Today on the site, we welcome CT Liotta, who’s revealing the cover of his upcoming novel No Good About Goodbye, releasing November 24, 2021 from St. Ire Press/Rot Gut Pulp! Here’s the story behind this coming-of-age thriller/action-adventure pulp:
Fifteen-year-old Ian Racalmuto’s life implodes when his older brother vanishes and his mother, a vodka-drunk spy, dies in a military uprising in Algiers.
Forced to live with his cantankerous grandfather in Philadelphia, Ian has seven days to find his brother and locate a smartphone that could start a war – all while adjusting to life in a troubled urban school and dodging assassins sent to kill him.
Ian soon meets William Xiang – an undocumented immigrant grappling with poverty, a tough family, and hateful classmates. The boys find they make a formidable team. Together they resist school bullies, thwart sociopathic killers, and design a heist at the State Department to foil World War III.
An even greater problem lurks, however: one of the boys has a crush on the other. Will it ruin their friendship and roll up their mission?
CT Liotta was born and raised in West Virginia before moving to Ohio for college, where he earned a degree in biology. He now uses Philadelphia as his base of operations. You can find him the world over.
A younger member of Generation X, Liotta takes interest in writing, travel, personal finance, and sociology. He likes vintage airlines and aircraft, politics, news, foreign affairs, science, classic film, ’80s pop culture and ’40s pulp and film noir. He can be reached on Twitter @CTLiotta and at www.CTLiotta.com.
Coming out is easier when you’ve got someone by your side. At least that’s how the hyper-private Quinn Kincaid sees it. When her publicist suggests a good old-fashioned sham of a Hollywood relationship, Quinn reluctantly agrees. And that’s how the star of Jordan’s Appeal, TV’s highest rated legal drama, ends up with a fake girlfriend – the very real, very sexy and very gay soap star, Lacey Matthews.
In Casting Lacey, Elle Spencer gives us a hilarious new take on a classic storyline, complete with nosy mothers, fawning assistants and two beautiful actresses who might learn about true love. If they don’t kill each other first.
Ryann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.
One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.
Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .
In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.
All Pen wants is to be the kind of girl she’s always been. So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth–that in order to be who she truly wants to be, she’ll have to man up.
In 1955, eighteen-year-old Janet Jones keeps the love she shares with her best friend Marie a secret. It’s not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself—and Marie—to a danger all too real.
Sixty-two years later, Abby Zimet can’t stop thinking about her senior project and its subject—classic 1950s lesbian pulp fiction. Between the pages of her favorite book, the stresses of Abby’s own life are lost to the fictional hopes, desires and tragedies of the characters she’s reading about. She feels especially connected to one author, a woman who wrote under the pseudonym “Marian Love,” and becomes determined to track her down and discover her true identity.
In this novel told in dual narratives, New York Times bestselling author Robin Talley weaves together the lives of two young women connected across generations through the power of words. A stunning story of bravery, love, how far we’ve come and how much farther we have to go.
You go through life thinking there’s so much you need…
Until you leave with only your phone, your wallet, and a picture of your mother.
Marin hasn’t spoken to anyone from her old life since the day she left everything behind. No one knows the truth about those final weeks. Not even her best friend, Mabel. But even thousands of miles away from the California coast, at college in New York, Marin still feels the pull of the life and tragedy she’s tried to outrun. Now, months later, alone in an emptied dorm for winter break, Marin waits. Mabel is coming to visit, and Marin will be forced to face everything that’s been left unsaid and finally confront the loneliness that has made a home in her heart.
Brynn Haper’s life has one steadying force–Rachel Maddow.
She watches her daily, and after writing to Rachel for a school project–and actually getting a response–Brynn starts drafting e-mails to Rachel but never sending them. Brynn tells Rachel about breaking up with her first serious girlfriend, about her brother Nick’s death, about her passive mother and even worse stepfather, about how she’s stuck in remedial courses at school and is considering dropping out.
Then Brynn is confronted with a moral dilemma. One student representative will be allowed to have a voice among the administration in the selection of a new school superintendent. Brynn’s archnemesis, Adam, and ex-girlfriend, Sarah, believe only Honors students are worthy of the selection committee seat. Brynn feels all students deserve a voice. When she runs for the position, the knives are out. So she begins to ask herself: What Would Rachel Maddow Do?
When You Want It All, You’ve Got To Give It AllFrom the outside, Bliss Sinclair’s life seems very glamorous–a high-profile job with a publishing house, a fashionable boyfriend who looks good on her arm, and ultra-chic parties where the come-ons are as hot and thrilling at night as they are empty as an air-kiss greeting the next day. It’s a world Bliss wanders through with blinders on, all the while craving more. And she finds it in the most unlikely of places.
Embarking on a series of carnal adventures with a notorious bad girl as her guide, Bliss opens herself to every new experience and every taboo. In abandoned warehouses, private fetish clubs, even her own office, Bliss is skating on the thin ice of desire–until her world comes crashing in.
Now, broken and wanting, Bliss decides to spend a summer in her birthplace, Jamaica, where she hopes to reconcile with her estranged father and rediscover herself. There, in a land of lush ripeness, of heat, warm breezes, easy smiles, and the family she left behind, Bliss will discover what she didn’t know was missing. It’s a journey that will awaken every one of her senses and take her to the edge of known pleasure and far beyond it, to a love that is as sexy as it gets, as real as can be, and more surprising than she can imagine–a place of total bliss.
Small-batch independent yarn dyer Clara Ziegler is eager to brainstorm new color combinations–if only she could come up with ideas she likes as much as last time! When she sees Danielle Solomon’s paintings of Florida wildlife by chance at a neighborhood gallery, she finds her source of inspiration. Outspoken, passionate, and complicated, Danielle herself soon proves even more captivating than her artwork…
Fluffy Jewish f/f contemporary set in the author’s childhood home of South Florida.
Danny Tozer has a problem: she just inherited the powers of Dreadnought, the world’s greatest superhero.
Until Dreadnought fell out of the sky and died right in front of her, Danny was trying to keep people from finding out she’s transgender. But before he expired, Dreadnought passed his mantle to her, and those secondhand superpowers transformed Danny’s body into what she’s always thought it should be. Now there’s no hiding that she’s a girl.
It should be the happiest time of her life, but Danny’s first weeks finally living in a body that fits her are more difficult and complicated than she could have imagined. Between her father’s dangerous obsession with “curing” her girlhood, her best friend suddenly acting like he’s entitled to date her, and her fellow superheroes arguing over her place in their ranks, Danny feels like she’s in over her head.
She doesn’t have much time to adjust. Dreadnought’s murderer—a cyborg named Utopia—still haunts the streets of New Port City, threatening destruction. If Danny can’t sort through the confusion of coming out, master her powers, and stop Utopia in time, humanity faces extinction.
Josh Chester loves being a Hollywood bad boy, coasting on his good looks, his parties, his parents’ wealth, and the occasional modeling gig. But his laid-back lifestyle is about to change. To help out his best friend, Liam, he joins his hit teen TV show, Daylight Falls … opposite Vanessa Park, the one actor immune to his charms. (Not that he’s trying to charm her, of course.) Meanwhile, his drama-queen mother blackmails him into a new family reality TV show, with Josh in the starring role. Now that he’s in the spotlight—on everyone’s terms but his own—Josh has to decide whether a life as a superstar is the one he really wants.
Vanessa Park has always been certain about her path as an actor, despite her parents’ disapproval. But with all her relationships currently in upheaval, she’s painfully uncertain about everything else. When she meets her new career handler, Brianna, Van is relieved to have found someone she can rely on, now that her BFF, Ally, is at college across the country. But as feelings unexpectedly evolve beyond friendship, Van’s life reaches a whole new level of confusing. And she’ll have to choose between the one thing she’s always loved … and the person she never imagined she could.
Kyle Blake likes plans. So far, they’re pretty simple: Finish her senior year of high school, head off to a good college, find a cute boyfriend, graduate, get a good job, get married, the whole heterosexual shebang. Nothing is going to stand in the way of that plan. Not even Stella Lewis.
Stella Lewis also has a plan: Finish her senior year as cheer captain, go to college, finally let herself flirt with (and maybe even date) a girl for the first time and go from there.
Fate has other plans for Kyle and Stella when they’re paired up in their AP English class and something between them ignites. It’s confusing and overwhelming and neither of them know what to do about it. One thing they do know is that their connection can’t be ignored. The timing just isn’t right.
But is there ever a good time for falling in love?
If you don’t get lost, there’s a chance you may never be found. Jenna McGovern has spent her whole life training for the stage. She’s taken dance classes, voice lessons, and even earned her performance degree from one of the most prestigious musical theater programs in the nation. At graduation, she’s stunned when a chance audition lands her a prime supporting role in the hottest Broadway touring production in the country. In more exciting news, Jenna discovers acclaimed television star Adrienne Kenyon is headlining the production.
Jenna settles easily in to life on tour and has a promising career laid out in front of her, if only she plays her cards right. She’s waited for this opportunity her entire life and will let nothing stand in her way. The one thing she didn’t prepare for, however, was Adrienne. Her new costar is talented, beautiful, generous, and the utmost professional. As the two women grow closer onstage and off, they must learn how to fit each other into a demanding lifestyle full of unexpected twists and difficult decisions. But is Jenna ready to sacrifice what she’s worked so hard for in exchange for a shot
Seventeen-year-old Rukhsana Ali tries her hardest to live up to her conservative Muslim parents’ expectations, but lately she’s finding that harder and harder to do. She rolls her eyes instead of screaming when they blatantly favor her brother and she dresses conservatively at home, saving her crop tops and makeup for parties her parents don’t know about. Luckily, only a few more months stand between her carefully monitored life in Seattle and her new life at Caltech, where she can pursue her dream of becoming an engineer.
But when her parents catch her kissing her girlfriend Ariana, all of Rukhsana’s plans fall apart. Her parents are devastated; being gay may as well be a death sentence in the Bengali community. They immediately whisk Rukhsana off to Bangladesh, where she is thrown headfirst into a world of arranged marriages and tradition. Only through reading her grandmother’s old diary is Rukhsana able to gain some much needed perspective.
Rukhsana realizes she must find the courage to fight for her love, but can she do so without losing everyone and everything in her life?
Susanne Wolff isn’t thrilled when her mother sends her all the way across the country to Freiburg to save her uncle’s stationery store from bankruptcy. Freiburg is too provincial for her taste, and besides, pen and paper are outdated anyway.
Anja Lamm, Paper Love’s only full-time employee, takes an instant dislike to the arrogant, digital-loving snob who’s supposed to be her temporary boss.
But thanks to a meddling cat, a business trip to a stationery fair, and an armada of origami boats, Anja soon starts to see beneath Susanne’s aloof exterior, and Susanne discovers how sexy pens and notebooks can be—at least when Anja handles them.
As the end of Susanne’s three-month stay approaches, will she stick to her plan to leave, or will she open her heart to more than just paper love?
Hal Orion is an accomplished chef and food truck owner. She loves her life, her longtime sous chef and best friend, and the food she shares with the residents of her beloved city of Buffalo. Her life is exactly how she wants it: no strings, no commitments, and no roots—just great grilled cheese and a whole lot of freedom on the side.
Quinn Banning is an investment banker, and the dividend she seeks is a resurgence of the once-great city of Buffalo. Putting together her next business venture, she recognizes Hal’s talent and charm as necessary assets for success—her good looks don’t hurt, either. But Hal’s transient ways are in direct opposition to the stability Quinn craves. Relying on their shared love of Buffalo, Quinn makes Hal an offer she can’t refuse—a restaurant under her own name, complete creative control, and secure financial backing. It’s every chef’s dream. But Hal utters the one word Quinn can’t stand to hear, “No.”
Will their physical attraction grow cold as they argue over their ideals, or will they find that the most distinctive ingredients often make for the perfect pairing?
Seventeen-year-old Bex is thrilled when she gets an internship on her favorite tv show, Silver Falls. Unfortunately, the internship isn’t quite what she expected… instead of sitting in a crowded writer’s room volleying ideas back and forth, Production Interns are stuck picking up the coffee.
Determined to prove her worth as a writer, Bex drafts her own script and shares it with the head writer―who promptly reworks it and passes it off as his own! Bex is understandably furious, yet…maybe this is just how the industry works? But when they rewrite her proudly lesbian character as straight, that’s the last straw! It’s time for Bex and her crush to fight back.
Hannah’s a witch, but not the kind you’re thinking of. She’s the real deal, an Elemental with the power to control fire, earth, water, and air. But even though she lives in Salem, Massachusetts, her magic is a secret she has to keep to herself. If she’s ever caught using it in front of a Reg (read: non-witch), she could lose it. For good. So, Hannah spends most of her time avoiding her ex-girlfriend (and fellow Elemental Witch) Veronica, hanging out with her best friend, and working at the Fly by Night Cauldron selling candles and crystals to tourists, goths, and local Wiccans.
But dealing with her ex is the least of Hannah’s concerns when a terrifying blood ritual interrupts the end-of-school-year bonfire. Evidence of dark magic begins to appear all over Salem, and Hannah’s sure it’s the work of a deadly Blood Witch. The issue is, her coven is less than convinced, forcing Hannah to team up with the last person she wants to see: Veronica.
While the pair attempt to smoke out the Blood Witch at a house party, Hannah meets Morgan, a cute new ballerina in town. But trying to date amid a supernatural crisis is easier said than done, and Hannah will have to test the limits of her power if she’s going to save her coven and get the girl, especially when the attacks on Salem’s witches become deadlier by the day.
In Samsboro, Kentucky, Kalyn Spence’s name is inseparable from the brutal murder her father committed when he was a teenager. Forced to return to town, Kalyn must attend school under a pseudonym . . . or face the lingering anger of Samsboro’s citizens, who refuse to forget the crime.
Gus Peake has never had the luxury of redefining himself. A Samsboro native, he’s either known as the “disabled kid” because of his cerebral palsy, or as the kid whose dad was murdered. Gus just wants to be known as himself.
When Gus meets Kalyn, her frankness is refreshing, and they form a deep friendship. Until their families’ pasts emerge. And when the accepted version of the truth is questioned, Kalyn and Gus are caught in the center of a national uproar. Can they break free from a legacy of inherited lies and chart their own paths forward?
One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.
Pretty Little Liars meets People Like Us in this taut, tense thriller about two teens who find their lives intertwined when an anonymous texter threatens to spill their secrets and uproot their lives. PRIVATE NUMBER: Wouldn’t you look better without a cheater on your arm?
AMANDA: Who is this? The daughter of small town social climbers, Amanda Kelly is deeply invested in her boyfriend, real estate heir Carter Shaw. He’s kind, ambitious, the town golden boy–but he’s far from perfect. Because behind Amanda’s back, Carter is also dating Rosalie.
PRIVATE NUMBER: I’m watching you, Sweetheart.
ROSALIE: Who IS this? Rosalie Bell is fighting to remain true to herself and her girlfriend–while concealing her identity from her Christian fundamentalist parents. After years spent in and out of conversion “therapy,” her own safety is her top priority. But maintaining a fake, straight relationship is killing her from the inside.When an anonymous texter ropes Amanda and Rosalie into a bid to take Carter down, the girls become collateral damage–and unlikely allies in a fight to unmask their stalker before Private uproots their lives.
PRIVATE NUMBER: You shouldn’t have ignored me. Now look what you made me do…
As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.
Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.
While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?
Billy Sloat and Lydia Lemon don’t have much in common, unless you count growing up on the same (wrong) side of the tracks, the lack of a mother, and a persistent loneliness that has inspired creative coping mechanisms.
When the lives of these two loners are thrust together, Lydia’s cynicism is met with Billy’s sincere optimism, and both begin to question their own outlook on life. On top of that, weird happenings including an impossible tornado and an all-consuming fog are cropping up around them—maybe even because of them. And as the two grow closer and confront bigger truths about their pasts, they must also deal with such inconveniences as a narcissistic rock star, a war between unicorns and dragons, and eventually, of course, the apocalypse.
Gideon has a sword, some dirty magazines, and no more time for undead bullshit.
Tamsyn Muir’s Gideon the Ninth unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as skillfully animated as necromantic skeletons. The result is a heart-pounding epic science fantasy.
Brought up by unfriendly, ossifying nuns, ancient retainers, and countless skeletons, Gideon is ready to abandon a life of servitude and an afterlife as a reanimated corpse. She packs up her sword, her shoes, and her dirty magazines, and prepares to launch her daring escape. But her childhood nemesis won’t set her free without a service.
Harrowhark Nonagesimus, Reverend Daughter of the Ninth House and bone witch extraordinaire, has been summoned into action. The Emperor has invited the heirs to each of his loyal Houses to a deadly trial of wits and skill. If Harrowhark succeeds she will be become an immortal, all-powerful servant of the Resurrection, but no necromancer can ascend without their cavalier. Without Gideon’s sword, Harrow will fail, and the Ninth House will die.
After so many years of LGBTQIAP+ lit struggling for recognition, it’s been pretty killer to watch literary news this year, and to watch it get more mainstream multimedia recognition than ever. And since I think at any given time, we could all use some good news about the progress of LGBTQIAP+ books in publishing, here’s to highlighting some (but not even all!) of this year’s biggest successes in mainstream media:
The Summer of Jordi Perez (and the Best Burger in LA) by Amy Spalding was named a Best Book of 2018 by NPR, a Best YA Romance of 2018 by Kirkus, and among the Best YAs of 2018 by The Boston Globe and Paste
The Spy With the Red Balloon by Katherine Locke was named among the Best YAs of 2018 by Paste and B&N Teen Blog and among the Best Jewish Children’s Books of 2018 by Tablet
A Blade so Black by L.L. McKinney was named among the Best YAs of 2018 by Paste
Home and Away by Candice Montgomery was named among the Best YAs of 2018 by B&N Teen Blog and Paste and among the Best YA Mysteries and Thrillers of 2018 by Kirkus
Heart of Iron by Ashley Poston was named among the Best YAs of 2018 by Paste
For a Muse of Fire by Heidi Heilig was named among the Best YAs of 2018 by Paste
Anger is a Gift by Mark Oshiro was named among the Best YAs of 2018 by B&N Teen Blog and Paste and among the Best YA Books of 2018 About Speaking Your Truth by Kirkus
Vengeful by V.E. Schwab was named Best Science Fiction by Goodreads voters
Garrard Conley’s memoir, Boy Erased, was released as a feature film and hit the New York Times bestseller list
I’m Afraid of Men by Vivek Shraya was named among the Best YA Books of 2018 About Speaking Your Truth by Kirkus
How to Write an Autobiographical Novel by Alexander Chee was named a Best Book by TIME, Washington Post, Entertainment Weekly, NPR, Wired, Esquire, Buzzfeed, New York Public Library, The A.V. Club, Book Riot, PopSugar, The Rumpus, My Republica, Paste, Bitch,Library Journal,Bustle, Christian Science Monitor,Shelf Awareness, Tor.com, Chicago Public Library, Entropy Magazine,The Chicago Review of Books, The Coil, iBooks, and Washington Independent Review of Books, and was longlisted for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay
Welcome to Better Know an Author, a feature title I stole from Colbert Report because I miss it so, which will introduce you to a fabulous author of LGBTQIAP+ books every month! This month, the spotlight is on Robin Talley, who just released her newest book, Our Own Private Universe! Robin is an extremely prolific author of LGBTQ YA, as well as a huge reader and supporter of it, and I’m thrilled to have her here!
So, new book! I know with Our Own Private Universe, you were aiming for something like a queer-girl version of Judy Blume’s Forever, and you know I think you succeeded there! What was particularly important to you to include in the book, and why?
Thank you! With Our Own Private Universe, I set out to write the book I wished I’d had when I was a teenager and was first starting to figure out I was queer (which took me quite a while). What I wanted then, but wouldn’t have even known to look for, was a story that validated happy endings for queer girls. I wanted someone to tell me that however I wound up identifying, my life would go on, and it would be fun and interesting and with the usual ups and downs, just like it was for my straight friends. At that time, I was also desperate for representations of what it was like to be a girl in a relationship with another girl, complete with flirting and fighting and sex and everything in between. So I set out to cover all that in OOPU.
You’ve had some damn cool experiences in the publishing world, including hitting the NYT bestseller list and getting shortlisted for the Carnegie. What’s been the absolute coolest thing, and how do you usually celebrate?
I was pretty excited about the Carnegie situation. I got to go to London for that, which was awesome. Plus my UK publisher sent me a bottle of fancy champagne as a congratulations gift, which was lovely of them. My wife and I are not very good at finishing bottles of champagne by ourselves so we had some friends over and we made tacos and drank champagne. That might have been my favorite writerly celebration. 🙂
It will probably not shock you to learn that I’m a major fangirl of As I Descended. Have you considered queering up any other retellings, and if so, which ones? And whether or not you’re looking to write more, what kinds would you like to read?
Thank you again! And I might have a queer contemp retelling of Taming of the Shrew coming up, actually. Stay tuned for more on that! There are a bunch of other classic stories I’ve tried to tackle but haven’t been able to make work. Doesn’t someone have an f/f Pride & Prejudice in the works right now? That would probably be my #1 request.
What’s something you’ve seen in LGBTQIAP+ lit that’s really stuck with you, for better or for worse?
Right now what I’m most excited about are stories that focus on straight-up friendships between queer characters, like You Know Me Wellby Nina LaCour and David Levithan. Those friendships can wind up being much more significant and lasting much longer than romantic relationships do, especially in the teen years. I’m glad we’re seeing that represented more in YA.
What are your favorite LGBTQIAP+ reads, and which ones are you most looking forward to?
I’m excited that we’re anthology buddies in All Out, the historical all-LGBTQ antho coming out in 2018. What setting did you pick for your story, and why?
I am SO EXCITED for All Out. I can’t believe I got to be in an anthology with all of these amazing authors!! My story is set in 1726 in Kensington Palace in London, and it focuses on a romance between two servant girls. I chose the Georgian period after finding lots of fascinating tidbits about this era in my research. Now I want to know what the setting of yours is, Dahlia!
(Blogger’s note: I was slightly less ambitious about the “historical” aspect…like, 1994 Seattle less ambitious!)
My character in Feral Youthis definitely a girl who likes girls. And without giving too much away, readers interested in queer characters will find a LOT to like in this book.
And finally, what can you share with us about the awesome-sounding Pulp?
Pulpis my current work-in-progress, slated for 2018. It’s about lesbian pulp fiction, which were these incredible books were published in the 1950s and 1960s and sold very cheaply (think 25 cents) in drugstores and bus stations. They were intended for a male audience and often had lurid covers featuring scantily clad women, but a lot of the books were actually written by lesbians, and the best ones wound up being these really frank portrayals of lesbian life at a time when there were NO mainstream media images of queer people at all. So for a lot of readers, these books, with their lurid covers and all, were an essential lifeline—the only indication they had that there existed a community of other people like them. My own book, Pulp, has two different stories taking place in two timelines. One focuses on an 18-year-old girl in 1955 who’s just realizing she’s a lesbian and is writing a lesbian pulp romance, and the other follows a modern 17-year-old out-and-proud queer girl who comes across the other character’s book in the present day and tries to uncover the author, who wrote under a pseudonym and mysteriously disappeared from the public scene as soon as the book was published.
Robin lives in Washington, D.C., with her wife, their daughter, and an antisocial cat. She enjoys reading about queer characters, analyzing Disney movies, and chocolate. You can find her at www.robintalley.com.