The Best at It by Maulik Pancholy (MG)
Highly Suspicious and Unfairly Cute by Talia Hibbert (YA)
History is All You Left Me by Adam Silvera (YA)
My Heart to Find by Elin Annalise
The Charm Offensive by Alison Cochrun
The Best at It by Maulik Pancholy (MG)
Highly Suspicious and Unfairly Cute by Talia Hibbert (YA)
History is All You Left Me by Adam Silvera (YA)
My Heart to Find by Elin Annalise
The Charm Offensive by Alison Cochrun
Thirteen-year-old Nikhil Shah is the beloved voice actor for Raj Reddy on the hit animated series Raj Reddy in Outer Space. But being a star on TV doesn’t mean you have everything figured out behind the scenes. . . .
When his mom temporarily moves them to the small town in Ohio where she grew up to take care of Nikhil’s sick grandfather, Nikhil feels as out of orbit as his character.
Nikhil’s fame lands him the lead in the school musical, but he’s terrified that everyone will realize he’s a fraud once they find out he has stage fright. And when a group of conservative parents start to protest, making it clear they’re not happy with an openly gay TV star being in the starring role, Nikhil feels like his life would be easier if only he could be Raj Reddy full-time.
Then Nikhil wakes up one morning and hears a crack in his voice, which means his job playing Raj will have to come to an end. Life on earth is way more complicated than life on television. And some mysteries—like new friendships or a sick grandparent or finding the courage to speak out about what’s right—don’t wrap up neatly between commercial breaks.
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Eliot is grieving Babung, her paternal grandmother who just passed away, and she feels like she’s the only one. She’s less than excited to move to her new house, which smells like lemons and deception, and is searching for a sign, any sign, that ghosts are real. Because if ghosts are real, it means she can find a way back to Babung.
When Eliot chases the promise of paranormal activity to the presumably haunted Honeyfield Hall, she finds her proof of spirits. But these ghosts are losing their memory, stuck between this world and the next, waiting to cross over. With the help of Hazel, the granddaughter of Honeyfield’s owner (and Eliot’s new crush), she attempts to uncover the mystery behind Honeyfield Hall and the ghosts residing within.
And as Eliot fits the pieces together, she may just be able to help the spirits remember their pasts, and hold on to her grandmother’s memory.
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Isaac Griffin has always felt something was missing from his life. And for good reason: he’s never met his dad. He’d started to believe he’d never belong in this world, that the scattered missing pieces of his life would never come together, when he discovers a box hidden deep in the attic with his father’s name on it.When the first clue points him to San Francisco, he sets off with his boyfriend to find the answers, and the person he’s been waiting his whole life for. But when his vintage station wagon breaks down (and possibly his relationship too) they are forced to rely on an unusual girl who goes by Max—and has her own familial pain—to take them the rest of the way. As his family history is revealed, Isaac finds himself drawing closer to Max. Using notes his dad had written decades ago, the two of them retrace his father’s steps during the weeks leading up to the Compton’s Cafeteria Riot in San Francisco, a precursor to the Stonewall Riots a few years later. Only to discover, as he learns about the past that perhaps the missing pieces of his life weren’t ever missing at all.
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Vi came to Arden High for a fresh start and a chance to wear beanies and button-ups instead of uniform skirts. And though doing it without her twin feels like being split in half, Vi finds her stride when she stumbles (literally!) into broody and beautiful poet-slash-influencer, Orsino. Soon Vi gets roped into helping plan the school’s Twelfth Grade Night dance, and she can’t stop dreaming about slow dancing with Orsino under the fairy lights in the gym.
The problem? All Vi’s new friends assume she’s not even into guys. And before Vi can ask Orsino to the dance, he recruits Vi to help woo his crush, Olivia. Who has a crush of her own . . . on Vi.
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Jade Brown, a twenty-four-year-old first-generation Jamaican woman living in Toronto, must find a way to pick up the pieces and discover who she is following the mysterious death of her twin sister.
Grappling with her grief, Jade seeks solace in lovers and friends during an array of hilarious and heartbreaking adventures. As she investigates some of life’s most frustrating paradoxes, she holds tight to old friends and her ex-girlfriend, lifelines between past and present. On the journey to turning twenty-five, she finally sees that she belongs to herself, and goes about the business of reclaiming that self.
Through a series of whirlwind love affairs, parties, and trips abroad, Jade stumbles toward relinquishing the weight of her trauma as she fully comes into her own as a young Black woman and writer.
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When Cassie Klein goes to an off-campus bar to escape her school’s Family Weekend, she isn’t looking for a hookup―it just happens. Buying a drink for a stranger turns into what should be an uncomplicated, amazing one-night stand. But then the next morning rolls around and her friend drags her along to meet her mom―the hot, older woman Cassie slept with.
Erin Bennett came to Family Weekend to get closer to her daughter, not have a one-night stand with a college senior. In her defense, she hadn’t known Cassie was a student when they’d met. To make things worse, Erin’s daughter brings Cassie to breakfast the next morning. And despite Erin’s better judgement―how could sleeping with your daughter’s friend be anything but bad?―she and Cassie get along in the day just as well as they did last night.
What should have been a one-time fling quickly proves impossible to ignore, and soon Cassie and Erin are sneaking around. Worst of all, they start to realize they have something real. But is being honest about the love between them worth the cost?
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“ikh gleyb nit az di gantze velt iz kheyshekh.”
“I do not believe that all the world is darkness.”
In the swirl of Philadelphia at the end of Prohibition, Leyb meets Charles. They are at a former speakeasy called Cricket’s, a bar that welcomes, as Charles says in his secondhand Yiddish, feygeles. Leyb is startled; fourteen years in amerike has taught him that his native tongue is not known beyond his people. And yet here is suave Charles, fingers stained with ink, an easy manner with the barkeep, a Black man from the Seventh Ward, a fellow traveler of Red Emma’s, speaking Jewish to a young man he will come to call Lion.
Lion is haunted by memories of life before, in Zatelsk, where everyone in his village, everyone except the ten non-Jews, a young poet named Gittl, and Leyb himself, was taken to the forest and killed.
And then, miraculously, Gittl is in Philadelphia, too, thanks to a poem she wrote and the intervention of a shadowy character known only as the Baroness of Philadelphia. And surrounding Gittl are malokhim, the spirits of her siblings.
Flowing and churning and seething with a glorious surge of language, carried along by questions of survival and hope and the possibility of a better world, Moriel Rothman-Zecher’s Before All the World lays bare the impossibility of escaping trauma, the necessity of believing in a better way ahead, and the power that comes from our responsibility to the future. It asks, in the voices of its angels, the most essential question: What do you intend to do before all the world?
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Arriving in New York City full of idealism, Paul discovers the queer community gathering strength in the face of government inaction and social stigma. As he protests, parties, and makes a new home, he finds himself pulling away from his HIV-negative boyfriend to pursue an intense bond with a passionate, HIV-positive artist. Paul’s awakening parallels ACT UP’s rise, successes, and controversies. And then everything shifts again, as his family is thrust into their own life-and-death struggle that tests him even further.
Born out of the author’s activism inside the vibrant queer community of the ’80s and ’90s, Army of Lovers blends history and fiction into an exploration of memory, community, love, and justice.
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Thanks to her thriving art career, Miriam Blum finally has her decoupaged glitter ducks in a row—until devastating news forces her to a very unwanted family reunion. Her beloved great-aunt Cass has passed and left Miriam part-owner of Carrigan’s, her (ironically) Jewish-run Christmas tree farm.
But Miriam’s plans to sit shiva, avoid her parents, then put Carrigan’s in her rearview mirror are spoiled when she learns the business is at risk of going under. To have any chance at turning things around, she’ll need to work with the farm’s grumpy manager—as long as the attraction sparking between them doesn’t set all their trees on fire first.
Noelle Northwood wants Miriam Blum gone—even if her ingenious ideas and sensitive soul keep showing Noelle there’s more to Cass’s niece than meets the eye. But saving Carrigan’s requires trust, love, and risking it all—for the chance to make their wildest dreams come true.
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Moonflowers and Nightshade presents eighteen original sapphic horror stories, including works by: Alex Luceli Jiménez, Christina Ladd, G.B. Lindsey, Kat Siddle, G.E. Woods, Rae Knowles, Lowry Poletti, Cyrus Amelia Fisher, Jade Lancaster, Archita Mittra, Ali Seay, Hailey Piper, Anastasia Dziekan, E.F. Schraeder, Tiffany Morris, Nicoletta Giuseffi, Avra Margariti, and Annabeth Leong.
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The Cloudkiss Killer is dead. Now a true-crime podcast is hosting a contest to find his bones.
Lucy was almost the serial killer’s final victim. Carolina is a true-crime fan who fears her own rage. Maggie is a psychology student with a little too much to hide.
All of them are looking for answers, for a new identity, for a place to bury their secrets.
But there are more than bones hiding in the shadows…sometimes the darkness inside is more frightening than anything the dead leave behind.
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In this modern reimagining of Anne of Green Gables, Anne is an ABBA-loving singer/actor/writer of disco-operas, queer, Japanese-American who longs to be understood for her artistic genius. Recently relocated to middle-of-nowhere Greenville and starting at a new school, Anne has a tendency to A) fall in love quickly, deeply, and effervescently and B) fly off the handle in the face of jerks. Both personality quirks quickly come into play when the soccer team boos the premiere of her disco performance, which—in a roundabout way—introduces her to her new BFF, Berry, and she soon after meets the girl of her dreams, Gilly.
Falling quickly into that age-old trap of ignoring the best friend for the new crush, Anne soon becomes embroiled in a series of dramatic and unfortunate events, and quickly finds herself wrapped up in a love triangle she never expected. Is she MTB with Gilly? Or is Berry her true soul mate? Only time (or 304 pages) will tell.
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In this prequel to #1 New York Times bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls.
It’s the night before Death-Cast goes live, and there’s one question on everyone’s mind: Can Death-Cast actually predict when someone will die, or is it just an elaborate hoax?
Orion Pagan has waited years for someone to tell him that he’s going to die. He has a serious heart condition, and he signed up for Death-Cast so he could know what’s coming.
Valentino Prince is restarting his life in New York. He has a long and promising future ahead and he only registered for Death-Cast after his twin sister nearly died in a car accident.
Orion and Valentino cross paths in Times Square and immediately feel a deep connection. But when the first round of End Day calls goes out, their lives are changed forever—one of them receives a call, and the other doesn’t. Though neither boy is certain how the day will end, they know they want to spend it together…even if that means their goodbye will be heartbreaking.
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Isabel “Izzy” Crane and her family have just relocated to Sleepy Hollow, the town made famous by–and obsessed with–Washington Irving’s legend of the Headless Horseman. But city slicker-skeptic Izzy has no time for superstition as she navigates life at a new address, a new school, and, with any luck, with new friends. Ghost stories aren’t real, after all…. Then Izzy is pulled into the orbit of the town’s teen royalty, Vicky Van Tassel (yes, that Van Tassel) and loveable varsity-level prankster Croc Byun. Vicky’s weariness with her family connection to the legend turns to terror when the trio begins to be haunted by the Horseman himself, uncovering a curse set on destroying the Van Tassel line. Now, they have only until Halloween night to break it–meaning it’s a totally inconvenient time for Izzy to develop a massive crush on the enigmatic Vicky. Can Izzy’s practical nature help her face the unknown–or only trip her up? As the calendar runs down to the 31st, Izzy will have to use all of her wits and work with her new friends to save Vicky and uncover the mystery of the legendary Horseman of Sleepy Hollow–before it’s too late.
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An island oasis turns deadly when a terrifying legend threatens to kill off visitors one by one in this haunting novel from the highly acclaimed author of The Girl from the Well and the Bone Witch trilogy.
Pristine beaches, lush greenery, and perfect weather, the island of Kisapmata would be the vacation destination…if not for the curse. The Philippine locals speak of it in hushed voices and refuse to step foot on the island. They know the lives it has claimed. They won’t be next.
A Hollywood film crew won’t be dissuaded. Legend claims a Dreamer god sleeps, waiting to grant unimaginable powers in exchange for eight sacrifices. The producers are determined to document the evidence. And they convince Alon, a local teen, to be their guide.
Within minutes of their arrival, a giant sinkhole appears, revealing a giant balete tree with a mummified corpse entwined in its gnarled branches. And the crew start seeing strange visions. Alon knows they are falling victim to the island’s curse. If Alon can’t convince them to leave, there is no telling who will survive. Or how much the Dreamer god will destroy…
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The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons.
In Queer Little Nightmares, creatures of myth and folklore seek belonging and intimate connection, cryptids challenge their outcast status, and classic movie monsters explore the experience of coming into queerness. The characters in these stories and poems—the Minotaur camouflaged in a crowd of cosplayers, a pubescent werewolf, a Hindu revenant waiting to reunite with her lover, a tender-hearted kaiju, a lagoon creature aching for the swimmers above him, a ghost of Pride past—relish their new sparkle in the spotlight. Pushing against tropes that have historically been used to demonize, the queer creators of this collection instead ask: What does it mean to be (and to love) a monster?
Contributors include Amber Dawn, David Demchuk, Hiromi Goto, jaye simpson, Eddy Boudel Tan, and Kai Cheng Thom.
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Bring a little joy to the world?
Not today, Santa.
Matthew Prince is young, rich, and thoroughly spoiled. So what if his parents barely remember he exists and the press is totally obsessed with him? He’s on top of the world. But one major PR misstep later, and Matthew is cut off and shipped away to spend the holidays in his grandparents’ charming small town hellscape. Population: who cares?
It’s bad enough he’s stuck in some festive winter wonderland—it’s even worse that he has to share space with Hector Martinez, an obnoxiously attractive local who’s unimpressed with anything and everything Matthew does.
Just when it looks like the holiday season is bringing nothing but heated squabbles, the charity gala loses its coordinator and Matthew steps in as a saintly act to get home early on good behavior…with Hector as his maddening plus-one. But even a Grinch can’t resist the unexpected joy of found family, and in the end, the forced proximity and infectious holiday cheer might be enough to make a lonely Prince’s heart grow three sizes this year.
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Aria Tang West was looking forward to a summer on Martha’s Vineyard with her best friends–one last round of sand and sun before college. But after a graduation party goes wrong, Aria’s parents exile her to California to stay with her grandmother, artist Joan West.Aria expects boredom, but what she finds is Steph Nichols, her grandmother’s gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable–for Aria, her family, and the working-class queer community Steph introduces her to. It’s the kind of summer that changes a life forever.
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In Northern Alberta, a queer Indigenous doctoral student steps away from his dissertation to write a novel. He is adrift, caught between his childhood on the reservation and this new life of the urban intelligentsia. Billy-Ray Belcourt’s unnamed narrator chronicles a series of encounters: a heart-to-heart with fellow doctoral student River over the mounting pressure placed on marginalized scholars; a meeting with Michael, a closeted adult from his hometown whose vulnerability and loneliness punctuate the realities of queer life on the fringe. Amid these conversations, the narrator is haunted by memories of Jack, a cousin caught in the cycle of police violence, drugs, and survival. Jack’s life parallels the narrator’s own; the possibilities of escape and imprisonment are left to chance with colonialism stacking the odds.
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In these hilarious and heartbreaking letters, Cecilia Gentili reinvents the trans memoir, putting the confession squarely between the writer and her enemies, paramours and friends. Is she here for revenge, or forgiveness? Both! And more! A story of sex, theft, murder, motherhood, and outrageous fashion choices, FALTAS is a beautiful, messy meditation on what it takes to heal, and even grow.
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After immigrating from Jamaica to the United States, Prince Shakur’s family is rocked by the murder of Prince’s biological father in 1995. Behind the murder is a sordid family truth, scripted in the lines of a diary by an outlawed uncle hell-bent on avenging the murder of Prince’s father. As Shakur begins to unravel his family’s secrets, he must navigate the strenuous terrain of conquering one’s inner self while confronting the steeped complexities of the Afro-diaspora.
When They Tell You to Be Good charts Prince Shakur’s political coming of age from closeted queer kid in a Jamaican family to radicalized adult traveler, writer, and anarchist in Obama and Trump’s America. Shakur journeys from France, the Philippines, South Korea, and more to discover the depths of the Black experience, and engages in deep political questions while participating in movements like Black Lives Matter and Standing Rock. By the end, Shakur reckons with his identity, his Jamaican family’s immigration to the US before his birth, and the intergenerational impacts of patriarchal and colonial violence.
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Born in a carnival trailer, Leah Fern begins her life as the “The Youngest and Very Best Fortuneteller in the World,” taking strangers’ hands and feeling the depths of their emotions. Her mother Jeannie Starr is a captivating magician, but not always an attentive mother, and when Leah is six, Jeannie upends their carnival life with an unexpected exit. With little fanfare and no explanation, she leaves her daughter at the home of Edward Murphy, a kindly older man with whom Leah shares one fierce wish: that Jeannie Starr will return to them.
After fifteen years as a small-town outcast , Leah decides to end her life on the occasion of her twenty-first birthday. But the intricate death ritual she has devised is interrupted by a surprise knock on her door. Her mysterious neighbor, the curmudgeonly and reclusive art photographer Essie East, has died and left Leah a very strange inheritance. Through a series of letters, Essie will posthumously lead Leah on a journey to nine points on the map, spanning from South Carolina to Canada to the Arctic Circle—a journey that, the first note promises, will reveal the story of Leah’s mother.
Driven by a ferocious resurgence of hope, Leah embarks on this bizarre treasure hunt, Essie’s ashes in a jeweled urn in the passenger seat of her truck. Along her way, she visits islands, libraries, diners, and defunct ice cream parlors, meeting a charming cast of eccentric characters and immersing herself in wonders of the natural world.
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Hesper Stallides and Felix Morlan have been best friends for as long as they can remember, bonding over their troubled home lives. When a horrible sports injury derails Felix’s promising career and results in the loss of his scholarship, Hesper offers a proposition: a year-long marriage of convenience so he can get free tuition at the college where she works.
It isn’t supposed to be complicated…until they fall in love for real. When Hesper reveals that she’s asexual, Felix must reassess everything he thinks about love, and ask himself what he’s willing to sacrifice for a future with Hesper—before the past she’s spent her life running from can take her away from him forever.
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Through the lens of horror—from “Halloween” to “Hereditary”—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.
Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world.
“It Came from the Closet” features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on “Jennifer’s Body”, Jude Ellison S. Doyle on “In My Skin”, Addie Tsai on “Dead Ringers”, and many more, these conversations convey the rich reciprocity between queerness and horror.
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Jessi Hempel was raised in a seemingly picture-perfect, middle-class American family. But the truth was far from perfect. Her father was constantly away from home, traveling for work, while her stay-at-home mother became increasingly lonely and erratic. Growing up, Jessi and her two siblings struggled to make sense of their family, their world, their changing bodies, and the emotional turmoil each was experiencing. And each, in their own way, was hiding their true self from the world.
By the time Jessi reached adulthood, everyone in her family had come out: Jessi as gay, her sister as bisexual, her father as gay, her brother as transgender, and her mother as a survivor of a traumatic experience with an alleged serial killer. Yet coming out was just the beginning, starting a chain reaction of other personal revelations and reckonings that caused each of them to question their place in the world in new and ultimately liberating ways.
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Jeremy is not excited about the prospect of spending the summer with his dad and his uncle in a seaside cabin in Oregon. It’s the first summer after his parents’ divorce, and he hasn’t exactly been seeking alone time with his dad. He doesn’t have a choice, though, so he goes… and on his first day takes a walk on the beach and finds himself intrigued by a boy his age running by. Eventually, he and Runner Boy (Evan) meet — and what starts out as friendship blooms into something neither boy is expecting… and also something both boys have been secretly hoping for.
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Continue reading Most Anticipated LGBTQ+ Middle Grade Fiction: July-December 2022
Author-illustrator of LOVE, MAMA Jeanette Bradley’s SOMETHING GREAT, about a nonbinary maker kid who uses their creativity and some recyclable materials to craft a versatile invention that can do all sorts of things—including make a friend, to Arthur Levine at Levine Querido, in a pre-empt, for publication in spring 2023, by Emily Mitchell at Wernick & Pratt Agency (world).
Actor and Stonewall Honor-winning author of THE BEST AT IT Maulik Pancholy’s NIKHIL OUT LOUD, about a gay Indian American boy, the star of a hit animated series, who learns the power of using his own voice after his family relocates to a small town in Ohio, to Alessandra Balzer at Balzer & Bray, in an exclusive submission, for publication in fall 2022, by Jessica Regel at Helm Literary (NA).
Author of the National Book Award finalist and Printz Honoree EVERY BODY LOOKING and the forthcoming BREAK THIS HOUSE Candice Iloh’s SALT THE WATER, a novel-in-verse about a free-spirited genderfluid teen who drops out of twelfth grade after a confrontation with a teacher, but when a family crisis forces them to suddenly take on immense adult responsibilities, their dreams of living life off the grid with their friends crash into the harsh realities of a world full of roadblocks at every turn, to Andrew Karre at Dutton Children’s, for publication in 2023, by Patricia Nelson at Marsal Lyon Literary Agency (world English).
Rod Pulido’s CHASING PACQUIAO, in which a boy is trying to navigate his way out of the closet when his personal idol, Filipino boxer Manny Pacquiao, makes a statement denigrating all gay people, forcing him on a journey to self-acceptance as he learns what happens when your heroes let you down, to Jenny Bak at Viking Children’s, for publication in summer 2023, by Jim McCarthy at Dystel, Goderich & Bourret (world English).
Ashley Shuttleworth’s books three and four in the Hollow Star Saga, in which four people will either become legends of the mortal realm, or the villains responsible for its ruin, to Sarah McCabe at Margaret K. McElderry Books, in a two-book deal, for publication in spring 2022, by Mandy Hubbard at Emerald City Literary Agency.
Author of M.F.K. and the forthcoming REEL LOVE Nilah Magruder’s HEX AND HAVOC, following two girls in a caste-based magical society as they fall in love and spark a revolution, illustrated by Sonia Liao, to Stephanie Guerdan at Harper Children’s, in a two-book deal, for publication in summer 2023, by Tricia Lawrence at Erin Murphy Literary Agency for the author (world).
Fiction editor at The Ana Literary Magazine and author of The Marked Ones: Uprising THE AZIZA CHRONICLES, a queer Afrocentric YA in which a teenage girl discovers the father she never knew belongs to a race of mythical African warriors, and she must use her newfound powers to battle supernatural evils, to Craig Gibb at Deep Hearts, for publication in the fall of 2022.
‘sAuthor of CAN’T TAKE THAT AWAY and cofounder of the Pride Book Fest A SUPERCUT OF US, pitched as Jandy Nelson’s I’LL GIVE YOU THE SUN meets Dawson’s Creek, a dual-POV novel about twins who must learn to navigate what’s next after their incarcerated father dies and a half-brother they never knew existed moves to their Adirondack lakeside town, to Allison Moore at Bloomsbury Children’s, for publication in 2023, by Jessica Regel at Helm Literary (NA).
‘sClive Hawken’s WALKER, in which a transgender teenager hits the road in search of a Sasquatch-esque monster in this debut that explores the complexities of otherness and connection, to Mark Podesta at Holt Children’s, for publication in 2024, by Alexander Slater at Trident Media Group (world).
Senior editor at The Yale Review and NYU MFA graduate Maggie Millner’s COUPLETS, a hybrid novel-in-verse following a writer in her late 20s who leaves her longtime boyfriend for an obsessive, consuming affair with another woman; an exploration of queerness, desire, and mirroring, told in rhyming couplets and prose vignettes, to Molly Walls at Farrar, Straus, in a nice deal, by Marya Spence at Janklow & Nesbit (world).
Author of EVERYBODY (ELSE) IS PERFECT Gabrielle Korn’s THE DAUGHTERS OF INSIDE, a queer dystopian novel of suspense set 30 years in the future that follows a young woman accepted to an exclusive climate change relief program that promises to be humanity’s best hope for survival, but proves to be something else entirely when a reclusive billionaire with an ulterior motive takes control, to Hannah O’Grady at St. Martin’s, by Nicki Richesin at Wendy Sherman Associates (world).
Writer, filmmaker, and animator Marcus Kleiwer’s WE USED TO LIVE HERE, about a queer couple who moves into a new house and is soon visited by a family who used to live there, as seen in the viral story from Reddit’s r/NoSleep, to Emily Bestler Books, in a major deal, in a pre-empt.
Finnish author, Finlandia Prize winner, scriptwriter, and theatre director Pirkko Saisio’s THE RED LETTER OF FAREWELL, a portrayal of the 1970s Finland, the politically turbulent era, as well as finding one’s sexual identity and creative voice, to CJ Evans at Two Lines Press, in a nice deal, in a pre-empt, for publication in fall 2022, by Urpu Strellman and Urte Liepuoniute at Helsinki Literary Agency (US).
Mindi Briar’s ADRIFT IN STARLIGHT, in which a gender-neutral courtesan is hired to seduce an asexual museum archeologist, and both are accidentally caught up in an illegal adventure when one of the museum’s alien artifacts comes to life, to Lisa Green at City Owl Press, in a nice deal, for publication in May 2022.
Author of COTTONMOUTHS Kelly Ford’s BAD AS ALL THAT, a queer suspense in which a woman returns to her Arkansas hometown to face potentially deadly consequences 25 years after her violent stepfather disappeared, to Jessica Tribble Wells at Thomas & Mercer, at auction, in a two-book deal, for publication in summer 2022, by Chris Bucci at Aevitas Creative Management (world).
MAGIC, LIES, AND MURDER PIES, pitched as Pushing Daisies meets Dexter, about a bisexual baker whose mission to protect wronged women by delivering deadly pies to their abusers is threatened by a blackmailer from her past, to Faith Black Ross at Crooked Lane, in a two-book deal, for publication in spring 2022, by Rebecca Podos at Rees Literary Agency (world).
‘sRED, a genre-bending queer feminist Western pitched as True Grit meets Sarah Waters, following a young woman’s transformation from forlorn orphan to successful prostitute to revenge-seeking gunfighter, exploring desire, loyalty, power, and chosen family, to Kate Ballard at Allen & Unwin UK, at auction, by Jennifer Helinek at Trident Media Group on behalf of Alexa Stark (UK/Commonwealth, excl. Canada).
‘sYA author of The Bone Witch trilogy SILVER UNDER NIGHTFALL, a queer Gothic fantasy pitched as inspired by Castlevania, following a troubled bounty hunter who must join forces with a royal vampire couple to stop a terrifying new vampiric breed from destroying the kingdom, to Amara Hoshijo at Saga Press, in a pre-empt, in a two-book deal, for publication in spring 2023, by Rebecca Podos at Rees Literary Agency (world English).
‘sAuthor of DETRANSITION, BABY Torrey Peters’s INFECT YOUR FRIENDS AND LOVED ONES, a quartet of taboo-busting novellas that explore the far edges of trans identities across four genres—dystopian, romance, horror, and historical, to Caitlin McKenna at Random House, by Kent Wolf at Neon Literary. UK rights to Leonora Craig Cohen at Serpent’s Tail, by Caspian Dennis at Abner Stein, on behalf of Neon Literary.
Pioneering feminist sex educator and author of OPENING UP Tristan Taormino’s A PART OF THE HEART CAN’T BE EATEN, a look at the author’s coming of age, revealing how the roots of her radical sexual identity and career grew out of an extraordinary queer father/daughter relationship, to Dean Smith at Duke University Press, with Ken Wissoker editing, for publication in fall 2022, by Andrew Blauner at Blauner Books Literary Agency (world).
Two-time National Book Award Finalist QUEER DUCKS (AND OTHER ANIMALS), a conversational, funny, teen-facing exploration of the recent explosion of scientific research into same-sex sexual behavior in animals, investigating the diversity of sexual expression in nature, arguing along the way that queer behavior in animals is as diverse and complex–and as natural–as it is in our own species, to Ben Rosenthal at Harper Children’s, by Richard Pine at Inkwell Management (NA).
‘sAuthor of ORPHEUS GIRL and Donald Hall Poetry Prize winner Brynne Rebele-Henry’s PRELUDE, a poetry collection that explores the gay female experience through the girlhood of Saint Catherine of Siena, to Peter Kracht at University of Pittsburgh Press, for publication in spring 2022, by Alexandra Franklin at Vicky Bijur Literary Agency (world English).
Alan Cole is Not a Coward by Eric Bell
Hurricane Child and King and the Dragonflies by Kacen Callender
Ivy Aberdeen’s Letter to the World and Hazel Bly and the Deep Blue Sea by Ashley Herring Blake
The Best At It by Maulik Pancholy
A High Five for Glenn Burke by Phil Bildner
Bonus: Coming up, The Devouring Wolf by Natalie C. Parker and Juniper Harvey and the Vanishing Kingdom by Nina Varela
We Are Totally Normal by Naomi Kanakia (B)
The Henna Wars by Adiba Jaigirdar (L)
The Love & Lies of Rukhsana Ali (L) and Zora Hossain Is Here (B) by Sabina Khan
Jaya and Rasa by Sonia Patel (T)
Kings, Queens, and In-Betweens by Tonya Boteju (L)
Bonus: For MG, check out Maulik Pancholy’s The Best At It (G)
Today is World Mental Health Day, and I’m thrilled to be celebrating it by having two wonderful gay kidlit authors discuss the representation in their book!
Maulik Pancholy (r.) is the author of the newly released The Best At It, a Middle Grade contemporary starring a gay Indian boy with OCD who’s starting seventh grade and getting used to lots of new changes, and Phil Stamper (l.) is the author of the upcoming The Gravity of Us, a contemporary YA love story between two boys who happen to be the sons of astronauts who are on the same mission to Mars. They’re here to talk about the roles mental health plays in their books, especially as it relates to queerness, pressure, and competition. Please welcome them!
Maulik: Hi Phil! I’m excited to get to do this with you. I loved The Gravity Of Us. I wanted Cal’s FlashFlame show to be real so I could actually tune in, and I was rooting for him and Leon from the first moment they met. I also lived in Houston for a year, so I related to all the characters having to deal with all that humidity! For folks who haven’t read it yet, want to give us a quick recap?
Phil: Thank you so much! A bit about my book: The Gravity of Us is a queer teen love story set against the backdrop of a present-day NASA mission to Mars. The story follows teen social media journalist Cal, whose carefully planned life is uprooted when his father is picked as an astronaut for the Orpheus missions to Mars. Amidst the chaos, and the move from Brooklyn to Houston, Cal meets the son of another astronaut on the program and finds himself falling for him—fast. But when Cal uncovers secrets about the program, he must find a way to reveal the truth without hurting the people who have become most important to him.
Do you want to give a brief rundown of The Best at It as well? It’s such a fantastic story. I love Rahul (and Chelsea! And Bhai! And the whole gang, really) and I remember having a similar need to be “the best” at something when I was his age… even if I could never quite figure out what that “something” was.
Maulik: Thanks! I’m glad it resonated with you. The Best at It is about Rahul Kapoor, a 12-year-old, Indian American boy who is just beginning to realize that he might be gay. He’s dealing with anxiety around that, and he’s also being bullied for multiple layers of his identity at school. One night, his favorite person in the whole world, his grandfather, Bhai, tells him a story that makes Rahul believe that if he’s just the best at something, all of his other problems will disappear. So with his best friend Chelsea by his side, he sets off on a mission to prove his self-worth. He’s only got two problems: What is he going to be the best at? And what if he falls short?
Phil, one of the things that I was struck by, is that in both of our books we have characters dealing with different forms or manifestations of anxiety. In your book, Becca, Cal’s mother, struggles with anxiety in a way that really hit home for me. I was drawn in by the way you described her facial expressions, and how it affected Cal to see that. Want to talk about that a bit?
Phil: Ah, that’s so great to hear. Becca’s anxiety was based off of my own experience, but it was really interesting writing Gravity from the perspective of someone who does not share those experiences. At that time, I think I was trying to be more cognizant of what happens to me and how that might affect or appear to people, and that really helped when describing the smaller physical manifestations of her anxiety.
Cal’s mom was such an interesting character, because I wanted to play against the “perfect astronaut wife” trope of the 60s. While she still knows there’s an expectation of her to be polished, steady, and camera-ready when it comes to the media circus of the launch, she gets to break down some of those expectations with Cal and her family, because she’s so open and clear about her experience with anxiety.
While we’re on the topic of mental health, one thing about The Best at It that stuck with me was how naturally Rahul’s experience with probable OCD was “revealed” on the page. Oftentimes with mental health in media, especially with OCD rep, we get something that’s a little less nuanced, but the way it was shown in your story made his experience seem so authentic and relatable. How did you choose to show this throughout the story?
Maulik: Rahul’s behaviors in the book are similar to some of the “checking” behaviors that I dealt with as a kid, and honestly still do as an adult. In my experience, those behaviors presented in different ways. Sometimes it was just checking something, like a lock, in a seemingly absent-minded manner, not really aware of the impulse why. Sometimes it was having an overwhelming feeling that something bad would happen if I didn’t check something, repeatedly. That dread of, “Is the stove really off? Am I SURE?” And, for me, these patterns were certainly triggered–and intensified–by stress, including emotional stress.
I’m hearing from middle school teachers that they see more and more kids dealing with anxiety. So, I didn’t want to shy away from this in the book. I also wrote the scene between Rahul and his father to model the kinds of conversations that I think adults and kids can be having around this.
For Rahul, his checking escalates as the level of competition in the book grows. In your book, Leon is dealing with depression related to the competitive world of Olympic athletics. Would you say that Leon is affected by competition in a similar way to Rahul?
Phil: That’s an interesting comparison, because I do think Leon and Rahul have a similar experience in that competition is a trigger for them. Gymnastics is a really intense sport that is full of pressure, and Leon’s response to that pressure was to pull back, to withdraw from the world and sort of shame himself for feeling this way, even if he couldn’t control it. That said, Leon’s a few years older than Rahul, and he is more-or-less removed from his Olympic trajectory by the time we get to meet him, even if the media conveniently forgets that on occasion.
Not a big spoiler here, but in the end, Leon finds a way to rekindle his passion for gymnastics, without subjecting himself to the pressure of competition. Similarly, and hopefully not a spoiler, but Rahul realizes that finding something you love and doing it until you get better is a better fit for him than competing. Does it mean that Leon and Rahul no longer experience depression or probable OCD, respectively? No, of course not.
But I do think it’s really important that both of these characters are learning more about themselves so they can hopefully better communicate that to their loved ones. Pivoting back to Cal for a moment—while I think Leon actually has a grasp on how to best avoid triggers like pressure and the spotlight, Cal’s kind of torn. He’s used to being in the spotlight, and he wants to be the one to break any and every news story, but he really gets himself into a mess in Houston, and you can really see the pressure and people’s expectations getting to him.
The more I think about it, Cal’s and Rahul’s stories both deal heavily with competition and perfection. With Rahul though, he’s experiencing this need for perfection all while trying to understand more about his queer identity. How do you think this affects his competitive nature?
Maulik: Rahul’s perfectionism and his need to win are 100% about proving his self-worth in a world where being different makes him feel less than. And his queer identity is one layer of that for sure. I just want to say, though, that it was important to me not to pathologize being gay. His mental health struggles are not because he’s gay. It’s the feeling less than, the wanting to fit in, that is stressful for him. And I think there’s something universal about that. What kid–or even adult–hasn’t felt like an outsider at some point?
Speaking of which, I think empathy for other people’s experiences really comes through in both our books, even if the characters themselves aren’t always perfect at expressing it. Rahul’s Dad doesn’t have all the language to talk about OCD, and in your book, you write about Leon’s parents choosing not to push the conversation around depression. In fact, it’s Leon’s sister, Kat, who’s a real ally to her brother. And Cal, of course, has Deb much in the same way Rahul has Chelsea. Was there a reason you wrote such great allies in the form of siblings and friends?
Phil: I guess I’ve written some really great allies and supporting characters, because the amount of comments I get about wanting to see more of Kat or Deb are astounding! Deb is loosely based around one of my best friends from high school, and she was so much fun to write. In the book, she’s the steadfast ally any queer kid would want, but I wanted to make sure she had her own story, her own arc, and didn’t exist solely for the benefit of Cal. So, I got to play with the boundaries of allyship and best friendship a bit. I also got to reflect on my own selfish tendencies, especially while I was in high school, and show how an ally can both offer unfaltering support about you and your identity while also being there to tell you to shut up when you’re out of line!
From our personal experiences with mental health, identity, and even the friendships we’ve had, it looks like we’ve both put a lot of ourselves into our debut novels. Would you like to talk briefly about why you chose to do this?
Maulik: Sure. The characters in my book go on a journey: they change, and they learn things about themselves. And maybe that allows readers to see themselves more clearly as well. What I really wanted was to tell a great story–grounded in reality, with both humor and pathos–and to hold up a mirror for kids who deserve to see themselves in the books they read. I guess that’s why I was willing to be so personal: I wanted to write a book that I could have used as a kid. But I have to say, it’s been gratifying to hear how many people–with experiences far different than mine–have made their own connections to Rahul’s story.
Phil: That’s fantastic. I set out to showcase a queer love story in a unique setting, so the feedback from the romance between Cal and Leon has been amazing. Less intentionally, though, I leaned on my own experiences with mental health while creating characters like Leon and Cal’s mother, and it’s been great to see readers connecting to that too.
I’m so glad we got to chat about this, Maulik! It’s been great getting to know a little bit more about your experience developing and writing The Best at It, and I can’t wait for readers everywhere to get their hands on a copy. And super special thanks to Dahlia and LGBTQ Reads for hosting us!
***
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When Zora Novak is framed for a crime she didn’t commit, she must track down the true culprit and clear her name before it’s too late. But in a small town obsessed with ghosts, getting people to believe the truth might prove to be impossible. Fans of Riverdale and Maureen Johnson’s Truly Devious will devour this eerie murder mystery. Features spot art and a map by the author.
Zora Novak has been framed.
When someone burns down the home of the school janitor and he dies in the blaze, everyone in Addamsville, Indiana, points a finger at Zora. Never mind that Zora has been on the straight and narrow since her father was thrown in jail. With everyone looking for evidence against her, her only choice is to uncover the identity of the real killer. There’s one big problem—Zora has no leads. No one does. Addamsville has a history of tragedy, and thirty years ago a similar string of fires left several townspeople dead. The arsonist was never caught.
Now, Zora must team up with her cousin Artemis—an annoying self-proclaimed Addamsville historian—to clear her name. But with a popular ghost-hunting television show riling up the townspeople, almost no support from her family and friends, and rumors spinning out of control, things aren’t looking good. Zora will have to read between the lines of Addamsville’s ghost stories before she becomes one herself.
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The Larkin family isn’t just lucky—they persevere. At least that’s what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn’t drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.
But wrecks seem to run in the family: Tall, funny, musical Violet can’t stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.
Shipped back to Lyric while Sam is in treatment, Violet is haunted by her family’s missing piece-the lost shipwreck she and Sam dreamed of discovering when they were children. Desperate to make amends, Violet embarks on a wildly ambitious mission: locate the Lyric, lain hidden in a watery grave for over a century.
She finds a fellow wreck hunter in Liv Stone, an amateur local historian whose sparkling intelligence and guarded gray eyes make Violet ache in an exhilarating new way. Whether or not they find the Lyric, the journey Violet takes-and the bridges she builds along the way-may be the start of something like survival.
Epic, funny, and sweepingly romantic, The Last True Poets of the Sea is an astonishing debut about the strength it takes to swim up from a wreck.
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After the War of Kinds ravaged the kingdom of Rabu, the Automae, designed to be the playthings of royals, usurped their owners’ estates and bent the human race to their will.
Now Ayla, a human servant rising in the ranks at the House of the Sovereign, dreams of avenging her family’s death…by killing the sovereign’s daughter, Lady Crier.
Crier was Made to be beautiful, flawless, and to carry on her father’s legacy. But that was before her betrothal to the enigmatic Scyre Kinok, before she discovered her father isn’t the benevolent king she once admired, and most importantly, before she met Ayla.
Now, with growing human unrest across the land, pressures from a foreign queen, and an evil new leader on the rise, Crier and Ayla find there may be only one path to love: war.
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Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
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Many years ago, Claire was named Head Librarian of the Unwritten Wing—a neutral space in Hell where all the stories unfinished by their authors reside. Her job consists mainly of repairing and organizing books, but also of keeping an eye on restless stories that risk materializing as characters and escaping the library. When a Hero escapes from his book and goes in search of his author, Claire must track and capture him with the help of former muse and current assistant Brevity and nervous demon courier Leto.
But what should have been a simple retrieval goes horrifyingly wrong when the terrifyingly angelic Ramiel attacks them, convinced that they hold the Devil’s Bible. The text of the Devil’s Bible is a powerful weapon in the power struggle between Heaven and Hell, so it falls to the librarians to find a book with the power to reshape the boundaries between Heaven, Hell….and Earth.
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When her father leaves and her mother passes away soon afterward, Finch can’t help feeling abandoned. Now she’s stuck living with her stepfather and his new wife. They’re mostly nice, but they don’t believe the one true thing Finch knows about herself: that she’s a girl, even though she was born in a boy’s body.
Thankfully, she has Maddy, a neighbor and animal rescuer who accepts her for who she is. Finch helps Maddy care for a menagerie of lost and lonely creatures, including a scared, stray dog who needs a family and home as much as she does. As she earns the dog’s trust, Finch realizes she must also learn to trust the people in her life–even if they are the last people she expected to love her and help her to be true to herself.
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It’s the fall of 2016. Cate, a set designer in her early forties, lives and works in Chicago’s theater community. She has stayed too long at the fair and knows it’s time to get past her prolonged adolescence and stop taking handouts from her parents. She has a firm plan to get solvent and settled in a serious relationship. She has tentatively started something new even as she’s haunted by an old, going-nowhere affair. Her ex-husband, recently booted from his most recent marriage, is currently camped out in Cate’s spare bedroom, in thrall to online conspiracy theories, and she’s not sure how to help him. Her best friend Neale, a yoga instructor, lives nearby with her son and is Cate’s model for what serious adulthood looks like.
Only a few blocks away, but in a parallel universe we find Nathan and Irene—casual sociopaths, drug addicts, and small-time criminals. Their world and Cate’s intersect the day she comes into Neale’s kitchen to find these strangers assaulting her friend. Forced to take fast, spontaneous action, Cate does something she’s never even considered. She now also knows the violence she is capable of, as does everyone else in her life, and overnight, their world has changed. Anshaw’s flawed, sympathetic, and uncannily familiar characters grapple with their altered relationships and identities against the backdrop of the new Trump presidency and a country waking to a different understanding of itself. Eloquent, moving, and beautifully observed, Right after the Weather is the work of a master of exquisite prose and a wry and compassionate student of the human condition writing at the height of her considerable powers.
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Lethe Press is excited to be releasing the debut short story collection by Bogi Takács. Takács may be known more for their recent editorial efforts, winning a Lambda Literary Award for Transcendent 2: The Year’s Best Transgender Themed Speculative Fiction. But Takács is a talented storyteller and poet. An uplifted octopus finds a strange capsule in the water and wonders if one of the long-vanished humans might be found inside; a team of scientists perform some reverse-engineering on a space station and shapeshifting becomes political; and other tales of AI, hybrids, and the far future.
Haitian-born professor and activist Patrice Denis is not here for anything that will veer him off the path he’s worked so hard for. One particularly dangerous distraction: Easton Archer, the assistant district attorney who last summer gave Patrice some of the most intense nights of his life, and still makes him all but forget they’re from two completely different worlds.
All-around golden boy Easton forged his own path to success, choosing public service over the comforts of his family’s wealth. With local law enforcement unfairly targeting young men of color, and his career—and conscience—on the line, now is hardly the time to be thirsting after Patrice again. Even if their nights together have turned into so much more.
For the first time, Patrice is tempted to open up and embrace the happiness he’s always denied himself. But as tensions between the community and the sheriff’s office grow by the day, Easton’s personal and professional lives collide. And when the issue at hand hits closer to home than either could imagine, they’ll have to work to forge a path forward…together.
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Freshly graduated Master Physician Narsi Lif-Tahm has left his home in Anacleto and journeyed to the imposing royal capitol of Cieloalta intent upon keeping the youthful oath he made to a troubled writer. But in the decade since Narsi gave his pledge, Atreau Vediya, has grown from an anonymous delinquent to a man renowned for penning bawdy operas and engaging in scandalous affairs.</p>
What Narsi―and most of the larger world―cannot know is the secret role Atreau plays as spymaster for the Duke of Rauma.
After the Cadeleonian royal bishop launches an unprovoked attack against the witches in neighboring Labara, Atreau will require every resource he can lay his hands upon to avert a war. A physician is exactly what he needs. But with a relentless assassin hunting the city and ancient magic waking, Atreau fears that his actions could cost more than his own honor. The price of peace could be his friends’ lives.
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Lake Geneva, 1816. Nineteen-year-old Mary Shelley is inspired to write a story about a scientist who creates a new life-form. In Brexit Britain, a young transgender doctor called Ry is falling in love with Victor Stein, a celebrated professor leading the public debate around AI and carrying out some experiments of his own in a vast underground network of tunnels. Meanwhile, Ron Lord, just divorced and living with his mom again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.
What will happen when homo sapiens is no longer the smartest being on the planet? In fiercely intelligent prose, Jeanette Winterson shows us how much closer we are to that future than we realize. Funny and furious, bold and clear-sighted, Frankissstein is a love story about life itself.
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Hazel knows a lot about the world. That’s because when she’s not hanging with her best friend, taking care of her dog, or helping care for the goats on her family’s farm, she loves reading through dusty encyclopedias.
But even Hazel doesn’t have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn’t make any friends? What’s going to happen to one of her moms, who’s pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine?
As Hazel struggles to cope, she’ll come to realize that sometimes you have to look within yourself—instead of the pages of a book—to find the answer to life’s most important questions.
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A lively, intimate memoir from an icon of the gay rights movement, describing gay life in 1950s and 60s New York City and her longtime activism which opened the door for marriage equality.
Edie Windsor became internationally famous when she sued the US government, seeking federal recognition for her marriage to Thea Spyer, her partner of more than four decades. The Supreme Court ruled in Edie’s favor, a landmark victory that set the stage for full marriage equality in the US. Beloved by the LGBTQ community, Edie embraced her new role as an icon; she had already been living an extraordinary and groundbreaking life for decades.
In this memoir, which she began before passing away in 2017 and completed by her co-writer, Edie recounts her childhood in Philadelphia, her realization that she was a lesbian, and her active social life in Greenwich Village’s electrifying underground gay scene during the 1950s. Edie was also one of a select group of trailblazing women in computing, working her way up the ladder at IBM and achieving their highest technical ranking while developing software. In the early 1960s Edie met Thea, an expat from a Dutch Jewish family that fled the Nazis, and a widely respected clinical psychologist. Their partnership lasted forty-four years, until Thea died in 2009. Edie found love again, marrying Judith Kasen-Windsor in 2016.
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On the day Torrey officially becomes a college freshman, he gets a call that might force him to drop out before he’s even made it through orientation: the bee farm his beloved uncle Miles left him after his tragic death is being foreclosed on.
Torrey would love nothing more than to leave behind the family and neighborhood that’s bleeding him dry. But he still feels compelled to care for the project of his uncle’s heart. As the farm heads for auction, Torrey precariously balances choosing a major and texting Gabriel—the first boy he ever kissed—with the fight to stop his uncle’s legacy from being demolished. But as notice letters pile up and lawyers appear at his dorm, dividing himself between family and future becomes impossible unless he sacrifices a part of himself.
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From award-winning poet Saeed Jones, How We Fight for Our Lives is a stunning coming-of-age memoir written at the crossroads of sex, race, and power.
“People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’ ”
Haunted and haunting, Jones’s memoir tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his mother and grandmother, into passing flings with lovers, friends and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.
Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one of a kind memoir and a book that cements Saeed Jones as an essential writer for our time.
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Rahul Kapoor is heading into seventh grade in a small town in Indiana. The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather, Bhai, gives him some well-meaning advice: Find one thing you’re really good at and become the BEST at it.
Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge…. But what if he discovers he isn’t the bestat anything?
Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.
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Twenty-one-year-old Madison T. Jackson is already the star of the Emerson College student newspaper when she nabs a coveted night internship at Boston’s premiere newspaper, The Boston Lede. The job’s simple: do whatever the senior reporters tell you to do, from fetching coffee to getting a quote from a grieving parent. It’s grueling work, so when the murder of a prominent Boston businessman comes up on the police scanner, Madison races to the scene of the grisly crime. There, Madison meets the woman who will change her life forever: prominent socialite Dahlia Kennedy, who is covered in gore and being arrested for the murder of her family. The newspapers put everyone they can in front of her with no results until, with nothing to lose, Madison gets a chance—and unexpectedly barrels headfirst into danger she never anticipated.
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Jessie Archer is a member of the Athena Protocol, an elite organization of female spies who enact vigilante justice around the world.
Athena operatives are never supposed to shoot to kill—so when Jessie can’t stop herself from pulling the trigger, she gets kicked out of the organization, right before a huge mission to take down a human trafficker in Belgrade.
Jessie needs to right her wrong and prove herself, so she starts her own investigation into the trafficking. But going rogue means she has no one to watch her back as she delves into the horrors she uncovers. Meanwhile, her former teammates have been ordered to bring her down. Jessie must face danger from all sides if she’s to complete her mission—and survive.
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The Lunar Chronicles meets Rook in this queer #OwnVoices science-fantasy novel, perfect for fans of Marissa Meyer and Sharon Cameron.
A secret beats inside Anna Thatcher’s chest: an illegal clockwork heart. Anna works cog by cog—donning the moniker Technician—to supply black market medical technology to the sick and injured, against the Commissioner’s tyrannical laws.
Nathaniel Fremont, the Commissioner’s son, has never had to fear the law. Determined to earn his father’s respect, Nathaniel sets out to capture the Technician. But the more he learns about the outlaw, the more he questions whether his father’s elusive affection is worth chasing at all.
Their game of cat and mouse takes an abrupt turn when Eliza, a skilled assassin and spy, arrives. Her mission is to learn the Commissioner’s secrets at any cost—even if it means betraying her own heart.
When these uneasy allies discover the most dangerous secret of all, they must work together despite their differences and put an end to a deadly epidemic—before the Commissioner ends them first.
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Frozen meets Mad Max in this epic teen fantasy duology bursting with star-crossed romance, immortal heroines, and elemental magic, perfect for fans of Furyborn.
Generations of twin goddesses have long ruled Aeon. But seventeen years ago, one sister’s betrayal defied an ancient prophecy and split their world in two. The planet ceased to spin, and a Great Abyss now divides two realms: one cloaked in perpetual night, the other scorched by an unrelenting sun.
While one sister rules Aranth—a frozen city surrounded by a storm-wracked sea —her twin inhabits the sand-locked Golden City. Each goddess has raised a daughter, and each keeps her own secrets about her sister’s betrayal.
But when shadowy forces begin to call their daughters, Odessa and Haidee, back to the site of the Breaking, the two young goddesses—along with a powerful healer from Aranth, and a mouthy desert scavenger—set out on separate journeys across treacherous wastelands, desperate to heal their broken world. No matter the sacrifice it demands.
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Nova Huang knows more about magic than your average teen witch. She works at her grandmothers’ bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town.
One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home.
Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.
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Dark, irreverent, and truly innovative, the speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients’ house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species of intelligent weasels.
In the spirit of Laura van den Berg, Emily Geminder, Chaya Bhuvaneswar, and other winners of the Dzanc Short Story Collection Prize, Nino Cipri’s debut collection announces the arrival of a brilliant and wonderfully unpredictable writer with a gift for turning the short story on its ear.
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When Max starts school, the teacher hesitates to call out the name on the attendance sheet. Something doesn’t seem to fit. Max lets her know the name he wants to be called by–a boy’s name. This begins Max’s journey as he makes new friends and reveals his feelings about his identity to his parents.
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Veronica Welch has made it. She’s about to be named a partner at one of the most prestigious law firms in New York C ity. She’s on top of the world, except for one tiny ridiculous thing: she promised herself she’d be married by thirty-five. After a drink too many, she accidentally lets her “life plan” slip to Bea, her steadfast, ever meddling assistant, and now Bea won’t let the idea go.
Rachel Monaghan doesn’t do serious relationships. As a busy wedding photographer, she’s jaded about lasting love, has a thriving repeat business, and hasn’t had much luck with love herself. While bartending at her cousin’s bar, Rachel learns of Bea’s plan to get her boss married off by scheduling thirty dates in thirty days.
In this sophisticated contemporary romance, Veronica Welch tries to find love in the most efficient way possible, while Rachel Monaghan avoids love at all costs. What could possibly go wrong?
Eleven-year-old Riley believes in the whispers, magical fairies that will grant you wishes if you leave them tributes. Riley has a lot of wishes. He wishes bullies at school would stop picking on him. He wishes Dylan, his 8th grade crush, liked him, and Riley wishes he would stop wetting the bed. But most of all, Riley wishes for his mom to come back home. She disappeared a few months ago, and Riley is determined to crack the case. He even meets with a detective, Frank, to go over his witness statement time and time again.
Frustrated with the lack of progress in the investigation, Riley decides to take matters into his own hands. So he goes on a camping trip with his friend Gary to find the whispers and ask them to bring his mom back home. But Riley doesn’t realize the trip will shake the foundation of everything that he believes in forever.
When Sunny St. James receives a new heart, she decides to set off on a “New Life Plan”: 1) do awesome amazing things she could never do before; 2) find a new best friend; and 3) kiss a boy for the first time.
It’s the first day of summer and Rachel’s thirteenth birthday. She can’t wait to head to the lake with her best friend, Micah. But as summer unfolds, every day seems to get more complicated. Her “fun” new job taking care of the neighbors’ farm animals quickly becomes a challenge, whether she’s being pecked by chickens or having to dodge a charging pig at feeding time. At home, her parents are more worried about money than usual, and their arguments over bills intensify. Fortunately, Rachel can count on Micah to help her cope with all the stress. But Micah seems to want their relationship to go beyond friendship, and though Rachel almost wishes for that, too, she can’t force herself to feel “that way” about him. In fact, she isn’t sure she can feel that way about any boy — or what that means. With all the heart of her award-winning novel See You At Harry’s, Jo Knowles brings us the story of a girl who must discover where her heart is and what that means for her future.
Fig, a sixth grader, wants more than anything to see the world as her father does. The once-renowned pianist, who hasn’t composed a song in years and has unpredictable good and bad days, is something of a mystery to Fig. Though she’s a science and math nerd, she tries taking an art class just to be closer to him, to experience life the way an artist does. But then Fig’s dad shows up at school, disoriented and desperately searching for Fig. Not only has the class not brought Fig closer to understanding him, it has brought social services to their door.
Diving into books about Van Gogh to understand the madness of artists, calling on her best friend for advice, and turning to a new neighbor for support, Fig continues to try everything she can think of to understand her father, to save him from himself, and to find space in her life to discover who she is even as the walls are falling down around her.
Nicole Melleby’s Hurricane Season is a stunning novel about a girl struggling to be a kid as pressing adult concerns weigh on her. It’s also about taking risks and facing danger, about love and art, and about coming of age and coming out. And more than anything else, it is a story of the healing power of love—and the limits of that power.
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This book is about the Stonewall Riots, a series of spontaneous, often violent demonstrations by members of the gay (LGBTQ+) community in reaction to a police raid that took place in the early morning hours of June 28, 1969, at the Stonewall Inn in the Greenwich Village neighborhood of Manhattan, New York City. The Riots are attributed as the spark that ignited the LGBTQ+ movement. The author describes American gay history leading up to the Riots, the Riots themselves, and the aftermath, and includes her interviews of people involved or witnesses, including a woman who was ten at the time. Profusely illustrated, the book includes contemporary photos, newspaper clippings, and other period objects. A timely and necessary read, The Stonewall Riots helps readers to understand the history and legacy of the LGBTQ+ movement.
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The critically acclaimed author of Felix Yz crafts a bold, heartfelt story about a trans girl solving a cyber mystery and coming into her own.
Zenobia July is starting a new life. She used to live in Arizona with her father; now she’s in Maine with her aunts. She used to spend most of her time behind a computer screen, improving her impressive coding and hacking skills; now she’s coming out of her shell and discovering a community of friends at Monarch Middle School. People used to tell her she was a boy; now she’s able to live openly as the girl she always knew she was.
When someone anonymously posts hateful memes on her school’s website, Zenobia knows she’s the one with the abilities to solve the mystery, all while wrestling with the challenges of a new school, a new family, and coming to grips with presenting her true gender for the first time. Timely and touching, Zenobia July is, at its heart, a story about finding home.
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Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
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Rahul Kapoor is heading into seventh grade in a small town in Indiana. The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather, Bhai, gives him some well-meaning advice: Find one thing you’re really good at and become the BEST at it.
Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge…. But what if he discovers he isn’t the bestat anything?
Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.
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Hazel knows a lot about the world. That’s because when she’s not hanging with her best friend, taking care of her dog, or helping care for the goats on her family’s farm, she loves reading through dusty encyclopedias.
But even Hazel doesn’t have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn’t make any friends? What’s going to happen to one of her moms, who’s pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine?
As Hazel struggles to cope, she’ll come to realize that sometimes you have to look within yourself—instead of the pages of a book—to find the answer to life’s most important questions.
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