Finalist for the PEN/Hemingway Award and a Lambda Literary Award, and author of BIG FAMILIA ‘s ALL FRIENDS ARE NECESSARY, set in the Bay Area, following a late-30s bisexual man’s effort to reconnect to the world through misadventures in dating, Peloton, and OnlyFans after his marriage dissolves in the wake of his partner’s loss of a full-term pregnancy, to Evan Hansen-Bundy at Algonquin, in a pre-empt, by Eleanor Jackson at Dunow, Carlson & Lerner (world).
Psychotherapist ‘s SUCH PRETTY FLOWERS, a Southern gothic suspense with horror and queer elements about a woman’s investigation into her brother’s unlikely suicide—his last words being “get it out of me”—and subsequently, her obsession with his fiancee, a magnetic, black-eyed florist with a penchant for carnivorous plants; and a second book about a coven operating under the guise of the wedding industry whose plans to save women from wife- and motherhood have sinister implications, to Jenny Chen at Bantam Dell, in a pre-empt, in a two-book deal, by Chelsey Emmelhainz at Copps Literary Services (world).
‘s SORRY, BRO, a queer rom-com about a twenty-something newly single Armenian woman whose mother insists she find a proper new suitor at a series of local Armenian cultural events—only the woman she meets is the last person her very traditional family had in mind, to Cindy Hwang and Angela Kim at Berkley, in a two-book deal, for publication in 2023, by Katelyn Detweiler at Jill Grinberg Literary Management (NA).
‘s THE SIGNS WE MISSED, in which a young gay man who emancipated from his mother battles addiction, an eating disorder, and being in love with his best while trying to graduate high school and survive, to Kisstopher Musick at Cinnabar Moth, in a nice deal, for publication in summer 2022.
and ‘s eds.’s UNDER HER SKIN, a showcase of body horror-inspired poetry from women (cis and trans) and nonbinary femmes in horror, including Bram Stoker Award-winning and nominated poets Lee Murray, Stephanie M. Wytovich, Sara Tantlinger, and Jessica McHugh, with a foreword by Linda D. Addison, to Black Spot, for publication in April 2022 (world English).
Kate Brook’s NOT EXACTLY WHAT I HAD IN MIND, following four 20-somethings—two roommates navigating the awkward aftermath of a one night stand, and a lesbian couple looking to start a family—as their lives collide and all four learn that sometimes you find family, and love, in the place you would least expect, pitched as for readers of Emma Straub or J. Courtney Sullivan, to Lindsey Rose at Dutton, by Rebecca Wearmouth at PFD (NA). Rights to Sarah Hodgson at Corvus, by Philippa Sitters at David Godwin Associates (UK/Commonwealth, excl. Canada); to Suma de Letras (Spain); and to Diana (Germany), at auction, by Rebecca Wearmouth at PFD.
Author of the forthcoming MY MECHANICAL ROMANCE Alexene Farol Follmuth writing as Olivie Blake’s THE ATLAS SIX TRILOGY, pitched as Kingsman/X-Men meets THE SECRET HISTORY with a diverse cast and strong queer representation, following six uniquely talented magicians from around the world who are invited to compete for an elite academic fellowship where elimination holds deadly consequences, the first book of which was previously self-published and popular on TikTok, to Molly McGhee at Tor, in a major deal, in a pre-empt, in a three-book deal, for publication in March 2022, by Amelia Appel at TriadaUS Literary Agency (world).
Winner of the 2018 VQR Emily Clark Balch Prize for Fiction and UT Austin MFA Celia Bell’s THE DISENCHANTMENT, which follows a baroness who falls in love with another woman, and the chaos that ensues when her husband discovers their secret, set against the backdrop of Versailles and Parisian society, to Shelley Wanger at Pantheon, for publication in 2023, by Anna Stein at ICM (NA). Rights to Serpent’s Tail (UK), by Lucy Morris and Sabhbh Curry at Curtis Brown UK.
‘s picture book MOLLY’S TUXEDO, about a girl who has big plans to wear a dashing tuxedo for her school picture day, but her mom has picked out a dress, so with her friends’ support, the girl proves the way to look your best is to be yourself, illustrated by , to Charlie Ilgunas at Little Bee Books, for publication in summer 2023, by Zoe Sandler at ICM for the author, and by Christy Tugeau Ewers at The CAT Agency for the illustrator (world).
‘s BEETLE AND THE CHIMERA CARNIVAL, a sequel to the Stonewall Honor Book BEETLE AND THE HOLLOWBONES, which follows Beetle and her friends as they face new and sinister complications when the dragons set to arrive for a community celebration never appear, illustrated by , to Julia McCarthy at Atheneum, in a two-book deal, for publication in spring 2024 and fall 2025, by Susan Graham at Einstein Literary Management (world English).
Author-illustrator ‘s FOXES, FIRE, & OTHER MAGIC, in which a curious young fox spirit who stumbled into the human world during the annual Obon festival and became trapped, and a nonbinary noodle maker struggling to keep their parents’ legacy alive, must learn to trust each other to save the udon shop and get the fox spirit home before the spirit gate closes for good, to Emily Settle and Erin Siu at Feiwel and Friends, in a very nice deal, for publication in spring 2024, by Jennifer Azantian at Azantian Literary Agency (world).
Coauthor of RENEGADE RULE ‘s ELLE CAMPBELL SAVES THEIR SATURDAY, in which a nonbinary seventh grader wants to meet their celebrity hero at a local signing, so they and their two best friends will have to stage a daring escape from weekend detention, and avoid bullies and parents as they trek across town to save their Saturday, to Mallory Kass at Scholastic, in an exclusive submission, for publication in 2023, by Moe Ferrara at BookEnds (world).
Dresden Douglas’s GIRLS GIVE ME BUTTERFLIES, a debut middle grade graphic novel pitched as a sapphic Lizzie McGuire, about a young girl who begins to feel flustered and tongue-tied around other girls while struggling to tune out the voice of an excitable little figment who manifests all her innermost thoughts, to Mekisha Telfer at Roaring Brook Press, at auction, for publication in 2023, by Claire Draper at The Bent Agency (world).
‘s debut LOVE LIGHT, set in a world where a beacon of light connects each person’s heart to their soulmate’s; a girl’s parents are light fanatics, so she is shocked when she falls for a girl who is not her soulmate, and when she meets her actual soulmate, she must choose between her faith and her first love, to Dana Chidiac at Holt Children’s, for publication in winter 2025, by Chelsea Eberly at Greenhouse Literary Agency (world).
HERE FOR IT author ‘s debut KINGS OF B’MORE, a celebration of queer Black friendship as two boys plan a day of fun and facing their fears, pitched as inspired by Ferris Bueller’s Day Off, to Joanna Cardenas at Kokila, for publication in summer 2022, by Anna Sproul-Latimer at Neon Literary (world).
Freja Nicole Woolf’s NEVER TRUST A GEMINI, pitched as a LGBTQ+ ANGUS, THONGS AND FULL-FRONTAL SNOGGING, in which a zodiac-obsessed 15-year-old struggling with a desperate crush on her best friend must scramble through a fake boyfriend, a house fire, and an unexpected Christmas romance to find her happy ending, to Denise Johnstone-Burt and Non Pratt at Walker UK, at auction, in a two-book deal, for publication in summer 2023, by Gemma Cooper at The Bent Agency (world).
NYT-bestselling author of CEMETERY BOYS ‘s JUST MAX, in which a stealth transgender college student faces the usual stress of freshman year—making new friends and trying to fit in—all while managing testosterone shots, navigating the perils of communal bathrooms, and falling in love with the handsome soccer player down the hall, to Holly West at Feiwel and Friends, in a good deal, in an exclusive submission, for publication in winter 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).
MAJOR DETOURS author ‘s SO YOU WANNA BE A POPSTAR?, an interactive novel following five diverse and queer teen solo artists who are forced into a pop group that goes viral overnight, and where the reader chooses the paths forward to guide the characters on their journey to stardom, to Britny Brooks at Running Press Kids, for publication in winter 2023, by Lucy Carson at Friedrich Agency (world).
FULL DISCLOSURE author Camryn Garrett’s FRIDAY I’M IN LOVE, about a queer teen determined to throw a lavish coming out party in place of a sweet sixteen, but when her mother is laid off, she’s forced to balance saving for the party with keeping her household afloat, all the while navigating her growing feelings for a new girl at school, to Katherine Harrison at Knopf Children’s, in a six-figure deal, for publication in spring 2023, by Beth Phelan at Gallt and Zacker Literary Agency (NA). Rights also to Emma Jones at Random House UK Children’s, by Ellen Greenberg, on behalf of Beth Phelan.
K.M. Watts’s BORN ANDROMEDA, a debut in which a moon princess is kidnapped by galactic pirates, and joins the world of piracy in order to get home—if she doesn’t fall for one first, to Annie Harper at Duet, in a nice deal, in an exclusive submission, for publication in fall 2022 (world). Rights: Mary Jo Courchesne at Gryphon Publishing Consulting
WHAT ARE YOUR WORDS? illustrator ‘s GENDER IDENTITY FOR KIDS, a chapter book guide breaking down what gender is and isn’t, what your feelings around gender might mean, and how to let the world know who you are and help others do the same, to Regan Winter at Little, Brown Children’s, with Andrea Colvin and Aria Balraj editing, for publication in summer 2023, by Alexandra Gehringer at The Bright Group (world).
Chicana writer, activist, poet, essayist, and playwright ‘s LOVING IN THE WAR YEARS and THE LAST GENERATION, combined in a single 40th anniversary volume; and WAITING IN THE WINGS: PORTRAIT OF A QUEER MOTHERHOOD, to be published on its 25th anniversary, both with new forewords by the author, to Julie Fain at Haymarket, in a two-book deal, by Stuart Bernstein at Stuart Bernstein Representation.
Olympic champion and elite runner Caster Semenya’s SILENCE ALL THE NOISE, a story of courage, resilience, and hope about her childhood in rural South Africa, her running career, and her experience as an intersex woman in professional sports, to Norton, at auction, with a young readers edition.
Kobby Ben Ben’s NO ONE DIES YET, set in Accra in 2019, the “Year of Return” that memorialized the many who died during the slave trade in Ghana, following three African American friends as they join in the festivities to explore Ghana’s colonial past as Black diasporas around the world make a pilgrimage to West Africa and its underground queer scene; soon, these friends are thrust into the hands of two guides who they have no choice but to trust and what unfolds is an unsettling tale of murder in a country whose dead slaves are shackled with stories that must be heard, to Christopher Potter at Europa Editions, with Eva Ferri editing, in a nice deal, for publication in spring/summer 2022, by Aida Lilly at kt literary (world English).
2020 Le Guin Feminist Science Fiction Fellow ‘s THE UNBALANCING, set in the same Birdverse universe as the author’s FOUR PROFOUND WEAVES, in which a group of queer and nonbinary magic keepers across an archipelago must come together to save their islands from an environmental catastrophe, to Jacob Weisman at Tachyon Publications, with Jaymee Goh editing, for publication in winter 2022, by Mary C. Moore at Kimberley Cameron & Associates (world English).
Author of WHEN HARRY MET HARRY ‘s BRIDESMATES, an LGBTQ romance about a brokenhearted man who reluctantly agrees to be a male bridesmaid (a “bridesmate”) in his BFF’s wedding and finds romance along the way, to Rose Hilliard at Audible Originals, in an exclusive submission, for publication in spring 2021, by Emily Sylvan Kim at Prospect Agency, on behalf of et al Creative (world).
Syrian Canadian author, public speaker, and LGBTQ refugee activist ‘s THE FOGHORN ECHOES, an #OwnVoices novel that begins in war-torn Syria, where a forbidden romance between two boys culminates in a traumatic incident, the echoes of which reverberate through their adult lives in Vancouver and Damascus, to David Ross at Penguin Canada, in a pre-empt, in a two-book deal, by Rachel Letofsky at CookeMcDermid.
Autistic debut author ‘s THE BOOK EATERS, in which a lesbian Book Eater, forced into arranged marriages, gives birth to a Mind Eater and loves her son so fiercely she becomes a monster herself to save him from her family’s violent ways, to Lindsey Hall at Tor, in a significant deal, in a pre-empt, in a three-book deal, for publication in winter 2022, by Naomi Davis at BookEnds (NA).
Author of LAKEWOOD ‘s THE WOMEN COULD FLY, pitched as reminiscent of Kelly Link and Ottessa Moshfegh, about a Black bisexual woman on a journey to come to terms with the loss of her mother, who disappeared mysteriously when she was a teenager; set in a world where witches are real, to Rakesh Satyal at Amistad, in a pre-empt, by Dan Conaway at Writers House (NA).
Author-artist ‘s debut MIGHTY RED RIDING HOOD: A FAIRLY QUEER TALE, the first in a series of reimagined folktales from a queer perspective, starring a sassy boy in a frilly red riding hood who confronts a bullying wolf espousing gender norms, to Andrea Spooner at Little, Brown Children’s, in a two-book deal, for publication in summer 2022, by Marietta Zacker at Gallt and Zacker Literary Agency (world).
‘s DESERT QUEEN, a biography-in-verse which follows the life of beloved Rajasthani drag performer Queen Harish, known as the Whirling Desert Queen of Rajasthan, who, lit by an inner fire and propelled by a family tragedy, defied the gender conventions of middle class Indian life, battled discrimination and intimidation, and eventually grew up to dance with Bollywood movie stars and on stages across the world, illustrated by , to Arthur Levine at Levine Querido, in an exclusive submission, for publication in spring 2023, by Wendi Gu at Sanford J. Greenburger Associates (world).
‘s debut THEY HATE EACH OTHER, told in dual POVs, a queer enemies-to-lovers romance that follows 17-year-olds who turn to fake dating after a homecoming disaster; their ploy begins to fail spectacularly, though, when unexpected chemistry and past scars interfere, weaving a profound connection between the two, to Dana Leydig at Viking Children’s, in a two-book deal, for publication in 2023, by Suzie Townsend at New Leaf Literary & Media (world English).
Author of HOW WE FALL ‘s THE BALLAD OF DINAH CALDWELL, a futuristic Ozarks thriller pitched as inspired by True Grit, in which a queer teenage girl sees her mother and brother murdered by a local kingpin and vows revenge and revolution no matter the cost, to Ashley Hearn at Page Street, with Tamara Grasty editing, in a nice deal, for publication in October 2021, by Bridget Smith at JABberwocky Literary Agency (world English).
‘s THE ONE TRUE ME AND YOU, a queer romance in which a beloved fanfic author and beauty pageant contestant find love, and learn what it means to be—and stand up for—yourself, to Alexandra Sehulster at Wednesday Books, for publication in winter 2022, by Eric Smith at P.S. Literary Agency (world English).
NYT-bestselling author of CEMETERY BOYS ‘s untitled fantasy duology, pitched as Aztec Percy Jackson meets the Hunger Games; and another untitled book, pitched as gay Titanic in space, to Holly West at Feiwel and Friends, in a significant deal, in an exclusive submission, in a three-book deal, for publication in fall 2022, fall 2023, and fall 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).
Editor-at-large for LinkedIn and former staff writer for Wired and Fortune Jessi Hempel’s THE FAMILY OUTING, pitched as FUN HOME meets Modern Family, about her family’s transformation from the portrait of traditional charm to a new incarnation, with almost all of them embracing their queer identities, an expansion of her viral Time magazine cover story and a new definition of what it means to live in our changing world, to Rakesh Satyal in his first acquisition at Harper One, in a major deal, at auction, by Suzanne Gluck at William Morris Endeavor (NA).
Reality TV star of the Bravo series Shahs of Sunset Reza Farahan’s MEMOIRS OF A GAY SHAH, a humorous and at times heartbreaking story about being gay, Muslim, Jewish, and Persian in America, to Kate Roddy at Sourcebooks, by Steve Troha and Katherine Odom-Tomchin at Folio Literary Management.
Professor of English literature at DePaul University ‘s FIERCE LOVE: A MEMOIR OF BLACK QUEER MOTHERHOOD, examining the conception of what family means, the complexity of queer parenthood, and the influence of race on everyday acts of parenting in a biracial household, to Chelsea Cutchens at Abrams Press, for publication in fall 2022, by Claire Anderson-Wheeler at Regal Hoffmann & Associates (world).
Recipient of an inaugural David Prize philanthropic grant ‘s ASYLUM, a blend of memoir and manifesto by a young, gay, Nigerian refugee who sought asylum in America after fleeing his home in the wake of violent hate crimes, examining the American asylum process, the modern refugee’s experience—especially the unique challenges facing LBGTQ+ refugees—and his path toward becoming the executive director of the RDJ Refugee Center in Harlem, to Zachary Knoll at Simon & Schuster, by Daniel Lazar at Writers House (NA).
Creator of #TheKentTest and culture critic ‘s FAT OFF, FAT ON, a humorous memoir about a fat Black woman, telling the story of how a fat body isn’t a cosmic punishment and is one you can grow into, how sometimes family doesn’t always mean home, and sharing ill-fated love affairs of the bisexual kind, to Lauren Hook at Feminist Press, for publication in fall 2022, by Claire Draper at The Bent Agency (world English).
