walls around his heart down and fully opening up to those who care for him.
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latina heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all for the benefit of impressing a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick’s feelings grow more complicated when he finds himself falling hard for Jay’s openness, idealism, and unfounded faith in the American Dream.
Valentine Weis is a salvager in the future wastelands of Utah. Wrestling with body dysphoria, he dreams of earning enough money to afford citizenship in Salt Lake City – a utopia where the testosterone and surgery he needs to transition is free, the food is plentiful, and folk are much less likely to be shot full of arrows by salt pirates. But earning that kind of money is a pipe dream, until he meets the exceptionally handsome Osric.
Once a powerful AI in Salt Lake City, Osric has been forced into an android body against his will and sent into the wasteland to offer Valentine a job on behalf of his new employer – an escort service seeking to retrieve their stolen androids. The reward is a visa into the city, and a chance at the life Valentine’s always dreamed of. But as they attempt to recover the “merchandise”, they encounter a problem: the android ladies are becoming self-aware, and have no interest in returning to their old lives.
The prize is tempting, but carrying out the job would go against everything Valentine stands for, and would threaten the fragile found family that’s kept him alive so far. He’ll need to decide whether to risk his own dream in order to give the AI a chance to live theirs.
Natalie Donovan jumps at a friend’s offer to stay in the family cabin for a month—she desperately needs the chance to get away from, and get over, her messy breakup. She doesn’t count on the owner of the local diner making her heart pound and her body desperate to be touched.
Wren Carne is a lone wolf. As an Alpha shifter, she has no pack and maintains her territory without causing drama, just the way she likes it. When she checks on the girl staying in a local cabin, she’s not expecting her wolf to identify the human as her One True Mate.
As fallout from their pasts encroaches upon the sleepy town of Terabend, Wren must decide if she wants a pack of her own, while Natalie worries that her secret—she’s transgender—might be too much for Wren.
At the age of twenty-one, Alex Winters has already repaid his student loans, gotten his own apartment, and become officially recognized as a rising artist to watch out for in the character design field. Everything is perfect, except it’s not, because Alex is miserable.
To distract himself, Alex signs up to become a moderator for his favorite video game. He figures it shouldn’t be too hard. He just has to answer a few questions, and that’ll be that. But life loves proving Alex wrong. Because the first message he receives is: [she’s not breathing, and I don’t know what to do, because when my mate’s parents get home they’re just gonna find this girl on the floor and I know we don’t know each other but you’re the only one I can count on right now so please help me.]
Now, Alex is stuck chatting with David—an equally depressed medical student, who’s coincidentally also the king of unhealthy coping mechanisms. When Alex realizes David also hates himself to a point of no return, what started off as an online joke slowly blooms into a genuine friendship between the two. So, it’s all nice and wholesome. Mostly. Until Alex falls in love. Then, it gets complicated.
Aashvi, Kate, Bette, Keiko, Gaia, and Day are six queer, mostly trans women surviving and thriving in Brooklyn. Visiting all the fixtures of fashionable 21st century queer society–picnics, literary readings, health conferences, drag shows, punk houses, community accountability processes, Grindr hookups–The Call-Out also engages with pressing questions around economic precarity, sexual consent, racism in queer spaces, and feminist theory, in the service of asking what it takes to build, or destroy, a marginalized community.
A novel written in verse, The Call-Out recalls the Russian literary classic Eugene Onegin, but instead of 19th century Russian aristocrats crudely solved their disagreements with pistols, the participants in this rhyming drama have developed a more refined weapon, the online call-out, a cancel-culture staple. In this passionate tangle of modern relationships, where a barbed tweet can be as dangerous as the narrator’s bon-mots, Cat Fitzpatrick has fashioned a modern novel of manners that gives readers access to a vibrant cultural underground.
When lonely transgender exorcist Colin Hart finds himself challenged by an unruly haunted house in Gideon, Colorado, he’s kept awake by ghosts, demons, ghouls, and the handsome nonbinary owner of the house, Bishop Martínez.
Unlike the simple hauntings Colin is accustomed to, Bishop’s house is a living beacon, attracting a plethora of inhuman creatures, including a vengeful wolf-headed spirit who might be the key to quieting their sleepless nights.
But as a heartbreaking mystery unravels, Colin comes face-to-face with the past Bishop tried to bury, opens a closet full of bloody skeletons, and trips into an accidental romance.
As paranormally skilled as Colin might be, this particular haunting may be too messy for him to handle…
Yen-Chen Chang is tired of the big corporate world. After quitting his high-paying software engineer job in Seattle, he’s desperate to move back to Taipei to figure out the next stage of his career. When his best friend invites him to visit Clover Hill as the last stop before going home, he gladly welcomes the opportunity to see the town they love.
Florence Hong-Lam Ho is passionate about her shih tzu mix Milk Puff, music composition, and teaching children piano. She is not trusting of strangers, especially those from outside of Clover Hill. When a tourist reaches for the last piece of fènghuáng sū at Wong’s Corner Store at the same time as she does, she hopes to never see this person again, even if her dog loves him already.
But when Yen-Chen and Florence keep running into each other—once, literally—they strike up a reluctant friendship. Is their growing connection written in the stars, or will Yen-Chen still leave Clover Hill for good?
Wallflower janitor Emily has dreamed of being a zookeeper their entire life. But they’ve been passed over again and again for promotion. Asked out by a gay man who thinks they’re named ‘Emil,’ they feel happy for the first time in forever.
Jeremi is outgoing, friendly, driven… and his forgetfulness has lost him more boyfriends than he can count. When he meets an adorable twink at the zoo, Jeremi vows: this time will be different.
Their first date tanks.
Jeremi tries to salvage things by offering to be Emil’s job coach, yet he can’t help but want to be more than just friends.
As Emil’s egg cracks and their self-confidence grows, Emil yearns for more from Jeremi. Yet they worry they’re not what Jeremi is looking for…
Any Other City is a two-sided fictional memoir by Tracy St. Cyr, who helms the beloved indie rock band Static Saints. Side A is a snapshot of her life from 1993, when Tracy arrives in a labyrinthine city as a fledgling artist and unexpectedly falls in with a clutch of trans women, including the iconoclastic visual artist Sadie Tang.
Side B finds Tracy, now a semi-famous musician, in the same strange city in 2019, healing from a traumatic event through songwriting, queer kinship, and sexual pleasure. While writing her memoir, Tracy perceives how the past reverberates into the present, how a body is a time machine, how there’s power in refusing to dust the past with powdered sugar, and how seedlings begin to slowly grow in empty spaces after things have been broken open.
Joy, a twelve-year-old trans girl, just moved to Texas with her mother and older brother. Her family has accepted Joy as the girl she is early in her transition, with little fuss, leaving Joy to explore her love of sports, competition, teamwork, school spirit, and worship.
But when she is told she’s off the cheerleading team, Joy wants to fight for her right to cheer. As her battle with the school board picks up momentum, Joy attracts support from kids all around the country . . . she even gets the attention of her hero, trans activist Kai Shappley.
Inspired by Kai’s own life, Joy, to the World is a timely story of living life to the fullest, celebrating and centering trans joy, courage, and resilience.
Someone wants trans girl hacker-for-hire Kiera Umehara in prison or dead—but for what? Failing to fix their smart toilet?
It’s 2032 and we live in the worst cyberpunk future. Kiera is gigging her ass off to keep the lights on, but her polycule’s social score is so dismal they’re about to lose their crib. That’s why she’s out here chasing cheaters with Angel Herrera, a luddite P.I. who thinks this is The Big Sleep. Then the latest job cuts too deep—hired to locate Herrera’s ex-best friend (who’s also Kiera’s pro bono attorney), they find him murdered instead. Their only lead: a stick of Nag Champa incense dropped at the scene.
Next thing Kiera knows, her new crush turns up missing—sans a hand (the real one, not the cybernetic), and there’s the familiar stink of sandalwood across the apartment. Two crimes, two sticks of incense, Kiera framed for both. She told Herrera to lose her number, but now the old man might be her only way out of this bullshit…
Transness is as varied and colorful as magic can be. In Transmogrify!, you’ll embark on fourteen different adventures alongside unforgettable characters who embody many different genders and expressions and experiences—because magic is for everyone, and that is cause for celebration.
When her celebrity chef boss is taken down in a sexual harassment scandal, Chelsea Boudreaux’s dream of getting her own cooking show comes true. Her hometown of Duchesne, Louisiana, provides the perfect backdrop for her modern takes on traditional Cajun fare. Vindicating herself to the mother who never believed in her is icing on the cake.
Bryce Cormier never left Duchesne and has no regrets, except that falling in love as a trans guy in a tiny town is easier said than done. When Chelsea comes home after more than a decade away, Bryce thinks he may have found the perfect woman. At least until Chelsea’s burgeoning celebrity spills over and turns his world upside down.
It turns out love is like a good gumbo—what seems simple is complex, and the best results require a bit of courage. And like all the recipes say… First, you make a roux.
‘On the bookshelves, there was plenty of stuff on being gay, and much needed, joyous accounts of what it is to be trans, but nothing really that encapsulates what is it to be both – to exist in the hazy terrain between.’
After his relationship with his girlfriend of 5 years ended, Harry realised he was a single adult for the first time – not only that, but a single, transmasculine and newly out gay man.
Despite knowing it was the right decision, the reality of his new situation was terrifying. How could he be a gay man, when he was still learning what it was to be a man? Would the gay community embrace him or reject him? What would gay sex be like? And most importantly, would finding love again be possible?
In this raw, intimate and unflinchingly honest book, we follow Harry as he navigates the sometimes fraught and contradictory worlds of contemporary gay culture as a trans gay man, from Grindr, dating and gay bars, to saunas, sex and ultimately, falling in love. Harry’s brave and uplifting journey will show you there is joy in finding who you are.
Erin McCabe’s years as a criminal defense attorney have prepared her for almost anything, except being on the opposite side of the interrogation table. A new client—a successful financial adviser—was found stabbed to death on the beach near his palatial Jersey Shore home. The time of death is estimated to be during Erin’s one and only consultation with him, during which he revealed that he was secretly transgender. As the last person to see him alive, Erin’s now the prime suspect.
If the evidence were simply circumstantial, Erin is sure she and her law partner, Duane Swisher, could prevail. But there are entanglements that can’t be easily explained, and connections to powerful unscrupulous politicians who hold a lot of grudges. While the investigation unfolds, Erin and Duane are called on to represent a mother charged with abducting her child—a hot-button case that has both private and public implications for Erin.
As she battles one prosecutor who wants to see her charged with murder, and another determined to send her to jail for refusing to divulge her client’s location, Erin also faces a devastating family tragedy. With her career and her relationship on the line, and her life being targeted by a desperate nemesis, there has never been more at stake—or fewer places to turn . . .
When Luna O’Shea is unceremoniously fired from her frustrating office job, she tries to count her blessings: she’s a proud trans woman who has plenty of friends, a wonderful roommate, and a good life in New York City. But blessings don’t pay the bills.
Enter Jean-Pierre, a laissez-faire trans man and the heir to a huge culinary empire—which he’ll only inherit if he can jump through all the hoops his celebrity chef grandfather has placed in his path. First hoop: he needs a girlfriend, a role that Luna is happy to play…for the right price. She’s got rent to pay, after all! Second hoop: they both need to learn how to cook a series of elaborate, world-renowned family recipes to prove that Jean-Pierre is a worthy heir. Admittedly, Luna doesn’t even know how to crack an egg, but she’s not going to let that—or any pesky feelings for Jean-Pierre—stop her.
As a young femme growing up in Manila in the 1990s, Geena Rocero endured shouts of bakla, bakla!, a Filipino taunt aimed at her feminine sway, whenever she left the little universe of her eskinita. Eventually she found her place in trans pageants, events as widely attended and culturally significant as a national sport, going to high school by day and competing by night. When her competitors denigrated her with the nickname “horse barbie,” due to her statuesque physique, tumbling hair, long neck, and dark skin, she leaned into the epithet, stepping onto stage with an undeniable charisma—part equine and all fashion. By seventeen, she was the Philippines’ most prominent and highest-earning trans pageant queen.
When she moved to the United States, Geena was able to change her name and gender marker on her documents, which wasn’t—and still isn’t—possible for trans people in the Philippines. But legal recognition didn’t come with any guarantee of safety. In order to survive, Geena went stealth and hid her trans identity, gaining one type of freedom and truth at the expense of another. For a while, it worked. Within a few years she’d become an in-demand model, appearing in music videos, billboards, and magazine campaigns, and was hailed as the epitome of feminine beauty. But as her star rose, her sense of self eroded. She craved acceptance as her authentic self, yet had to remain eternally vigilant in order to protect her dream career. The tenuous, high-stakes double life finally led Geena to a breaking point when she had to decide how to reclaim the power of Horse Barbie once and for all: radiant, head held high, and unabashedly herself.
As the first openly transgender government official to hold an office that requires Senate confirmation, the first openly transgender four-star officer in uniform service, and the first female four-star admiral in the commissioned corps, Rachel Levine faced many obstacles throughout her life. But she persisted through them all and showed kids of all genders that they can succeed in their dreams too.
In this chapter book biography by critically acclaimed author Lisa Bunker, readers learn about the amazing life of Rachel Levine–and how she persisted.
Complete with an introduction from Chelsea Clinton, black-and-white illustrations throughout, and a list of ways that readers can follow in Rachel Levine’s footsteps and make a difference! A perfect choice for kids who love learning and teachers who want to bring inspiring women into their curriculum.
Newly-out trans artist’s assistant Sammie is invited to an old friend’s bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean’s international waters—think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie’s college buddies haven’t quite gotten the message—as evidenced by their formerly closest friend Adam asking them to be his “best man.”
Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom’s pals—all met with zero pushpack from supposed “nice guy” Adam. But also, they seem to be the only one who’s noticed the mysterious cult that’s also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god.
Part satire, part horror, Boys Weekend explores what it’s like to exist as a transfemme person in a man’s world, the difficulty of maintaining friendships through transition, and the more cult-like effects of masculinity, “hustle” culture, and capitalism—all through the vibrant lens of a surreal, scary, and immensely imaginative romp.
“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.
With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.
As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.
Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty’s Royal Coven prepares to crown her High Preistess.
Suffering from amnesia, Ciara can’t remember what she’s done–but if she wants to survive, she must fool Niamh’s adopted family and friends; the coven; and the murky Shadow Cabinet–a secret group of mundane civil servants who are already suspicious of witches. While she tries to rebuild her past, she realizes none of her past has forgotten her, including her former lover, renegade warlock Dabney Hale.
On the other end of the continent, Leonie Jackman is in search of Hale, rumored to be seeking a dark object of ultimate power somehow connected to the upper echelons of the British government. If the witches can’t figure out Hale’s machinations, and fast, all of witchkind will be in grave danger–along with the fate of all (wo)mankind.
Sharp, funny, provocative, and joyous, Juno Dawson’s sequel reimagines everything you think you knew about her coven and her witches in a story that spans continents and dives deep into the roots of England and its witchcraft. Ciara, Leonie, Elle, and Theo are fierce, angry, sexy, warm–and absolutely unapologetic as they fight for what they believe in, all in the name of sisterhood.
Thomas Simmons nearly died when a rocket-propelled grenade threw him ass over teakettle while flanking insurgents in Mosul, ending his military career. Recovery’s rough and gives him all the time in the world to face the question he’s avoided all his life: Why does he feel jealous of women?
The more Thomas searches, the closer he comes to an answer: gender dysphoria.
Seeking therapy as a road through his confusion, Thomas embarks on an unexpected journey as Emily is born. Emily’s route to self-acceptance, love with another woman, and community are only some of the challenges that began the day her world exploded.
“I’ve lived a completely ordinary life, so much that I don’t know how to write a transgender or queer or Appalachian story, because I don’t feel like I’ve lived one. … Though, in searching for ways to write myself in my stories, maybe I can find power in this ordinariness.”
Raised in southeast Ohio, Stacy Jane Grover would not describe her upbringing as “Appalachian.” Appalachia existed farther afield―more rural, more country than the landscape of her hometown.
Grover returned to the places of her childhood to reconcile her identity and experience with the culture and the people who had raised her. She began to reflect on her memories and discovered that group identities like Appalachian and transgender are linked by more than just the stinging brand of social otherness.
In Tar Hollow Trans, Grover explores her transgender experience through common Appalachian cultural traditions. In “Dead Furrows,” a death vigil and funeral leads to an investigation of Appalachian funerary rituals and their failure to help Grover cope with the grief of being denied her transness. “Homeplace” threads family interactions with farm animals and Grover’s coming out journey, illuminating the disturbing parallels between the American Veterinary Association’s guidelines for ethical euthanasia and the World Professional Association for Transgender Health’s guidelines for transgender care.
Together, her essays write transgender experience into broader cultural narratives beyond transition and interrogate the failures of concepts such as memory, metaphor, heritage, and tradition. Tar Hollow Trans investigates the ways the labels of transgender and Appalachian have been created and understood and reckons with the ways the ever-becoming transgender self, like a stigmatized region, can find new spaces of growth.
Trans woman and screenwriter Tilly Bridges takes you through the trans allegories of the Matrix franchise, with deep dives into The Matrix, The Matrix Reloaded, The Animatrix, The Matrix Revolutions, and The Matrix Resurrections, tracking one person’s transition journey – from Thomas Anderson, to Neo… to Trinity.
Each movie’s allegory is deeply layered, building from movie to movie, and speaks to a different aspect of trans existence. You’ll learn how color is used to convey more than you realize, how Neo’s psyche is personified in the people around him, how no other mass media franchise speaks as truly, deeply, and honestly to the trans experience, and exactly why these movies are beloved and vital to the trans community (and their cis allies).
Free your mind, and see just how deep the rabbit hole goes.
Elisheva Cohen has just returned to Brooklyn after almost a decade. The wounds of abandoning the Orthodox community that raised her, then shunned her because of her substance abuse, are still painful. But when she gets an amazing opportunity to study photography with art legend Wyatt Cole, Ely is willing to take the leap.
On her first night back in town, Ely goes out to the infamous queer club Revel for a celebratory night of dancing. Ely is swept off her feet and into bed by a gorgeous man who looks like James Dean, but with a thick Carolina accent. The next morning, Ely wakes up alone and rushes off to attend her first photography class, reminiscing on the best one-night stand of her life. She doesn’t even know his name. That is, until Wyatt Cole shows up for class—and Ely realizes that the man she just spent an intimate and steamy night with is her teacher.
Everyone in the art world is obsessed with Wyatt Cole. He’s immensely talented and his notoriously reclusive personal life makes him all the more compelling. But there’s a reason why his past is hard for him to publicize. After coming out as transgender, Wyatt was dishonorably discharged from the military and disowned by his family. From then on he committed to sobriety and channeled his pain into his flourishing art career. While Ely and Wyatt’s relationship started out on a physical level, their similar struggles spark a much deeper connection. The chemistry is undeniable, but their new relationship as teacher and student means desperately wanting what they can’t have.
London, 1883. The Veil between the living and dead has thinned. Violet-eyed mediums commune with spirits under the watchful eye of the Royal Speaker Society, and sixteen-year-old Silas Bell would rather rip out his violet eyes than become an obedient Speaker wife. According to Mother, he’ll be married by the end of the year. It doesn’t matter that he’s needed a decade of tutors to hide his autism; that he practices surgery on slaughtered pigs; that he is a boy, not the girl the world insists on seeing.
After a failed attempt to escape an arranged marriage, Silas is diagnosed with Veil sickness—a mysterious disease sending violet-eyed women into madness—and shipped away to Braxton’s Sanitorium and Finishing School. The facility is cold, the instructors merciless, and the students either bloom into eligible wives or disappear. So when the ghosts of missing students start begging Silas for help, he decides to reach into Braxton’s innards and expose its rotten guts to the world—as long as the school doesn’t break him first.
Rat Evans, nonbinary heir to one of the oldest magical bloodlines in New York, doesn’t cast spells anymore. For as long as Rat can remember, they’ve been surrounded by doorways no one else sees and corridors that aren’t on any map. Then one day, they opened a passage and found a broken tower in a field of weeds—and something followed them back.
When Rat is accepted into Bellamy Arts, all they want is a place to hide and to make sure they never open another passageway again. But when the only other person who knows what really happened last year—Harker Blakely, the dangerously gifted trans boy who used to be Rat’s closest friend—turns up on campus, Rat begins to realize that Bellamy Arts might not be as safe as they’d thought. And the tower might not be through with them yet.
Soon, Rat finds themself caught in a web of secrets and long-buried magic, with their friend-turned-enemy at their throat. But the closer they come to uncovering the truth about the tower, the further they’re drawn toward the unsettling powers that threaten to swallow them whole.
Noah Byrd is the perfect boy. At least, that’s what he needs to convince his new classmates of to prove his gender. His plan? Join the school’s illustrious (and secret) Borrow a Boyfriend Club, whose members rent themselves out for dates. Once he’s accepted among the bros, the “slip-ups” end.
But Noah’s interview is a flop. Desperate, he strikes a deal with the club’s prickly but attractive president, Asher. Noah will help them win an annual talent show—and in return, he’ll get a second shot to demonstrate his boyfriend skills in a series of tests that include romancing Asher himself.
If Noah can’t bring home the win, his best chance to prove that he’s man enough is gone. Yet even if he succeeds, he still loses . . . because the most important rule of the Borrow a Boyfriend Club is simple: no real boyfriends (or girlfriends) allowed.
And as long as the club remains standing as high as Asher’s man bun, Noah and Asher can never explore their growing feelings for one another.
OKPsyche by Anya Johanna DeNiro (September 12, 2023)
An unnamed trans woman is looking for a sense of belonging, a better relationship with her son, and friends that aren’t imaginary in this playful and aching short novel. As she navigates the many worlds she belongs to she wrestles with her many anxieties and fears about the world around her. Her son and ex live in another state. Companion robots are popping up. Environmental disasters are being outsourced from the coast to the Midwest. And at any time anyone anywhere might turn out to be a new friend or an enemy.
In this stunning short novel, a trans woman slowly builds her confidence as she wends her way through the real and imagined worries, fears, and weirdness of adulthood, parenthood, and selfhood in the contemporary world.
James Goldman, self-described neurotic goth gay transsexual stoner, is a senior in high school, and fully over it. He mostly ignores his classes at Cow Pie High, instead focusing on fundraising for the near-bankrupt local LGBTQ+ youth support group, Compton House, and attending punk shows with his friend-crush Ian and best friend Opal. But when James falls in love with Orsino, a homeschooled trans boy with telepathic powers and visions of the future, he wonders if the scope of what he believes possible is too small. Orsino, meanwhile, hopes that in James he has finally found someone who will be able to share the apocalyptic visions he has had to keep to himself, and better understand the powers they hold.
When a transphobic woman bombs Frankie’s workplace, she blows up Frankie’s life with it. As the media descends like vultures, Frankie tries to cope with the carnage: binge-drinking, fucking strangers, pushing away her friends. Then, she meets Vanya. Mysterious, beautiful, terrifying Vanya.
The two hit it off immediately, but as their relationship intensifies, so too does Frankie’s feeling that Vanya is hiding something from her. When Vanya’s secrets threaten to tear them apart, Frankie starts digging, and unearths a sinister, depraved conspiracy, the roots of which go deeper than she ever imagined.
Corpses, Fools, and Monsters: An Examination of Trans Images in Cinema by Willow Maclay and Caden Gardner (October 10, 2023)
There have been trans images in cinema for over a century — very often bad cultural objects and very often inspired by the cultural zeitgeist, from Christine Jorgensen to Candy Darling to a guest on The Jerry Springer Show. But now, trans cinema as a movement is slowly emerging from the margins to create a new film language, often in reaction to these historical trans film images that cast the trans body in abject form; a corpse, a foolish joke, a tragic martyr, or even a monster.
Corpses, Fools, and Monsters is a new radical history of these trans film images, and an exploration of the political possibilities of the new trans cinema movement. Analysing the work of trans cinema directors Isabel Sandoval, Silas Howard, and the Wachowski Sisters, it also discusses the trans film image in everything from pre-talkie films and Ed Wood B-movies to Oscar-winners, body horror and slashers.
Going beyond reassessing notable films, performances, and portrayals, Corpses, Fools, and Monsters instead brings to light films and artists not given their due, along with highlighting filmmakers who are bringing trans cinema out of the margins in the twenty-first century.
BEFORE. Newly out trans guy Max is having a hard time in school. Things have been tough since his summer romance, Danny, turned into his bully. This year, his plan is to keep his head down and graduate. All that changes when new It-girl Gloss moves to town. No one understands why perfect, polished Gloss is so interested in an introverted skater kid, but Max blooms in the hothouse of her attention. Caught between romance and obsession, he’ll do whatever it takes to keep her on his side.
AFTER. Haircuts, makeovers, drugs, parties. It’s all fun and games until someone gets killed at a rager gone terribly wrong. Max refuses to believe that Gloss did it. But if not Gloss, who? Desperate to figure out truth in the wake of tragedy, Max veers dangerously close to being implicated—and his own memories of that awful night are fuzzy.
Gem Echols is a nonbinary Seminole teen living in the tiny town of Gracie, Georgia. Known for being their peers’ queer awakening, Gem leans hard on charm to disguise the anxious mess they are beneath. The only person privy to their authentic self is another trans kid, Enzo, who’s a thousand long, painful miles away in Brooklyn.
But even Enzo doesn’t know about Gem’s dreams, haunting visions of magic and violence that have always felt too real. So how the hell does Willa Mae Hardy? The strange new girl in town acts like she and Gem are old companions, and seems to know things about them they’ve never told anyone else.
When Gem is attacked by a stranger claiming to be the Goddess of Death, Willa Mae saves their life and finally offers some answers. She and Gem are reincarnated gods who’ve known and loved each other across lifetimes. But Gem – or at least who Gem used to be – hasn’t always been the most benevolent deity. They’ve made a lot of enemies in the pantheon—enemies who, like the Goddess of Death, will keep coming.
It’s a good thing they’ve still got Enzo. But as worlds collide and the past catches up with the present, Gem will discover that everyone has something to hide.
Eli Ward hasn’t been back to his suffocating hometown of New Port Stephen, Florida, in ages. Post-transition and sober, he’s a completely different person from the one who left years ago. But when a scandal threatens his career as a TV writer and comedian, he has no choice but to return home for the holidays. He can only hope he’ll survive his boisterous, loving, but often misguided family and hide the fact that his dream of comedy success has become a nightmare.
Just when he thinks this trip couldn’t get any worse, Eli bumps into his high school ex, Nick Wu, who’s somehow hotter than ever. Divorced and in his forties, Nick’s world revolves around his father, his daughter, and his job. But even a busy life can’t keep him from being intrigued by the reappearance of Eli.
Against the backdrop of one weird Floridian Christmas, the two must decide whether to leave the past in the past…or move on together.
London, 1812. Oliver Bennet feels trapped. Not just by the endless corsets, petticoats and skirts he’s forced to wear on a daily basis, but also by society’s expectations. The world—and the vast majority of his family and friends—think Oliver is a girl named Elizabeth. He is therefore expected to mingle at balls wearing a pretty dress, entertain suitors regardless of his interest in them, and ultimately become someone’s wife.
But Oliver can’t bear the thought of such a fate. He finds solace in the few times he can sneak out of his family’s home and explore the city rightfully dressed as a young gentleman. It’s during one such excursion when Oliver becomes acquainted with Darcy, a sulky young man who had been rude to “Elizabeth” at a recent social function. But in the comfort of being out of the public eye, Oliver comes to find that Darcy is actually a sweet, intelligent boy with a warm heart. And not to mention incredibly attractive.
As Oliver is able to spend more time as his true self, often with Darcy, part of him dares begin to hope that his dream of love and life as a man to be possible. But suitors are growing bolder—and even threatening—and his mother is growing more desperate to see him settled into an engagement. Oliver will have to choose: Settle for safety, security, and a life of pretending to be something he’s not, or risk it all for a slim chance at freedom, love, and a life that can be truly, honestly his own.