Just in time for spooky season, we’re thrilled to be revealing the cover of RoAnna Sylver’s newest release, the second arc of horror-paranormal romance mashup Stake Sauce, which is coming from Kraken Collective Books on Halloween!
Rep within includes: Polyamorous M/M, queerplatonic F/F, gray-ace and aro-spec MC, gay and bisexual dudes, lesbian and aroace ladies, physically disabled MC, trans MC, neurodivergent/mentally ill (autistic, PTSD, depression) MC, multiple fat love interests, nonbinary major characters, and you can find out more about the story here:
Act 2, In Which: Our friends, some old and some new, must awaken a powerful, centuries-old magical force – before an old enemy gets there first…
Life for Jude is finally getting back to normal – or as normal as it gets when your new boyfriend has fangs, your old maybe-boyfriend isn’t dead after all (and has even bigger fangs), and everyone’s scrambling to adjust their lives accordingly.
There’s enough to worry about without evil, ancient vampires closing in, preparing dark rituals, and threatening to undo everything Jude, Pixie, and their loved ones have built together. But as they’ve all seen, normal doesn’t tend to last for long. And it’s hard to shake the feeling that something’s missing.
But then, it seems like everybody’s missing somebody.
I am delighted to have Xan West back on the site today to reveal the cover of their newest Romance, which just happens to take place during Chanukah! Eight Kinky Nights is a kinky polyamorous f/f Romance releasing just in time for the holiday on December 16, 2019, and includes friends to lovers, roommates to lovers, kink lessons, seasoned romance and getting your groove back tropes, and polyamorous, gray ace, pansexual, Jewish, fat, autistic, and disabled representation. (More details in the tags.) Here’s the official blurb, with content warnings located here:Newly divorced stone butch Jordan moves into her friend Leah’s spare room, ready, at 49, to take on a new job and finally explore kink and polyamory. But moving to NYC during the holidays sends grief crashing through her, and Jordan realizes that when she isn’t solely focused on caring for others, her own feelings are unavoidable. Including her feelings for Leah.
51-year-old queer femme Leah, an experienced submissive kink educator who owns a sex shop, has recently come to terms with being gray ace and is trying to rework her life and relationships to honor that.
Leah has a brainstorm to help them both: she offers Jordan eight kink lessons, one for each night of Chanukah, to help Jordan find her feet as a novice dominant, and to create a structured space where Leah can work on more deeply honoring her own consent, now that she knows she’s gray ace.
She’d planned to keep it casual, but instead the experience opens cracks in the armor Leah’s been using to keep people at a distance and keep herself safe. Now she needs to grapple with the trauma that’s been impacting her life for years.
Can these two autistic queers find ways to cope with the changes they are making in their lives and support each other, as they build something new they hadn’t thought was possible?
And here’s the warm, lovely, kinky cover, illustrated by Hannah Zayit!
But wait, there’s more! Here’s an excerpt!
“So I had this idea and I wanted to see what you thought about it,” Leah said.
“Okay, I’m listening.”
“I was thinking about Chanukah, and had this idea for a present for you. You said you wanted to learn how to be a good dominant. I thought I could give you lessons, as your present. One lesson per night of Chanukah.”
Jordan felt her eyes go wide. She really had not been expecting that. “But, I thought you didn’t want to, so you told Iris to do it.” She hadn’t even decided to say that, had just blurted it out. It probably came out wrong. “I’m sorry. I don’t mean to sound ungrateful.”
“No, no it’s fine. I just want to make sure I understand what you meant. You thought I was rejecting you?”
“Well. Yeah. I mean, I’m used to it. You never took me to kink things. You didn’t really want me to go to your class. You seemed all weird after the party.”
“Oh, fuck. I’ve made a mess of this. I’m sorry. I didn’t take you to kink things because I was trying to be respectful of your vanilla-ness. Now that I know you’re kinky…I think I’ve been playing catch-up. I don’t change how I think of things very fast, you know that about me. So…I’ve acted all weird, not because I’m rejecting you, but because I’m awkward with change.”
“That’s the only thing that’s going on? Nothing else is making this weird?” Jordan wanted to be sure.
“Well, I think that’s the main thing that’s going on.”
“Uh huh.” Jordan knew there was something else.
“There’s this other thing I’ve been dealing with, and I’m still figuring out how to handle it. It might’ve had some splash over.”
“Okay. Do you want to tell me about it?”
“I’m not sure I have the words. But yeah I would, maybe. Though not right this minute.”
“Okay. So you really want to give me kink lessons? I don’t want you to feel obligated.”
“Yes, I really want to.”
“That would actually be great. It was okay getting stuff for my toybag with Iris, and I like her and everything, but if you were up for teaching me, I think that would feel…safer, if that makes sense?”
“Yeah, I get that. We have such a deep friendship, it could make a safer place to learn.”
Jordan nodded. “I trust you, and it feels better learning from another autistic person, honestly. You won’t expect me to learn in an allistic way.”
Leah grinned at her. “I definitely will not expect that. I didn’t even consider that aspect of this.”
“It feels like a big deal, for me anyway. I haven’t had the best learning experiences. You know that, you saw how hard college was for me.”
“Yep, I remember. So I was thinking about eight lessons, one per night, though eight nights in a row might be too much, so they can always be postponed.”
“How would you feel about a structure where I do some teaching, then we do a short scene where you get to practice what we covered? And then we could do follow-up, if you have questions or want feedback.”
“So a bit like where Iris taught me some safety stuff about clips, and then I got to try it out?”
“Yeah, but a bit more formal than that. I might even make a handout for the lesson, and it would be a bit longer, probably. Not quite so quick and dirty.”
“I do better if I get to practice, and a handout would help me, actually. I also get things better if you can lead me to realizing them myself, and help me connect to other things I know.”
“Okay, I can work with that. So it sounds like this is something you want to do, then?”
Jordan took several slow breaths and held the idea for a few moments, just to be sure. “Yes. This is a really wonderful present, Leah.”
“I want to be sure it doesn’t fuck things up with our friendship. You mean so much to me, Jordan. I don’t want this to ruin what we have. So we need to keep it strictly about learning, okay?” Leah’s voice was raw.
“I don’t want us to ruin what we have, either. It’s been thirty years, darlin’. We made it this far; I really think we’ll be okay. Our friendship might change, might have new layers to it, move slightly differently. But then, that’s already started, and it seems okay so far, yes?”
Leah nodded. “I might need you to reassure me about this,” she whispered, closing her eyes.
“I can do that. We have a solid foundation. I truly believe that. We’re just adding new aspects to what we already have. Sex, kink, romance…none of that is more important than friendship.” Jordan watched Leah’s face carefully to see how she reacted to the fact that she’d snuck the word romance in there. A small tentative smile grew on Leah’s face, like she was rolling the words around in her head, wanting to believe in them. She definitely didn’t seem to object to the word. Jordan would just leave it there, for now.
Eight Kinky Nights is available for preorder from Gumroad and Amazon and releases December 16, 2019!
Xan West is the nom de plume of Corey Alexander, an autistic queer fat Jewish genderqueer writer with multiple disabilities who spends a lot of time on Twitter.
Xan’s erotica has been published widely, including in the Best S/M Erotica series, the Best Gay Erotica series, and the Best Lesbian Erotica series. Xan’s story “Trying Submission,” won the 2018 National Leather Association John Preston Short Fiction Award. Their collection of queer kink erotica, Show Yourself to Me, will be rereleased soon.
After over 15 years of writing and publishing queer kink erotica short stories, Xan has begun to also write longer form queer kink romance. Their recent work still centers kinky, trans and non-binary, fat, disabled, queer trauma survivors. It leans more towards centering Jewish characters, ace and aro spec characters, autistic characters, and polyamorous networks. Xan has two other queer kink romances currently available: Nine of Swords, Reversed and Their Troublesome Crush.
Today on the site I’m excited to be revealing the cover for Human Enough by E.S. Yu, an m/m Paranormal Romance releasing October 7, 2019 from Ninestar Press that stars pansexual and gray-ace leads! Here’s the story:
When Noah Lau joined the Vampire Hunters Association, seeking justice for his parents’ deaths, he didn’t anticipate ending up imprisoned in the house of the vampire he was supposed to kill—and he definitely didn’t anticipate falling for that vampire’s lover.
Six months later, Noah’s life has gotten significantly more complicated. On top of being autistic in a world that doesn’t try to understand him, he still hunts vampires for a living…while dating a vampire himself. Awkward. Yet Jordan Cross is sweet and kind, and after braving their inner demons and Jordan’s vicious partner together, Noah wouldn’t trade him for the world.
But when one of Jordan’s vampire friends goes missing and Noah’s new boss at the VHA becomes suspicious about some of his recent cases, what starts off as a routine paperwork check soon leads Noah to a sinister conspiracy. As he investigates, he and Jordan get sucked into a deadly web of intrigue that will test the limits of their relationship—and possibly break them. After all, in a world where vampires feed on humans and humans fear vampires, can a vampire and a vampire hunter truly find a happy ending together?
E.S. Yu is the author of EIDOLON, a queer science fiction featuring assassins, tech conspiracies, and mental health discussions. E.S. is a lifelong lover of speculative fiction, video games, and superheroes. The stories E.S. writes often reflect darkness and injustice, from the perspective of a multiply marginalized person, while always believing in the power of healing and hope for a happy ending. An immigration attorney in a past life, when not writing, E.S. can be found drinking a lot of green tea and, of course, thinking about her next novel.
Well I can certainly think of some underrepresented readers who are gonna be psyched at today’s cover reveal! Check out the details on what you’ll find in Blood-Bound, the new paranormal romance coming from Kaelan Rhywiol via Ninestar Press on June 11th:
Rhian is a pwca. A Welsh shapeshifter bound as an assassin to the Dark God Arawn.
She’s content in her life, so when he assigns her as ambassador to oversee Ontario for him, it’s a shock. Her new job? To find out who murdered her predecessor and bring them to justice, oversee the otherkin and clean up their messes before the humans find them.
All to preserve the illusion that magic and supernatural creatures do not exist.
The problem? One of the otherkin she’s supposed to oversee is her estranged husband, Kai. Kai was a Spanish-Moorish singer, thief, and whore when they met three hundred years ago. He made his living on the streets and taught her what love really was. They didn’t part well.
Now he’s a centuries old vampire and she’s his boss.
Kai is the only person Rhian has never regretted having sex with, and the only one she can’t forgive. Rhian’s vow to her god forbids her from splitting her loyalty, but being around Kai makes her realize it’s been split all along.
A vow to a dark god, or the love of her life and the only sex she’s never regretted having?
Aaaaand here’s the cover, designed by the inimitable Natasha Snow!
Kaelan Rhywiol was born and raised in the Adirondack mountains of Upstate NY, US. Xie currently lives in Southern Ontario, Canada with xyr husband of 19 years, their two kids, three cats and a grumpy chinchilla. Xie is not currently represented by an agent, and while not actively searching for one, if the right one offered would consider it. Xie is published through Multifarious Press, a small, independent press devoted to diversity. Xie has a paranormal romance upcoming from NineStar Press on May 21st, 2018 featuring own voices demisexuality, non-binary, mixed-race rep, touch aversion, gray aromanticism, kink, and bi/pansexuality.
Xie works as a freelance editor for small, independent presses and private clients. Xie does inexpensive cover art for independent authors and is an authenticity reader for autism, rape survival, mixed-race rep, polyamory, kink, chronic pain, and mental illness (anxiety, depression).
All historical, all queer, all out! This new anthology, edited by Saundra Mitchell, just released from Harlequin Teen and contains a host of queer historical stories by so many faves! (And also me!) Thankfully, many of those faves agreed to share a little about their stories here, so check it out, make good use of those buy links, and enjoy!
(Photographs are mine.)
Take a journey through time and genres and discover a past where queer figures live, love and shape the world around them. Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens.
From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.
“Roja” began as a reimagining of the story of Leonarda Emilia, better known as La Carambada, the legendary Mexican outlaw who flashed her breasts at the rich men she robbed, so they would know without a doubt that they’d been bested by a woman. But along the way, my imagining of La Carambada wandered, as my stories often do, into the realm of fairy tale. My Emilia became a Mexican version of Little Red Riding Hood. The Wolf emerged as a transgender French soldier who garners his own fierce reputation. The forbidding woods became the hills of Mexico in the 1870s, a country in the aftermath of a brutal war.
Maybe the Frenchman the real Leonarda Emilia loved wasn’t a transgender soldier. Maybe most people don’t think of a Mexican girl when they imagine Little Red Riding Hood. But for the time it took me to write “Roja,” I got to imagine both Red and La Carambada as both queer and Latina. Writing “Roja” made these stories feel like they belonged to girls like me.
Natalie C. Parker, “The Sweet Trade”
I am a life-long fan of pirate stories, historical and fictional. As a kid, I believed that the only people who became pirates were boys and men. This was certainly what I’d learned from history—Blackbeard and Calico Jack—and definitely what was reflected in fiction—Long John Silver and Captain Hook. When I finally discovered that girls and women were also a part of the historical narrative (Anne Bonny! Madame Cheng!), I immediately wanted to find their reflection in fiction. They are there, but those who land in the adventure tend to find themselves sidetracked to the adventures of boys and are rarely queer in any way.
I wrote “The Sweet Trade” because I wanted to see queer girls choosing adventure and choosing each other. I wanted to explore the origin story of two girls breaking away from the expectations of others and striking out on their own. In that way, it’s sort of a pre-pirate story, the opening gambit in what will surely be a grand adventure.
Nilah Magruder, “And They Don’t Kiss at the End”
It’s all in the title, really. I wrote “And They Don’t Kiss at the End” because I needed a story with no kissing. Romance and sex always made me a little uncomfortable, not just in practice, but in theory. I ran from declarations of love and admiration from friends. I scrunched my face and turned away when the guy got the girl in movies. I thought I was a “late bloomer” when this aversion persisted into adulthood. I kept waiting to meet “the one” to cure my indifference, and they never came. This story is an exploration of asexuality in the 1970’s, at a time when terminology to describe asexuality was still being formed. It was a chance for me to imagine different choices than the ones I made in my youth. Getting to gush about Pride & Prejudice with roller skating as a backdrop was also a plus.
Dahlia Adler, “Molly’s Lips”
I used to fear writing short stories because I didn’t know how to make them feel like a complete story without death. I’ve grown since then, but death is still very much present in “Molly’s Lips”— specifically, that of Kurt Cobain, deceased frontman of my favorite band, Nirvana; the story is set at his big vigil in Seattle on April 10, two days after his body was found. And it isn’t about girls falling in love; they’ve already fallen. It’s about finding the voice, the confidence, the words to share those feelings, and the bravery they were given by someone who had the courage to push back against bigotry in his fandom. It’s also a love story with its own built-in soundtrack; what could be better than that?
Mackenzi Lee, “Burnt Umber”
My family is from the Netherlands–my dad grew up in a Dutch farming community in Iowa, my last name (which is not Lee) is very long and starts with a Van, and I have a fondness for all poetry from Delft. When this anthology invitation came my way, I was about to go to Amsterdam to research a different writing project. While there, my already-existing fascination with Dutch art from the Golden Age became an obsession. I wanted to know all about painting, why these paintings existed, what it took to become a master painter and the commodification surrounding art and masterpieces. Art that, in its day was considered commercial trash is now hanging in galleries people from all over the world visit. It was all a lot of information that had no place in the book about flowers I was researching, and I wasn’t sure I’d ever get to use it. But when I visited Rembrandt’s studio in Holland, I knew I wanted to write something set in the Dutch art world and this story was a perfect opportunity.
One of my favorite things to do in my writing is take the tropes of historical or genre narratives and give them to queer characters. This story is “draw me like one of your French girls” from Titanic. It’s Girl with the Pearl Earring. It’s the Vincent Van Gogh episode of Dr. Who. But it’s two boys, an artist’s studio, a significant lack of clothing, and a whole lot of awkward teenage crush.
Alex Sanchez, “The Secret Life of the Teenage Boy”
“The Secret Life of a Teenage Boy” takes place in 1969, when I was a teen bursting with romantic yearning. Although I was aware of my attraction toward other boys, I had no positive words to put to those intimate feelings—only negative slurs. People rarely spoke openly or honestly about sex. Homosexuality was considered a mental disorder. Acting on it was a criminal offense. I didn’t know of any openly gay people. The term “gay” had barely even come into use. In my teenage isolation, I fantasized for hours about a strong handsome young guy who would swoop into my life and carry me away to a place where we could be free to love each other. This story is a reminiscence of what it was like to live in that time and place, yearning for a life and a world that would take years to come.
Kate Scelsa, “The Coven”
Since I started working on my theater company’s adaptation of Hemingway’s “The Sun Also Rises” back in 2010, I’ve done a lot of reading about Hemingway and his peers in Paris in the 20’s, and something that’s always fascinated me was Hemingway’s relationship with Gertrude Stein and this whole community of lesbians that he used to hang out with. The vision of Gertrude Stein as a kind of den mother has always appealed to me, so I wanted to give her that role with two young women who were still figuring out who they were to each other. And then of course Hemingway himself needed to make an appearance. And, yes, there are witches.
Tess Sharpe, “The Girl With the Blue Lantern”
I grew up in Gold Rush country, in the shadow of a mountain that has many stories and myths attached to it. I also grew up writing Sci-Fi and Fantasy instead of the contemporary mysteries and thrillers I write now, so being able to create a historical fantasy piece was a special treat.
People still make a living pulling gold from the water and dirt in my childhood county. I’ve panned little flakes and tiny nuggets out of the creek that snakes through our homestead myself. Gold has been a strong motivator for many things throughout our history: war, destruction, greed, murder, exploitation, exploration, colonization.
But in “The Girl with the Blue Lantern,” gold leads us to a very different place: love. A story of escape and acceptance, of gold sprites, and of one very silly dog named Virgil.
Kody Keplinger, “Walking After Midnight”
“Walking After Midnight”is, at it’s core, a love letter to the trope of “two strangers meet and walk around talking all night.” I’m a sucker for stories like Before Sunrise, and I thought it would be fun to explore that sort of narrative between two young queer women. Betsey is an actress who hasn’t quite made the leap from child star to leading lady the way someone like Elizabeth Taylor did. Laura is a waitress at her family’s diner and isn’t sure she’ll ever escape her small town. I loved exploring these girls’ opposing situations, their hopes and fears. And getting to write about Betsey, whom I’d describe as gray-asexual, was a joy. Plus, I mean, I got to use all the things I’ve learned from the You Must Remember This podcast to good use!
Tessa Gratton, “Three Witches”
As a queer “recovering” Catholic and occasionally practicing witch, I’ve for years been aware of the threads of desire that can be found in medieval Catholic writing. Usually it’s desire for heaven or Christ’s touch, especially to the nuns considered to be “married” to Christ, but often this desire surpasses the flesh in queer ways, especially in the writings of the female mystics like St. Teresa of Avila. In “Three Witches” I wanted to explore the desire embedded in the prayers and explorations of medieval nuns, as well as the inherent conflict between desire and purity in the imagery and words associated with the Virgin Mary. The Inquisition was the strongest political force in Spain during the 15th century, hunting predominantly Jewish people and Muslims, but also available to excise anything unwanted from the Church. Including “unnatural” desire.
That’s all to say: I wanted to write a sexy, difficult story about two girls falling in love (and in lust) while grappling with what they’re told they should desire. And I wanted to write about witches.
Sara Farizan, “The End of the World as We Know It”
I know 1999 is a year that should not belong in a historical fiction anthology, but it was almost twenty years ago! I wanted to write a story that took place at the end of the twentieth century and encapsulated some of the hopes and fears people had going into the new century. Ezgi and Katie, two life- long best friends who have a strained relationship, also have their own hopes and fears for the future that come to light on New Year’s Eve while watching MTV’s countdown to midnight. When you think the world might come to an end, and tomorrow might mean the end of civilization as you know it (Y2K, man. What a trip), you have to hold on to the people you care about most, no matter how scary or daunting that may seem.
I love magic. And what’s more magical than finding love in an unexpected place? “The Inferno and the Butterfly” was a story I’ve been dying to tell. I’ve always been fascinated by stage magicians, and though Alfie and Wilhelm might be the assistants, they’re the ones performing the real magic.