Lot by Bryan Washington
felt in the jaw by Kristen Arnett
Everything is Awful and You’re a Terrible Person by Daniel Zomparelli
Her Body and Other Parties by Carmen Maria Machado
A Safe Girl to Love by Casey Plett
Lot by Bryan Washington
felt in the jaw by Kristen Arnett
Everything is Awful and You’re a Terrible Person by Daniel Zomparelli
Her Body and Other Parties by Carmen Maria Machado
A Safe Girl to Love by Casey Plett
Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.
As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.
With unflinching honesty and lyrical prose, spanning from 1960s Hawai’i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.
In this heartfelt, funny, touching memoir, Tan France, star of Netflix’s smash-hit QUEER EYE, tells his origin story for the first time. With his trademark wit, humor, and radical compassion, Tan reveals what it was like to grow up gay in a traditional Muslim family, as one of the few people of color in Doncaster, England. He illuminates his winding journey of coming of age, finding his voice (and style!), and how he finally came out to his family at the age of 34, revealing that he was happily married to the love of his life–a Mormon cowboy from Salt Lake City.
In Tan’s own words, “The book is meant to spread joy, personal acceptance, and most of all understanding. Each of us is living our own private journey, and the more we know about each other, the healthier and happier the world will be.”
When Karamo Brown first auditioned for the casting directors of Netflix’s Queer Eye, he knew he wouldn’t win the role of culture expert by discussing art and theater. Instead he decided to redefine what ‘culture’ could — and should — mean for the show. He took a risk and declared, ‘I am culture.’
Karamo believes that culture is so much more than art museums and the ballet — it’s how people feel about themselves and others, how they relate to the world around them, and how their shared labels, burdens, and experiences affect their daily lives in ways both subtle and profound. Seen through this lens, Karamo is culture: His family is Jamaican and Cuban; he was raised in the South in predominantly white neighborhoods and attended a HBCU (Historically Black College/University); he was trained as a social worker and psychotherapist; he overcame personal issues of colorism, physical and emotional abuse, alcohol and drug addiction, and public infamy; he is a proud and dedicated gay single father of two boys, one biological and one adopted. It is by discussing deep subjects like these, he feels, that the makeovers on the show can attain their full, lasting meaning. Styling your hair is important, but so is figuring out why you haven’t done so in 20 years!
In this eye-opening and moving memoir, Karamo reflects on his lifelong education. It comprises every adversity he has overcome, as well as the lessons he has learned along the way. It is only by exploring our difficulties and having the hard conversations—with ourselves and one another—that we are able to adjust our mind-sets, heal emotionally, and move forward to live our best lives.
Karamo shows us the way.
“‘We were sun children chasing an eternal summer.’ This boisterous chronicle of a summer in Montauk sees a group of 20-something housemates who’ll grow to know, to love, and care for one another. They work hard during the week, party hard on weekends, and each will face heartthrob and heartbreak. A coming out story told with feeling and humor and above all with the razor-sharp skill of a delicate and highly gifted writer.” -Andre Aciman, New York Times bestselling author of Call Me by Your Name
They call Montauk the end of the world, a spit of land jutting into the Atlantic. The house was a ramshackle split-level set on a hill, and each summer thirty one people would sleep between its thin walls and shag carpets. Against the moonlight the house’s octagonal roof resembled a bee’s nest. It was dubbed The Hive.
In 2013, John Glynn joined the share house. Packing his duffel for that first Memorial Day Weekend, he prayed for clarity. At 27, he was crippled by an all-encompassing loneliness, a feeling he had carried in his heart for as long as he could remember. John didn’t understand the loneliness. He just knew it was there. Like the moon gone dark.
OUT EAST is the portrait of a summer, of the Hive and the people who lived in it, and John’s own reckoning with a half-formed sense of self. From Memorial Day to Labor Day, The Hive was a center of gravity, a port of call, a home. Friendships, conflicts, secrets and epiphanies blossomed within this tightly woven friend group and came to define how they would live out the rest of their twenties and beyond. Blending the sand-strewn milieu of George Howe Colt’s The Big House, the radiant aching of Olivia Liang’s The Lonely City, OUT EAST is a keenly wrought story of love and transformation, longing and escape in our own contemporary moment.
Critically acclaimed author of We Are the Ants—described as having “hints of Vonnegut’s Slaughterhouse-Five” (School Library Journal)—opens up about what led to an attempted suicide in his teens, and his path back from the experience.
“I wasn’t depressed because I was gay. I was depressed and gay.”
Shaun David Hutchinson was nineteen. Confused. Struggling to find the vocabulary to understand and accept who he was and how he fit into a community in which he couldn’t see himself. The voice of depression told him that he would never be loved or wanted, while powerful and hurtful messages from society told him that being gay meant love and happiness weren’t for him.
A million moments large and small over the years all came together to convince Shaun that he couldn’t keep going, that he had no future. And so he followed through on trying to make that a reality.
Thankfully Shaun survived, and over time, came to embrace how grateful he is and how to find self-acceptance. In this courageous and deeply honest memoir, Shaun takes readers through the journey of what brought him to the edge, and what has helped him truly believe that it does get better.
In 2014, Maia Kobabe, who uses e/em/eir pronouns, thought that a comic of reading statistics would be the last autobiographical comic e would ever write. At the time, it was the only thing e felt comfortable with strangers knowing about em. Now, Gender Queer is here. Maia’s intensely cathartic autobiography charts eir journey of self-identity, which includes the mortification and confusion of adolescent crushes, grappling with how to come out to family and society, bonding with friends over erotic gay fanfiction, and facing the trauma and fundamental violation of pap smears. Started as a way to explain to eir family what it means to be nonbinary and asexual, Gender Queer is more than a personal story: it is a useful and touching guide on gender identity–what it means and how to think about it–for advocates, friends, and humans everywhere.
“So while the assumption when I was born was that I was or would grow up to be a neurotypical heterosexual boy, that whole idea didn’t really pan out long term.”
In this candid, first-of-its-kind memoir, Laura Kate Dale recounts what life is like growing up as a gay trans woman on the autism spectrum. From struggling with sensory processing, managing socially demanding situations and learning social cues and feminine presentation, through to coming out as trans during an autistic meltdown, Laura draws on her personal experiences from life prior to transition and diagnosis, and moving on to the years of self-discovery, to give a unique insight into the nuances of sexuality, gender and autism, and how they intersect.
Charting the ups and down of being autistic and on the LGBT spectrum with searing honesty and humour, this is an empowering, life-affirming read for anyone who’s felt they don’t fit in.
From award-winning poet Saeed Jones, How We Fight for Our Lives is a stunning coming-of-age memoir written at the crossroads of sex, race, and power.
“People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’ ”
Haunted and haunting, Jones’s memoir tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his mother and grandmother, into passing flings with lovers, friends and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.
Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one of a kind memoir and a book that cements Saeed Jones as an essential writer for our time.
A lively, intimate memoir from an icon of the gay rights movement, describing gay life in 1950s and 60s New York City and her longtime activism which opened the door for marriage equality.
Edie Windsor became internationally famous when she sued the US government, seeking federal recognition for her marriage to Thea Spyer, her partner of more than four decades. The Supreme Court ruled in Edie’s favor, a landmark victory that set the stage for full marriage equality in the US. Beloved by the LGBTQ community, Edie embraced her new role as an icon; she had already been living an extraordinary and groundbreaking life for decades.
In this memoir, which she began before passing away in 2017 and completed by her co-writer, Edie recounts her childhood in Philadelphia, her realization that she was a lesbian, and her active social life in Greenwich Village’s electrifying underground gay scene during the 1950s. Edie was also one of a select group of trailblazing women in computing, working her way up the ladder at IBM and achieving their highest technical ranking while developing software. In the early 1960s Edie met Thea, an expat from a Dutch Jewish family that fled the Nazis, and a widely respected clinical psychologist. Their partnership lasted forty-four years, until Thea died in 2009. Edie found love again, marrying Judith Kasen-Windsor in 2016.
A Wild and Precious Life is remarkable portrait of an iconic woman, gay life in New York in the second half of the twentieth century, and the rise of LGBT activism.
For as long as they can remember, Cyrus Grace Dunham felt like a visitor in their own body. Their life was a series of imitations–lovable little girl, daughter, sister, young gay woman–until their profound sense of alienation became intolerable.
Beginning as Grace and ending as Cyrus, Dunham brings us inside the chrysalis of gender transition, asking us to bear witness to an uncertain and exhilarating process that troubles our most basic assumptions about who we are and how we are constituted. Written with disarming emotional intensity in a voice uniquely theirs, A Year Without a Name is a potent, thrillingly unresolved meditation on queerness, family, and desire.
A revolutionary memoir about domestic abuse by the award-winning author of Her Body and Other Parties
In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.
And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope—the haunted house, erotica, the bildungsroman—through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.
Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.
Keena Roberts split her adolescence between the wilds of an island camp in Botswana and the even more treacherous halls of an elite Philadelphia private school. In Africa, she slept in a tent, cooked over a campfire, and lived each day alongside the baboon colony her parents were studying. She could wield a spear as easily as a pencil, and it wasn’t unusual to be chased by lions or elephants on any given day. But for the months of the year when her family lived in the United States, this brave kid from the bush was cowed by the far more treacherous landscape of the preppy, private school social hierarchy.
Most girls Keena’s age didn’t spend their days changing truck tires, baking their own bread, or running from elephants as they tried to do their schoolwork. They also didn’t carve bird whistles from palm nuts or nearly knock themselves unconscious trying to make homemade palm wine. But Keena’s parents were famous primatologists who shuttled her and her sister between Philadelphia and Botswana every six months. Dreamer, reader, and adventurer, she was always far more comfortable avoiding lions and hippopotamuses than she was dealing with spoiled middle-school field hockey players.
In Keena’s funny, tender memoir, Wild Life, Africa bleeds into America and vice versa, each culture amplifying the other. By turns heartbreaking and hilarious, Wild Life is ultimately the story of a daring but sensitive young girl desperately trying to figure out if there’s any place where she truly fits in.
After so many years of LGBTQIAP+ lit struggling for recognition, it’s been pretty killer to watch literary news this year, and to watch it get more mainstream multimedia recognition than ever. And since I think at any given time, we could all use some good news about the progress of LGBTQIAP+ books in publishing, here’s to highlighting some (but not even all!) of this year’s biggest successes in mainstream media:
Julián is a Mermaid by Jessica Love was named one of Amazon’s best Children’s Books of the year for ages 3-5 and one of the Best Children’s Books of 2018 by New York Public Library, Time, and School Library Journal, as well as a Notable Children’s Book by The New York Times
Ivy Aberdeen’s Letter to the World by Ashley Herring Blake was a recommended title for the 2019 NCTE Charlotte Huck Award for Outstanding Fiction for Children and was named one of the Best Children’s Books of 2018 by New York Public Library and Chicago Public Library, and a Best Book of the Year by School Library Journal and NPR
*Graphic novels listed separately below
We Are Okay by Nina LaCour was awarded the Printz
Little & Lion by Brandy Colbert won the Stonewall Award
The 57 Bus by Dashka Slater was a finalist for the LA Times Book Prize for Young Adult Literature
They Both Die at the End by Adam Silvera was a finalist for the Carnegie Medal
The Loneliest Girl in the Universe by Lauren James was a finalist for the Carnegie Medal
What If It’s Us? by Becky Albertalli and Adam Silvera was optioned for film, hit the New York Times bestseller list, and was named a Best YA of 2018 by Seventeen, Amazon, Bustle, Paste, B&N Teen Blog, and New York Public Library, and a Best Audiobook of 2018 by Audible
Sadie by Courtney Summers hit the New York Times bestseller list and was named a Publishers Weekly Best YA of 2018, one of Booklist’s 10 Best YAs of 2018 for Adults, a Best Book of the Year by School Library Journal and NPR, a Best Teen Fiction of 2018 by Chicago Public Library, a Best YA Mystery and Thriller of 2018 by Kirkus, a Best Audiobook of 2018 by Google Play, and a Best YA of 2018 by B&N Teen Blog, Paste, Amazon, and The Boston Globe
Dread Nation by Justina Ireland hit the New York Times bestseller list and was named a Best YA of 2018 by Seventeen, Amazon, School Library Journal, New York Public Library, B&N Teen Blog, and one of Booklist‘s 10 Best YAs of 2018 for Adults, as well as the Best YA of the Year by Paste
Darius the Great is Not Okay by Adib Khorram was a finalist for the Morris Award and named a Publishers Weekly Best YA of 2018, a Best YA of 2018 by The Boston Globe, New York Public Library, Time, Amazon, and B&N Teen Blog, and among the Best YA Books of 2018 that Explore on Family and Self by Kirkus
Simon vs. the Homo Sapiens Agenda by Becky Albertalli released as a feature film called Love, Simon
The Miseducation of Cameron Post by Emily M. Danforth released as a feature film
Ship It by Britta Lundin was named a Best YA of 2018 by Seventeen
Camryn Garrett, author of 2019’s Full Disclosure, was named one of Teen Vogue‘s 21 Under 21 Class of 2018
The Love & Lies of Rukhsana Ali by Sabina Khan was named to the Kids’ Indie Next List for Winter 2018-19
Blanca & Roja by Anna-Marie McLemore was named one of Tor.com Reviewers’ Best Books of 2018, a Best YA Fantasy of 2018 by Kirkus, a Best YA of 2018 by The Boston Globe, and a Best Book of the Year by School Library Journal
Summer Bird Blue by Akemi Dawn Bowman was named one of Booklist’s 10 Best YAs of 2018 for Adults, among the Best YA Books of 2018 About Speaking Your Truth by Kirkus, and a Best YA of 2018 by New York Public Library, B&N Teen Blog, and Paste
Dear Rachel Maddow by Adrienne Kisner was named a Best YA of 2018 by New York Public Library
Picture Us in the Light by Kelly Loy Gilbert was named a Best Book of the Year by School Library Journal and among the Best Teen Fiction of 2018 by Chicago Public Library, Best YA Books of 2018 that Explore Family and Self by Kirkus, and Best YAs of 2018 by B&N Teen Blog
The Summer of Jordi Perez (and the Best Burger in LA) by Amy Spalding was named a Best Book of 2018 by NPR, a Best YA Romance of 2018 by Kirkus, and among the Best YAs of 2018 by The Boston Globe and Paste
A Blade so Black by L.L. McKinney was named among the Best YAs of 2018 by Paste
Heart of Iron by Ashley Poston was named among the Best YAs of 2018 by Paste
For a Muse of Fire by Heidi Heilig was named among the Best YAs of 2018 by Paste
Sawkill Girls by Claire Legrand was named among the Best YAs of 2018 by Bustle
Summer of Salt by Katrina Leno was named among the Best YAs of 2018 by B&N Teen Blog
Running With Lions by Julian Winters was named among the Best YAs of 2018 by B&N Teen Blog
Jack of Hearts (and other parts) was named among the Best YAs of 2018 by B&N Teen Blog
Unbroken ed. by Marieke Nijkamp was named among the Best YAs of 2018 that Feed Imaginations by Kirkus
Fire Song by Adam Garnet Jones was named among the Best YA Books of 2018 that Explore on Family and Self by Kirkus
We Set the Dark on Fire by Tehlor Kay Mejia is a Junior Library Guild selection
Rend by Roan Parrish was named a Best Romance of the Year by Amazon
Time Was by Ian McDonald was named a Best Book of 2018 by New York Public Library
Less by Andrew Sean Greer won the Pulitzer Prize for Fiction
John Rechy received the 2017 Robert Kirsch Award
Who is Vera Kelly? by Rosalie Knecht was named a Best Book of 2018 by NPR
Sugar Run by Mesha Maren was named to the January 2019 Indie Next List
Her Body and Other Parties by Carmen Maria Machado was a finalist for the Art Seidenbaum Award for First Fiction
Confessions of the Fox by Jordy Rosenberg was named a Best Historical Fiction of 2018 , a Best Debut Fiction of 2018 by Kirkus, and among “10 More Great Debuts” by Entertainment Weekly, a supplement to their list of the 10 Best Debuts of the 2018
Vengeful by V.E. Schwab was named Best Science Fiction by Goodreads voters
Garrard Conley’s memoir, Boy Erased, was released as a feature film and hit the New York Times bestseller list
I’m Afraid of Men by Vivek Shraya was named among the Best YA Books of 2018 About Speaking Your Truth by Kirkus
How to Write an Autobiographical Novel by Alexander Chee was named a Best Book by TIME, Washington Post, Entertainment Weekly, NPR, Wired, Esquire, Buzzfeed, New York Public Library, The A.V. Club, Book Riot, PopSugar, The Rumpus, My Republica, Paste, Bitch,Library Journal,Bustle, Christian Science Monitor,Shelf Awareness, Tor.com, Chicago Public Library, Entropy Magazine,The Chicago Review of Books, The Coil, iBooks, and Washington Independent Review of Books, and was longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Bingo Love by Tee Franklin was named a Best Book of 2018 by NPR
My Brother’s Husband by Gengoroh Tagame, translated by Anne Ishii, was named among the Best YA Books of 2018 that Explore on Family and Self by Kirkus
Check, Please! by Ngozi Ukazu was a finalist for the Morris Award and named one of Booklist’s 10 Best YAs of 2018 for Adults, a Best YA of 2018 by New York Public Library and The Boston Globe, and among the Best YA Books of 2018 that Explore on Family and Self by Kirkus
Continuing in the tradition that’s been happening on this blog since…last year, I’m documenting some of the many literary accolades that’ve been heaped on incredible LGBTQIAP+ works this year, partly to help you find great books but mostly just so we can bask in the joyous glory. Without further ado, check out what’s been deemed this year’s best of the best!
The Pants Project by Cat Clarke: Kirkus’s Best Middle-Grade School and Friendship Stories of 2017
The Art of Starving by Sam J. Miller: NPR’s Best Books of 2017
At the Edge of the Universe by Shaun David Hutchinson: Best Teen Fiction of 2017 by Chicago Public Library
Sovereign by April Daniels, a Kirkus Best Teen Fantasy of 2017
Dress Codes for Small Towns by Courtney Stevens: a Kirkus Best Contemporary Teen Reads of 2017
Far From the Tree by Robin Benway: National Book Award winner, New York Times bestseller, Publishers Weekly Best YA of 2017, one of Bustle‘s 17 Best YA Novels of 2017, a Kirkus Best Contemporary Teen Reads of 2017, Best Teen Fiction of 2017 by Chicago Public Library, a B&N Best Book of 2017, B&N Teen Blog’s Best YA of 2017, NPR’s Best Books of 2017
The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee: New York Times bestseller, Publishers Weekly Best YA of 2017, Booklist Editors’ Choice: Books for Youth 2017, a Kirkus Best Teen Books of 2017 with a Touch of Humor, Best Teen Fiction of 2017 by Chicago Public Library, one of Bustle‘s 17 Best YA Novels of 2017, a New York Public Library Best Book of 2017, a B&N Best Book of 2017, NPR’s Best Books of 2017, New York Magazine‘s 10 best YAs of 2017
Girl Mans Up by M-E Girard: Lambda Literary Award for YA Fiction
History is All You Left Me by Adam Silvera: one of Time‘s best YAs of 2017
Ida by Alison Evans: shortlisted for the Victorian Premier’s Literary Awards 2018
I Hate Everyone But You by Gaby Dunn and Allison Raskin: Best Teen Fiction of 2017 by Chicago Public Library
If I Was Your Girl by Meredith Russo: Stonewall Award (YA)
In Other Lands by Sarah Rees Brennan: B&N Teen Blog’s Best YA of 2017
It’s Not Like it’s a Secret by Misa Sugiura: a Kirkus Best Teen Romances of 2017
Jane, Unlimited by Kristin Cashore: Best Teen Fiction of 2017 by Chicago Public Library, School Library Journal Best YA of 2017, B&N Teen Blog’s Best YA of 2017
Like Water by Rebecca Podos: B&N Teen Blog’s Best YA of 2017
A Line in the Dark by Malinda Lo: Best Teen Fiction of 2017 by Chicago Public Library, a Kirkus Best Teen Mysteries and Thrillers of 2017, New York Magazine‘s 10 best YAs of 2017
Now I Rise by Kiersten White: B&N Teen Blog’s Best YA of 2017
Pride: Celebrating Diversity & Community by Robin Stevenson: Stonewall Honor (YA)
Queer, There, and Everywhere: 23 People Who Changed the World by Sarah Prager: a New York Public Library Best Book of 2017
Radio Silence by Alice Oseman: Best Teen Fiction of 2017 by Chicago Public Library
Ramona Blue by Julie Murphy: Best Teen Fiction of 2017 by Chicago Public Library, a Kirkus Best Teen Romance of 2017
Release by Patrick Ness: Best Teen Fiction of 2017 by Chicago Public Library, a Kirkus Best Teen Romance of 2017
Spinning by Tillie Walden: Publishers Weekly Best YA of 2017, a New York Public Library Best Book of 2017, Booklist Editors’ Choice: Books for Youth 2017, a B&N Best Book of 2017, Top 10 Queer and Feminist Books of 2017 via Autostraddle,
Tash Hearts Tolstoy by Kathryn Ormsbee: Best Teen Fiction of 2017 by Chicago Public Library
They Both Die at the End by Adam Silvera: New York Times bestseller, School Library Journal Best YA of 2017, Booklist Editors’ Choice: Books for Youth 2017, one of Bustle‘s 17 Best YA Novels of 2017, a Kirkus Best Teen Sci-Fi of 2017
This is Where it Ends by Marieke Nijkamp: New York Times bestseller
Unbecoming by Jenny Downham: Stonewall Honor (YA)
We Are Okay by Nina LaCour: Publishers Weekly Best YA of 2017, B&N Teen Blog’s Best YA of 2017, Booklist Editors’ Choice: Books for Youth 2017, one of Bustle‘s 17 Best YA Novels of 2017, a New York Public Library Best Book of 2017, a B&N Best Book of 2017: Teens
When the Moon Was Ours by Anna-Marie McLemore: Stonewall Honor (YA)
Wild Beauty by Anna-Marie McLemore: School Library Journal Best YA of 2017, a Kirkus Best Teen Romance of 2017, Booklist Editors’ Choice: Books for Youth 2017, Best Teen Fiction of 2017 by Chicago Public Library
Amberlough by Lara Elena Donnelly: B&N Sci-Fi’s Best SFF Books of 2017
The Angel of History by Rabih Alameddine: Lambda Literary Award for Gay Fiction
Cottonmouths by Kelly J. Ford: a Los Angeles Review‘s Best Book of the Year
Her Body and Other Parties by Carmen Maria Machado: National Book Award finalist, a Los Angeles Review‘s Best Book of the Year, winner of the Bard Fiction Prize, Kirkus Prize finalist, #1 Indie Next Pick for October 2017, Top 10 Queer and Feminist Books of 2017 via Autostraddle, one of New York Times’ Critics’ Top Books of 2017, one of Washington Post‘s 50 Notable Works of Fiction in 2017, Los Angeles Times’ Best Books (Fiction) of 2017, Publishers Weekly Best Fiction of 2017, Chicago Tribune‘s Best Books of 2017, Kirkus’s Best Fiction of 2017, Boston Globe‘s Best Books of 2017, Elle‘s Best Books of 2017, NPR‘s Best Books of 2017, Slate‘s Best Books of 2017, Library Journal‘s Best Books (Short Stories) of 2017, Bustle‘s Best Fiction Books of 2017, Entropy Magazine‘s Best of 2017: Fiction Books, Huffington Post‘s The Best Fiction Books of 2017, one of Buzzfeed’s 24 Best Fiction Books of 2017, Commonweal‘s Top Books of 2017
Here Comes the Sun by Nicole Dennis-Benn: Lambda Literary Award for Lesbian Fiction
Into the Blue by Pene Hanson: Lambda Literary Award for Gay Romance
Marrow Island by Alexis M. Smith: Lambda Literary Award for Bisexual Fiction
Pages for You by Sylvia Brownrigg: Kirkus’s Best Fiction to Get Your Book Club Talking of 2017
Small Beauty by jia qing wilson-yang: Lambda Literary Award for Transgender Fiction
Soul to Keep by Rebekah Weatherspoon: Lambda Literary Award for LGBT Erotica
Wanted, a Gentleman by KJ Charles: a B&N Best Book of 2017
Thief in the Interior by Philip B. Williams: Lambda Literary Award for Gay Poetry
play dead by francine j. harris: Lambda Literary Award for Lesbian Poetry (tie)
The Complete Works of Pat Parker edited by Julie R. Enszer: Lambda Literary Award for Lesbian Poetry (tie)
When I Grow Up I Want to Be a List of Further Possibilities by Chen Chen: Library Journal‘s Best Books of 2017 (Poetry)
How to Survive a Plague: The Inside Story of How Citizens and Science Tamed AIDS, David France: Lambda Literary Award for LGBT Nonfiction
Black Dove: Mama, Mi’jo, and Me by Ana Castillo: Lambda Literary Award for Bisexual Nonfiction
Life Beyond My Body: A Transgender Journey to Manhood in China by Lei Ming and Lura Frazey: Lambda Literary Award for Transgender Nonfiction
To My Trans Sisters, ed. by Charlie Cregg: Top 10 Queer and Feminist Books of 2017 via Autostraddle
We Are Never Meeting in Real Life: Essays by Samantha Irby: Autostraddle’s Top 10 Queer and Feminist Books of 2017, one of New York Times’ Critics’ Top Books of 2017, Chicago Tribune’s Best Books of 2017, Elle‘s Best Books of 2017, NPR’s Best Books of 2017,