Today on the site, we’re doing a killer giveaway in partnership with Tor Books to celebrate the March 2nd release of A Desolation Called Peace, the second book in Arkady Martine’s Teixcalaan series! Tor is giving away fivesets of both books in the space opera duology, so even if you haven’t yet read A Memory Called Empire, you’re totally covered!
A Memory Called Empire (Book One):
Winner of the 2020 Hugo Award for Best Novel
A Locus, and Nebula Award nominee for 2019
A Best Book of 2019: Library Journal, Polygon, Den of Geek
An NPR Favorite Book of 2019
A Guardian Best Science Fiction and Fantasy Book of 2019 and “Not the Booker Prize” Nominee
A Goodreads Biggest SFF Book of 2019 and Goodreads Choice Awards Nominee
“A Memory Called Empire perfectly balances action and intrigue with matters of empire and identity. All around brilliant space opera, I absolutely love it.” —Ann Leckie, author of Ancillary Justice
Ambassador Mahit Dzmare arrives in the center of the multi-system Teixcalaanli Empire only to discover that her predecessor, the previous ambassador from their small but fiercely independent mining Station, has died. But no one will admit that his death wasn’t an accident—or that Mahit might be next to die, during a time of political instability in the highest echelons of the imperial court.Now, Mahit must discover who is behind the murder, rescue herself, and save her Station from Teixcalaan’s unceasing expansion—all while navigating an alien culture that is all too seductive, engaging in intrigues of her own, and hiding a deadly technological secret—one that might spell the end of her Station and her way of life—or rescue it from annihilation.
A fascinating space opera debut novel, Arkady Martine’s A Memory Called Empire is an interstellar mystery adventure.
A Desolation Called Peace is the spectacular space opera sequel to Arkady Martine’s genre-reinventing, Hugo Award–winning debut, A Memory Called Empire.
An alien armada lurks on the edges of Teixcalaanli space. No one can communicate with it, no one can destroy it, and Fleet Captain Nine Hibiscus is running out of options.
In a desperate attempt at diplomacy with the mysterious invaders, the fleet captain has sent for a diplomatic envoy. Now Mahit Dzmare and Three Seagrass—still reeling from the recent upheaval in the Empire—face the impossible task of trying to communicate with a hostile entity.
Their failure will guarantee millions of deaths in an endless war. Their success might prevent Teixcalaan’s destruction—and allow the empire to continue its rapacious expansion.
No purchase necessary. The giveaway is open to residents of the United States and Canada (excluding Quebec) 18 and older. Entry period begins at 12:00 p.m. EST on 3/1/21 and ends at 11:59 p.m. EST on 3/7/21. Void where prohibited.
To enter, tell us your favorite queer sci-fi novel in the comments! Winners will be notified on Monday, March 8th!
Today on the site, we’re celebrating two more authors of brand-new queer YAs: Tessa Gratton, whom you might know from Strange Grace, LadyHotspur, or any other number of queer books, and whose most recent queer YA is a standalone fantasy called Night Shine—starring a panromantic questioning protagonist and genderfluid, lesbian, and gay love interests—which released on September 8th, and debut Rebecca Coffindaffer, whose space opera, Crownchasers, stars a panromantic and pansexual protag and demisexual love interest in an m/f pairing and releases on September 29th! Make sure you check out September’s New Releases post for info and links to both books! And now, here are the authors!
TESSA: Hi! I’m Tessa Gratton, author of both YA and adult SFF novels. My new release is Night Shine, which I’m pitching as a dark, queer Howl’s Moving Castle. It comes out September 8th from McElderry Books, and as luck would have it, one of my longest-term writer friends, Rebecca Coffindaffer, has her debut novel coming out the same month. It’s called Crownchasers, and is the opening of a wild, intense space opera series. Think gender-bent Indiana Jones in space, with lots of twisty politics, a deadly scavenger hunt, and a both sweet and hot slow burn friends-to-lovers romance.
BECCA: I’d say the main character, Alyssa Farshot. Her voice and this concept of sort of a gender-bent Han Solo or Indiana Jones kind of character—someone who flies fast, talks fast, takes tons of risk—all that definitely came first. And once I had her, it just became a matter of exploring everything I’ve always loved about science fiction. I grew up on Star Trek and Star Wars, I had a deep and abiding love affair with the rebooted Battlestar Galactica…I mean, if there is a book or movie or TV show set in space, I will eat it up, and I wanted to write a space opera story that embraced and combined all of my favorite tropes of the genre in some new, fun ways.
Okay, Tessa, talk to me about the initial spark behind the story that became Night Shine and how it evolved from original concept to the book that hits shelves in September.
TESSA: Here is something wild: I don’t remember the initial spark for Night Shine! The first five pages have been sitting in my “ideas” folder since about 2011, and I’ve been trying to remember what triggered them. I can’t, and it’s extremely frustrating, LOL. What I do know is why I picked now to actually write the book. It was September 2018 and Strange Grace had launched, so I wanted to try and sell a new YA. I pulled out all my in-progress notebooks and went through my ideas folder to pick something that might speak to me, that felt ready in that amorphous creative way. I landed on Night Shine because it was the only idea that felt light and fun. That’s what I needed, because I was going to be working on it during long days at the hospital while my mom was dying. Night Shine had the space for me to throw in everything I love, tropes and archetypes that delight me—with nothing to make me sad. I made the four MCs my favorite love interest/villain tropes: dark maybe-evil sorcerer; sexy wicked prince; demon in disguise; loyal beleaguered bodyguard. And I made everybody queer. I gave them unicorns and dragons, demon familiars and a spirit-infested rainforest. Volcanoes and heart-stealing and really complicated relationships. I gave them magic that is definitively non-binary.
tl;dr: the inspiration behind Night Shine was to write a joyful story for myself, for my genderqueer, shapeshifting self, in order to stay grounded and creative during a very tough time.
You mention some of your favorite SFF shows, but is there a current show you’re addicted to right now?
BECCA: I feel like you’re asking me this question because you highly suspect what my answer will be, given that you and Natalie had a hand in creating my latest scifi show obsession! 😀 The truth is, we’re living in an amazing Star Trek resurgence right now—a Star Trek renaissance. A Trek-aissance, if you will. I recently consumed the first two seasons of Discovery and the first season of Picard, all in pretty quick succession after I hit my latest deadline, and it’s absolutely my favorite thing ever to see the evolution of this universe. It’s so much more diverse, the plots are twisty and complex, they really dig into the depth of the characters, but the central driving idea behind Star Trek—that there’s hope and goodness and potential in our wildly flawed selves and in our wildly flawed society that is worth holding on to—that is still a fixed point in the stories they’re telling. They really ground all the pew-pew starship action in these characters you just love and you root for and you want to watch them connect and grow and hurt and heal as a crew together. It’s the same reason I come back to another scifi show, The Expanse—the characters bring you back and make it real, even when you’re transporting onto planets that are wildly different than Earth.
Every time you talk about Night Shine, I’m only more desperate for September to get here so I can get my hands on it. What was your process of building your magic system outside the binary and what challenges, if any, you encountered in creating it?
TESSA: YES Discovery is the BEST. I wish everybody was watching it, if only so I can talk more about how Michael Burnham is the greatest hero in modern television. (BECCA: *interjecting loudly* YES SHE IS!) Also to any fans of Amos from The Expanse in particular: you’re gonna love Hell Monkey in Crownchasers.
When it comes to the Night Shine magic system, it’s more accurate to say I built it inside the binary. I wanted the magic itself to be explicitly non-binary, to exist in between dualities like night and day, life and death, “man” and “woman,” and I started by making a culture that emphasizes and appreciates contrastin all things. From cuisine to architecture, fashion and religion. Their fashion, for example, insists upon stark contrast—colors that clash impressively, and if you have light skin you might dye your hair black or maroon, if you have dark skin you might use pale makeup, and manipulating contrasts to draw attention to your beauty. The dualities they adhere to aren’t valued against each other, so this isn’t a place where women or men are devalued, or day and night preferred, it’s the binary that matters. Anything non-binary is marked as Other, whether that’s the priests in their pastel robes or witches in shades of gray, both of whom work with forces dangerously outside life and death. This is why the Empress has two consorts, a man and a woman, and when there’s an Emperor, he also has two consorts, a man and a woman, so as not to put value on one gender over the other. This brings me to the magic! I wanted magic to be the way to challenge dualities—to prove binary thinking is flawed. So I made magic an energy that connects everything—like shadows, like dawn and dusk, like tendons. In order to use it, a person must step outside of contrast and duality in some way, to exist near liminal space, either becoming a priest (who deals with ghosts and gods) or a witch (who deals with spirits and demons). But the greatest magic uses are the rare sorcerers, who must break entirely free of duality and binary thinking in order to exist entirely AS liminality. They move beyond life and death (usually with the aid of a great spirit or great demon familiar), beyond physical form, becoming literal shapeshifters themselves.
The biggest challenge was language! Moving beyond binary thinking is a struggle when the language you’re using is inherently gendered. Modern English has it baked into the core—did you know that Old English had gendered nouns? Masc, fem, AND neutral. Anyway, while I’ve written books with a variety of gender indicators and pronouns both English and fantastical, in this book the various nonbinary and genderfluid people and creatures stick with he, she, and they pronouns (with the occasional demonic it) because I wanted Night Shine to have the same problems as English. That’s the work: challenging binary thinking (in myself and) in this world.
Ok, Becca, next time lob me an easy one! But first tell me your favorite and least favorite things about working with a whole galaxy of world building.
BECCA: Hey, I didn’t come to play here. I signed on for VERY SERIOUS discussions about OUR BOOKS.
I feel like my favorite and least favorite things are kind of tied up together because I loved brainstorming different planets for my main character Alyssa to visit and different peoples she can encounter—what do they look like? how do they interact with their planet or with the empire? what customs do they have and how do they fit in the wider universe? I could really burn weeks just fleshing out all of these questions, and that’s definitely fun for me. I like playing with those sorts of questions. At the same time—and I guess this is where we get to the least favorite thing and almost a self-critique of sorts—it’s very easy to default to shortcuts when imagining other species and other planets and it’s a challenge to push your brain beyond those limitations. It’s kind of the Star Trek effect, right? Where you go to all these “strange new worlds,” but it turns out most of them are peopled by bipedal humanoid creatures that breathe and have blood and generally share mammalian characteristics. We do this because it’s pulling from what we know, what’s familiar, and also because it makes adapting it for film a lot easier! But one thing I want to keep working on in my writing is breaking down those familiar shortcuts in my brain and challenging myself to conceptualize stuff what outside the realms of our own human society.
All right, here’s one that’s (maybe) a little less intense than my last: Which character in Night Shine was your favorite to write? And which do you most relate to? Or maybe are they the same character?
TESSA: They are not the same! My favorite character to write was Esrithalan the unicorn. As I mentioned above, I really gave myself permission in Night Shine to throw in everything I wanted. To only write fun stuff. So at a certain point I needed a story beat, I wasn’t sure what, to connect two important scenes. It had to be a delight, or I couldn’t do it. That was the rule. I was playing around with various types of riddle-demons or the weirdest air spirit I could think of, when I remembered a throw-away line from one of the characters’ origin stories: it involved a unicorn. OBVIOUSLY that was the answer. A unicorn. Only, I was going to make it a little gremlin of a unicorn. Small, hairy, wise, disinterested in the problems of teenaged maybe-girls, with flashes of beauty. It’s an avatar of the Queens of Heaven so of course it has to be strange. It was only one scene, but I relished every second of it.
I relate the most to Kirin Dark-Smile. He’s ambitious, but driven by love—all his greatest moments and biggest mistakes stem from that. He’s also genderfluid, and comfortable being so—at least when he’s alone—while at the same time he’s spent most of his life hiding his gender for both politics and his ambition. I relate most strongly to the fact that he knows exactly who he is, but that doesn’t make it easier to share himself with the world, or with his loved ones.
BECCA: I’m so down for all of this, but especially please let this usher in more unicorns in YA. All the unicorns. Many and sundry unicorns.
I think where I put the most of myself is in Alyssa Farshot’s voice and her internal narrative. To be honest, there is not a lot that she and I have in common on the surface—she’s pansexual and I’m very much gray asexual, she’s a major risk taker and I am professionally risk averse, she’s an explorer and I’m a homebody, she’s extremely brave and confrontational and I wouldn’t credit myself with either of those qualities. But writing her came so easily—she’s got a wry, often self-deprecating sense of humor that is very much like mine and she often reaches for a joke to deflect from herself. And while I didn’t necessarily grow up in a floating imperial spaceship or anything, I did grow up fairly sheltered and so did she. There’s a naiveté underneath all her snark and fast-talking, and a lot of her arc—this unspooling awareness of the bigger picture around her, her awareness of it, her realization of her own power and responsibility within it—definitely mimics my own experience in early adulthood. It helped me a lot to ground her character and give her depth beyond the initial concept of “fast-talking hotshot ace pilot.”
TESSA: Dragons or space ships???
BECCA: Spaceships by a millimeter. Which would you rather have in your house: the Enterprise computer or Calcifer?
TESSA: I have so many questions about how Calcifer got into my house. Favorite childhood book:
BECCA: The Redwall books. Favorite current TV show:
TESSA: Star Trek: Discovery, LOL! Flight or Telepathy?
BECCA: HA! I can’t even handle climbing ladders, so telepathy. Han Solo or Poe Dameron?
Before we descend fully into gifs maybe we should pull this thing together! Thank you so much for chatting with me! I can’t wait for my copy of Crownchasers. Coming to all of us September 29th!
BECCA: This was a lot of fun—thanks, Tessa! And everyone, don’t miss out on claiming a copy of Night Shine for your very own, out Sept. 8th!
In the former United States, sixteen-year-old Noam Álvaro wakes up in a hospital bed, the sole survivor of the viral magic that killed his family and made him a technopath. His ability to control technology attracts the attention of the minister of defense and thrusts him into the magical elite of the nation of Carolinia.
The son of undocumented immigrants, Noam has spent his life fighting for the rights of refugees fleeing magical outbreaks—refugees Carolinia routinely deports with vicious efficiency. Sensing a way to make change, Noam accepts the minister’s offer to teach him the science behind his magic, secretly planning to use it against the government. But then he meets the minister’s son—cruel, dangerous, and achingly beautiful—and the way forward becomes less clear.
Caught between his purpose and his heart, Noam must decide who he can trust and how far he’s willing to go in pursuit of the greater good.
A high-stakes survival story about eight teenagers who outlive an alien attack—perfect for fans of The 5th Wave
Clover Martinez has always been a survivor, which is the only reason she isn’t among the dead when aliens invade and destroy Earth as she knows it.
When Clover hears an inexplicable radio message, she’s shocked to learn there are other survivors—and that they’re all at the former Area 51. When she arrives, she’s greeted by a band of misfits who call themselves The Last Teenagers on Earth.
Only they aren’t the ragtag group of heroes Clover was expecting. The group seems more interested in hiding than fighting back, and Clover starts to wonder if she was better off alone. But then she finds a hidden spaceship, and she doesn’t know what to believe…or who to trust.
A stunning psychological thriller about loss, sisterhood, and the evil that men do, for readers of Ruth Ware and S.K. Tremeyne
Two solar eclipses. Two missing girls.
Sixteen years ago a little girl was abducted during the darkness of a solar eclipse while her older sister Cassie was supposed to be watching her. She was never seen again. When a local girl goes missing just before the next big eclipse, Cassie – who has returned to her home town to care for her ailing grandmother – suspects the disappearance is connected to her sister: that whoever took Olive is still out there. But she needs to find a way to prove it, and time is running out.
A transgender reporter’s narrative tour through the surprisingly vibrant queer communities sprouting up in red states, offering a vision of a stronger, more humane America. Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she’s a senior Daily Beast reporter happily married to another woman. A lot in her life has changed, but what hasn’t changed is her deep love of Red State America, and of queer people who stay in so-called “flyover country” rather than moving to the liberal coasts.
In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: “Something gay every day.” Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more.
Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.
After abducting Arthur of Brittany from his own time in 1203, thereby creating the mystery that partly prompted the visit in the first place, Alice and her team discover that they have inadvertently brought the smallpox virus back to 1780 with them.
Searching for a future vaccine, Prudence finds that the various factions in the future time war intend to use the crisis to their own advantage.
Can the team prevent an international pandemic across time, and put history back on its tracks? At least until the next battle in the time war…
By day, Mary Ballard is lady’s maid to Charlotte Walden, wealthy and accomplished belle of New York City high society. Mary loves Charlotte with an obsessive passion that goes beyond a servant’s devotion, but Charlotte would never trust Mary again if she knew the truth about her devoted servant’s past. Because Mary’s fate is linked to that of her mistress, one of the most sought-after debutantes in New York, Mary’s future seems secure—if she can keep her own secrets…
But on her nights off, Mary sheds her persona as prim and proper lady’s maid to reveal her true self—Irish exile Maire O’Farren—and finds release from her frustration in New York’s gritty underworld—in the arms of a prostitute and as drinking companion to a decidedly motley crew consisting of a barkeeper and members of a dangerous secret society.
Meanwhile, Charlotte has a secret of her own—she’s having an affair with a stable groom, unaware that her lover is actually Mary’s own brother. When the truth of both women’s double lives begins to unravel, Mary is left to face the consequences. Forced to choose between loyalty to her brother and loyalty to Charlotte, between society’s respect and true freedom, Mary finally learns that her fate lies in her hands alone.
A stirring, bold and moving anthology of stories and poetry by top LGBTQ+ YA authors and new talent, giving their unique responses to the broad theme of pride. Each story has an illustration by an artist identifying as part of the LGBTQ+ community. Compiled by Juno Dawson, author of THIS BOOK IS GAY and CLEAN.
A celebration of LGBTQ+ talent, PROUD is a thought-provoking, funny, emotional read.
Contributors: Steve Antony, Dean Atta, Kate Alizadeh, Fox Benwell, Alex Bertie, Caroline Bird, Fatti Burke, Tanya Byrne, Moïra Fowley-Doyle, Frank Duffy, Simon James Green, Leo Greenfield, Saffa Khan, Karen Lawler, David Levithan, Priyanka Meenakshi, Alice Oseman, Michael Lee Richardson, David Roberts, Cynthia So, Kay Staples, Jessica Vallance, Kristen Van Dam and Kameron White.
Besotted is the ballad of Sasha and Liz, American expats in Shanghai. Both have moved abroad to escape—Sasha from her father’s disapproval, Liz from the predictability of her hometown. When they move in together, Sasha falls in love, but the sudden attention from a charming architect threatens the relationship. Meanwhile, Liz struggles to be both a good girlfriend to Sasha and a good friend to Sam, her Shanghainese language partner who needs more from her than grammar lessons. For fans of Prague by Arthur Phillips and The Expatriates by Janice Y.K. Lee, Besotted is an expat novel that explores what it means to love someone while running away from yourself.
In a chronicle of mourning and survival, Ali Liebegott wallows in loneliness and overassigns meaning to everyday circumstance, clinging to an aging dog and obsessing over dead birds. But these unpretentious vignettes are laced with compassion, as she learns to balance the sting of death with the tender strangeness of life.
This darkly comic debut novel by an award-winning playwright is like Mean Girls meets Heathers with a splash of Bring it On.
Jenna Watson is a cheerleader. But it’s not some Hollywood crap. Cheerleaders are not every guy’s fantasy; they are not the “popular girls” or the “mean girls” of Marsen High School. They’re too busy for that. They’re literally just some human females trying to live their lives and do a perfect toe touch. But that all changed after Raejean stopped talking to Jenna and started hanging out with Meghan Finnegan. Jenna stopped getting invited out with the rest of the squad and she couldn’t tell if it was on purpose or if it was all in her head.
At times heartbreaking, at others hilarious, Squad follows Jenna through her attempts to get revenge on Raejean and invent a new post-cheer life for herself through LARPING (live action role-playing) and a relationship with a trans guy that feels like love—but isn’t. In the, end Jenna discovers that who she is is not defined by which squad she’s in.
Mads is pretty happy with her life. She goes to church with her family, and minor league baseball games with her dad. She goofs off with her best friend Cat, and has thus far managed to avoid getting kissed by Adam, the boy next door. It’s everything she hoped high school would be… until all of a sudden, it’s not.
Her dad is hiding something big—so big it could tear her family apart. And that’s just the beginning of her problems: Mads is starting to figure out that she doesn’t want to kiss Adam… because the only person she wants to kiss is Cat.
Kiss Number 8, a graphic novel from writer Colleen AF Venable and illustrator Ellen T. Crenshaw, is a layered, funny, sharp-edged story of teen sexuality and family secrets.
Eight hundred years ago, the Zhen Empire discovered a broken human colony ship drifting in the fringes of their space. The Zhen gave the humans a place to live and folded them into their Empire as a client state. But it hasn’t been easy. Not all Zhen were eager to welcome another species into their Empire, and humans have faced persecution. For hundreds of years, human languages and history were outlawed subjects, as the Zhen tried to mold humans into their image. Earth and the cultures it nourished for millennia are forgotten, little more than legends.
One of the first humans to be allowed to serve in the Zhen military, Tajen Hunt became a war hero at the Battle of Elkari, the only human to be named an official Hero of the Empire. He was given command of a task force, and sent to do the Empire’s bidding in their war with the enigmatic Tabrans. But when he failed in a crucial mission, causing the deaths of millions of people, he resigned in disgrace and faded into life on the fringes as a lone independent pilot.
When Tajen discovers his brother, Daav, has been killed by agents of the Empire, he, his niece, and their newly-hired crew set out to finish his brother’s quest: to find Earth, the legendary homeworld of humanity. What they discover will shatter 800 years of peace in the Empire, and start a war that could be the end of the human race.
Ryann Bird dreams of traveling across the stars. But a career in space isn’t an option for a girl who lives in a trailer park on the wrong side of town. So Ryann becomes her circumstances and settles for acting out and skipping school to hang out with her delinquent friends.
One day she meets Alexandria: a furious loner who spurns Ryann’s offer of friendship. After a horrific accident leaves Alexandria with a broken arm, the two misfits are brought together despite themselves—and Ryann learns her secret: Alexandria’s mother is an astronaut who volunteered for a one-way trip to the edge of the solar system.
Every night without fail, Alexandria waits to catch radio signals from her mother. And its up to Ryann to lift her onto the roof day after day until the silence between them grows into friendship, and eventually something more . . .
In K. Ancrum’s signature poetic style, this slow-burn romance will have you savoring every page.
While popular discussions about queerness in video games often focus on big-name, mainstream games that feature LGBTQ characters, like Mass Effect or Dragon Age, Bonnie Ruberg pushes the concept of queerness in games beyond a matter of representation, exploring how video games can be played, interpreted, and designed queerly, whether or not they include overtly LGBTQ content. Video Games Have Always Been Queer argues that the medium of video games itself can—and should—be read queerly.
In the first book dedicated to bridging game studies and queer theory, Ruberg resists the common, reductive narrative that games are only now becoming more diverse. Revealing what reading D. A. Miller can bring to the popular 2007 video game Portal, or what Eve Sedgwick offers Pong, Ruberg models the ways game worlds offer players the opportunity to explore queer experience, affect, and desire. As players attempt to ‘pass’ in Octodad or explore the pleasure of failure in Burnout: Revenge, Ruberg asserts that, even within a dominant gaming culture that has proved to be openly hostile to those perceived as different, queer people have always belonged in video games—because video games have, in fact, always been queer.
Or so Amastan has been taught. As a new assassin in the Basbowen family, he’s already having second thoughts about taking a life. A scarcity of contracts ends up being just what he needs.
Until, unexpectedly, Amastan finds the body of a very important drum chief. Until, impossibly, Basbowen’s finest start showing up dead, with their murderous jaan running wild in the dusty streets of Ghadid. Until, inevitably, Amastan is ordered to solve these murders, before the family gets blamed.
Every life has its price, but when the tables are turned, Amastan must find this perfect assassin or be their next target.
Fresh out of high school, Babe Vogel should be thrilled to have the whole summer at her fingertips. She loves living in her lighthouse home in the sleepy Maine beach town of Oar’s Rest and being a barista at the Busy Bean, but she’s totally freaking out about how her life will change when her two best friends go to college in the fall. And when a reckless kiss causes all three of them to break up, she may lose them a lot sooner. On top of that, her ex-girlfriend is back in town, bringing with her a slew of memories, both good and bad.
And then there’s Levi Keller, the cute artist who’s spending all his free time at the coffee shop where she works. Levi’s from out of town, and even though Babe knows better than to fall for a tourist who will leave when summer ends, she can’t stop herself from wanting to know him. Can Babe keep her distance, or will she break the one rule she’s always had – to never fall for a summer boy?
Things are going great for Sutton Kay, or at least they were. Her yoga studio is doing well, she’s living with her best friend, and she just got two kittens named Mocha and Cappuccino. Sure, she doesn’t have a girlfriend, but her life is full and busy.
Then her building is sold and the new landlord turns out to be the woman putting in a gym downstairs who doesn’t seem to understand the concepts “courtesy” and “don’t be rude to your tenants.” Sutton can’t get a read on Tuesday Grímsdóttir, but she can appreciate her muscles. Seriously, Tuesday is ripped. Not that that has anything to do with anything since she’s too surly to have a conversation with, and won’t stop pissing Sutton off.
Sutton’s life gets interesting after she dares Tuesday to make it through one yoga class, and then Tuesday gives Sutton the same dare. Soon enough they’re spending time working out together and when the sweat starts flowing, the sparks start flying. How is it possible to be so attracted to a person you can barely stand?
But when someone from Tuesday’s past shows up and Sutton sees a whole new side of Tuesday, will she change her mind about her grumpy landlord? Can she?
In the city of Houston – a sprawling, diverse microcosm of America – the son of a black mother and a Latino father is coming of age. He’s working at his family’s restaurant, weathering his brother’s blows, resenting his older sister’s absence. And discovering he likes boys.
Around him, others live and thrive and die in Houston’s myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra.
Bryan Washington’s brilliant, viscerally drawn world vibrates with energy, wit, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.
Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.
As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.
With unflinching honesty and lyrical prose, spanning from 1960s Hawai’i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.
I’ve been chased my whole life. As an illegal immigrant in the territory controlled by the tyrannical Mercer corporation, I’ve always had to hide who I am. Until I found Excalibur.
Now I’m done hiding.
My name is Ari Helix. I have a magic sword, a cranky wizard, and a revolution to start.
When Ari crash-lands on Old Earth and pulls a magic sword from its ancient resting place, she is revealed to be the newest reincarnation of King Arthur. Then she meets Merlin, who has aged backward over the centuries into a teenager, and together they must break the curse that keeps Arthur coming back. Their quest? Defeat the cruel, oppressive government and bring peace and equality to all humankind.
When genderqueer fourteen-year-old Z Chilworth wakes from death after a car crash that killed their parents and sisters, they have to adjust quickly to their new status as a zombie. Always a talented witch, Z can now barely perform magic and is rapidly decaying. Faced with rejection from their remaining family members and old friends, Z moves in with Mrs. Dunnigan, an elderly witch, and befriends Aysel, a loud would-be-goth classmate who is, like Z, a loner. As Z struggles to find a way to repair the broken magical seal holding their body together, Aysel fears that her classmates will discover her status as an unregistered werewolf. When a local psychiatrist is murdered in an apparent werewolf attack, the town of Salem, Oregon, becomes even more hostile to monsters, and Z and Aysel are driven together in an attempt to survive a place where most people wish that neither of them existed.
With Miranda in Milan, debut author Katharine Duckett reimagines the consequences of Shakespeare’s The Tempest, casting Miranda into a Milanese pit of vipers and building a queer love story that lifts off the page in whirlwinds of feeling.
After the tempest, after the reunion, after her father drowned his books, Miranda was meant to enter a brave new world. Naples awaited her, and Ferdinand, and a throne. Instead she finds herself in Milan, in her father’s castle, surrounded by hostile servants who treat her like a ghost. Whispers cling to her like spiderwebs, whispers that carry her dead mother’s name. And though he promised to give away his power, Milan is once again contorting around Prospero’s dark arts.
With only Dorothea, her sole companion and confidant to aid her, Miranda must cut through the mystery and find the truth about her father, her mother, and herself.
OK, so I’m a liiiittle slow this month to get up the New Release Spotlight, but actually, it’s kind of perfect timing, since this wildly fun YA space romp actually releases today! The Disasters is about a ragtag team of space academy rejects forced to team up to stop attacks and expose some major shadiness, and if you love fun and banter-y friend groups, I can pretty much guarantee this bi MC-helmed debut will be your jam.
Hotshot pilot Nax Hall has a history of making poor life choices. So it’s not exactly a surprise when he’s kicked out of the elite Ellis Station Academy in less than twenty-four hours.
But Nax’s one-way trip back to Earth is cut short when a terrorist group attacks the Academy. Nax and three other washouts escape—barely—but they’re also the sole witnesses to the biggest crime in the history of space colonization. And the perfect scapegoats.
On the run and framed for atrocities they didn’t commit, Nax and his fellow failures execute a dangerous heist to spread the truth about what happened at the Academy.
They may not be “Academy material,” and they may not get along, but they’re the only ones left to step up and fight.