Hazel’s Theory of Evolution by Lisa Jenn Bigelow
Rick by Alex Gino
The One Who Loves You Most by medina
A-Okay by Jarad Greene
The Trouble with Robots by Michelle Mohrweis
Author-illustrator of LOVE, MAMA Jeanette Bradley’s SOMETHING GREAT, about a nonbinary maker kid who uses their creativity and some recyclable materials to craft a versatile invention that can do all sorts of things—including make a friend, to Arthur Levine at Levine Querido, in a pre-empt, for publication in spring 2023, by Emily Mitchell at Wernick & Pratt Agency (world).
Actor and Stonewall Honor-winning author of THE BEST AT IT Maulik Pancholy’s NIKHIL OUT LOUD, about a gay Indian American boy, the star of a hit animated series, who learns the power of using his own voice after his family relocates to a small town in Ohio, to Alessandra Balzer at Balzer & Bray, in an exclusive submission, for publication in fall 2022, by Jessica Regel at Helm Literary (NA).
Author of the National Book Award finalist and Printz Honoree EVERY BODY LOOKING and the forthcoming BREAK THIS HOUSE Candice Iloh’s SALT THE WATER, a novel-in-verse about a free-spirited genderfluid teen who drops out of twelfth grade after a confrontation with a teacher, but when a family crisis forces them to suddenly take on immense adult responsibilities, their dreams of living life off the grid with their friends crash into the harsh realities of a world full of roadblocks at every turn, to Andrew Karre at Dutton Children’s, for publication in 2023, by Patricia Nelson at Marsal Lyon Literary Agency (world English).
Rod Pulido’s CHASING PACQUIAO, in which a boy is trying to navigate his way out of the closet when his personal idol, Filipino boxer Manny Pacquiao, makes a statement denigrating all gay people, forcing him on a journey to self-acceptance as he learns what happens when your heroes let you down, to Jenny Bak at Viking Children’s, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world English).
Ashley Shuttleworth’s books three and four in the Hollow Star Saga, in which four people will either become legends of the mortal realm, or the villains responsible for its ruin, to Sarah McCabe at Margaret K. McElderry Books, in a two-book deal, for publication in spring 2022, by Mandy Hubbard at Emerald City Literary Agency.
Author of M.F.K. and the forthcoming REEL LOVE Nilah Magruder’s HEX AND HAVOC, following two girls in a caste-based magical society as they fall in love and spark a revolution, illustrated by Sonia Liao, to Stephanie Guerdan at Harper Children’s, in a two-book deal, for publication in summer 2023, by Tricia Lawrence at Erin Murphy Literary Agency for the author (world).
Fiction editor at The Ana Literary Magazine and author of The Marked Ones: Uprising THE AZIZA CHRONICLES, a queer Afrocentric YA in which a teenage girl discovers the father she never knew belongs to a race of mythical African warriors, and she must use her newfound powers to battle supernatural evils, to Craig Gibb at Deep Hearts, for publication in the fall of 2022.‘s
Author of CAN’T TAKE THAT AWAY and cofounder of the Pride Book Fest A SUPERCUT OF US, pitched as Jandy Nelson’s I’LL GIVE YOU THE SUN meets Dawson’s Creek, a dual-POV novel about twins who must learn to navigate what’s next after their incarcerated father dies and a half-brother they never knew existed moves to their Adirondack lakeside town, to Allison Moore at Bloomsbury Children’s, for publication in 2023, by Jessica Regel at Helm Literary (NA).‘s
Clive Hawken’s WALKER, in which a transgender teenager hits the road in search of a Sasquatch-esque monster in this debut that explores the complexities of otherness and connection, to Mark Podesta at Holt Children’s, for publication in 2024, by Alexander Slater at Trident Media Group (world).
Senior editor at The Yale Review and NYU MFA graduate Maggie Millner’s COUPLETS, a hybrid novel-in-verse following a writer in her late 20s who leaves her longtime boyfriend for an obsessive, consuming affair with another woman; an exploration of queerness, desire, and mirroring, told in rhyming couplets and prose vignettes, to Molly Walls at Farrar, Straus, in a nice deal, by Marya Spence at Janklow & Nesbit (world).
Author of EVERYBODY (ELSE) IS PERFECT Gabrielle Korn’s THE DAUGHTERS OF INSIDE, a queer dystopian novel of suspense set 30 years in the future that follows a young woman accepted to an exclusive climate change relief program that promises to be humanity’s best hope for survival, but proves to be something else entirely when a reclusive billionaire with an ulterior motive takes control, to Hannah O’Grady at St. Martin’s, by Nicki Richesin at Wendy Sherman Associates (world).
Writer, filmmaker, and animator Marcus Kleiwer’s WE USED TO LIVE HERE, about a queer couple who moves into a new house and is soon visited by a family who used to live there, as seen in the viral story from Reddit’s r/NoSleep, to Emily Bestler Books, in a major deal, in a pre-empt.
Finnish author, Finlandia Prize winner, scriptwriter, and theatre director Pirkko Saisio’s THE RED LETTER OF FAREWELL, a portrayal of the 1970s Finland, the politically turbulent era, as well as finding one’s sexual identity and creative voice, to CJ Evans at Two Lines Press, in a nice deal, in a pre-empt, for publication in fall 2022, by Urpu Strellman and Urte Liepuoniute at Helsinki Literary Agency (US).
Mindi Briar’s ADRIFT IN STARLIGHT, in which a gender-neutral courtesan is hired to seduce an asexual museum archeologist, and both are accidentally caught up in an illegal adventure when one of the museum’s alien artifacts comes to life, to Lisa Green at City Owl Press, in a nice deal, for publication in May 2022.
Author of COTTONMOUTHS Kelly Ford’s BAD AS ALL THAT, a queer suspense in which a woman returns to her Arkansas hometown to face potentially deadly consequences 25 years after her violent stepfather disappeared, to Jessica Tribble Wells at Thomas & Mercer, at auction, in a two-book deal, for publication in summer 2022, by Chris Bucci at Aevitas Creative Management (world).
MAGIC, LIES, AND MURDER PIES, pitched as Pushing Daisies meets Dexter, about a bisexual baker whose mission to protect wronged women by delivering deadly pies to their abusers is threatened by a blackmailer from her past, to Faith Black Ross at Crooked Lane, in a two-book deal, for publication in spring 2022, by Rebecca Podos at Rees Literary Agency (world).‘s
RED, a genre-bending queer feminist Western pitched as True Grit meets Sarah Waters, following a young woman’s transformation from forlorn orphan to successful prostitute to revenge-seeking gunfighter, exploring desire, loyalty, power, and chosen family, to Kate Ballard at Allen & Unwin UK, at auction, by Jennifer Helinek at Trident Media Group on behalf of Alexa Stark (UK/Commonwealth, excl. Canada).‘s
YA author of The Bone Witch trilogy SILVER UNDER NIGHTFALL, a queer Gothic fantasy pitched as inspired by Castlevania, following a troubled bounty hunter who must join forces with a royal vampire couple to stop a terrifying new vampiric breed from destroying the kingdom, to Amara Hoshijo at Saga Press, in a pre-empt, in a two-book deal, for publication in spring 2023, by Rebecca Podos at Rees Literary Agency (world English).‘s
Author of DETRANSITION, BABY Torrey Peters’s INFECT YOUR FRIENDS AND LOVED ONES, a quartet of taboo-busting novellas that explore the far edges of trans identities across four genres—dystopian, romance, horror, and historical, to Caitlin McKenna at Random House, by Kent Wolf at Neon Literary. UK rights to Leonora Craig Cohen at Serpent’s Tail, by Caspian Dennis at Abner Stein, on behalf of Neon Literary.
Pioneering feminist sex educator and author of OPENING UP Tristan Taormino’s A PART OF THE HEART CAN’T BE EATEN, a look at the author’s coming of age, revealing how the roots of her radical sexual identity and career grew out of an extraordinary queer father/daughter relationship, to Dean Smith at Duke University Press, with Ken Wissoker editing, for publication in fall 2022, by Andrew Blauner at Blauner Books Literary Agency (world).
Two-time National Book Award Finalist QUEER DUCKS (AND OTHER ANIMALS), a conversational, funny, teen-facing exploration of the recent explosion of scientific research into same-sex sexual behavior in animals, investigating the diversity of sexual expression in nature, arguing along the way that queer behavior in animals is as diverse and complex–and as natural–as it is in our own species, to Ben Rosenthal at Harper Children’s, by Richard Pine at Inkwell Management (NA).‘s
Author of ORPHEUS GIRL and Donald Hall Poetry Prize winner Brynne Rebele-Henry’s PRELUDE, a poetry collection that explores the gay female experience through the girlhood of Saint Catherine of Siena, to Peter Kracht at University of Pittsburgh Press, for publication in spring 2022, by Alexandra Franklin at Vicky Bijur Literary Agency (world English).
Book Riot contributor and writer of their monthly horoscopes and book recommendations column QUEERLY BELOVED, a queer debut rom-com set in Tulsa, Oklahoma that follows semi-closeted baker and bridesmaid-for-hire Amy’s search for Happily Ever After — with the new mysterious lesbian in town, of course, but most importantly, with herself, to Katy Nishimoto at Dial Press, in an exclusive submission, by Jamie Carr at The Book Group (world).‘s
Liz Bowery’s COVER STORY, a hate-to-love queer rom-com pitched as The West Wing meets RED, WHITE & ROYAL BLUE by way of THE HATING GAME, in which a viral photo forces two ruthless political staffers to fake a relationship to save their presidential candidate’s campaign, to Emily Ohanjanians at Mira, by Laura Zats at Headwater Literary Management (world English).
NYU MFA graduate ACTS OF SERVICE, following a young queer woman’s consuming affair with a straight couple, a dangerous arrangement that forces her to interrogate her own desire and complicity; an examination that cuts to the heart of modern sexuality, power, politics and moral responsibility, to Parisa Ebrahimi at Hogarth, in a pre-empt, by Dan Kirschen at ICM (NA).‘s
Griffin Prize-winning poet and scholar A MINOR CHORUS, about an unnamed narrator who abandons his unfinished thesis to return to his hometown, where he has a series of intimate encounters with friends, lovers, and elders that brings the modern queer and Indigenous experience into sharp relief, to David Ross at Hamish Hamilton Canada, at auction, in a two-book deal, for publication in fall 2022, by Stephanie Sinclair at CookeMcDermid (Canada).‘s
2019 Lambda Fellow THE UNFORTUNATES, pitched in the vein of LUSTER, QUEENIE, and MY YEAR OF REST AND RELAXATION, about a queer, half-Nigerian college student enraged and exhausted by the racism, tokenism, and indifference to the Black experience at her elite college, who pens a no-holds barred thesis (“to my advisors: Mr. White Supremacy, Mr. Capitalism, Ms. Racism”) documenting her search for the truth about The Unfortunates, an unlucky subset of her Black classmates who keep dying at the hands of white supremacy, to Millicent Bennett at Houghton Mifflin Harcourt, in a pre-empt, for publication in spring 2022, by Larissa Melo Pienkowski at Jill Grinberg Literary Management (world, excl. UK).‘s
Zoe Sivak’s SEASON OF ASHES, about a biracial woman who flees to Paris following the start of the Haitian Revolution and into the inner circle of Robespierre and his mistress, where she must contend with her place in both uprisings, to Jen Monroe at Berkley, in a pre-empt, by Amy Elizabeth Bishop at Dystel, Goderich & Bourret (world).
McDuffie Diversity Award-winning author of M.F.K. ‘s REEL LOVE, based on the author’s experiences embracing being asexual, the graphic novel follows a young woman who goes on a summer trip to the Blue Ridge Mountains where she develops a passion for fishing, meets a boy, and learns there’s no getting away from growing up and from facing her questions about identity and love, to Polo Orozco at Random House Children’s, in a major deal, at auction, in a two-book deal, for publication in fall 2023, by Patrice Caldwell at New Leaf Literary & Media (world English).
Editor at ACC Art Books B.L. Radley’s STRICTLY NO HEROICS, a queer adventure love story pitched as Dumplin’ meets Deadpool, about a teen without powers trying to survive and find justice and love in a world filled with superheroes and villains, to Holly West at Feiwel and Friends, at auction, for publication in winter 2023, by Beth Marshea at Ladderbird Literary Agency.
Ciera Burch’s THE INEVITABILITY OF HOME, in which a Black girl is forced to meet her estranged, dying grandmother all while grappling with ancestral ghosts, a girl who wants to be more than friends, and a trove of secrets; pitched as perfect for fans of Nina LaCour and Jesmyn Ward, to Elizabeth Lee at Farrar, Straus Children’s, in a good deal, in a pre-empt, in a two-book deal, for publication in winter 2023, by Patrice Caldwell at New Leaf Literary & Media (world English).
Author of RULES FOR VANISHING Kate Alice Marshall’s THESE FLEETING SHADOWS, a queer supernatural in which a girl inherits her ancestral home, only to discover that a dark presence lurks within it—and within herself; with the help of the young woman, she must unlock the house’s secrets and her own if she wants to survive, to Maggie Rosenthal at Viking Children’s, in a good deal, in a two-book deal, for publication in 2022, by Lauren Spieller at TriadaUS Literary Agency (NA).
Brian Kennedy’s debut A LITTLE BIT COUNTRY, in which two boys—one who wants to be the biggest openly gay country music superstar, and one who, as the grandson of a faded Nashville star, hates country music more than anything—fall for each other while working at a Dollywood-esque theme park, to Kristin Daly Rens at Balzer & Bray, in a good deal, at auction, by Lauren Spieller at TriadaUS Literary Agency (world English).
Author of HOT DOG GIRL and VERONA COMICS Jennifer Dugan’s COVEN, in which a young witch must leave sunny California for dreary upstate New York after members of her coven are murdered under mysterious circumstances, illustrated by Kit Seaton, to Stephanie Pitts at Putnam Children’s, for publication in the fall of 2022, by Brooks Sherman at Janklow & Nesbit for the author, and by Ben Grange at L. Perkins Agency for the illustrator (world).
Author of WHO I WAS WITH HER and Lambda Literary Writer’s Retreat fellow THE SONG I SANG UNCARING, set during the Swingjugend movement in 1930s and 1940s Berlin, centering around a girl who finds herself swept up in the culture and the resistance while falling for another girl in the middle of it all, again to Catherine Wallace at Harper Teen, for publication in summer 2022, by Eric Smith at P.S. Literary Agency (world English).‘s
Patrice Caldwell’s WHERE SHADOWS REIGN, set in the aftermath of a war between vampires, humans, and the gods that created them, in which a vampire princess teams up with a seer, who only has visions of death, to journey to the island of the dead—a mythical place where all souls go at their end—to save her kidnapped best friend, to Vicki Lame at Wednesday Books, in a good deal, at auction, in a two-book deal, for publication in fall 2022, by Sara Megibow at kt literary (NA).
Author of the forthcoming IN DEEPER WATERS F.T. Lukens’s HOW TO SURVIVE EVER AFTER, pitched as Dungeons & Dragons meets CARRY ON, in which a group of teenagers, having just completed a quest to save their kingdom, now need to figure out what comes next while their de facto leader is accidentally crowned king and is caught up in a curse that requires him to find his soulmate before he turns 18, to Kate Prosswimmer at Margaret K. McElderry Books, in a nice deal, in an exclusive submission, for publication in spring 2022, by Eva Scalzo at Speilburg Literary Agency.
Activist, artist, filmmaker, and scholar MARSHA: THE BEAUTY AND DEVIANCE OF MARSHA P. JOHNSON, a biography of the legendary Black trans activist whose role in the 1969 Stonewall riots sparked the gay liberation movement, and whose fabulous, fearless life as a colorful trans woman still inspires the current wave of LGBTQ protests, to Amber Oliver at Tiny Reparations Books, at auction, for publication in fall 2022, by Georgia Frances King and Bridget Wagner Matzie at Aevitas Creative Management (world).‘s
Culture columnist at Longreads Jeanna Kadlec’s HERETIC, a memoir in essays on life after leaving the evangelical church, queerness, and what faith looks like in the face of millennial loneliness and desire for community and meaning—all in light of the hold evangelicalism has on American politics, power structures, and pop culture, to Jenny Xu at Houghton Mifflin Harcourt, at auction, by Dana Murphy at The Book Group (world).
Former senior editor at Out Lester Fabian Brathwaite’s RAGE: THE EVOLUTION OF A BLACK QUEER BODY IN AMERICA, a collection of essays about how his search for love thrust him into the crosshairs of a potent and specific brand of racism, converting his trauma into a weapon and critiquing the evolution of his Black queer consciousness, to Amber Oliver at Tiny Reparations Books, by Robert Guinsler at Sterling Lord Literistic (world).
All historical, all queer, all out! This new anthology, edited by Saundra Mitchell, just released from Harlequin Teen and contains a host of queer historical stories by so many faves! (And also me!) Thankfully, many of those faves agreed to share a little about their stories here, so check it out, make good use of those buy links, and enjoy!
(Photographs are mine.)
Take a journey through time and genres and discover a past where queer figures live, love and shape the world around them. Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens.
From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.
I’m delighted to have a number of the contributors sharing a bit about their stories!
Anna-Marie McLemore, “Roja”
“Roja” began as a reimagining of the story of Leonarda Emilia, better known as La Carambada, the legendary Mexican outlaw who flashed her breasts at the rich men she robbed, so they would know without a doubt that they’d been bested by a woman. But along the way, my imagining of La Carambada wandered, as my stories often do, into the realm of fairy tale. My Emilia became a Mexican version of Little Red Riding Hood. The Wolf emerged as a transgender French soldier who garners his own fierce reputation. The forbidding woods became the hills of Mexico in the 1870s, a country in the aftermath of a brutal war.
Maybe the Frenchman the real Leonarda Emilia loved wasn’t a transgender soldier. Maybe most people don’t think of a Mexican girl when they imagine Little Red Riding Hood. But for the time it took me to write “Roja,” I got to imagine both Red and La Carambada as both queer and Latina. Writing “Roja” made these stories feel like they belonged to girls like me.
Natalie C. Parker, “The Sweet Trade”
I am a life-long fan of pirate stories, historical and fictional. As a kid, I believed that the only people who became pirates were boys and men. This was certainly what I’d learned from history—Blackbeard and Calico Jack—and definitely what was reflected in fiction—Long John Silver and Captain Hook. When I finally discovered that girls and women were also a part of the historical narrative (Anne Bonny! Madame Cheng!), I immediately wanted to find their reflection in fiction. They are there, but those who land in the adventure tend to find themselves sidetracked to the adventures of boys and are rarely queer in any way.
I wrote “The Sweet Trade” because I wanted to see queer girls choosing adventure and choosing each other. I wanted to explore the origin story of two girls breaking away from the expectations of others and striking out on their own. In that way, it’s sort of a pre-pirate story, the opening gambit in what will surely be a grand adventure.
Nilah Magruder, “And They Don’t Kiss at the End”
It’s all in the title, really. I wrote “And They Don’t Kiss at the End” because I needed a story with no kissing. Romance and sex always made me a little uncomfortable, not just in practice, but in theory. I ran from declarations of love and admiration from friends. I scrunched my face and turned away when the guy got the girl in movies. I thought I was a “late bloomer” when this aversion persisted into adulthood. I kept waiting to meet “the one” to cure my indifference, and they never came. This story is an exploration of asexuality in the 1970’s, at a time when terminology to describe asexuality was still being formed. It was a chance for me to imagine different choices than the ones I made in my youth. Getting to gush about Pride & Prejudice with roller skating as a backdrop was also a plus.
Dahlia Adler, “Molly’s Lips”
I used to fear writing short stories because I didn’t know how to make them feel like a complete story without death. I’ve grown since then, but death is still very much present in “Molly’s Lips”— specifically, that of Kurt Cobain, deceased frontman of my favorite band, Nirvana; the story is set at his big vigil in Seattle on April 10, two days after his body was found. And it isn’t about girls falling in love; they’ve already fallen. It’s about finding the voice, the confidence, the words to share those feelings, and the bravery they were given by someone who had the courage to push back against bigotry in his fandom. It’s also a love story with its own built-in soundtrack; what could be better than that?
Mackenzi Lee, “Burnt Umber”
My family is from the Netherlands–my dad grew up in a Dutch farming community in Iowa, my last name (which is not Lee) is very long and starts with a Van, and I have a fondness for all poetry from Delft. When this anthology invitation came my way, I was about to go to Amsterdam to research a different writing project. While there, my already-existing fascination with Dutch art from the Golden Age became an obsession. I wanted to know all about painting, why these paintings existed, what it took to become a master painter and the commodification surrounding art and masterpieces. Art that, in its day was considered commercial trash is now hanging in galleries people from all over the world visit. It was all a lot of information that had no place in the book about flowers I was researching, and I wasn’t sure I’d ever get to use it. But when I visited Rembrandt’s studio in Holland, I knew I wanted to write something set in the Dutch art world and this story was a perfect opportunity.
One of my favorite things to do in my writing is take the tropes of historical or genre narratives and give them to queer characters. This story is “draw me like one of your French girls” from Titanic. It’s Girl with the Pearl Earring. It’s the Vincent Van Gogh episode of Dr. Who. But it’s two boys, an artist’s studio, a significant lack of clothing, and a whole lot of awkward teenage crush.
Alex Sanchez, “The Secret Life of the Teenage Boy”
“The Secret Life of a Teenage Boy” takes place in 1969, when I was a teen bursting with romantic yearning. Although I was aware of my attraction toward other boys, I had no positive words to put to those intimate feelings—only negative slurs. People rarely spoke openly or honestly about sex. Homosexuality was considered a mental disorder. Acting on it was a criminal offense. I didn’t know of any openly gay people. The term “gay” had barely even come into use. In my teenage isolation, I fantasized for hours about a strong handsome young guy who would swoop into my life and carry me away to a place where we could be free to love each other. This story is a reminiscence of what it was like to live in that time and place, yearning for a life and a world that would take years to come.
Kate Scelsa, “The Coven”
Since I started working on my theater company’s adaptation of Hemingway’s “The Sun Also Rises” back in 2010, I’ve done a lot of reading about Hemingway and his peers in Paris in the 20’s, and something that’s always fascinated me was Hemingway’s relationship with Gertrude Stein and this whole community of lesbians that he used to hang out with. The vision of Gertrude Stein as a kind of den mother has always appealed to me, so I wanted to give her that role with two young women who were still figuring out who they were to each other. And then of course Hemingway himself needed to make an appearance. And, yes, there are witches.
Tess Sharpe, “The Girl With the Blue Lantern”
I grew up in Gold Rush country, in the shadow of a mountain that has many stories and myths attached to it. I also grew up writing Sci-Fi and Fantasy instead of the contemporary mysteries and thrillers I write now, so being able to create a historical fantasy piece was a special treat.
People still make a living pulling gold from the water and dirt in my childhood county. I’ve panned little flakes and tiny nuggets out of the creek that snakes through our homestead myself. Gold has been a strong motivator for many things throughout our history: war, destruction, greed, murder, exploitation, exploration, colonization.
But in “The Girl with the Blue Lantern,” gold leads us to a very different place: love. A story of escape and acceptance, of gold sprites, and of one very silly dog named Virgil.
Kody Keplinger, “Walking After Midnight”
“Walking After Midnight” is, at it’s core, a love letter to the trope of “two strangers meet and walk around talking all night.” I’m a sucker for stories like Before Sunrise, and I thought it would be fun to explore that sort of narrative between two young queer women. Betsey is an actress who hasn’t quite made the leap from child star to leading lady the way someone like Elizabeth Taylor did. Laura is a waitress at her family’s diner and isn’t sure she’ll ever escape her small town. I loved exploring these girls’ opposing situations, their hopes and fears. And getting to write about Betsey, whom I’d describe as gray-asexual, was a joy. Plus, I mean, I got to use all the things I’ve learned from the You Must Remember This podcast to good use!
Tessa Gratton, “Three Witches”
As a queer “recovering” Catholic and occasionally practicing witch, I’ve for years been aware of the threads of desire that can be found in medieval Catholic writing. Usually it’s desire for heaven or Christ’s touch, especially to the nuns considered to be “married” to Christ, but often this desire surpasses the flesh in queer ways, especially in the writings of the female mystics like St. Teresa of Avila. In “Three Witches” I wanted to explore the desire embedded in the prayers and explorations of medieval nuns, as well as the inherent conflict between desire and purity in the imagery and words associated with the Virgin Mary. The Inquisition was the strongest political force in Spain during the 15th century, hunting predominantly Jewish people and Muslims, but also available to excise anything unwanted from the Church. Including “unnatural” desire.
That’s all to say: I wanted to write a sexy, difficult story about two girls falling in love (and in lust) while grappling with what they’re told they should desire. And I wanted to write about witches.
Sara Farizan, “The End of the World as We Know It”
I know 1999 is a year that should not belong in a historical fiction anthology, but it was almost twenty years ago! I wanted to write a story that took place at the end of the twentieth century and encapsulated some of the hopes and fears people had going into the new century. Ezgi and Katie, two life- long best friends who have a strained relationship, also have their own hopes and fears for the future that come to light on New Year’s Eve while watching MTV’s countdown to midnight. When you think the world might come to an end, and tomorrow might mean the end of civilization as you know it (Y2K, man. What a trip), you have to hold on to the people you care about most, no matter how scary or daunting that may seem.
Shaun David Hutchinson, “The Inferno and the Butterfly”
I love magic. And what’s more magical than finding love in an unexpected place? “The Inferno and the Butterfly” was a story I’ve been dying to tell. I’ve always been fascinated by stage magicians, and though Alfie and Wilhelm might be the assistants, they’re the ones performing the real magic.