Combining the luxurious partying vibes and outsider perspective of The Great Gatsby with a revenge plot, budding queer romance, and some deadly botany, Tripping Arcadia is a lush Gothic thriller that definitely deserves a space on your shelf, whether you grab it brand new, pick it up for gardening vibes in the spring, or embrace its creepiness come Spooky Season. It releases on the 22nd from Dutton Books, and we’ve got preorder links for your convenience below!
Med school dropout Lena is desperate for a job, any job, to help her parents, who are approaching bankruptcy after her father was injured and laid off nearly simultaneously. So when she is offered a position, against all odds, working for one of Boston’s most elite families, the illustrious and secretive Verdeaus, she knows she must accept it—no matter how bizarre the interview or how vague the job description.
By day, she is assistant to the family doctor and his charge, Jonathan, the sickly, poetic, drunken heir to the family empire, who is as difficult as his illness is mysterious. By night, Lena discovers the more sinister side of the family, as she works overtime at their lavish parties, helping to hide their self-destructive tendencies . . . and trying not to fall for Jonathan’s alluring sister, Audrey. But when she stumbles upon the knowledge that the Verdeau patriarch is the one responsible for the ruin of her own family, Lena vows to get revenge—a poison-filled quest that leads her further into this hedonistic world than she ever bargained for, forcing her to decide how much—and who—she’s willing to sacrifice for payback.
Russian poet, artist, and feminist activist Oksana Vasyakina’s WOUND, following a young queer woman on a journey across Russia to Siberia, where she has promised to take her mother’s ashes, woven through with memories of a traumatic and impoverished childhood, experiences of the sublime, her sexual and artistic awakening, and the pains and joys of life as a lesbian in Russia, to Katharina Bielenberg at MacLehose Press, in a nice deal, at auction, by Rachel Clements at Abner Stein on behalf of Marleen Seegers at 2 Seas Agency, for Catapult.
Victoria Lee’s A SHOT IN THE DARK, a contemporary queer romance featuring Elisheva Cohen, a now-sober young artist who returns to New York to study photography after nearly a decade in Los Angeles and has an unforgettable one-night stand with a gorgeous trans man who turns out to be her teacher, the legendary Wyatt Cole, to Shauna Summers at Dell, at auction, in a two-book deal, by Holly Root and Taylor Haggerty at Root Literary.
Sophie Burnham’s SARGASSA, a queer speculative novel set in contemporary North America in a world where the Roman Empire never fell, following the high-and low-born children of a murdered politician as they are swept up in a revolution and race to find a powerful artifact, to Joshua Demarest at CatStone, by Maria Napolitano at Bookcase Literary Agency (world English).
ACLU-NJ honoree and LGBTQ activist Robyn Gigl’s next two books in her Erin McCabe legal thriller series, featuring a transgender attorney, to John Scognamiglio at Kensington, in a two-book deal, for publication in 2023 and 2024, by Carrie Pestritto at Laura Dail Literary Agency (world).
Author of NYTBR Editors’ Choice THE RECENT EAST Thomas Grattan’s IN TONGUES, a coming-of-age novel set in New York City and Europe in fall 2001, following a gay 24-year-old Midwesterner as he gets swept up in the charm and desires of a powerful older couple, examining issues of social class and queer desire, the pursuit of religious and physical ecstasy, and the complicated relationships between fathers and sons, both biological and chosen, again to Jackson Howard at MCD/FSG, for publication in fall 2023, by Jody Kahn at Brandt & Hochman (world).
Argentinian author Marina Yuszczuk’s THIRST, a queer Gothic vampire novel set in Buenos Aires, following two women in different time periods who confront desire, fear, violence, loneliness, and mortality, pitched as having echoes of Mary Shelley’s FRANKENSTEIN and for readers of Samanta Schweblin, Carmen Maria Machado, and Samantha Hunt, to Pilar Garcia-Brown in her first acquisition for Dutton, by Elianna Kan at Regal Hoffmann & Associates (world English).
Hell’s Library series author A.J. Hackwith’s HOLLOW ROAD HOME and its sequel, pitched as a queer, millennial AMERICAN GODS, about a fae working at a truck stop in Kansas to hide from her past, until she’s blackmailed by a self-taught magician to guide him and his sister—a girl born with a changing map on her skin—across the strange backroads and forgotten spaces of the gothic American Midwest in search of a powerful treasure, to Miranda Hill at Ace, in a two-book deal, for publication in spring 2023, by Caitlin McDonald at Donald Maass Literary Agency (world).
Provincetown Fine Arts Work Center Fellow and UMass Amherst MFA/PhD Shastri Akella’s THE SEA ELEPHANTS, a queer bildungsroman set in 1990s India, following a young gay man who, after the sudden death of his sisters, flees his father’s threats to send him to a conversion center by joining a street theater troupe; pitched as reminiscent of THE GOD OF SMALL THINGS in the way it blends the personal and the political to tell an epic story of forbidden love, to Caroline Bleeke at Flatiron Books, in a pre-empt, by Chris Clemans at Janklow & Nesbit (NA).
Author of A TIP FOR THE HANGMAN Allison Epstein’s LET THE DEAD BURY THE DEAD, a historical novel in which the arrival of a mysterious woman at the 19th-century Russian court divides the second son of the tsar and his lover, a captain in the imperial army, when one of them believes her to be a creature out of myth, setting all three on a collision course with revolution, again to Carolyn Williams at Doubleday, in a very nice deal, by Bridget Smith at JABberwocky Literary Agency (NA).
Young Adult Fiction
Author of SWEET & BITTER MAGIC Adrienne Tooley’s THE THIRD DAUGHTER and THE SECOND SON, pitched in the tradition of Three Dark Crowns and Girl, Serpent, Thorn, a dual PoV series featuring a crown under siege, an enchanted well of sadness, a ruthless antiheroine, and a slow-burning romance, to Jessica Anderson at Christy Ottaviano Books, in a good deal, at auction, in a two-book deal, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world).
Jenna Miller’s OUT OF CHARACTER, a queer, fat-positive contemporary romance that follows a girl who escapes the stressors of the real world by roleplaying online in secret—but after falling for her roleplay bestie, she must decide if she can be honest about her double life, to Alyssa Miele at Quill Tree, in a two-book deal, for publication in winter 2023, by Michaela Whatnall at Dystel, Goderich & Bourret (world).
Author of THE MYTHIC KODA ROSE Jennifer Nissley’s THE RULES OF US, pitched as the intersection between Becky Albertalli and Nina LaCour in a queer YA love story about longtime couple and best friends, who have dated throughout high school only to come out to each other on prom night, challenging their meticulously planned future as they try to disentangle their lives and identities, explore their sexualities, and learn not only a new way to be together, but how to be alone, to Liesa Abrams at Labyrinth Road, for publication in summer 2023, by Danielle Burby at Mad Woman Literary Agency (NA).
University of Cambridge student Sarah Underwood’s LIES WE SING TO THE SEA, pitched as a sapphic, feminist reclamation of the story of the hanged maids in THE ODYSSEY in a YA CIRCE, in which a failed oracle and a vengeful immortal must break the curse on their kingdom by killing its prince, to Stephanie Stein at Harper Teen, in a major deal, in a pre-empt, in a two-book deal, for publication in winter 2023, by Catherine Cho at Paper Literary (NA).
Dan Clay’s BECOMING A QUEEN, about a teenage boy who turns to drag performance to overcome his grief when tragedy strikes, to Mekisha Telfer at Roaring Brook Press, in a very nice deal, for publication in spring 2023, by Brent Taylor at TriadaUS Literary Agency (world).
LGBTQ+ romance and fantasy author Lauri Starling’s POISON FOREST, pitched as HOUSE OF SALT AND SORROWS meets Holly Black, featuring a mage who joins two teens with powerful abilities to track down the magic-stealing sorcerer who kidnapped her royal ex-girlfriend, braving a cursed forest and a betrayal that leaves them at the sorcerer’s nonexistent mercy, to MaryBeth Dalto-McCarthy at Sword and Silk, for publication in October 2022.
Screenwriter and NYT-bestselling coauthor of FIVE FEET APART and ALL THIS TIME Mikki Daughtry’s untitled lesbian love story, unfolding over two sets of lives, 100 years apart, to Stephanie Pitts at Putnam Children’s, in a pre-empt, for publication in fall 2023, by Liz Parker at Verve Talent & Literary (NA).
Men’s Health sex and relationship columnist Zachary Zane’s BOYSLUT: A MEMOIR-MANIFESTO, a series of essays told through a bisexual lens, exploring the author’s coming-of-age in a world riddled with harmful messages about sex and sexuality, moving toward a place of embrace and celebration unencumbered by shame, to Zachary Knoll at Abrams Image, at auction, by Katherine Latshaw at Folio Literary Management (world).
Prince Shakur’s WHEN THEY TELL YOU TO BE GOOD, a memoir that mines the author’s many eras of radicalization and self-realization through examinations of place, childhood, queer identity, and a history of uprisings, to Hanif Abdurraqib at Tin House Books, for publication in October 2022 (NA).
Author of A NIGHT AT THE SWEET GUM HEAD Martin Padgett’s PRIVATE MATTERS, an exploration of the 1986 Supreme Court case Bowers v. Hardwick, which Laurence Tribe lost in the Court’s ruling that allowed Georgia to prosecute private homosexual acts (and which was not overturned until 2003), showing how the case ignited the gay rights movement of the 1980s while upending the life of Michael Hardwick, to Amy Cherry at Norton, in an exclusive submission, for publication in summer 2023, by Beth Marshea at Ladderbird Literary Agency (world English).
Psychotherapist K. L. Cerra’s‘s SUCH PRETTY FLOWERS, a Southern gothic suspense with horror and queer elements about a woman’s investigation into her brother’s unlikely suicide—his last words being “get it out of me”—and subsequently, her obsession with his fiancee, a magnetic, black-eyed florist with a penchant for carnivorous plants; and a second book about a coven operating under the guise of the wedding industry whose plans to save women from wife- and motherhood have sinister implications, to Jenny Chen at Bantam Dell, in a pre-empt, in a two-book deal, by Chelsey Emmelhainz at Copps Literary Services (world).
Taleen Voskuni‘s SORRY, BRO, a queer rom-com about a twenty-something newly single Armenian woman whose mother insists she find a proper new suitor at a series of local Armenian cultural events—only the woman she meets is the last person her very traditional family had in mind, to Cindy Hwang and Angela Kim at Berkley, in a two-book deal, for publication in 2023, by Katelyn Detweiler at Jill Grinberg Literary Management (NA).
Lena May‘s THE SIGNS WE MISSED, in which a young gay man who emancipated from his mother battles addiction, an eating disorder, and being in love with his best while trying to graduate high school and survive, to Kisstopher Musick at Cinnabar Moth, in a nice deal, for publication in summer 2022.
Lindy Ryan and Toni Miller‘s eds.’s UNDER HER SKIN, a showcase of body horror-inspired poetry from women (cis and trans) and nonbinary femmes in horror, including Bram Stoker Award-winning and nominated poets Lee Murray, Stephanie M. Wytovich, Sara Tantlinger, and Jessica McHugh, with a foreword by Linda D. Addison, to Black Spot, for publication in April 2022 (world English).
Kate Brook’s NOT EXACTLY WHAT I HAD IN MIND, following four 20-somethings—two roommates navigating the awkward aftermath of a one night stand, and a lesbian couple looking to start a family—as their lives collide and all four learn that sometimes you find family, and love, in the place you would least expect, pitched as for readers of Emma Straub or J. Courtney Sullivan, to Lindsey Rose at Dutton, by Rebecca Wearmouth at PFD (NA). Rights to Sarah Hodgson at Corvus, by Philippa Sitters at David Godwin Associates (UK/Commonwealth, excl. Canada); to Suma de Letras (Spain); and to Diana (Germany), at auction, by Rebecca Wearmouth at PFD.
Author of the forthcoming MY MECHANICAL ROMANCE Alexene Farol Follmuth writing as Olivie Blake’s THE ATLAS SIX TRILOGY, pitched as Kingsman/X-Men meets THE SECRET HISTORY with a diverse cast and strong queer representation, following six uniquely talented magicians from around the world who are invited to compete for an elite academic fellowship where elimination holds deadly consequences, the first book of which was previously self-published and popular on TikTok, to Molly McGhee at Tor, in a major deal, in a pre-empt, in a three-book deal, for publication in March 2022, by Amelia Appel at TriadaUS Literary Agency (world).
Winner of the 2018 VQR Emily Clark Balch Prize for Fiction and UT Austin MFA Celia Bell’s THE DISENCHANTMENT, which follows a baroness who falls in love with another woman, and the chaos that ensues when her husband discovers their secret, set against the backdrop of Versailles and Parisian society, to Shelley Wanger at Pantheon, for publication in 2023, by Anna Stein at ICM (NA). Rights to Serpent’s Tail (UK), by Lucy Morris and Sabhbh Curry at Curtis Brown UK.
Children’s/Middle Grade Fiction
Vicki Johnson‘s picture book MOLLY’S TUXEDO, about a girl who has big plans to wear a dashing tuxedo for her school picture day, but her mom has picked out a dress, so with her friends’ support, the girl proves the way to look your best is to be yourself, illustrated by Gillian Reid, to Charlie Ilgunas at Little Bee Books, for publication in summer 2023, by Zoe Sandler at ICM for the author, and by Christy Tugeau Ewers at The CAT Agency for the illustrator (world).
Aliza Layne‘s BEETLE AND THE CHIMERA CARNIVAL, a sequel to the Stonewall Honor Book BEETLE AND THE HOLLOWBONES, which follows Beetle and her friends as they face new and sinister complications when the dragons set to arrive for a community celebration never appear, illustrated by Aliza Layne, to Julia McCarthy at Atheneum, in a two-book deal, for publication in spring 2024 and fall 2025, by Susan Graham at Einstein Literary Management (world English).
Author-illustrator Kyla Smith‘s FOXES, FIRE, & OTHER MAGIC, in which a curious young fox spirit who stumbled into the human world during the annual Obon festival and became trapped, and a nonbinary noodle maker struggling to keep their parents’ legacy alive, must learn to trust each other to save the udon shop and get the fox spirit home before the spirit gate closes for good, to Emily Settle and Erin Siu at Feiwel and Friends, in a very nice deal, for publication in spring 2024, by Jennifer Azantian at Azantian Literary Agency (world).
Coauthor of RENEGADE RULE Ben Kahn‘s ELLE CAMPBELL SAVES THEIR SATURDAY, in which a nonbinary seventh grader wants to meet their celebrity hero at a local signing, so they and their two best friends will have to stage a daring escape from weekend detention, and avoid bullies and parents as they trek across town to save their Saturday, to Mallory Kass at Scholastic, in an exclusive submission, for publication in 2023, by Moe Ferrara at BookEnds (world).
Dresden Douglas’s GIRLS GIVE ME BUTTERFLIES, a debut middle grade graphic novel pitched as a sapphic Lizzie McGuire, about a young girl who begins to feel flustered and tongue-tied around other girls while struggling to tune out the voice of an excitable little figment who manifests all her innermost thoughts, to Mekisha Telfer at Roaring Brook Press, at auction, for publication in 2023, by Claire Draper at The Bent Agency (world).
Mela Rogers‘s debut LOVE LIGHT, set in a world where a beacon of light connects each person’s heart to their soulmate’s; a girl’s parents are light fanatics, so she is shocked when she falls for a girl who is not her soulmate, and when she meets her actual soulmate, she must choose between her faith and her first love, to Dana Chidiac at Holt Children’s, for publication in winter 2025, by Chelsea Eberly at Greenhouse Literary Agency (world).
HERE FOR IT author R. Eric Thomas‘s debut KINGS OF B’MORE, a celebration of queer Black friendship as two boys plan a day of fun and facing their fears, pitched as inspired by Ferris Bueller’s Day Off, to Joanna Cardenas at Kokila, for publication in summer 2022, by Anna Sproul-Latimer at Neon Literary (world).
Freja Nicole Woolf’s NEVER TRUST A GEMINI, pitched as a LGBTQ+ ANGUS, THONGS AND FULL-FRONTAL SNOGGING, in which a zodiac-obsessed 15-year-old struggling with a desperate crush on her best friend must scramble through a fake boyfriend, a house fire, and an unexpected Christmas romance to find her happy ending, to Denise Johnstone-Burt and Non Pratt at Walker UK, at auction, in a two-book deal, for publication in summer 2023, by Gemma Cooper at The Bent Agency (world).
NYT-bestselling author of CEMETERY BOYS Aiden Thomas‘s JUST MAX, in which a stealth transgender college student faces the usual stress of freshman year—making new friends and trying to fit in—all while managing testosterone shots, navigating the perils of communal bathrooms, and falling in love with the handsome soccer player down the hall, to Holly West at Feiwel and Friends, in a good deal, in an exclusive submission, for publication in winter 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).
MAJOR DETOURS author Zachary Sergi‘s SO YOU WANNA BE A POPSTAR?, an interactive novel following five diverse and queer teen solo artists who are forced into a pop group that goes viral overnight, and where the reader chooses the paths forward to guide the characters on their journey to stardom, to Britny Brooks at Running Press Kids, for publication in winter 2023, by Lucy Carson at Friedrich Agency (world).
FULL DISCLOSURE author Camryn Garrett’s FRIDAY I’M IN LOVE, about a queer teen determined to throw a lavish coming out party in place of a sweet sixteen, but when her mother is laid off, she’s forced to balance saving for the party with keeping her household afloat, all the while navigating her growing feelings for a new girl at school, to Katherine Harrison at Knopf Children’s, in a six-figure deal, for publication in spring 2023, by Beth Phelan at Gallt and Zacker Literary Agency (NA). Rights also to Emma Jones at Random House UK Children’s, by Ellen Greenberg, on behalf of Beth Phelan.
K.M. Watts’s BORN ANDROMEDA, a debut in which a moon princess is kidnapped by galactic pirates, and joins the world of piracy in order to get home—if she doesn’t fall for one first, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in fall 2022 (world). Rights: Mary Jo Courchesne at Gryphon Publishing Consulting
WHAT ARE YOUR WORDS? illustrator Andy Passchier‘s GENDER IDENTITY FOR KIDS, a chapter book guide breaking down what gender is and isn’t, what your feelings around gender might mean, and how to let the world know who you are and help others do the same, to Regan Winter at Little, Brown Children’s, with Andrea Colvin and Aria Balraj editing, for publication in summer 2023, by Alexandra Gehringer at The Bright Group (world).
Chicana writer, activist, poet, essayist, and playwright Cherrie Moraga‘s LOVING IN THE WAR YEARS and THE LAST GENERATION, combined in a single 40th anniversary volume; and WAITING IN THE WINGS: PORTRAIT OF A QUEER MOTHERHOOD, to be published on its 25th anniversary, both with new forewords by the author, to Julie Fain at Haymarket, in a two-book deal, by Stuart Bernstein at Stuart Bernstein Representation.
Olympic champion and elite runner Caster Semenya’s SILENCE ALL THE NOISE, a story of courage, resilience, and hope about her childhood in rural South Africa, her running career, and her experience as an intersex woman in professional sports, to Norton, at auction, with a young readers edition.
Luke can uncross almost any curse—they unravel themselves for him like no one else. So working for the Kovrovs, one of the families controlling all the magic in New York, is exciting and dangerous, especially when he encounters the first curse he can’t break. And it involves Jeremy, the beloved, sheltered prince of the Kovrov family—the one boy he absolutely shouldn’t be falling for.
Jeremy’s been in love with cocky, talented Luke since they were kids. But from their first kiss, something’s missing. Jeremy’s family keeps generations of deadly secrets, forcing him to choose between love and loyalty. As Luke fights to break the curse, a magical, citywide war starts crackling, and it’s tied to Jeremy.
This might be the one curse Luke can’t uncross. If true love’s kiss fails, what’s left for him and Jeremy?
Victoria-Margaret is the crown princess of the empire, a direct descendent of Victoria I, the queen who changed the course of history two centuries earlier. The imperial practice of genetically arranged matchmaking will soon guide Margaret into a politically advantageous marriage like her mother before her, but before she does her duty, she’ll have one summer incognito in a far corner of empire. In Toronto, she meets Helena Marcus, daughter of one of the empire’s greatest placement geneticists, and August Callaghan, the heir apparent to a powerful shipping firm currently besieged by American pirates. In a summer of high-society debutante balls, politically charged tea parties, and romantic country dances, Margaret, Helena, and August discover they share an unusual bond and maybe a one in a million chance to have what they want and to change the world in the process —just like the first Queen Victoria.
For nearly a century, the Nomeolvides women have tended the grounds of La Pradera, the lush estate gardens that enchant guests from around the world. They’ve also hidden a tragic legacy: if they fall in love too deeply, their lovers vanish. But then, after generations of vanishings, a strange boy appears in the gardens.
The boy is a mystery to Estrella, the Nomeolvides girl who finds him, and to her family, but he’s even more a mystery to himself; he knows nothing more about who he is or where he came from than his first name. As Estrella tries to help Fel piece together his unknown past, La Pradera leads them to secrets as dangerous as they are magical in this stunning exploration of love, loss, and family.
Ryan McCullough and Gabby Hart are the unlikeliest of friends. Introverted, anxious Gabby would rather do literally anything than go to a party. Ryan is a star hockey player who can get any girl he wants—and does, frequently. But against all odds, they became not only friends, but each other’s favorite person. Now, as they face high school graduation, they can’t help but take a moment to reminisce and, in their signature tradition, make a top ten list—counting down the top ten moments of their friendship:
10. Where to begin? Maybe the night we met.
9. Then there was our awkward phase.
8. When you were in love with me but never told me…
7. Those five months we stopped talking were the hardest of my life.
6. Through terrible fights…
5. And emotional makeups.
4. You were there for me when I got my heart broken.
3. …but at times, you were also the one breaking it.
2. Above all, you helped me make sense of the world.
1. Now, as we head off to college—how am I possibly going to live without you?
Rumor Mora fears two things: hellhounds too strong for him to kill, and failure. Jude Welton has two dreams: for humans to stop killing monsters, and for his strange abilities to vanish.
But in no reality should a boy raised to love monsters fall for a boy raised to kill them.
Nyx Llorca keeps two secrets: the moon speaks to her, and she’s in love with Dahlia, her best friend. Braeden Tennant wants two things: to get out from his mother’s shadow, and to unlearn Epsilon’s darkest secret.
They’ll both have to commit treason to find the truth.
During one twenty-seven-hour night, if they can’t stop the war between the colonies and the monsters from becoming a war of extinction, the things they wish for will never come true, and the things they fear will be all that’s left.
The Hokkaran empire has conquered every land within their bold reach―but failed to notice a lurking darkness festering within the people. Now, their border walls begin to crumble, and villages fall to demons swarming out of the forests.
Away on the silver steppes, the remaining tribes of nomadic Qorin retreat and protect their own, having bartered a treaty with the empire, exchanging inheritance through the dynasties. It is up to two young warriors, raised together across borders since their prophesied birth, to save the world from the encroaching demons.
This is the story of an infamous Qorin warrior, Barsalayaa Shefali, a spoiled divine warrior empress, O Shizuka, and a power that can reach through time and space to save a land from a truly insidious evil.
But for Grace, an only child who was adopted at birth, discovering that she is a middle child is a different ride altogether. After putting her own baby up for adoption, she goes looking for her biological family, including—
Maya, her loudmouthed younger bio sister, who has a lot to say about their newfound family ties. Having grown up the snarky brunette in a house full of chipper redheads, she’s quick to search for traces of herself among these not-quite-strangers. And when her adopted family’s long-buried problems begin to explode to the surface, Maya can’t help but wonder where exactly it is that she belongs.
And Joaquin, their stoic older bio brother, who has no interest in bonding over their shared biological mother. After seventeen years in the foster care system, he’s learned that there are no heroes, and secrets and fears are best kept close to the vest, where they can’t hurt anyone but him.
Bells Broussard thought he had it made when his superpowers manifested early. Being a shapeshifter is awesome. He can change his hair whenever he wants, and if putting on a binder for the day is too much, he’s got it covered. But that was before he became the country’s most-wanted villain.
After discovering a massive cover-up by the Heroes’ League of Heroes, Bells and his friends Jess, Emma, and Abby set off on a secret mission to find the Resistance. Meanwhile, power-hungry former hero Captain Orion is on the loose with a dangerous serum that renders meta-humans powerless, and a new militarized robotic threat emerges. Everyone is in danger. Between college applications and crushing on his best friend, will Bells have time to take down a corrupt government?
Sometimes, to do a hero’s job, you need to be a villain.
Chase Payne is a walking contradiction. He’s the most powerful psychic in the Community, but the least respected. He’s the son of the Community’s founder, but with his tattoo sleeves and abrasive attitude, he’s nothing like his charismatic family. No one knows what to make of him, which is how he wound up locked in a cell on the Farm yet again. But this time, the only man he’s ever loved is there too.
Elijah Estrella was used to being the sassy sidekick who fooled around with Chase for fun. But that was before he realized the Community wasn’t the haven he’d believed in and Chase was the only person who’d ever truly tried to protect him. Now they’re surrounded by people who want to turn them against their friends, and the only way out is to pretend the brainwashing works.
With Chase playing the role of a tyrant’s second-in-command, and Elijah acting like Chase’s mindless sex toy, they risk everything by plotting a daring escape. In the end, it’s only their psychic abilities, fueled by their growing love for each other, that will allow them to take the Community down once and for all.
NFL football player Isaiah Blackwell lost his husband three years ago and is raising their teen son alone. He lives his life as quietly as his job allows, playing ball to support his family but trying not to draw unwanted attention. His quiet life is shaken up when a mutual friend introduces him to Victor, a visiting principal ballet dancer who is everything Isaiah is not.
Brash and loud Victor Aleksandrov has applied for political asylum to avoid returning to Russia, where gay men are targeted and persecuted. He’s been outspoken about gay rights in his home country, and if he doesn’t get asylum, going back to Russia is a death sentence.
Their one-night stand turns into a tentative friendship, a relationship they both agree is temporary… until Victor’s denied asylum. Isaiah can’t offer Victor a happily ever after, but he can propose something that’ll keep Victor in the US and safe… marriage He just doesn’t expect his new husband to dance away with his heart.
Debuting on the New York stage, Zara is unprepared—for Eli, the girl who makes the world glow; for Leopold, the director who wants perfection; and for death in the theater.
Zara Evans has come to the Aurelia Theater, home to the visionary director Leopold Henneman, to play her dream role in Echo and Ariston, the Greek tragedy that taught her everything she knows about love. When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.
THE RULES ARE SIMPLE: You must be gifted. You must be younger than twenty-five. You must be willing to accept the dangers that you will face if you win.
Seventeen-year-old Cassandra Gupta’s entire life has been leading up to this—the opportunity to travel to space. But to secure a spot on this classified mission, she must first compete against the best and brightest people on the planet. People who are as determined as she to win a place on a journey to the farthest reaches of the universe.
Cassie is ready for the toll that the competition will take; the rigorous mental and physical tests designed to push her to the brink of her endurance. But nothing could have prepared her for the bonds she would form with the very people she hopes to beat. Or that with each passing day it would be more and more difficult to ignore the feeling that the true objective of the mission is being kept from her.
As the days until the launch tick down and the stakes rise higher than ever before, only one thing is clear to Cassie: she’ll never back down . . . even if it costs her everything.
Jess Wong is Angie Redmond’s best friend. And that’s the most important thing, even if Angie can’t see how Jess truly feels. Being the girl no one quite notices is OK with Jess anyway. While nobody notices her, she’s free to watch everyone else. But when Angie begins to fall for Margot Adams, a girl from the nearby boarding school, Jess can see it coming a mile away. Suddenly her powers of observation are more curse than gift.
As Angie drags Jess further into Margot’s circle, Jess discovers more than her friend’s growing crush. Secrets and cruelty lie just beneath the carefree surface of this world of wealth and privilege, and when they come out, Jess knows Angie won’t be able to handle the consequences.
When the inevitable darkness finally descends, Angie will need her best friend.
In Savannah Espinoza’s small New Mexico hometown, kids either flee after graduation or they’re trapped there forever. Vanni never planned to get stuck—but that was before her father was diagnosed with Huntington’s disease, leaving her and her mother to care for him. Now, she doesn’t have much of a plan at all: living at home, working as a performing mermaid at a second-rate water park, distracting herself with one boy after another.
That changes the day she meets Leigh. Disillusioned with small-town life and looking for something greater, Leigh is not a “nice girl.” She is unlike anyone Vanni has met, and a friend when Vanni desperately needs one. Soon enough, Leigh is much more than a friend. But caring about another person stirs up the moat Vanni has carefully constructed around herself, and threatens to bring to the surface the questions she’s held under for so long.
Ryan, Harley and Miles are very different people–the swimmer, the rebel and the nerd. All they’ve ever had in common is Isaac, their shared best friend.
When Isaac dies unexpectedly, the three boys must come to terms with their grief and the impact Isaac had on each of their lives. In his absence, Ryan, Harley and Miles discover things about one another they never saw before, and realize there may be more tying them together than just Isaac.
An intricately woven story told in three parts, award-winning Australian author Will Kostakis makes his American debut with this heartwarming, masterfully written novel about grief, self-discovery and the connections that tie us all together.
The whole city is searching for Hasryan—some for revenge and justice, others to save their friends. Yet no one knows where to find him except Lord Arathiel Brasten, who vanished 130 years ago only to magically return.
Lord Diel Dathirii’s struggle to free his city from the neighbouring imperialistic enclave is far from over. Enemies gather around him, and without allies in Isandor’s upper spheres, he must place his fate in Lower City residents. Little does he know, the city he’s trying to save might well save him in return.
Tony Quinn has a knack for figuring people out. He likes labels, likes to be able to put everyone and everything in tidy boxes. As a theater director, it allows him to run a production without too much drama. But when he meets Gentry—“call me Gee”—in a bar one night, he discovers that some people aren’t so easily defined.
Gee Parnell is unlike anyone Tony has ever met before. He refuses to conform—to Tony’s expectations, or to society’s gender roles. He’s sexy and flirtatious, unapologetic and unashamed. And Tony isn’t sure he’s okay with that. So he breaks things off and escapes back into his well-ordered life.
But then an attack leaves Gee bloody and bruised, and Tony realizes that he isn’t ready to lose him. Not only is the passion between them off the charts, but Gee shows him a different way of understanding people. However, an exciting new job opportunity means that Tony has to decide between hiding his sexuality and his relationship with Gee, and his newfound appreciation for the color and beauty Gee brings to his life.
Adda and Iridian are newly-minted engineers, but in a solar system wracked by economic collapse after an interplanetary war, an engineering degree isn’t worth the paper it’s printed on. Desperate for gainful employment, they hijack a colony ship, planning to join a pirate crew at Barbary Station, an abandoned shipbreaking station in deep space.
But when they arrive at Barbary Station, nothing is as they expected. The pirates aren’t living in luxury — they’re hiding in a makeshift base welded onto the station’s exterior hull. The artificial intelligence controlling the station’s security system has gone mad, trying to kill all station residents. And it shoots down any ship that tries to leave, so there’s no way out.
Adda and Iridian have one chance to earn a place on the pirate crew: destroy the artificial intelligence. The last engineer who went up against the security system suffered explosive decapitation, and the pirates are taking bets on how the newcomers will die. But Adda and Iridian plan to beat the odds.
There’s a glorious future in piracy…if they can survive long enough.