Today on the site, I am delighted to reveal this extremely excellent trailer for one of my favorite authors, Lev A.C. Rosen, and his equally excellent upcoming gay historical mystery, Lavender House, which releases from Forge on October 18th! Here’s the story:
Lavender House, 1952: the family seat of recently deceased matriarch Irene Lamontaine, head of the famous Lamontaine soap empire. Irene’s recipes for her signature scents are a well guarded secret—but it’s not the only one behind these gates. This estate offers a unique freedom, where none of the residents or staff hide who they are. But to keep their secret, they’ve needed to keep others out. And now they’re worried they’re keeping a murderer in.
Irene’s widow hires Evander Mills to uncover the truth behind her mysterious death. Andy, recently fired from the San Francisco police after being caught in a raid on a gay bar, is happy to accept—his calendar is wide open. And his secret is the kind of secret the Lamontaines understand.
Andy had never imagined a world like Lavender House. He’s seduced by the safety and freedom found behind its gates, where a queer family lives honestly and openly. But that honesty doesn’t extend to everything, and he quickly finds himself a pawn in a family game of old money, subterfuge, and jealousy—and Irene’s death is only the beginning.
When your existence is a crime, everything you do is criminal, and the gates of Lavender House can’t lock out the real world forever. Running a soap empire can be a dirty business.
Sound amazing? It is. But you only partially have to take my word for it, because this trailer is worth a thousand of them. But first, a few words from the author:
“I’m so thrilled to present you all with this vintage ad for Lamontaine Soap, the soap company featured in Lavender House. I was so thrilled and excited to hire my dear friends Florian and Jes to create this project, which I gave them only a little direction on. They created something amazing, vintage, ominous, and a little sexy. I hope you enjoy it, and if you do, please pre-order the book (out Oct 18th!) and share the video on social media! Hope you all stay as fresh as flowers.
And now, without further ado, the trailer for Lavender House by Lev A.C. Rosen, starring Jes Bedwinek and directed by M. Florian Staab!
Want to re-port the trailer? Click here to download it in TikTok-friendly format and here for square format!
Lev Rosen writes books for people of all ages, most recently Camp, which was a best book of the year from Forbes, Elle, and The Today Show, amongst others and is a Lambda finalist, an ALA Rainbow List Top Ten and is being adapted into a film directed by and starring Billy Porter. His next book, Lavender House, will be released fall of 2022, and after that Tennessee Russo in Spring of 2023. He lives in NYC with his husband and a very small cat. You can find him online at LevACRosen.com and @LevACRosen
Fabulous news for fans of You First by J.C. Lillis (or fans of superhero stories, second chance romance, found family, and general adorableness): sequel The Forever Place releases on August 18th, and we’ve got the cover reveal right here, so come check it out!
Since his breakup with his longtime boyfriend, small-town superhero Levon Ludlow has undergone an extreme life makeover. He’s got two new jobs, a remodeled house, custom-tailored trousers, and the power to talk to an even wider array of snarky and cantankerous animals. He swears he’s too busy with his new life to miss his old love—so when Jay calls with a problem only Levon can help with, he’s sure he can keep it professional and drama-free. Even if it DOES involve two weeks at a honeymoon resort with his ex.
Pairing up as a makeshift team, Levon and Jay head for the Valentines island resort in the Florida Keys, where an outbreak of scandalous guest behavior is linked to a flock of red birds and their strange and alluring song. Levon’s mission: use his animal-talking expertise to decode the birds’ song, uncover their goal, and send them back where they came from. Jay’s mission: use his water-moving skills to protect the island from a storm that’s brewing on the horizon. As Levon and Jay work together and reminisce in this land of heart-shaped tubs and vibrating beds, a flood of old feeling pulls them under—but unresolved issues and guilty secrets could kill their second chance before it gets off the ground. Can they come back together, once and for all, and find a new forever place that works for them both?
The sun-drenched sequel to the bittersweet YOU FIRST, this adult romcom is a funny valentine to superhero stories, found families, and love of all kinds, the old and the new.
Here’s the absolutely lovely cover designed in collaboration between the author and Mindy Dunn!
J.C. Lillis is the author of contemporary YA novels HOW TO REPAIR A MECHANICAL HEART, WE WON’T FEEL A THING, and A&B, plus various other stories about fandom, friendship, love, and art. She lives in Baltimore with her patient family, a possibly haunted dollhouse, and a cat who intends to eat her someday. YOU FIRST and THE FOREVER PLACE are her first adult novels.
Today on the site, we’re excited to welcome Celine Frohn, editor of Unspeakable: A Queer Gothic Anthology, out now from Nyx Publishing! This speculative collection features a wide range of identities, including gay, lesbian, bi/pan, trans and non-binary, poly, and asexual characters. Check it out here and then learn a little more about the stories that make it up!
Unspeakable contains eighteen Gothic tales with uncanny twists and characters that creep under your skin. Its stories feature sapphic ghosts, terrifying creatures of the sea, and haunted houses concealing their own secrets. Whether you’re looking for your non-binary knight in shining armour or a poly family to murder with, Unspeakable showcases the best contemporary Gothic queer short fiction. Even dark tales deserve their time in the sun.
The anthology contains stories by Claire Hamilton Russell, Ally Kölzow, C. L., Lindsay King-Miller, Avery Kit Malone, Katalina Watt, Jude Reid, S.T. Gibson, Jenna MacDonald, Eliza Temple, Katie Young, Sam Hirst, Ryann Fletcher, Heather Valentine, Jen Glifort, E. Saxey, Anna Moon, and Mason Hawthorne.
The haunted house as a metaphor is something that fascinates me. In “Leadbitter House”, the house is a proxy for the protagonist’s body, the struggles he faces throughout the story reflect a number of struggles that are common to transgender experiences. Elijah is confronted over and over by people who believe that his house must be arranged or decorated or treated in the way that they expect it to be, rather than how Elijah needs it to be, or who express outright disgust at it. The use of body horror elements in this story is another part of the gender narrative that I explore through my work. Often, it isn’t until other people read my writing and say “wow that’s body horror!” that I realise what effect the scenes I develop might have for someone who is not in my head. I try to make the ostensibly gory, horrific elements more about connection and exploration of the body, about intimacy and anxiety connected to bodily experience, in a way that uses the uncanny to interrogate that which is often assumed to be familiar and ‘normal’.
But besides all that, sometimes organ removal is fun!
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“Laguna and the Engkanto” by Katalina Watt
My story ‘Laguna and the Engkanto’ takes place on a fictional island called Avelina and is inspired by Filipino folklore, specifically the engkanto: a mythical spirit of the environment. The engkanto in my story is genderless and similar to a siren or mermaid, acting as a catalyst for and symbol of sexual awakening. Laguna begins the story with a fear of the sea, and as she becomes more in tune with herself and her body, this transforms into a longing for it.
I wanted to explore the idea of queerness within the prism of a society which is highly spiritual in both the religious and folkloric sense. The characters are living under the shadow of colonialism which has brought, among other things, these new religious ideologies. Within this society and particularly for a young woman, the engkanto represents both sexual agency but also transgressive pleasure, and I wanted to play with the concept of queerness as it relates to these intersections within a culture.
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“Brideprice” by S.T. Gibson
“Brideprice” is my love letter to the vampire novels and action fantasy movies like Van Helsing that got me through my teens. When I was first coming to terms with my own bisexuality, my desires felt monstrous, so stories of ravenous supernatural creatures pining away after maidens soothed me. I was enamored by the capricious, sensual, mysterious brides of D, who struck me as the perfect mix of maiden and monster, seducer and seducee. I wrote “Brideprice” to give them their own narrative voices, and to play up the queerness inherent in the source text. This undying family is re-imagined as a polyamorous unit of cis and trans men and women who simultaneously desire one another and compete with one another for power.
The Dracula myth is generally told from his perspective, or the perspective of his victims, but not the brides. “Brideprice” is my attempt to give agency back to the brides. This is why Dracula rarely speaks in the story and only exists filtered through the brides’ memories: he’s just the catalyst for their leap into immortality. Whether they’re trying to escape violence, bigotry, or poverty, he’s their dark door into a new world, but they’re the ones seizing agency and making that final choice.
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“Homesick” by Sam Hirst
Writing has always been a means of exploring and expressing myself from those early days of pre-teen poetry with its paeans to blonde beauties right through the angsty self-repressing tragedies of my teens littered with sapphic ladies dying to save their beloved. Emerging from years of denial about who I was and ignorance about the words that existed to describe myself – asexual, sapphic, queer… I turned to writing to work out my confusions before I even knew what they were. And that’s where ‘Homesick’ comes from. It mixes the Gothic elements I’ve always loved – ghosts – and one of the intriguing riddles associated with – how the afterlife actually works – with an exploration of queer identity that I’ve often felt didn’t fit in any of the existing categories. Ghosts allow you to move away from the physical. Sexual attraction disappears from the world of my story, the way it is absent from my own life. Exploring life after death allowed me to imagine a world lived within sight of your past but not bound or determined by it. My ghosts are homesick because they haven’t found a home yet and my story is about them finding their way there – to the place and the people they belong with. In writing this story, I followed Marion and Sanan through a Gothic world that they made beautiful. It’s a story of hope in the end and I hope people read it that way.
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“Lady of Letters; or, the Twenty-First Century Homunculus” by Heather Valentine
Lady of Letters came from an idea I’d been toying around with for a while about fake profiles and alternate accounts in the mid-2000s era of early social media. I’d played a few games that were either set in that era or touched on the ideas I was interested in – Cibele takes place in a fake MMORPG, and spoke to my experiences of playing Phantasy Star Universe while having arguments with my soon-to-be-ex high school boyfriend in the private chat; and Simulacra takes the idea of the sentient profile in a far more cosmic horror direction.
Seeing the call for stories for Unspeakable, I realised that the key to exploring these ideas on the page was the Gothic. Taking the genre’s sometimes-features of narratives framed through letters and recordings; the all-encompassing emotions its heightened settings allow its protagonists to have without that teenage shame of feeling too much; the idea of a ghostly romance, but making the spectre a digital one.
I think the way that classic Gothic writing explores and remembers is past is something we can use to explore our own much more recent history, as people and as communities.
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“Hearteater” by Eliza Temple
Hearteater is a story about a woman who lives alone in a decaying manor house named Scarlet Hall. One dark and stormy night, a stranger named Kat turns up at the house looking for shelter. Lady Scarlet invites her inside, and they grow close, despite each insisting on their own monstrosity.
My initial idea for Hearteater was to explore how Gothic preoccupations with virginity would work when applied to queer sex, but literally none of that made it into the final draft because I got preoccupied by my own issues. Both Lady Scarlet and Kat refer to themselves as monsters throughout the text; they literally are, in the sense of being supernatural and nonhuman, but they also live in a heteronormative society which could consider them monstrous for not being attracted to men. When Kat comes to Scarlet Hall, both women find community in each other—not only are they both lesbians, but their respective supernatural powers complement each other. I wrote Hearteater at a time when I didn’t really have any friends who were also gay women, so the heart of the story is the joy and comfort that comes from finding someone like you, when before you were all alone.
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“Taylor Hall” by Jen Glifort
I’ve always loved haunted houses—the dilapidated buildings, the secret passages, the unpredictability of a house’s temperament. But what if the house was benevolent, rather than threatening? I wanted to explore what it would be like to live in a haunted house that was devoted to its owner and wanted to help them.
I thought Taylor Hall would be the ideal environment for a character like Kit, who struggles with gender identity and all the insecurity that comes with it. I’ve questioned my own gender identity my whole life, and feel like I’ve only recently started coming to terms with that. In my experience, suppressing those feelings can cause them to express themselves in unexpected ways (although they’ve never resulted in my house misbehaving in the middle of the night). I wanted to see how something like having a crush on a new roommate could bring up those emotions for Kit.
Setting this story in a haunted house gave me a chance to play with the concept of home. I loved the idea of someone who found a loving, nurturing home that caters to their needs while still trying to find a home in themselves.
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“The Dream Eater” by Anna Moon
What if an asexual person is faced with a succubus or incubus? That was my initial inspiration for “The Dream Eater”, where the ace protagonist, Dan, comes across a genderless entity that drains people’s life force. I wanted to write a story where asexuality and queerness allows the main character to relate to the supernatural in a different (and positive) way, and at the same time show an ace person in a happy relationship with an allosexual person (his girlfriend, Elise). The Gothic, and a threatening presence that looms in the space between dream and reality, seemed like the perfect lens through which to explore sexuality, identity, and what it means to be human.
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“The Ruin” by E. Saxey
“The Ruin” is a romance, with two guys falling in love through their shared interests: ruined buildings, end-of-the-world fiction, incredibly old poetry. These are also a few of my favourite things. I wanted to explore, through a love story, a nagging doubt I have: are these hobbies actually unsavoury? Is Ruinenlust – so fundamental to the Gothic – also fundamentally dodgy? I can tell myself that I’m interested in how people used to live, or how they’d survive in an apocalypse, but I spend a lot of time (imaginatively) in dark crumbling places. Maybe it’s the continuity of the human experience that delights me, but I suspect it’s the continuity of me, posing solo against the background of all these wonderful ruins.
So while I’m fond of both the characters in “The Ruin”, their relationship isn’t ideal. While the narrator’s interest in the end of the world is purely imaginative, his partner may have a more hands-on approach. Or is that just paranoia?
When Zora Novak is framed for a crime she didn’t commit, she must track down the true culprit and clear her name before it’s too late. But in a small town obsessed with ghosts, getting people to believe the truth might prove to be impossible. Fans of Riverdale and Maureen Johnson’s Truly Devious will devour this eerie murder mystery. Features spot art and a map by the author.
Zora Novak has been framed.
When someone burns down the home of the school janitor and he dies in the blaze, everyone in Addamsville, Indiana, points a finger at Zora. Never mind that Zora has been on the straight and narrow since her father was thrown in jail. With everyone looking for evidence against her, her only choice is to uncover the identity of the real killer. There’s one big problem—Zora has no leads. No one does. Addamsville has a history of tragedy, and thirty years ago a similar string of fires left several townspeople dead. The arsonist was never caught.
Now, Zora must team up with her cousin Artemis—an annoying self-proclaimed Addamsville historian—to clear her name. But with a popular ghost-hunting television show riling up the townspeople, almost no support from her family and friends, and rumors spinning out of control, things aren’t looking good. Zora will have to read between the lines of Addamsville’s ghost stories before she becomes one herself.
The Larkin family isn’t just lucky—they persevere. At least that’s what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn’t drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.
But wrecks seem to run in the family: Tall, funny, musical Violet can’t stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.
Shipped back to Lyric while Sam is in treatment, Violet is haunted by her family’s missing piece-the lost shipwreck she and Sam dreamed of discovering when they were children. Desperate to make amends, Violet embarks on a wildly ambitious mission: locate the Lyric, lain hidden in a watery grave for over a century.
She finds a fellow wreck hunter in Liv Stone, an amateur local historian whose sparkling intelligence and guarded gray eyes make Violet ache in an exhilarating new way. Whether or not they find the Lyric, the journey Violet takes-and the bridges she builds along the way-may be the start of something like survival.
Epic, funny, and sweepingly romantic, The Last True Poets of the Sea is an astonishing debut about the strength it takes to swim up from a wreck.
After the War of Kinds ravaged the kingdom of Rabu, the Automae, designed to be the playthings of royals, usurped their owners’ estates and bent the human race to their will.
Now Ayla, a human servant rising in the ranks at the House of the Sovereign, dreams of avenging her family’s death…by killing the sovereign’s daughter, Lady Crier.
Crier was Made to be beautiful, flawless, and to carry on her father’s legacy. But that was before her betrothal to the enigmatic Scyre Kinok, before she discovered her father isn’t the benevolent king she once admired, and most importantly, before she met Ayla.
Now, with growing human unrest across the land, pressures from a foreign queen, and an evil new leader on the rise, Crier and Ayla find there may be only one path to love: war.
Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
Many years ago, Claire was named Head Librarian of the Unwritten Wing—a neutral space in Hell where all the stories unfinished by their authors reside. Her job consists mainly of repairing and organizing books, but also of keeping an eye on restless stories that risk materializing as characters and escaping the library. When a Hero escapes from his book and goes in search of his author, Claire must track and capture him with the help of former muse and current assistant Brevity and nervous demon courier Leto.
But what should have been a simple retrieval goes horrifyingly wrong when the terrifyingly angelic Ramiel attacks them, convinced that they hold the Devil’s Bible. The text of the Devil’s Bible is a powerful weapon in the power struggle between Heaven and Hell, so it falls to the librarians to find a book with the power to reshape the boundaries between Heaven, Hell….and Earth.
When her father leaves and her mother passes away soon afterward, Finch can’t help feeling abandoned. Now she’s stuck living with her stepfather and his new wife. They’re mostly nice, but they don’t believe the one true thing Finch knows about herself: that she’s a girl, even though she was born in a boy’s body.
Thankfully, she has Maddy, a neighbor and animal rescuer who accepts her for who she is. Finch helps Maddy care for a menagerie of lost and lonely creatures, including a scared, stray dog who needs a family and home as much as she does. As she earns the dog’s trust, Finch realizes she must also learn to trust the people in her life–even if they are the last people she expected to love her and help her to be true to herself.
It’s the fall of 2016. Cate, a set designer in her early forties, lives and works in Chicago’s theater community. She has stayed too long at the fair and knows it’s time to get past her prolonged adolescence and stop taking handouts from her parents. She has a firm plan to get solvent and settled in a serious relationship. She has tentatively started something new even as she’s haunted by an old, going-nowhere affair. Her ex-husband, recently booted from his most recent marriage, is currently camped out in Cate’s spare bedroom, in thrall to online conspiracy theories, and she’s not sure how to help him. Her best friend Neale, a yoga instructor, lives nearby with her son and is Cate’s model for what serious adulthood looks like.
Only a few blocks away, but in a parallel universe we find Nathan and Irene—casual sociopaths, drug addicts, and small-time criminals. Their world and Cate’s intersect the day she comes into Neale’s kitchen to find these strangers assaulting her friend. Forced to take fast, spontaneous action, Cate does something she’s never even considered. She now also knows the violence she is capable of, as does everyone else in her life, and overnight, their world has changed. Anshaw’s flawed, sympathetic, and uncannily familiar characters grapple with their altered relationships and identities against the backdrop of the new Trump presidency and a country waking to a different understanding of itself. Eloquent, moving, and beautifully observed, Right after the Weather is the work of a master of exquisite prose and a wry and compassionate student of the human condition writing at the height of her considerable powers.
Lethe Press is excited to be releasing the debut short story collection by Bogi Takács. Takács may be known more for their recent editorial efforts, winning a Lambda Literary Award for Transcendent 2: The Year’s Best Transgender Themed Speculative Fiction. But Takács is a talented storyteller and poet. An uplifted octopus finds a strange capsule in the water and wonders if one of the long-vanished humans might be found inside; a team of scientists perform some reverse-engineering on a space station and shapeshifting becomes political; and other tales of AI, hybrids, and the far future.
Haitian-born professor and activist Patrice Denis is not here for anything that will veer him off the path he’s worked so hard for. One particularly dangerous distraction: Easton Archer, the assistant district attorney who last summer gave Patrice some of the most intense nights of his life, and still makes him all but forget they’re from two completely different worlds.
All-around golden boy Easton forged his own path to success, choosing public service over the comforts of his family’s wealth. With local law enforcement unfairly targeting young men of color, and his career—and conscience—on the line, now is hardly the time to be thirsting after Patrice again. Even if their nights together have turned into so much more.
For the first time, Patrice is tempted to open up and embrace the happiness he’s always denied himself. But as tensions between the community and the sheriff’s office grow by the day, Easton’s personal and professional lives collide. And when the issue at hand hits closer to home than either could imagine, they’ll have to work to forge a path forward…together.
Freshly graduated Master Physician Narsi Lif-Tahm has left his home in Anacleto and journeyed to the imposing royal capitol of Cieloalta intent upon keeping the youthful oath he made to a troubled writer. But in the decade since Narsi gave his pledge, Atreau Vediya, has grown from an anonymous delinquent to a man renowned for penning bawdy operas and engaging in scandalous affairs.</p>
What Narsi―and most of the larger world―cannot know is the secret role Atreau plays as spymaster for the Duke of Rauma.
After the Cadeleonian royal bishop launches an unprovoked attack against the witches in neighboring Labara, Atreau will require every resource he can lay his hands upon to avert a war. A physician is exactly what he needs. But with a relentless assassin hunting the city and ancient magic waking, Atreau fears that his actions could cost more than his own honor. The price of peace could be his friends’ lives.
Lake Geneva, 1816. Nineteen-year-old Mary Shelley is inspired to write a story about a scientist who creates a new life-form. In Brexit Britain, a young transgender doctor called Ry is falling in love with Victor Stein, a celebrated professor leading the public debate around AI and carrying out some experiments of his own in a vast underground network of tunnels. Meanwhile, Ron Lord, just divorced and living with his mom again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.
What will happen when homo sapiens is no longer the smartest being on the planet? In fiercely intelligent prose, Jeanette Winterson shows us how much closer we are to that future than we realize. Funny and furious, bold and clear-sighted, Frankissstein is a love story about life itself.
Hazel knows a lot about the world. That’s because when she’s not hanging with her best friend, taking care of her dog, or helping care for the goats on her family’s farm, she loves reading through dusty encyclopedias.
But even Hazel doesn’t have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn’t make any friends? What’s going to happen to one of her moms, who’s pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine?
As Hazel struggles to cope, she’ll come to realize that sometimes you have to look within yourself—instead of the pages of a book—to find the answer to life’s most important questions.
A lively, intimate memoir from an icon of the gay rights movement, describing gay life in 1950s and 60s New York City and her longtime activism which opened the door for marriage equality.
Edie Windsor became internationally famous when she sued the US government, seeking federal recognition for her marriage to Thea Spyer, her partner of more than four decades. The Supreme Court ruled in Edie’s favor, a landmark victory that set the stage for full marriage equality in the US. Beloved by the LGBTQ community, Edie embraced her new role as an icon; she had already been living an extraordinary and groundbreaking life for decades.
In this memoir, which she began before passing away in 2017 and completed by her co-writer, Edie recounts her childhood in Philadelphia, her realization that she was a lesbian, and her active social life in Greenwich Village’s electrifying underground gay scene during the 1950s. Edie was also one of a select group of trailblazing women in computing, working her way up the ladder at IBM and achieving their highest technical ranking while developing software. In the early 1960s Edie met Thea, an expat from a Dutch Jewish family that fled the Nazis, and a widely respected clinical psychologist. Their partnership lasted forty-four years, until Thea died in 2009. Edie found love again, marrying Judith Kasen-Windsor in 2016.
On the day Torrey officially becomes a college freshman, he gets a call that might force him to drop out before he’s even made it through orientation: the bee farm his beloved uncle Miles left him after his tragic death is being foreclosed on.
Torrey would love nothing more than to leave behind the family and neighborhood that’s bleeding him dry. But he still feels compelled to care for the project of his uncle’s heart. As the farm heads for auction, Torrey precariously balances choosing a major and texting Gabriel—the first boy he ever kissed—with the fight to stop his uncle’s legacy from being demolished. But as notice letters pile up and lawyers appear at his dorm, dividing himself between family and future becomes impossible unless he sacrifices a part of himself.
From award-winning poet Saeed Jones, How We Fight for Our Lives is a stunning coming-of-age memoir written at the crossroads of sex, race, and power.
“People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’ ”
Haunted and haunting, Jones’s memoir tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his mother and grandmother, into passing flings with lovers, friends and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.
Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one of a kind memoir and a book that cements Saeed Jones as an essential writer for our time.
Rahul Kapoor is heading into seventh grade in a small town in Indiana. The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather, Bhai, gives him some well-meaning advice: Find one thing you’re really good at and become the BEST at it.
Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge…. But what if he discovers he isn’t the bestat anything?
Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.
Twenty-one-year-old Madison T. Jackson is already the star of the Emerson College student newspaper when she nabs a coveted night internship at Boston’s premiere newspaper, The Boston Lede. The job’s simple: do whatever the senior reporters tell you to do, from fetching coffee to getting a quote from a grieving parent. It’s grueling work, so when the murder of a prominent Boston businessman comes up on the police scanner, Madison races to the scene of the grisly crime. There, Madison meets the woman who will change her life forever: prominent socialite Dahlia Kennedy, who is covered in gore and being arrested for the murder of her family. The newspapers put everyone they can in front of her with no results until, with nothing to lose, Madison gets a chance—and unexpectedly barrels headfirst into danger she never anticipated.
Jessie Archer is a member of the Athena Protocol, an elite organization of female spies who enact vigilante justice around the world.
Athena operatives are never supposed to shoot to kill—so when Jessie can’t stop herself from pulling the trigger, she gets kicked out of the organization, right before a huge mission to take down a human trafficker in Belgrade.
Jessie needs to right her wrong and prove herself, so she starts her own investigation into the trafficking. But going rogue means she has no one to watch her back as she delves into the horrors she uncovers. Meanwhile, her former teammates have been ordered to bring her down. Jessie must face danger from all sides if she’s to complete her mission—and survive.
The Lunar Chronicles meets Rook in this queer #OwnVoices science-fantasy novel, perfect for fans of Marissa Meyer and Sharon Cameron.
A secret beats inside Anna Thatcher’s chest: an illegal clockwork heart. Anna works cog by cog—donning the moniker Technician—to supply black market medical technology to the sick and injured, against the Commissioner’s tyrannical laws.
Nathaniel Fremont, the Commissioner’s son, has never had to fear the law. Determined to earn his father’s respect, Nathaniel sets out to capture the Technician. But the more he learns about the outlaw, the more he questions whether his father’s elusive affection is worth chasing at all.
Their game of cat and mouse takes an abrupt turn when Eliza, a skilled assassin and spy, arrives. Her mission is to learn the Commissioner’s secrets at any cost—even if it means betraying her own heart.
When these uneasy allies discover the most dangerous secret of all, they must work together despite their differences and put an end to a deadly epidemic—before the Commissioner ends them first.
Frozen meets Mad Max in this epic teen fantasy duology bursting with star-crossed romance, immortal heroines, and elemental magic, perfect for fans of Furyborn.
Generations of twin goddesses have long ruled Aeon. But seventeen years ago, one sister’s betrayal defied an ancient prophecy and split their world in two. The planet ceased to spin, and a Great Abyss now divides two realms: one cloaked in perpetual night, the other scorched by an unrelenting sun.
While one sister rules Aranth—a frozen city surrounded by a storm-wracked sea —her twin inhabits the sand-locked Golden City. Each goddess has raised a daughter, and each keeps her own secrets about her sister’s betrayal.
But when shadowy forces begin to call their daughters, Odessa and Haidee, back to the site of the Breaking, the two young goddesses—along with a powerful healer from Aranth, and a mouthy desert scavenger—set out on separate journeys across treacherous wastelands, desperate to heal their broken world. No matter the sacrifice it demands.
Nova Huang knows more about magic than your average teen witch. She works at her grandmothers’ bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town.
One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home.
Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.
Dark, irreverent, and truly innovative, the speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients’ house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species of intelligent weasels.
In the spirit of Laura van den Berg, Emily Geminder, Chaya Bhuvaneswar, and other winners of the Dzanc Short Story Collection Prize, Nino Cipri’s debut collection announces the arrival of a brilliant and wonderfully unpredictable writer with a gift for turning the short story on its ear.
Call Me Max by Kyle Lukoff, ill. by Luciano Lozano (15th)
When Max starts school, the teacher hesitates to call out the name on the attendance sheet. Something doesn’t seem to fit. Max lets her know the name he wants to be called by–a boy’s name. This begins Max’s journey as he makes new friends and reveals his feelings about his identity to his parents.
Veronica Welch has made it. She’s about to be named a partner at one of the most prestigious law firms in New York C ity. She’s on top of the world, except for one tiny ridiculous thing: she promised herself she’d be married by thirty-five. After a drink too many, she accidentally lets her “life plan” slip to Bea, her steadfast, ever meddling assistant, and now Bea won’t let the idea go.
Rachel Monaghan doesn’t do serious relationships. As a busy wedding photographer, she’s jaded about lasting love, has a thriving repeat business, and hasn’t had much luck with love herself. While bartending at her cousin’s bar, Rachel learns of Bea’s plan to get her boss married off by scheduling thirty dates in thirty days.
In this sophisticated contemporary romance, Veronica Welch tries to find love in the most efficient way possible, while Rachel Monaghan avoids love at all costs. What could possibly go wrong?
True fact: I get a lot of requests for angel/demon books on the LGBTQReads Tumblr, so how utterly delightful is it to be revealing the cover for one on the site today?? Rom and Yuli by Amara Lynn is a post-apocalyptic urban fantasy novella take on Romeo & Juliet with a male/non-binary pairing, which sounds pretty freaking cool. Wanna learn more about it? Good news: here’s the blurb!
A war between angels and demons has left Earth desolate and ruined.
Rom struggles to support his father and sister in the patch of wasteland they’ve claimed as home. Feeling restless, Rom takes to exploring when he can, and is shocked when he stumbles across another survivor.
Years of isolation have left Yuli feeling despondent. That all changes when they encounter Rom, who is unlike anyone they’ve met before, a brilliant light of hope in this mostly extinguished world.
As Rom and Yuli grow closer, both gain a renewed hope for something more in this desolate land.
But in this dangerous world, trust comes hard and demons are never far away.
Amara Lynn has always been a quiet daydreamer. Coming up with characters and worlds since childhood, Amara eventually found an outlet in writing. Amara loves anything to do with pirates, villains and superheroes, angels and demons.
Amara is addicted to music and gets the most inspiration from moving songs and lyrics. When not writing, Amara usually reads, listens to podcasts, watches anime, plays a video game here and there (but mostly collects them), and takes way too many cat pictures.
Amara is non-binary/enby and queer and uses they/them pronouns.
This book is basically…all my favorite things rolled into one? I mean, how can you go wrong with a bisexual psychological thriller set in the world of theatre? Turns out, you can’t! Or at least Layne Fargo doesn’t, because Temper is a beautifully violent delight with unexpected edges peeking out from every page. If this sounds as much like your crack as it is mine, good news! It’s already out, and you can read on and make it yours!
After years of struggling in the Chicago theater scene, ambitious actress Kira Rascher finally lands the role of a lifetime. The catch? Starring in Temper means working with Malcolm Mercer, a mercurial director who’s known for pushing his performers past their limits—onstage and off.
Kira’s convinced she can handle Malcolm, but the theater’s cofounder Joanna Cuyler is another story. Joanna sees Kira as a threat—to her own thwarted artistic aspirations, her twisted relationship with Malcolm, and the shocking secret she’s keeping about the upcoming production. But as opening night draws near, Kira and Joanna both start to realize that Malcolm’s dangerous extremes are nothing compared to what they’re capable of themselves.
Today on the site, we’re welcome the cover reveal of R.R. Campbell’s Mourning Dove, the second book in the sci-fi EMPATHY series, releasing on April 29, 2019, from Ninestar Press! Come check it out:
In the aftermath of the calamitous Human/Etech research study, Chandra and Kyra struggle to reclaim the life they shared in a pre-EMPATHY world, while Ty, armed with knowledge of EMPATHY’s programming language, seeks revenge on the Halmans for the harm that’s befallen his friends.
As a North American Union investigation into the happenings on the compound looms, a grief-stricken Peter works to resurrect the memory of his mother from a harvested nanochip, and Heather scrambles to keep her family—and their company—together. Alistair, having abandoned the family business, plots to save his hide and that of his wife while she strives to stay one step ahead of a husband she has no reason to trust.
Far to the north amid civil unrest, a recently retired Rénald Dupont investigates the disappearance of his friend and former colleague, Meredith, despite grave threats from an increasingly skittish North American Union government.
As old and new foes emerge, spouse is further pit against spouse, brother against sister, and governments against their people. In the end, all must choose between attempts to reclaim the past or surrender to the inevitable, an intractable world of their own creation.
Mourning Dove is an evocative, sweeping symphony of love, revenge, and desperation in cacophonous times. It is the second installment in r. r. campbell’s epic EMPATHY sci-fi saga.
And now the cover, designed by Natasha Snow!
Mourning Dove is out April 29, 2019 from Ninestar Press
Pre-order now! (Use code PREORDER for 30% off at checkout)
Haven’t read book one in the series, Imminent Dawn? You can learn more about it below!
Art-school dropout Chandra would do anything to apologize for her role in her wife’s coma—including enroll in the first round of human trials for an internet-access brain implant.
At first, the secretive research compound is paradise, the perfect place to distract Chandra from her grief. But as she soon learns, the facility is more prison than resort, with its doctors, support staff, and her fellow patients all bent on hatching plots of their own, no matter how invested they might seem in helping her communicate with her wife.
Making matters worse, a dark wave of uncertainty crashes down on the compound, forcing Chandra to become an unlikely but pivotal player in conspiracies stretching from the highest levels of the North American Union government to the lowest dredges of its shadowy hacking collectives.
To save herself and her wife, Chandra and her newfound friends from the study will have to overcome the scheming of a ruthless tech magnate, the naïveté of an advancement-hungry administrative assistant, and the relentless pursuits of an investigative journalist, all of whom are determined to outpace the others in their own quests to resurrect lost love, cover their tracks, and uncover the truth.
A twistedly delightful clockwork of intrigue and suspense, EMPATHY: Imminent Dawn is an electrifying sci-fi debut from author r. r. campbell.
Lavender House, 1952: the family seat of recently deceased matriarch Irene Lamontaine, head of the famous Lamontaine soap empire. Irene’s recipes for her signature scents are a well guarded secret—but it’s not the only one behind these gates. This estate offers a unique freedom, where none of the residents or staff hide who they are. But to keep their secret, they’ve needed to keep others out. And now they’re worried they’re keeping a murderer in.Lev Rosen writes books for people of all ages, most recently Camp, which was a best book of the year from Forbes, Elle, and The Today Show, amongst others and is a Lambda finalist, an ALA Rainbow List Top Ten and is being adapted into a film directed by and starring Billy Porter. His next book, Lavender House, will be released fall of 2022, and after that Tennessee Russo in Spring of 2023. He lives in NYC with his husband and a very small cat. You can find him online at LevACRosen.com and @LevACRosen
J.C. Lillis is the author of contemporary YA novels HOW TO REPAIR A MECHANICAL HEART, WE WON’T FEEL A THING, and A&B, plus various other stories about fandom, friendship, love, and art. She lives in Baltimore with her patient family, a possibly haunted dollhouse, and a cat who intends to eat her someday. YOU FIRST and THE FOREVER PLACE are her first adult novels.
Unspeakable contains eighteen Gothic tales with uncanny twists and characters that creep under your skin. Its stories feature sapphic ghosts, terrifying creatures of the sea, and haunted houses concealing their own secrets. Whether you’re looking for your non-binary knight in shining armour or a poly family to murder with, Unspeakable showcases the best contemporary Gothic queer short fiction. Even dark tales deserve their time in the sun.
When Zora Novak is framed for a crime she didn’t commit, she must track down the true culprit and clear her name before it’s too late. But in a small town obsessed with ghosts, getting people to believe the truth might prove to be impossible. Fans of Riverdale and Maureen Johnson’s Truly Devious will devour this eerie murder mystery. Features spot art and a map by the author.
The Larkin family isn’t just lucky—they persevere. At least that’s what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn’t drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.
After the War of Kinds ravaged the kingdom of Rabu, the Automae, designed to be the playthings of royals, usurped their owners’ estates and bent the human race to their will.
Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
Many years ago, Claire was named Head Librarian of the Unwritten Wing—a neutral space in Hell where all the stories unfinished by their authors reside. Her job consists mainly of repairing and organizing books, but also of keeping an eye on restless stories that risk materializing as characters and escaping the library. When a Hero escapes from his book and goes in search of his author, Claire must track and capture him with the help of former muse and current assistant Brevity and nervous demon courier Leto.
When her father leaves and her mother passes away soon afterward, Finch can’t help feeling abandoned. Now she’s stuck living with her stepfather and his new wife. They’re mostly nice, but they don’t believe the one true thing Finch knows about herself: that she’s a girl, even though she was born in a boy’s body.
It’s the fall of 2016. Cate, a set designer in her early forties, lives and works in Chicago’s theater community. She has stayed too long at the fair and knows it’s time to get past her prolonged adolescence and stop taking handouts from her parents. She has a firm plan to get solvent and settled in a serious relationship. She has tentatively started something new even as she’s haunted by an old, going-nowhere affair. Her ex-husband, recently booted from his most recent marriage, is currently camped out in Cate’s spare bedroom, in thrall to online conspiracy theories, and she’s not sure how to help him. Her best friend Neale, a yoga instructor, lives nearby with her son and is Cate’s model for what serious adulthood looks like.
Lethe Press is excited to be releasing the debut short story collection by Bogi Takács. Takács may be known more for their recent editorial efforts, winning a Lambda Literary Award for Transcendent 2: The Year’s Best Transgender Themed Speculative Fiction. But Takács is a talented storyteller and poet. An uplifted octopus finds a strange capsule in the water and wonders if one of the long-vanished humans might be found inside; a team of scientists perform some reverse-engineering on a space station and shapeshifting becomes political; and other tales of AI, hybrids, and the far future.
Freshly graduated Master Physician Narsi Lif-Tahm has left his home in Anacleto and journeyed to the imposing royal capitol of Cieloalta intent upon keeping the youthful oath he made to a troubled writer. But in the decade since Narsi gave his pledge, Atreau Vediya, has grown from an anonymous delinquent to a man renowned for penning bawdy operas and engaging in scandalous affairs.</p>
Lake Geneva, 1816. Nineteen-year-old Mary Shelley is inspired to write a story about a scientist who creates a new life-form. In Brexit Britain, a young transgender doctor called Ry is falling in love with Victor Stein, a celebrated professor leading the public debate around AI and carrying out some experiments of his own in a vast underground network of tunnels. Meanwhile, Ron Lord, just divorced and living with his mom again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.
Hazel knows a lot about the world. That’s because when she’s not hanging with her best friend, taking care of her dog, or helping care for the goats on her family’s farm, she loves reading through dusty encyclopedias.
A lively, intimate memoir from an icon of the gay rights movement, describing gay life in 1950s and 60s New York City and her longtime activism which opened the door for marriage equality. 
From award-winning poet Saeed Jones, How We Fight for Our Lives is a stunning coming-of-age memoir written at the crossroads of sex, race, and power.
Jessie Archer is a member of the Athena Protocol, an elite organization of female spies who enact vigilante justice around the world.
The Lunar Chronicles meets Rook in this queer #OwnVoices science-fantasy novel, perfect for fans of Marissa Meyer and Sharon Cameron.
Frozen meets Mad Max in this epic teen fantasy duology bursting with star-crossed romance, immortal heroines, and elemental magic, perfect for fans of Furyborn.
Nova Huang knows more about magic than your average teen witch. She works at her grandmothers’ bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town.
Dark, irreverent, and truly innovative, the speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients’ house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species of intelligent weasels.
When Max starts school, the teacher hesitates to call out the name on the attendance sheet. Something doesn’t seem to fit. Max lets her know the name he wants to be called by–a boy’s name. This begins Max’s journey as he makes new friends and reveals his feelings about his identity to his parents.
Veronica Welch has made it. She’s about to be named a partner at one of the most prestigious law firms in New York C ity. She’s on top of the world, except for one tiny ridiculous thing: she promised herself she’d be married by thirty-five. After a drink too many, she accidentally lets her “life plan” slip to Bea, her steadfast, ever meddling assistant, and now Bea won’t let the idea go.
Amara Lynn has always been a quiet daydreamer. Coming up with characters and worlds since childhood, Amara eventually found an outlet in writing. Amara loves anything to do with pirates, villains and superheroes, angels and demons.
After years of struggling in the Chicago theater scene, ambitious actress Kira Rascher finally lands the role of a lifetime. The catch? Starring in Temper means working with Malcolm Mercer, a mercurial director who’s known for pushing his performers past their limits—onstage and off.
Art-school dropout Chandra would do anything to apologize for her role in her wife’s coma—including enroll in the first round of human trials for an internet-access brain implant.