This post contains titles published by HarperCollins. Please note that the HarperCollins Union has been on strike since 11/10/22 to get a fair contract for their workers, and this site very much supports that effort. Visit the HarperCollins Union linktree to learn how you can support their fight for a fair contract: linktr.ee/hcpunion.
Seventeen-year-old gaymer Noah Mitchell only has one friend left: the wonderful, funny, strictly online-only MagePants69. After years playing RPGs together, they know everything about each other, except anything that would give away their real life identities. And Noah is certain that if they could just meet in person, they would be soulmates. Noah would do anything to make this happen―including finally leaving his gaming chair to join a community theater show that he’s only mostly sure MagePants69 is performing in. Noah has never done anything like theater―he can’t sing, he can’t dance, and he’s never willingly watched a musical―but he’ll have to go all in to have a chance at love.
With Noah’s mum performing in the lead role, and former friends waiting in the wings to sabotage his reputation, his plan to make MagePants69 fall in love with him might be a little more difficult than originally anticipated.
And the longer Noah waits to come clean, the more tangled his web of lies becomes. By opening night, he will have to decide if telling the truth is worth closing the curtain on his one shot at true love.
Please note that this post only includes titles etc. not included in earlier Bi Visibility Day posts. (Exception made for books posted without a cover last year or whose pub dates significantly changed since last posting.) For even more bi goodness, make sure to check earlier Bi Visibility Day posts!
Eighth-graders Evelyn and Allie are in trouble. Evelyn’s constant need for perfection has blown some fuses among her robotics teammates, and she’s worried nobody’s taking the upcoming competition seriously. Allie is new to school, and she’s had a history of short-circuiting on teachers and other kids.
So when Allie is assigned to the robotics team as a last resort, all Evelyn can see is just another wrench in the works! But as Allie confronts a past stricken with grief and learns to open up, the gears click into place as she discovers that Evelyn’s teammates have a lot to offer—if only Evelyn allowed them to participate in a role that plays to their strengths.
Can Evelyn learn to let go and listen to what Allie has to say? Or will their spot in the competition go up in smoke along with their school’s robotics program and Allie’s only chance at redemption?
Twenty one-year-old Max Monroe has it all: beauty, friends, and a glittering life filled with adventure. With tons of followers on Instagram, her picture-perfect existence seems eminently enviable.
Except it’s all fake.
Max is actually 16-year-old Kat Sanchez, a quiet and sarcastic teenager living in drab Bakersfield, California. Nothing glamorous in her existence–just sprawl, bad house parties, a crap school year, and the awkwardness of dealing with her best friend Hari’s unrequited love. But while Kat’s life is far from perfect, she thrives as Max: doling out advice, sharing beautiful photos, networking with famous influencers, even making a real friend in a follower named Elena. The closer Elena and “Max” get–texting, Snapping, and even calling–the more Kat feels she has to keep up the façade.
But when one of Max’s posts goes ultra-viral and gets back to the very person she’s been stealing photos from, her entire world – real and fake — comes crashing down around her. She has to figure out a way to get herself out of the huge web of lies she’s created without hurting the people she loves.
When Harleen Quinzel scores an internship in a psych lab at Gotham University, she’s more than ecstatic; she’s desperate to make a Big Scientific Discovery that will land her a full-ride college scholarship and get her away from her abusive father. But when Harleen witnesses the way women are treated across STEM departments–and experiences harassment herself–she decides that revenge and justice are more important than her own dreams.
Harleen finds her place in an intoxicating vigilante girl gang called the Reckoning, who creates chaos to inspire change. And when Harleen falls for another girl in the gang, it finally seems like she’s found her true passions. But what starts off as pranks and mischief quickly turns deadly as one of the gang members is found murdered–and a terrifying conspiracy is uncovered that puts the life Harleen has worked so hard for at stake. Will she choose her future–or will she choose revenge?
Enrique “Quique” Luna has one goal this summer—get over his crush on Saleem Kanazi by pursuing his other romantic prospects. Never mind that he’s only out to his best friend, Fabiola. Never mind that he has absolutely zero game. And definitely forget the fact that good and kind and, not to mention, beautiful Saleem is leaving LA for the summer to meet a girl his parents are trying to set him up with.
Luckily, Quique’s prospects are each intriguing in their own ways. There’s stoner-jock Tyler Montana, who might be just as interested in Fabiola as he is in Quique; straitlaced senior class president, Ziggy Jackson; and Manny Zuniga, who keeps looking at Quique like he’s carne asada fresh off the grill. With all these choices, Quique is sure to forget about Saleem in no time.
But as the summer heats up and his deep-seated fears and anxieties boil over, Quique soon realizes that getting over one guy by getting under a bunch of others may not have been the best laid plan and living his truth can come at a high cost.
Fallon and Chloe used to be best friends. But last summer, the girls hooked up right before Chloe left for college, and after a series of misunderstandings, they aren’t even speaking to one another. Now, a year later, Chloe’s back home from school, and Fallon is doing everything in her power to avoid her. Which is especially difficult because their moms own a business together—a gourmet ice cream truck where both girls work.
But when their moms have the opportunity to make a presentation to some venture capitalists in Texas—something that could seriously expand their business and solve all their money problems to boot—it’s up to Fallon to work a series of food truck festivals across the country. But she can’t do it alone, and Chloe is the only one available to help. As tensions heat up again between the two girls, will Fallon be able to keep her cool?
Growing up in Texas’s Rio Grande Valley, Maggie Gonzalez has always been a little messy, but she’s okay with that. After all, she has a great family, a goofy group of friends, a rocky romantic history, and dreams of being a music photographer. Tasked with picking an escort for her little sister’s quinceañera, Maggie has to face the truth: that her feelings about her friends—and her future—aren’t as simple as she’d once believed.
As Maggie’s search for the perfect escort continues, she’s forced to confront new (and old) feelings for three of her friends: Amanda, her best friend and first-ever crush; Matthew, her ex-boyfriend twice-over who refuses to stop flirting with her, and Dani, the new girl who has romantic baggage of her own. On top of this romantic disaster, she can’t stop thinking about the uncertainty of her own plans for the future and what that means for the people she loves.
As the weeks wind down and the boundaries between friendship and love become hazy, Maggie finds herself more and more confused with each photo. When her tried-and-true medium causes more chaos than calm, Maggie needs to figure out how to avoid certain disaster—or be brave enough to dive right into it.
As an avid watcher of K-dramas, Hana knows all the tropes to avoid when she finally lands a starring role in a buzzy new drama. And she can totally handle her fake co-star boyfriend who might be falling in love with her. After all, she promised the producers a contract romance, and that’s all they’re going to get from her.
But when showrunners bring on a new girl to challenge Hana’s role as main love interest—and worse, it’s someone Hana knows all too well—can Hana fight for her position on the show while falling for her on-screen rival in real life?
I Know What You Did Last Summer meets The Haunting of Hill House in this atmospheric, eerie teen thriller following an estranged group of friends being haunted by their friend who died last summer.
Emily Joiner was once part of an inseparable group—she was a sister, a best friend, a lover, and a rival. Summers without Emily were unthinkable. Until the fire burned the lake house to ashes with her inside.
A year later, it’s in Emily’s honor that Chelsea and her four friends decide to return. The house awaits them, meticulously rebuilt. Only, Chelsea is haunted by ghostly visions. Loner Ryan stirs up old hurts and forces golden boy Chase to play peacemaker. Which has perfect hostess Kennedy on edge as eerie events culminate in a stunning accusation: Emily’s death wasn’t an accident. And all the clues needed to find the person responsible are right here.
As old betrayals rise to the surface, Chelsea and her friends have one night to unravel a mystery spanning three summers before a killer among them exacts their revenge.
Flight 133 disappeared over the ocean. No wreckage. No distress signal. Just gone.
Suddenly, everyone on the news and social media is talking about whether the pilot intentionally crashed it—everyone but me. Because I know her. The pilot was my mom, and there’s no way she would hurt anyone. No one else knows that before she left, she wrote me a note. Trust me, it said.
Now it feels like someone split my world—and me—in two, and the only person who believes me is Landon. I want to trust him, to let him see who I really am, but I can’t. I have my secrets, the same way Mom has hers. All I know is falling for him will only make things more complicated.
Just as I start to open up, the answer to what really happened to Flight 133 could rip my world apart all over again—for good this time.
TRAGIC by Dana Mele (Text) and Valentina Pinti (Illustrations)
In a contemporary re-telling of Shakespeare’s Hamlet, TRAGIC follows the 17 year-old Harper Hayes as she unravels the mystery and grief surrounding her father’s death.
After her father Hamilton Hayes dies a mysterious and tragic death, Harper Hayes is convinced that he was murdered and her first suspect is her uncle Clayton, who has been sleeping with her mother, Greta. With the help of her ex-girlfriend Talia and her best friend (sometimes with benefits) Holden, Harper is determined to find her father’s killer. But when Caius, Talia’s father and Hamilton’s business partner, is found dead, Harper realizes the answer to Hamilton’s murder is more complicated than she had initially realized. And when Harper starts seeing his ghost in the form of a teenage Hamlet everywhere and slipping into hallucinations of his murder that end with blood on her hands, one thing becomes clear—in order to uncover the truth about what happened to her father, Harper has to confront her own demons and ones that haunt the Hayes family.
Holly Liddell has been stuck with crimped hair since 1987 when she agreed to let her boyfriend, Elton, turn her into a vampire. But when he ditches her at a gas station a few decades into their eternity together, she realizes that being young forever actually means working graveyard shifts at Taco Bell, sleeping in seedy motels, and being supernaturally compelled to follow your ex from town to town—at least until Holly meets Elton’s other exes.
It seems that Holly isn’t the only girl Elton seduced into this wretched existence. He turned Ida in 1921, then Rose in 1954, and he abandoned them both before Holly was even born. Now Rose and Ida want to kill him before he can trick another girl into eternal adolescence, and they’ll need Holly’s help to do it. And once Holly starts falling for Elton’s vulnerable new conquest, Parker, she’ll do anything to save her.
To kill Elton for good, Holly and her friends will have to dig up their pasts, rob a bank, and reconcile with the people they’ve hurt in their search for eternal love. And to win the girl, Holly will have to convince Parker that she’s more than just Elton’s crazy ex—even though she is trying to kill him.
Seventeen-year-old Carter Harper may have created an award-winning iPhone app and have a 3.93 GPA, but her successes are overshadowed by brutal bullying, debilitating depression, and biting loneliness. Tired of being treated as the popular girls’ plaything, Carter hatches a plan to gain their respect, and maybe even gain a bit of popularity of her own. When that doesn’t work, she thinks her only choice is to die by suicide.
Abby Wallace is a member of “the POPS” (the Petty, Oppressive, and Popular Shitbags, according to Carter)—subordinate only to Kelsey, her best friend with benefits. The ambitious poet destroys reputations without care—especially Carter’s—to prove how cool, cruel, and strong she is, all while pushing down her past trauma and secret guilt. But she faces an unexpected adversary when Kelsey tries to make Carter her new pet project. Angry and betrayed, Abby pushes Carter to the edge—facing consequences she never could have imagined.
Carter and Abby’s tumultuous relationship comes to a boiling point when Abby stops Carter from attempting suicide. But what happens when their shared enemy tries to come for them both again, and they end up in the unfortunate position of trying to protect one another? If Carter and Abby can stand each other for more than three minutes, they can stop Kelsey’s court of misrule from harming more girls.
(This is the UK edition. It will be published in the US on May 23, 2023 and can be preordered via Bookshop.)
Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they’ve never met in real life and Ada lives an ocean away. But Elsie has decided it’s now or never to tell Ada how she feels. That is, until her long-lost best friend Joan walks back into her life.
In a summer of repairing broken connections and building surprising new ones, Elsie realises that she isn’t nearly as alone as she thought. But now she has a choice to make…
When her siblings start to go missing, a girl must confront the dark thing that lives in the forest – and the growing darkness in herself – in this debut YA contemporary fantasy for fans of Wilder Girls.
Derry and her eight siblings live in an isolated house by the lake, separated from the rest of the world by an eerie and menacing forest. Frank, the man who raised them after their families abandoned them, says it’s for their own good. After all, the world isn’t safe for people with magic. And Derry feels safe – most of the time.
Until the night her eldest sister disappears. Jane and Derry swore to each other that they’d never go into the forest, not after their last trip ended in blood, but Derry is sure she saw Jane walk into the trees. When another sibling goes missing and Frank’s true colors start to show, feeling safe is no longer an option. Derry will risk anything to protect the family she has left. Even if that means returning to the forest that has started calling to Derry in her missing siblings’ voices.
As Derry spends more time amidst the trees, her magic grows more powerful…and so does the darkness inside her, the viciousness she wants to pretend doesn’t exist. But saving her siblings from the forest and from Frank might mean embracing the darkness. And that just might be the most dangerous thing of all.
It’s 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarified bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa’s unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can’t shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance.
When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now, all must struggle to find new identities in art, in society, and amongst each other. In the process, they must either find their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether.
With her career as a Los Angeles event planner imploding after a tabloid blowup, Morgan Ross isn’t headed home for the holidays so much as in strategic retreat. Breathtaking mountain vistas, quirky townsfolk, and charming small businesses aside, her hometown of Fern Falls is built of one heartbreak on top of another . . .
Take her one-time best friend turned crush, Rachel Reed. The memory of their perfect, doomed first kiss is still fresh as new-fallen snow. Way fresher than the freezing mud Morgan ends up sprawled in on her very first day back, only to be hauled out via Rachel’s sexy new lumberjane muscles acquired from running her family tree farm.
When Morgan discovers that the Reeds’ struggling tree farm is the only thing standing between Fern Falls and corporate greed destroying the whole town’s livelihood, she decides she can put heartbreak aside to save the farm by planning her best fundraiser yet. She has all the inspiration for a spectacular event: delicious vanilla lattes, acoustic guitars under majestic pines, a cozy barn surrounded by brilliant stars. But she and Rachel will ABSOLUTELY NOT have a heartwarming holiday happy ending. That would be as unprofessional as it is unlikely. Right?
No dating. That’s longtime divorcée Gina Kersey’s rule, and she’s sticking to it. Comfortably settled in her hometown of Clover Hill, she’d rather play board games than risk getting played herself. For company, she has her beloved if slightly meddlesome Great Aunt… who’s somehow made Gina promise to break her rule. She has to ask someone out. On a date. Maybe she could skip town instead?
Outgoing video game translator Marek Haas flew across the country to pick up the sports car of his teenage dreams—to celebrate getting over a breakup from the absolute worst boyfriend, not because he’s having a midlife crisis at thirty-five. In his automotive fantasies, though, the car didn’t break down in the middle of small-town nowhere.
Marek’s not a damsel in distress, but when Gina comes to his rescue on the side of the road, she can’t believe her luck. He’s handsome, charming, and most importantly, just passing through. Promise, meet loophole! When he turns out to be adorably nerdy as well, they skip drinks at the pub for a fun-filled night in Gina’s bed.
The problem? Marek’s vintage car needs parts the garage doesn’t have, so he’s stuck until they’re found. Meaning every time Gina turns around, her hot one night stand is still in her town, being all cute and friendly and sometimes taking his shirt off. Even worse, he seems to be falling for Clover Hill… and Gina might be falling for him.
Can Gina overcome her fears and take a chance on a geeky sweetheart who makes her weak at the knees, or will their unforgettable one night stand end up as nothing more than a memory?
Feyi Adekola wants to learn how to be alive again.
It’s been five years since the accident that killed the love of her life and she’s almost a new person now—an artist with her own studio, and sharing a brownstone apartment with her ride-or-die best friend, Joy, who insists it’s time for Feyi to ease back into the dating scene. Feyi isn’t ready for anything serious, but a steamy encounter at a rooftop party cascades into a whirlwind summer she could have never imagined: a luxury trip to a tropical island, decadent meals in the glamorous home of a celebrity chef, and a major curator who wants to launch her art career.
She’s even started dating the perfect guy, but their new relationship might be sabotaged before it has a chance by the dangerous thrill Feyi feels every time she locks eyes with the one person in the house who is most definitely off-limits. This new life she asked for just got a lot more complicated, and Feyi must begin her search for real answers. Who is she ready to become? Can she release her past and honor her grief while still embracing her future? And, of course, there’s the biggest question of all—how far is she willing to go for a second chance at love?
Not too long ago, Cass was a promising young playwright in New York, hailed as “a fierce new voice” and “queer, feminist, and ready to spill the tea.” But at the height of all this attention, Cass finds herself at the center of a searing public shaming, and flees to Los Angeles to escape — and reinvent herself. There she meets her next-door neighbor Caroline, a magnetic filmmaker on the rise, as well as the pack of teenage girls who hang around her house. They are the subjects of Caroline’s next semi-documentary movie, which follows the girls’ violent fight club, a real-life feminist re-purposing of the classic.
As Cass is drawn into the film’s orbit, she is awed by Caroline’s ambition and confidence. But over time, she becomes increasingly troubled by how deeply Caroline is manipulating the teens in the name of art. When a girl goes missing, Cass must reckon with her own ambitions and ask herself: in the pursuit of fame, how do you know when you’ve gone too far?
Thanks to her thriving art career, Miriam Blum finally has her decoupaged glitter ducks in a row—until devastating news forces her to a very unwanted family reunion. Her beloved great-aunt Cass has passed and left Miriam part-owner of Carrigan’s, her (ironically) Jewish-run Christmas tree farm.
But Miriam’s plans to sit shiva, avoid her parents, then put Carrigan’s in her rearview mirror are spoiled when she learns the business is at risk of going under. To have any chance at turning things around, she’ll need to work with the farm’s grumpy manager—as long as the attraction sparking between them doesn’t set all their trees on fire first.
Noelle Northwood wants Miriam Blum gone—even if her ingenious ideas and sensitive soul keep showing Noelle there’s more to Cass’s niece than meets the eye. But saving Carrigan’s requires trust, love, and risking it all—for the chance to make their wildest dreams come true.
When Cassie Klein goes to an off-campus bar to escape her school’s Family Weekend, she isn’t looking for a hookup―it just happens. Buying a drink for a stranger turns into what should be an uncomplicated, amazing one-night stand. But then the next morning rolls around and her friend drags her along to meet her mom―the hot, older woman Cassie slept with.
Erin Bennett came to Family Weekend to get closer to her daughter, not have a one-night stand with a college senior. In her defense, she hadn’t known Cassie was a student when they’d met. To make things worse, Erin’s daughter brings Cassie to breakfast the next morning. And despite Erin’s better judgement―how could sleeping with your daughter’s friend be anything but bad?―she and Cassie get along in the day just as well as they did last night.
What should have been a one-time fling quickly proves impossible to ignore, and soon Cassie and Erin are sneaking around. Worst of all, they start to realize they have something real. But is being honest about the love between them worth the cost?
For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation that will be broadcasted on a popular home improvement show, Innside America, Astrid knows this is the answer to everything that is wrong with her life. It’ll be the perfect distraction from her failed love life, and her perpetually displeased mother might finally give her nod of approval.
However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and lead carpenter for the inn’s renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into a little light sabotage, ruffling Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other turns into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she’s expected to lead, or the one she wants?
What’s more important? Knowing the truth or keeping the peace?
The summer of her senior year, seventeen-year-old Avery Anderson finds herself uprooted from her life in DC and moved into the hostile home of her terminally ill grandmother, Mama Letty. The tension between her mom and Mama Letty makes for an unwelcoming arrival and unearths some family drama they refuse to talk about. Everytime Avery tries to look deeper, they turn her away, leaving her desperate to learn the secrets that split her family in two.
Where Mama Letty is cantankerous and closed off, Avery finds friendship in some unexpected places: in Simone, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family— whose mother’s murder remains unsolved.
But as the three girls grow closer—Avery and Simone’s friendship blossoming into something more—the sharp-edged opinions of their small southern town start to hint at something more insidious underneath. Turning to Mama Letty for answers only result in more questions, uncovering decades-old secrets that have been brewing for generations, exposing the towns racist history and threatening to topple the new life Avery’s built in Bardell County, Georgia.
It’s been two years since Maya dumped her cheating ex-boyfriend Jordy, and she still can’t escape him: his sister married the crown prince of a minor European country, and in the lead up to the wedding he captured hearts globally as the eligible younger brother. So, when Maya receives an invitation to be a contestant on Second Chance Romance, a new reality show in which the now-famous Jordy will re-date his ex-girlfriends in an effort to find “the one that got away,” she isn’t interested…that is, until she realizes she can use this opportunity to exact her revenge. If she can make it to the finale, she can reject Jordy and publicly break his heart. As far as Maya’s concerned, it’s payback with interest: just what a guy like Jordy deserves.
But when she gets to the set, she’s confronted with the one person she hasn’t accounted for: Skye, the beautiful, charismatic girl Jordy cheated on Maya with. How is she supposed to live with this girl for six weeks? Sharing bunkbeds, for crying out loud?
Except, of course, there’s more to Skye than she lets most people see. Skye has her own reasons for being careful with her heart, and might be more willing to take Maya’s side than it initially seems. If they can sustain their reluctant alliance—and keep their unexpected chemistry from interfering—they might just have a chance to take Jordy down.
Xavier Reynolds is doing less than stellar. He just got dumped, was passed over for a prestigious fellowship, and to top it all off he’s right back home in Harper’s Cove, Maine (population: 9,000). The last thing he wants to do is to work as a prep chef in the kitchen of the hip new restaurant in town, The Wharf. Especially since the hot, single-father chef who owns it can’t delegate to save his life.
Logan O’Hare doesn’t understand Xavier or why every word out of his mouth is dipped in sarcasm. Unfortunately, he has no choice but to hire him—he needs more help in the kitchen and his tween daughter, Anne, can only mince so many onions. It might be a recipe for disaster, but Logan doesn’t have many options besides Xavier.
Stuck between a stove and a hot place, Logan and Xavier discover an unexpected connection. But when the heat between them threatens to top the Scoville scale, they’ll have to decide if they can make their relationship work or if life has seasoned them too differently.
When Nareh Bedrossian’s non-Armenian boyfriend gets down on one knee and proposes to her in front of a room full of drunk San Francisco tech boys, she realizes it’s time to find someone who shares her idea of romance.
Enter her mother: armed with plenty of mom-guilt and a spreadsheet of Facebook-stalked Armenian men, she convinces Nar to attend Explore Armenia, a month-long series of events in the city. But it’s not the mom-approved playboy doctor or the wealthy engineer who catch Nar’s eye—it’s Erebuni, a woman as immersed in the witchy arts as she is in preserving Armenian identity. Suddenly, with Erebuni as her wingwoman, the events feel like far less of a chore, and much more of an adventure. Who knew cooking up kuftes together could be so . . . sexy?
Erebuni helps Nar see the beauty of their shared culture and makes her feel understood in a way she never has before. But there’s one teeny problem: Nar’s not exactly out as bisexual. The clock is ticking on her double life—the Explore Armenia closing banquet is coming up, and her entire extended family will be there, along with Erebuni. Her worlds will inevitably collide, but Nar is determined to be brave and to claim her happiness: proudly Armenian, proudly bisexual, and proudly herself for the first time in her life.
This is the second book in the Pies Before Guys mystery series.
Daisy bakes a little murder into every pie she creates, and she and her dog, Zoe, deliver them to the town’s worst cads. Now, Daisy’s entered a televised, elimination-style competition and has a shot at $100k in prize money—but she still has a murder pie to deliver between filming.
In a completely unexpected turn of events, she discovers that her intended victim is one of the competition judges, and he turns up dead before the pie even arrives. Now, Daisy has to solve the murder—even if it means working a bit of magic—before someone calls foul play and exposes her murderous secret.
How do you face your fears when everything is terrifying?
Fifteen-year-old Brynn can’t stop thinking about death. Her intrusive thoughts and severe anxiety leave her feeling helpless—and hopeless. So after her mom interprets one of Brynn’s blog posts as a suicide note, she takes extreme measures, confiscating Brynn’s phone, blocking her Internet access, and banishing her to stay with her father, who lives “off the grid” on a houseboat in the Florida mangroves. Isolated from her online friends—her only friends—Brynn resigns herself to a summer of mind-numbing boredom and loneliness . . . until Skylar appears.
Skylar is everything Brynn isn’t—sultry, athletic, and confident. Yet Brynn feels at home around this fearless girl who pushes her to try new things and makes her belly flutter with nerves that have nothing to do with anxiety. When Brynn discovers that Skylar is trapped in the bayou and can’t tell her why, she resolves to free her new crush from the dark waters, even if it means confronting all of her worst fears.
A contemporary YA debut from award-winning playwright Gina Femia, Alondra is a coming-of-age story of friendship and romance, about a bisexual teen girl and her friends wrestling their way through the summer–sometimes on the playgrounds of Coney Island, sometimes with their feelings and at home.
Sixteen-year-old Alonda loves professional wrestling. So when she meets a group of teens with aspirations of wrestling fame in her Coney Island neighborhood, she couldn’t be happier. So as the ragtag team works to put on a show to remember, Alonda sheds her old self behind and becomes Alondra―the Fearless One. But with her conflicting feelings for King, the handsome leader of their group, and Lexi, the girl with the beautiful smile, Alonda has to ask herself: can she be as fearless outside of the ring as she is inside it?
For aspiring cinematographer Luna Roth, coming out as bisexual at twenty-four is proving more difficult than she anticipated. Sure, her best friend and fellow queer Romy is thrilled for her—but she has no interest in coming out to her backwards parents, she wouldn’t know how to flirt with a girl if one fell at her feet, and she has no sexual history to build off. Not to mention she really needs to focus her energy on escaping her emotionally-abusive-but-that’s-Hollywood talent manager boss and actually get working under a real director of photography anyway.
When she meets twenty-eight-year-old A-list actress Valeria Sullivan around the office, Luna thinks she’s found her solution. She’ll use Valeria’s interest in her cinematography to get a PA job on the set of Valeria’s directorial debut—and if Valeria is as gay as Luna suspects, and she happens to be Luna’s route to losing her virginity, too . . . well, that’s just an added bonus. Enlisting Romy’s help, Luna starts the juggling act of her life—impress Valeria’s DP to get another job after this one, get as close to Valeria as possible, and help Romy with her own career moves.
But when Valeria begins to reciprocate romantic interest in Luna, the act begins to crumble—straining her relationship with Romy and leaving her job prospects precarious. Now Luna has to figure out if she can she fulfill her dreams as a filmmaker, keep her best friend, and get the girl. . . or if she’s destined to end up on the cutting room floor.
Lydia Jones and her younger sister Penny have had it with boy drama. Last year was marred by relationship disasters for both of them, threatening Lydia’s standing with her school’s theater tech club and Penny’s perfect GPA. Penny has, naturally, diagnosed the problem and prescribed a drastic solution: a summer off from boys.
Lydia and Penny decide to stay with their Aunt Grace and her boyfriend Oscar in Los Angeles while their parents are off on a European cruise. Penny follows her future-business-school dreams with an internship at Oscar’s office, and Lydia gets a part-time job at Grace’s neighborhood coffeeshop, Grounds Control.
Even when they spent hours, days, weeks dissecting their various boy drama, Lydia’s never felt this connected to her sister before, and it makes her wonder what else in her life could be different. She finds herself drawn to a group of friends she meets through her Grounds Control coworker, Margaret, as well as an intriguing customer, Fran, an aspiring filmmaker and—while not the first girl Lydia finds herself attracted to—the first girl who has mutual feelings for her. But she’s not breaking her pledge to Penny, right? That was just about boys. Even though in her heart Lydia knows she’s bending the rules, she hasn’t had a connection with anyone as strong as her connection with Fran, so she thinks it can’t be wrong. And Penny won’t mind as long as she’s happy . . . Right?
That’s how Sadie feels, on a perfect summer day, wrapped in her girlfriend’s arms. School is out, and even though she’s been struggling to manage her chronic anxiety, Sadie is hopeful better times are ahead. Or at least, she thought she was safe. When her girlfriend reveals some unexpected news and the two witness a violent incident of police brutality unfold before them, Sadie’s whole world is upended in an instant.
I’m not safe anywhere.
That’s how Sadie feels every day after—vulnerable, uprooted. She retreats inside as the weeks slip by and relies on her phone to stay connected to the outside world. When Sadie’s therapist gives her a diagnosis for her debilitating panic—agoraphobia—she starts on a path of acceptance and healing. Meanwhile, Sadie’s best friend, Evan, updates her on the protests taking place in their city. Sadie wants to be a part of it, to use her voice and affect change. But how do you show up for your community when you can’t even leave your house?
I can build a safe place inside myself.
That’s what Sadie learns over the course of one life-changing summer, with some help from her family, her best friend, an online platform for activists, and a magnetic crush she develops for the new boy next door.
On the worst day of her life, Madison is dumped by her girlfriend, then fired as said (ex)girlfriend’s campaign manager… plus she accidentally rear-ends the student government advisor—the one person whose good word might help her win a spot at a prestigious youth politics summer camp.
But Madison is nothing if not a girl with a plan, and she isn’t going to let a little thing like heartbreak (or a slightly dented bumper) get in her way. Soon, she has a new junior class president candidate to back—although the two of them might be getting a little too close on the campaign trail. Between navigating her growing crush and corralling a less than enthusiastic election team, Madison has had it with unexpected changes to her carefully laid plans. But when she and a group of queer classmates discover a pattern of harassment within the student government, Madison’s forced to shift gears once again.
After her parents’ divorce, 16 year old Riley Grishin is forced to move from Portland, Oregon all the way to Little Brook, Maine, a small town that serves as the headquarters for Titan Technologies, an international tech laboratory. Having left her friends and father behind, Riley spends most of her days running through the woods with her dog Tigger, and eavesdropping on her classmates—in particular, the gorgeous, but very strange, Aspen Montehugh.
On the night of the homecoming game, Riley wakes up to find her town on fire, terrorized by an unseen monster. With flames spreading rapidly, Riley and Tigger have no choice but to pile into her beat-up pickup truck and flee. Speeding out of town, they come across the only other survivor: Aspen.
When Riley and Aspen finally reach safety, they realize something far more sinister is afoot. According to the news, all other Titan Tech laboratories on the East Coast have been attacked. And even worse, they’re being followed by an SUV with blacked out windows. With all air travel grounded, Riley has no way to fly back to her dad, so she and Aspen embark on a cross country road trip, all the while pursued by men with guns, mad scientists, and the monstrous truth. Slowly, Riley realizes something’s not quite right with Aspen, which puts her feelings for her—and her own humanity—to the ultimate test.
Ten years ago, the Scar Squad promised each other nothing would tear them apart. They stuck together through thick and thin, late-night surf sessions and after school spodies. Even when Casey Jones Caruso lost her twin brother Sammy to an overdose, and their foursome became a threesome, the squad picked each other up. But when Casey’s feeling for the remaining members—Francesca and Benjamin—develop into romantic attraction, she worries the truth will dissolve them and vows to ignore her heart.
Then Ben kisses Casey at a summer party, and Frankie kisses another girl. Now Casey must confront all the complicated feelings she’s buried—for her friends and for her brother who she’s totally pissed at for dying. Since Sammy’s death, Casey has spilled all the things she can no longer say to him in journals, and now more than ever, she wishes he were here to help her decide whether she should guard her heart or bet it on love, before someone else makes the decision for her.
Savannah “Sav” Henry is almost the person she wants to be, or at least she’s getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.
But when she learns that Izzie, her best friend from childhood, has gotten engaged, Sav faces a crisis of confidence. Things with Izzie haven’t been the same since what happened between Sav and Izzie’s older brother when they were sixteen. Now, with the wedding around the corner, Sav is forced to reckon with trauma she thought she could put behind her.
On top of it all, Sav can’t stop thinking about Wes from her Gender Studies class—sweet, funny Wes, with their long eyelashes and green backpack. There’s something different here—with Wes and with her new friends (who delight in teasing her about this face-burning crush); it feels, terrifyingly, like they might truly see her in a way no one has before.
Natalya Fox has twenty-hours to make the biggest choice of her life: stay home in NYC for the summer with her dad (and finally screw up the courage to talk to the girl she’s been crushing on), or spend it with her basically estranged mom in LA (knowing this is the best chance she has to fix their relationship, if she even wants to.) (Does she want to?)
How’s a girl supposed to choose?
She can’t, and so both summers play out in alternating timelines – one in which Natalya explores the city, tries to repair things with her mom, works on figuring out her future, and goes for the girl she’s always wanted. And one in which Natalya explores the city, tries to repair things with her mom, works on figuring out her future, and goes for the guy she never saw coming.
It’s a few months before senior year and Claire Kemp, a closeted bisexual, is finally starting to admit she might be falling in love with her best friend, Sophia, who she’s known since they were four.
Trying to pay off the fine from the crash that totals Lars, her beloved car, Claire takes a job at the local nursing home up the street from her house. There she meets Lena, an eighty-eight-year-old lesbian woman who tells her stories about what it was like growing up gay in the 1950s and ’60s.
As Claire spends more time with Lena and grows more confident of her identity, another girl, Pen, comes into the picture, and Claire is caught between two loves–one familiar and well-worn, the other new and untested.
Author of THE DUKE UNDONE Joanna Lowell‘s A SHORE THING, in which a transmasculine artist falls for a renowned cis woman botanist as they compete in a shoreside bicycle race in this beach-set Victorian romance, to Kate Seaver at Berkley, in a two-book deal, for publication in spring 2024, by Tara Gelsomino at One Track Literary Agency (world).
Two-time Hugo Award finalist Chuck Tingle‘s CAMP DAMASCUS, in which a group of queer friends begin to realize their memories of surviving a hellish gay conversion therapy camp have been stolen from them; and a second standalone novel, BURY YOUR GAYS, to Kelly Lonesome at Nightfire, in an exclusive submission, in a two-book deal, for publication in July 2023 and summer 2024, by DongWon Song at Howard Morhaim Literary Agency (NA).
Author of CHEF’S KISS TJ Alexander‘s SECOND CHANCES IN NEW PORT STEPHEN, in which a down-on-his-luck, early-40s trans comedian begrudgingly returns to his outlandish Floridian hometown for the first time in decades, only to run into his high school ex-boyfriend, who’s inexplicably gotten hotter with time and soon throws into question where nostalgia ends and where moving on begins, to Lara Jones at Emily Bestler Books, in an exclusive submission, in a two-book deal, for publication in December 2023, by Larissa Melo Pienkowski at Jill Grinberg Literary Management (world).
Lambda Award-winning author of SKYE FALLING Mia McKenzie’s DORIS STEELE, a comic novel about a pious, small-town teenager who travels to Atlanta in 1960 to get an abortion and finds herself smack in the middle of the civil rights movement and the secret lives of queer Black people, ultimately discovering the transformative power of leaving your bubble, even for just one chaotic weekend, to Caitlin McKenna at Random House, by Alexa Stark at Writers House (world).
Columbia MFA alum and Lambda Literary inaugural fellow Douglas Jones’s PRIME REAL ESTATE, set in Atlanta as the 1996 Olympics loom, following two Black men confronting their roles in displacing Black residents to make way for the Opening ceremony while coming to terms with their own sexuality, to Yahdon Israel at Simon & Schuster, in a pre-empt, by Haley Heidemann at William Morris Endeavor.
Author of CITY OF A THOUSAND FEELINGS Anya Johanna DeNiro‘s OKPSYCHE, a surreal short novel from the perspective of a trans woman navigating dystopia, anxiety, and motherhood, to Kelly Link at Small Beer Press, in a nice deal, for publication in fall 2023 (world).
Andrew Wilmot’s WITHERED, in which a nonbinary student moves to a small, haunted town after reaching a low point with their mental health, to Terese Mason Pierre at ECW Press, with Jennifer Albert editing, by Kelvin Kong at K2 Literary (world).
Lambda Award-winning author of FLAMER and the Little Elliot picture books Mike Curato‘s GAYSIANS, a humorous graphic novel about an ensemble of queer Asian American friends in 2000s Seattle as they carve out space for themselves and navigate friendships, relationships, racism, and transphobia, to Betsy Gleick and Mae Zhang McCauley at Algonquin, at auction, by Brenda Bowen at The Book Group (world).
T M Payne‘s regional police procedural series set in Liverpool, following a tortured and authentic detective with a strong moral compass, who is part of the LGBTQ+ community, to Victoria Haslam at Thomas & Mercer, in a three-book deal, for publication in March 2024, October 2024, and March 2025, by Broo Doherty at DHH Literary (world English).
Fulbright scholar Mary Liza Hartong’s HOT CHICKEN, pitched as Schitt’s Creek meets Dumplin’, a Southern novel about a PhD candidate at Vanderbilt who returns to her small Tennessee hometown for her father’s funeral and picks up work at a hot chicken shack, where she falls in love with another young woman and has to find a way forward for herself, her feisty mother, and her new love, to Rachel Kahan at William Morrow, in a nice deal, for publication in winter/spring 2024, by Janna Bonikowski at The Knight Agency (world English).
Pitch Wars mentee KT Hoffman‘s THE KEYSTONE COMBINATION, pitched as Red, White & Royal Blue meets Ted Lasso, a rom-com about what happens when the first openly trans professional baseball player in history is forced to share the infield with his arch nemesis—a standoffish, super-talented, and inconveniently gorgeous player, to Katy Nishimoto at Dial Press, at auction, in a two-book deal, by Allison Hunter at Trellis Literary Management (NA).
Asha Thanki’s A THOUSAND TIMES BEFORE, a queer literary speculative novel tracing three generations of mothers and daughters—spanning from the 1947 Partition of India and Pakistan through to contemporary Brooklyn—who are connected by an ancient tapestry through which they inherit all the memories of their foremothers, to Nidhi Pugalia at Viking, at auction, by Stephanie Delman and Danya Kukafka at Trellis Literary Management (NA).
Children’s/Middle Grade Fiction
Middle school English teacher and GrubStreet Novel Incubator graduate Karen Wilfrid’s JUST LIZZIE, about an eighth grader whose study of asexual reproduction in science class leads her to understand her own asexual identity as she embarks on a journey toward self-discovery and self-advocacy, to Lily Kessinger at Clarion, at auction, for publication in fall 2023, by Lauren Scovel at Laura Gross Literary Agency (NA).
Rainie Oet’s THE BIRTHDAY PARTY, a picture book about a nonbinary child who is swept off to their surprise birthday party full of dreamlike creatures and magical, poignant moments, illustrated by Mathias Ball, to Susan Dobinick at Astra, for publication in spring 2024, by Abigail Frank at Sanford J. Greenburger Associates for the author, and by Natascha Morris at The Tobias Literary Agency for the illustrator (world).
Stonewall and Waterstones Children’s Book Prize award winning creator Harry Woodgate‘s GRANDAD’S PRIDE, a sequel to Grandad’s Camper, this time honoring the past and celebrating the future with a Pride parade, to Sue Buswell at Andersen Press, in a two-book deal, for publication in April 2023, by Alice Sutherland-Hawes at ASH Literary (world).
Young Adult Fiction
Elisa Bonnin‘s EXILES OF ELLERY WEST, a dark academia YA novel following a queer Filipino-American girl who returns as a probationary student to the acclaimed Ellery Academy of Magic, only to find her past—an accident involving dark magic that caused the death of her best friend—is far from behind her, and teams up with the other probationary classmates to prevent more deaths, even if it risks having her magic sealed away forever, to Rachel Diebel at Feiwel and Friends, for publication in spring 2024, by Natalie Lakosil and Antoinette Van Sluytman at Irene Goodman Agency (world).
Cecilia Vinesse‘s THE GIRL NEXT DOOR, following a bisexual film club nerd’s attempts to make her ex jealous by pretending to date his new girlfriend’s ex-girlfriend, who happens to be her ultra-cool next-door neighbor; as she gets deeper into the charade, she realizes why “fake dating” is such a tried-and-true movie trope—and that her heart’s in danger of being broken again, to Alyssa Miele at Quill Tree, in a good deal, at auction, in a two-book deal, for publication in summer 2023, by Molly Ker Hawn at The Bent Agency (NA).
Literary agent Lee Paige O’Brien’s A HUNDRED VICIOUS TURNS and an untitled sequel in The Broken Tower series, following the nonbinary heir to a powerful magical bloodline with the unsettling ability to find doorways that no one else can see, who finds themself drawn into a dangerous game of cat and mouse at an elite magic university when a malevolent force follows them back through the passages, to Emily Daluga at Amulet, in a two-book deal, for publication in fall 2023, by Jordan Hamessley at New Leaf Literary & Media (world English).
Laura Steven’s THE SOCIETY FOR SOULLESS GIRLS, a dark contemporary thriller with a supernatural twist pitched as a sapphic retelling of Jekyll & Hyde set at a haunted university, which follows two roommates who must solve an infamous cold case of serial murders on campus after an arcane soul-splitting ritual gone wrong prompts another death, to Hannah Hill at Delacorte, for publication in fall 2023, by Juliette Clark at Farshore (US). (Note: this book has already been released in the UK.)
Danish cartoonist Jam Aden‘s LOVE, MISHA, pitched as A Goofy Movie meets Spirited Away, about a nonbinary teen and their mother who, during a contentious road trip, take a wrong turn that lands them in the realm of the spirits, where they are surrounded by trickster spirits who aren’t so keen on human trespassers, with no obvious way out, to Samia Fakih at First Second, for publication in spring 2025, by Jennifer Laughran at Andrea Brown Literary Agency (world).
NYT-bestselling author of CEMETERY BOYS Aiden Thomas‘s CEMETERY BOYS 2, a sequel told from Julian’s point-of-view, pitched as The Sixth Sense meets Final Destination, when a monster starts creating malingo spirits in East L.A., to Holly West at Feiwel and Friends, in a good deal, in an exclusive submission, for publication in fall 2024, by Jennifer March Soloway at Andrea Brown Literary Agency (world).
Transgender writer Stacy Jane Grover‘s TAR HOLLOW TRANS, a debut collection of personal essays that tracks the author’s attempts and ultimate failure to write themselves into a recognizable transgender, Appalachian identity, to Abby Freeland at University Press of Kentucky, in a nice deal, for publication in spring 2023.
Appalachian bookseller and cofounder of Atlas Books Davis Shoulders’s QUEER COMMUNION: APPALACHIAN QUEERS & RELIGION, a collection of essays that examines how Queer individuals reimagine their relationship to spiritual communities and religious institutions, to Abby Freeland at University Press of Kentucky, in a nice deal, for publication in spring 2024.
Ed Emcee Dr. Anthony Keith Jr’s HOW THE BOOGEYMAN BECAME A POET, a YA memoir-in-verse tracing the author’s journey from being a closeted-gay Black high school teenager battling against poverty, racism, White supremacy, and homophobia to becoming an openly gay first-generation college student who finds unexpected freedom in poetry; and KNUCKLEHEAD, a poetry collection which takes the form of a tender love letter from an openly gay Black man to Black men and boys everywhere, to Ben Rosenthal at Katherine Tegen Books, in a significant deal, at auction, in a two-book deal, for publication in winter 2024 and winter 2025, by Annie Hwang at Ayesha Pande Literary (NA).
Queer artist with ADHD and creator of the Instagram account @blessthemessy Jess Bird’s BLESS THE MESSY, an illustrated personal development book that speaks candidly about inclusivity, acceptance, and radical self-love, and inspires readers to reframe chaos and mess as tools for growth and change, to Veronica Alvarado at Simon Element, in a pre-empt, by Kate Woodrow at Present Perfect (world English).