Tag Archives: Black

New Releases: May 14-20, 2019

Red, White & Royal Blue by Casey McQuiston (14th)

41150487A big-hearted romantic comedy in which First Son Alex falls in love with Prince Henry of Wales after an incident of international proportions forces them to pretend to be best friends…

First Son Alex Claremont-Diaz is the closest thing to a prince this side of the Atlantic. With his intrepid sister and the Veep’s genius granddaughter, they’re the White House Trio, a beautiful millennial marketing strategy for his mother, President Ellen Claremont. International socialite duties do have downsides—namely, when photos of a confrontation with his longtime nemesis Prince Henry at a royal wedding leak to the tabloids and threaten American/British relations.

The plan for damage control: staging a fake friendship between the First Son and the Prince. Alex is busy enough handling his mother’s bloodthirsty opponents and his own political ambitions without an uptight royal slowing him down. But beneath Henry’s Prince Charming veneer, there’s a soft-hearted eccentric with a dry sense of humor and more than one ghost haunting him.

As President Claremont kicks off her reelection bid, Alex finds himself hurtling into a secret relationship with Henry that could derail the campaign and upend two nations. And Henry throws everything into question for Alex, an impulsive, charming guy who thought he knew everything: What is worth the sacrifice? How do you do all the good you can do? And, most importantly, how will history remember you?

Buy it: Amazon | B&N | Indiebound

Out East: Memoir of a Montauk Summer by John Glynn (14th)

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“‘We were sun children chasing an eternal summer.’ This boisterous chronicle of a summer in Montauk sees a group of 20-something housemates who’ll grow to know, to love, and care for one another. They work hard during the week, party hard on weekends, and each will face heartthrob and heartbreak. A coming out story told with feeling and humor and above all with the razor-sharp skill of a delicate and highly gifted writer.” -Andre Aciman, New York Times bestselling author of Call Me by Your Name

They call Montauk the end of the world, a spit of land jutting into the Atlantic. The house was a ramshackle split-level set on a hill, and each summer thirty one people would sleep between its thin walls and shag carpets. Against the moonlight the house’s octagonal roof resembled a bee’s nest. It was dubbed The Hive.

In 2013, John Glynn joined the share house. Packing his duffel for that first Memorial Day Weekend, he prayed for clarity. At 27, he was crippled by an all-encompassing loneliness, a feeling he had carried in his heart for as long as he could remember. John didn’t understand the loneliness. He just knew it was there. Like the moon gone dark.

OUT EAST is the portrait of a summer, of the Hive and the people who lived in it, and John’s own reckoning with a half-formed sense of self. From Memorial Day to Labor Day, The Hive was a center of gravity, a port of call, a home. Friendships, conflicts, secrets and epiphanies blossomed within this tightly woven friend group and came to define how they would live out the rest of their twenties and beyond. Blending the sand-strewn milieu of George Howe Colt’s The Big House, the radiant aching of Olivia Liang’s The Lonely City, OUT EAST is a keenly wrought story of love and transformation, longing and escape in our own contemporary moment.

Buy it: Amazon | B&N | Indiebound

I Wish You All the Best by Mason Deaver (14th)

41473872When Ben De Backer comes out to their parents as nonbinary, they’re thrown out of their house and forced to move in with their estranged older sister, Hannah, and her husband, Thomas, whom Ben has never even met. Struggling with an anxiety disorder compounded by their parents’ rejection, they come out only to Hannah, Thomas, and their therapist and try to keep a low profile in a new school.

But Ben’s attempts to survive the last half of senior year unnoticed are thwarted when Nathan Allan, a funny and charismatic student, decides to take Ben under his wing. As Ben and Nathan’s friendship grows, their feelings for each other begin to change, and what started as a disastrous turn of events looks like it might just be a chance to start a happier new life.

At turns heartbreaking and joyous, I Wish You All the Best is both a celebration of life, friendship, and love, and a shining example of hope in the face of adversity.

Buy it: Amazon | B&N | Park Road Books (signed)

The Lost Coast by Amy Rose Capetta (14th)

35053372The spellbinding tale of six queer witches forging their own paths, shrouded in the mist, magic, and secrets of the ancient California redwoods.

Danny didn’t know what she was looking for when she and her mother spread out a map of the United States and Danny put her finger down on Tempest, California. What she finds are the Grays: a group of friends who throw around terms like queer and witch like they’re ordinary and everyday, though they feel like an earthquake to Danny. But Danny didn’t just find the Grays. They cast a spell that calls her halfway across the country, because she has something they need: she can bring back Imogen, the most powerful of the Grays, missing since the summer night she wandered into the woods alone. But before Danny can find Imogen, she finds a dead boy with a redwood branch through his heart. Something is very wrong amid the trees and fog of the Lost Coast, and whatever it is, it can kill.

Lush, eerie, and imaginative, Amy Rose Capetta’s tale overflows with the perils and power of discovery — and what it means to find your home, yourself, and your way forward.

Buy it: Amazon | B&N | Indiebound

Trans Mission: My Quest to a Beard by Alex Bertie (14th)

34609406Being a teenager is difficult enough, but having to go through puberty whilst realising you’re in the wrong body means dealing with a whole new set of problems: bullying, self-doubt and in some cases facing a physical and medical transition.

Alex is an ordinary teenager: he likes pugs, donuts, retro video games and he sleeps with his socks on. He’s also transgender, and was born female. He’s been living as a male for the past few years and he has recently started his physical transition.

Throughout this book, Alex will share what it means to be in his shoes, as well as his personal advice to other trans teens. Above all, he will show you that every step in his transition is another step towards happiness. This is an important and positive book, a heart-warming coming-of-age memoir with a broad appeal.

Buy it: B&N | Amazon | Indiebound

We Contain Multitudes by Sarah Henstra (14th)

38464981Aristotle and Dante Discover the Secrets of the Universe meets I’ll Give You the Sun in an exhilarating and emotional novel about the growing relationship between two teen boys, told through the letters they write to one another.

Jonathan Hopkirk and Adam “Kurl” Kurlansky are partnered in English class, writing letters to one another in a weekly pen pal assignment. With each letter, the two begin to develop a friendship that eventually grows into love. But with homophobia, bullying, and devastating family secrets, Jonathan and Kurl struggle to overcome their conflicts and hold onto their relationship…and each other.

Buy it: B&N | Amazon | Indiebound

Nirvana is Here by Aaron Hamburger (14th)

42899408For Ari Silverman, the past has never really passed. After 20 years, the trauma from a childhood assault resurfaces as he grapples with the fate of his ex-husband, a colleague accused of sexually harassing a student. To gain perspective, Ari arranges to reconnect with his high school crush, Justin Jackson, a bold step which forces him to reflect on their relationship in the segregated suburbs of Detroit during the 1990s and the secrets they still share. An honest story about recovery and coping with both past and present, framed by the meteoric rise and fall of the band Nirvana and the wide-reaching scope of the #metoo movement, NIRVANA IS HERE explores issues of identity, race, sex, and family with both poignancy and unexpected humor. Deftly told intertwining stories with rich, real characters are reminiscent of the sensuality and haunting nostalgia of André Aciman’s Call Me by Your Name blended with the raw emotion of Kurt Cobain’s lyrics. 

Written by award-winning writer Aaron Hamburger, Nirvana Is Here is “a wonder of a book,” according to acclaimed novelist Lauren Grodstein (Our Short History). “As a Jewish Gen-Xer, the novel reminded me exactly of who I once was—and all that I still want to be. A brilliant accomplishment.”

Buy it: B&N | Amazon | Indiebound

The Stonewall Riots by Gayle E. Pittman (14th)

41079770This book is about the Stonewall Riots, a series of spontaneous, often violent demonstrations by members of the gay (LGBTQ+) community in reaction to a police raid that took place in the early morning hours of June 28, 1969, at the Stonewall Inn in the Greenwich Village neighborhood of Manhattan, New York City. The Riots are attributed as the spark that ignited the LGBTQ+ movement. The author describes American gay history leading up to the Riots, the Riots themselves, and the aftermath, and includes her interviews of people involved or witnesses, including a woman who was ten at the time. Profusely illustrated, the book includes contemporary photos, newspaper clippings, and other period objects. A timely and necessary read, The Stonewall Riots helps readers to understand the history and legacy of the LGBTQ+ movement.

Buy it: B&N | Amazon | Indiebound

Kitten by Jack Harbon (20th)

harbonFresh out of college and back on his older sister’s couch, Kit expected his days to return to the way they’d always been. He anticipated spending his days perusing Netflix with one hand on the remote and the other in a box of pizza, but when he’s given the opportunity for a job at one of New York City’s newest advertising agencies, there’s no way he can turn the offer down. Unfortunately for Kit, this job might be more than he bargained for.

Not only does Roman – his handsome yet ruthless new boss – let his wandering eye linger just a little too long, Kit can’t seem to shake the feeling that the glitzy personal assistant gig he just landed might be a bit shadier than he imagined. Before he’s even able to make a reservation for Roman’s dinner at Le Bernardin, Kit’s professional and personal life become one, and he finds himself forced to somehow separate business from pleasure.

Easier said than done, especially when it’s his job to take care of Roman’s every need.

Buy it: Amazon

Shadows You Left by Taylor Brooke and Jude Sierra (20th)

The white picket fence.
The happily-ever-after.
That life was never meant for him.
For years he’s been bouncing from city to city—from one cage fight to another.
That’s his outlet. That’s pain Erik can control.
But in Seattle, everything changed.
River’s an artist.
He’s a pretty boy.
He does yoga.
Someone so soft shouldn’t be intrigued by Erik’s rough edges.

RIVER

His life was quiet. He had a simple routine.
Designing tattoos, avoiding drama. Well, mostly.
Then Erik comes along—scarred and dangerous, shrouded in mystery.
A mystery River can’t resist trying to solve.
Maybe a secret as dark as his own.
Neither of them expected a relationship so complicated, so intense.
Neither of them expected…each other.
Erik and River are both trying to escape a shadowed past.
But the thing about shadows is: the faster you run, the faster they chase you.

Buy it: Amazon

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TBRainbow Alert: YA Starring QPoC, Part 1

I cannot emphasize enough that this list is nonexhaustive, as it only features books whose covers are already public and which I know to have queer protags of color. Stay tuned for more next year!

The Love & Lies of Rukhsana Ali by Sabina Khan (January 29th)

Seventeen-year-old Rukhsana Ali tries her hardest to live up to her conservative Muslim parents’ expectations, but lately she’s finding that harder and harder to do. She rolls her eyes instead of screaming when they blatantly favor her brother and she dresses conservatively at home, saving her crop tops and makeup for parties her parents don’t know about. Luckily, only a few more months stand between her carefully monitored life in Seattle and her new life at Caltech, where she can pursue her dream of becoming an engineer.

But when her parents catch her kissing her girlfriend Ariana, all of Rukhsana’s plans fall apart. Her parents are devastated; being gay may as well be a death sentence in the Bengali community. They immediately whisk Rukhsana off to Bangladesh, where she is thrown headfirst into a world of arranged marriages and tradition. Only through reading her grandmother’s old diary is Rukhsana able to gain some much needed perspective.

Rukhsana realizes she must find the courage to fight for her love, but can she do so without losing everyone and everything in her life?

Buy it: B&N | Amazon

We Set the Dark on Fire by Tehlor Kay Mejia (February 26th)

At the Medio School for Girls, distinguished young women are trained for one of two roles in their polarized society. Depending on her specialization, a graduate will one day run a husband’s household or raise his children, but both are promised a life of comfort and luxury, far from the frequent political uprisings of the lower class. Daniela Vargas is the school’s top student, but her bright future depends upon no one discovering her darkest secret—that her pedigree is a lie. Her parents sacrificed everything to obtain forged identification papers so Dani could rise above her station. Now that her marriage to an important politico’s son is fast approaching, she must keep the truth hidden or be sent back to the fringes of society, where famine and poverty rule supreme.

On her graduation night, Dani seems to be in the clear, despite the surprises that unfold. But nothing prepares her for all the difficult choices she must make, especially when she is asked to spy for a resistance group desperately fighting to bring equality to Medio. Will Dani cling to the privilege her parents fought to win for her, or to give up everything she’s strived for in pursuit of a free Medio—and a chance at a forbidden love?

Buy it: B&N | Amazon
Add the sequel to your TBR

The Last 8 by Laura Pohl (March 5th)

A high-stakes survival story about eight teenagers who outlive an alien attack—perfect for fans of The 5th Wave

Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.

When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.

Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.

Buy it: B&NAmazon
Add the sequel to your TBR

Ruse (Want #2) by Cindy Pon (March 12th)

In near-future Shanghai, a group of teens have their world turned upside down when one of their own is kidnapped in this action-packed follow-up to the “positively chilling” sci-fi thriller Want.

Jason Zhou, his friends, and Daiyu are still recovering from the aftermath of bombing Jin Corp headquarters. But Jin, the ruthless billionaire and Daiyu’s father, is out for blood. When Lingyi goes to Shanghai to help Jany Tsai, a childhood acquaintance in trouble, she doesn’t expect Jin to be involved. And when Jin has Jany murdered and steals the tech she had refused to sell him, Lingyi is the only one who has access to the encrypted info, putting her own life in jeopardy.

Zhou doesn’t hesitate to fly to China to help Iris find Lingyi, even though he’s been estranged from his friends for months. But when Iris tells him he can’t tell Daiyu or trust her, he balks. The reunited group play a treacherous cat and mouse game in the labyrinthine streets of Shanghai, determined on taking back what Jin had stolen.

When Daiyu appears in Shanghai, Zhou is uncertain if it’s to confront him or in support of her father. Jin has proudly announced Daiyu will be by his side for the opening ceremony of Jin Tower, his first “vertical city.” And as hard as Zhou and his friends fight, Jin always gains the upper hand. Is this a game they can survive, much less win?

Buy it: B&N | Amazon

The Weight of the Stars by K. Ancrum (March 19th)

Ryann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.

One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.

Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .

In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.

Buy it: B&N | Amazon

A Place For Wolves by Kosoko Jackson (April 2nd)

Aristotle and Dante Discover the Secrets of the Universe meets Code Name Verity in this heartbreaking and poignant historical thriller.

James Mills isn’t sure he can forgive his parents for dragging him away from his life, not to mention his best friend and sister, Anna. He’s never felt so alone.

Enter Tomas. Falling for Tomas is unexpected, but sometimes the best things in life are.

Then their world splits apart. A war that has been brewing finally bursts forward, filled with violence, pain, and cruelty. James and Tomas can only rely on each other as they decide how far they are willing to go―and who they are willing to become―in order to make it back to their families.

Buy it: B&N | Amazon

Belly Up by Eva Darrows (April 30th)

When 16 year old Serendipity Rodriguez attends a house party to celebrate the end of sophomore year, she has no intention of getting drunk and hooking up with a guy she’s just met, let alone getting pregnant. To make matters worse, she has no way of contacting the father and she and her mother are about to move to a new town and in with her grandmother.

It’s hard enough to start your junior year as the new kid in school, but at 5-months pregnant it’s even harder. So when Sara meets Leaf, who asks her out and doesn’t seem to care that she’s pregnant, she finds herself falling.

Juggling the realities of a pregnancy with school and a new relationship are hard enough, but when Jack, the father of her baby, turns back up, Sara’s life goes from complicated to a complete mess. With the help of her overbearing mother and grandmother, Sara will learn to navigate life’s challenges and be ready for anything, as she prepares for the birth of her baby.

Buy it: B&N | Amazon

Kings, Queens, and In-Betweens by Tanya Boteju (May 7th)

Judy Blume meets RuPaul’s Drag Race in this funny, feel-good debut novel about a queer teen who navigates questions of identity and self-acceptance while discovering the magical world of drag.

Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.

Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.

From debut author Tanya Boteju comes a poignant, laugh-out-loud tale of acceptance, self-expression, and the colorful worlds that await when we’re brave enough to look.

Buy it: B&N | Amazon

Like a Love Story by Abdi Nazemian (June 4th)

A bighearted, epic love letter to the LGBTQ community about three friends falling in love and finding their voices as activists during the height of the AIDS crisis.

It’s 1989 in New York City, and for three teens, the world is changing.

Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He’s terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he’s gay, but all he knows of gay life are the media’s images of men dying of AIDS.

Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance… until she falls for Reza and they start dating.

Art is Judy’s best friend, their school’s only out-and-proud teen. He’ll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.

As Reza and Art grow closer, Reza struggles to find a way out of his deception that won’t break Judy’s heart—and destroy the most meaningful friendship he’s ever known.

Buy it: B&N | Amazon

Tell Me How You Really Feel by Aminah Mae Safi (June 11th)

Sana Khan is a cheerleader and a straight A student. She’s the classic (somewhat obnoxious) overachiever determined to win.

Rachel Recht is a wannabe director who’s obsesssed with movies and ready to make her own masterpiece. As she’s casting her senior film project, she knows she’s found the perfect lead – Sana.

There’s only one problem. Rachel hates Sana. Rachel was the first girl Sana ever asked out, but Rachel thought it was a cruel prank and has detested Sana ever since.

Told in alternative viewpoints and inspired by classic romantic comedies, this engaging and edgy YA novel follows two strongwilled young women falling for each other despite themselves.

Buy it: B&N | Amazon

Better Know an Author: Rebecca Barrow

New month, new author to fall for! If you’re not already familiar with Rebecca Barrow, please allow me to help you fix your life. She’s a contemporary YA author whose sophomore novel, This is What it Feels Like, releases on November 6, and if you’re a fan of authors like Emery Lord, Nina LaCour, and Katie Cotugno, I guarantee you wanna check her books out!

Let’s jump right in to your new release, which you already know I’m obsessed with. What’s This is What it Feels Like all about, and can you particularly tell us about Jules and her romance?

So This is What it Feels Like is about three former friends-and-bandmates who get back together to try to win fifteen grand and have to work through the past that tore them apart in order to succeed. Jules’ story is really about what happens when she meets a sweet, fun new girl and has to deal with the relationship Expectations vs Reality thing she has going on. She’s a super romantic and her last (first) relationship didn’t really work out well. And a big part of her character is this quiet fear she has that she won’t ever get to be in a happy, ideal relationship with another girl. I originally wrote her getting back with the ex and dealing with all the drama of their relationship again, but there came a point when I thought—why am I giving her this unhappiness? Why can’t she meet someone who gets her and write her getting to explore happiness and her shifting perception of that notion? So, I did.

We see a lot of the “gay best friend” in YA, but I think Rose in You Don’t Know Me But I Know You might’ve been the first bi best friend I’ve seen in YA, though it’s definitely been a growing trend since. She’s such a great character, too; what about her really spoke to you?

First of all, thank you because I know some people really don’t like her but I love her, mess and all! I didn’t set out to write The Bi Best Friend; when I first started writing Rose, the book was dual POV and she had her own thing going on. So really she got shifted into that role as I found the heart of the story and stripped back to just Audrey’s POV. But writing Rose was one of those moments that I know plenty of authors have had, where you write a queer character because you’re just SUCH a good ally! and then you stop and realise that ohhhh wait no okay it’s all clear now. So I guess what spoke to me about her was…myself?! I wrote her bisexuality not realising that it was also my bisexuality. And she’s similar to Jules in that she’s very certain of her sexuality and also very afraid that any relationship she gets into is going to go terribly. I guess..am I just writing my own fears again?! Possibly! It was definitely enjoyable to write a girl who’s so sharp and spiky but not a stereotype.

You’re a very interesting case of being a British author who publishes in the US, despite there being a reasonably thriving UK YA scene, and sort of a queer UK YA subscene. How did you come to the choice to publish this way, and what differences do you notice in the different publishing communities?

I didn’t intentionally set out to publish in the US; it was just a kind of unfolding of events that now I think works in my favour. I do write books set in the US, because I was raised on US media and I loved USYA and it was just what I started out writing. Then as I became more knowledgeable about publishing, and as the push for increased diversity has happened—well, as much as the US still has far to go, the UK has even farther. Specifically for the books I write, with black and sometimes queer girls whose stories don’t revolve around black pain and who are somewhat outside the stereotypical/publishing-approved narrative, it can be hard to find a place for them, especially in the UK. So while in the beginning it wasn’t a move I made specifically because of what I write, it is now something I definitely think is in my best interests and that I wouldn’t take back.

The UK scene is complex because while there are marginalised authors putting out great UKYA books and a very enthusiastic community of people supporting them, it also feelsto me, at leastoverall still quite stuck in the past. So a lot of the books that are really successful here have that old school children’s lit feel of magic and mysteries, and younger protagonists, and some of the older and more diverse books don’t reach the heights they really should. Then there’s another odd thing in that in the UK, in the past, we didn’t have YA as suchit was more of a children’s/teenage divide. So if you were to pick up a book in the teenage section, it could be something dark and gritty with an 18yo MC, or it could just as easily be a fun adventure story with a 13yo MC. And as YA has exploded, what’s really happened is that successful USYA is being brought over here and kind of flooding the space. In terms of diverse fiction, then, what often happens is people will point to the success of a USYA title in the UK, but not really register that we’re still not supporting diverse UK talent enough. Which kind of comes back to the question of why I publish in the US—it’s all a bit of a self-perpetuating cycle: USYA gets brought over, UKYA isn’t bought, UK authors seek to publish in the US, their US-published books get brought over, support still isn’t there…and rinse and repeat. It’s very complicated and as far as I can see, the answer really is for UK publishing to step up and buy/nurture/support works by marginalised UK authors. Until that happens, this cycle will continue.

But I do want to shout out a few people doing great work—Stripes puts out great diverse books and brings in unknown talents to write in their anthologies, several of whom now have solo deals. Knights Of is a new publisher focused on diverse lit—they just put out Jason Reynolds’ For Every One. And there are so many individuals working hard—we just really need the machine of publishing and a lot of the book-buying public to step up, too.

In the future I would love love LOVE to be published in the UK as well as the US, and hopefully find a space for my books.

Black girls barely get their due in YA as a whole, let alone in queer YA, but you’ve now had two beautiful books—one queer, one not—with Black leads and gorgeous covers that feature them. What has that experience been like, and do you have any tips for authors who’d like to follow in your lead but feel shut out by the publishing industry?

I can honestly say that I’d never considered my own identity so much as I did once I got my deal. It felt like all of a sudden it MEANT so much more and there were so many questions to answer and things people wanted justified and realising how much my identity was truly going to play into this career I was just starting out on…it was overwhelming. What’s kind of funny and kind of embarrassing is that in the beginning of my writing journey, I didn’t think too much about writing black characters. Like many POC authors I defaulted to writing white characters, and then by the time I wrote what became my debut and wrote my first black lead, it wasn’t a calculated move on my part—I hadn’t had some awakening and realised what I wanted to write. I just thought—hey, what if this girl was black? And it was only once I had sold that I really began to understand how lucky I was to have sold a black girl book and what I was up against. Now I write my black girls—more often than not queer, now, too—as a kind of defiance, and honestly, I’d encourage anyone wanting to take a similar path as me to do the same. Writing marginalised characters means dealing with aggressions both micro and macro from people across the industry, and facing an even steeper climb to success. In hindsight, I’m glad I wasn’t fully aware of how hard it would be because maybe I wouldn’t have gotten this far—but I want anyone reading who dreams of selling characters with black, queer leads to know it is possible and it feels amazing and my rage only serves to fuel my writing nowadays. So let your anger fuel you, too.

And since you mentioned my gorgeous covers (the first by Sarah Creech and and the second by Michelle Taormina) which are such a positive in the whole experience, I should say something else positive too—because it’s not all terrible, of course not. There is no better feeling than someone saying “that girl looks like me”, someone reading and saying “this character is black the same way I am”, knowing that at least one person out there is going to see themselves in your words. And selfishly, for myself—these are the books I wish I had read as a teenager: complex black girls, queer girls, living their lives.

You might have the most similar taste in contemporary YA to me of anyone else in bookworld, so of course, I have to mine your brain for some recs here. What are your favorite queer books (YA or not) that you’d love to see find more readers?

I absolutely love The Gallery of Unfinished Girls by Lauren Karcz, perfect for anyone struggling with love of creating and love of someone close to you. I know she’s not exactly underrated but it’s my opinion that Nina LaCour is not nearly as widely read as she should be so Everything Leads to You and We Are Okay for sure. How to Make a Wish by Ashley Herring Blake spoke to me so much, Echo After Echo by Amy Rose Capetta is the queer theatre mystery of my dreams, Like Water by Rebecca Podos is so magical. And to round it out, a book I read on your rec!  A Good Idea by Cristina Moracho. (Blogger’s Note: I love every single one of these books, to the shock of no one.)

What’s the first LGBTQIAP+ experience you saw onscreen or in a book that really resonated with you?

You know, I’ve only really started to find queer media I connect to in the last couple of years, even though I’ve seen a decent amount over the years (I mean hello I’ve been watching Grey’s Anatomy for the past century). So really the first was Emi in Everything Leads to You, as a queer, artistic, mixed race black girl.

I know you’re a tattoo person, which is something I always find immensely fascinating. Have you gotten tattoos for your books, and if not, what would you get if you did?

Right now I have one book tattoo, for You Don’t Know Me But I Know You. It’s not really specific to the book but one of my favourite artists does these heart-and-hairgrip tattoos and I thought it would be a perfect representation of Audrey and Rose. I’m still thinking about what to get for This is What it Feels Like…I feel music-based is a touch too on the nose, so maybe something baked goods-themed? I’m open to suggestions!

What’s up next for you?

Nothing official yet but I hope to be bringing you more queer girls of colour soon, perhaps dusted with a little more darkness this time.

***

Rebecca Barrow writes stories about girls and all the wonders they can be. A lipstick obsessive with the ability to quote the entirety of Mean Girls, she lives in England, where it rains a considerable amount more than in the fictional worlds of her characters. She collects tattoos, cats, and more books than she could ever possibly read.

New Release Spotlight: Anger is a Gift by Mark Oshiro

It’s such a great feeling when you read a wonderful debut and know it’s just the beginning for a fabulous new voice, especially in queer lit. YA has seen some incredible social justice books in the last couple of years, and I’m so excited that this excellent queer one is in the mix, especially since it’s Under the Gaydar and also has a really phenomenal and superqueer secondary cast as well. Do yourself and YA lit in general a favor and grab this one as soon as it releases on May 22, or better yet, use those links at the bottom and preorder it now!

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A story of resilience and loss, love and family, Mark Oshiro’s Anger is a Gift testifies to the vulnerability and strength of a community living within a system of oppression.

Six years ago, Moss Jefferies’ father was murdered by an Oakland police officer. Along with losing a parent, the media’s vilification of his father and lack of accountability has left Moss with near crippling panic attacks.

Now, in his sophomore year of high school, Moss and his fellow classmates find themselves increasingly treated like criminals their own school. New rules. Random locker searches. Constant intimidation and Oakland Police Department stationed in their halls. Despite their youth, the students decide to organize and push back against the administration.

When tensions hit a fever pitch and tragedy strikes, Moss must face a difficult choice: give in to fear and hate or realize that anger can actually be a gift.

Buy it: B&N * Amazon * Indie-BoundBooks-A-MillionPowell’s* iBooks *Google Play

New Release Spotlight: Let’s Talk About Love by Claire Kann

A biromantic ace heroine! A YA set in college! Excellent rep! THAT COVER!!! Due to a recent move, all my books are packed up and I haven’t read this one yet, but the raves have been so overwhelming that I know it needs to be your next read and mine!

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Alice had her whole summer planned. Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting–working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she’s asexual). Alice is done with dating–no thank you, do not pass go, stick a fork in her, done.

But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!).

When her blissful summer takes an unexpected turn, and Takumi becomes her knight with a shiny library employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood.

Buy it: B&N * Amazon * IndieBound * iBooks

New Releases: January 2018

Between the Blade and the Heart by Amanda Hocking (2nd)

Valkyries have one great responsibility: to return immortals to the afterlife by slaying them. As a Valkyrie, Malin has always known that the balance of the world rests on her ability to carry out orders. But when Malin discovers that her mother spared the life of an immortal who was destined to die, her world is thrown into chaos.

Malin not only wrestles with the knowledge that her mother might not be who she thought—she’s also thrust into the path of a gorgeous blue eyed guy named Asher who needs her help slaying the rogue immortal who destroyed his family. The balance of the world is at stake. And, as Asher competes with Malin’s ex for her love and loyalty, so is her heart.

Buy it: B&N * Amazon

Chainbreaker by Tara Sim (2nd)

This is a sequel to Timekeeper

Clock mechanic Danny Hart knows he’s being watched. But by who, or what, remains a mystery. To make matters worse, clock towers have begun falling in India, though time hasn’t Stopped yet. He’d hoped after reuniting with his father and exploring his relationship with Colton, he’d have some to settle into his new life. Instead, he’s asked to investigate the attacks.

After inspecting some of the fallen Indian towers, he realizes the British occupation may be sparking more than just attacks. And as Danny and Colton unravel more secrets about their past, they find themselves on a dark and dangerous path―one from which they may never return.

Buy it: Amazon * B&N

The True Queen by Sarah Fine (2nd)

This is the final book in the Impostor Queen trilogy

Now that Ansa knows she is the destined queen of Kupari, she is desperate to find a permanent home for her people, the Kriegere, in the Kupari lands. But as the small band of warriors crosses into the foreign territory, Ansa loses her fragile grip on her newly-acquired—and violent—fire and ice magic and puts everyone, including her love Thyra, in danger.

Inside the walls of Kupari, Elli maintains the facade that she is the magical queen, with her secret—that she has no magic at all—on the brink of exposure every day. But as she tries to prepare the citizens to protect themselves from another invasion, unrest spreads as wielders like her beloved Oskar begin to lose control of their powers.

As Kupari grows increasingly unstable, with the land literally crumbling beneath their feet, and a common enemy once again threatening everything, these two young women on a collision course with destiny must find a way to save the realm and their people from total destruction.

In this epic conclusion to the Impostor Queen series, Sarah Fine’s sweeping tale of two fierce leaders imbued with unimaginable power and called to unthinkable sacrifice finally answers the question: who has the strength to be the True Queen?

Buy it: B&N * Amazon

Before I Let Go by Marieke Nijkamp (2nd)

Days before Corey is to return home to the snow and ice of Lost Creek, Alaska, to visit her best friend, Kyra dies. Corey is devastated―and confused. The entire Lost community speaks in hushed tones about the town’s lost daughter, saying her death was meant to be. And they push Corey away like she’s a stranger.

Corey knows something is wrong. Lost is keeping secrets―chilling secrets. But piecing together the truth about what happened to her best friend may prove as difficult as lighting the sky in an Alaskan winter…

Buy it:

Sourcebooks Amazon US Booktopia
IndieBound Amazon UK iTunes
Barnes & Noble The Book Depository Target

King Geordi the Great by Gene Gant (9th)

36425840Is there such a thing as caring too much?

Geordi never thought so. He knows he’s lucky to have progressive parents who support him after they discover he’s gay, but when his dad gets overzealous, things go downhill. Geordi’s friend Toff is not only hurt that Geordi hid his sexuality from him—he’s also been in love with Geordi for months. Rather than further damage their relationship, Geordi goes along with a romance he doesn’t feel. When things start to get physical, though, Geordi knows it’s time to be honest with himself and his friends, no matter what the consequences. A tragedy is about to strike, and Geordi, Toff, and their friend Jess will need each other more than ever. For Geordi to find his strength, he’ll have to first find the courage to chart his own course in life—outside the control of his parents or the pressure of his peers.

Buy it: B&NAmazon

Down by Contact by Santino Hassell (16th)

This is the second book in the Barons series

33637825Simeon Boudreaux, the New York Barons’ golden-armed quarterback, is blessed with irresistible New Orleans charm and a face to melt your mama’s heart. He’s universally adored by fans and the media. Coming out as gay in solidarity with his teammate hasn’t harmed his reputation in the least—except for some social media taunting from rival linebacker Adrián Bravo.

Though they were once teammates, Adrián views Simeon as a traitor and the number-one name on the New Jersey Predators’ shit list. When animosity between the two NFL players reaches a boiling point on the field, culminating in a dirty fist fight, they’re both benched for six games and sentenced to joint community service teaching sullen, Brooklyn teens how to play ball.

At first, they can barely stand to be in the same room, but running the camp forces them to shape up. With no choice but to work together, Simeon realizes Adrián is more than his alpha-jerk persona, and Adrián begins to question why he’s always had such strong feelings for the gorgeous QB…

Buy it: Amazon

Falling Into Place by Sheryn Munir (17th)

37120639Romance is not for Tara. Embittered after a college fling, she vows to never fall in love again–especially since she believes there’s no future for same-sex love in her home in urban India. Then, one rain-drenched evening, an insane decision brings the bubbly Sameen into her life and everything changes. Sameen is beautiful, a breath of fresh air…and almost certainly straight. All Tara’s carefully built-up defences start to crumble, one after the other. But is this relationship doomed before it can even start?

Buy it: Ylva

Twice in a Lifetime by Jodie Griffin (22nd)

36560885When widow Talia Wasserman applies for a job with the local police department, she’s shocked to discover she’ll be working for Lieutenant Eve Poe, an officer she’d met—and been attracted to—during a long-ago citizen’s police academy workshop. Fifteen years later, the spark is still there, and no one’s currently in Talia’s life or in her bed. But there’s just one teeny, tiny problem. Eve is her boss, so she’s completely off limits.

Eve feels a sizzling connection with Talia from the very first, but Talia works for her, and that’s just a bad idea. Besides, Eve needs to focus on the person sending disturbing emails to her office, and not on the woman who quickly makes herself invaluable to the department. It’s too bad her heart doesn’t agree with her.

Then Eve is badly injured in the line of duty, and Talia’s worst fears are realized. She may lose her chance at happiness with the woman she’s come to love, and she can’t survive that kind of loss twice in a lifetime.

Buy it: Riptide

Let’s Talk About Love by Claire Kann (23rd)

Alice had her whole summer planned. Non-stop all-you-can-eat buffets while marathoning her favorite TV shows (best friends totally included) with the smallest dash of adulting–working at the library to pay her share of the rent. The only thing missing from her perfect plan? Her girlfriend (who ended things when Alice confessed she’s asexual). Alice is done with dating–no thank you, do not pass go, stick a fork in her, done.

But then Alice meets Takumi and she can’t stop thinking about him or the rom com-grade romance feels she did not ask for (uncertainty, butterflies, and swoons, oh my!).

When her blissful summer takes an unexpected turn, and Takumi becomes her knight with a shiny library employee badge (close enough), Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood.

Buy it: Amazon * B&N * IndieBound * Book Depository

Reign of the Fallen by Sarah Glenn Marsh (23rd)

Odessa is one of Karthia’s master necromancers, catering to the kingdom’s ruling Dead. Whenever a noble dies, it’s Odessa’s job to raise them by retrieving their souls from a dreamy and dangerous shadow world called the Deadlands. But there is a cost to being raised–the Dead must remain shrouded, or risk transforming into zombie-like monsters known as Shades. If even a hint of flesh is exposed, the grotesque transformation will begin.

A dramatic uptick in Shade attacks raises suspicions and fears among Odessa’s necromancer community. Soon a crushing loss of one of their own reveals a disturbing conspiracy: someone is intentionally creating Shades by tearing shrouds from the Dead–and training them to attack. Odessa is faced with a terrifying question: What if her necromancer’s magic is the weapon that brings Karthia to its knees?

Buy it: B&N * Amazon * IndieBound * One More Page (signed)

The Dangerous Art of Blending In by Angelo Surmelis (30th)

32797600Seventeen-year-old Evan Panos doesn’t know where he fits in. His strict Greek mother refuses to see him as anything but a disappointment. His quiet, workaholic father is a staunch believer in avoiding any kind of conflict. And his best friend Henry has somehow become distractingly attractive over the summer.

Tired, isolated, scared—Evan’s only escape is drawing in an abandoned church that feels as lonely as he is. And, yes, he kissed one guy over the summer. But it’s his best friend Henry who’s now proving to be irresistible. It’s Henry who suddenly seems interested in being more than friends. And it’s Henry who makes him believe that he’s more than his mother’s harsh words and terrifying abuse. But as things with Henry heat up, and his mother’s abuse escalates, Evan has to decide how to find his voice in a world where he has survived so long by avoiding attention at all costs.

Buy it: B&N * Amazon * iBooks

Where is the Queer Black Male Voice in YA?

It doesn’t take a lot of in-depth knowledge to know that intersectionality is lacking in the current LGBTQIAP YA market, but there’s perhaps no gaping hole in it quite as glaring as that of the queer Black teen boy perspective. In the past five* years, to the best of my knowledge, there has only been one YA novel released by a major mainstream publisher with an explicitly** Black male narrator, and if you guessed it was by a white woman, you are correct.

Wanna find one by a Black male author by a major mainstream publisher***? You have to go back to Sunday You Learn How to Box by Bil Wright.

Which was published in the year 2000.

Yes, you read that right: the last YA released by a major mainstream publisher with a queer Black male narrator and written by a Black male author is itself already a teenager.

So, hey, that’s pretty messed up! It might almost make you wonder about the queer Black male authors trying to get their #ownvoices stories published, wouldn’t it.

Good news! Here are four such authors with a whole lot of wisdom, thoughts, and experiences to share.

Ryan Douglass

Ryan WilliamsI’m a 23-year-old writer from Atlanta, Georgia. I went to high school in Geneva, Switzerland, as my mom worked for the UN. I was one of two African-American students in my grade there. There were two or three others in different grades, and that includes my brother. I’ve been to nine countries, six of them in Europe. I went to college at Hofstra University in Long Island, NY where I studied theatre and creative writing. I’m a freelance writer, graphic designer and actor. I’ve worked professionally in journalism and marketing. I’ve also been a security guard and a professional dog walker. I contribute thought pieces on social politics as well as arts & culture to The Huffington Post. I’m an award-winning spoken word poet (and regular poet). I occasionally perform in the poetry cafes in Atlanta. I’m very into fitness and health. I also love rock climbing, camping, and music festivals. I’m obsessed with creepy horror moviesmy favorites are Oculus, The Conjuring, and Insidious but NOT The Conjuring 2 and definitely not any of the chapters following the original Insidious. I’m an amateur ukulele player and really into music in general.

A. Leon Walker

Isom_Anthony_ (12)A. Leon Walker spends his days assisting library patrons in his small, Midwest town by soothing their daily woes or satisfying their curious appetites. By night, he takes the stage at the historic Croswell Opera House, where he fulfills his personal frustrations and delights. Meanwhile, he’s always conjuring up some new tale for readers of all ages in hopes of someday being shelved among his favorite writers.

Brandon Goode

BrandonBrandon Goode grew up in the small beach town of Melbourne, Florida. He attended Eastern Florida State College and Florida International University. He loves to motivate and inspire others, enjoys traveling, and eats an insanely amount of sushi. Oh, and he is obsessed with all things on the Bravo network.

Kosoko Jackson

KosokoKosoko Jackson is the Digital Media Associate for Rock The Vote and manages social media accounts totaling 270K followers. He also moonlights as a paid sensitivity reader for big 5 publishers. Kosoko has taught elementary kids how to read, educated millennials about the power of voting, and held various communications positions in political organizations. He graduated Magna Cum Laude with a BS in Public Health with a minor in new media communications. He lives in Washington D.C and is represented by Louise Fury at The Bent Agency.

Please introduce yourselves! Who are you, what do you write, and where are you in the publishing journey?  

A. Leon: Hello, everyone! Dahlia, thank you so much for this exciting opportunity. This is truly a dream come true. My name is A. Leon Walker (A stands for Anthony), I write fiction, non-fiction, poetry, plays, and am currently unpublished.

Kosoko: Hi! I’m Kosoko Jackson. I write YA novels in every genre, but my bread-and-butter is historical fiction with POC main characters and contemporary novels. I’m currently agented and working with my agent on my debut novel.

Ryan:  I’m Ryan Douglass, I write YA horror and thriller and I’m represented by Rena Rossner of the Deborah Harris Agency. We’re still working on my manuscript.  

Brandon: Hello! My name is Brandon Goode. I’m from Orlando and I write YA Fantasy and poetry. I’m currently working on my second novel and two books of poetry. Outside of writing I can be found eating sushi while watching Degrassi reruns, shopping at the local thrift stores in Orlando, and popping into the Disney Parks when I can.

Between querying, subbing, and self-pubbing, what are you finding to be the greatest obstacles so far? Any constant refrain in responses?

Kosoko: I think querying was the hardest, but that’s more from a personal level. Agents are the first level of gatekeepers and in many situations, you have to, in your writing, query, etc, prove that your story is something that can make it through all the further gauntlets. Sometimes, it’s the real first time you have someone independently say “This is good” or “this is crap” (hopefully no one says THAT). But nonetheless, that’s hard. Many great stories don’t get published, or even get agents because of thisand sometimes you get little feedback from agents you query. Agenting, to me, is harder because it’s very cut-and-dry, with little insight, and felt, often, like stabs in the dark. I do think that sort of diligence builds a good first skin you need to be a creative POC LGBT person, though.

Ryan: Querying was definitely my biggest hurdle. I wrote three manuscripts before writing the one that landed me my agent! But I needed to write the failures to learn who I was as a writer. My rejections were varied while sending out my last manuscript but for the ones before that, I often heard the stories lacked originality (which they did).

Brandon: I think the one thing I have found to be the greatest obstacle so far was spreading the word about my novel. The Secrets of Eden was released in March of this year and I had to do everything on my own since I self-published this novel. So take that and add in the disaster of a year that 2017 has been so far with social issues, and that’s why it’s been a great obstacle. Twitter has been a great tool in spreading the word and getting my novel out there, but of course I feel like more could’ve been done.

A. Leon: Querying used to be my biggest hurdle. These days, drafting seems to be the beast to conquer. It’s one of the reasons I’ve committed to writing a short story collection; for one thing, I’ve dreamed since I was 20 years old and first read Neil Gaiman’s Fragile Things of composing my own cohesive collection but it has also proven rather useful in keeping me writing. Due to my day job, the one that pays the bills, I’m blessed to afford a four-day weekend every other week, which I spend writing my stories. I’ve a novel building in the subconscious, which will hit the page when I come to it.

So far, two of my shorts have been rejected. I’ve a third on submission. Fingers daily crossed until I hear back.

Even as we start to see more intersectional YA on shelves, the intersection of Blackness, queerness, and masculinity is probably the rarest in the category, especially by queer Black men. Why do you think that is?

Brandon: I think it’s rare first of all because of the stereotypes to be honest. Black men have so many stereotypes about us, that sometimes the truth is rarely given the time of day by a proper audience. Growing up, I couldn’t really identify with many novels that were on the shelves because the characters weren’t black or gay, and I wish there were more novels. I can only speak for myself, but growing up I was taught to never cry. To always “man up” and be tough.

Masculinity is something that was shoved down my throat by my mother and father. My dad was never really in the picture, but the times I did see him it was the same masculinity hype over and over. Being black and gay and trying to be “masculine” in the eyes of my family was tough and was something that I have shut away in the past. I’ve evolved into the person I’m supposed to be through all of those experiences, but for those who don’t know what it’s like they can’t try to fake it in literature. I honestly think that even within certain corners of the black community, queerness is still a taboo topic. I always found it hypocritical for those within all communities, especially the black community, to turn their nose up at queerness. Everyone in this country, one way or the other, has faced some sort of inequality a time in their life. The Civil Rights Movement, Women’s Suffrage, etc. all happened in American history and someone on the other side had to believe in those movements in order for equality to blossom. That same support needs to be given to the LGBTQIAP community. Until these conversations start happening more frequently, allowing those who are growing up or surrounded by it the proper push to share their voice, then those types of YA won’t exist. Even for those who are adults now, until they feel that their voice will be received then those books won’t come.

There’s a moment I remember breaking out of what I thought was a hold on me from being myself, but not everyone is surrounded with love and support being Black and queer. That’s why YA is important to share those stories. That’s why we have to cultivate this platform and provide the necessary support to those who aren’t receiving it.

Ryan: It’s hard to get Black stories in the mainstream publishing sphere and for queer, Black stories it’s even harder. Maybe the industry doesn’t think the stories will sell. On the writers’ side, there’s a strong possibility Black, queer writers are afraid to tell their own stories because they have no examples of their stories on shelves yet. It can feel like compromising your chances of success as a writer to write something there’s no precedent for. I used to think I had to write about straight, white people or I couldn’t be an author. But we won’t know if the stories will sell until we give them a chance, will we? There is also still a lot of pressure on Black men in the community to be masculine and heterosexual. Some Black writers could be closeted and writing about straight characters, which is okay and how I wrote my first two books.

Kosoko: I think, honestly, it’s because of the number of intersections. It’s easy to say “no” in the publishing world. The data is just starting to back the statement that “POC/LGBT stories have a place in our canon”. That’s because of successes like Angie Thomas, Jason Reynolds, and Nic Stoneand people like Adam Silvera. For each success, it’ll get easier, but there are still many reasons to say no from the publishing side. The whole conversation has to be shifted from “what sold before” to “what is needed now.” YA literature should reflect the times and the need of the youth who read it and as our society becomes more and more intersectional, we need more intersectional literature. That should, in my opinion, be reason enough.

A. Leon: My thoughts on this subject are too voluminous to sum up here; I’ll do my best to keep things brief. While masculinity, in and of itself, bears great privilege in all of society, therefore dominates the literary landscape despite the overwhelming female presence of the YA category and the romance genre (both outsell every single genre in the business, including thrillersa male-driven genre), add anything to that algorithm other than white or hetero and issues abound. Black male, queer male, black queer maleeach requires some deterioration to the male ego before your audience even begins engagement. Because we’ve all met black men, right? We’ve all met queer men? We’ve all met queer black men? Okay, then: we know how they act. There they must stay. Black men, you get to be Native Son and Invisible Man. Queer men, you get to be Boy Meets Boy and A Little Life. Black queer men, you get to be Giovanni’s Room. So when people read, unless you happen to disturb the male algorithm in some way, you don’t really ask yourself questions such as: Where all the black folks at? Where all the black queers at? This, of course, is just the beginning; to ask such questions means you’ve done little more than left the tarmac. Action, particularly on the part of writers and reviewers and critics, is due. Overdue, in my opinion.

Obviously, we’re seeing a tremendous push for diversity from advocates. How much do you feel like that’s making a difference? What actions do you feel would make a difference, and like to see more people engaging in?

Ryan: I feel like it’s making a difference in the types of books the community is paying attention to. For a long time black stories were relegated to the “black section” and gay ones to the “gay section”, et cetera, as if those stories could onIy be appreciated by those groups. I see these stories being normalized now and more people are open to reading them. I would love to see more people engaging in conversations about the content of books by marginalized authors and what is being taught through these narratives. In the YA community it can feel dangerous to admit you don’t know or understand something about an experience outside of your own because you risk being called problematic. But I think what we’re doing in writing books about our experiences is teaching, so it’s normal to learn and discuss a changed perspective. I think we should approach these conversations in open ways.

A. Leon: A greater sense of urgency, in terms of lacking queer voices, couldn’t hurt. Not only black queerness but Muslim queerness & Latin@ queerness & Biracial queerness & Asian queerness & international queerness. More & more & more & more. Variety, depth, nuance. This isn’t just dependent upon writers. It begins with critics & reviewers. We need thinkpieces, Op-Eds, reviews pointing out the absolute absence of diverse queer representation, even (or especially) within books written by white gays. Let’s look at the greater culture for a moment here as an example: Moonlight was the first-ever QUILTBAG+ film to win Best Film at the Academy Awards, although Brokeback Mountain got snubbed. This is significant. But why aren’t we hearing about it in droves? How many more people preferred La La Land because it was the one they saw as opposed to genuinely believing it the superior film? Writers of all forms need to take a closer probing glimpse at this lack, question and force others to question why we’re still stuck on white maleness as the paradigm within an already oppressed community.

Brandon: I think it’s great to have diversity! This world is one giant melting pot, and if there isn’t representation then people are excluded which isn’t right. I think that it’s a great idea, but I want to see more authors of color getting their recognition and their works published and publicized. I feel that authors who aren’t of color get more recognized for “diverse” stories as opposed to those who really should. There should be more LGBTQIAP authors and authors of color getting their moments in the spotlight as well. I think in order to further make a difference, pushing diversity needs to be championed more. I love things like #DVPit, Diverse Book Bloggers, etc. that are opening the doors for diversity, but there should be resources for diverse authors. Diversity isn’t a gimmick and people need to remember that.

Kosoko: Overall, the trends are slowly moving towards more representative societal reflections in literature, in my opinion. That doesn’t mean it’s happening fast enough. Outspoken advocates like Justina Ireland, Dhonielle Clayton &  L.L. McKinney have really helped us push the conversation and narrative forward, but I think sometimes that get’s lost in the mix. We think because the conversations are happening on Twitter, and the likes/retweets are high, there’s actual change going on, and there isn’t…not in the way we need.

Nicole Brinkley has a great thread on twitter where she shows the Publisher’s Weekly sales and compares the POC sales to the POC percentage of the US. It’s usually about 66% lower than the percentage of POCs in the US.

If you asked me one way to change that? I’d say we need more POC/LGBT people in publishing. Not just more agents, we need more editors and more POC/LGBT people in all positions. We need these people in the room where it happens (ha, Hamilton), and our presence to be reflective of society. I’d also like to see more POC LGBT writers, writing their own stories. I struggled with that for years–about 3–and though I’m not saying they HAVE TO, or should be forced to, I certainly think there should be a bigger push to have those stories. But that’ll only happen when there is a safety feeling in the YA community…

…and safety in YA is a COMPLETELY different topic.

What’s really important to you in the publishing staff that works with you and your books, especially you work that features queer Black boys?

A. Leon:  First and foremost: all my work features queer Black boys. It’s the one subject I cannot avoid, despite how hard (in the early days, especially) I’ve tried. That being said, a deep understanding of the great necessity for wider, deeper, more nuanced representation within queer literature is something publishing staff working with my oeuvre must understand. Otherwise, they’re not going to get it. Most beta readers who’ve not addressed these questions within themselves tend not to sit well with my work. They say things like, “This is good. Really good, in some places. But can’t you write about something other than gay sex?” Or they’ll say, “You don’t believe in writing stories with white guys or straight guys in them, do you?” I need desperately NOT to work with publishing staff who even consider questions like this as valid.

Kosoko: To me, it’s important to find like-minded individuals in the publishing world who understand that the single narrative of POCs, Queers, and that intersection isn’t the only story…and continuing to perpetuate that single story, does more harm than good. It’s important queers of color see a wide range of authentic stories that reflect a wealth of backgrounds. Personally, I’m a queer POC who hasn’t faced the disownment of my family that is so commonly associated with the story of queer POCs. I don’t relate as strongly to that sense of story, but I identify stronger with stories where the character has to struggle with the split identity of self. Someone else will say the reverse. Having publishers and those in the industry who understand, champion, and advocate this is important.

I think it’s also important POCs, and queer POCs, are given the same leeway as our white, straight counterparts. Think about the “quiet” YA novels. That same freedom isn’t often given to queer POCs, and that’s a disservice to the community as a whole.

Brandon: I think allowing the authenticity of an experience or story that you want to incorporate into your novel to stay intact. Being a gay Black male, I have experienced many things from pitfalls to triumphs, heartbreaks and falling in love, and anything else of the like that I can morph into a plot line for a novel to motivate someone is very important to me. I want my voice to be a voice that they can trust, and that comes from being real and vulnerable with my work.

Ryan: It’s so important to me that my work is not sanitized to push an agenda for what queer Black boys (or just Black boys or queer boys) should look like. I think there’s pressure when writing marginalized characters to make them paragons of nobility because a lot of people think victimhood makes someone inherently noble and likable. My characters are imperfect because they’re human. They’re also victims. I don’t want my work censored. The harshness of what happens to my characters is very important to me because it’s realistic, and my work usually has elements of horror to it, so it’s supposed to be uncomfortable. I really don’t want to see that damaged.

There’s been some really incredible success for authors of color in the past couple of years, including Black authors Angie Thomas, Jason Reynolds, Tomi Adeyemi, and Nicola Yoon. Is there a deal or award or other event that really stuck out to you as being an inspirational kick in the butt?

A. Leon: Two things: N.K. Jemisin winning the Hugo Award two years in a row for her best work to date. She’s the first black author to do so, despite the current wealth of black SF out there right now. So that’s been hugely inspiring! Also, encountering the work of Kai Ashante Wilson, whom everyone should read. Like, right now.

imagesRyan: Angie Thomas’s 13-house action and Tomi Adeyemi’s 7-figure movie deal were inspirational for me because it appeared publishers were looking for black stories. I also loved seeing Everything, Everything on the big screen because we don’t get to see black teens leading movies very often. I’ve been reading and admiring Jason Reynolds for some time now.

Kosoko: This is small, but being Nicola Yoon’s Everything, Everything as a movie meant a lot to me. Seeing a black girl on a poster, was something I never really saw before unless it was about some gang movie or some violent movie. To see black kids having that kind of inspiration; to be happy, to live their authentic lives, and to take chances and risks for their own happiness? That mean’s a lot to me. When I was younger, seeing something like that on the big screen would have influenced my writing, and been pivotal to becoming an author. I have a feeling it’ll do the same for other kids, and movies like The Hate U Give and Children of Blood and Bone will have similar results. And I’m so excited for that.

I mean, hellthey inspire ME.

What’s the first book you ever remember reading with a queer Black character? What about other media?

Laf1Kosoko: This was the question that took me the longest to answer. I don’t think I ever remember reading a queer black character (that may be on me, but also another reflection of the society we live in). TV wise, that’s not the same. I’d like to say Lafayette Reynolds from True Blood was the first I ever saw. And that really meant a lot to me because of how bad ass and genderfluid in some senses he was, which is something I’ve grasped with in some aspects of my life.

Ryan: I think it was Simon vs. the Homo Sapiens Agenda! The first one I saw on TV was Lafayette from True Blood. I was obsessed with that show back in the day.

A. Leon: The Killing Moon by N.K. Jemisin. The book with the most significant impact on me was Sorcerer of the Wildeeps and A Taste of Honey by Kai Ashante Wilson. Sorcerer of the Wildeeps stars a gay black wizard in probably the deepest read about masculinity I’ve ever read; A Taste of Honey is a fantasy romance of epic proportions, addressing queerness of all types and including women in the conversation of masculinity. Obviously, Moonlight was an impactful film; my best friend from high school refers to me as Titus Andromedon (from The Unbreakable Kimmy Schmidt); and there’s a great gay black cop with a beautifully complex perspective in HBO’s Six Feet Under.

Brandon: The first book I read with a queer Black character was If This World Were Mine by E. Lynn Harris.  Mr. Harris has many books on my bookshelf because growing up, there really weren’t any other books featuring Black queer characters that I could find or have access to. Thinking back to other media, the one show that sticks out for me is Noah’s Arc from creator Patrik-Ian Polk. It was like the black and gay version of Sex and the City. This show provided me with some of the inspiration I needed to become comfortable in my own skin and to live life to the fullest!

Of the LGBTQIAP YA that exists right now, what book(s) is closest to your heart?

Ryan: More Happy Than Not changed my life and what I thought was possible in LGBTQ fiction. It felt like receiving an undeserved present to have a gay character who was also a character of color and from a lower class background. But it is deserved. Everyone should be able to see themselves. I think that’s the first time I experienced that feeling of immediate connection that straight white people are getting when they read the majority of books.

Brandon: The book that is closest to my heart is Hero by Perry Moore. I read this book my senior year of high school and I have a tradition now of reading it once a year. This book really showed me that we could have YA novels where a gay character was the main character and not supporting. This novel also tackled topics of acceptance, family, loss and it touched me so much that I actually reached out to Perry Moore and had the honor and privilege of interviewing him before he passed away. Because of this experience, this novel became a part of me.

A. Leon: What They Always Tell Us by Martin Wilson. There’s a beautiful relationship at the center of that novel between the main white gay character and his PoC boyfriend. That shower scene makes me want to have sex in the shower, even though I hate sex in the shower. I read that book every year. (Not just for the sexy shower scene.)

Kosoko: The Love Interest by Cale Dietrich, Ramona Blue by Julie Murphy, If You Could Be Mine by Sara Farizan, and Looking for Group by Rory Harrison. Each of them has things I love in books and things I can identify with in my own life. I also won a preorder give away of They Both Die at the End by Adam Silvera, so I’m pretty excited for that!

What’s your dream conference panel to sit in on? To be on?

Brandon: I would LOVE to sit on a #BlackBoyJoy panel for YA literature. I think it would be neat to sit alongside other black male authors, whether LGBTQIAP or not, and share our stories and successes to inspire the next generation of authors and readers. Adversity is an obstacle that many may feel that they can’t overcome, but showing them that light always triumphs over the darkness will help push them  forward in their individual journeys.

Kosoko: I’d LOVE to be on a panel at FlameCon or World Con, especially since World Con 2019 is in Dublin, Irelandone of my favorite cities in the worldand speaks heavily to my desire to make more LGBT POC YA stories international. It kills 2 birds with one stone. FlameCon would be amazing because it’s so many awesome LGBT creators in one space of all types.

A. Leon: I want to play the 92Y. Roomful of deeply thinking people waiting to hear my deep thoughts. Yeah, that.

Ryan: I’d love to be on a panel with other queer writers of color, any of the wonderful authors I’ve connected with on Twitter, or any of my influences. Neal Shusterman is my biggest influence but if I shared a panel with him I would not be able to talk or breathe.

What’s on your bookish bucket list, i.e. something book/publishing-related you dream of achieving at some point?

Kosoko: I don’t know if one exists but I’d love to sit on a panel/be on the steering committee devoted to POC creators in the creative arts (if there is onetell me if not; I’d love to work with someone to create it). Conversations and topics are different when they center around POCslike the POC version of Sirensand I think that space really is needed. So I’d love to be a part of that, steering committee, etc.

A. Leon: Bestseller. And a whole shelf of books written by me that readers adore, whether they sold well or not. Some prize-winners in there, or at least nominated. Prize of choice: Michael Printz Award. Also, I just want to keep writing and publishing. I wish to leave behind shelves of books across all ages, platforms, techniques.

Ryan: International book tours because I love to travel and talk about myself.

Brandon: One day I hope to have one of my works produced for either television or film. I understand that not everyone enjoys reading, and some prefer watching great stories instead of reading them. So in order to reach that audience, a show or movie would do just that.

Got any words of inspiration for aspiring queer Black authors out there, and/or for your future readers?

Ryan: To queer, Black authors: write your stories. Don’t be afraid to write them. Write boldly and without fear. Include the ugly, the sexy, the awkward, the scary, the honest. We need your vulnerability! Things are changing and people are starting to listen. If you’re not ready to be open about your sexuality, write whatever you want.

To readers: I write what I know and do my best to make a narrative compelling and characters relatable. Everyone’s experience is different but marginalized people are often treated as a monolith and a lot of pressure is put on us to write for the whole community. I hope we can all give writers space to write their individual stories without having to speak for everyone at once.  I hope you like my creepy work because it’ll only get creepier.

Brandon: If I could give any words of inspiration it would be, “Love yourself more than anyone else. YOU are the most important person in your life and you and your dreams DO matter. Never give up until you reach the finish line, and even when you do that, drink more water and keep going!”

Kosoko: As a POC you have to work twice as hard as your white counterparts. As someone LGBT, you have to work twice as hard as your straight counterparts. As both? You need to work four times as hard. Don’t let that deter you. The harder the opposition, the more reason for you to keep sweating, keep shedding blood, and most of allcontinuing to write.

A. Leon: Read others’ work. Write your work. Be relentless.

***

*It was actually more than five years ago, as the Stonewall Honored Gone, Gone, Gone by Hannah Moskowitz was published in April 2012.

**Proxy and Guardian by Alex London feature a dark-skinned male character one who might absolutely be read as Black, but it is not explicitly stated as such. Ditto Six of Crows and Crooked Kingdom by Leigh Bardugo. And yes, still white authors.

***Of course, it always behooves to support authors who are publishing through other means, so while you wait for these authors to grace your shelves, note that you can already buy The Secrets of Eden by Brandon Goode and check out the work of Craig Laurance Gidney.

 

New Releases: August 2017

Little & Lion by Brandy Colbert (8th)

25062038

When Suzette comes home to Los Angeles from her boarding school in New England, she isn’t sure if she’ll ever want to go back. L.A. is where her friends and family are (along with her crush, Emil). And her stepbrother, Lionel, who has been diagnosed with bipolar disorder, needs her emotional support.

But as she settles into her old life, Suzette finds herself falling for someone new…the same girl her brother is in love with. When Lionel’s disorder spirals out of control, Suzette is forced to confront her past mistakes and find a way to help her brother before he hurts himself–or worse.

Buy it: Amazon B&N IndieBound

Illegal Contact by Santino Hassell (15th)

34346381New York Barons tight end Gavin Brawley is suspended from the team and on house arrest after a video of him brawling goes viral. Gavin already has a reputation as a jerk with a temper on and off the field—which doesn’t help him once he finds himself on the wrong side of the law. And while he’s been successful professionally, he’s never been lucky when it comes to love.

Noah Monroe is a recent college grad looking for a job—any job—to pay off his mounting student debt. Working as Gavin’s personal assistant/babysitter seems like easy money. But Noah isn’t prepared for the electrifying tension between him and the football player. He’s not sure if he’d rather argue with Gavin or tackle him to the floor. But both men know the score, and neither is sure what will happen once Gavin’s timeout is over…

Buy it:  Penguin | Amazon | BNkobo | iBooks | Goodreads | Google Play

Team Phison by Chace Verity (15th)

For 55-year-old Phil Hutton, finding a new boyfriend is tough, especially since he’s still hurting from his ex leaving him for a younger man. Online dating has been a soul-crushing experience for the restaurant owner. Too many meat-haters interested in microbreweries or something called geocaching. His matches in the multiplayer for his favorite video game have been equally sucky too.

One night, he encounters a newbie who is so helpless, Phil can’t help showing him the ropes. It doesn’t take long for Phil to become interested in his enthusiastic teammate. 28-year-old Tyson Falls from Georgia loves working as a server in a rinky pizza joint and sees the best in everything. As Phil’s online dating matches get worse and his in-game matches with Tyson get better, he finds himself wanting to pursue the easygoing chatterbox with a thick, sexy drawl.

But Phil can’t get past the fear that Tyson couldn’t possibly want a fossil like him. If his brain doesn’t stop being so damn insecure, it might be game over for his heart.

Buy it: Amazon | Smashwords | Kobo | Nook

The Tiger’s Watch by Julia Ember (22nd)

Tashi is a spy and killer—an elite warrior known as an inhabitor—taught from a young age to use their bond with the tiger Katala. When an enemy force captures the city, Tashi has no option but to escape. Their safety doesn’t last long, however. Soon the conquering army arrives at the secluded monastery where Tashi is hiding, needing a place to treat their wounded. It’s not long before their leader, Xian, takes an interest in Tashi.

Xian is cold, ambitious, and even cruel—at least at first glance. But Tashi is skilled at watching and reading people, and they find a softer side to the young commander—one that intrigues them.

Buy it: B&N * Amazon

Dress Codes for Small Towns by Courtney Stevens (29th)

As the tomboy daughter of the town’s preacher, Billie McCaffrey has always struggled with fitting the mold of what everyone says she should be. She’d rather wear sweats, build furniture, and get into trouble with her solid group of friends: Woods, Mash, Davey, Fifty, and Janie Lee.

But when Janie Lee confesses to Billie that she’s in love with Woods, Billie’s filled with a nagging sadness as she realizes that she is also in love with Woods…and maybe with Janie Lee, too.

Always considered “one of the guys,” Billie doesn’t want anyone slapping a label on her sexuality before she can understand it herself. So she keeps her conflicting feelings to herself, for fear of ruining the group dynamic. Except it’s not just about keeping the peace, it’s about understanding love on her terms—this thing that has always been defined as a boy and a girl falling in love and living happily ever after. For Billie—a box-defying dynamo—it’s not that simple.

Buy it : Amazon * B&N * IndieBound

New Release Spotlight: Little & Lion by Brandy Colbert

It’s been three years since Brandy Colbert debuted with Pointe, one of my favorite YAs in existence, and it’s so exciting to see that her follow-up, about Black, bisexual, Jewish girl who returns home from boarding school and hits a tough spot when she tries to settle back into her family, including her stepbrother, who’s struggling with the reality of his mental illness. If you’ve been searching for more intersectional YA, on-the-page bisexuality, and/or representation of Jewish people of color, make sure this August 8th release is at the top of your shopping list!

25062038When Suzette comes home to Los Angeles from her boarding school in New England, she isn’t sure if she’ll ever want to go back. L.A. is where her friends and family are (along with her crush, Emil). And her stepbrother, Lionel, who has been diagnosed with bipolar disorder, needs her emotional support.

But as she settles into her old life, Suzette finds herself falling for someone new…the same girl her brother is in love with. When Lionel’s disorder spirals out of control, Suzette is forced to confront her past mistakes and find a way to help her brother before he hurts himself–or worse.

Buy It: Amazon * B&N * IndieBound

Exclusive Excerpt: When We Speak of Nothing by Olumide Popoola

Today on the site we have an exclusive excerpt from When We Speak of Nothing, a newly released novel by Nigerian German author Olumide Popoola about being Black, male, and queer in London that commemorates 50 years since the partial decriminalization of homosexuality in the UK: 

Best mates Karl and Abu are both 17 and live near Kings Cross. Its 2011 and racial tensions are set to explode across London. Abu is infatuated with gorgeous classmate Nalini but dares not speak to her. Meanwhile, Karl is the target of the local “wannabe” thugs just for being different.

When Karl finds out his father lives in Nigeria, he decides that Port Harcourt is the best place to escape the sound and fury of London, and connect with a Dad he’s never known. Rejected on arrival, Karl befriends Nakale, an activist who wants to expose the ecocide in the Niger Delta to the world, and falls headlong for his feisty cousin Janoma. Meanwhile, the murder of Mark Duggan triggers a full-scale riot in London. Abu finds himself in its midst, leading to a near-tragedy that forces Karl to race back home.

Buy it: Amazon * B&N * Book Depository 

Excerpt:

It was hard enough to stay level with this much newness. The sounds, the smells, the colourful outfits interspersed with sports and business wear. He felt lost. And scared. How to fit in here? How to even try?

But this part, immigration, produced even more dizziness. This was only sweat. Nothing else. No question mark, no slow trying to catch your feet. Just bare panic. He closed his eyes for a second. Breathe man, just breathe. He could hear Abu. The visa was approved, the Port Harcourt address verified. All he needed was for it to go quick. No overzealous immigration officer, aka gender police in the making.

Karl took out the mobile again.

heat man!!! no rain in site. @ passport control. Im here. Cant believ it. All gud so far. wish me luck

An officer in a beige uniform walked along the queue that was forming. What his role was supposed to be was a bit difficult to see. The foreigners from the plane were lining up with Karl. It was easy to spot the lot of them, either white or light-skinned, like Karl, almost as if they were carrying signs: really not from here. They were all older than Karl, mostly male, travelling by themselves with little luggage. Their faces were getting sweaty, like Karl’s, but theirs were changing to much deeper red tones. There was a general wiping going on, a couple of chequered handkerchiefs, back of the hand wipe – that sort of thing.

Uncle T had disappeared to the other end of the small hall.

Karl’s eyes followed the officer who stood next to a burly bloke with one large bag hanging over his shoulder. They were shaking hands and a few notes were slipped from one palm to the other. The officer caught Karl staring and Karl focused on his trainers instead. The burly man proceeded to the raised immigration booth and exchanged a few words with the officer behind the glass before leaving the queue and the airport altogether.

‘You have something for me?’ The man in beige appeared next to Karl.

Karl shook his head. ‘Sorry?’

The line was moving faster than he had thought. A lot of the white men in the queue had someone waiting for them, someone in uniform who would fast track them down the line, past the raised booth and out.

The officer looked at Karl. ‘What did you bring for me?’ ‘I’m sorry.’ Karl swivelled around. Where was Uncle T when you needed him?

‘Anything.’

‘I’m sorry? I don’t understand. It’s my first time. My uncle …’

The officer didn’t hide his pity and waved him forward. He had arrived at the raised booth and the man took his passport from his shaking hand and gave it to the man inside the booth. Another officer. He took the passport, looked at the picture, looked at Karl. Karl made himself scarce, pulled himself away from his skin, disappearing inside his bloodstream so that nothing on the outside could touch him. But the guy was still looking. Staring. No bloody subtleness at all, just full-on fixation. Curious and shit but unmoved, no smile, no softening, no invitation to exchange a few pleasantries. Nothing. Then waved to the supervisor behind him, who disengaged from the guy he was chatting with, in slow motion. Before he could make it to them, officer number three arrived, a guy who had been inside the building, further down, closer to the exit. Number three placed his folded arms on the rim of the small cubicle. He was about to tell officers number one and two, the one walking Karl over and the one in the box, something funny. You could see that because he was already smiling about it, like he knew this was a real good one. When he opened his mouth officer two shoved the passport in his face.

‘Ah ah, they no know how to dress demselves. Dis one, no be woman …’

Officer number three, unimpressed, still smiling, licked his lips. Looked at the picture, but didn’t really. Didn’t care one single bit.

‘My friend, leave am now. No be our problem.’

Karl smiled. That shy, I’m so damn unaware of my charm but I’m throwing everything your way smile. Because right now I need it to work, I need that charm to charm you out of asking me too many questions, out of extending this, making it obvious for everyone around. Embarrassing me. Hurting me. Making this unbearable.

And dangerous.

That’s it. Someone had sense, he would be moving on in no time, just like most of the white dudes who had been in the queue before him. All he had to do was get some damn oxygen into his body so he wouldn’t collapse right here. Before he had officially made it to Nigeria. Breathing in, breathing out, one two, one two. Focus on pairs instead of the throng of officials shuffling around the little cubicle. Officer number two was flipping through the passport pages, thumb cinema-like. Officer one was casually looking at it and then at Karl again. Only Spain, otherwise no other country had ever seen this gathering of well-stitched pages.

The supervisor arrived.

Four of them now; officer number three still shrugging his shoulders, ready to move on, finally drop that story. Who cared about whatever it was; it was a long time until they were off; why make life harder by winding yourself up like that? And right at the start of their shift?

‘Wetin worry you? Leave am now. De family will tell am.’

Karl looked at Uncle T, who had walked through the Nigerian citizens’ line and was now far ahead. A questioning look. Karl quickly shaking his head, vigorously. Number four, the supervisor, followed his glance.

‘Your father?’

‘Uncle.’

The officer looked back and forth between them.

‘But my father is waiting for me,’ Karl added, the word unfamiliar, almost sideways in his mouth. The puddle of sweat on his lower back was descending, trickling between his cheeks into his underwear. Father. Even more foreign than his first experience of the country. ‘He is outside.’

Number four’s face stopped doing what it was doing midway, the expression frozen. And like his face, time was now freezing over, sucking out all movement until everything became unreal, dangerously flat, a wall that would collapse and bury you in its debris.

Number three was looking around, trying to find someone else to chat with because this was defo no chatting whatsoever. Not what he had in mind when he had come over. Number two was still staring at Karl. At the long T-shirt that was hanging over his jeans. The trainers that were holding the jeans up, as it seemed. Number one? Had nowhere else to be, nothing else to do.

It was a bit much. The attention. The waiting. The not saying much. A whole group of people, yet again focus on Karl.

‘Your father is outside?’

Number four seemed to have recovered. Karl nodded, eyes sending nothing cute and charming any more just good old please. Pleading. But number four was already reaching inside the booth. Fumbled around. Then a quick stamp. Officer two shook his head. Supervisor handed the passport to Karl, ‘Welcome to Nigeria’, ignored everyone else and walked off.

Officer two annoyed. Disapproving. ‘Na crazy, dis one.’

But there was nothing else to be done. The group dispersed.

Karl was through and out the other side.

*****

London-based Nigerian-German Olumide Popoola is a writer, speaker and performer. Her publications include essays, poetry, the novella This is not about Sadness (Unrast, 2010), the play Also by Mail (edition assemblage, 2013), the short collection Breach, which she co-authored with Annie Holmes (Peirene Press, 2016), as well as recordings in collaboration with musicians. In 2004 she won the May Ayim Award in the category Poetry, the first Black German Literary Award. Olumide has a PhD in Creative Writing and has lectured in creative writing at various universities. She is available for live studio interview.