Tag Archives: Ashley Hearn

March 2022 Deal Announcements

Adult Fiction

Iowa Writer’s Workshop graduate Eliot Duncan’s PONYBOY, about trans masculinity, addiction, sex, family, self-destruction, and the pains—and inevitable joy—of becoming, documenting the narrator’s spiral into and out of his body, and set in Paris, Berlin, and the Midwest, to Mo Crist at Norton, by Ian Bonaparte and PJ Mark at Janklow & Nesbit (NA)

CJ Connor’s BOARD TO DEATH, the first in a queer cozy mystery series featuring a 30-something professor-turned-board game shop proprietor who juggles keeping his father’s Salt Lake City-based board game shop alive, a budding romance with the handsome florist next door, and a murder that threatens the game shop’s livelihood, to Elizabeth Trout at Kensington, in a two-book deal, by Jessica Faust at BookEnds.

Kat Caliteri‘s debut BOYSTOWN HEARTBREAKERS, in which a Chicago hairstylist has only three things to his name: a pair of $1,200 shears, a Boystown studio apartment, and a list of men who’ve broken his heart written on his closet wall; will this friends-to-lovers romance end in a happily ever after?, to Alexandria Brown at Rising Action, in an exclusive submission, for publication in spring 2024.

Recipient of the National Book Foundation’s Medal for Distinguished Contribution to American Letters Edmund White‘s THE HUMBLE LOVER, about a rich older man who falls in love with a young star in the New York City Ballet and becomes something between his patron, friend, and lover, to Daniel Loedel at Bloomsbury, for publication in 2023, by Bill Clegg at The Clegg Agency (world English).

Author of THE GOLDEN SEASON Madeline Kay Sneed’s THE BEST DAY OF OUR LIVES, pitched for fans of Maggie Shipstead’s SEATING ARRANGEMENTS, a layered family drama starring an ensemble cast set at a big, splashy Texas wedding over the course of a weekend, in which a member of the wedding party is forced to reconnect—explosively—with her ex-wife, throwing several other relationships into chaos as a result, to Brittany Lavery at Graydon House, for publication in winter 2024, by Amy Elizabeth Bishop at Dystel, Goderich & Bourret (world English).

Playwright Jeffrey Richards’s WE ARE ONLY GHOSTS, a psychological novel with LGBTQ+ themes about a Jewish survivor of Auschwitz, who after the war, finds his way to New York City, where two decades later he is confronted by the man who was both his tormentor and his savior, to John Scognamiglio at Kensington, for publication in spring 2024, by Matthew Carnicelli at Carnicelli Literary Management (world).

Carlyn Greenwald‘s SIZZLE REEL, a love triangle rom-com following an aspiring cinematographer and talent manager’s assistant who, after coming out as bi at 23, finds herself attracted to an ambiguously gay A-list actress who takes an interest in her career, complicating her already-complex friendship with her suave, nonbinary lesbian best friend, to Caitlin Landuyt at Vintage, in a pre-empt, in a two-book deal, for publication in spring 2023, by Janine Kamouh at William Morris Endeavor (NA).

University of Memphis professor and author of the story collection QUANTUM CONVENTION Eric Schlich’s ELI HARPO’S ADVENTURE TO THE AFTERLIFE, a coming-of-age story about a boy raised to believe he briefly went to heaven, whose religious doubts and questions about his sexuality start to emerge at the worst possible time—on his family’s road trip to Bible World to see the new attraction based on his near-death experience, to Abby Muller at Algonquin, by Rachel Ludwig at David Black Literary Agency (world).

Lesbian comic artist Ren Strapp’s HOW COULD YOU?, in which a group of college women must navigate platonic and romantic love through heartbreak, matchmaking, and a semester abroad, to Jasmine Amiri at Oni Press, in a nice deal, for publication in 2024, by Stephanie Winter at P.S. Literary Agency (world).

Co-editor of the Cambridge University Press Elements in Crime Narratives Series and Lambda Literary Award Finalist Margot Douaihy’s debut SCORCHED CROSS, the first in a series of hardboiled-inspired queer whodunits following a chain-smoking, heavily tattooed, queer nun, who puts her amateur sleuthing skills to the test after her convent becomes the target of a shocking arson spree, leading her down a twisty path of suspicion and secrets during the end of a sweltering New Orleans summer, to Gillian Flynn Books, in a pre-empt.

Artist, filmmaker, and poet Navid Sinaki’s MEDUSA OF THE ROSES, an Iranian noir steeped in Persian and Greek mythology that follows a queer petty thief and morbid romantic in a feverish search for answers and revenge after his boyfriend disappears, to Katie Raissian at Grove/Atlantic, by Mariah Stovall at Trellis Literary Management (NA).

DEPART, DEPART! author Sim Kern’s REAL SUGAR IS HARD TO FIND, a collection of stories exploring intersections of climate change, identity, reproductive justice, queerness, and family trauma, charting a path from climate despair toward resilience and revolutionary optimism, to Justine Norton-Kertson at Android, in a nice deal, for publication in August 2022 (world English).

David R. Slayton’s TO CATCH A GEEK, pitched in the vein of FANGIRL meets RED, WHITE & ROYAL BLUE, in which a man wants to reboot his favorite sci-fi show but the creator’s embittered son stands in his way; when the son plots to use his reboot to show the world who his father really was, he learns that being a geek isn’t a bad thing while he learns that meeting your heroes sometimes is, to Tera Cuskaden at Crazy Maple Studio, for publication in winter 2023, by Lesley Sabga at The Seymour Agency (world).

Poet Natasha Siegel‘s debut SOLOMON’S CROWN, pitched in the vein of Madeline Miller’s THE SONG OF ACHILLES, a queer, alt-history reimagining of two medieval kings, Richard the Lionheart and Philip Augustus, who fall into a forbidden affair and must choose between betraying one another for the sake of their legacies, or following their hearts, to Jesse Shuman at Bantam Dell, in a two-book deal, by Tara Gilbert at Jennifer De Chiara Literary Agency (world English).

Children’s/Middle Grade Fiction

Jazz Taylor‘s STARTING FROM SCRATCH, about a girl whose new stepsister throws off her carefully crafted coping mechanisms, takes over her favorite activities and friends, and moves in with a cat even though she is scared of them—leaving her to figure out how to deal with a copycat sister and a stubbornly affectionate feline in their new blended home, to Olivia Valcarce at Scholastic, in an exclusive submission, for publication in spring 2023, by Holly Root at Root Literary (world).

Author-illustrator Elijah Forbes’s debut ANONG AND THE RIBBON SKIRT, a middle-grade graphic novel featuring a Two-Spirit nonbinary child who sets out to create and wear a ribbon skirt—a piece of clothing typically worn by women in the Anishinaabe tradition—at an upcoming powwow, to Cassandra Pelham Fulton at Graphix, for publication in fall 2024, by Nicole Geiger at Full Circle Literary (world).

Elizabeth Lee at Penguin Workshop has bought, in an exclusive submission, Playbook for Imperfect Planets by debut author Erin Becker. This contemporary, dual-POV middle grade novel is an enemies-to-first-crushes story following two 13-year-old girls whose fierce rivalry on the soccer field is complicated by their burgeoning feelings for each other. Publication is scheduled for summer 2024; Joanna Volpe and Abigail Donoghue at New Leaf Literary & Media negotiated the deal for world English rights.

Young Adult Fiction

Justin Arnold’s WICKED LITTLE THINGS, a campy horror in which a recently outed teen discovers he is a witch and returns to his small hometown to solve the murder of his cousin; in order to catch the rabbit-faced killer, he reluctantly joins a coven of fashion-forward mean girls and gets up close and personal with a werewolf, all while learning to embrace his power, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in fall 2022 (world English).

Author of NEVER KISS YOUR ROOMMATE Philline Harms’s LOVE AND OTHER WICKED THINGS, a witchy, sapphic romance set in a small, magical town, to Rebecca Sands at Wattpad, for publication in spring 2023 (world).

Dale Walls’s debut THE QUEER GIRL IS GOING TO BE OKAY, about a tight-knit group of three queer girls navigating love, friendship, and changes during their senior year of high school in Houston, to Meghan Maria McCullough at Levine Querido, in an exclusive submission, for publication in fall 2023, by Garrett Alwert at Emerald City Literary Agency (world).

Alex Crespo’s SAINT JUNIPER’S FOLLY, a queer Gothic mystery pitched as CEMETERY BOYS meets THE DEVOURING GRAY, in which a straight-laced golden boy and a novice witch team up to rescue a Mexican American teen with a cryptic past who has become trapped inside a haunted mansion in Vermont, to Ashley Hearn at Peachtree Teen, in a two-book deal, for publication in summer of 2023, by Mary C. Moore of Kimberley Cameron & Associates (world).

Anna-Marie McLemore and Elliott McLemore‘s VENOM & VOW, a YA fantasy about a transgender prince doubling for his brother, and a bigender boy assassin/lady-in-waiting, who, thanks to their concealed identities, don’t realize they’re simultaneously falling for and trying to destroy each other, to Kat Brzozowski at Feiwel and Friends, for publication in spring 2023, by Taylor Martindale Kean at Full Circle Literary (NA).

Elle Gonzalez Rose‘s debut CAUGHT IN A BAD FAUXMANCE, a queer, Latinx rom-com pitched as TO ALL THE BOYS I’VE LOVED BEFORE meets Schitt’s Creek, in which an aspiring artist’s winter vacation devolves into hijinks after his family’s affluent long-time rivals challenge them to a bet that could cost his family their beloved lake cabin; but when the enemy’s attractive son comes to him in desperate need of a fake boyfriend, he reluctantly agrees to set aside loathing for love to take down the other family once and for all, to Bria Ragin, Nicola Yoon, and David Yoon at Joy Revolution, for publication in fall 2023, by Uwe Stender at TriadaUS Literary Agency (world).

Claire Winn‘s CITY OF VICIOUS NIGHT, the sequel to CITY OF SHATTERED LIGHT, a queer, female-led cyberpunk adventure, in which an heiress-turned-smuggler and a gunslinger are forced to vie for leadership of an underworld faction after a mysterious hacker turns the city against them; meanwhile, a captured crew member must ally with an old enemy to find his way home, to Meg Gaertner at Flux, for publication in spring 2023, by Cortney Radocaj at Belcastro Agency (world).

Stacey Anthony’s MAKEUP, BREAKUP, an LGBTQ+ contemporary romance in which a self-taught, up-and-coming makeup artist competes against rival influencers—one of whom happens to be their ex—in a cosplay competition to win a scholarship to a prestigious special effects school, to Britny Brooks at Running Press Kids, in a nice deal, for publication in the summer of 2023, by Haley Casey at Creative Media Agency (world English).

Musician Jessamyn Violet‘s SECRET RULES TO BEING A ROCKSTAR, a queer debut about a teenage musician who jumps at a chance to play in her favorite rock band on their upcoming world tour, only to realize her heroes have their own agenda and might be leading her down a dark path, to Peter Carlaftes at Three Rooms Press, with Kat Georges editing, in a nice deal, for publication in April 2023, by Devon Halliday at Transatlantic Literary Agency (world English).

Jason June‘s RILEY WEAVER NEEDS A DATE TO THE GAYBUTANTE BALL, in which a gay, femme 16-year-old hopes to enter the Gaybutante Society, a world-renowned organization full of queer tastemakers, and when he’s told by a gay cis classmate that gay guys aren’t attracted to femme gays, he bets he’ll find a boyfriend in time for the Gaybutante Ball, to Megan Ilnitzki at Harper Teen, in a good deal, in a two-book deal, for publication in summer 2023, by Brent Taylor at TriadaUS Literary Agency (world English).

Linda Cheng’s debut YA, GORGEOUS GRUESOME FACES (and its sequel), a supernatural sapphic YA horror novel pitched as WILDER GIRLS meets LOVEBOAT, TAIPEI set in the glittering, cut-throat world of Asian pop that follows a disgraced teen idol who comes face to face with a former bandmate and the demons of their shared past when the two enter a competition that devolves into a deadly nightmare, to Kate Meltzer at Roaring Brook Press, at auction, for publication in 2023, by John Cusick at Folio Literary Management/Folio (world).

BETWEEN PERFECT AND REAL author Ray Stoeve‘s THE SUMMER LOVE STRATEGY, in which two girls (one cis, one trans) decide to emulate romcoms to help each other find love and end up falling for each other, to Maggie Lehrman at Amulet, in a two-book deal, by Lauren Abramo at Dystel, Goderich & Bourret (world English).

Sarah Van Name‘s THESE BODIES BETWEEN US, pitched as The Craft by way of Nina LaCour, following four friends in a North Carolina beach town who spend their summer learning to become invisible until their newfound powers start to spiral out of control, to Hannah Hill at Delacorte, for publication in spring 2024, by Maria Bell at Sterling Lord Literistic (world English).

Xan van Rooyen‘s MY NAME IS MAGIC, set at a Finnish school for the magically gifted, in which a 15-year-old magically challenged nonbinary student must save their disappearing friends, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in September 2022, by Lindsay Leggett at The Rights Factory (world English).

Emmett Nahil and George Williams’s LET ME OUT, a queer horror graphic novel set during the Satanic panic, in which four friends must unravel a conspiracy involving secret government bureaus and strange rituals, while things take a turn for the hellish—literally, to Jasmine Amiri at Oni Press, for publication in 2023, by Tamara Kawar at ICM (world).

Non-Fiction

Dance photographer and journalist duo Yael Malka and Coco Romack‘s QUEER DANCE, a photojournalistic celebration of LGBTQ+ dancers, choreographers, companies, and collectives across the country who are challenging the heteronormative status quo of the dance world, pairing Malka’s images with Romack’s reported essays, to Mirabelle Korn at Chronicle, for publication in spring 2024, by Ayla Zuraw-Friedland at Frances Goldin Literary Agency (world).

Pop culture writer, video-maker, and queer geek extraordinaire Matt Baume‘s untitled book, which traverses the history of sitcoms from the ’60s to the present to tell the story of how subversive queer comedy transformed the American sitcom—and how our favorite sitcoms transformed America, to Robb Pearlman at Smart Pop, by Lauren Abramo at Dystel, Goderich & Bourret (world).

Filmmaker and cofounder of the Asian American Writers’ Workshop Curtis Chin‘s EVERYTHING I LEARNED, I LEARNED IN A CHINESE RESTAURANT, about coming of age and coming out, tracing the author’s journey through 1980s Detroit, navigating rising xenophobia, the AIDS epidemic, and the Reagan revolution to find his voice as a writer and activist, set against the backdrop of his family’s popular Chinese restaurant, to Vivian Lee at Little, Brown, in a good deal, at auction, by Sonali Chanchani and Erin Harris at Folio Literary Management (NA).

NYT essayist, poet, and the first out active bisexual NFL player R. K. Russell’s THE YARDS BETWEEN US, which traces his experience discovering his sexuality alongside his career in football as it explores the defining people and moments in his life; a fresh look at masculinity, sexuality, race, sports, and how they intersect, to Jennifer Levesque at Andscape, with Kelli Martin editing, at auction, for publication in fall 2022, by Sarah Bowlin at Aevitas Creative Management (world).

July 2021 Deal Announcements

Children’s Fiction

Author of I THINK I LOVE YOU Auriane Desombre‘s debut THE SISTER SPLIT, pitched as a reverse Parent Trap, in which a young girl teams up with her future step sister to create a plan full of hijinks that will stop their parents from getting married, so she doesn’t have to move away from the city and leave her best friend – a girl – she’s starting to develop feelings for behind, to Kelsey Horton at Delacorte, in an exclusive submission, for publication in spring 2023, by Penny Moore at Aevitas Creative Management (world).

Alex Kahler writing as K.R. Alexander’s GALLOWGATE, set in a school for banishing wayward ghosts, where a haunted boy finds forbidden magic, otherworldly foes, fierce friends, and queer romance, to David Levithan at Scholastic, for publication in spring 2023, by Brent Taylor at TriadaUS Literary Agency (world).

Adult Fiction

Hayden Stone’s AN UNEXPECTED KIND OF LOVE, pitched as Notting Hill but queer, in which an uptight bookseller stumbles headlong into a relationship with the actor whose movie is filming in his family’s struggling shop, to Heather Howland at Entangled Embrace, in a two-book deal, for publication in fall 2021 (world).

Booker winner for SHUGGIE BAIN Douglas Stuart’s YOUNG MUNGO, a portrayal of working-class life and a suspenseful story of the dangerous first love of two young men born under different stars—a Protestant and a Catholic—who should be sworn enemies if they’re to be seen as men at all, again to Peter Blackstock at Grove/Atlantic, for publication on April 5, 2022, by Anna Stein at ICM (NA).

Author of SEVEN SUSPECTS and A KIND OF JUSTICE Renee James’s BEATNIKKI’S CAFE, in which a middle-aged transgender business woman tries to keep a low profile, but when a goon assaults her business partner, she reduces him to a bloody mess—and suddenly, she and everyone close to her are targets of a revenge-minded thug who is ruthless, clever, and unbound by any moral code, to Michael Nava at Amble, in a nice deal, for publication in March 2022, by Tina Schwartz at The Purcell Agency (world English).

Bronwyn Fischer’s THE RED FERN POEM, pitched as a queer CONVERSATIONS WITH FRIENDS or a modern THE PRICE OF SALT, following a first-year university student and an older woman whose unexpected interest in her sparks an all-consuming and insidious love affair, exploring youthful self-consciousness, self-delusion, and self-definition, to Abby Muller at Algonquin, for publication in spring 2023, by Sam Hiyate at The Rights Factory (world, excl. Canada and UK).

Lambda Literary Award Finalist, GLAAD Media Award winner, and author of REAL QUEER AMERICA Samantha Allen’s PATRICIA WANTS TO CUDDLE, a contemporary horror comedy novel pitched as queer Grendel for the Instagram era, following a group of contestants on a reality television dating competition as they compete for love, and their lives, while on a remote island that’s home to an elusive and woefully misunderstood creature, to Sareena Kamath at Zando, at auction, by Leila Campoli at Stonesong (world English).

Author of HOW TO LIVE IN DETROIT WITHOUT BEING A JACKASS Aaron Foley’s BOYS COME FIRST, about the lives of 30-something Black gay men navigating love, life, and career in Detroit as they confront their evolving friendship and individual hiccups, including workplace micro-aggressions, bad Tinder dates, situationships and frenemies, while attempting to maintain their Blackness in America’s comeback city and the ever-changing expectations of homosexuality in structures largely architected by white gay men, to Anne Trubek at Belt, in a nice deal, for publication in May 2022 (US).

Young Adult Fiction

AJ Mason’s KLOUD 9, a queer space opera graphic novel about a lonely orphan trying to keep himself afloat with odd jobs, and an extraterrestrial star soldier who, after falling in love, are forced to go on the run and flee the solar system, joined by a motley crew, illustrated by Dominic Bustamante, to Erika Turner at IDW Publishing, in a three-book deal, for publication in 2023, by Britt Siess at Britt Siess Creative Management (world).

Author of THE CAMINO CLUB Kevin Craig’s BOOK OF DREAMS, in which a young man is given a book by a mysterious bookseller and falls into its pages, and must find an escape before he becomes a chapter in its horrific narrative; and WHERE IS ETHAN SINCLAIR, in which two young men try to solve the puzzling disappearance of a friend by studying his blog, only to unravel a mystery that sets them on a path to fight for justice for their missing friend—and hopefully bring him home safe, to Annie Harper at Duet, in a nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2022 (world). Rights: MJ Courchesne at Gryphon Publishing Consulting

Rose Szabo’s WE ALL FALL DOWN, the first book in the River City duology, about a city where magic used to thrive and four queer young people are cast as archetypal figures—the maiden, the hero, the monster, and the witch—in an age-old ritual that will revive the flow of magic, even though none of them quite fit the roles thrust upon them and in the end discover that they can only stay true to themselves, to Trisha de Guzman at Farrar, Straus Children’s, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in spring 2022, by Jennifer Azantian at Azantian Literary Agency (world English).

Author of ENTER TITLE HERE (as Rahul Kanakia) and WE ARE TOTALLY NORMAL Naomi Kanakia’s JUST HAPPY TO BE HERE, about an Indian American trans girl who transfers from her prestigious all-boys’ school to the sister school that she’s always idealized, and has to decide whether she’s content to be treated like a second-class citizen or whether to risk her place by demanding that her school live up to its own principles, to Stephanie Guerdan at Harper Teen, for publication in spring 2023, by Christopher Schelling at Selectric Artists (world).

Amanda DeWitt’s ACES WILD, in which a character pitched as a modern asexual Kaz Brekker assembles a crew of ace teens he met through fandom forums and leads them on a Las Vegas heist to prove his incarcerated mother was set up by a rival casino owner, to Ashley Hearn at Peachtree Teen, in a nice deal, for publication in fall 2022, by Cate Hart at Harvey Klinger (world).

Lambda Literary Award finalist and author of RUNNING WILD Lucy Jane Bledsoe’s NO STOPPING US NOW, pitched as Mrs. America meets A League of Their Own, where a 17-year-old girl whose chance encounter with Gloria Steinem inspires her to fight for her public school to actually follow the new Title IX law, facing a menacing coach and navigating her feelings for a fellow teammate in the process; a story about the joy of sports and the power of sisterhood based on the author’s own activism as a champion athlete in 1970s Portland, Oregon, to Kat Georges at Three Rooms Press, for publication in spring 2022 to coincide with the 50th anniversary of Title IX’s passage, by Reiko Davis at DeFiore and Company (world).

Editor of KINDRED Michael Earp, ed.’s fully illustrated untitled YA queer fairy tales anthology, which interprets original fairy tales with a queered ideology, questioning the heteronormative culture from which these traditional stories come and how that is perpetuated when left unexamined; contributors include Amie Kaufman, Mackenzi Lee, Dean Atta, Will Kostakis, Lily Wilkinson, Sophie Gonzales, Alison Evans, Alexandra Villasante, Abdi Nazemian, Gary Lonesborough, and James Brandon, to Meg Whelan at Affirm Press, by Ben Fowler at Abner Stein, on behalf of Taryn Fagerness Agency and Linda Epstein at Emerald City Literary Agency (world).

Non-Fiction

Journalist, critic, and host of Crooked Media’s podcast Keep It Ira Madison III’s PURE INNOCENT FUN, a collection of essays that explores popular culture of the 1990s and earlier through the author’s perspective and lived experience as a Black, gay TV writer and cultural critic, to Jamia Wilson at Random House, at auction, by Erin Malone at William Morris Endeavor (NA).

National Endowment for the Arts, MacDowell, Yaddo, and Michener Center for Writers fellow Greg Marshall‘s LEG: THE STORY OF A LIMB AND THE BOY WHO GREW FROM IT, a memoir that grapples with family, disability, illness, and coming of age in two closets–as a gay man and as a man living with cerebral palsy–while exploring with trenchant humor what it means to “transform” when there are parts of yourself you cannot change, pitched in the vein of Ryan O’Connell meets David Sedaris, to Zachary Knoll at Simon & Schuster, in a pre-empt, by Hannah Brattesani at Friedrich Agency (NA).

Slate journalist June Thomas’s WHERE ARE ALL THE LESBIANS?, a cultural history, celebration, and critical look at queer women’s communities in the second half of the 20th century, to Seal Press, at auction.

January Book Deal Announcements

Children’s/YA

Miriam Newman at Candlewick has bought THE HEARTBREAK BAKERY, a new YA novel by Amy Rose Capetta in an exclusive submission, in which agender teen baker Syd deals with first heartbreak by whipping up brownies—which break up everyone who eats them, including the owners of LGBTQIAP+ institution The Proud Muffin. With the help of magical baking and a cute transmasc bike messenger, Syd must save relationships and defend the bakery from disappearing in a fast-changing Austin, Texas. Publication is set for fall 2021; Sara Crowe at Pippin Properties did the deal for North American rights.

Ashley Hearn at Page Street has bought world English rights to author Alison Ames’s debut, THE HAUNTING OF MOON BASIN, a queer YA horror with shades of SAWKILL GIRLS. After a mining explosion coated Moon Basin in ash, residents moved just outside the uninhabitable zone and set up a new settlement in the mine’s shadow. Years later, the people of the New Basin begin experiencing strange phenomena—sleepwalking, night terrors, voices only they can hear—prompting four teen girls to investigate. Publication is slated for spring 2021; Rena Rossner at the Deborah Harris Agency brokered the deal.

Jason June‘s JAY’S GAY AGENDA, which follows a teen boy after he moves to Seattle from his rural high school, introducing him to other queer teens for the very first time, and allowing him to finally cross items off his gay romance to-do list, to Megan Ilnitzki at Harper Teen, at auction, in a two-book deal, for publication in summer 2021, by Brent Taylor at TriadaUS Literary Agency (world English).

ONE MAN GUY and HOLD MY HAND author Michael Barakiva‘s THESE PRECIOUS STONES, pitched as SAILOR MOON meets SIMON VS. THE HOMO SAPIENS AGENDA, about an eclectic group of queer and international teens who learn that they must bear the magical gems that will save the universe from an ancient galactic threat, to Trisha de Guzman at Farrar, Straus Children’s, for publication in fall 2021, by Josh Adams at Adams Literary (world English).

Mabel Hsu at HarperCollins/Tegen has bought, at auction, in a two-book deal, THE (UN)POPULAR VOTE by debut author Jasper Sanchez. Pitched as RED, WHITE & ROYAL BLUE meets The West Wing, this YA contemporary novel follows a transmasculine teenager who defies his congressman father and runs in a three-way brawl for class president. Publication is planned for summer 2021; Claire Friedman at InkWell Management brokered the deal for world English rights.

Adult Fiction

Alexis Hall‘s THE BEST OF ME, a transgender Regency romance about a woman who is reunited with her childhood best friend, the Duke of Gracewood, who believes she died in the Battle of Waterloo, at auction, in a two-book deal; and WINNER BAKES ALL, a romantic comedy set against the backdrop of a British baking reality show, in an exclusive submission, in a three-book deal, to Amy Pierpont at Forever, by Courtney Miller-Callihan at Handspun Literary (world).

P. J. Vernon’s BATH HAUS, pitched as GONE GIRL with gays and Grindr, about a young gay man whose life spirals out of control after an indiscretion, to Robert Bloom at Doubleday, by Chris Bucci at CookeMcDermid (world).

Courtney Maguire’s INNOCENCE LOST, book one of the Youkai Bloodlines series, set in feudal-era Japan, in which a servant is different—not really a man, not quite a woman; in the wake of their failure to protect a boy they saw as a son from their abusive master, they are sold into the house of a young nobleman, who is the opposite of everything they have ever known—gentle, kind, and generous; their friendship blooms into a profound love, but the nobleman harbors a dark secret: he is a youkai, a blood demon, to Heather McCorkle at City Owl Press, in a nice deal, for publication in September 2020 (US).

RITA Award-winning author Elia Winters‘s HAIRPIN CURVES, a f/f frenemies-to-lovers romance in which two former friends embark on an epic road trip that promises to change their lives forever, to Kerri Buckley at Carina Press Adores, for publication in August 2020, by Saritza Hernandez at Corvisiero Literary Agency (world).

OLYMPIA KNIFE and SWEET author Alysia Constantine‘s LUCKMONKEY, about a punk band whose members are anti-capitalist agitators who break into homes and businesses, each time stealing one possession and leaving something different in its place; but when one of them steals a wind-up monkey, things deteriorate into squabbles and bad decisions, forcing them to weigh the work of political resistance against their individual needs for stability and safety, to Annie Harper at Interlude Press, in a nice deal, for publication in January 2021.

Author of EMPIRE OF SAND and REALM OF ASH Tasha Suri‘s THE JASMINE THRONE, beginning a new trilogy set in a world inspired by the history and epics of India, in which a captive princess and a maidservant in possession of forbidden magic become unlikely allies on a dark journey to save their empire from the princess’s traitor brother, to Priyanka Krishnan at Orbit, in a three-book deal, for publication in spring of 2021, by Laura Crockett at TriadaUS Literary Agency (world).

Non-Fiction

Celebrity fashion stylist Andrew Gelwicks‘s THE QUEER ADVANTAGE: CONVERSATIONS WITH LGBTQ+ LEADERS ON THE POWER OF IDENTITY, collecting personal interviews with LGBTQ+ luminaries from the worlds of business, Hollywood, tech, sports, and politics on how they leveraged their unique challenges to supercharge their careers, to David Lamb at Hachette Go, with Mollie Weisenfeld editing, for publication in fall 2020, by Ian Bonaparte at Janklow & Nesbit (world).

Lambda Literary Award-winning author Mattilda Bernstein Sycamore‘s BETWEEN CERTAIN DEATH AND A POSSIBLE FUTURE, an anthology of essays by queer writers coming of age in the midst of the AIDS epidemic, exploring how the specter of death suffuses desire for an entire generation that internalized trauma as part of becoming queer, to Brian Lam at Arsenal Pulp Press, for publication in fall 2021, by Amanda Annis at Trident Media Group (world).