Tag Archives: The Impossible Contract

Better Know an Author: K.A. Doore

I’m so excited to have K.A. Doore on the site as this month’s featured author, because frankly, a lot of the books that make it onto this site are thanks to her working to increase visibility for them, making her one of my favorite authors to follow on Twitter. But in addition to being an A+ advocate for queer books and for queer adult SFF in particular, she is also, of course, an author, who happens to have just released the second book of the Chronicles of Ghadid series. She’s joining us to talk about the books, SFF, discoverability, and more, so take a seat and get to know K.A. Doore!

Congrats on the release of The Impossible Contract! As we all know, the second book, especially of a series, can be a complete nightmare, so what was the process of writing it like and what was the absolute best moment?

43263188Thank you!!

I have to admit I kind of cheated on my second book, in that The Impossible Contract was actually the book I wrote first. It was supposed to be a standalone, but when I was presented with the opportunity to write more in that universe, I jumped on it. I just, maybe, jumped a little backwards.

The Perfect Assassin turned out to be my second book, as well as the first in the series, which was its own specific kind of nightmare. I had to figure out how to write a book that felt like it had always come first, that was in some ways quieter, that laid the foundation of the worldbuilding done in the now second book without overshadowing it, that had its own stakes and characters and all tied up neatly enough to work on its own and also lead into the next book.

Hard, yes? And then do that all in nine months with a newborn.

That was the most difficult part, but that was also the best part. Having the chance to explore the world in greater detail, to dig into the myths and lore I hadn’t had the space to in the now second book, to share the roots of the family and the traditions of their world – I can’t imagine writing the series any differently now.

For those who aren’t familiar with the Chronicles of Ghadid series, how are the books, which have different main protagonists, connected? And can you tell us a little about both Amastan and Thana?

39863314They’re thematically connected, each building upon the others’ answers – and questions – about what it means to be a family, what it means to take a life, and what it means to do the right thing, even when it’s the hardest thing in the world to do. They’re also, ultimately, a story about a city and its people and its history, and how each generation tells its own story about that history, deriving a separate but still valid identity from it.

I’m a historian at heart – if not quite on paper (does a Classics degree count?) – so exploring the ways the history of a people changes and shifts over time and is used for various purposes became the main thread of the story, and why ultimately this series is about the city of Ghadid more than it is about any individual person.

But it is still about Amastan and Thana and their fellow cousins. Those two are opposites in a lot of ways. Amastan is meticulous and highly risk-averse, preferring a quiet afternoon with tea and scrolls to any excitement. Whereas Thana wants to make a name for herself, she wants to stand out from her cousins and become a legend. I love them both and I loved exploring their stories and the way they feed off of each other – mostly for good, occasionally for bad.

The final book in the trilogy, The Unconquered City, releases from Tor on June 16th. What familiar things can established fans expect to see, and what can you say about it that should make clear to readers it’s time to get in on the ground floor?

47902772._sy475_Many familiar faces return in the third book and the story of a city and it’s magic that I’ve been not so subtly hinting at all along comes to a (hopefully) satisfying conclusion. A lot of questions raised about the nature of spirits and what happens to them, as well as what, exactly, it means to be a healer and how that talent developed in a far-flung city like Ghadid are answered as well.

While The Perfect Assassin and The Impossible Contract both work well as standalones, The Unconquered City draws heavily on themes, events, and characters from both. I did have one beta reader go in cold and they still enjoyed the story, but I wouldn’t advise it. TUC is a story about overcoming trauma and resilience and rediscovering hope, a story I needed during a particularly hard time in my own life. It was the hardest thing I’ve ever written.

But it’s also full of fights and magic and conflagrations and angry arguments in jail cells. In a way, it’s more of the same, if under a different light. But it’s also an ending to a trilogy that has been bittersweet and hopeful throughout, and it stays true to both.

It’s no secret I’m not a huge adult SFF reader, so I am undyingly grateful to you for your incredible enthusiasm for queer adult SFF and your championing it all over the place. Where do you find about new queer SFF, and how do you recommend readers stay on top of new books?

My secret is that I’m friends/acquaintances with a lot of awesome queer authors who know other awesome queer authors and are good about tipping me off to forthcoming books. Beyond that, I keep an eye out and read reviews (Tor.com is very good about explicitly saying when a book is queer, thank goodness) and then use lists other people have put together to try and fill in the gaps. Even with all that, I still miss some. I’m only one person and I’m only human, so it’s inevitable.

I would advise readers follow blogs and accounts that are dedicated to spreading the word about queer books – like LGBTQ Reads :), but also Reads Rainbow. A little bit more time intensive, but I’d also advise checking out publisher’s catalogues and reading the advance reviews on those books, since oftentimes reviewers will mention the representation they saw. You will start to notice those reviewers who are very good about spotting queer books in advance, as well as talking about the queer books they’ve noticed. Follow them.

Speaking of incredible enthusiasm for queer adult SFF…what are some of your all-time and recent favorites, and what are you most looking forward to in upcoming titles?

The Winter Duke by Claire Eliza Bartlett comes out March 3, 2020 and is basically lesbian Anastasia on ice. It’s fun and smart and thoughtful and deliciously queernorm and it tackles such lofty topics of power, corruption, dictatorships vs republics, and fetishizing the other in a way that never feels like browbeating. Plus, it’s Bartlett, so you’ve got that exquisite, vivid writing as well and the softest f/f relationship ever.

I also really loved The Monster of Elendhaven by Jennifer Giesbrecht and Silver in the Wood by Emily Tesh, two novellas put out by Tor.com this summer, each delicious and well-written, each queer af. The former is gory and sharp, dark as all get out and just as sumptuous, while the latter is… not exactly a happy ending, but a lot softer, a gentle hug of a book with a fierceness at its heart.

In addition to your novels, you also write short fiction, which is wonderfully available on your website with Ao3 tags and all. What is it about short fiction and long-form novels that each speak to you, and what fandom is it that brought you to Ao3?

I have to first admit that I was only ever briefly on Ao3 – I cut my fandom teeth on fanfic.net way back in the day. Sailor Moon was initially what brought me in and taught me the ropes of writing a story that was season-length, aka novel-length, if by ropes you mean writing and rewriting and rewriting the same story but never actually finishing it. While I haven’t written fic for a long time now, I still love that particular art form (and yes, it is an art form) and if I ever have time again, look forward to swimming through comfort-fic.

But novels are where I started and novels are where I stayed. I’ve always naturally gravitated toward longer form, since it gives me more room to layer worldbuilding and play with characters. The pay-off of a particular moment that has been subtly – or not so subtly – foreshadowed for most of a book is one of my favorite things about writing, along with the way characters continue to surprise you, two things I find are much more difficult to do satisfactorily in short form.

Short form is also, in my opinion, a whole lot harder to write than novels. Which is probably why it took me so long to even dip my toe into that particular pool. In fact, I thought I was incapable of writing them up until this year, when I needed to work on something in between edits on The Unconquered City. I wasn’t ready to leave Ghadid, and I didn’t have the brain power to begin building a new and separate world, so I played with shorts. They helped me tie up loose ends and begin to move on from a story and world I’d been immersed in for the better part of five years, as well as realize that maybe, maybe, I could learn to do this short story thing after all.

People often think of SFF as an “escape from reality,” but in truth, it can be some of the best ground for exploring topics such as identity and bigotry (including the internalized kind), as you well know. What do you think it is about working outside the bounds of “reality” that makes such a great setting for discussing some of the hardest parts of our reality, especially in the current political climate?

It’s the ability to imagine a different reality, and in so doing come to realize it can be our reality. I write queernorm worlds – that is, worlds where homophobia isn’t a thing – because being able to imagine a place and time where we don’t have to worry about our identities, where it simply isn’t an issue and society works with us can help us believe that such a reality, or a form of that reality, is obtainable here. And that first step – believing it’s even possible – is how we obtain it.

It’s also, generally, easier for fantasy to take on such large ideas and truths because the reader is having a fun time and often doesn’t realize that their worldview is shifting along the way. A fantasy adventure makes it easier to internalize truths like treat others well, corporations are inherently selfish, and maybe people are just… people. Of course, the flip side of this is that fantasy can propagate harmful stereotypes and ideas just as easily.

If anything, while writing fantasy I’ve realized I have to be a lot more conscious of the ideas and truths floating just beneath the surface of my world and story, of what I’m saying if I make the antagonist a queer woman or the oppressive power structure a matriarchy. If I do make the antagonist a queer woman, then I’d better make sure there are other queer women in the story doing positive things. If I do make the oppressive power structure a matriarchy, then I’d better make it damn clear the oppression is because of humans being humans, not because of their gender.

Fantasy is the most powerful tool we have to imagine a better future, and thereby a better now.

Your kickstarter for the anthology Silk & Steel is seriously killing it! What was the process of putting that together like, and how can people help it come to fruition?

That is all Macey and Django’s doing! They are the architects behind the scenes, setting up the Kickstarter and organizing a literal cat-bag of writers. I just volunteered my services and yelling and the amazing writing community has boosted it from there.

As with all things queer and fiction-related, the best thing any single reader or excited patron can do is yell about it. Share it with your friends. Your coworkers. Your enemies. Being loud and obnoxious about the things you love is in, dontcha know.

What’s the first LGBTQIAP+ representation you recall encountering in the media, for better or for worse?

Does Xena count? Xena should absolutely count, although I don’t think I quite connected the dots until later. But her relationships were all pretty queer and even baby!Kai could read between those lines.

Once the series is over, what’s up next for you?

I have a few things in the works, and they’re all pretty queer, but nothing yet set in stone. I’ve got some potentially big life changes coming up, so no guarantee there will be anything soon, but whatever comes next will continue to be queernorm fantasy. 🙂

***

K.A. Doore grew up in Florida, but has since lived in lush Washington, arid Arizona, and cherry-infused Michigan. While recovering from climate whiplash, she’s raised chickens, learned entirely too much about property assessment, photographed cacti, and now develops online trainings while writing fantasy and wrangling a small child, none of which has anything to do with – or perhaps has everything to do with – her BA in Classics.

The Chronicles of Ghadid is her trilogy debut, beginning with The Perfect Assassin from Tor Books.

New Releases: November 2019

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What Burns by Dale Peck (5th)

45821224Written over the course of twenty-five years, the stories in What Burns examine the extremes of desire against a backdrop of family, class, and mortality.

In “Bliss,” a young man befriends the convicted felon who murdered his mother when he was only a child. In “Not Even Camping Is Like Camping Anymore,” a teenaged boy fends off the advances of a five-year-old his mother babysits. And in “Dues,” a man discovers that everything he owns is borrowed from someone else—including his time on earth.

Walking the tightrope between tenderness and violence that has defined Peck’s work since the publication of his first novel, Martin and John, through his most recent, Night Soil, What Burns reveals Peck’s mastery of the short form as well as the novel.

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Girls of Storm and Shadow by Natasha Ngan (5th)

This is the sequel to Girls of Paper and Fire

Lei, the naive country girl who became a royal courtesan, is now known as the Moonchosen, the commoner who managed to do what no one else could. But slaying the cruel Demon King wasn’t the end of the plan—it’s just the beginning. Now Lei and her warrior love Wren must travel the kingdom to gain support from the far-flung rebel clans. The journey is made even more treacherous thanks to a heavy bounty on Lei’s head, as well as insidious doubts that threaten to tear Lei and Wren apart from within.

Meanwhile, an evil plot to eliminate the rebel uprising is taking shape, fueled by dark magic and vengeance. Will Lei succeed in her quest to overthrow the monarchy and protect her love for Wren, or will she fall victim to the sinister magic that seeks to destroy her?

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On Swift Horses by Shannon Pufahl (5th)

44229171._sy475_A lonely newlywed and her wayward brother-in-law follow divergent and dangerous paths through the postwar American West.

Muriel is newly married and restless, transplanted from her rural Kansas hometown to life in a dusty bungalow in San Diego. The air is rich with the tang of salt and citrus, but the limits of her new life seem to be closing in: She misses her freethinking mother, dead before Muriel’s nineteenth birthday, and her sly, itinerant brother-in-law, Julius, who made the world feel bigger than she had imagined. And so she begins slipping off to the Del Mar racetrack, to bet and eavesdrop, learning the language of horses and risk. Meanwhile, Julius is testing his fate in Las Vegas, working at a local casino where tourists watch atomic tests from the roof, and falling in love with Henry, a young card cheat. When Henry is eventually discovered and run out of town, Julius takes off to search for him in the plazas and dives of Tijuana, trading one city of dangerous illusions for another.

On Swift Horses is a debut of astonishing power: a story of love and luck, of two people trying to find their place in a country that is coming apart even as it promised them everything.

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Ghosting You by Alexander C. Eberhart (5th)

Tommy hears dead people. Okay, one dead person. His best friend, Chase. Since his death, Tommy can’t stop hearing his voice. They talk every day and Tommy even sends him texts, but it always ends the same. Message failed to send. Until one day, a stranger texts back.

Getting stuck in nowhere Georgia was not on Nick’s summer agenda, but a horoscope, a chance encounter, and a cute boy has things looking up. There’s just one problem, the boy hates him. When a broken phone leaves him with a new number, Nick is ready to write off the entire summer as a loss. But then he receives a strange text.

When Tommy and Nick’s worlds collide, the attraction is instant, but Tommy just can’t let Chase go. Can Nick use his status as Tommy’s anonymous stranger to break down his defenses or is Nick destined to live in a love triangle with a ghost?

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Call Down the Hawk by Maggie Stiefvater (5th)

31373184The dreamers walk among us . . . and so do the dreamed. Those who dream cannot stop dreaming – they can only try to control it. Those who are dreamed cannot have their own lives – they will sleep forever if their dreamers die.

And then there are those who are drawn to the dreamers. To use them. To trap them. To kill them before their dreams destroy us all.

Ronan Lynch is a dreamer. He can pull both curiosities and catastrophes out of his dreams and into his compromised reality.

Jordan Hennessy is a thief. The closer she comes to the dream object she is after, the more inextricably she becomes tied to it.

Carmen Farooq-Lane is a hunter. Her brother was a dreamer . . . and a killer. She has seen what dreaming can do to a person. And she has seen the damage that dreamers can do. But that is nothing compared to the destruction that is about to be unleashed. . . .

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The Starless Sea by Erin Morgenstern (5th)

43575115._sy475_Zachary Ezra Rawlins is a graduate student in Vermont when he discovers a mysterious book hidden in the stacks. As he turns the pages, entranced by tales of lovelorn prisoners, key collectors, and nameless acolytes, he reads something strange: a story from his own childhood. Bewildered by this inexplicable book and desperate to make sense of how his own life came to be recorded, Zachary uncovers a series of clues—a bee, a key, and a sword—that lead him to a masquerade party in New York, to a secret club, and through a doorway to an ancient library hidden far below the surface of the earth.

What Zachary finds in this curious place is more than just a buried home for books and their guardians—it is a place of lost cities and seas, lovers who pass notes under doors and across time, and of stories whispered by the dead. Zachary learns of those who have sacrificed much to protect this realm, relinquishing their sight and their tongues to preserve this archive, and also of those who are intent on its destruction.

Together with Mirabel, a fierce, pink-haired protector of the place, and Dorian, a handsome, barefoot man with shifting alliances, Zachary travels the twisting tunnels, darkened stairwells, crowded ballrooms, and sweetly soaked shores of this magical world, discovering his purpose—in both the mysterious book and in his own life.

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In the Dream House by Carmen Maria Machado (5th)

In the Dream House is Carmen Maria Machado’s engrossing and wildly innovative account of a relationship gone bad, and a bold dissection of the mechanisms and cultural representations of psychological abuse. Tracing the full arc of a harrowing relationship with a charismatic but volatile woman, Machado struggles to make sense of how what happened to her shaped the person she was becoming.

And it’s that struggle that gives the book its original structure: each chapter is driven by its own narrative trope―the haunted house, erotica, the bildungsroman―through which Machado holds the events up to the light and examines them from different angles. She looks back at her religious adolescence, unpacks the stereotype of lesbian relationships as safe and utopian, and widens the view with essayistic explorations of the history and reality of abuse in queer relationships.

Machado’s dire narrative is leavened with her characteristic wit, playfulness, and openness to inquiry. She casts a critical eye over legal proceedings, fairy tales, Star Trek, and Disney villains, as well as iconic works of film and fiction. The result is a wrenching, riveting book that explodes our ideas about what a memoir can do and be.

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Shine of the Ever by Claire Rudy Foster (5th)

Shine of the Ever 900px (Tumblr) By turns tender and punk-tough, Shine of the Ever is a literary mixtape of queer voices out of 1990s Portland. This collection of short stories explores what binds a community of queer and trans people as they negotiate love, screwing up and learning to forgive themselves for being young and sometimes foolish.

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The Impossible Contract by K.A. Doore (12th)

This is the second book in the Chronicles of Ghadid series

Thana has a huge reputation to live up to as daughter of the Serpent, who rules over Ghadid’s secret clan of assassins. Opportunity to prove herself arrives when Thana accepts her first contract on Heru, a dangerous foreign diplomat with the ability to bind a person’s soul under his control.

She may be in over her head, especially when Heru is targeted by a rival sorcerer who sends hordes of the undead to attack them both. When Heru flees, Thana has no choice than to pursue him across the sands to the Empire that intends to capture Ghadid inside its iron grip.

A stranger in a strange city, Thana’s only ally is Mo, a healer who may be too noble for her own good. Meanwhile, otherworldly and political dangers lurk around every corner, and even more sinister plans are uncovered which could lead to worldwide devastation. Can Thana rise to the challenge—even if it means facing off against an ancient evil?

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Practically Ever After by Isabel Bandeira (12th)

Ever practical Grace Correa has planned the perfect life.

She has Leia, the perfect girlfriend, amazing friends, is part of Pine Central’s glitterati, and has been accepted into her first-choice university guaranteeing one of the best paying jobs in the country. To Grace, life is an equation where everything can be perfectly calculated to ensure maximum success and the perfect future.

The problem is that life has a funny way of getting in the way of plans.

With high school rushing to an end, Grace’s plans start falling apart. The “piece of cake” final design project is anything but easy, everyone seems to need everything from her, her schedule is a mess, and after a massive fight, all signs say that breaking up with Leia is the practical choice for both of them. Especially since long distance college relationships never seem to last. Except…Grace starts to wonder for the first time in her life if she messed up her calculations.

What can a practical person do when love is the least practical choice?

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Wild Life by Keena Roberts (12th)

36222243._sy475_Keena Roberts split her adolescence between the wilds of an island camp in Botswana and the even more treacherous halls of an elite Philadelphia private school. In Africa, she slept in a tent, cooked over a campfire, and lived each day alongside the baboon colony her parents were studying. She could wield a spear as easily as a pencil, and it wasn’t unusual to be chased by lions or elephants on any given day. But for the months of the year when her family lived in the United States, this brave kid from the bush was cowed by the far more treacherous landscape of the preppy, private school social hierarchy.

Most girls Keena’s age didn’t spend their days changing truck tires, baking their own bread, or running from elephants as they tried to do their schoolwork. They also didn’t carve bird whistles from palm nuts or nearly knock themselves unconscious trying to make homemade palm wine. But Keena’s parents were famous primatologists who shuttled her and her sister between Philadelphia and Botswana every six months. Dreamer, reader, and adventurer, she was always far more comfortable avoiding lions and hippopotamuses than she was dealing with spoiled middle-school field hockey players.

In Keena’s funny, tender memoir, Wild Life, Africa bleeds into America and vice versa, each culture amplifying the other. By turns heartbreaking and hilarious, Wild Life is ultimately the story of a daring but sensitive young girl desperately trying to figure out if there’s any place where she truly fits in.

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Back to September by Melissa Brayden (12th)

Hannah Shephard likes her life, her job, and her perfectly cozy apartment around the corner from her shop. She’s never been one to take big risks and would much rather stay in on a Friday night with a warm cup of decaf and her favorite mystery novel, so why do her friends insist she needs more? Plus, Hannah has bigger problems to focus on. She’s in trouble. Well, her bookstore is, and if she doesn’t find a way to bring in some more cash, she’ll be closing the doors of A Likely Story for good.

When world famous romance novelist Parker Bristow accepts her request to come in for a signing, Hannah might finally be able to drum up some much-needed attention and save the shop. What she didn’t anticipate was an unexpected evening and a woman she wouldn’t soon forget. A real romance is off the table. Parker is flashy, sought after, and Hannah is just, well, Hannah. But for Parker, it seems like Hannah might be a safe place to fall. The question is, what kind of falling are they doing?

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Becoming Eve: My Journey from Ultra-Orthodox Rabbi to Transgender Woman by Abby Chava Stein (12th)

44287250Abby Stein was raised in a Hasidic Jewish community in Brooklyn, isolated in a culture that lives according to the laws and practices of eighteenth-century Eastern Europe, speaking only Yiddish and Hebrew and shunning modern life. Stein was born as the first son in a dynastic rabbinical family, poised to become a leader of the next generation of Hasidic Jews.

But Abby felt certain at a young age that she was a girl. She suppressed her desire for a new body while looking for answers wherever she could find them, from forbidden religious texts to smuggled secular examinations of faith. Finally, she orchestrated a personal exodus from ultra-Orthodox manhood to mainstream femininity-a radical choice that forced her to leave her home, her family, her way of life.

Powerful in the truths it reveals about biology, culture, faith, and identity, Becoming Eve poses the enduring question: How far will you go to become the person you were meant to be?

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Floodtide by Heather Rose Jones (15th)

This is the 4th book in the Alpennia series

The streets are a perilous place for a young laundry maid dismissed without a character for indecent acts. Roz knew the end of the path for a country girl alone in the city of Rotenek. A desperate escape in the night brings her to the doorstep of Dominique the dressmaker and the hope of a second chance beyond what she could have imagined. Roz’s apprenticeship with the needle, under the patronage of the Royal Thaumaturgist, wasn’t supposed to include learning magic, but Celeste, the dressmaker’s daughter, draws Roz into the mysterious world of the charm-wives. When floodwaters and fever sweep through the lower city, Celeste’s magical charms could bring hope and healing to the forgotten poor of Rotenek, but only if Roz can claim the help of some unlikely allies.

Set in the magical early 19th century world of Alpennia, Floodtide tells an independent tale that interweaves with the adventures.

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Bound to the Monarchs by Brooke Winters (17th)

Millennia ago, the people of Lencura were split into designations dependent on their abilities. Vitoria is a solviso. Others consider them the weakest of the designations but Vitoria knows she’s stronger than people think. Sure, she can’t fly, shift, or conjure magic but her blood has healing properties that the other designations covet and she knows she can use that to her advantage. She’s aware of the dangers that lurk outside of her region and that the other designations would do just about anything to possess her blood but when her father’s death leaves her homeless she’s willing to take the risk for the chance of a better life.

When Vitoria encounters marauders on her way to start a new life in the northern region of Malita, she’s forced to take a detour. Her van breaks down on the border of the shifter lands and she follows her instinct, venturing into the forbidden shifter territory. Better to take her chances with shifters than marauders. Vitoria is placed under the protection of Queen Mathilda and her mate, King Antonio. Mathilda and Antonio’s dominance awakens a passion in Vitoria that she never knew she possessed and she wonders if she might be the third mate they’ve been looking for.

When a dignitary from a neighbouring monarchdom kidnaps Vitoria and offers her anything she could ever want in return for her blood, she realises the only thing she wants is to be Mathilda and Antonio’s. Her monarchs will do anything to get her back but Vitoria isn’t sure what they really want: her or her blood.

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