Tag Archives: ownvoices

Better Know an Author: Rebecca Barrow

New month, new author to fall for! If you’re not already familiar with Rebecca Barrow, please allow me to help you fix your life. She’s a contemporary YA author whose sophomore novel, This is What it Feels Like, releases on November 6, and if you’re a fan of authors like Emery Lord, Nina LaCour, and Katie Cotugno, I guarantee you wanna check her books out!

Let’s jump right in to your new release, which you already know I’m obsessed with. What’s This is What it Feels Like all about, and can you particularly tell us about Jules and her romance?

So This is What it Feels Like is about three former friends-and-bandmates who get back together to try to win fifteen grand and have to work through the past that tore them apart in order to succeed. Jules’ story is really about what happens when she meets a sweet, fun new girl and has to deal with the relationship Expectations vs Reality thing she has going on. She’s a super romantic and her last (first) relationship didn’t really work out well. And a big part of her character is this quiet fear she has that she won’t ever get to be in a happy, ideal relationship with another girl. I originally wrote her getting back with the ex and dealing with all the drama of their relationship again, but there came a point when I thought—why am I giving her this unhappiness? Why can’t she meet someone who gets her and write her getting to explore happiness and her shifting perception of that notion? So, I did.

We see a lot of the “gay best friend” in YA, but I think Rose in You Don’t Know Me But I Know You might’ve been the first bi best friend I’ve seen in YA, though it’s definitely been a growing trend since. She’s such a great character, too; what about her really spoke to you?

First of all, thank you because I know some people really don’t like her but I love her, mess and all! I didn’t set out to write The Bi Best Friend; when I first started writing Rose, the book was dual POV and she had her own thing going on. So really she got shifted into that role as I found the heart of the story and stripped back to just Audrey’s POV. But writing Rose was one of those moments that I know plenty of authors have had, where you write a queer character because you’re just SUCH a good ally! and then you stop and realise that ohhhh wait no okay it’s all clear now. So I guess what spoke to me about her was…myself?! I wrote her bisexuality not realising that it was also my bisexuality. And she’s similar to Jules in that she’s very certain of her sexuality and also very afraid that any relationship she gets into is going to go terribly. I guess..am I just writing my own fears again?! Possibly! It was definitely enjoyable to write a girl who’s so sharp and spiky but not a stereotype.

You’re a very interesting case of being a British author who publishes in the US, despite there being a reasonably thriving UK YA scene, and sort of a queer UK YA subscene. How did you come to the choice to publish this way, and what differences do you notice in the different publishing communities?

I didn’t intentionally set out to publish in the US; it was just a kind of unfolding of events that now I think works in my favour. I do write books set in the US, because I was raised on US media and I loved USYA and it was just what I started out writing. Then as I became more knowledgeable about publishing, and as the push for increased diversity has happened—well, as much as the US still has far to go, the UK has even farther. Specifically for the books I write, with black and sometimes queer girls whose stories don’t revolve around black pain and who are somewhat outside the stereotypical/publishing-approved narrative, it can be hard to find a place for them, especially in the UK. So while in the beginning it wasn’t a move I made specifically because of what I write, it is now something I definitely think is in my best interests and that I wouldn’t take back.

The UK scene is complex because while there are marginalised authors putting out great UKYA books and a very enthusiastic community of people supporting them, it also feelsto me, at leastoverall still quite stuck in the past. So a lot of the books that are really successful here have that old school children’s lit feel of magic and mysteries, and younger protagonists, and some of the older and more diverse books don’t reach the heights they really should. Then there’s another odd thing in that in the UK, in the past, we didn’t have YA as suchit was more of a children’s/teenage divide. So if you were to pick up a book in the teenage section, it could be something dark and gritty with an 18yo MC, or it could just as easily be a fun adventure story with a 13yo MC. And as YA has exploded, what’s really happened is that successful USYA is being brought over here and kind of flooding the space. In terms of diverse fiction, then, what often happens is people will point to the success of a USYA title in the UK, but not really register that we’re still not supporting diverse UK talent enough. Which kind of comes back to the question of why I publish in the US—it’s all a bit of a self-perpetuating cycle: USYA gets brought over, UKYA isn’t bought, UK authors seek to publish in the US, their US-published books get brought over, support still isn’t there…and rinse and repeat. It’s very complicated and as far as I can see, the answer really is for UK publishing to step up and buy/nurture/support works by marginalised UK authors. Until that happens, this cycle will continue.

But I do want to shout out a few people doing great work—Stripes puts out great diverse books and brings in unknown talents to write in their anthologies, several of whom now have solo deals. Knights Of is a new publisher focused on diverse lit—they just put out Jason Reynolds’ For Every One. And there are so many individuals working hard—we just really need the machine of publishing and a lot of the book-buying public to step up, too.

In the future I would love love LOVE to be published in the UK as well as the US, and hopefully find a space for my books.

Black girls barely get their due in YA as a whole, let alone in queer YA, but you’ve now had two beautiful books—one queer, one not—with Black leads and gorgeous covers that feature them. What has that experience been like, and do you have any tips for authors who’d like to follow in your lead but feel shut out by the publishing industry?

I can honestly say that I’d never considered my own identity so much as I did once I got my deal. It felt like all of a sudden it MEANT so much more and there were so many questions to answer and things people wanted justified and realising how much my identity was truly going to play into this career I was just starting out on…it was overwhelming. What’s kind of funny and kind of embarrassing is that in the beginning of my writing journey, I didn’t think too much about writing black characters. Like many POC authors I defaulted to writing white characters, and then by the time I wrote what became my debut and wrote my first black lead, it wasn’t a calculated move on my part—I hadn’t had some awakening and realised what I wanted to write. I just thought—hey, what if this girl was black? And it was only once I had sold that I really began to understand how lucky I was to have sold a black girl book and what I was up against. Now I write my black girls—more often than not queer, now, too—as a kind of defiance, and honestly, I’d encourage anyone wanting to take a similar path as me to do the same. Writing marginalised characters means dealing with aggressions both micro and macro from people across the industry, and facing an even steeper climb to success. In hindsight, I’m glad I wasn’t fully aware of how hard it would be because maybe I wouldn’t have gotten this far—but I want anyone reading who dreams of selling characters with black, queer leads to know it is possible and it feels amazing and my rage only serves to fuel my writing nowadays. So let your anger fuel you, too.

And since you mentioned my gorgeous covers (the first by Sarah Creech and and the second by Michelle Taormina) which are such a positive in the whole experience, I should say something else positive too—because it’s not all terrible, of course not. There is no better feeling than someone saying “that girl looks like me”, someone reading and saying “this character is black the same way I am”, knowing that at least one person out there is going to see themselves in your words. And selfishly, for myself—these are the books I wish I had read as a teenager: complex black girls, queer girls, living their lives.

You might have the most similar taste in contemporary YA to me of anyone else in bookworld, so of course, I have to mine your brain for some recs here. What are your favorite queer books (YA or not) that you’d love to see find more readers?

I absolutely love The Gallery of Unfinished Girls by Lauren Karcz, perfect for anyone struggling with love of creating and love of someone close to you. I know she’s not exactly underrated but it’s my opinion that Nina LaCour is not nearly as widely read as she should be so Everything Leads to You and We Are Okay for sure. How to Make a Wish by Ashley Herring Blake spoke to me so much, Echo After Echo by Amy Rose Capetta is the queer theatre mystery of my dreams, Like Water by Rebecca Podos is so magical. And to round it out, a book I read on your rec!  A Good Idea by Cristina Moracho. (Blogger’s Note: I love every single one of these books, to the shock of no one.)

What’s the first LGBTQIAP+ experience you saw onscreen or in a book that really resonated with you?

You know, I’ve only really started to find queer media I connect to in the last couple of years, even though I’ve seen a decent amount over the years (I mean hello I’ve been watching Grey’s Anatomy for the past century). So really the first was Emi in Everything Leads to You, as a queer, artistic, mixed race black girl.

I know you’re a tattoo person, which is something I always find immensely fascinating. Have you gotten tattoos for your books, and if not, what would you get if you did?

Right now I have one book tattoo, for You Don’t Know Me But I Know You. It’s not really specific to the book but one of my favourite artists does these heart-and-hairgrip tattoos and I thought it would be a perfect representation of Audrey and Rose. I’m still thinking about what to get for This is What it Feels Like…I feel music-based is a touch too on the nose, so maybe something baked goods-themed? I’m open to suggestions!

What’s up next for you?

Nothing official yet but I hope to be bringing you more queer girls of colour soon, perhaps dusted with a little more darkness this time.

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Rebecca Barrow writes stories about girls and all the wonders they can be. A lipstick obsessive with the ability to quote the entirety of Mean Girls, she lives in England, where it rains a considerable amount more than in the fictional worlds of her characters. She collects tattoos, cats, and more books than she could ever possibly read.

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Better Know an Author: Sara Farizan

I am such a fangirl of Sara Farizan as both an author and a human that it delights me to bring her to LGBTQReads and pick her brain about her awesome work, queer media, and, most importantly, basketball. Please welcome her to the site!

You’ve been up to so much this year, I don’t even know where to begin. Clearly you’re a go-to get for anthologies, as you’ve got stories in three this year. Can you tell us a little bit about your contributions to The Radical Element, All Out, and, most recently, Fresh Ink

Being invited to be a part of those anthologies was a blessing and I’m so grateful to have been asked. They really helped me out of a slump when I felt like I couldn’t write anything or I was too bogged down with my novel. All of the editors, Jessica Spotswood, Saundra Mitchell, and Lamar Giles were all incredibly helpful and I was very happy that they thought of me.

My story in All Out (“It’s The End of the World As We Know It”) is set on New Year’s Eve of 1999 and two estranged best friends spend New Year’s Eve together and are anxious about the Y2K bug that was though to wreak havoc at that time. My story for The Radical Element (“Take Me With U”) was set in 1984 and is about a young girl from Tehran who is staying with her uncle’s family in Boston. She bears a striking resemblance to Apollonia from Purple Rain and joins an all-girl band called the Ovarian Cysters. My story in Fresh Ink (“Why I Learned to Cook”) is about a young girl named Yasi who has a close relationship with her grandmother and wants to introduce her to her girlfriend over a meal she has learned to cook from her grandmother.

Last month saw the release of your first novel since Tell Me Again How a Crush Should Feel. Can you tell us a little bit about it, and how it feels to be writing from such a different POV from your other work?

I’ve written about a great kid named Bijan who has had a pretty low-key profile at his prep school. He suddenly finds himself in the spotlight as a basketball star and there are some people who are not happy with all of his newfound stardom so he becomes the target of prejudice. I had a tough go with this book because I knew there would be an audience however large or small whereas my other two books were written in graduate school and may have never seen the light of day. Readers will be able to tell whether Bijan reads as authentic. I think initially I was trying to make him perfect when I had to remind myself that he’s a teenager and should make mistakes.

You broke into YA with books about queer girls at a time when we were seeing so, so little. What was it like publishing it then, and what are your thoughts on it and how the landscape has changed?

I didn’t really have any idea what I was getting into and I still have a lot to learn. I think I was naïve, but that was sometimes a good thing because I just wrote what was in my heart. I am hopeful and encouraged by all the new books and voices we are seeing, especially from own voices authors who can speak to queer experiences. Could there be room for more? Absolutely. I think we’ve seen LGBTQA books get more support, but that doesn’t mean okay well that’s enough. You’ve had your moment.

Another obviously notable aspect of your work is that you write some of the very few queer girls in YA who have culturally intersectional identities. What has the response to your girls been like, particularly from your represented readers?

What has been a wonderful thing in meeting readers of my work is that they are all so different from each other. There have been readers of different ages, gender identities, races and that’s been very gratifying.

There was one time where a reader met me at a conference and she said she had given my book to her friend who was of an Eastern background and struggling with coming out to her family. I asked how old her friend was and she said she was in her forties and still grappling with her sexuality. I started crying.

On the flip side, with cultural context being such an inextricable component of your work, especially in your debut, how have you found connecting with readers who might not grasp all of its implications? I feel like writing “ownvoices realistic fiction” before that phrase was really a thing is perhaps a uniquely difficult thing that doesn’t get enough airtime.

I constantly worry that people may think the one perspective I have in my work is the only perspective because they may not have read other narratives about the characters I write about. I also worry that the characters I do write about who represent real people don’t feel that I am doing it the right way. There is a lot of pressure to represent an under represented group well and to make sure you are doing things perfectly when there is no way to be perfect. My hope is that more own voices books make their way into the world so that people are not always given three dimensional depictions can have some depth, as well as having different perspectives from characters of similar background.

You’re such a strong proponent of supporting films of queer work in addition to the written word. What are some of your favorites and most anticipated, and what’s your dream casting for your own novels/stories?

I loved Miseducation of Cameron Post and feel it should have as much Oscar buzz as Call Me By Your Name. The book is one of my favorite books of all time and I enjoyed the adaptation very much. I’ve been a huge fan of the director Desiree Akhavan since her film Appropriate Behavior and am excited for her show The Bisexual. I’m also a fan of films by Angela Robinson like D.E.B.S. and Professor Marston and the Wonder Women. Pariah by Dee Rees was a revelation. I was so happy when Moonlight won best picture at the Oscars.

I wouldn’t mind seeing a film or TV version of Tell Me Again How a Crush Should Feel.  I think it’d be fun. I’ve never let myself think about it for too long but if it were to happen I’d want there to be Persian actors playing Persian parts.

What’s your earliest memory of queer representation in media, for better or for worse?

I think seeing Pedro in the Real World on MTV comes to mind. I remember liking him so much but I had to sneak in episodes at my grandma’s place because my house didn’t have cable. This isn’t the earliest memory, but one storyline/scene that was very emotion for me was Evan Rachel Wood having a secret girlfriend on Once and Again. It had a huge impact on me seeing her character Jessie grapple with her feelings. It was so well acted and I never really tuned into that show until that episode where Jessie kisses Katie was banned in a few states.

Very important, for my own personal curiosity: fave NBA player of all time and why? 

Pick one? That’s tough. Reggie Miller appears in my new book as a commentator in the main character’s head, but I know how you feel about Reggie Miller as a Knicks fan. (Blogger’s Note: She does know. It is not positively. *hisses*) I think the best Celtic of all time is Bill Russell but obviously I wasn’t around when he was winning all those championships. When I was a kid I was obsessed with Shaq and Penny Hardaway even though they played for the Magic.

I will highlight one player I liked so much when he was on the Celtics and that’s Brandon Bass. He was not an all-star, but when he played on the Celtics he came to work and he was consistent. He plays in China now, but I wish him all the best.

What can you share about whatever you’re working on now? And do we have any chance at getting a queer-girl basketball player someday? Asking for a friend. Of yours. Who is me 😉

Winky face! I have a story coming out in the anthology Hungry Hearts which is coming out summer of 2019 from Simon Pulse. I think fans of Tell Me Again will like that one as it’s very Sapphic and sweet. I am not sure what’s next after that, but I hope people still want to read my stuff. I’m very grateful to everyone who has read my books and stories. It means a lot.

***

Sara Farizan, the daughter of Iranian immigrants, was born in Massachusetts. She is an MFA graduate of Lesley University and holds a BA in film and media studies from American University. Sara grew up feeling different in her private high school, not only because of her ethnicity, but also because of her liking girls romantically, her lack of excitement in science and math, and her love of writing plays and short stories. So she came out of the closet in college, realized math and science weren’t so bad (but were not for her), and decided she wanted to be a writer. Sara has been a Hollywood intern, a waitress, a comic book/record store employee, an art magazine blogger, a marketing temp, and an after-school teacher, but above all else she has always been a writer. Sara lives near Boston, loves Kurosawa films, eighties R&B, and graphic novels, and thinks all kids are awesome. She is the acclaimed author of If You Could Be Mine, Tell Me Again How a Crush Should Feel, and Here to Stay.

New Releases: August 2018

The Dark Beneath the Ice by Amelinda Bérubé (7th)

Something is wrong with Marianne.

It’s not just that her parents have finally split up. Or that life hasn’t been the same since she quit dancing. Or even that her mother has checked herself into the hospital.

She’s losing time. Doing things she would never do. And objects around her seem to break whenever she comes close. Something is after her. And the only one who seems to believe her is the daughter of a local psychic.

But their first attempt at an exorcism calls down the full force of the thing’s rage. It demands Marianne give back what she stole. Whatever is haunting her, it wants everything she has—everything it’s convinced she stole. Marianne must uncover the truth that lies beneath it all before the nightmare can take what it thinks it’s owed, leaving Marianne trapped in the darkness of the other side.

Buy it: Amazon | Barnes & Noble | Indiebound | Book Depository  | Indigo 

Past Imperfect by Carrie Pack (9th)

This is the second book in the In the Present Tense series.

Now on the run from the corporation that turned him into a lab experiment, Miles finds himself in a fight for his life as he unravels the complicated relationships he shares with ex-boyfriend Adam, whom he still loves, and wife Ana, whose allegiance he cannot trust.

Meanwhile, nineteen-year-old Bethany Carter is on the run from her past and present. Having escaped the same institution that trapped Miles, she must find a way to safely manage the schizophrenia that triggers her time travel while navigating unpredictable bouts of paranoia.

As Miles’ and Bethany’s lives become more intertwined, Dr. Branagan, the man who made their lives a living hell at Longleaf Retreat, will stop at nothing to continue his research, even if it means destroying his subjects in the process.

Buy it: Interlude

Learning Curves by Ceilie Simkiss (16th)

Elena Mendez has always been career-first; with only two semesters of law school to go, her dream of working as a family lawyer for children is finally within reach. She can’t afford distractions. She doesn’t have time for love.

And she has no idea how much her life will change, the day she lends her notes to Cora McLaughlin.

A freelance writer and MBA student, Cora is just as career-driven as Elena. But over weeks in the library together, they discover that as strong as they are apart, they’re stronger together. Through snowstorms and stolen moments, through loneliness and companionship, the two learn they can weather anything as long as they have each other–even a surprise visit from Elena’s family.

From solitude to sweetness, there’s nothing like falling in love. College may be strict…but when it comes to love, Cora and Elena are ahead of the learning curve.

Buy it: Amazon

Darius the Great is Not Okay by Adib Khorram (28th)

Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s about to take his first-ever trip to Iran, and it’s pretty overwhelming–especially when he’s also dealing with clinical depression, a disapproving dad, and a chronically anemic social life. In Iran, he gets to know his ailing but still formidable grandfather, his loving grandmother, and the rest of his mom’s family for the first time. And he meets Sohrab, the boy next door who changes everything.

Sohrab makes sure people speak English so Darius can understand what’s going on. He gets Darius an Iranian National Football Team jersey that makes him feel like a True Persian for the first time. And he understand that sometimes, best friends don’t have to talk. Darius has never had a true friend before, but now he’s spending his days with Sohrab playing soccer, eating rosewater ice cream, and sitting together for hours in their special place, a rooftop overlooking the Yazdi skyline.

Sohrab calls him Darioush–the original Persian version of his name–and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab. When it’s time to go home to America, he’ll have to find a way to be Darioush on his own.

Buy it: B&N * Amazon * IndieBound * Rainy Day Books

Ruin of Stars by Linsey Miller (28th)

This is the second book in the Mask of Shadows duology.

As Opal, Sal finally has the power, prestige, and most importantly the ability to hunt the lords who killed their family. But Sal has to figure out who the culprits are before putting them down. Which means trying to ignore the fact that Elise is being kept a virtual prisoner, and that the queen may have ulterior motives.

And the tales coming out of north are baffling. Talk of dark spirits, missing children, and magic abound. As Sal heads north toward their ruined homeland and the lords who destroyed everything, they learn secrets and truths that can’t be ignored.

Buy it: B&N * Amazon * IndieBound * Watermark (signed) * Book Depository

Exclusive Cover Reveal: Learning Curves by Ceillie Simkiss!

Hello and welcome to a super exciting cover reveal! Learning Curves by Ceilie Simkiss is an adult contemporary romance with a white cis panromantic asexual woman (ownvoices) and a fat Puerto Rican cis lesbian woman. (It’s got ownvoices ADHD and anxiety rep, too!) It releases on August 16, and you can learn more about it right here!

LearningCurvesEdited2

Elena Mendez has always been career-first; with only two semesters of law school to go, her dream of working as a family lawyer for children is finally within reach. She can’t afford distractions. She doesn’t have time for love.

And she has no idea how much her life will change, the day she lends her notes to Cora McLaughlin.

A freelance writer and MBA student, Cora is just as career-driven as Elena. But over weeks in the library together, they discover that as strong as they are apart, they’re stronger together. Through snowstorms and stolen moments, through loneliness and companionship, the two learn they can weather anything as long as they have each other–even a surprise visit from Elena’s family.

From solitude to sweetness, there’s nothing like falling in love. College may be strict…but when it comes to love, Cora and Elena are ahead of the learning curve.

Aaaand here’s the fabulous cover!

Preorder Learning Curves here!

Ceillie Simkiss is an author from southern Virginia. She started writing fiction as an escape from her day job as a small town journalist, and has been at it ever since, with the support of her partner, her dog and her cats.

Fave Five: Sapphic Plus-Size Protagonists

Shhhh it’s really six. Tell no one.

The Summer of Jordi Perez by Amy Spalding

Leah on the Offbeat by Becky Albertalli

Bearly a Lady by Cassandra Khaw

The Seafarer’s Kiss by Julia Ember

Knit One, Girl Two by Shira Glassman

Final Draft by Riley Redgate

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Exclusive Cover Reveal: Of Ice and Shadows by Audrey Coulthurst!

Of Fire and Stars by Audrey Coulthurst was one of the first traditionally published f/f YA fantasies, so there’s no question it’s made its mark in queer book world, especially with its heavy emphasis on romance and lightness and a Happily Ever After. But if you’ve been dying for even more Denna and Mare, you are so in luck: today we’re revealing the cover for the sequel, Of Ice and Shadows!

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Princesses Denna and Mare are in love and together at last—only to face a new set of dangers.

Mare just wants to settle down with the girl she loves, which would be easier if Denna weren’t gifted with forbidden and volatile fire magic. Denna must learn to control her powers, which means traveling in secret to the kingdom of Zumorda, where she can seek training without fear of persecution. Determined to help, Mare has agreed to serve as an ambassador as a cover for their journey.

But just after Mare and Denna arrive in Zumorda, an attack on a border town changes everything. Mare’s diplomatic mission is now urgent: She must quickly broker an alliance with the Zumordan queen to protect her homeland. However, the queen has no interest in allying with other kingdoms—it’s Denna’s untamed but powerful magic that catches her eye. The queen offers to teach Denna herself, and both girls know it would be dangerous to refuse.

As Denna’s powers grow stronger, Mare does her best to be the ambassador her kingdom needs. Her knowledge of Zumorda and its people grows, and so too do her suspicions about the queen’s intentions. With rising tensions and unexpected betrayals putting Mare and Denna in jeopardy and dangerous enemies emerging on all sides, can they protect their love and save their kingdoms?

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And now here’s the cover, designed by Michelle Taormina with art by Jacob Eisinger and guaranteed to look stunning next to the first book!

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Of Ice And Shadows will be released on March 5, 2019. Pre-order it today at B&N, IndieBound, or Amazon!

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Evrim Icoz Photography

Audrey Coulthurst writes YA books that tend to involve magic, horses, and kissing the wrong people. When she’s not dreaming up new stories, she can usually be found painting, singing, or on the back of a horse. She lives in Santa Monica, California. http://audreycoulthurst.com/

 

Exclusive Cover Reveal: Blood-Bound by Kaelan Rhywiol

Well I can certainly think of some underrepresented readers who are gonna be psyched at today’s cover reveal! Check out the details on what you’ll find in Blood-Bound, the new paranormal romance coming from Kaelan Rhywiol via Ninestar Press on June 11th:

Pairings: Cis M/Genderfluid AMAB, Cis M/Non-Binary AFAB

Orientations: Bisexual, pansexual, gray asexual, gray aromantic,

Representation: (Own) pansexuality, non-binary AFAB, gray asexuality, gray aromanticism, touch aversion, autism, kink, mental illness, polyamory, mixed-race rep. (Non-own) Cis M, bisexual M & AMAB, Genderfluid AMAB

And here’s the blurb!

Blood-Bound-f

 

Rhian is a pwca. A Welsh shapeshifter bound as an assassin to the Dark God Arawn.

She’s content in her life, so when he assigns her as ambassador to oversee Ontario for him, it’s a shock. Her new job? To find out who murdered her predecessor and bring them to justice, oversee the otherkin and clean up their messes before the humans find them.

All to preserve the illusion that magic and supernatural creatures do not exist.

The problem? One of the otherkin she’s supposed to oversee is her estranged husband, Kai. Kai was a Spanish-Moorish singer, thief, and whore when they met three hundred years ago. He made his living on the streets and taught her what love really was. They didn’t part well.

Now he’s a centuries old vampire and she’s his boss.

Kai is the only person Rhian has never regretted having sex with, and the only one she can’t forgive. Rhian’s vow to her god forbids her from splitting her loyalty, but being around Kai makes her realize it’s been split all along.

A vow to a dark god, or the love of her life and the only sex she’s never regretted having?

Being demisexual can be a bitch.

Preorder Blood-Bound at Nine Star Press!

Aaaaand here’s the cover, designed by the inimitable Natasha Snow!

Kaelan author photoKaelan Rhywiol was born and raised in the Adirondack mountains of Upstate NY, US. Xie currently lives in Southern Ontario, Canada with xyr husband of 19 years, their two kids, three cats and a grumpy chinchilla. Xie is not currently represented by an agent, and while not actively searching for one, if the right one offered would consider it. Xie is published through Multifarious Press, a small, independent press devoted to diversity. Xie has a paranormal romance upcoming from NineStar Press on May 21st, 2018 featuring own voices demisexuality, non-binary, mixed-race rep, touch aversion, gray aromanticism, kink, and bi/pansexuality.

Xie is the author of YAHUI’S SUSPENSION, SERVING THE DRAKON, NERA’S NEED, ANNA’S CHOICE, A DANCER’S HOPE, A HARSHER KISS, MOTHMEN, ILAVANI vol 1-5. As well as the upcoming title BLOODBOUND from NineStar Press.

Xie works as a freelance editor for small, independent presses and private clients. Xie does inexpensive cover art for independent authors and is an authenticity reader for autism, rape survival, mixed-race rep, polyamory, kink, chronic pain, and mental illness (anxiety, depression).

New Releases: May 2018

Little Fish by Casey Plett (1st)

In this extraordinary debut novel by the author of the Lambda Literary Award-winning story collection A Safe Girl to Love, Wendy Reimer is a thirty-year-old trans woman who comes across evidence that her late grandfather–a devout Mennonite farmer–might have been transgender himself. At first she dismisses this revelation, having other problems at hand, but as she and her friends struggle to cope with the challenges of their increasingly volatile lives–from alcoholism, to sex work, to suicide–Wendy is drawn to the lost pieces of her grandfather’s life, becoming determined to unravel the mystery of his truth. Alternately warm-hearted and dark-spirited, desperate and mirthful, Little Fish explores the winter of discontent in the life of one transgender woman as her past and future become irrevocably entwined.

Buy it: B&N * Amazon

Prince & Knight by Daniel Haack and Stevie Lewis (1st)

In this modern fairy tale, a noble prince and a brave knight come together to defeat a terrible monster and in the process find true love in a most unexpected place.

“Thank you,” he told his parents.

“I appreciate that you tried,

but I’m looking for something special

in a partner by my side.”

Once upon a time, in a kingdom far from here, there was a prince in line to take the throne, so his parents set out to find him a kind and worthy bride. The three of them traveled the land far and wide, but the prince didn’t quite find what he was looking for in the princesses they met.

While they were away, a terrible dragon threatened their land, and all the soldiers fled. The prince rushed back to save his kingdom from the perilous beast and was met by a brave knight in a suit of brightly shining armor. Together they fought the dragon and discovered that special something the prince was looking for all along.

Buy it: Amazon

Ship It by Britta Lundin (1st)

Claire is a sixteen-year-old fangirl obsessed with the show Demon Heart. Forest is an actor on Demon Heart who dreams of bigger roles. When the two meet at a local Comic-Con panel, it’s a dream come true for Claire. Until the Q&A, that is, when Forest laughs off Claire’s assertion that his character is gay. Claire is devastated. After all, every last word of her super-popular fanfic revolves around the romance between Forest’s character and his male frenemy. She can’t believe her hero turned out to be a closed-minded jerk. Forest is mostly confused that anyone would think his character is gay. Because he’s not. Definitely not.

Unfortunately for Demon Heart, when the video of the disastrous Q&A goes viral, the producers have a PR nightmare on their hands. In order to help bolster their image within the LGBTQ+ community-as well as with their fans-they hire Claire to join the cast for the rest of their publicity tour. What ensues is a series of colourful Comic-Con clashes between the fans and the show that lead Forest to question his assumptions about sexuality and help Claire come out of her shell. But how far will Claire go to make her ship canon? To what lengths will Forest go to stop her and protect his career? And will Claire ever get the guts to make a move on Tess, the very cute, extremely cool fanartist she keeps running into?

Buy it: Amazon  //  Barnes and Noble  //  IndieBound

Cinnamon Blade: Knife in Shining Armor by Shira Glassman (7th)

Every time Cinnamon Blade, crime fighter making up for a bad past, rescues the sweet and nerdy Soledad Castillo from bad guys, the two women’s chemistry grows stronger. Now that she’s finally asked Soledad out, sparks fly — but is a normal date even possible in a city threatened by aliens and vampires on a regular basis?

Buy it: Amazon

 

 

Girl Made of Stars by Ashley Herring Blake (15th)

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“I need Owen to explain this. Because yes, I do know that Owen would never do that, but I also know Hannah would never lie about something like that.”

Mara and Owen are about as close as twins can get. So when Mara’s friend Hannah accuses Owen of rape, Mara doesn’t know what to think. Can the brother she loves really be guilty of such a violent crime? Torn between the family she loves and her own sense of right and wrong, Mara is feeling lost, and it doesn’t help that things have been strained with her ex-girlfriend, Charlie.

As Mara, Hannah, and Charlie navigate this new terrain, Mara must face a trauma from her own past and decide where Charlie fits in her future. With sensitivity and openness, this timely novel confronts the difficult questions surrounding consent, victim blaming, and sexual assault.

Buy it: B&N * Amazon

Love and Other Carnivorous Plants by Florence Gonsalves (15th)

Freshman year at Harvard was the most anticlimactic year of Danny’s life. She’s failing pre-med and drifting apart from her best friend. One by one, Danny is losing all the underpinnings of her identity. When she finds herself attracted to an older, edgy girl who she met in rehab for an eating disorder, she finally feels like she might be finding a new sense of self. But when tragedy strikes, her self-destructive tendencies come back to haunt her as she struggles to discover who that self really is.

Buy it: B&N * Amazon * IndieBound

Nothing Happened by Molly Booth (15th)

This modern-day retelling of Shakespeare’s Much Ado About Nothing takes place at the idyllic Camp Dogberry, where sisters Bee and Hana Leonato have grown up. Their parents own the place, and every summer they look forward to leading little campers in crafts, swimming in the lake, playing games of capture the flag and sproutball, and of course, the legendary counselor parties.

This year, the camp drama isn’t just on the improv stage. Bee and longtime counselor Ben have a will-they-or-won’t-they romance that’s complicated by events that happened—or didn’t happen—last summer. Meanwhile, Hana is falling hard for the kind but insecure Claudia, putting them both in the crosshairs of resident troublemaker John, who spreads a vicious rumor that could tear them apart.

As the counselors juggle their camp responsibilities with simmering drama that comes to a head at the Fourth of July sparkler party, they’ll have to swallow their pride and find the courage to untangle the truth, whether it leads to heartbreak or happily ever after.

Buy it: B&N * Amazon * IndieBound

Anger is a Gift by Mark Oshiro (22nd)

Six years ago, Moss Jefferies’ father was murdered by an Oakland police officer. Along with losing a parent, the media’s vilification of his father and lack of accountability has left Moss with near crippling panic attacks.

Now, in his sophomore year of high school, Moss and his fellow classmates find themselves increasingly treated like criminals their own school. New rules. Random locker searches. Constant intimidation and Oakland Police Department stationed in their halls. Despite their youth, the students decide to organize and push back against the administration.

When tensions hit a fever pitch and tragedy strikes, Moss must face a difficult choice: give in to fear and hate or realize that anger can actually be a gift.

Buy it: B&N * Amazon

The Brightsiders by Jen Wilde (22nd)

A teen rockstar has to navigate family, love, coming out, and life in the spotlight after being labeled the latest celebrity trainwreck in Jen Wilde’s quirky and utterly relatable novel.

As a rock star drummer in the hit band The Brightsiders, Emmy King’s life should be
perfect. But there’s nothing the paparazzi love more than watching a celebrity crash and burn. When a night of partying lands Emmy in hospital and her girlfriend in jail, she’s branded the latest tabloid train wreck.

Luckily, Emmy has her friends and bandmates, including the super-swoonworthy Alfie, to help her pick up the pieces of her life. She knows hooking up with a band member is exactly the kind of trouble she should be avoiding, and yet Emmy and Alfie Just. Keep. Kissing.

Will the inevitable fallout turn her into a clickbait scandal (again)? Or will she find the strength to stand on her own?

Buy it: B&N * Amazon

Better Know an Author: Ashley Herring Blake

If you’re not already familiar with the work of Ashley Herring Blake, it’s time to get on board, because she’s become a serious force in both queer YA and MG, with one of each out this very season. I snagged her right in between her two 2018 releases (both phenomenal) to ask her about them, her bookselling days and recs, and what’s coming up!

Congrats on your newest release, Ivy Aberdeen’s Letter to the World! The world of queer Middle Grade is so small; what was it like getting into it? And what’s your favorite thing about Ivy herself?

Thank you so much! I’m excited to have the book out in the world. Deciding to write a queer middle grade novel was an easy one for me—there are just too few out there and I really wanted to write a book that could be really meaningful for kids at this age. My second YA, How to Make a Wish, was very much the book I needed as a teenager, but Ivy Aberdeen’s Letter to the World is the book I needed at a tween and I just knew I needed to write it. Once it sold though, that was a little scarier, thinking about its reception. Sure, its 2018, but the world is still very much a scary place for queer people and I live in the south. I’ve seen the wrinkled noses and heard the snarky comments first hand. But, really, I think that only proves that we need more queer middle grade books out there. Because if I’m nervous, I know queer kids dealing with identity and questions are terrified. I think my favorite thing about Ivy is drive to explore her feelings. She keeps them a secret from the people in her life, but she lets them all out on paper, and that’s something I never had the courage to do. As a tween, I squashed down any feelings I felt rise up for other girls. In fact, I doubt I even realized I was doing it. It was an unacceptable course for my life, as I saw then, so I didn’t even let it bloom into my heart too much. But Ivy, she lets it in, even if it’s just with herself, and I think that, too, takes a kind of bravery.

You also have an incredible YA coming out on May 15, Girl Made of Stars. You know I’m already obsessed, especially with the fact that it’s really a book that has no easy choices or paths, but it’s also releasing at what feels like a really auspicious time. Can you tell us about the book, and what it feels like to have it published now in particular?

Thanks, I’m excited about Girl Made of Stars too. It was definitely the most emotionally difficult book I’ve ever written. I get this question a lot—about how it’s the perfect time for the book to come out, how timely it is, that it’s a book for the #MeToo movement, and I don’t disagree. But when I wrote it, these conversations and revelations hadn’t exploded quite yet. There was no #MeToo movement. But there were angry, hurt, ignored, strong, brave, scared women and victims dealing with the repercussions of abuse and assault. And you know, it felt just as timely then as it does now. Unfortunately, I don’t think there has ever been a time when a book like this wasn’t timely. When I talk about it, I want to make sure readers get that—yes, we’re talking about this issue a lot right now and hopefully, that will lead to some real self-reflection, policy changes, consequences, healing, and safety for victims. But these stories have always been. These women, these victims have always been trying to tell their truth and heal and feel safe. Girl Made of Stars, I hope, simply adds to an already rich body of YA literature out there that lifts up and reveals these stories.

I of course have to give a shout to your last YA, How to Make a Wish, which, like Girl Made of Stars, features an out-and-proud bi protag and a beautiful queer romance. As you continue to embody “Write the books you want to see on shelves” and maybe even “Write the books you needed as a kid,” what stands out to you as really important to have in both your romances and your representation?

I think the most important thing to me is to just write a damn good character. I love flawed, messy, real characters and, as I do desire to add to the wonderfully growing list of books featuring bisexual protagonists, one of my biggest goals is simply portray that character as a real person. When writing a marginalized character, there’s a pressure to get it perfect, which isn’t fair at all. I know others, particularly women of color writing women of color, experience this pressure on a much larger scale than I do, which is even less fair. Every bad choice my character makes, every errant thought, every mean thing they think or say, I have to second guess it. Because there’s a feeling that my bi character must represent all bi people and if they come across as a certain way, I’m damning everyone. I think this pressure comes from a good place—the desire to do no harm with our characters, which I fully endorse. People are messy, though. So while I am careful that my bi characters do no harm in terms of bi-erasure or bi-phobia or bi-shame, it’s important to me to write characters who make out with people for the wrong reasons and hurt people they love because they’re scared. I want to read about a character I can relate to and that’s the kind I want to write and no one is squeaky clean or perfect, marginalized characters included. I love creating that room, that space, for my girls to eff up and grow.

My feeling about your books is that they really fill in gaps in this really quiet and wonderful way. What are some of the best things you’ve heard from readers about your work?

Some of my favorite emails from readers have come in the short time since Ivy Aberdeen’s Letter to the World has released. I’ve had readers tell me they read it and then came out to their family. I’ve had readers echo my own feelings—that they wish they had this book as a tween and can’t wait to get it into young readers’ hands. Each email reminds me why I do what I do, even when it’s hard. I’ve had a number of readers really connect with Grace’s relationship with her mom in How to Make a Wish, telling me it reflected their own relationship in a way that helped them process it. Those are really special messages as well, as I didn’t have a mom like Grace’s and I’m so honored to those who entrusted their story to me that helped me craft Grace’s fraught relationship with her mom. I’m starting to get some messages about Girl Made of Stars and those are probably the most difficult to read, but also the most important and moving. In short, I’m honored and humbled to get to do what I do.

In addition to being on the author side of a while now, you’ve also spend some time on the other side of the bookstore counter. What did you learn as a bookseller that authors and/or readers might not know about the business?

I loved my time as a bookseller and so wish I could do it again! I just loved being around all the books, you know? I’m not sure if I have any real insider info to pass along, but I will say that it was truly amazing to be able to put the right book into the right person’s hands. Authors, I’m telling you, hug your local bookseller and/or librarian. (I mean, ask first, but if they say yes, give them a squeeze.) Because the work tirelessly, particularly those who work predominantly with kid and teen books, to get you work to the reader who really needs it. In this business, it’s so easy to feel lost among the top-sellers, but being a bookseller really revealed to me that there is place for every book, bestsellers and mid-list alike.

As someone with professional recommendation experience, what are your favorite queer titles to shove in the arms of everyone you know? What upcoming queer titles are you excited about?

Oh, I do love this question. *cracks knuckles* So, my absolutely favorite queer book of the past year was Nina LaCour’s We Are Okay. Many of you have probably read it—and it won the Printz—but it is this quiet, perfect, devastating, lovely book that everyone should read and reread. I also must put an adult queer book that just RUINED me a few months ago, and that’s Taylor Jenkins Reid’s The Seven Husbands of Evelyn Hugo. I’m serious, I was just useless for days, crying in my classroom, could’t stop thinking about it. It’s that good. The books I regularly push into people’s arms are Far From You by Tess Sharpe, Under the Lights by Dahlia Adler (ahem), Like Water by Rebecca Podos, literally any book by Anna-Marie McLemore, Let’s Talk About Love by Claire Kann, If I Was Your Girl by Meredith Russo, Echo After Echo by Amy Rose Capetta, any book by Caleb Roehrig, and any book by Sara Farizan. There are two books come out soon (or may be out by the time this posts) that I’ve read and am wild about. Picture Us in the Light by Kelly Loy Gilbert just might be the most perfect book I’ve ever read. I’m not even kissing. And Kheryn Callender’s Hurricane Child is a queer middle grade that is simply gorgeous and is a must-read. As far as upcoming release, I’m beyond excited for Kheryn Callender’s This is Kind of an Epic Love Story, Jen Wilde’s The Brightsiders, Candice Montgomery’s Home and Away, Anna-Marie McLemore’s Blanca & Roja, Tehlor Kay Mejia’s We Set the Dark on Fire, and Claire Legrand’s Sawkill Girls.

You have another Middle Grade novel coming in 2019, The Mighty Heart of Sunny St. James. What can you tell us about it?

Yes! I’m so excited about this book. Sunny actually might be my favorite character I’ve ever written and I can’t wait for you to meet her. So, this book is about Sunny St. James and it opens when she’s about to go into surgery to have a heart transplant. In recovery, her estranged mother shows up, which throws her New Life plan all out of whack. But Sunny is nothing if not determined, so she forges ahead, meeting a new girl named Quinn and the two embark on a Kissing Quest, in which they try and find a boy with whom to share a first kiss. But, in quintessential Ashley fashion, Sunny starts to realize it might not be boys she wants to kiss. All the while, there’s the long-lost mother, a Former Best Friend who is the worst betrayer to ever betray, and free verse poetry. I love it and I hope you do too.

With both queer MG and queer YA under your belt, what are the most notable differences to you in both writing it and publishing it?

You know, every book is different, even if you always stay without the same marketing category and age range, but I will say that it took me a while to find my middle grade voice with Ivy. I wrote the whole book in first person, but couldn’t get away from a YA sound, it was so ingrained, so I changed it to third, which I ended up loving for Ivy. Sunny, however, needed a first person, but by then, I had my feet wet and I was able to create an authentic, unique MG voice for her. Of course, I can’t drop eff bombs in middle grade and I’ve found a tenderness to middle grade, even when the characters are dealing with pretty heavy stuff, that I have just fallen in love with. Publishing wise, it’s interesting, because I’ve definitely found it harder to use my normal social media platforms for middle grade. Of course, there are fewer middle grade aged readers on social media (as it should—I’m not letting my own kids touch it until they’re 30), so I’ve had to let go of a lot of my own promo a bit. I’ve done things, but I’ve definitely found less response (granted, maybe that’s because the book and not the market, ha), but it’s been a bit more challenging to navigate. That being said, I’ve interacted with more librarians and teachers with middle grade, which has just been lovely. I’m hoping to find more places online where I can connect with those who get these books into MG readers’ hands.

Your Middle Grade editor is none other than the unstoppable Kheryn Callender, who also has two books coming out this year, one MG and one YA. What’s it like working with another author on your books?

Ha, yes, I’ve already lauded their two books this year, one I’ve read and one I’m drooling over, so you could definitely say I’m a fan. Honestly, it’s been a dream working with Kheryn. They’re insightful, supportive, wise. They are everything I want in an editor. My agent is also an author, so working with Kheryn in that capacity wasn’t very different. Also, we keep those two things pretty separate. With my reader hat on, Kheryn is an amazing, kickass author and in my author hat, Kheryn is an amazing, kickass editor. I’m honored to work with them.

You have truly been blessed by the cover gods. Who’s behind those gorgeous designs, and how much say did you have in them?

I have been so blessed and have loved each one of my covers. Ivy and Girl Made of Stars have an particularly special place in my heart. Funny, boyhood these book covered were actually designed by the same company, Good Wives & Warriors. My two separate publishers both hired this company totally on their own. They compliment each other pretty well, I think. 🙂

If you can share, what are you working on now?

Ha, good question. I’m finishing up edits on Sunny and ruminating on my next projects. I think I’m just about ready to start drafting my next YA, but that’s really all I can say about it right now. It’s in that fragile “is this the book or isn’t it?” phase. Thanks so much for having me!

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Preorder Girl Made of Stars at Parnassus Books, B&N, or Amazon!

Ashley Herring Blake is a reader, writer, and mom to two boisterous boys. She holds a Master’s degree in teaching and loves coffee, arranging her books by color, and cold weather. She is the author of the young adult novels Suffer Love, How to Make a Wish, and Girl Made of Stars (HMH), as well as the middle grade novel Ivy Aberdeen’s Letter to the World (Little, Brown). You can find her on Twitter and Instagram at @ashleyhblake and on the web at www.ashleyherringblake.com.