Today on the site I’m thrilled to be revealing the cover of Rebecca Podos’s extremely Jewish contemporary bi YA fantasy, From Dust, A Flame, which releases from Balzer + Bray/HarperCollins on February 8, 2022! Here’s the story:
Hannah’s whole life has been spent in motion. Her mother has kept her and her brother, Gabe, on the road for as long as she can remember, leaving a trail of rental homes and faded relationships behind them. No roots, no family but one another, and no explanations.
All of that changes on Hannah’s seventeenth birthday when she wakes up transformed, a pair of golden eyes with knife-slit pupils blinking back at her from the mirror—the first of many such impossible mutations. Promising that she knows someone who can help, her mother leaves Hannah and Gabe behind to find a cure. But as the days turn to weeks and their mother doesn’t return, they realize it’s up to them to find the truth.
What they discover is a family they never knew, and a history more tragic and fantastical than Hannah could have dreamed—one that stretches back to her grandmother’s childhood in Prague under the Nazi occupation, and beyond, into the realm of Jewish mysticism and legend. As the past comes crashing into the present, Hannah must hurry to unearth their family’s secrets—and confront her own hidden legacy in order to break the curse and save the people she loves most, as well as herself.
Rebecca Podos, award-winning author of Like Water, returns with a contemporary fantasy of enduring love, unfathomable loss, and the power of stories to hold us together when it seems that nothing else can.
And here’s the cover, designed by Sarah Kaufman and illustrated by Lisa Sheehan!
Rebecca Podos’ debut novel, THE MYSTERY OF HOLLOW PLACES, was a Junior Library Guild Selection and a B&N Best YA Book of 2016. Her second book, LIKE WATER, won the 2018 Lambda Literary Award for LGBTQ Children’s and Young Adult. THE WISE AND THE WICKED, her third novel, was recently released. Forthcoming books include FOOLS IN LOVE (Running Press Kids, 2021), a co-edited YA anthology with Ashley Herring Blake, and FROM DUST, A FLAME (Balzer + Bray, 2022). An agent at the Rees Literary Agency in Boston, she can be found on her website, Rebeccapodos.com.
Today on the site, we’re happy to welcome back Sara Codair to reveal the cover for their upcoming new adult contemporary fantasy, Life Minus Me, releasing from NineStar Press on December 23rd, 2019! Here’s a little more about the book:
Mel is half-angel, but despite her ability to heal and read minds, she feels powerless to help anyone. When a prophecy shows a local pet supply store owner driving their car off a bridge, Mel sets out to stop it.
Baily, owner of Barks and Bits, is barely holding it together. Things keep going wrong, and their depression spirals out of control. Just as they start wondering if they’d be better off dead, a new friend provides a glimmer of hope. But is that enough to keep living?
Mel never thought saving Baily would be easy, but she can’t figure out when, where, or why Baily’s suicide will happen. As her confidence fades away, she wonders how she can help anyone when she needs so much help herself.
And here’s the lovely, wintry cover, designed by Natasha Snow!
Sara Codair is the author of over fifty short stories, which are packed with action, adventure, magic, and the bizarre. They partially owe their success to their faithful feline writing partner, Goose the Meowditor-In-Chief, who likes to “edit” their work by deleting entire pages. Sara’s debut novel, Power Surge, was published by NineStar Press and the sequel will be out sometime in 2020. Find Sara online at saracodair.com or @shatteredsmooth.
Bonus: It doesn’t yet have a title, and it isn’t out until 2021, but it’s never too early to get Adrienne Tooley’s debut on your TBR! And though they’re yet not on Goodreads to add, The Contemporary Witches of Salem by Sol Santana and The Witches of Silverlake by Simon Curtis will be arriving then as well!
I’m so thrilled to be revealing a truly gorgeous cover and excerpt on the site today for The House in the Cerulean Sea by TJ Klune, a contemporary fantasy releasing from Tor on March 17, 2020! Here’s the story:
At forty, Linus Baker lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of gifted children in government-sanctioned orphanages. When Linus is unexpectedly summoned by Extremely Upper Management, he’s given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children and their elusive but charming caretaker, Arthur, live. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn.
And here’s the cover, with art by Chris Sickels/Red Nose Studio (@rednosestudio) and designed by Peter Lutjen!
But wait, there’s more! We’ve even got an excerpt—here’s the first chapter of The House in the Cerulean Sea!
“Oh dear,” Linus Baker said, wiping the sweat from his brow. “This is most unusual.”
That was an understatement. He watched in rapt wonder as an eleven-year-old girl named Daisy levitated blocks of wood high above her head. The blocks spun in slow, concentric circles. Daisy frowned in concentration, the tip of her tongue stuck out between her teeth. It went on for a good minute before the blocks slowly lowered to the floor. Her level of control was astounding.
“I see,” Linus said, furiously scribbling on his pad of paper. They were in the master’s office, a tidy room with government-issued brown carpet and old furniture. The walls were lined with terrible paintings of lemurs in various poses. The master had showed them off proudly, telling Linus painting was her passion, and that if she hadn’t become the master of this specific orphanage, she’d be traveling with a circus as a lemur trainer or even have opened up a gallery to share her artwork with the world. Linus believed the world was better off with the paintings staying in this room, but he kept the thought to himself. He wasn’t there to engage in amateur art criticism. “And how often do you—er, you know? Make things float?”
The master of the orphanage, a squat woman with frizzy hair, stepped forward. “Oh, not often at all,” she said quickly. She wrung her hands, eyes darting back and forth. “Perhaps once or twice . . . a year?”
“A month,” the woman amended. “Silly me. I don’t know why I said a year. Slip of the tongue. Yes, once or twice a month. You know how it is. The older the children get, the more they . . . do things.”
“Is that right?” Linus asked Daisy.
“Oh yes,” Daisy said. “Once or twice a month, and no more.” She smiled beatifically at him, and Linus wondered if she’d been coached on her answers before his arrival. It wouldn’t be the first time it’d happened, and he doubted it’d be the last.
“Of course,” Linus said. They waited as his pen continued to scratch along the paper. He could feel their gazes on him, but he kept his focus on his words. Accuracy demanded attention. He was nothing but thorough, and his visit to this particular orphanage had been enlightening, to say the least. He needed to jot down as many details as he could to complete his final report once he returned to the office.
The master fussed over Daisy, pulling her unruly black hair back, fixing it in place with plastic butterfly clips. Daisy was staring forlornly at her blocks on the floor as if she wished they were levitating once more, her bushy eyebrows twitching.
“Do you have control over it?” Linus asked.
Before Daisy could open her mouth, the master said, “Of course she does. We’d never allow her to—”
Linus held up his hand. “I would appreciate, madam, if I could hear from Daisy herself. While I have no doubt you have her best interests in mind, I find that children such as Daisy here tend to be more . . . forthright.”
The master looked to speak again until Linus arched an eyebrow. She sighed as she nodded, taking a step back from Daisy.
After scribbling a final note, Linus capped his pen and set it and the pad of paper back in his briefcase. He stood from his chair and crouched down before Daisy, knees groaning in protest.
Daisy gnawed on her bottom lip, eyes wide. “Daisy? Do you have control over it?”
She nodded slowly. “I think so? I haven’t hurt anyone since I was brought here.” Her mouth twisted down. “Not until Marcus. I don’t like hurting people.”
He could almost believe that. “No one said you did. But sometimes, we can’t always control the . . . gifts we’re given. And it’s not necessarily the fault of those with said gifts.”
That didn’t seem to make her feel better. “Then whose fault is it?”
Linus blinked. “Well, I suppose there are all sorts of factors. Modern research suggests extreme emotional states can trigger instances such as yours. Sadness. Anger. Even happiness. Perhaps you were so happy, you accidentally threw a chair at your friend Marcus?” It was the reason he’d been sent here in the first place. Marcus had been seen in hospital in order to have his tail looked after. It’d been bent at an odd angle, and the hospital had reported it directly to the Department in Charge of Magical Youth as they were required to do. The report triggered an investigation, which was why Linus had been assigned to this particular orphanage.
“Yes,” Daisy said. “That’s exactly it. Marcus made me so happy when he stole my colored pencils that I accidentally threw a chair at him.”
“I see,” Linus said. “Did you apologize?”
She looked down at her blocks again, shuffling her feet. “Yes. And he said he wasn’t mad. He even sharpened my pencils for me before he gave them back. He’s better at it than I am.”
“What a thoughtful thing to do,” Linus said. He thought about reaching out and patting her on the shoulder, but it wasn’t proper. “And I know you didn’t mean him any harm, not really. Perhaps in the future, we will stop and think before we let our emotions get the better of us. How does that sound?”
She nodded furiously. “Oh yes. I promise to stop and think before I throw any more chairs with nothing but the power of my mind.”
Linus sighed. “I don’t think that’s quite what I—”
A bell ran from somewhere deep in the old house.
“Biscuits,” Daisy breathed before running toward the door.
“Only one,” the master called after her. “You don’t want to spoil your supper!”
“I won’t!” Daisy shouted back before slamming the door behind her. Linus could hear the little pitter-patter of her footsteps as she raced down the hall toward the kitchen.
“She will,” the master muttered, slumping down in her chair behind her desk. “She always does.”
“I believe she’s earned it,” Linus said.
She rubbed a hand over her face before eyeing him warily. “Well, that’s it, then. You’ve interviewed all the children. You’ve inspected the house. You’ve seen that Marcus is doing well. And while there was the . . . incident with the chair, Daisy obviously means no harm.”
He believed she was right. Marcus had seemed more interested in having Linus sign his tail cast rather than getting Daisy into any trouble. Linus had balked, telling him it wasn’t his place. Marcus was disappointed, but bounced back almost immediately. Linus marveled—as he sometimes did—how resilient they all were in the face of everything. “Quite.”
“I don’t suppose you’ll tell me what you’re going to write in your report—”
Linus bristled. “Absolutely not. You will be provided with a copy once I’ve filed it, as you know. The contents will be made clear to you then, and not a moment before.”
“Of course,” the master said hastily. “I didn’t mean to suggest that you—”
“I’m glad you see it my way,” Linus said. “And I know DICOMY will certainly be appreciative as well.” He busied himself with this briefcase, rearranging the contents until he was satisfied. He closed it and snapped the locks in place. “Now, unless there is anything else, I’ll take my leave and bid you—”
“The children like you.”
“I like them,” he said. “I wouldn’t do what I do if I didn’t.”
“That’s not always how it is with others like you.” She cleared her throat. “Or, rather, the other caseworkers.”
He looked at the door longingly. He’d been so close to making his escape. Clutching his briefcase in front of him like a shield, he turned back around.
The master rose from her chair and walked around the desk. He took a step back, mostly out of habit. She didn’t come any closer, instead, leaning back against her desk. “We’ve had . . . others,” she said.
“Have you? That’s to be expected, of course, but—”
“They don’t see the children,” she said. “Not for who they are, only for what they’re capable of.”
“They should be given a chance, as all children should. What hope would they have to be adopted if they’re treated as something to be feared?”
The master snorted. “Adopted.”
He narrowed his eyes. “Something I said?”
She shook her head. “No, forgive me. You’re refreshing, in your own way. Your optimism is contagious.”
“I am positively a ray of sunshine,” Linus said flatly. “Now, if there’s nothing else, I can show myself—”
“How is it you can do what you do?” she asked. She blanched as if she couldn’t believe what she’d said.
“I don’t know what you mean.”
“Work for DICOMY.”
Sweat trickled down the back of his neck into the collar of his shirt. It was awfully warm in the office. For the first time in a long time, he wished he were outside in the rain. “And what’s wrong with DICOMY?”
She hesitated. “I mean no offense.”
“I should hope not.”
“It’s just that . . .” She stood from her desk, arms still folded. “Don’t you wonder?”
“Never,” Linus said promptly. Then, “About what?”
“What happens to a place like this after you file your final report. What becomes of the children.”
“Unless I’m called to return, I expect they continue to live as bright and happy children until they become bright and happy adults.”
“Who are still regulated by the government because of who they are.”
Linus felt backed into a corner. He wasn’t prepared for this. “I don’t work for the Department in Charge of Magical Adults. If you have any concerns in that regard, I suggest you bring it up with DICOMA. I’m focused solely on the well-being of children, nothing more.”
The master smiled sadly. “They never stay as children, Mr. Baker. They always grow up eventually.”
“And they do so using the tools that one such as yourself provides for them should they find themselves aging out of the orphanage without having been adopted.” He took another backward step toward the door. “Now, if you’ll excuse me, I have to catch the bus. It’s a rather long trip home, and I don’t want to miss it. Thank you for your hospitality. And again, once the report is filed, you will be sent a copy for your own records. Do let us know if you have any questions.”
“Actually, I do have another—”
“Submit it in writing,” Linus called, already through the door. “I look forward to it.” He shut it behind him, the latch clicking in place. He took a deep breath before exhaling slowly. “Now you’ve gone and done it, old boy. She’ll send you hundreds of questions.”
“I can still hear you,” the master said through the door.
Linus startled before hurrying down the hall.
He was about to leave through the front door when he paused at a bright burst of laughter coming from the kitchen. Against his better judgment, he tiptoed toward the sound. He passed by posters nailed to the walls, the same messages that hung in all the DICOMY-sanctioned orphanages he’d been to. They showed smiling children below such legends as we’re happiest when we listen to those in charge and a quiet child is a healthy child and who needs magic when you have your imagination?
He stuck his head in the kitchen doorway.
There, sitting at a large wooden table, was a group of children.
There was a boy with blue feathers growing from his arms.
There was a girl who cackled like a witch; it was fitting seeing as how that’s what her file said she was.
There was an older girl who could sing so seductively, it brought ships crashing onto the shore. Linus had balked when he’d read that in her report.
There was a selkie, a young boy with a fur pelt resting on his shoulders.
And Daisy and Marcus, of course. Sitting side by side, Daisy exclaiming over his tail cast through a mouthful of biscuit. Marcus grinned at her, his face a field of rusty freckles, tail resting on the table. Linus watched as he asked her if she would draw him another picture on his cast with one of her colored pencils. She agreed immediately. “A flower,” she said. “Or a bug with sharp teeth and stinger.”
“Ooh,” Marcus breathed. “The bug. You have to do the bug.”
Linus left them be, satisfied with what he’d seen.
He made his way to the door once more. He sighed when he realized he’d forgotten his umbrella once again. “Of all the—”
He opened the door and stepped out into the rain to begin the long journey home.
Excerpt used with permission from Tor Books, an imprint of Tom Doherty Associates, (c) 2019 TJ Klune.
TJ Klune is an ex-claims examiner for an insurance company. His debut novel, Bear, Otter, and the Kid, was chosen by Amazon as one of their Top 10 LGBTQ Books published in 2011. Other novels have won him the 2014 Lambda Literary Award for Best Gay Romance and the 2016 the Gold Medal from the Florida Publisher’s Association. Visit him online at TJKluneBooks.com, on Twitter at @tjklune or on Instagram as @tjklunebooks.
Queer witch queer witches queer witches!!! Melded with ancient Celtic mythology, no less! That’s what you can expect in E. Latimer’s Witches of Ashes and Ruin, which releases March 3, 2020, from Disney Hyperion!
Seventeen-year-old Dayna Walsh is struggling to cope with her somatic OCD; the aftermath of being outed as bisexual in her conservative Irish town; and the return of her long-absent mother, who barely seems like a parent. But all that really matters to her is ascending and finally, finally becoming a full witch. Plans that are complicated when another coven, rumored to have a sordid history with black magic, arrives in town with premonitions of death. Dayna immediately finds herself at odds with the bewitchingly frustrating granddaughter of their coven leader, Meiner King.
And then a witch turns up murdered at a local sacred site, along with the blood symbol of the Butcher of Manchester—an infamous serial killer whose trail has long gone cold. Whose motives are enmeshed in a complex web of witches and gods, which Dayna and Meiner find themselves at the center of.
And if they don’t stop the Butcher, one of them will be next.
Here’s the striking cover, designed by Phil Buchanan!
In her spare time, she writes books, makes silly vlogs with the Word Nerds about writing, and reads excessively. You can find her on her website http://www.elatimer.com/ or over on twitter as @ELatimerWrites