Tag Archives: Algonquin

New Release Spotlight: Endpapers by Jennifer Savran Kelly

This month we’re spotlighting Endpapers by Jennifer Savran Kelly, a fantastic recent historical about a Jewish genderqueer bookbinder in NYC with artistic passions, a complicated relationship with the partner she loves, and a mystery that helps her get to the heart of her feelings. It’s thoughtful and nuanced and full of gender exploration we rarely get to see in realistic fiction starring characters whose teenage years are behind them, and you can pick it up as of February 7th!

EndpapersIt’s 2003, and artist Dawn Levit is stuck. A bookbinder who works in conservation at the Met, she spends her free time scouting the city’s street art, hoping something might spark inspiration. Instead, everything looks like a dead end. And art isn’t the only thing that feels wrong: wherever she turns, her gender identity clashes with the rest of her life. Her relationship, once anchored by shared queerness, is falling apart as her boyfriend Lukas increasingly seems to be attracted to Dawn only when she’s at her most masculine. Meanwhile at work, Dawn has to present as female, even on the days when that isn’t true. Either way, her difference feels like a liability.

Then, one day at work, Dawn finds something hidden behind the endpaper of an old book: the torn-off cover of a ‘50s lesbian pulp novel, Turn Her About. On the front is a campy illustration of a woman looking into a handheld mirror and seeing a man’s face. And on the back is a love letter.

Dawn latches onto the coincidence, becoming obsessed with tracking down the note’s author. Her fixation only increases when her best friend Jae is injured in a hate crime, for which Dawn feels responsible. As Dawn searches for the letter’s author, she is also looking for herself. She tries to understand how to live in a world that doesn’t see her as she truly is, how to get unstuck in her gender, and how to rediscover her art, and she can’t shake the feeling that the note’s author might be able to help guide her to the answers.

Buy it: Bookshop | Amazon | IndieBound

April 2022 Deal Announcements

Adult Fiction

Author of THE UNBROKEN C.L. Clark’s WARMONGERS, in an epic fantasy set in a kingdom in a cycle of eternal war, two women—once lovers and warriors at arms—are set on a collision course when years after their separation, one is crowned king and the other vows to kill her, to Brit Hvide at Orbit, by Mary C. Moore at Kimberley Cameron & Associates (world).

Author of UNEXPECTED GOALS Kelly Farmer’s IT’S A FABULOUS LIFE, pitched as a sapphic retelling of the classic holiday movie as a second chance romance, in which a realtor puts her plans on hold again to help with her small town’s winter festival and, with the aid of angelic drag queens, reconnects with her high school crush, to Stacey Donovan at Hallmark, in a nice deal, for publication in fall 2023 (world English).

Arden Joy’s KEEP THIS OFF THE RECORD, pitched as a romantic comedy remix of Shakespeare’s Much Ado About Nothing that transforms ye olde damsels in distress into queer women, women of color, and women overcoming trauma, to Alexandria Brown at Rising Action, in an exclusive submission, for publication in January 2024 (world English).

Andie Burke’s COME FLY WITH ME, an opposites-attract romantic comedy about a female pilot and a woman who’s afraid of flying, who start fake dating after the woman saves a passenger’s life mid-flight and then goes viral, to Lisa Bonvissuto at St. Martin’s, in a very nice deal, in a two-book deal, for publication in fall 2023, by Mariah Nichols at D4EO Literary Agency (world).

Nicola Dinan‘s BELLIES, a queer coming-of-age story about two students who fall in love during their final year at university, only to find their relationship dramatically upended when one of them decides to transition, spanning London, Malaysia, and New York in the years after they graduate, pitched as Torrey Peters meets NORMAL PEOPLE, to Grace Towery at Hanover Square Press, in a pre-empt, by Monica MacSwan at Aitken Alexander (NA).

Author of A STAR IS BORED Byron Lane‘s BIG GAY WEDDING, a comedy of (mis)manners in which a young man returns home from Los Angeles to to his widowed mother’s farm in Louisiana with news of his upcoming nuptials—to a man—and the bigger surprise that the wedding will take place on the farm, pitched as The Birdcage meets Father of the Bride, to James Melia at Holt, for publication in summer 2023, by Deborah Schneider at Gelfman Schneider/ICM (NA).

Author, folklorist, and photographer Piper CJ’s THE NIGHT AND ITS MOON, originally self-published, about orphans who are sold to the highest bidder—in this case, the madame of a notorious brothel; along with THE SUN AND ITS SHADE, THE GLOOM BETWEEN STARS and THE DAWN AND ITS LIGHT, in a sapphic/bi romantic epic fantasy series, to Christa Desir at Bloom Books, in a very nice deal, in a four-book deal, for publication starting in September 2022 (world English).

Alexandrine Ogundimu’s THE LONGEST SUMMER, in which a half-Nigerian party boy navigates a bisexual love triangle and is the primary suspect of a $10,000 cash theft in a decaying Indiana city, to Christoph Paul at Clash, in a nice deal, for publication in June 2023 (world English).

BURN IT ALL DOWN author Nicolas DiDomizio’s THE GAY BEST FRIEND, a summer comedy set on a beach following a gay millennial as he code-switches between the hyper-masculine and ultra-feminine worlds of his two soon-to-be-wed best friends, to Mary Altman at Sourcebooks, in a two-book deal, for publication in spring 2023 (world).

Audiobook narrator and self-published author Travis Baldree’s LEGENDS & LATTES, in which an orc barbarian decides to hang up her sword and open a fantasy coffee shop, to Georgia Summers at Tor, in a good deal, in a pre-empt, in a two-book deal, by Stevie Finegan at Zeno Agency (world).

Deputy director of the gender equality division of the Bill & Melinda Gates Foundation Iris Mwanza’s THE GOOD BOY, about the disappearance of a queer boy in Lusaka, Zambia, possibly at the hands of the police, and the young, inexperienced lawyer who fights a corrupt system to get justice for him, set against the backdrop of the Zambia’s political upheaval in the 1990s, to Graydon House, at auction.

Isa Arsen‘s SHOOT THE MOON, pitched as THE ATOMIC CITY GIRLS meets THE TIME TRAVELER’S WIFE, about a queer female engineer at NASA working on the 1969 space race and her unusual discovery linked to her childhood in the 1940s, which explores the high human cost of scientific progress and the driving need for both intellectual fullfilment and romantic love, no matter the time and place, to Kate Dresser at Putnam, for publication in fall 2023, by Chris Bucci at Aevitas Creative Management (world).

Children’s Fiction

Author of the Norman the Goldfish series and the upcoming THE HOUSE THAT BABE RUTH BUILT Kelly Bennett’s RAINBOW KITE, stories of love, community, and family, about a nonbinary child following a kite on adventures to find community and acceptance; MONSTROUS MOE, in which a grumpy monster decides if a hug can help him be less grumpy; and MIA TAKES MANHATTAN, in which a cobra escapes the Bronx Zoo and travels the city before realizing she misses home, to Chrissy Willis at Young Dragons Press, in a nice deal, in a three-book deal, by Amy Brewer at Metamorphosis Literary Agency (US).

Michelle Mohrweis‘s YOUNG ENGINEERS, in which an autistic seventh grader, with a love of all things space, finds herself paired on an engineering project with her biggest crush, and both girls confront their messy family dynamics, feelings for one another, and high expectations, to Jonah Heller at Peachtree, in an exclusive submission, for publication in spring 2024, by Emily Forney at BookEnds (world).

Young Adult Fiction

Author of COOL FOR THE SUMMER and the forthcoming HOME FIELD ADVANTAGE Dahlia Adler‘s GOING BICOASTAL, pitched as a bi Sliding Doors, following a Jewish teen through two versions of the summer before senior year, one in NYC (with a cute girl) and one in L.A. (with a cute boy); and MY NAME IS EVERETT, a sunshine-meets-grump boarding school romance pitched as BEACH READ meets FOOLISH HEARTS, to Vicki Lame at Wednesday Books, in a very nice deal, in an exclusive submission, in a two-book deal, for publication in summer 2023 and summer 2024, by Patricia Nelson at Marsal Lyon Literary Agency (NA).

Benjamin Dean’s THE KING IS DEAD, a gay romantic thriller set against the backdrop of a reimagined royal family, about a newly crowned young Black king facing media scrutiny and blackmail, pitched as ACE OF SPADES meets RED, WHITE & ROYAL BLUE, to Erika Turner at Little, Brown Children’s, in a pre-empt, in a two-book deal, for publication in summer 2023, by Chloe Seager at Madeleine Milburn Literary Agency (NA).

Author of the forthcoming YOU, ME, AND OUR HEARTSTRINGS Melissa See’s LOVE LETTERS TO JOY CORVI, pitched as a contemporary retelling of Cyrano de Bergerac, in which a panromantic asexual girl with cerebral palsy who is determined to be valedictorian seeks love advice from an anonymous student at her academy; but she’s unknowingly writing to—and falling for—the last person she ever expected, to Tiffany Colon at Scholastic, for publication in summer 2023, by Emily Forney at BookEnds (world English).

Keezy Young’s graphic novel HELLO SUNSHINE, in which a boy returns from church camp to discover that his (secret) boyfriend has gone missing and now he must enlist an unlikely team of worried friends and family to find him; a teen drama that uses the atmosphere of a demon haunting to tell a story of mental health, healing, and romance, to Andrea Colvin at Little, Brown Children’s, for publication in 2025, by Kurestin Armada at Root Literary (world).

Rex Ogle writing as Rey Terciero’s DAN OF GREEN GABLES, pitched as a twist on ANNE OF GREEN GABLES, the story of a queer, half-Mexican teenager who is forced to live with his grandparents in rural Tennessee when his mother abandons him; with the help of his mawmaw and his new friends, he makes an unlikely home for himself at 1600 Green Gables, illustrated by Claudia Aguirre, to Elizabeth Lee at Penguin Workshop, for publication in summer 2025, by Brent Taylor at TriadaUS Literary Agency for the author, and by Kate McKean at Howard Morhaim Literary Agency for the illustrator (world).

Eugene Lee Yang‘s THE UNDERS, a queer epic fantasy in which a group of teens band together to stop a war between the human and the magical world, to Emily Settle at Feiwel and Friends, in a major deal, at auction, in a two-book deal, for publication in spring 2024, by Jessica Felleman at Jennifer Lyons Literary Agency (NA).

Author of the forthcoming THE MANY HALF-LIVED LIVES OF SAM SYLVESTER Maya MacGregor’s THE EVOLVING TRUTH OF EVER-STRONGER WILL, about a nonbinary teen who, after watching their abusive mother die in front of them, seeks out a former foster mother who once was ready to adopt them, in a mystery about family, grief, and surviving an abusive parent even as their mother’s ghost seems to dog their every step, to Suzy Krogulski at Astra House, for publication in 2024, by Sara Megibow at kt literary (world English).

Edgar Award winner and Stonewall Honor author James Klise’s I’LL TAKE EVERYTHING YOU HAVE, a noir set in Chicago in the summer of 1934, in which a queer teen’s naive get-rich-quick scheme leads to deadly criminal consequences, to Elise Howard at Algonquin Young Readers, for publication in 2023, by Jennifer Laughran at Andrea Brown Literary Agency (world).

Victoria Wlosok’s debut HOW TO FIND A MISSING GIRL, about a 17-year-old amateur sleuth and her sapphic detective agency that investigates when her ex-girlfriend—notorious for creating a polarizing true-crime podcast about the sleuth’s missing sister—disappears too, to Alexandra Hightower at Little, Brown Children’s, for publication in fall 2023, by Jessica Errera at Jane Rotrosen Agency (world). Film: Becca Rodriguez at Gotham.

Non-Fiction

Inclusion advocate, educator, and the first openly transgender D1 men’s athlete Schuyler Bailar‘s HE/SHE/THEY: HOW WE TALK ABOUT GENDER AND WHY IT MATTERS, an inquiry into today’s gender landscape, laying the groundwork for productive conversations about gender on an individual and national level, pitched as in the vein of SO YOU WANT TO TALK ABOUT RACE, to Renee Sedliar at Hachette Go, at auction, by Susan Canavan at Waxman Literary Agency (NA).

Founder of the Ali Forney Center Carl Siciliano’s STRONG AS DEATH, SWEET AS LOVE, about the author’s work with homeless LGBTQ+ youths in New York City and his friendship with Ali Forney, a nonbinary youth whose compassionate life and tragic death on New York City’s streets inspired him to establish the Center and live a life of service and resistance, to Derek Reed at Convergent, at auction, for publication in summer 2023, by Jesseca Salky at Salky Literary Management, in association with Charlotte Sheedy Literary Agency (NA).

Shilletha Curtis’s MOUNTAIN OF THE MOON, pitched as a Black lesbian WILD crossed with GIRL INTERRUPTED, tracing the author’s 2,193-mile thru-hike of the Appalachian Trail and intersectional quest to change the narrative of “hiking while Black” while confronting the roots of her lifelong depression, anxiety, PTSD and ADHD, to Jennifer Levesque at Andscape, in a good deal, in a pre-empt, by Lynn Johnston at Lynn Johnston Literary (world English).

 

February 2021 Deal Announcements

Adult Fiction

Emmy-nominated writer, actor, and producer of Netflix’s Special Ryan O’Connell‘s JUST BY LOOKING AT HIM, in which a gay TV writer with cerebral palsy who, despite his perfect boyfriend, can’t stop cheating with a sex worker while in search of something bigger, to Michelle Herrera Mulligan at Atria, at auction, for publication in spring 2022, by Kent Wolf at Neon Literary (NA).

Alexis Hall‘s ROUGH RIDE and FOOL’S GOLD, the next two installments in the award-winning SPIRES series, along with the first four previously-published books and LOOKING FOR GROUP, as well as HUSBAND MATERIAL and THE AMNESIA PLOT, two additional LGBTQIA+ romances in the BOYFRIEND MATERIAL universe, to Mary Altman at Sourcebooks Casablanca, by Courtney Miller-Callihan at Handspun Literary.

Montana MFA Jules Ohman‘s BODY GRAMMAR, pitched as a queer SWEETBITTER set against the backdrop of the glamorous but grueling modeling industry, in which a young woman discovers herself, what it means to live in her body, and how to let herself find love, to Anna Kaufman at Vintage, in an exclusive submission, by Dan Conaway at Writers House (NA).

Author of ON HELL and the nonfiction collection MINERVA THE MISCARRIAGE OF THE BRAIN, artist, and musician Johanna Hedva‘s YOUR LOVE IS NOT GOOD, set in the Berlin and Los Angeles art worlds, following a queer biracial Korean American painter on the precipice of success as she struggles to reconcile her ambitions, her growing debt, and her complicated relationship to whiteness with her support for a boycott of museums and galleries for their racist and imperialist practices, to Jeremy Davies at And Other Stories, by Clare Mao at Europa Content (world English).

Lambda Award and Charles Johnson Fiction Award-winning author of the story collection BLUE TALK AND LOVE Mecca Jamilah Sullivan‘s MORE OF EVERYTHING, about an African American girl growing up in 1990s Harlem, grappling with the stigma of obesity passed down through three generations of women in her family, who comes to terms with her self-image and her sexuality against the backdrop of Harlem’s changing landscape, pitched as a fictional counterpart to Roxanne Gay’s HUNGER, to Gina Iaquinta at Liveright, at auction, for publication in summer 2022, by Janet Silver at Aevitas Creative Management (NA).

Griffin Prize winner Billy-Ray Belcourt’s A MINOR CHORUS, in which a queer Indigenous doctoral student steps away from his dissertation to conduct research in his northern hometown for what he hopes will be a novel about how to live a beautiful life; he has a series of intimate encounters with friends, lovers, and elders that brings the modern queer and Indigenous experience into sharp relief, to Mo Crist at Norton, at auction, for publication in fall 2022, by Stephanie Sinclair at CookeMcDermid (US).

KJ Charles‘s THE DOOMSDAY BOOKS, a duo of gay Regency romances about aristocrats, smugglers, and spies on the Kent coast, to Mary Altman at Sourcebooks, in a two-book deal, by Courtney Miller-Callihan at Handspun Literary (world).

Maya Deane’s WRATH GODDESS SING, an #OwnVoices trans women’s literary epic fantasy pitched as reimagining of the Iliad, wherein Athena recruits the young trans heroine Achilles to defeat the omnipotent Helen and her Olympian enablers before she drowns the world in human sacrifice, pitched as a mash-up of N.K. Jemisin’s Inheritance trilogy and Madeline Miller’s SONG OF ACHILLES, to David Pomerico at William Morrow, by Jason Yarn at Jason Yarn Literary Agency (world).

Paulette Kennedy‘s PARTING THE VEIL, in which a scandalous Gilded Age heiress marries a British lord with a tragic past, only to discover dark family secrets hidden within his haunted manor, pitched in the vein of The Clockmaker’s Daughter meets the queer-inclusive fiction of Sarah Waters, to Jodi Warshaw at Lake Union Publishing, for publication in fall 2021, by Jill Marr at Sandra Dijkstra Literary Agency (world).

Caribbean-English-American writer David Santos Donaldson‘s GREENLAND, a literary ghost story in which a Black gay writer who is on an obsessive quest to get published, seeks to find his own voice while writing a novel about the forbidden real-life love affair between E.M. Forster and the young Black Egyptian train conductor Mohammed el-Adl, as he becomes gradually more and more possessed by Mohammed’s spirit which is coming alive in him as he writes, drawing on magical realism and exploring issues of racism, psychological manipulation, and identity, to Tara Parsons at Amistad, in a pre-empt, for publication in spring 2022, by Tom Miller at Liza Dawson Associates (world English).

Cornell University Press production editor and Barbara Deming Memorial Fund award recipient Jennifer Savran Kelly‘s ENDPAPERS, about a genderfluid bookbinder in 2003 New York, whose discovery of a queer love letter written on the back of an old lesbian pulp cover and hidden in the binding of a book pushes them to venture out of the safe world they’ve built as they track down the letter’s author, reexamine their own ill-fitting relationship, and use their art to explore what it means to live authentically, to Abby Muller at Algonquin, by Trevor Ketner at Ladderbird Literary Agency (world English).

Author of PETITE MORT Beatrice Hitchman‘s ALL OF YOU EVERY SINGLE ONE, set in a queer bohemian enclave of Vienna in 1910-1946, about three women and the lengths they’ll go to protect the ones they love, to Chelsea Cutchens at Overlook, for publication in January 2022, by Laura Macdougall at United Agents (NA).

Children’s/Middle Grade Fiction

Queer mixed media artist from Washington and #DVpit success story Ashley Ferguson‘s Middle Grade graphic novel MY GIRLFRIEND THE WITCH, in which the narrator has disappeared into fanfiction ever since coming out as queer, and escapes to a magical world, finding it easier than making new friends or dealing with “supportive” parents who don’t “get” him, to Michele McAvoy at Blue Bronco, in a nice deal, for publication in fall 2023 (world).

Debut author Katryn Bury‘s DREW LECLAIR GETS A CLUE, pitched as a modern-day, queer HARRIET THE SPY, in which a true crime-obsessed girl decides to catch a cyberbully by profiling all of the bullies in her grade, and discovers that family, friendship, and sexual identity are the hardest mysteries to solve, to Emilia Rhodes at Houghton Mifflin Harcourt Children’s, in a pre-empt, in a two-book deal, for publication in spring 2022, by Chelsea Eberly at Greenhouse Literary Agency (NA).

Young Adult Fiction

Mason Deaver‘s THE FEELING OF FALLING IN LOVE, in which a boy’s non-relationship ends right before his mother’s latest wedding so he enlists the prep school roommate he barely tolerates to pose as his boyfriend only for their temporary alliance to turn into something much more, to David Levithan and Jeffrey West at Scholastic, in a two-book deal, by Lauren Abramo at Dystel, Goderich & Bourret (NA).

Author of BEYOND THE BLACK DOOR and the forthcoming IN THE RAVENOUS DARK AdriAnne Strickland‘s COURT OF THE UNDYING SEASONS, about a reluctant initiate to a school for vampires trying to survive the deadly politics of her kingdom’s blood-drinking rulers, her sexy-but-hostile mentor, and a string of student murders, to Rachel Diebel at Feiwel and Friends, for publication in 2023, by Hannah Bowman at Liza Dawson Associates (world).

Rebecca Mix‘s debut THE ONES WE BURN, a Sapphic YA fantasy in which a blood witch’s mission to assassinate the prince she is betrothed to is compromised by the discovery of a deadly plague—and by the beautiful princess intent on stopping it, to Alyza Liu at Margaret K. McElderry Books, in a nice deal, for publication in fall 2022, by Kiana Nguyen at Donald Maass Literary Agency (world English).

Author of GHOST WOOD SONG and the forthcoming THE RIVER HAS TEETH Erica Waters‘s THE RESTLESS DARK, in which two girls join forces in a macabre true crime contest to find the missing bones of a killer in the nightmarish fogs of Cloudkiss Canyon, but when their search morphs into a hunt for a monster in their midst, the girls must ask themselves—is the fog to blame for what’s happening in the canyon, or are they?, to Alice Jerman at Harper Teen, in a good deal, in a two-book deal, for publication in fall 2022, by Lauren Spieller at TriadaUS Literary Agency (NA).

Author of REVERIE and BE DAZZLED Ryan La Sala‘s THE HONEYS, pitched as Heathers meets Midsommar set at an exclusive overnight camp in the Catskills, to Zack Clark at Scholastic, in a good deal, at auction, in a pre-empt, in a two-book deal, for publication in summer 2022, by Veronica Park at Fuse Literary (world English).

Non-Fiction

Married writer/photographer team Hannah Murphy and Billie Winter’s QUEER POWER COUPLES, a photographic celebration of queer intimacy and excellence, to Natalie Butterfield at Chronicle, for publication in spring 2023 (world).

LGBTQ human rights activist Angeline Jackson and Susan McClelland’s THE POWER OF ONE PERSON, with its title chosen from President Obama’s public address about Jackson’s ordeal and efforts, the true story from Jackson’s POV as a young girl and rape survivor, coming to terms with her sexuality and forging ahead to create safe spaces and unprecedented support for LGBTQ communities in Jamaica, to Scott Fraser at Dundurn Press, in a nice deal, for publication in the fall of 2022, by Rob Firing at Transatlantic Literary Agency (world).

NEA fellow and author of three poetry collections Emma Bolden’s THE TIGER AND THE CAGE, a debut memoir connecting a personal narrative of endometriosis, chronic pain, and asexuality to a long history of women being treated as curiosities and hysterical unreliable narrators of their own bodies and experiences, to Sarah Lyn Rogers at Soft Skull, for publication in fall 2022, by Cassie Mannes Murray at Howland Literary (world).

 

July 2020 Book Deal Announcements

Adult

Ashley Herring Blake‘s DELILAH GREEN DOESN’T CARE, an #ownvoices queer romantic comedy, about a woman who begrudgingly returns to her hometown for her estranged stepsister’s wedding; when she crosses paths with a former mean girl from her childhood, old wounds and old feelings reignite, to Angela Kim at Berkley, in a pre-empt, in a two-book deal, for publication in spring 2022, by Rebecca Podos at Rees Literary Agency (world).

Brooklyn College MFA and NYU Law School graduate Jane Pek‘s THE VERIFIERS, which examines how today’s technology shapes our choices, introducing an overly imaginative reader of mystery novels who lands her dream job at an “online-dating detective agency,” then finds herself solving a real-life murder with sinister societal implications, while keeping the fact that she dates girls from her matchmaking mother, to Anna Kaufman at Vintage, in an exclusive submission, for publication in 2022, by Julie Barer at The Book Group (NA).

Jen Hinst-White‘s JOBS FOR GIRLS WITH ARTISTIC FLAIR, a LGBTQ coming-of-age story pitched as THE CACTUS meets PIZZA GIRL, about a young woman in 1980s Long Island who chases her dream of becoming a tattooist despite her social anxiety, an unreliable family, and an industry hostile to women artists, to Jeramie Orton at Pamela Dorman Books, in a pre-empt, for publication in summer 2022, by Chad Luibl at Janklow & Nesbit (world).

C.L. Clark‘s THE UNBROKEN, a North Africa-inspired queer epic fantasy following a soldier accused of murder who is saved from execution when a dethroned princess decides to take her on as a spy, while grappling with a crumbling empire and their unexpected bond, to Brit Hvide at Orbit, in an exclusive submission, in a three-book deal, by Mary C. Moore at Kimberley Cameron & Associates (world).

Oregon Literary Arts Fellow and Mills MFA graduate Emme Lund‘s THE BOY WITH A BIRD IN HIS CHEST, pitched as the desperate longing of THE PERKS OF BEING A WALLFLOWER meets queer coming-of-age about the secrets we carry, the ways we try to stay safe, and growing up having to hide what makes you lovable to the world and to yourself, to Melanie Iglesias Perez at Atria, at auction, for publication in spring 2022, by Cassie Mannes Murray at Howland Literary (world).

Actor Paul Mendez‘s RAINBOW MILK, a coming-of-age story that follows a nineteen-year-old Jamaican-British man, who goes from isolated fast food server in the Black Country to sex worker and burgeoning artist in London as he grapples with his racial and sexual identities against the backdrop of his Jehovah’s Witness upbringing and the legacy of the Windrush generation, to Margo Shickmanter at Doubleday, for publication in summer 2021, by Helena Doree at Little Brown UK (NA).

Author of LOVE ON THE HUDSON KD Fisher’s THE SECRET INGREDIENT, in which two very different female chefs in small-town Maine find a way into each other’s hearts and families, to Kerri Buckley at Carina Press Adores, for publication in November 2020, by Claire Draper at The Bent Agency (world).

Children’s/YA

Author of ONLY MOSTLY DEVASTATED Sophie Gonzales and author of THE LOVE INTEREST Cale Dietrich‘s OFF THE RECORD, following two boys in America’s biggest boy band who fall for each other while on their first sold-out European tour, and are forced to keep their relationship a secret by their record label, but slowly realize those in charge have no intention of letting them announce their relationship to the world—ever, to Sylvan Creekmore at Wednesday Books, in an exclusive submission, for publication in fall 2021, by Moe Ferrara at BookEnds (world).

Author of DEPOSING NATHAN Zack Smedley‘s TONIGHT WE RULE THE WORLD, a coming-of-age novel about a boy whose senior year is upended when school officials learn he was sexually assaulted by another student; exploring identity, sexuality, and self-worth and following the implosion among the boy’s school, peers, parents, and girlfriend, to Lauren Knowles at Page Street, in a nice deal, for publication in fall 2021, by Allison Remcheck at Stimola Literary Studio (world).

Gabe Cole Novoa’s THE WICKED BARGAIN, the #OwnVoices YA fantasy follows a trans masculine Latinx teen pirate hiding magical abilities who, after a deal with the devil comes to a violent end, is rescued by the Caribbean’s sole remaining pirate crew, but with the Spanish armada hunting the last of the pirates down, the magic they’ve been keeping secret may be their only redemption—or it could mean certain death, to Jenna Lettice at Random House Children’s, for publication in fall 2022, by Louise Fury at The Bent Agency (world).

Mariama Lockington’s FOREVER IS NOW, a novel-in-verse about an agoraphobic teenager who must find a way to boldly step outside herself for the sake of her relationships and community, to Joy Peskin at Farrar, Straus Children’s, in a two-book deal, by Jane Dystel at Dystel, Goderich & Bourret (world).

Author of WHITE ROSE Kip Wilson’s THE MOST DAZZLING GIRL IN BERLIN, a historical novel-in-verse about an orphan who finds family, love, and her voice in a queer nightclub during the last days of the Weimar Republic in Berlin, 1932, to Margaret Raymo at Versify, for publication in spring 2022, by Roseanne Wells at Jennifer De Chiara Literary Agency (NA).

Illustrators of the forthcoming WEIRDO Jessica Wibowo and Jacinta Wibowo‘s LUNAR BOY, in which a boy from the moon deals with culture shock, familial struggles, and first crushes when his mother suddenly marries and moves them to Earth, to Carolina Ortiz at Harper Alley, in a pre-empt, in a two-book deal, for publication in 2023, by Britt Siess at Martin Literary Management (world English).

Betsy Cornwell‘s READER, I MURDERED HIM, a tale of female agency, queer romance, and revenge in which a girl becomes a teenage vigilante who roams Victorian England using her privilege and power to protect other young women from abusive Gothic heroes, to Lynne Polvino at Clarion, in an exclusive submission, for publication in fall 2021, by Sara Crowe at Pippin Properties (NA).

Non-Fiction

Winner of two gold medals and the World Cup Briana Scurry and Wayne Coffey, with a foreword by Robin Roberts‘s MY GREATEST SAVE, a memoir of Scurry’s role as the fierce goalkeeper for the 1999ers, the legendary U.S. Women’s national team, where she broke barriers as the first Black female player, the first to come out openly as gay, and one of the first to advocate for equal pay, until a career-ending concussion sent her into years of despair and she had to make the greatest save of all, to Jamison Stoltz at Abrams Press, by Susan Canavan at Waxman Literary Agency (world).

Lambda Literary nonfiction fellow Nikkya Hargrove‘s MAMA: A BLACK, QUEER WOMAN’S JOURNEY TO MOTHERHOOD, describing how growing up visiting her mother in prison affected her own choices in life and how, when her mother died of heart disease at the age of 42 after a lifelong battle with crack cocaine, she adopted her baby brother, determined to create the kind of family she never had; about motherhood and identity, as told by a Black gay woman married to a Sri Lankan American woman parenting twin girls and raising their adopted son together, to Amy Gash at Algonquin, at auction, for publication in fall 2022, by Stacey Glick at Dystel, Goderich & Bourret (world).

Authors of THE GAY AGENDA and owners of the Ash + Chess stationery store Ashley Molesso and Chessie Needham’s THE QUEER TAROT and THE GAY AGENDA AGENDA, an illustrated guidebook and deck that seeks to serve as an outlet for members of the LGBTQ+ community who want to connect with the tarot in a more personalized way, celebrating their identities, including non-binary, trans, lesbian, gay, bisexual, asexual, pansexual, and more, with all races and cultures, abilities, and body types represented and celebrated; also, an agenda highlighting the most important historical moments, figures, and places in the gay community, to Shannon Connors Fabricant at Running Press, at auction, in a two-book deal, by Meg Thompson at Thompson Literary Agency (world).

Contributor to Ploughshares, The Rumpus, and Longreads Edgar Gomez’s HIGH-RISK HOMOSEXUAL, a debut memoir about coming-of-age in a culture that values machismo, following the author from his uncle’s cockfighting ring in Nicaragua to the queer spaces where he discovered the joy of being gay and Latino, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual,” to Sarah Lyn Rogers at Soft Skull, for publication in fall 2021, by Danielle Bukowski at Sterling Lord Literistic (world).

Why I Wrote In the Role of Brie Hutchens…: a Guest Post by Author Nicole Melleby

I’m so thrilled to have Nicole Melleby back on the site today, especially after reading the wonderful In the Role of Brie Hutchens, their new heartwarming, adorable, romantic, and soap opera-centric Middle Grade contemporary set at a Catholic School, releasing today from Algonquin Books! Come check out a little more about the book, which made me cry and relive my love for As the World Turns:

Introducing Brie Hutchens: soap opera super fan, aspiring actor, and so-so student at her small Catholic school. Brie has big plans for eighth grade. She’s going to be the star of the school play and convince her parents to let her go to the performing arts high school. But when Brie’s mom walks in on her accidentally looking at some possibly inappropriate photos of her favorite actress, Brie panics and blurts out that she’s been chosen to crown the Mary statue during her school’s May Crowning ceremony. Brie’s mom is distracted with pride—but Brie’s in big trouble: she has not been chosen. No one has. Worse, Brie has almost no chance to get the job, which always goes to a top student.

Desperate to make her lie become truth, Brie turns to Kennedy, the girl everyone expects to crown Mary. But sometimes just looking at Kennedy gives Brie butterflies. Juggling her confusing feelings with the rapidly approaching May Crowning, not to mention her hilarious non-star turn in the school play, Brie navigates truth and lies, expectations and identity, and how to—finally—make her mother really see her as she is.

Buy it: Bookshop | Amazon | B&N | IndieBound

And here’s the post! Take it away, Nicole!

***

To understand why I wrote my second book, In the Role of Brie Hutchens… you need to know two things about me.

One: I went to Catholic school.

From kindergarten through 8th grade, I was a St. Mary’s Saint. For high school, I was a Mater Dei Seraph.

(We didn’t know what a Seraph was at first either.)

I wore a school uniform. My only two detentions were actually because of that uniform. One because my skirt was rolled too short (we all rolled our skirts; you only got caught if it was less than two inches from your fingertips.) Two because I had a gray shirt on under my blouse instead of a white one.

Yeah, I know.

This was also a school that banned Harry Potter because JK Rowling was a satanist.

The girls wore boxers under their skirts, to keep the guys from looking up them as we climbed the stairs. Senior year, we got to wear pants…as a privilege. Those privileges could be taken away.

They often were threatened to be taken away.

We went to church every week, which was only exciting because on those days, we came back from mass to shortened class periods. There was only so much the teachers could do in twenty minutes.

Sometimes we cut class and hung out in the chapel. You couldn’t get in trouble if you got caught. Not if you said you just needed a moment with Jesus.

I wonder if they thought I needed that many moments with Jesus. They probably wish I took those moments for real now.

Health class consisted of our gym teacher yelling ABSTAIN at us. In class, in the hallways, at school dances.

We didn’t abstain.

We didn’t have the vocabulary or understanding of everything we were doing.

I didn’t have the vocabulary or understanding of everything I was feeling.

How could I even begin to explore my sexuality behind walls where they didn’t tell me it was possible?

The second thing you need to know about me is that I. LOVE. Soap Operas.

As a writer, I know what storyline tropes to avoid.

As a soap fan, I know what storyline tropes I absolutely goddamn ADORE.

There’s just something magical about discovering that two characters are pregnant at the same time.

Why? Because there’s definitely a baby swap coming.

If there’s a wedding planned during sweeps month?

It’s definitely going to go up in flames. (And not always metaphorical ones.)

If a beloved character dies? Or a classic villain?

Well, don’t worry too much. They’ll probably be back. Resurrected from the dead, recast with a new actor. (Lots of plastic surgery.)

There’s something so enjoyable about the narration over an old character with a new face, “The role of so and so is now being played by…” as the storyline itself doesn’t miss a single beat.

There’s something awe inspiring (something breathtaking) about a character, in the middle of the afternoon, in broad daylight, on a show that you watch with your mom (that so many moms watch) saying, “Mom, I’m gay.”

My mom was my 8th grade teacher at that Catholic school.

We drove home together at the end of the day.

We turned on our soaps when we got home.

We watched them together.

We watched as Erica Kane’s daughter (Erica Fricken Kane!!) said the words, “I’m gay.”

What you should know is that I didn’t come out to my own mom until much (much) later.

I felt seen that afternoon, anyway.

In the first printing of In the Role of Brie Hutchens… there’s an error in my acknowledgements. A mistake happened as mistakes tend to do, and the last paragraph of those acknowledgements were left out.

In those acknowledgements I thanked Agnes Nixon. For writing those characters. For creating Bianca and writing that storyline where that brave young woman came out to her mom, Erica Kane.

What you should know is that Agnes Nixon made me feel less alone. Agnes Nixon made me feel seen.

I can only hope that, for some reader, somewhere, In the Role of Brie Hutchens… can do the same.

Nicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. Her debut novel, HURRICANE SEASON, was a Lambda Literary Award Finalist. When she’s not writing, Nicole can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea.

Exclusive Cover & Excerpt Reveal: In the Role of Brie Hutchens… by Nicole Melleby

Happy National Coming Out Day! What better way to celebrate than with a cover reveal for a coming out story that must be on your radar for 2020??

Nicole Melleby is no stranger to the site, and should certainly be no stranger to any fans of queer MG, with Hurricane Season now behind her and several more coming up, including the beauty whose cover we’re revealing today: In the Role of Brie Hutchens…, which releases from Algonquin on April 21! Here’s the official copy for the book:

Introducing Brie Hutchens: soap opera super fan, aspiring actor, and so-so student at her small Catholic school. Brie has big plans for eighth grade. She’s going to be the star of the school play and convince her parents to let her go to the performing arts high school. But when Brie’s mom walks in on her accidentally looking at some possibly inappropriate photos of her favorite actress, Brie panics and blurts out that she’s been chosen to crown the Mary statue during her school’s May Crowning ceremony. Brie’s mom is distracted with pride—but Brie’s in big trouble: she has not been chosen. No one has, yet. Worse, Brie has almost no chance to get the job, which always goes to a top student.

Desperate to make her lie become truth, Brie turns to Kennedy, the girl everyone expects to crown Mary. But sometimes just looking at Kennedy gives Brie butterflies. Juggling her confusing feelings with the rapidly approaching May Crowning, not to mention her hilarious non-star turn in the school play, Brie navigates truth and lies, expectations and identity, and how to—finally—make her mother really see her as she is.

And here’s the rainbowtastic cover, with art by Stephanie Singleton, design by Carla Weise, and hand lettering by Maeve Norton!

Buy it: Amazon | B&N | IndieBound

Can’t wait to dive in? Good news: you don’t have to! We’ve got the first chapter right here:

Brie was almost positive her mom didn’t like her.

That wasn’t to say her mom didn’t love her. But Brie had a hard time believing that she liked her. For example, Brie didn’t think she was the type of girl her mom would point at and go “Now that is a good girl” if they met elsewhere. Someone like Kennedy Bishop, on the other hand, was the quintessential good girl. Everyone’s mom liked Kennedy Bishop.

Kennedy was destined to be the eighth grader chosen to crown Mary at Our Lady of Perpetual Help’s annual celebratory mass in the spring. Brie wouldn’t have cared which of her classmates was chosen—really, she wouldn’t have—if it hadn’t been for Kelly Monaco’s boobs.

Look, first of all, Kelly Monaco was Brie’s favorite soap opera star, and she also had really great hair. Even Brie’s mom thought so. They’d had an entire conversation about it while watching General Hospital together. “Kelly Monaco has really great hair,” her mom had said.

“She has really great everything,” Brie had responded— immediately turning red. Her mom hadn’t noticed.

Later Brie Googled photos of Kelly Monaco’s really great hair. How was she supposed to know Kelly had done Playboy photos and that they would be the first thing to pop up? Really it was her mom’s fault, since she had brought up Kelly Monaco’s hair to begin with, and honestly Brie kept looking at the photos only because she was curious.

Well, curious . . . and maybe a little flustered.

Of course that flustered moment was when her mom decided to waltz into her room, carrying Brie’s laundry and lecturing her about the need to unfold socks before throwing them in the hamper. Brie’s backpack was strewn on the floor, and—miracle of miracles—her mom tripped over it, stum- bling just enough to shift her eyes away from Brie’s computer screen. Brie—flushed and about to burst into flame—caught sight of her religion book as it slipped out of her bag. A statue of Mary with her arms outstretched beckoned from the cover. That was the moment Brie practically shouted, “I’m going to crown Mary!”

At the time it seemed like divine intervention.

Her mom was delighted. Brie closed her browser. Crisis averted.

Well, at least that crisis. The bigger problem was she hadn’t been chosen to crown Mary. No one had. The selec- tion wouldn’t happen for weeks, because, needless to say, the May Crowning was in May. The students of Our Lady of Perpetual Help still had fourteen weeks of regular masses to prepare for the eighth-grade event.

It was a big deal in Catholic school, or at least at Brie’s. May was the month they honored and celebrated the Mother of God by holding a special church mass during school and inviting the rest of the parishioners to attend. The eighth- grade students got all dressed up—out of their uniforms and into their Sunday best—and the rest of the school gathered in the church to watch as the chosen one went up on the altar and put a crown made of flowers on the Mary statue’s head. Since Brie had gone to OLPH since kindergarten, she’d sat through eight May Crowning masses. Now she would need to do more than sit through the ninth.

***

Nicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. When she’s not writing, she can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea.

Art Imitates Life in Hurricane Season: a Guest Post by Nicole Melleby

I am so psyched to welcome the delightful Nicole Melleby to the site today to talk a little bit about the inspiration for her Middle Grade debut, Hurricane Season, which releases today from Algonquin Young Readers! Before she begins, here’s a little more about the book:

40591956Fig, a sixth grader, wants more than anything to see the world as her father does. The once-renowned pianist, who hasn’t composed a song in years and has unpredictable good and bad days, is something of a mystery to Fig. Though she’s a science and math nerd, she tries taking an art class just to be closer to him, to experience life the way an artist does. But then Fig’s dad shows up at school, disoriented and desperately searching for Fig. Not only has the class not brought Fig closer to understanding him, it has brought social services to their door.

Diving into books about Van Gogh to understand the madness of artists, calling on her best friend for advice, and turning to a new neighbor for support, Fig continues to try everything she can think of to understand her father, to save him from himself, and to find space in her life to discover who she is even as the walls are falling down around her.

Nicole Melleby’s Hurricane Season is a stunning novel about a girl struggling to be a kid as pressing adult concerns weigh on her. It’s also about taking risks and facing danger, about love and art, and about coming of age and coming out. And more than anything else, it is a story of the healing power of love—and the limits of that power.

Buy it: AmazonB&N | IndieBound

And here’s the post! Take it away, Nicole!

***

Last summer, my dad called up their cable service after he had been yelling all day about the Weather Channel not being part of their package anymore to yell some more.

My dad loves the Weather Channel.

For the Christmas after Hurricane Sandy, my brother and I put together a “Hurricane Survival Box” that included cans of soaps, extra batteries, flashlights, and other necessities.

He loved it. He also loved the little portable weather station I gave him for Father’s Day last year. It sits in the living room near the window, and he checks it every morning to see what the temperature is, how fast the wind speeds are.

My dad, for reasons we never quite figured out, loves the weather, and he especially loves Hurricanes.

*

My parents’ house had the best basement when I was growing up. It was finished with carpet and couches, had a bar (not stocked, but that didn’t ruin the novelty) and a TV and a fooseball table. It also was pretty sound proof, so that’s where we spent most of our weekends in high school.

My dad was the parent who, while he respected our privacy, would always poke his head into the basement, “You guys good down there? You need anything?”

A friend of mine once joked, “What would your dad do if I asked for something ridiculous? Like a pie?”

Well, he probably would have asked what kind of pie and then gone out to get it.

*

I grew up in a suburban New Jersey beach town and went to Catholic school and being gay wasn’t something I even had the words to explore, let alone the freedom to. I was in my twenties by the time I was able to come out to myself. I came out to my parents much later.

For me, when I finally came out to my parents, it wasn’t a choice. It was a necessity. I was suffocating in having to hide this part of my life (this huge part of my life—I was seeing someone, and I was neck deep in an MFA program where all my writing was LGBTQ focused) and it reached a point where I didn’t think I could go on much longer in the closet.

It was a Tuesday I finally did it.

I was living at home with my parents still, and both of them were working. I woke up, got dressed, packed a bag, left a handwritten letter (in which I rambled so much I ended up talking about Caitlyn Jenner, because my mom is a Kardashian fan and I thought it would help) and got the heck out of there.

I drove to a friend’s place who lived an hour and a half away. They bought me ice cream and beer.

My mom called later that day. I ignored the call. (And then immediately called back because I knew I had to.) For her part, it was complicated, but she loved me. It took some time, but we’re okay.

As for my dad, I received these texts: 

When I sat down to write Hurricane Season, the one thing I knew going in was that I wanted to capture the feeling that I had reading that text for a middle grade audience. I wanted to have the heart of the story be about a father and daughter, and when the daughter came out to her dad, I wanted it to be a non-issue. He loves her, full stop.

I wrote the entire book around that moment, that feeling.

So, thank you, Dad. For those text messages, and for all of it.

Melleby_Author_Photo.jpgNicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. When she’s not writing, she can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea. HURRICANE SEASON (Algonquin Young Readers) is her debut novel.

 

New Release Spotlight: Sugar Run by Mesha Maren

Your first incredibly memorable read of the year releases today and introduces readers to the talent of Mesha Maren, whose Sugar Run had me literally dreaming in this tense, dusty, green, and wild Appalachian scenery as I read. It’s a novel about building a new life while unsure how to escape the old one, about rehabilitation real and imagined, about home and family and love and jealousy, about crimes of passion and crimes of necessity, and, yes, about being a queer woman through it all. 

In 1989, Jodi McCarty is seventeen years old when she’s sentenced to life in prison for manslaughter. She’s released eighteen years later and finds herself at a Greyhound bus stop, reeling from the shock of unexpected freedom. Not yet able to return to her lost home in the Appalachian mountains, she goes searching for someone she left behind, but on the way, she meets and falls in love with Miranda, a troubled young mother. Together, they try to make a fresh start, but is that even possible in a town that refuses to change? Set within the charged insularity of rural West Virginia, Sugar Run is a searing and gritty debut about making a run for another life.

Buy it: Amazon | B&N

New Releases: January 2019

Once Ghosted, Twice Shy by Alyssa Cole (8th)

While her boss the prince was busy wooing his betrothed, Likotsi had her own love affair after swiping right on a dating app. But her romance had ended in heartbreak, and now, back in NYC again, she’s determined to rediscover her joy—so of course she runs into the woman who broke her heart.

When Likotsi and Fabiola meet again on a stalled subway train months later, Fab asks for just one cup of tea. Likotsi, hoping to know why she was unceremoniously dumped, agrees. Tea and food soon leads to them exploring the city together, and their past, with Fab slowly revealing why she let Likotsi go, and both of them wondering if they can turn this second chance into a happily ever after.

Buy it: Amazon | iBooks

Sugar Run by Mesha Maren (8th)

In 1989, Jodi McCarty is seventeen years old when she’s sentenced to life in prison for manslaughter. She’s released eighteen years later and finds herself at a Greyhound bus stop, reeling from the shock of unexpected freedom. Not yet able to return to her lost home in the Appalachian mountains, she goes searching for someone she left behind, but on the way, she meets and falls in love with Miranda, a troubled young mother. Together, they try to make a fresh start, but is that even possible in a town that refuses to change? Set within the charged insularity of rural West Virginia, Sugar Run is a searing and gritty debut about making a run for another life.

Buy it: Amazon | B&N

The Whispers by Greg Howard (15th)

The WhispersEleven-year-old Riley believes in the whispers, magical fairies that will grant you wishes if you leave them tributes. Riley has a lot of wishes. He wishes bullies at school would stop picking on him. He wishes Dylan, his 8th grade crush, liked him, and Riley wishes he would stop wetting the bed. But most of all, Riley wishes for his mom to come back home. She disappeared a few months ago, and Riley is determined to crack the case. He even meets with a detective, Frank, to go over his witness statement time and time again.

Frustrated with the lack of progress in the investigation, Riley decides to take matters into his own hands. So he goes on a camping trip with his friend Gary to find the whispers and ask them to bring his mom back home. But Riley doesn’t realize the trip will shake the foundation of everything that he believes in forever.

Buy it: B&N | Amazon

Last Night in Nuuk by Niviaq Korneliussen (15th)

A witty and fearless debut from a stunning new voice, Last Night in Nuuk is a work of daring invention about young life in Greenland. Through monologues, emails, and text exchanges, she brilliantly weaves together the coming of age of five distinct characters: a woman who’s “gone off sausage” (men); her brother, in a secret affair with a powerful married man; a lesbian couple confronting an important transition; and the troubled young woman who forces them all to face their fears. With vibrant imagery and daring prose, Korneliussen writes honestly about finding yourself and growing into the person you were meant to be. Praised for creating “its own genre” (Politiken, Denmark), Last Night in Nuuk is a brave entrance onto the literary scene and establishes her as a voice that cannot be ignored.

Buy it: Amazon | B&N

Our Year of Maybe by Rachel Lynn Solomon (15th)

Our Year of MaybeFrom the author of You’ll Miss Me When I’m Gone comes a stunning contemporary novel that examines the complicated aftermath of a kidney transplant between best friends.

Aspiring choreographer Sophie Orenstein would do anything for Peter Rosenthal-Porter, who’s been on the kidney transplant list as long as she’s known him. Peter, a gifted pianist, is everything to Sophie: best friend, musical collaborator, secret crush. When she learns she’s a match, donating a kidney is an easy, obvious choice. She can’t help wondering if after the transplant, he’ll love her back the way she’s always wanted.

But Peter’s life post-transplant isn’t what either of them expected. Though he once had feelings for Sophie too, he’s now drawn to Chase, the guitarist in a band that happens to be looking for a keyboardist. And while neglected parts of Sophie’s world are calling to her—dance opportunities, new friends, a sister and niece she barely knows—she longs for a now-distant Peter more than ever, growing increasingly bitter he doesn’t seem to feel the same connection.

Peter fears he’ll forever be indebted to her. Sophie isn’t sure who she is without him. Then one blurry, heartbreaking night twists their relationship into something neither of them recognizes, leading them to question their past, their future, and whether their friendship is even worth fighting for.

Buy it: B&N | Amazon

Firestarter by Tara Sim (15th)

This is the third and final book in the Timekeeper series

The crew of the Prometheus is intent on taking down the world’s clock towers so that time can run freely. Now captives, Colton, Daphne, and the others have a stark choice: join the Prometheus’s cause, or fight back in any small way they can and face the consequences. But Zavier, leader of the terrorists, has a bigger plan—to bring back the lost god of time.

As new threats emerge, loyalties must shift. No matter where the Prometheus goes—Prague, Austria, India—nowhere is safe, and every second ticks closer toward the eleventh hour. Walking the line between villainy and heroism, each will have to choose what’s most important: saving those you love at the expense of the many, or making impossible sacrifices for the sake of a better world.

Buy it: Amazon | B&N

Song of the Dead by Sarah Glenn Marsh (22nd)

This is the second book in the Reign of the Fallen series

Karthia is nothing like it used to be. The kingdom’s borders are open for the first time in nearly three hundred years, and raising the dead has been outlawed. Odessa is determined to explore the world beyond Karthia’s waters, hoping to heal a heart broken in more ways than she can count. But with Meredy joining the ocean voyage, vanquishing her sorrow will be a difficult task.

Despite the daily reminder of the history they share, Odessa and Meredy are fascinated when their journey takes them to a land where the Dead rule the night and dragons roam the streets. Odessa can’t help being mesmerized by the new magic–and by the girl at her side. But just as she and Meredy are beginning to explore the new world, a terrifying development in Karthia summons them home at once.

Growing political unrest on top of threats from foreign invaders means Odessa and Meredy are thrust back into the lives they tried to leave behind while specters from their past haunt their tenuous relationship. Gathering a force big enough to ward off enemies seems impossible, until one of Queen Valoria’s mages creates a weapon that could make them invincible. As danger continues to mount inside the palace, Odessa fears that without the Dead, even the greatest invention won’t be enough to save their fates.

Buy it: Amazon | B&N

The Love & Lies of Rukhsana Ali by Sabina Khan (29th)

The Love & Lies of Rukhsana AliSeventeen-year-old Rukhsana Ali tries her hardest to live up to her conservative Muslim parents’ expectations, but lately she’s finding that harder and harder to do. She rolls her eyes instead of screaming when they blatantly favor her brother and she dresses conservatively at home, saving her crop tops and makeup for parties her parents don’t know about. Luckily, only a few more months stand between her carefully monitored life in Seattle and her new life at Caltech, where she can pursue her dream of becoming an engineer.

But when her parents catch her kissing her girlfriend Ariana, all of Rukhsana’s plans fall apart. Her parents are devastated; being gay may as well be a death sentence in the Bengali community. They immediately whisk Rukhsana off to Bangladesh, where she is thrown headfirst into a world of arranged marriages and tradition. Only through reading her grandmother’s old diary is Rukhsana able to gain some much needed perspective.

Rukhsana realizes she must find the courage to fight for her love, but can she do so without losing everyone and everything in her life?

Buy it: B&N | Amazon

Bloom by Kevin Panetta/Savannah Ganucheau (29th)

Now that high school is over, Ari is dying to move to the big city with his ultra-hip band―if he can just persuade his dad to let him quit his job at their struggling family bakery. Though he loved working there as a kid, Ari cannot fathom a life wasting away over rising dough and hot ovens. But while interviewing candidates for his replacement, Ari meets Hector, an easygoing guy who loves baking as much as Ari wants to escape it. As they become closer over batches of bread, love is ready to bloom . . . that is, if Ari doesn’t ruin everything.

Writer Kevin Panetta and artist Savanna Ganucheau concoct a delicious recipe of intricately illustrated baking scenes and blushing young love, in which the choices we make can have terrible consequences, but the people who love us can help us grow.

Buy it: Amazon | B&N | Powell’s

Death Prefers Blondes by Caleb Roehrig (29th)

Death Prefers BlondesTeenage socialite Margo Manning leads a dangerous double life. By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines.

But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them — for good?

Buy it: B&NAmazon

The Cerulean by Amy Ewing (29th)

The Cerulean (Untitled Duology #1)Sera has always felt as if she didn’t belong among her people, the Cerulean. She is curious about everything and can’t stop questioning her three mothers, her best friend, Leela, and even the High Priestess. Sera has longed for the day when the tether that connects her City Above the Sky to the earthly world below finally severs and sends the Cerulean to a new planet.

But when Sera is chosen as the sacrifice to break the tether, she doesn’t know what to feel. To save her City, Sera must throw herself from its edge and end her own life. But something goes wrong and she survives the fall, landing in a place called Kaolin. She has heard tales about the humans there, and soon learns that the dangers her mothers warned her of are real. If Sera has any hope to return to her City, she’ll have to find the magic within herself to survive.

Buy it: B&N * Amazon

Any Old Diamonds by KJ Charles (30th)

Lord Alexander Pyne-ffoulkes is the younger son of the Duke of Ilvar, with a bitter grudge against his wealthy father. The Duke intends to give his Duchess a priceless diamond parure on their wedding anniversary—so Alec hires a pair of jewel thieves to steal it.

The Duke’s remote castle is a difficult target, and Alec needs a way to get the thieves in. Soldier-turned-criminal Jerry Crozier has the answer: he’ll pose as a Society gentleman and become Alec’s new best friend.

But Jerry is a dangerous man: controlling, remote, and devastating. He effortlessly teases out the lonely young nobleman’s most secret desires, and soon he’s got Alec in his bed—and the palm of his hand.

Or maybe not. Because as the plot thickens, betrayals, secrets, new loves, and old evils come to light. Now the jewel thief and the aristocrat must keep up the pretence, find their way through a maze of privilege and deceit, and confront the truth of what’s between them…all without getting caught.

Fave Five: LGBTQ YAs Featuring First-Generation Americans

Girl Mans Up by M-E Girard (Portuguese)

A Darkly Beating Heart by Lindsay Smith (Japanese)

Forgive Me If I’ve Told You This Before by Karelia Stetz-Waters (Estonian)

 One Man Guy by Michael Barakiva (Armenian)

Tell Me Again How a Crush Should Feel by Sara Farizan (Persian)

Rainbow heart