Today on the site I’m excited to welcome Nino Cipri, author of the brand-new Homesick, which just released from Dzanc Books on Tuesday! It’s a short story collection that spans speculative, sci-fi, fantasy, and horror, with all sorts of queer/trans rep, including queer, bisexual, lesbian, gay, transfeminine, transmasculine, nonbinary, and bigender. Here’s the official blurb:
Dark, irreverent, and truly innovative, the nine speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients’ house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species of intelligent weasels. Nino Cipri’s debut collection announces the arrival of a brilliant and wonderfully unpredictable writer with a gift for turning the short story on its ear.
We’re celebrating the release with an excerpt from the novella “Before We Disperse Like Star Stuff,” which you can learn more about here:
Three years ago, Damian Flores, Min-Ji Hong, and Ray Walker made the discovery of a lifetime: the fossilized remains of a long-dead species of intelligent weasels, who had a developed language and writing system. Their find helped redefine ideas of sentience and saved parts of Pine Ridge from natural gas extraction. Three years later, however, Damian can’t shake the suspicion that he’s a sellout, Min can’t find a post-doc fellowship despite co-discovering a non-human language, and Ray is languishing in boredom in a small Kansas college town. When an opportunity to film a documentary about their discovery arises, the three former friends must reckon with secrets, drunken apologies, baby otters, and the bullshit colonial underpinnings of archeology.
(Rep notes for anyone curious: Damian is Latinx, transmasculine, and queer. Min is a transwoman and Korean-American. Ray Walker is Lakota and bisexual. )
And here’s the excerpt!
Ray’s flat Midwest accent always made Damian think of hollow logs rolling down a hill. It was unmistakable and weirdly attractive.
“I was hoping to talk to you,” Damian answered. Ray had grown his hair out and wore it tied back in a messy bun, wavy tendrils escaping in the wind. Damian instinctively wanted to tuck them back behind Ray’s ears.
“Hell of a drive from New York City, just for a conversation,” Ray said. “Why didn’t you call?”
“You changed your number.”
Ray rolled his eyes. “Min still has my number. You could have gotten it from her.”
He hadn’t even thought of that. Why were Min and Ray still talking to each other and not to him? He was the connection between them, the common denominator. He’d assumed that they’d all lost touch at the same time, after he’d announced his book deal and they looked at him with betrayal instead of excitement. “I’ve got a proposition for you,” he said to Ray. “I figured you’d be less likely to turn me down in person.”
Ray huffed—not quite a scoff, but too annoyed to be a laugh. “Good to know you’re still a manipulative shit.”
“I guess I deserve that,” Damian said quietly. He absolutely deserved that. Even now, he was calculating how much hurt to allow into his voice and vigorously hating himself for it. He wanted to be a good person, but he wanted to do good work more. This documentary was good—ergo: all was fair.
“Come on,” Ray said. “Step into my office.”
His office was, of course, his truck, and if the sight of it had been a punch to the gut, stepping into it was like getting reverse-suplexed into the past. Same threadbare fabric on the seats. Same clatter of coffee cups rolling around the footwell. Same dusty dashboard, with the word BUTTS etched into the leather near the passenger window—a gift from one of Ray’s nephews. Ray had attempted to turn it into the word BURTS, supposedly in honor of Reynolds and Kwouk, but with meager success.
It was horrible. Damian only liked the past when it was a minimum of six hundred years old.
“The good old Buttsmobile,” he said.
“It’s the Burtsmobile, damn it,” Ray muttered. “What’s your proposition?”
“The Smithsonian wants to make a documentary about ossicarminis.”
“Adapt your book, you mean?”
“Not just the book,” Damian said. “They optioned it as an actual documentary about ossicarminis, finding and identifying them, the whole thing with NEOCO.” He wasn’t going to go into the Space Weasels. He could only have one crisis of conscience at a time.
“And what happened after? Our falling out? Or only the part of the story that makes you look good?” Ray asked. He’d always been blunt. Damian used to like that about him.
“Is that what you call it?” Damian asked, honestly interested. “A falling out?”
Ray shrugged. “That’s what other people call it when they’re trying to ask me what happened.”
“Falling out,” Damian said again, testing the words. Like it was natural law, rather than two stubborn assholes roleplaying an unstoppable force meeting an immovable object.
“I told them I wouldn’t do it without you and Min,” Damian said. It wasn’t quite a lie; assuring Annika that Ray and Min would definitely sign onto the project was basically the same thing. “The two of you are the story. More than me. I just got lucky by falling in a cave.”
“Ossicarminis is the story,” Ray said. “I—I don’t—”
Damian waited him out, toying with the iron pendant his mother had made him in a smithing class.
“I don’t want to rehash the whole thing, man,” Ray said eventually. A nice blush was spreading across his cheek. “Not what happened between us. That stays off camera and in the past.”
“I am one hundred percent okay with that,” Damian said, and knew it was a lie as soon as he said it. He had fallen into a fast, consumptive love with this nerdy asshole and his terrible khakis, his probably lethal caffeine habit, and his utter disinterest in being tactful. Their so-called falling out hadn’t changed that. He had planned on avoiding Ray forever, but he’d come around to the idea that this could be his second chance. That’s why he’d actually driven to this godforsaken prairie infested with Elvis-themed restaurants. They’d wanted the same thing, after all: to spread the word about ossicarminis, to make people understand the gravity of this discovery. They had disagreed loudly and angrily on how to do that, and Ray had dumped him.
And then he’d grown out his hair, which just seemed unfair.
“You grew out your hair,” Damian said, like the lovesick dumbass he was.
Ray ran a self-conscious hand over it. “I told myself I would when I got tenure. When they couldn’t fire me for looking ‘unprofessional.’” The word dripped with sarcasm. “Not sure if that meant too gay or too Indian. The chair never specified. Both, probably.”
The familiarity was a physical ache; Damian thought of the feeling of taking off his binder after a day of wear, stretching his shoulders back after hunching them for hours. It was unfair, it was exquisite, and it felt like pressing hard on a bruise that he’d successfully ignored for the past year and a half.
“So?” he asked. “Documentary?”
Nino Cipri is a queer and trans/nonbinary writer, editor, and educator. They are a graduate of the 2014 Clarion Writers’ Workshop, and earned their MFA in fiction from the University of Kansas in 2019. Their fiction collection Homesick won the Dzanc Short Story Collection award, and their novella Finna–about queer heartbreak, low-wage work, and wormholes–will be published by Tor.com in 2020. A multidisciplinary artist, Nino has also written plays, screenplays, and radio features; performed as a dancer, actor, and puppeteer; and worked as a stagehand, bookseller, bike mechanic, and labor organizer.
One time, an angry person on the internet called Nino a verbal terrorist, which was pretty funny.
When Zora Novak is framed for a crime she didn’t commit, she must track down the true culprit and clear her name before it’s too late. But in a small town obsessed with ghosts, getting people to believe the truth might prove to be impossible. Fans of Riverdale and Maureen Johnson’s Truly Devious will devour this eerie murder mystery. Features spot art and a map by the author.
Zora Novak has been framed.
When someone burns down the home of the school janitor and he dies in the blaze, everyone in Addamsville, Indiana, points a finger at Zora. Never mind that Zora has been on the straight and narrow since her father was thrown in jail. With everyone looking for evidence against her, her only choice is to uncover the identity of the real killer. There’s one big problem—Zora has no leads. No one does. Addamsville has a history of tragedy, and thirty years ago a similar string of fires left several townspeople dead. The arsonist was never caught.
Now, Zora must team up with her cousin Artemis—an annoying self-proclaimed Addamsville historian—to clear her name. But with a popular ghost-hunting television show riling up the townspeople, almost no support from her family and friends, and rumors spinning out of control, things aren’t looking good. Zora will have to read between the lines of Addamsville’s ghost stories before she becomes one herself.
The Larkin family isn’t just lucky—they persevere. At least that’s what Violet and her younger brother, Sam, were always told. When the Lyric sank off the coast of Maine, their great-great-great-grandmother didn’t drown like the rest of the passengers. No, Fidelia swam to shore, fell in love, and founded Lyric, Maine, the town Violet and Sam returned to every summer.
But wrecks seem to run in the family: Tall, funny, musical Violet can’t stop partying with the wrong people. And, one beautiful summer day, brilliant, sensitive Sam attempts to take his own life.
Shipped back to Lyric while Sam is in treatment, Violet is haunted by her family’s missing piece-the lost shipwreck she and Sam dreamed of discovering when they were children. Desperate to make amends, Violet embarks on a wildly ambitious mission: locate the Lyric, lain hidden in a watery grave for over a century.
She finds a fellow wreck hunter in Liv Stone, an amateur local historian whose sparkling intelligence and guarded gray eyes make Violet ache in an exhilarating new way. Whether or not they find the Lyric, the journey Violet takes-and the bridges she builds along the way-may be the start of something like survival.
Epic, funny, and sweepingly romantic, The Last True Poets of the Sea is an astonishing debut about the strength it takes to swim up from a wreck.
After the War of Kinds ravaged the kingdom of Rabu, the Automae, designed to be the playthings of royals, usurped their owners’ estates and bent the human race to their will.
Now Ayla, a human servant rising in the ranks at the House of the Sovereign, dreams of avenging her family’s death…by killing the sovereign’s daughter, Lady Crier.
Crier was Made to be beautiful, flawless, and to carry on her father’s legacy. But that was before her betrothal to the enigmatic Scyre Kinok, before she discovered her father isn’t the benevolent king she once admired, and most importantly, before she met Ayla.
Now, with growing human unrest across the land, pressures from a foreign queen, and an evil new leader on the rise, Crier and Ayla find there may be only one path to love: war.
Kate and Tam meet, and both of their worlds tip sideways. At first, Tam figures Kate is your stereotypical cheerleader; Kate sees Tam as another tall jock. And the more they keep running into each other, the more they surprise each other. Beneath Kate’s sleek ponytail and perfect façade, Tam sees a goofy, sensitive, lonely girl. And Tam’s so much more than a volleyball player, Kate realizes: She’s everything Kate wishes she could be. It’s complicated. Except it’s not. When Kate and Tam meet, they fall in like. It’s as simple as that. But not everybody sees it that way. This novel in verse about two girls discovering their feelings for each other is a universal story of finding a way to be comfortable in your own skin.
Many years ago, Claire was named Head Librarian of the Unwritten Wing—a neutral space in Hell where all the stories unfinished by their authors reside. Her job consists mainly of repairing and organizing books, but also of keeping an eye on restless stories that risk materializing as characters and escaping the library. When a Hero escapes from his book and goes in search of his author, Claire must track and capture him with the help of former muse and current assistant Brevity and nervous demon courier Leto.
But what should have been a simple retrieval goes horrifyingly wrong when the terrifyingly angelic Ramiel attacks them, convinced that they hold the Devil’s Bible. The text of the Devil’s Bible is a powerful weapon in the power struggle between Heaven and Hell, so it falls to the librarians to find a book with the power to reshape the boundaries between Heaven, Hell….and Earth.
When her father leaves and her mother passes away soon afterward, Finch can’t help feeling abandoned. Now she’s stuck living with her stepfather and his new wife. They’re mostly nice, but they don’t believe the one true thing Finch knows about herself: that she’s a girl, even though she was born in a boy’s body.
Thankfully, she has Maddy, a neighbor and animal rescuer who accepts her for who she is. Finch helps Maddy care for a menagerie of lost and lonely creatures, including a scared, stray dog who needs a family and home as much as she does. As she earns the dog’s trust, Finch realizes she must also learn to trust the people in her life–even if they are the last people she expected to love her and help her to be true to herself.
It’s the fall of 2016. Cate, a set designer in her early forties, lives and works in Chicago’s theater community. She has stayed too long at the fair and knows it’s time to get past her prolonged adolescence and stop taking handouts from her parents. She has a firm plan to get solvent and settled in a serious relationship. She has tentatively started something new even as she’s haunted by an old, going-nowhere affair. Her ex-husband, recently booted from his most recent marriage, is currently camped out in Cate’s spare bedroom, in thrall to online conspiracy theories, and she’s not sure how to help him. Her best friend Neale, a yoga instructor, lives nearby with her son and is Cate’s model for what serious adulthood looks like.
Only a few blocks away, but in a parallel universe we find Nathan and Irene—casual sociopaths, drug addicts, and small-time criminals. Their world and Cate’s intersect the day she comes into Neale’s kitchen to find these strangers assaulting her friend. Forced to take fast, spontaneous action, Cate does something she’s never even considered. She now also knows the violence she is capable of, as does everyone else in her life, and overnight, their world has changed. Anshaw’s flawed, sympathetic, and uncannily familiar characters grapple with their altered relationships and identities against the backdrop of the new Trump presidency and a country waking to a different understanding of itself. Eloquent, moving, and beautifully observed, Right after the Weather is the work of a master of exquisite prose and a wry and compassionate student of the human condition writing at the height of her considerable powers.
Lethe Press is excited to be releasing the debut short story collection by Bogi Takács. Takács may be known more for their recent editorial efforts, winning a Lambda Literary Award for Transcendent 2: The Year’s Best Transgender Themed Speculative Fiction. But Takács is a talented storyteller and poet. An uplifted octopus finds a strange capsule in the water and wonders if one of the long-vanished humans might be found inside; a team of scientists perform some reverse-engineering on a space station and shapeshifting becomes political; and other tales of AI, hybrids, and the far future.
Haitian-born professor and activist Patrice Denis is not here for anything that will veer him off the path he’s worked so hard for. One particularly dangerous distraction: Easton Archer, the assistant district attorney who last summer gave Patrice some of the most intense nights of his life, and still makes him all but forget they’re from two completely different worlds.
All-around golden boy Easton forged his own path to success, choosing public service over the comforts of his family’s wealth. With local law enforcement unfairly targeting young men of color, and his career—and conscience—on the line, now is hardly the time to be thirsting after Patrice again. Even if their nights together have turned into so much more.
For the first time, Patrice is tempted to open up and embrace the happiness he’s always denied himself. But as tensions between the community and the sheriff’s office grow by the day, Easton’s personal and professional lives collide. And when the issue at hand hits closer to home than either could imagine, they’ll have to work to forge a path forward…together.
Freshly graduated Master Physician Narsi Lif-Tahm has left his home in Anacleto and journeyed to the imposing royal capitol of Cieloalta intent upon keeping the youthful oath he made to a troubled writer. But in the decade since Narsi gave his pledge, Atreau Vediya, has grown from an anonymous delinquent to a man renowned for penning bawdy operas and engaging in scandalous affairs.</p>
What Narsi―and most of the larger world―cannot know is the secret role Atreau plays as spymaster for the Duke of Rauma.
After the Cadeleonian royal bishop launches an unprovoked attack against the witches in neighboring Labara, Atreau will require every resource he can lay his hands upon to avert a war. A physician is exactly what he needs. But with a relentless assassin hunting the city and ancient magic waking, Atreau fears that his actions could cost more than his own honor. The price of peace could be his friends’ lives.
Lake Geneva, 1816. Nineteen-year-old Mary Shelley is inspired to write a story about a scientist who creates a new life-form. In Brexit Britain, a young transgender doctor called Ry is falling in love with Victor Stein, a celebrated professor leading the public debate around AI and carrying out some experiments of his own in a vast underground network of tunnels. Meanwhile, Ron Lord, just divorced and living with his mom again, is set to make his fortune launching a new generation of sex dolls for lonely men everywhere. Across the Atlantic, in Phoenix, Arizona, a cryogenics facility houses dozens of bodies of men and women who are medically and legally dead… but waiting to return to life.
What will happen when homo sapiens is no longer the smartest being on the planet? In fiercely intelligent prose, Jeanette Winterson shows us how much closer we are to that future than we realize. Funny and furious, bold and clear-sighted, Frankissstein is a love story about life itself.
Hazel knows a lot about the world. That’s because when she’s not hanging with her best friend, taking care of her dog, or helping care for the goats on her family’s farm, she loves reading through dusty encyclopedias.
But even Hazel doesn’t have answers for the questions awaiting her as she enters eighth grade. What if no one at her new school gets her, and she doesn’t make any friends? What’s going to happen to one of her moms, who’s pregnant again after having two miscarriages? Why does everything have to change when life was already perfectly fine?
As Hazel struggles to cope, she’ll come to realize that sometimes you have to look within yourself—instead of the pages of a book—to find the answer to life’s most important questions.
A lively, intimate memoir from an icon of the gay rights movement, describing gay life in 1950s and 60s New York City and her longtime activism which opened the door for marriage equality.
Edie Windsor became internationally famous when she sued the US government, seeking federal recognition for her marriage to Thea Spyer, her partner of more than four decades. The Supreme Court ruled in Edie’s favor, a landmark victory that set the stage for full marriage equality in the US. Beloved by the LGBTQ community, Edie embraced her new role as an icon; she had already been living an extraordinary and groundbreaking life for decades.
In this memoir, which she began before passing away in 2017 and completed by her co-writer, Edie recounts her childhood in Philadelphia, her realization that she was a lesbian, and her active social life in Greenwich Village’s electrifying underground gay scene during the 1950s. Edie was also one of a select group of trailblazing women in computing, working her way up the ladder at IBM and achieving their highest technical ranking while developing software. In the early 1960s Edie met Thea, an expat from a Dutch Jewish family that fled the Nazis, and a widely respected clinical psychologist. Their partnership lasted forty-four years, until Thea died in 2009. Edie found love again, marrying Judith Kasen-Windsor in 2016.
On the day Torrey officially becomes a college freshman, he gets a call that might force him to drop out before he’s even made it through orientation: the bee farm his beloved uncle Miles left him after his tragic death is being foreclosed on.
Torrey would love nothing more than to leave behind the family and neighborhood that’s bleeding him dry. But he still feels compelled to care for the project of his uncle’s heart. As the farm heads for auction, Torrey precariously balances choosing a major and texting Gabriel—the first boy he ever kissed—with the fight to stop his uncle’s legacy from being demolished. But as notice letters pile up and lawyers appear at his dorm, dividing himself between family and future becomes impossible unless he sacrifices a part of himself.
From award-winning poet Saeed Jones, How We Fight for Our Lives is a stunning coming-of-age memoir written at the crossroads of sex, race, and power.
“People don’t just happen,” writes Saeed Jones. “We sacrifice former versions of ourselves. We sacrifice the people who dared to raise us. The ‘I’ it seems doesn’t exist until we are able to say, ‘I am no longer yours.’ ”
Haunted and haunting, Jones’s memoir tells the story of a young, black, gay man from the South as he fights to carve out a place for himself, within his family, within his country, within his own hopes, desires, and fears. Through a series of vignettes that chart a course across the American landscape, Jones draws readers into his boyhood and adolescence—into tumultuous relationships with his mother and grandmother, into passing flings with lovers, friends and strangers. Each piece builds into a larger examination of race and queerness, power and vulnerability, love and grief: a portrait of what we all do for one another—and to one another—as we fight to become ourselves.
Blending poetry and prose, Jones has developed a style that is equal parts sensual, beautiful, and powerful—a voice that’s by turns a river, a blues, and a nightscape set ablaze. How We Fight for Our Lives is a one of a kind memoir and a book that cements Saeed Jones as an essential writer for our time.
Rahul Kapoor is heading into seventh grade in a small town in Indiana. The start of middle school is making him feel increasingly anxious, so his favorite person in the whole world, his grandfather, Bhai, gives him some well-meaning advice: Find one thing you’re really good at and become the BEST at it.
Those four little words sear themselves into Rahul’s brain. While he’s not quite sure what that special thing is, he is convinced that once he finds it, bullies like Brent Mason will stop torturing him at school. And he won’t be worried about staring too long at his classmate Justin Emery. With his best friend, Chelsea, by his side, Rahul is ready to crush this challenge…. But what if he discovers he isn’t the bestat anything?
Funny, charming, and incredibly touching, this is a story about friendship, family, and the courage it takes to live your truth.
Twenty-one-year-old Madison T. Jackson is already the star of the Emerson College student newspaper when she nabs a coveted night internship at Boston’s premiere newspaper, The Boston Lede. The job’s simple: do whatever the senior reporters tell you to do, from fetching coffee to getting a quote from a grieving parent. It’s grueling work, so when the murder of a prominent Boston businessman comes up on the police scanner, Madison races to the scene of the grisly crime. There, Madison meets the woman who will change her life forever: prominent socialite Dahlia Kennedy, who is covered in gore and being arrested for the murder of her family. The newspapers put everyone they can in front of her with no results until, with nothing to lose, Madison gets a chance—and unexpectedly barrels headfirst into danger she never anticipated.
Jessie Archer is a member of the Athena Protocol, an elite organization of female spies who enact vigilante justice around the world.
Athena operatives are never supposed to shoot to kill—so when Jessie can’t stop herself from pulling the trigger, she gets kicked out of the organization, right before a huge mission to take down a human trafficker in Belgrade.
Jessie needs to right her wrong and prove herself, so she starts her own investigation into the trafficking. But going rogue means she has no one to watch her back as she delves into the horrors she uncovers. Meanwhile, her former teammates have been ordered to bring her down. Jessie must face danger from all sides if she’s to complete her mission—and survive.
The Lunar Chronicles meets Rook in this queer #OwnVoices science-fantasy novel, perfect for fans of Marissa Meyer and Sharon Cameron.
A secret beats inside Anna Thatcher’s chest: an illegal clockwork heart. Anna works cog by cog—donning the moniker Technician—to supply black market medical technology to the sick and injured, against the Commissioner’s tyrannical laws.
Nathaniel Fremont, the Commissioner’s son, has never had to fear the law. Determined to earn his father’s respect, Nathaniel sets out to capture the Technician. But the more he learns about the outlaw, the more he questions whether his father’s elusive affection is worth chasing at all.
Their game of cat and mouse takes an abrupt turn when Eliza, a skilled assassin and spy, arrives. Her mission is to learn the Commissioner’s secrets at any cost—even if it means betraying her own heart.
When these uneasy allies discover the most dangerous secret of all, they must work together despite their differences and put an end to a deadly epidemic—before the Commissioner ends them first.
Frozen meets Mad Max in this epic teen fantasy duology bursting with star-crossed romance, immortal heroines, and elemental magic, perfect for fans of Furyborn.
Generations of twin goddesses have long ruled Aeon. But seventeen years ago, one sister’s betrayal defied an ancient prophecy and split their world in two. The planet ceased to spin, and a Great Abyss now divides two realms: one cloaked in perpetual night, the other scorched by an unrelenting sun.
While one sister rules Aranth—a frozen city surrounded by a storm-wracked sea —her twin inhabits the sand-locked Golden City. Each goddess has raised a daughter, and each keeps her own secrets about her sister’s betrayal.
But when shadowy forces begin to call their daughters, Odessa and Haidee, back to the site of the Breaking, the two young goddesses—along with a powerful healer from Aranth, and a mouthy desert scavenger—set out on separate journeys across treacherous wastelands, desperate to heal their broken world. No matter the sacrifice it demands.
Nova Huang knows more about magic than your average teen witch. She works at her grandmothers’ bookshop, where she helps them loan out spell books and investigate any supernatural occurrences in their New England town.
One fateful night, she follows reports of a white wolf into the woods, and she comes across the unexpected: her childhood crush, Tam Lang, battling a horse demon in the woods. As a werewolf, Tam has been wandering from place to place for years, unable to call any town home.
Pursued by dark forces eager to claim the magic of wolves and out of options, Tam turns to Nova for help. Their latent feelings are rekindled against the backdrop of witchcraft, untested magic, occult rituals, and family ties both new and old in this enchanting tale of self-discovery.
Dark, irreverent, and truly innovative, the speculative stories in Homesick meditate on the theme of home and our estrangement from it, and what happens when the familiar suddenly shifts into the uncanny. In stories that foreground queer relationships and transgender or nonbinary characters, Cipri delivers the origin story for a superhero team comprised of murdered girls; a housecleaner discovering an impossible ocean in her least-favorite clients’ house; a man haunted by keys that appear suddenly in his throat; and a team of scientists and activists discovering the remains of a long-extinct species of intelligent weasels.
In the spirit of Laura van den Berg, Emily Geminder, Chaya Bhuvaneswar, and other winners of the Dzanc Short Story Collection Prize, Nino Cipri’s debut collection announces the arrival of a brilliant and wonderfully unpredictable writer with a gift for turning the short story on its ear.
Call Me Max by Kyle Lukoff, ill. by Luciano Lozano (15th)
When Max starts school, the teacher hesitates to call out the name on the attendance sheet. Something doesn’t seem to fit. Max lets her know the name he wants to be called by–a boy’s name. This begins Max’s journey as he makes new friends and reveals his feelings about his identity to his parents.
Veronica Welch has made it. She’s about to be named a partner at one of the most prestigious law firms in New York C ity. She’s on top of the world, except for one tiny ridiculous thing: she promised herself she’d be married by thirty-five. After a drink too many, she accidentally lets her “life plan” slip to Bea, her steadfast, ever meddling assistant, and now Bea won’t let the idea go.
Rachel Monaghan doesn’t do serious relationships. As a busy wedding photographer, she’s jaded about lasting love, has a thriving repeat business, and hasn’t had much luck with love herself. While bartending at her cousin’s bar, Rachel learns of Bea’s plan to get her boss married off by scheduling thirty dates in thirty days.
In this sophisticated contemporary romance, Veronica Welch tries to find love in the most efficient way possible, while Rachel Monaghan avoids love at all costs. What could possibly go wrong?