Caroline’s Heart by Austin Chant
Darkling by Brooklyn Ray
Baker Thief by Claudie Arseneault
Deadline by Stephanie Ahn
The Witches of London series by Aleksandr Voinov
Zoraida Cordova’s fabulous second novel in the Brooklyn Brujas series, Bruja Born, might not be queer, but the first one sure is, and it’s fabulous! The perfect rec for fantasy fans who love magic, f/f, happiness, present family, zero queer-related angst, and, yes, love triangles done well, whether or not you plan to pick up Bruja Born tomorrow, definitely pick up Labyrinth Lost today!
(Left to right: Hardcover, Paperback, Paperback redesign)
Nothing says Happy Birthday like summoning the spirits of your dead relatives.
I fall to my knees. Shattered glass, melted candles and the outline of scorched feathers are all that surround me. Every single person who was in my house – my entire family — is gone.
Alex is a bruja, the most powerful witch in a generation…and she hates magic. At her Deathday celebration, Alex performs a spell to rid herself of her power. But it backfires. Her whole family vanishes into thin air, leaving her alone with Nova, a brujo boy she can’t trust. A boy whose intentions are as dark as the strange markings on his skin.
The only way to get her family back is to travel with Nova to Los Lagos, a land in-between, as dark as Limbo and as strange as Wonderland…
Beautiful Creatures meets Daughter of Smoke and Bone with an infusion of Latin American tradition in this highly original fantasy adventure.
I am super excited about this matchup today, because rarely do novelists and comic artists cross in this space but today you’ll get to meet both! Julian Winters is the author of the upcoming YA sports romance Running With Lions, releasing from Interlude Press on June 7, and TJ Ryan is the creator of Quinn, Dreaming, a webcomic that, to quote their Tumblr, “follows Charles August Quinn, a dream witch trying to make it to graduation with minimal incident, and failing spectacularly.” Sound like a dream combo? Just wait until you read this interview…
First, let me express how excited I am about this. As a comic book geek, I have always wanted to pick the brain of my favorite artists—now I have the opportunity! Quinn, Dreaming is such an interesting take on magic, sexuality, friendships, crushes, and what things represent. Tell us about how Fleetwood Mac’s “Dreams” inspired the comic/story.
Thank you so much! I’m really excited too! I had been shuffling around a story of magic and witches in my mind for a while, but there wasn’t any sort of organization that I could create out of those thoughts. I was listening to Fleetwood Mac (as one does) and really focusing on the lyrics. The lines “It’s only me who wants to wrap around your dreams and, have you any dreams you’d like to sell?” were really what started it all. I knew I wanted it to center around a dream witch who sold dreams but also sort of lived in his own.
I’m a really musical person so I get inspired by it constantly.
Can you tell us anything about the companion novel, Citrus Witches?
Citrus Witches was actually the working name for Quinn, Dreaming. It followed Arthur as a main character rather than Quinn, and really strayed far and wide from the story I ended up using for the comic. That draft exists in all its rough glory on AO3 under the Citrus Witches title. Enjoy my old Merlin fanfic too if you decide to go snooping.
The companion novel to it that I’m currently writing takes place in their first year of college and involves a whole new set of adventures, that will set it apart enough from the webcomic so that people who didn’t read it can still enjoy it, and the folks who did follow the comic will get new shenanigans with the same characters.
How far do you plan to take the webcomic?
The plan is to follow Quinn and the crew until the end of senior year. They’ve only just made it to the end of October so still lots more to come!
While I absolutely love the wonderfully awkward romance between the main characters, Quinn and Sorrel, the diverse cast of supporting characters truly lends to creating a well-shaped story. Will there be more of them in the book?
Absolutely! The book actually follows Sorrel as the main character. There’s definitely tons of awkward romance with Quinn, Arthur to lend to his bad ideas, Statice to film it, and Daphne to talk them out of it.
I’m a big fan of epic platonic loves, and Arthur really is that for Sorrel. There’s a lot of him in the story, really existing as a solid part of Sorrel’s life. I spent a lot of time exploring Sorrel’s relationship with his twin sister, Statice, as well.
There’s some fun new people too!
There’s a subplot that looks at trying to “cure” people of magic. Is this a metaphor to anything in real life?
Creating a “cure” for magic in a world where magic exists in everyday life started from a very personal place and spread to something I think is really universal. Growing up bisexual and nonbinary, I always heard “Well have you tried not being this way?” or “You should see a therapist/doctor/psychiatrist, I bet they could fix it” because I grew up in a very small conservative town. But you see it on the news and online and on talk shows all the time. People questioning the validity or the sanity of other people based on something that’s just a part of them.
Magic is just simply a part of these witches. It’s as simple as Quinn having brown eyes or freckles. He’s a dream witch, but now there’s this entire organization that’s dedicated themselves to trying to ‘fix’ that and prove it’s something dangerous. I just felt like it was a storyline that a lot of readers could find themselves relating to.
Okay, I love all the magical components of the story and a few of the dark themes, but let’s talk about all the humor and adorableness—I’m looking at you, Sorrel Seong—that is featured. Also, Quinn has this shy, uncertainty about himself and his powers. It speaks so well to how sometimes people see this admirable quality about us that we often overlook because of self-doubt. Are those the kinds of elements you always try to incorporate into your artwork/writing?
Sorrel is literally and metaphorically the light of my story!
I always try to work self-doubt into at least one character in my story, because it’s such a human trait. I know with my art I’ve often looked at other artists’ work and been hung up on how amazing they all are and how I’ll never compare. Quinn’s sort of a low-level dream witch surrounded by all these powerful witches with ‘cool’ powers, and that leads to him really shrinking in on himself. He learns though that no one else is going to do magic like Quinn does magic, and that his powers can be really beautiful and unique. It’s something we all need to learn about ourselves.
You have a tremendous following, especially from authors. Is this intimidating? Inspiring?
Both! It’s incredible. I would’ve been happy if Quinn, Dreaming had gotten five followers, but it took off and people constantly interact with me about it on Twitter, Tumblr and now on my Patreon. Having so many authors in my corner has been a dream though. You all inspire me with your creativity and your story telling so much. Ultimately, it’s what pushed me to finally start a webcomic in the first place. I’m a librarian—my first big love will always be reading. Knowing that I have these incredible authors that I respect and have welcomed me to come live in their worlds for a while, really pushes me to create something worth hanging out in as well.
You’ve done a lot of amazing artwork for other books—S.J. Goslee’s Whatever, Tara Sim’s Timekeeper series, Becky Albertalli’s Simon Vs. the Homo Sapiens Agenda, Leigh Bardugo’s Six of Crows. Are there any books or LGBTQ+ characters you’ve wanted to draw but haven’t yet?
I drew Aiden and Shannon once from Taylor Brooke’s Fortitude Smashed, but I’m itching to draw Daisy and Chelsea from the sequel Curved Horizon. I’m weak for the southern sorority girl and punk princess relationship. I need to do some serious art for the Wicker King by Kayla Ancrum as well, because that book was absolutely beautiful, and it stirred up my imagination from start to finish.
Your artwork is so loveable. The way you capture characters is fun but precise, too. Are there any current webcomics or artists that inspire you?
Check Please! Is always the first webcomic I tell people about. It’s so fun and sucks you right in. I binge read it in a Denny’s while I was in college. I couldn’t leave my booth until I was done. It’s just so good. I’m a huge fan of Noelle Stevenson and her comics Nimona and Lumberjanes. I’ve been reading Rainbow Rowell’s latest work on The Runaways. There’s a webcomic on Patreon called Constellation Grimm by Gibslythe that’s a really amazing fantasy with some of the best art as well.
Outside of Quinn, Dreaming, can you tell us about any other projects you’re working on?
I am currently finishing up writing a book about a Canadian vampire named Steven Pancake. He decides he’s going to make the most of his afterlife and buys himself a canoe. His camping trip goes awry, he meets a broody handsome 17th century Romanian vampire named Nicolae, wacky woodland hijinks ensue! There’s werewolves, aliens, some rednecks, and kissing!
Want more TJ Ryan? Here’s where you can find them:
Weebly — https://tjryanart.weebly.com
Julian Winters is a former management trainer who lives in the outskirts of Atlanta, Georgia and has been crafting fiction since he was a child, creating communities around his hand-drawn “paper people.” He began writing LGBTQ character-driven stories as a teen and developed a devoted fan fiction following. When he isn’t writing or using his sense of humor to entertain his young nephews, Julian enjoys reading, experimental cooking in the kitchen, and watching the only sports he can keep up with: volleyball and soccer. Running with Lions is his first novel.
All historical, all queer, all out! This new anthology, edited by Saundra Mitchell, just released from Harlequin Teen and contains a host of queer historical stories by so many faves! (And also me!) Thankfully, many of those faves agreed to share a little about their stories here, so check it out, make good use of those buy links, and enjoy!
(Photographs are mine.)
Take a journey through time and genres and discover a past where queer figures live, love and shape the world around them. Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens.
From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.
I’m delighted to have a number of the contributors sharing a bit about their stories!
Anna-Marie McLemore, “Roja”
“Roja” began as a reimagining of the story of Leonarda Emilia, better known as La Carambada, the legendary Mexican outlaw who flashed her breasts at the rich men she robbed, so they would know without a doubt that they’d been bested by a woman. But along the way, my imagining of La Carambada wandered, as my stories often do, into the realm of fairy tale. My Emilia became a Mexican version of Little Red Riding Hood. The Wolf emerged as a transgender French soldier who garners his own fierce reputation. The forbidding woods became the hills of Mexico in the 1870s, a country in the aftermath of a brutal war.
Maybe the Frenchman the real Leonarda Emilia loved wasn’t a transgender soldier. Maybe most people don’t think of a Mexican girl when they imagine Little Red Riding Hood. But for the time it took me to write “Roja,” I got to imagine both Red and La Carambada as both queer and Latina. Writing “Roja” made these stories feel like they belonged to girls like me.
Natalie C. Parker, “The Sweet Trade”
I am a life-long fan of pirate stories, historical and fictional. As a kid, I believed that the only people who became pirates were boys and men. This was certainly what I’d learned from history—Blackbeard and Calico Jack—and definitely what was reflected in fiction—Long John Silver and Captain Hook. When I finally discovered that girls and women were also a part of the historical narrative (Anne Bonny! Madame Cheng!), I immediately wanted to find their reflection in fiction. They are there, but those who land in the adventure tend to find themselves sidetracked to the adventures of boys and are rarely queer in any way.
I wrote “The Sweet Trade” because I wanted to see queer girls choosing adventure and choosing each other. I wanted to explore the origin story of two girls breaking away from the expectations of others and striking out on their own. In that way, it’s sort of a pre-pirate story, the opening gambit in what will surely be a grand adventure.
Nilah Magruder, “And They Don’t Kiss at the End”
It’s all in the title, really. I wrote “And They Don’t Kiss at the End” because I needed a story with no kissing. Romance and sex always made me a little uncomfortable, not just in practice, but in theory. I ran from declarations of love and admiration from friends. I scrunched my face and turned away when the guy got the girl in movies. I thought I was a “late bloomer” when this aversion persisted into adulthood. I kept waiting to meet “the one” to cure my indifference, and they never came. This story is an exploration of asexuality in the 1970’s, at a time when terminology to describe asexuality was still being formed. It was a chance for me to imagine different choices than the ones I made in my youth. Getting to gush about Pride & Prejudice with roller skating as a backdrop was also a plus.
Dahlia Adler, “Molly’s Lips”
I used to fear writing short stories because I didn’t know how to make them feel like a complete story without death. I’ve grown since then, but death is still very much present in “Molly’s Lips”— specifically, that of Kurt Cobain, deceased frontman of my favorite band, Nirvana; the story is set at his big vigil in Seattle on April 10, two days after his body was found. And it isn’t about girls falling in love; they’ve already fallen. It’s about finding the voice, the confidence, the words to share those feelings, and the bravery they were given by someone who had the courage to push back against bigotry in his fandom. It’s also a love story with its own built-in soundtrack; what could be better than that?
Mackenzi Lee, “Burnt Umber”
My family is from the Netherlands–my dad grew up in a Dutch farming community in Iowa, my last name (which is not Lee) is very long and starts with a Van, and I have a fondness for all poetry from Delft. When this anthology invitation came my way, I was about to go to Amsterdam to research a different writing project. While there, my already-existing fascination with Dutch art from the Golden Age became an obsession. I wanted to know all about painting, why these paintings existed, what it took to become a master painter and the commodification surrounding art and masterpieces. Art that, in its day was considered commercial trash is now hanging in galleries people from all over the world visit. It was all a lot of information that had no place in the book about flowers I was researching, and I wasn’t sure I’d ever get to use it. But when I visited Rembrandt’s studio in Holland, I knew I wanted to write something set in the Dutch art world and this story was a perfect opportunity.
One of my favorite things to do in my writing is take the tropes of historical or genre narratives and give them to queer characters. This story is “draw me like one of your French girls” from Titanic. It’s Girl with the Pearl Earring. It’s the Vincent Van Gogh episode of Dr. Who. But it’s two boys, an artist’s studio, a significant lack of clothing, and a whole lot of awkward teenage crush.
Alex Sanchez, “The Secret Life of the Teenage Boy”
“The Secret Life of a Teenage Boy” takes place in 1969, when I was a teen bursting with romantic yearning. Although I was aware of my attraction toward other boys, I had no positive words to put to those intimate feelings—only negative slurs. People rarely spoke openly or honestly about sex. Homosexuality was considered a mental disorder. Acting on it was a criminal offense. I didn’t know of any openly gay people. The term “gay” had barely even come into use. In my teenage isolation, I fantasized for hours about a strong handsome young guy who would swoop into my life and carry me away to a place where we could be free to love each other. This story is a reminiscence of what it was like to live in that time and place, yearning for a life and a world that would take years to come.
Kate Scelsa, “The Coven”
Since I started working on my theater company’s adaptation of Hemingway’s “The Sun Also Rises” back in 2010, I’ve done a lot of reading about Hemingway and his peers in Paris in the 20’s, and something that’s always fascinated me was Hemingway’s relationship with Gertrude Stein and this whole community of lesbians that he used to hang out with. The vision of Gertrude Stein as a kind of den mother has always appealed to me, so I wanted to give her that role with two young women who were still figuring out who they were to each other. And then of course Hemingway himself needed to make an appearance. And, yes, there are witches.
Tess Sharpe, “The Girl With the Blue Lantern”
I grew up in Gold Rush country, in the shadow of a mountain that has many stories and myths attached to it. I also grew up writing Sci-Fi and Fantasy instead of the contemporary mysteries and thrillers I write now, so being able to create a historical fantasy piece was a special treat.
People still make a living pulling gold from the water and dirt in my childhood county. I’ve panned little flakes and tiny nuggets out of the creek that snakes through our homestead myself. Gold has been a strong motivator for many things throughout our history: war, destruction, greed, murder, exploitation, exploration, colonization.
But in “The Girl with the Blue Lantern,” gold leads us to a very different place: love. A story of escape and acceptance, of gold sprites, and of one very silly dog named Virgil.
Kody Keplinger, “Walking After Midnight”
“Walking After Midnight” is, at it’s core, a love letter to the trope of “two strangers meet and walk around talking all night.” I’m a sucker for stories like Before Sunrise, and I thought it would be fun to explore that sort of narrative between two young queer women. Betsey is an actress who hasn’t quite made the leap from child star to leading lady the way someone like Elizabeth Taylor did. Laura is a waitress at her family’s diner and isn’t sure she’ll ever escape her small town. I loved exploring these girls’ opposing situations, their hopes and fears. And getting to write about Betsey, whom I’d describe as gray-asexual, was a joy. Plus, I mean, I got to use all the things I’ve learned from the You Must Remember This podcast to good use!
Tessa Gratton, “Three Witches”
As a queer “recovering” Catholic and occasionally practicing witch, I’ve for years been aware of the threads of desire that can be found in medieval Catholic writing. Usually it’s desire for heaven or Christ’s touch, especially to the nuns considered to be “married” to Christ, but often this desire surpasses the flesh in queer ways, especially in the writings of the female mystics like St. Teresa of Avila. In “Three Witches” I wanted to explore the desire embedded in the prayers and explorations of medieval nuns, as well as the inherent conflict between desire and purity in the imagery and words associated with the Virgin Mary. The Inquisition was the strongest political force in Spain during the 15th century, hunting predominantly Jewish people and Muslims, but also available to excise anything unwanted from the Church. Including “unnatural” desire.
That’s all to say: I wanted to write a sexy, difficult story about two girls falling in love (and in lust) while grappling with what they’re told they should desire. And I wanted to write about witches.
Sara Farizan, “The End of the World as We Know It”
I know 1999 is a year that should not belong in a historical fiction anthology, but it was almost twenty years ago! I wanted to write a story that took place at the end of the twentieth century and encapsulated some of the hopes and fears people had going into the new century. Ezgi and Katie, two life- long best friends who have a strained relationship, also have their own hopes and fears for the future that come to light on New Year’s Eve while watching MTV’s countdown to midnight. When you think the world might come to an end, and tomorrow might mean the end of civilization as you know it (Y2K, man. What a trip), you have to hold on to the people you care about most, no matter how scary or daunting that may seem.
Shaun David Hutchinson, “The Inferno and the Butterfly”
I love magic. And what’s more magical than finding love in an unexpected place? “The Inferno and the Butterfly” was a story I’ve been dying to tell. I’ve always been fascinated by stage magicians, and though Alfie and Wilhelm might be the assistants, they’re the ones performing the real magic.