Tag Archives: Betsy Cornwell

July 2020 Book Deal Announcements

Adult

Ashley Herring Blake‘s DELILAH GREEN DOESN’T CARE, an #ownvoices queer romantic comedy, about a woman who begrudgingly returns to her hometown for her estranged stepsister’s wedding; when she crosses paths with a former mean girl from her childhood, old wounds and old feelings reignite, to Angela Kim at Berkley, in a pre-empt, in a two-book deal, for publication in spring 2022, by Rebecca Podos at Rees Literary Agency (world).

Brooklyn College MFA and NYU Law School graduate Jane Pek‘s THE VERIFIERS, which examines how today’s technology shapes our choices, introducing an overly imaginative reader of mystery novels who lands her dream job at an “online-dating detective agency,” then finds herself solving a real-life murder with sinister societal implications, while keeping the fact that she dates girls from her matchmaking mother, to Anna Kaufman at Vintage, in an exclusive submission, for publication in 2022, by Julie Barer at The Book Group (NA).

Jen Hinst-White‘s JOBS FOR GIRLS WITH ARTISTIC FLAIR, a LGBTQ coming-of-age story pitched as THE CACTUS meets PIZZA GIRL, about a young woman in 1980s Long Island who chases her dream of becoming a tattooist despite her social anxiety, an unreliable family, and an industry hostile to women artists, to Jeramie Orton at Pamela Dorman Books, in a pre-empt, for publication in summer 2022, by Chad Luibl at Janklow & Nesbit (world).

C.L. Clark‘s THE UNBROKEN, a North Africa-inspired queer epic fantasy following a soldier accused of murder who is saved from execution when a dethroned princess decides to take her on as a spy, while grappling with a crumbling empire and their unexpected bond, to Brit Hvide at Orbit, in an exclusive submission, in a three-book deal, by Mary C. Moore at Kimberley Cameron & Associates (world).

Oregon Literary Arts Fellow and Mills MFA graduate Emme Lund‘s THE BOY WITH A BIRD IN HIS CHEST, pitched as the desperate longing of THE PERKS OF BEING A WALLFLOWER meets queer coming-of-age about the secrets we carry, the ways we try to stay safe, and growing up having to hide what makes you lovable to the world and to yourself, to Melanie Iglesias Perez at Atria, at auction, for publication in spring 2022, by Cassie Mannes Murray at Howland Literary (world).

Actor Paul Mendez‘s RAINBOW MILK, a coming-of-age story that follows a nineteen-year-old Jamaican-British man, who goes from isolated fast food server in the Black Country to sex worker and burgeoning artist in London as he grapples with his racial and sexual identities against the backdrop of his Jehovah’s Witness upbringing and the legacy of the Windrush generation, to Margo Shickmanter at Doubleday, for publication in summer 2021, by Helena Doree at Little Brown UK (NA).

Author of LOVE ON THE HUDSON KD Fisher’s THE SECRET INGREDIENT, in which two very different female chefs in small-town Maine find a way into each other’s hearts and families, to Kerri Buckley at Carina Press Adores, for publication in November 2020, by Claire Draper at The Bent Agency (world).

Children’s/YA

Author of ONLY MOSTLY DEVASTATED Sophie Gonzales and author of THE LOVE INTEREST Cale Dietrich‘s OFF THE RECORD, following two boys in America’s biggest boy band who fall for each other while on their first sold-out European tour, and are forced to keep their relationship a secret by their record label, but slowly realize those in charge have no intention of letting them announce their relationship to the world—ever, to Sylvan Creekmore at Wednesday Books, in an exclusive submission, for publication in fall 2021, by Moe Ferrara at BookEnds (world).

Author of DEPOSING NATHAN Zack Smedley‘s TONIGHT WE RULE THE WORLD, a coming-of-age novel about a boy whose senior year is upended when school officials learn he was sexually assaulted by another student; exploring identity, sexuality, and self-worth and following the implosion among the boy’s school, peers, parents, and girlfriend, to Lauren Knowles at Page Street, in a nice deal, for publication in fall 2021, by Allison Remcheck at Stimola Literary Studio (world).

Gabe Cole Novoa’s THE WICKED BARGAIN, the #OwnVoices YA fantasy follows a trans masculine Latinx teen pirate hiding magical abilities who, after a deal with the devil comes to a violent end, is rescued by the Caribbean’s sole remaining pirate crew, but with the Spanish armada hunting the last of the pirates down, the magic they’ve been keeping secret may be their only redemption—or it could mean certain death, to Jenna Lettice at Random House Children’s, for publication in fall 2022, by Louise Fury at The Bent Agency (world).

Mariama Lockington’s FOREVER IS NOW, a novel-in-verse about an agoraphobic teenager who must find a way to boldly step outside herself for the sake of her relationships and community, to Joy Peskin at Farrar, Straus Children’s, in a two-book deal, by Jane Dystel at Dystel, Goderich & Bourret (world).

Author of WHITE ROSE Kip Wilson’s THE MOST DAZZLING GIRL IN BERLIN, a historical novel-in-verse about an orphan who finds family, love, and her voice in a queer nightclub during the last days of the Weimar Republic in Berlin, 1932, to Margaret Raymo at Versify, for publication in spring 2022, by Roseanne Wells at Jennifer De Chiara Literary Agency (NA).

Illustrators of the forthcoming WEIRDO Jessica Wibowo and Jacinta Wibowo‘s LUNAR BOY, in which a boy from the moon deals with culture shock, familial struggles, and first crushes when his mother suddenly marries and moves them to Earth, to Carolina Ortiz at Harper Alley, in a pre-empt, in a two-book deal, for publication in 2023, by Britt Siess at Martin Literary Management (world English).

Betsy Cornwell‘s READER, I MURDERED HIM, a tale of female agency, queer romance, and revenge in which a girl becomes a teenage vigilante who roams Victorian England using her privilege and power to protect other young women from abusive Gothic heroes, to Lynne Polvino at Clarion, in an exclusive submission, for publication in fall 2021, by Sara Crowe at Pippin Properties (NA).

Non-Fiction

Winner of two gold medals and the World Cup Briana Scurry and Wayne Coffey, with a foreword by Robin Roberts‘s MY GREATEST SAVE, a memoir of Scurry’s role as the fierce goalkeeper for the 1999ers, the legendary U.S. Women’s national team, where she broke barriers as the first Black female player, the first to come out openly as gay, and one of the first to advocate for equal pay, until a career-ending concussion sent her into years of despair and she had to make the greatest save of all, to Jamison Stoltz at Abrams Press, by Susan Canavan at Waxman Literary Agency (world).

Lambda Literary nonfiction fellow Nikkya Hargrove‘s MAMA: A BLACK, QUEER WOMAN’S JOURNEY TO MOTHERHOOD, describing how growing up visiting her mother in prison affected her own choices in life and how, when her mother died of heart disease at the age of 42 after a lifelong battle with crack cocaine, she adopted her baby brother, determined to create the kind of family she never had; about motherhood and identity, as told by a Black gay woman married to a Sri Lankan American woman parenting twin girls and raising their adopted son together, to Amy Gash at Algonquin, at auction, for publication in fall 2022, by Stacey Glick at Dystel, Goderich & Bourret (world).

Authors of THE GAY AGENDA and owners of the Ash + Chess stationery store Ashley Molesso and Chessie Needham’s THE QUEER TAROT and THE GAY AGENDA AGENDA, an illustrated guidebook and deck that seeks to serve as an outlet for members of the LGBTQ+ community who want to connect with the tarot in a more personalized way, celebrating their identities, including non-binary, trans, lesbian, gay, bisexual, asexual, pansexual, and more, with all races and cultures, abilities, and body types represented and celebrated; also, an agenda highlighting the most important historical moments, figures, and places in the gay community, to Shannon Connors Fabricant at Running Press, at auction, in a two-book deal, by Meg Thompson at Thompson Literary Agency (world).

Contributor to Ploughshares, The Rumpus, and Longreads Edgar Gomez’s HIGH-RISK HOMOSEXUAL, a debut memoir about coming-of-age in a culture that values machismo, following the author from his uncle’s cockfighting ring in Nicaragua to the queer spaces where he discovered the joy of being gay and Latino, including Pulse nightclub in Orlando, a drag queen convention in Los Angeles, and the doctor’s office where he was diagnosed a “high-risk homosexual,” to Sarah Lyn Rogers at Soft Skull, for publication in fall 2021, by Danielle Bukowski at Sterling Lord Literistic (world).

Venturess Author Betsy Cornwell Talks Polyamory and Inspiration

In honor of her new release, Venturess, the sequel to Mechanica, Betsy Cornwell is on the blog today to talk about what inspired its polyamory!

My new book, Venturess, is about three friends who are in love with each other, whose love makes them a family. It was important to me not to define that love in an explicitly romantic or sexual way, because those particular elements aren’t part of every intense, loving relationship, or of every family unit.

Someone asked me in a recent interview if I based any of my characters on people from my life, and I said no – the people I know definitely inform my characters, but I don’t tend to base them on one single source.

But there was a time when I fell in love with three people at once . . .

I spent the summer I turned seventeen living with a host family in the south of France.

Life was good.

I mean, life in Royan was good, with the language immersion and the food and the sunflower fields and a cooking class taught by an actual giant-mustachioed French chef and . . . OK, yes, all of that was really great. But it’s not what makes that summer stand out with so much warmth and affection in my memory.

During orientation, I met three other students named Olivia, Sasha, and Hannah, and we were best friends by the end of the day. It was probably the closest thing to love at first sight that I’ve ever felt – maybe love at first conversation?

We were all very different people. Olivia was fiery and sarcastic, lived in Manhattan when she wasn’t at boarding school, and wanted to be a filmmaker. Sasha, the only boy, was obsessed with economics and lived in Hong Kong, where he attended a glamorous-sounding international school. Hannah was from Texas and had spent probably the most time travelling of any of us, and she was a devout Christian who loved to read. I loved books too, I’d been  Christian most of my life but was recently and bitterly disillusioned, and I’d lived what suddenly seemed like a very sheltered and boring existence in rural New England.

I don’t really remember what we talked about that first day, only that it made us all laugh so much our sides hurt. We quickly absconded to a nearby cafe to continue reveling in our enjoyment of each other. Every moment that we weren’t in class or with our host families, we spent together. We went to French movies that we struggled to understand and American ones with subtitles. We ordered ice cream dishes with liqueur toppings that made us feel madly rebellious (maybe we were all a little sheltered). We wandered the Royan boardwalk and sat on the beach late into the night, talking about anything and everything.

I loved these people. I adored them.

By the end of the program we had a collective nickname: KOSH, for each of our initials. (I hated being called Betsy when I was younger, and I’d rebranded myself as Kat for the summer because I thought it would make me cooler. Shockingly, I was still the same person – although through O,S, and H’s eyes, I started to like myself a little more.)

When the summer ended, we left France and went back to our respective corners of the world.

I didn’t see them again for ten years.

In 2015, we decided to reunite in New York City on 4th of July weekend. I was teaching writing at a summer camp in Pennsylvania that year, and I remember feeling slightly terrified as I took the train up to Penn Station. We’d been some kind of soul mates when we were teenagers, but would we be able to connect again now?

I didn’t need to worry. Whatever magic was there before lit right up again when one of us asked if anyone still spoke French – and everyone burst out laughing. We roamed around the city all weekend finding bookstores and French food and semi-affordable Broadway tickets, and once more talking later into the night than was really wise, especially since we were now grown-ups with jobs and things to get back to.

Olivia works for a production company in L.A. Sasha is an economist in Ontario.  Hannah is a teacher and librarian in Texas. I live in Ireland and write books. Three of us are married (not to each other).

Maybe it’s a cop-out to claim this intense friendship as inspiration for the intentionally queer family dynamics in Venturess. I’m a bisexual cis woman married to a cis man, and I don’t consider myself polyamorous. I don’t want to lay claim to something that isn’t mine – and yet that’s a kind of self-shaming that I’ve often felt as a bisexual person, worrying that I’m “not queer enough” for the community. I write a lot about liminality, partly because so much of the love that I’ve experienced falls into those funny in-between places that are not easy to describe.

Still, the relationships in Venturess felt very close to home, close to my heart, as I wrote them. When Nick begins sleeping in the same bed with her friends Fin and Caro, and wakes up feeling more at home than she ever has before, I know that feeling. The four of us slept together (in the same-bed sense) in France. We all carried with us the acute loneliness that I think only teenagers feel, and in our love for each other we were able to alleviate it, for a little while. We were each other’s family that summer, and our love will always be part of who I am.

*****

Buy Venturess: Amazon * B&N * Books-a-Million * Hudson * IndieBound * Powell’s * Target

*****

Betsy Cornwell is the New York Times best-selling author of Tides,
Mechanica, and Venturess. She graduated from Smith College and was a columnist and editor at Teen Ink before receiving an MFA in creative writing from Notre Dame, where she also taught fiction. After grad school, she ran away to Ireland to live with the fairies, and she now resides in a small cottage on the west coast with her horse-trainer spouse. To learn more, visit her at www.betsycornwell.com, on Twitter at @Betsy_Cornwell, and on Instagram at @BetsyCornwell.