Tag Archives: Karelia Stetz-Waters

October Book Deal Announcements

Yep, it’s a brand-new feature celebrating book deals! This is a combination of deal announcements that have been submitted through the site and copied from Publisher’s Marketplace and Publishers Weekly, with some minor editing. If you’d like to submit a deal, you can do so here.

Children’s/YA Fiction

Rob Sanders’s BLING BLAINE, about a child who is all about bling and glitter until complaints pour in and bling is banned from school, but then allies come to the rescue, illustrated by Letizia Rizzo, to Christina Pulles formerly at Sterling Children’s, with Eve Adler editing, for publication in fall 2020, by Rubin Pfeffer at Rubin Pfeffer Content for the author, and by Emily Coggins at Astound US for the illustrator (world).

Vicki Lame at Wednesday Books has acquired LGBTQ Reads founder Dahlia Adler’s YA novel, COOL FOR THE SUMMER, about a girl named Lara who finally lands the guy of her dreams, only to have her unexpected(ly female) summer fling transfer to her school for their senior year. Publication is slated for summer 2021; DongWon Song at Howard Morhaim Literary Agency brokered the two-book deal for North American rights.

Author of PRIDE MUST BE A PLACE and BURN BABY BURN BABY, and board member of the Ontario Writer’s Conference Kevin Craig’s THE CAMINO CLUB, in which six wayward teens are given an ultimatum after getting in trouble with the law: serve time in juvenile detention for their crimes, or walk the Camino de Santiago pilgrimage route across Spain; when it becomes clear the long walk isn’t really all that much of an option, they set out on a journey that will either make or break who they are and who they are to become, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in October 2020.
Rights: Mary Jo Courchesne, Gryphon Publishing Consulting

Jess Verdi’s‘s FOLLOW YOUR ARROW, after breaking up with her long-term girlfriend and falling for the new guy in town, an openly queer social media influencer faces blowback from her fans and is forced to define what it means to be bi—to the world, and to herself, to Aimee Friedman at Scholastic, by Kate McKean at Howard Morhaim Literary Agency.

Maggie Tokuda-Hall‘s SQUAD, about a clique of teen girls whose favorite pastime is to get dressed up; go to parties; target entitled, date-rapey bros; turn into wolves; and eat them, illustrated by Lisa Sterle, to Martha Mihalick at Greenwillow, for publication in fall 2021, by Jennifer Laughran at Andrea Brown Literary Agency (NA).

Alexandra Cooper at HarperTeen has acquired, at auction, Laurel Flores Fantauzzo’s THE HEARTBREAK OF CORAZON TAGUBIO. Cory Tagubio is an outcast at her all-girls Catholic high school. In the wake of an accident, Cory grows close to her history teacher, Ms. Holden, but when the crush turns into something more, Cory is shipped off to her half-brother in the Philippines, leaving her to discover how her family and their country have shaped her past and how they might change her future. Publication is set for winter 2021; Andrea Morrison at Writers House sold world English rights.

Jessica Garrison at Dial has bought, on exclusive submission, Stephanie Oakes’s THE MEADOWS, which centers on a queer girl who has pretended to “reform” following years in a government-sanctioned conversion therapy center, but can’t forget the girl she left behind, and resolves to find her. Publication is set for fall 2021; Jennifer Laughran at Andrea Brown Literary Agency handled the deal for world rights.

Daniel Ehrenhaft at Soho Teen has bought Carly Heath’s debut YA novel, THE HEATHENS OF MUSKOX HOLLOW. Set in 1904 Norway, the novel follows a trio of queer teens—two boys and their best friend, Asta—who decide to defy the expectations of their rural Scandinavian village by leaving their families, living on their own, and challenging the town’s patriarch in the region’s annual winter horse race. Publication is set for fall 2021; Steven Chudney at the Chudney Agency brokered the deal for North American English rights.

Cassandra Rose Clarke‘s FORGET THIS EVER HAPPENED, queer speculative fiction set in a run-down Southern town where space and time are inconsistent, to Mora Couch at Holiday House, for publication in fall 2020, by Stacia Decker at Dunow, Carlson & Lerner (world).

Diana Pinguicha‘s A MIRACLE OF ROSES, pitched as an f/f #ownvoices retelling of the Portuguese miracle of the same name, where the Princess of Aragon enters a bargain with an Enchanted Moura so she can reverse her gift that turns all the food she touches into flowers, to Lydia Sharp at Entangled Teen, by Travis Pennington at The Knight Agency (world).

Brianna Shrum‘s 13 WAYS TO START A FOREST FIRE, in which a 17-year-old girl is trapped by a freak mudslide and, in order to survive the cruel Rockies in the dead of winter, decides to trust the one boy she knows she shouldn’t, to Nicole Frail at Sky Pony Press, by Steven Salpeter at Curtis Brown.

Deya Muniz’s THE PRINCESS AND THE GRILLED CHEESE SANDWICH, in which a lady, a denizen of the Kingdom of Fromage, must disguise herself as a man in order to inherit her father’s estate, but her secret becomes difficult to keep once she falls in love with a royal princess, to Andrea Colvin at Little, Brown Children’s, in a two-book deal, for publication in spring 2021 (world).

Sasha Laurens’s A WICKED MAGIC, the story of two teens and new witches whose friendship comes to an abrupt end when a spell they foolishly cast summons an ancient force that steals one of the girls’ boyfriends; they are then forced to work together with a new friend who is harboring a magical secret of her own to rescue him, to Ruta Rimas at Razorbill, in a nice deal, for publication in fall 2020, by Jennifer Udden at New Leaf Literary & Media (world English). Publication is set for July 27, 2020.

Adult Fiction

Karelia Stetz-Waters‘s untitled book, in which two very different women find themselves running a sex toy shop that one of them inherited and soon fall in love as the business struggles for survival and family obligations threaten to tear them apart, to Madeleine Colavita at Forever Yours, by Jane Dystel at Dystel, Goderich & Bourret (NA).

Juliette Wade’s sci-fi MAZES OF POWER, in which a fever strikes the cavern city of Pelismara, and Tagaret must represent his Family in the competition for Heir to the Throne, but a power struggle and an exploitative brother stand in his way, to Sheila Gilbert at DAW by Kristopher O’Higgins at Scribe Agency (NA). Publication is set for February 4, 2020.

Anbara Salam’s BELLADONNA, a story of friendship and obsession set in the 1950s, following two schoolgirls from Connecticut whose lives are changed forever when they travel to a silent convent in northern Italy to study art for a year, to Amanda Bergeron at Berkley by Catherine Drayton at Inkwell Management, on behalf of Hattie Grunewald at Blake Friedmann, now at The Blair Partnership (NA). Publication is set for June 9, 2020.

University of Louisiana in Lafayette PhD candidate Caitlin Vance’s THE PAPER GARDEN, a darkly humorous, gothic, and speculative story collection that explores contemporary queer romances, mother-daughter relationships, and mental illness by reimagining fairy tales or myths, to Hasanthika Sirisena at 7.13 Books, for publication in spring 2021.

Director of Creative Writing at University of Nebraska-Lincoln, and author of five books Timothy Schaffert‘s THE PERFUME THIEF, about a queer American expat with an infamous past as a thief of rare scents who retires to Paris to become a legitimate perfumer, crafting unique scents scents for the city’s cabaret performers and sex workers, until the Nazis occupy the city and seek her expertise for a sinister purpose, to Margo Shickmanter at Doubleday, in a good deal, for publication in 2021, by Alice Tasman at Jean V. Naggar Literary Agency (world English).

Kristen Arnett‘s SAMSON, a novel of motherhood, expectations, and toxic masculinity within a queer household, and WITH FOXES, a diverse, blackly humorous story collection, to Cal Morgan at Riverhead, in a major deal, at auction, in a two-book deal, by Serene Hakim at Ayesha Pande Literary (NA).

Adult Non-Fiction

Griffin Poetry Prize winner Billy-Ray Belcourt’s A HISTORY OF MY BRIEF BODY, a meditation on grief, joy, love, and sex at the intersection of indigeneity and queerness, to Eric Obenauf at Two Dollar Radio, by Stephanie Sinclair at Transatlantic Literary Agency (US).

University of Georgia MFA in narrative nonfiction and Lamba Literary fellow Martin Padgett’s MIDNIGHT AT THE OASIS: A DECADE OF DRAG, DRUGS AND DISCO AT THE SWEET GUM HEAD, following the intersecting journeys of drag queen John Greenwell, also known as Rachel Wells, and civil rights activist Bill Smith through the gay rights movement and drag culture in 1970s Atlanta, to Amy Cherry at Norton, in a nice deal, for publication in fall 2021, by Beth Marshea at Ladderbird Literary Agency (NA).

Film/TV

Jacqueline Carey‘s KUSHIEL’S LEGACY series, which spans three epic trilogies set in Terre d’Ange and deals with a remarkable courtesan who saves her nation, the adventures of her adopted son, and ultimately, the trials of Moirin, a descendant of the legendary ruling house, to Lionsgate, with Dan Hadl producing, by Jane Dystel at Dystel, Goderich & Bourret.

K.D. Edwards‘s THE LAST SUN, a queer tarot-inspired fantasy, to Escape Artists, by Kim Yau at Paradigm, on behalf of Sara Megibow at kt literary.

Tom Ryan‘s KEEP THIS TO YOURSELF, in which a group of lifelong friends is shattered when a serial killer strikes their small town and claims one of their own; one year later, unable to let go, a teen finds himself investigating new clues, and begins to wonder if he can trust anything, including his feelings for his best friend, the boy who died, optioned by Robert Munic of Pull the Pin Productions and Cheryl Bayer of Living Popups, with Munic and Baker producing, by Kim Yau at Paradigm, on behalf of Eric Smith of P.S. Literary Agency.

Audio

Adiba Jaigirdar‘s THE HENNA WARS, to Emily Parliman at Listening Library, by Brent Taylor at Triada US, on behalf of Uwe Stender.

Contemp F/F Romances Under Five Bucks

If you shop for f/f Romance a decent amount, you’ve probably noticed that it tends to be waaaay pricier than m/m or m/f, so, in yet another round of helping you queer up your shelves (or your Kindle) on a budget, here are ten f/f Romances (NA and up; you can find YA here) that are all under five bucks (with thanks to Vanessa North for the help and the inspiration!):

Abstract colorful background with wave, illustration for design

The Belle vs. the BDOC by Amy Jo Cousins ($2.99)

Roller Girl by Vanessa North ($3.99)

The Final Rose by Eliza Lentzki ($3.99)

Out on Good Behavior by Dahlia Adler ($3.99)

The Gravity Between Us by Kristen Zimmer ($3.99)

Something True by Karelia Stetz-Waters ($3.99)

Treasure by Rebekah Weatherspoon ($4.99)

The Butch and the Beautiful by Kris Ripper ($4.99)

Such a Pretty Face by Gabrielle Goldsby ($4.99)

Top to Bottom by Delphine Dryden ($4.99)

SoRo: Three Ways Socially Conscious Romance Can Change the World (A Guest Post by Karelia Stetz-Waters)

Please welcome to the site today author Karelia Stetz-Waters, whose newest release, a Contemporary Romance entitled For Good (Book #2 in her Out in Portland series), just released on July 5th! Just before we get to her post, check out a little more info on the book:

Stetz-Waters_For Good

In this too-small, dusty town, brand-new district attorney Kristen Brock knows she’ll never fit in. Still, the job will look great on her résumé—if she can just keep her head down and play by the rules. Because in a town run by a self-serving, powerful family, the last thing Kristen needs is trouble . . . but one kiss from the beautiful ex-rodeo queen Marydale Rae turns her world upside down. And Marydale is definitely trouble.

Marydale didn’t intend to hide her past from Kristen, but the prospect of a friend who doesn’t know she spent time in prison is too tempting to pass up. Add in the passionate night they share, and Marydale never wants Kristen to know the truth. But small towns don’t keep secrets, and the powerful Holten clan is determined to destroy anything and anyone who makes Marydale happy.

Buy it: Amazon * B&N * iBooks

And now, Karelia, on Three Ways Socially Conscious Romance Can Change the World:

I see you Romeo…shaking that ass! Wait. That’s now how the line goes. My Shakespeare’s getting rusty now that I’ve plunged into the world of genre fiction. Romance, no less.

One of my academic colleagues told me she hoped I’d be able to get back to writing meaningful literature. “Karelia, you’re so talented…” she trailed off mournfully. I think it was a compliment. I didn’t bring up the nonlinear, staccato, trans-generational epic poem she’d been agonizing over [but not actually writing] for ten years. Why be mean?

I loved writing my first romance novel, a lesbian version of You’ve Got Mail in which I challenged myself to employ the old Harlequin Romance sex equation: a sex scene within the first fifty pages and then every seventy-five pages after that. And I got to do some crazy research for my most recent release, a kind of Orange Is the New Black: Parole Edition, about a paroled felon and a district attorney who fall in love. The result is a fast-paced, poolside read, that’s cheaper than a mocha Frappuccino and just as easy to consume.

I’m not ashamed.

My colleagues in the greater world of the academy have yet to recognize romance as a meaningful literary art form, but romance is the language of hope. And it sells. People read romance. And I believe a well-written, socially conscious romance (my wife coined the term “so-ro”) can do three powerful things to change the world.

SoRo Gives the LBGTQ+ Community a Vision of Happiness

I spoke on the plenary panel at the Gay Romance NW Conference last year. Someone posed the question: can romance novels have tragic endings? The consensus was no. “…All shall be well, and all shall be well, and all manner of things shall be well.” That is the contract.

Romance imagines happiness. It paints a picture. It draws a map. With violence and prejudice still part of the LBGTQ+ community’s experience, we need those portraits. And, yes, of course, we need artists to bear witness to suffering and injustice, but we simultaneously need to surround ourselves with pictures of health and hope.

I recently watched Jane McGonigal’s TED talk “Gaming Can Make a Better World.” In it, she mentions one special trait possessed by gamers; they believe in epic wins, wins so great, so sweeping they change everything. True love is an epic win. Believe!

SoRo Breaks Down Gender Stereotypes

And I think romance, when done well, can do more than just comfort and uplift our community. LBGTQ+ romance is gaining a following among heterosexual readers. When I ask straight readers why, the answer is almost unanimous. They want to see love without gender roles.

I recently started a blog called “Ask the Girls: Lesbian Love for Straight Couples.” The premise is this: excepting the fact that it took me and my wife fifteen years to be legally married, our marriage is easier than our heterosexual friends’ marriages. My wife and I may have absorbed all the same gender stereotypes, but we don’t live by them. We can’t. Taking out the trash may be the man’s job, but if we wait around for a man to do it, we’ll be waiting a long time.

SoRo Teaches Compassion

Finally, let me step out of my role as blogger and back into my comfortable, everyday English-professor clothes. The quiz is closed book, closed notes, no Wikipedia:

Who were the Montagues and Capulets and why were they feuding?

You don’t remember, do you? With Juliet’s hair loose across her shoulders and Romeo’s voice rising up through the filtered moonlight, we don’t care. They could be Republicans and Democrats, Muslims and Christians, “East End boys and West End girls.Love takes our differences and casts them in the gentle twilight travelers crave, that soft glow that erases what we’ve been taught to loathe and lets us view the world as it is, imperfect and beautiful.

When else are we more open to the beauty of the stranger than in romantic love? We love our family, our neighborhood, our children, but they are a kaleidoscope of ourselves. A lover is the other. And through love we come to see without criticism, to make the stranger’s plight our own.

While researching my latest release, For Good, I attended a poetry reading at a maximum security prison. I was ushered through several security checkpoints and into a bleak, all-purpose room. I assumed the incarcerated men would look like monsters. But they offered me cookies, and they read their poems. Most clutched their poems to their chests, reading with their eyes down and their voices flat, earnest, and nervous. They looked like my students. I couldn’t see their sins.

And I’m not about to say that I’d like them released in my neighborhood, but I did see a part of their story that was never in the newspaper. That vision inspired the way I wrote about Marydale Rae, the paroled felon in For Good. I hope that it will inspire my readers to pause, at least for one poolside moment, and consider the greater societal issues that underlie the book.

In Conclusion

Romance has been called the backbone of the publishing industry. We have reach. We have market share. We can paint a picture of hope for our people. We can teach love that defies gender roles. And if we are careful with the way we portray the “other,” and avoid the stereotypes that have, admittedly, plagued this genre in its previous incarnations, romance can teach compassion for the stranger, for the wanderer who arrives at our door in tatters.

Isn’t that who we all are in that tremulous moment when we first feel love?

~*~*~

Karelia Stetz-Waters My wife recently dubbed my writing “so-ro,” short for romance with a social conscience. I guess that’s what I do. Whether I’m exploring the problems of gentrification or the evils of human trafficking, every book I write has a lesbian romance at its heart and a social issue in mind. They’re the kind of books that read like fun, lazy-Saturday page-turners and yet leave your unexpectedly enlightened. That’s two for the price of one and way more fun that keeping up with the news.

When I’m not writing, I’m being inspired by my amazing community college students and hanging out with my lovely wife and my charming spuglette (that’s a technical term for spaniel-pug mix). I’m a fan of snakes, corn mazes, popular science books on neurology, and any roadside attraction that purports to have the world’s largest ball of twine.

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