Tag Archives: Paranormal Romance

Inside an Anthology: Longsummer Nights ed. by Dayna K. Smith

Welcome back to Inside an Anthology, the feature where authors of queer anthology contributions come to share a little more on their stories! Today we’re checking out Longsummer Nights ed. by Dayna K. Smith, a queer paranormal romance anthology with 15 contributions that just released in May! Come check it out!

60127180. sy475 Have you ever dreamed that the dark eyes staring at you across the bar might belong to a vampire? When you watch horror movies, do you find yourself doodling the monstrous antagonist’s name in hearts the next day? If we’ve got you nodding your head, stick around!

If you’re looking for love in all the wrong places (like under the bed, or in creepy old crypts), we welcome you to pack your bags and visit the historical and haunted city of Longsummer. In the new paranormal (and very queer) romance anthology Longsummer Nights, edited by Dayna K. Smith, readers will experience a variety of thrilling original stories of love among monsters. The fifteen authors who contributed to this project are members of the VOW Collective, a group of game writers who went on the first ever strike in the history of the North American Games Industry in 2020. Our monster-loving authors include: Cyrus Adams, Cherry, Alix Comeau, A.K. Fedeau, Eve Golden-Woods, Rien Gray, A. Hendricks, T.K. Hirst, Arson Kidder, Abigail Laughlin, Amanda Louise, Margot Madison, Frances Maple, Devan Soyka, and Fisher Strunc.

In this edition of LGBTQ Reads’ “Inside An Anthology,” ten of the authors who wrote Longsummer Nights have shared a bit about which monsters they chose to write about, and what made them so chillingly irresistible.

“What Happened At Wisteria House” by Margot Madison

My contribution to the anthology started with a random yet spicy thought: how would one have sex with a ghost? As soon as the question popped into my head, I found myself compelled by the challenge of writing a story around it. My solution was to play with consensual possession. That would require a lot of trust between the parties involved…which led to a very tasty enemies-to-lovers opportunity that I couldn’t pass up. But who would be the lucky possess-ee? At first I thought it would be a regular human mortal, but as a witch myself, I couldn’t resist the urge to include one in the story. And thus, two unlikely roommates were born: Asha, a witch who moves back to her family’s old house in Longsummer for a fresh start, and Ruth, the ghost who’s been haunting the house in Asha’s absence. The two women are used to feeling alone and adrift in the world. Can they overcome their individual insecurities and traumas to make Wisteria House – and one another – their home?

“A Simply Miraculous Invention” by Frances Maples

The “monster” in my story is a life-size dancing doll that gains sentience. As soon as our group decided on the theme of monster romance, I knew I wanted my story to riff on the trope of “teaching a robot to love.” I’ve always been fascinated with the way robots are used in fiction, and even wrote a term paper on it in college, so the choice was an easy one. The dancing doll portion of my idea came later, as I started thinking more about the way human-like inanimate objects are used to express sexuality and gender. We have sex dolls, mannequins at department stores that have historically been used to model how people “should” dress along gendered lines, and we have children’s dolls that have historically also been bifurcated along strict gendered lines: Barbie for girls and G.I. Joe for boys. What caught my attention most in my research was the ballet titled Coppélia. It’s about a man who invents a dancing doll, falls in love with it, and tries (unsuccessfully) to bring it to life. I was fascinated with this idea of a doll being an expression of a cishet man’s ideal woman: beautiful and inanimate. There’s something scary about a dancing doll as well, an inanimate object that moves despite having no free will. That, too, echoes the way so many cishet men have an innate fear of women and femininity. The idea of this doll, designed to be an object of cishet male desire, coming to life and having a mind of their own, felt a lot to me like being assigned female at birth. In robot fiction there is constantly a thematic struggle between what a robot is created to do and what the robot wants to do once they have gained sentience. The idea of assigned gender vs gender identity felt like a natural progression of that theme to me. My story is heavily inspired by the ballet Coppélia, but is also a love letter to all the disaster enbies out there.

“labrys” by Cherry

I think I’ve always been fascinated by mythology, so when the theme of “monster romances” came up, my first thought was, “so Theseus and the minotaur fall in love instead”. And that was kind of where it started — at first, I had this grand vision about how the entire story would be one of self discovery (and in the end, I think I kind of, sort of, got there), but as the story grew, I knew it would become more of an exploration of what constitutes “monster”. More than anything, I chose this “type” of monster because we can find them littered throughout the most iconic stories, across every single culture — monsters that are monsters because we’ve decided they are. But they never get to speak for themselves; and then what if we turn that inwards, to look at ourselves and ask — aren’t we just as monstrous, if not more so, by choosing actively to segregate and separate ourselves from something or someone just because they are different, just because we’ve never tried to understand them? One of my favorite quotes from a book goes something like: “There’s not a monster dreamt that did not first walk within the soul of man.”

“Toothpick” by Arson Kidder

While we were all spitballing our prompts for the anthology, I suggested writing about a mermaid, and another writer shouted back “ALLIGATOR mermaid!” and I knew immediately I had to do it. The idea of selkies with their sealskin jackets wouldn’t leave me alone either. What if it was an alligator leather jacket and she needed it to transform from human to gator form? Then I worked around what kind of person could comfortably rock that as their casual everyday look, and Reina with her cowboy boots and her braggadocious energy was born. I’m grateful the other writers encouraged me to make her as uber-powerful and important as I wanted, to the point that she became a demigod of the city. Go big or go home, right? Then I started playing around with the idea of alligators being a metaphor for death itself, and the story just unfolded on its own after that…

“Corylus and Stone” by Amanda Louise

I chose to write a love story about lesbian faeries because I already had too many ideas about fae lore. For example, in some circles, the fair folk have a reputation for being tricksters. Wouldn’t that reputation lead to different treatment from those non-fae who might be wary of being tricked? Or what about from those who have already been tricked, like parents who raise changeling children?

Thus came the idea for Stone, a fairy raised among humans who was made to use her glamour magic to hide her true nature. She resents both being good at glamour and how faeries are treated. Her love interest, Corylus, is a human who was raised in Faerie and has missed magic every second since she left. Her drive to get magic back into her life leads to a tragic accident that makes her view herself as a monster.

I wanted these two lovers who grew up in different worlds with different morals to help each other get past their negative views of self (by finding the other one super sexy) and come to terms with their issues surrounding magic (by using it in a love scene).

“Indelible and Nocturnal” by T.K. Hirst

I had this idea to combine my two loves—Formula 1 and writing—into this thing. I knew I wanted to write something that was a little different; something a little meaner, and I wanted to incorporate vampires, because they’re sick, for lack of a better term. Also, creating an elusive vampiric character being absolutely destroyed by his younger, naive human counterpart was just fun to write! I chose this type of monster because I believed that vampires deserve some sort of retribution in the form of a young hot-shot driver willing to ruin your life. Life’s fun that way!

“The Antidote to Memory” by Eve Golden-Woods

I started with visuals. I knew I wanted a monster that wasn’t remotely human, something that would seem truly unnerving and alien. I had certain elements in mind immediately – a big height difference, altered facial features (the Curator has no nose, only slit nostrils, a classic choice for a creature meant to be scary rather than sexy). I was definitely influenced by things like The Shape of Water, along with other stories I’d recently read/seen, and I wanted to play with similar ideas but in a wlw space. I think other writer’s answers will probably delve into the queer/monstrous connection that a lot of us resonate with, but I should also add that I find stories of women who are not and cannot be traditionally beautiful very important, so that was something I wanted to explore for myself. There isn’t really a classical folkloric creature who fits what the Curator is, although lots of contemporary reimaginings of water monsters get close. She calls herself a troll in the story, which is a fairly flexible fantasy term, but I wish I’d been able to find an actual Irish folktale to link her to. Unfortunately, for all the bog we have, Ireland has a real dearth of bog monsters. But although the specifics are all my own invention, the idea of a big, dangerous creature who lives just enough off the beaten track that she might catch you if you get lost is something that a lot of cultures share.

“Seeds of Solace”  by Rien Gray

The first image I had for this story was of an overgrown Southern manor, years of artifice being pulled back into the earth. As that expanded to a garden–with statues–the image of a gorgon sitting among the ruins came to mind. Yet I wanted her to be out of place, a hard and cold beacon in the midst of summer, so she became the love interest, intruding on my protagonist River and their ancestral home. River is, for all intents and purposes, a sentient plant, although they’re not aware they were grown by their mother inside the house until returning home in the wake of her death. Since I wanted a natural connection to the house and to explore the transformation that comes from grief, having them literally bloom over the course of the story made perfect sense.

“Virgin Cocktail” by Fisher Strunch

It would be easy to say I pursued a vampiric romance simply because I like vampires and think they’re sexy—honestly, even I thought that was the most accurate reading of my inspiration at first. But the more I thought about it, the more I realized I had really been seeking something entirely different: intimacy. There’s an intimacy beyond the traditionally romantic or sexual in vampiric fiction, and most specifically in the concept of consensual blood drinking. Beyond simply (though of course it’s not simple at all) baring your heart to another, of trusting a partner to see you wholly and accept you all the same, you’re putting your life in a vampire’s hands. And, in turn, a non-vampiric participant is literally giving a part of themselves so their vampiric lover may live. Obviously, it’s a bit intense for real life, but that’s the appeal of fantasy, isn’t it? And after living for two years and counting in almost complete isolation, some fantastical, bigger-than-life intimacy is exactly what I was craving.

“Mending Ribbons” by Cyrus Adams

I was really into second chance romances when I started brainstorming this story. In a magic-focused story, I knew that whatever broke my love interests apart, it would have to be related to the magical abilities of one person or, more specifically, how the magical love interest resented that side of himself. I don’t remember how I came around to the choice of making Tristan a witch specifically, but I know the first thing I thought of was having a character who made a career out of his magic, and perhaps he found that was all it was good for. One of his greatest challenges would be facing someone who was fascinated with his magic, and saw it as a gift, rather than the curse Tristan saw it as. Which was also how I made the decision to give Tristan a literal curse. And that’s how the foundation of the story was laid down! A freelancing witch gets hired by a man who needs his magical powers; they fall in love. Kai loves how careful Tristan is with his magic, Tristan loves that Kai can see beauty everywhere he looks…and a curse tears them apart. So this is a story about Tristan learning that there are beautiful sides to his magic and himself, but it’s also about Kai being faced with the ugly truths, and deciding if he wants to stick around to see them.

EDITOR’S NOTE: This e-book anthology can be purchased for $15 USD on Kobo (https://www.kobo.com/us/en/ebook/longsummer-nights) or itch.io (https://vowtogether.itch.io/longsummer-nights)

Finding Queer Black Love in Literature: a Guest Post by Katrina Jackson

I’m really thrilled to have Katrina Jackson back on the site today for this beautiful essay on finding queer Black love in literature. I asked her to write it after seeing her Twitter threads about it, and I’m so grateful that she did. You can see more about Kat and her books here, but frankly, I’m antsy to get to the post, so, onward!


I didn’t start reading romance with any kind of intention until I was an adult, but I have loved love stories my entire life, especially Black love stories. There was something about seeing movies with Ossie Davis and Ruby Dee and realizing that they had spent decades sharing their passion for art and activism with one another, that made my heart swell. It still does. I’ve also always loved queer love stories for as long as I can remember, even when I didn’t understand that I loved queer love stories for the same reasons I loved Black love stories: I was searching for depictions of love that reflected pieces of myself. I was searching for something that felt like a little slice of me on the big and small screens.

The first DVD I bought was The Color Purple. It was one of those old-school DVDs where the movie was split between two discs with those cheap plastic covers. I cherished that DVD, because once it was mine, I could watch that scene of Celie and Shug’s tentative kiss – with the juke joint providing a muffled backdrop – whenever I wanted. And I wanted to watch it over and over and over again. I felt similarly engrossed, years later as I watched the climax of Moonlight. I was a puddle of happy, relieved tears as the tumult of Chiron’s life culminates in this hardened, resilient man sitting across a diner table, staring at his childhood love with softness and warmth in his eyes. These two scenes, among so many others, spoke to that quietest part of my heart and the longing many of us hold to look at someone we love and feel fully and completely seen and loved for all that we are.

I turned to romance books while getting my master’s degree. I was in the depths of one of the worst depressive episodes of my adult life. Every day I received messages from professors and other students, that I did not belong, and I dreamt about abandoning the program and running home to the places and people who loved me. I didn’t leave, but I did start reading romance. Finding love stories that centered people who looked like me made the world feel much less alone and allowed me to start down a years-long road to fully identifying as bisexual, even though I’ve always known that I wasn’t straight. It took a little work to find queer stories with Black people, but once I found one, I found more and more and more.

The point I’m trying to make is that I have looked for Black queer love stories for most of my life and I have found them! They have buoyed me when I was at my lowest, when life seemed bleak and when looking at the news made my entire body hurt so much that I spent days in bed mourning.

So you can imagine how much it hurt when, in the midst of the most recent cluster of stories about American police officers killing Black people like Tony McDade and Breonna Taylor and George Floyd, I saw bookish twitter accounts – some I follow, some I don’t – begin recommending books by Black authors that refused to recognize the full breadth of Black life and humanity. Romance accounts, specifically, were so cavalier in their lists that many recommended books by non-Black authors who wrote Black characters, sometimes problematically, because they didn’t read much romance by Black authors, but refused to cede space to reviewers and readers who did. Across the board, I watched romance outlets, writers, reviewers and readers, recommend books that focused on white characters, books filled with anti-Black stereotypes, and on top of all that many patently ignored queer Black authors and books with queer Black characters.

While I don’t particularly agree with recommending fiction in a moment where people need to confront the depths of their anti-blackness and begin to consider the realities of global white supremacy, watching romance readers who imagined themselves as supportive of diversity, erase (queer) Black people (authors and characters) dug deep in my chest. It sent the message that people like me and the characters I write don’t actually matter, even while people were putting the hashtag in their bios. It was an erasure that struck a painful chord because it reminded me that the people and stories I love – who are the center of my life – are so easily forgotten and ignored.

I love Black people. I love queer Black people and QPOC. They don’t just matter to me, they are precious. I would not be alive today without them. I would not be writing without them. And I would not have the solace of these stories on the days when I still can’t get out of bed because everything hurts. At least with the stories that Black authors have written, my heart doesn’t have to hurt nearly as much, because it is so full of love for queer Black people.

Unfortunately, even when I’m depressed, I have a near obsessive desire to catalog books, so I took to twitter to begin a thread of queer romance written by Black authors. I began with books I love by authors I respect and appreciate and asked for recommendations. What I found in this process was instructive in many ways. I made a few caveats for recommendations that might have seemed random at the time but were not. I asked that the author identify as Black, since I’d seen so many outlets recommending non-Black authors. It mattered to me that if the response to Black murder was to uplift Black authors, that those authors better be Black and stand firm in their blackness. I wanted to focus specifically on adult romance because the YA book community had rallied their recommendations firmly behind Black authors (trans, cis, queer and het). It was exciting to watch and frustrating to compare to the adult romance community.

The other critical requirement was that the books feature Black characters and all the love interests should be Black or other people of color. Again, this was not arbitrary. Romance, like other literary genres, is steeped in white supremacist narratives. It is not just that so many traditionally published romance authors are white, it is that the foundation of the genre is based on whiteness as the norm. The tropes and story structures and even the Happily Ever After (the only requirement of romance literature) have been defined by a white default, even when some of the characters are people of color.

The proliferation of romance stories (traditionally published, indie and self-pub) that peddle in anti-Black, homophobic, transphobic, racist and xenophobic stereotypes is alarming, but not new. What feels new are the ways in which so many of these books are classified as “diverse” and “inclusive” even when they are not. So when I asked that all the recommendations focus on Black and POC characters, it was because I wanted to create a list of queer romances that rejected the white supremacist narrative in romance that centers whiteness, that demands white love interests and requires a translation of queer love between characters of color for white audiences. I wanted to find books by Black authors who, hopefully, wrote for readers of color.

What I found in this process was a mixed bag, as much of life is. On the downside, I found that I spent hours of my day clarifying fairly clear instructions, asking readers to verify that the authors and characters were Black and POC. I found that some people were disinterested in the idea of queer Black people and QPOC loving one another. I found that readers, writers and reviewers – many who jumped at the chance to make recommendation lists themselves – had become comfortable ignoring blackness. They considered it incidental or a box to check on the list of diversity brownie points. They were perfectly fine to tokenize Black authors and characters but were never challenged to consider why.

But the other, far better, thing I discovered was the wealth of queer romance written by Black authors. There was Black Romance and IR, polyamorous, m/m, and even the apparently elusive f/f romance. There were so many bisexual and pansexual characters! I found contemporary and historical and paranormal and urban. Certainly, there is room to grow in many areas, for instance so far there is only one trans Black romance recommendation (noted below) and ace spectrum representation is similarly lacking. In this moment, I choose to celebrate that the few books we have exist, but I hope for more.

There were many highs and lows in this process. I won’t pretend that I didn’t often wish I hadn’t decided to field the barrage of twitter notifications in a moment when I really should have given myself peace and quiet. Self-care is a thing I’m working on, especially now. But for all the new books and authors I and others discovered, I’ve decided that the exercise was worth it.

Below are a sample of books that emerged in the conversation, some I’ve read, some I’ve moved up my TBR and some I’m waiting impatiently to be released. These are books that remind me of the things that were true at the beginning of this all. I love being Black with every cell in my body. This is not incidental to me. And queer Black people are still PRECIOUS and CRUCIAL to my life and well-being.

Stud Representation!

Interracial Romance w/QPOC

F/F Romance

M/M Romance

Polyamory FTW!

For even more recommendations put together by Katrina, check out this list on Goodreads! (Blogger’s Note: Please do not add to this list anything that does not fit the above-stated requirements or I may do a murder.)


Katrina is a college professor by day who writes romances by weekend when her cats allow. She writes high heat, diverse and mostly queer erotic romances and erotica. She also likes sleep, salt-and-pepper beards, and sunshine.

She’s super active on twitter. Follow her: @katrinajax

*All links are affiliate, bringing a small percentage of each purchase back to the site (Amz = Amazon | Bks = Bookshop)

Exclusive Cover Reveal: Human Enough by E. S. Yu

Today on the site I’m excited to be revealing the cover for Human Enough by E.S. Yu, an m/m Paranormal Romance releasing October 7, 2019 from Ninestar Press that stars pansexual and gray-ace leads! Here’s the story:

When Noah Lau joined the Vampire Hunters Association, seeking justice for his parents’ deaths, he didn’t anticipate ending up imprisoned in the house of the vampire he was supposed to kill—and he definitely didn’t anticipate falling for that vampire’s lover.

Six months later, Noah’s life has gotten significantly more complicated. On top of being autistic in a world that doesn’t try to understand him, he still hunts vampires for a living…while dating a vampire himself. Awkward. Yet Jordan Cross is sweet and kind, and after braving their inner demons and Jordan’s vicious partner together, Noah wouldn’t trade him for the world.

But when one of Jordan’s vampire friends goes missing and Noah’s new boss at the VHA becomes suspicious about some of his recent cases, what starts off as a routine paperwork check soon leads Noah to a sinister conspiracy. As he investigates, he and Jordan get sucked into a deadly web of intrigue that will test the limits of their relationship—and possibly break them. After all, in a world where vampires feed on humans and humans fear vampires, can a vampire and a vampire hunter truly find a happy ending together?

And here’s the cover, designed by Natasha Snow!

Preorder here!

E.S. Yu is the author of EIDOLON, a queer science fiction featuring assassins, tech conspiracies, and mental health discussions. E.S. is a lifelong lover of speculative fiction, video games, and superheroes. The stories E.S. writes often reflect darkness and injustice, from the perspective of a multiply marginalized person, while always believing in the power of healing and hope for a happy ending. An immigration attorney in a past life, when not writing, E.S. can be found drinking a lot of green tea and, of course, thinking about her next novel.

Excerpt Reveal: Spellbound by Allie Therin

Historical romance fans, take note! Allie Therin’s Prohibition-era m/m, Spellbound, releases today, and if for any reason you’re on the fence about picking it up, we’ve got an excerpt to help you make the right choice!


To save Manhattan, they’ll have to save each other first… 


New York

Arthur Kenzie’s life’s work is protecting the world from the supernatural relics that could destroy it. When an amulet with the power to control the tides is shipped to New York, he must intercept it before it can be used to devastating effects. This time, in order to succeed, he needs a powerful psychometric…and the only one available has sworn off his abilities altogether.

Rory Brodigan’s gift comes with great risk. To protect himself, he’s become a recluse, redirecting his magic to find counterfeit antiques. But with the city’s fate hanging in the balance, he can’t force himself to say no.

Being with Arthur is dangerous, but Rory’s ever-growing attraction to him begins to make him brave. And as Arthur coaxes him out of seclusion, a magical and emotional bond begins to form. One that proves impossible to break—even when Arthur sacrifices himself to keep Rory safe and Rory must risk everything to save him.

Buy it: Amazon | B&N

Get your excerpt here!

Exclusive Excerpt (from Chapter 4):

Rory burst through the shop’s side door into the brownstone’s lobby, where a handful of people were smoking cigarettes and checking their mail. Ignoring them, he snatched up the party-line telephone and bit out the exchange and number for the operator.

The call was answered on the second ring. “This is Arthur Kenzie.”

Kenzie’s voice was deep and confident and he had a ritzy accent, like he hadn’t always lived in America. It was unquestionably sexy and that only pissed Rory off more. “You think `cause you got money you can stomp all over us?”

All heads in the lobby turned his way. In his ear, Kenzie sounded very unimpressed as he said, “I beg your pardon—”

“How dare you give Mrs. Brodigan that—that thing.”

There was a barely perceptible intake of breath. “Who is this?” Kenzie’s voice had gone sharp.

“We don’t appraise weapons!” Rory’s heated shout nearly sent his broken glasses tumbling off his face.

“Where’s Mrs. Brodigan?” Kenzie demanded. “Why do you know about the ring—”

“That’s no ring. Whatever that piece of hell is, you’re taking it back.”


“Keep your job, keep your money, and keep the hell away from us. You’ll get your monster back tomorrow and I better never hear your fucking name again.”

Rory slammed the receiver back on the cradle. He stood for a moment of righteous anger—then slumped as all the fight left him in a rush.

That…might have been a bit harsh.

He hunched his shoulders, conscious of every pair of eyes in the lobby staring at him. He slouched as small as he could and slunk away from the phone—

When it suddenly rang.

Rory froze. His gaze landed on the phone. It rang again, the long-long-short ring that meant a call for the antiques shop. And no one else in the lobby was moving, all eyes staring at him, so finally he swallowed hard and picked up the receiver. “Hello?”

“Don’t bother sending the ring back,” said Kenzie. “I’m coming to get it myself.”


About the Author: Allie Therin is a writer and avid reader of sci-fi, fantasy, and romance. She also is, or has been, a bookseller, an attorney, a Parks & Rec assistant, a boom operator, and a barista for one (embarrassing) day. She grew up in a tiny Pacific Northwest town with more bears than people, although the bears sadly would not practice Spanish with her.

When not researching odd questions for her 1920s romance series, she loves to connect with other readers and writers. Come say hi on GoodreadsTwitterFacebook or at allietherin.com