Nikhil Out Loud by Maulik Pancholy
Thirteen-year-old Nikhil Shah is the beloved voice actor for Raj Reddy on the hit animated series Raj Reddy in Outer Space. But being a star on TV doesn’t mean you have everything figured out behind the scenes. . . .
When his mom temporarily moves them to the small town in Ohio where she grew up to take care of Nikhil’s sick grandfather, Nikhil feels as out of orbit as his character.
Nikhil’s fame lands him the lead in the school musical, but he’s terrified that everyone will realize he’s a fraud once they find out he has stage fright. And when a group of conservative parents start to protest, making it clear they’re not happy with an openly gay TV star being in the starring role, Nikhil feels like his life would be easier if only he could be Raj Reddy full-time.
Then Nikhil wakes up one morning and hears a crack in his voice, which means his job playing Raj will have to come to an end. Life on earth is way more complicated than life on television. And some mysteries—like new friendships or a sick grandparent or finding the courage to speak out about what’s right—don’t wrap up neatly between commercial breaks.
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Where the Lost Ones Go by Akemi Dawn Bowman
Eliot is grieving Babung, her paternal grandmother who just passed away, and she feels like she’s the only one. She’s less than excited to move to her new house, which smells like lemons and deception, and is searching for a sign, any sign, that ghosts are real. Because if ghosts are real, it means she can find a way back to Babung.
When Eliot chases the promise of paranormal activity to the presumably haunted Honeyfield Hall, she finds her proof of spirits. But these ghosts are losing their memory, stuck between this world and the next, waiting to cross over. With the help of Hazel, the granddaughter of Honeyfield’s owner (and Eliot’s new crush), she attempts to uncover the mystery behind Honeyfield Hall and the ghosts residing within.
And as Eliot fits the pieces together, she may just be able to help the spirits remember their pasts, and hold on to her grandmother’s memory.
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The Edge of Being by James Brandon
Isaac Griffin has always felt something was missing from his life. And for good reason: he’s never met his dad. He’d started to believe he’d never belong in this world, that the scattered missing pieces of his life would never come together, when he discovers a box hidden deep in the attic with his father’s name on it.When the first clue points him to San Francisco, he sets off with his boyfriend to find the answers, and the person he’s been waiting his whole life for. But when his vintage station wagon breaks down (and possibly his relationship too) they are forced to rely on an unusual girl who goes by Max—and has her own familial pain—to take them the rest of the way. As his family history is revealed, Isaac finds himself drawing closer to Max. Using notes his dad had written decades ago, the two of them retrace his father’s steps during the weeks leading up to the Compton’s Cafeteria Riot in San Francisco, a precursor to the Stonewall Riots a few years later. Only to discover, as he learns about the past that perhaps the missing pieces of his life weren’t ever missing at all.
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Twelfth Grade Night by Molly Horton Booth (text), Stephanie Kate Strohm (text), and Jamie Green (illustration)
Vi came to Arden High for a fresh start and a chance to wear beanies and button-ups instead of uniform skirts. And though doing it without her twin feels like being split in half, Vi finds her stride when she stumbles (literally!) into broody and beautiful poet-slash-influencer, Orsino. Soon Vi gets roped into helping plan the school’s Twelfth Grade Night dance, and she can’t stop dreaming about slow dancing with Orsino under the fairy lights in the gym.
The problem? All Vi’s new friends assume she’s not even into guys. And before Vi can ask Orsino to the dance, he recruits Vi to help woo his crush, Olivia. Who has a crush of her own . . . on Vi.
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Jade is a Twisted Green by Tanya Turton
Jade Brown, a twenty-four-year-old first-generation Jamaican woman living in Toronto, must find a way to pick up the pieces and discover who she is following the mysterious death of her twin sister.
Grappling with her grief, Jade seeks solace in lovers and friends during an array of hilarious and heartbreaking adventures. As she investigates some of life’s most frustrating paradoxes, she holds tight to old friends and her ex-girlfriend, lifelines between past and present. On the journey to turning twenty-five, she finally sees that she belongs to herself, and goes about the business of reclaiming that self.
Through a series of whirlwind love affairs, parties, and trips abroad, Jade stumbles toward relinquishing the weight of her trauma as she fully comes into her own as a young Black woman and writer.
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Mistakes Were Made by Meryl Wilsner
When Cassie Klein goes to an off-campus bar to escape her school’s Family Weekend, she isn’t looking for a hookup―it just happens. Buying a drink for a stranger turns into what should be an uncomplicated, amazing one-night stand. But then the next morning rolls around and her friend drags her along to meet her mom―the hot, older woman Cassie slept with.
Erin Bennett came to Family Weekend to get closer to her daughter, not have a one-night stand with a college senior. In her defense, she hadn’t known Cassie was a student when they’d met. To make things worse, Erin’s daughter brings Cassie to breakfast the next morning. And despite Erin’s better judgement―how could sleeping with your daughter’s friend be anything but bad?―she and Cassie get along in the day just as well as they did last night.
What should have been a one-time fling quickly proves impossible to ignore, and soon Cassie and Erin are sneaking around. Worst of all, they start to realize they have something real. But is being honest about the love between them worth the cost?
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Before All the World by Moriel Rothman-Zecher
“ikh gleyb nit az di gantze velt iz kheyshekh.”
“I do not believe that all the world is darkness.”
In the swirl of Philadelphia at the end of Prohibition, Leyb meets Charles. They are at a former speakeasy called Cricket’s, a bar that welcomes, as Charles says in his secondhand Yiddish, feygeles. Leyb is startled; fourteen years in amerike has taught him that his native tongue is not known beyond his people. And yet here is suave Charles, fingers stained with ink, an easy manner with the barkeep, a Black man from the Seventh Ward, a fellow traveler of Red Emma’s, speaking Jewish to a young man he will come to call Lion.
Lion is haunted by memories of life before, in Zatelsk, where everyone in his village, everyone except the ten non-Jews, a young poet named Gittl, and Leyb himself, was taken to the forest and killed.
And then, miraculously, Gittl is in Philadelphia, too, thanks to a poem she wrote and the intervention of a shadowy character known only as the Baroness of Philadelphia. And surrounding Gittl are malokhim, the spirits of her siblings.
Flowing and churning and seething with a glorious surge of language, carried along by questions of survival and hope and the possibility of a better world, Moriel Rothman-Zecher’s Before All the World lays bare the impossibility of escaping trauma, the necessity of believing in a better way ahead, and the power that comes from our responsibility to the future. It asks, in the voices of its angels, the most essential question: What do you intend to do before all the world?
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Army of Lovers by K.M. Soehnlein
Arriving in New York City full of idealism, Paul discovers the queer community gathering strength in the face of government inaction and social stigma. As he protests, parties, and makes a new home, he finds himself pulling away from his HIV-negative boyfriend to pursue an intense bond with a passionate, HIV-positive artist. Paul’s awakening parallels ACT UP’s rise, successes, and controversies. And then everything shifts again, as his family is thrust into their own life-and-death struggle that tests him even further.
Born out of the author’s activism inside the vibrant queer community of the ’80s and ’90s, Army of Lovers blends history and fiction into an exploration of memory, community, love, and justice.
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Season of Love by Helena Greer
Thanks to her thriving art career, Miriam Blum finally has her decoupaged glitter ducks in a row—until devastating news forces her to a very unwanted family reunion. Her beloved great-aunt Cass has passed and left Miriam part-owner of Carrigan’s, her (ironically) Jewish-run Christmas tree farm.
But Miriam’s plans to sit shiva, avoid her parents, then put Carrigan’s in her rearview mirror are spoiled when she learns the business is at risk of going under. To have any chance at turning things around, she’ll need to work with the farm’s grumpy manager—as long as the attraction sparking between them doesn’t set all their trees on fire first.
Noelle Northwood wants Miriam Blum gone—even if her ingenious ideas and sensitive soul keep showing Noelle there’s more to Cass’s niece than meets the eye. But saving Carrigan’s requires trust, love, and risking it all—for the chance to make their wildest dreams come true.
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Moonflowers and Nightshade presents eighteen original sapphic horror stories, including works by: Alex Luceli Jiménez, Christina Ladd, G.B. Lindsey, Kat Siddle, G.E. Woods, Rae Knowles, Lowry Poletti, Cyrus Amelia Fisher, Jade Lancaster, Archita Mittra, Ali Seay, Hailey Piper, Anastasia Dziekan, E.F. Schraeder, Tiffany Morris, Nicoletta Giuseffi, Avra Margariti, and Annabeth Leong.
The Cloudkiss Killer is dead. Now a true-crime podcast is hosting a contest to find his bones.
In this modern reimagining of Anne of Green Gables, Anne is an ABBA-loving singer/actor/writer of disco-operas, queer, Japanese-American who longs to be understood for her artistic genius. Recently relocated to middle-of-nowhere Greenville and starting at a new school, Anne has a tendency to A) fall in love quickly, deeply, and effervescently and B) fly off the handle in the face of jerks. Both personality quirks quickly come into play when the soccer team boos the premiere of her disco performance, which—in a roundabout way—introduces her to her new BFF, Berry, and she soon after meets the girl of her dreams, Gilly.
In this prequel to #1 New York Times bestselling phenomenon They Both Die at the End, two new strangers spend a life-changing day together after Death-Cast first makes their fateful calls.
Isabel “Izzy” Crane and her family have just relocated to Sleepy Hollow, the town made famous by–and obsessed with–Washington Irving’s legend of the Headless Horseman. But city slicker-skeptic Izzy has no time for superstition as she navigates life at a new address, a new school, and, with any luck, with new friends. Ghost stories aren’t real, after all…. Then Izzy is pulled into the orbit of the town’s teen royalty, Vicky Van Tassel (yes, that Van Tassel) and loveable varsity-level prankster Croc Byun. Vicky’s weariness with her family connection to the legend turns to terror when the trio begins to be haunted by the Horseman himself, uncovering a curse set on destroying the Van Tassel line. Now, they have only until Halloween night to break it–meaning it’s a totally inconvenient time for Izzy to develop a massive crush on the enigmatic Vicky. Can Izzy’s practical nature help her face the unknown–or only trip her up? As the calendar runs down to the 31st, Izzy will have to use all of her wits and work with her new friends to save Vicky and uncover the mystery of the legendary Horseman of Sleepy Hollow–before it’s too late.
An island oasis turns deadly when a terrifying legend threatens to kill off visitors one by one in this haunting novel from the highly acclaimed author of The Girl from the Well and the Bone Witch trilogy.
The fiction and poetry of Queer Little Nightmares reimagines monsters old and new through a queer lens, subverting the horror gaze to celebrate ideas and identities canonically feared in monster lit. Throughout history, monsters have appeared in popular culture as stand-ins for the non-conforming, the marginalized of society. Pushed into the shadows as objects of fear, revulsion, and hostility, these characters have long conjured fascination and self-identification in the LGBTQ+ community, and over time, monsters have become queer icons.
Bring a little joy to the world?
Aria Tang West was looking forward to a summer on Martha’s Vineyard with her best friends–one last round of sand and sun before college. But after a graduation party goes wrong, Aria’s parents exile her to California to stay with her grandmother, artist Joan West.Aria expects boredom, but what she finds is Steph Nichols, her grandmother’s gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable–for Aria, her family, and the working-class queer community Steph introduces her to. It’s the kind of summer that changes a life forever.
In Northern Alberta, a queer Indigenous doctoral student steps away from his dissertation to write a novel. He is adrift, caught between his childhood on the reservation and this new life of the urban intelligentsia. Billy-Ray Belcourt’s unnamed narrator chronicles a series of encounters: a heart-to-heart with fellow doctoral student River over the mounting pressure placed on marginalized scholars; a meeting with Michael, a closeted adult from his hometown whose vulnerability and loneliness punctuate the realities of queer life on the fringe. Amid these conversations, the narrator is haunted by memories of Jack, a cousin caught in the cycle of police violence, drugs, and survival. Jack’s life parallels the narrator’s own; the possibilities of escape and imprisonment are left to chance with colonialism stacking the odds.
In these hilarious and heartbreaking letters, Cecilia Gentili reinvents the trans memoir, putting the confession squarely between the writer and her enemies, paramours and friends. Is she here for revenge, or forgiveness? Both! And more! A story of sex, theft, murder, motherhood, and outrageous fashion choices, FALTAS is a beautiful, messy meditation on what it takes to heal, and even grow.
After immigrating from Jamaica to the United States, Prince Shakur’s family is rocked by the murder of Prince’s biological father in 1995. Behind the murder is a sordid family truth, scripted in the lines of a diary by an outlawed uncle hell-bent on avenging the murder of Prince’s father. As Shakur begins to unravel his family’s secrets, he must navigate the strenuous terrain of conquering one’s inner self while confronting the steeped complexities of the Afro-diaspora.
Born in a carnival trailer, Leah Fern begins her life as the “The Youngest and Very Best Fortuneteller in the World,” taking strangers’ hands and feeling the depths of their emotions. Her mother Jeannie Starr is a captivating magician, but not always an attentive mother, and when Leah is six, Jeannie upends their carnival life with an unexpected exit. With little fanfare and no explanation, she leaves her daughter at the home of Edward Murphy, a kindly older man with whom Leah shares one fierce wish: that Jeannie Starr will return to them.
Hesper Stallides and Felix Morlan have been best friends for as long as they can remember, bonding over their troubled home lives. When a horrible sports injury derails Felix’s promising career and results in the loss of his scholarship, Hesper offers a proposition: a year-long marriage of convenience so he can get free tuition at the college where she works.
Through the lens of horror—from “Halloween” to “Hereditary”—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences.
Amar can’t wait to tell everyone his wonderful news: he’s found The One, and he’s getting married. But it turns out announcing his engagement on a group chat might not have been the best way to let his strict Muslim Bangladeshi family know that his happy-ever-after partner is a man―and a white man at that.