Sarah Prager is no stranger to LGBTQIAP+ history books; her first, Queer, There, and Everywhere, received numerous accolades and was named a New York Public Library Best Book of 2017. I’m thrilled to have her on the site today to reveal an exclusive excerpt from her upcoming middle grade follow-up, Rainbow Revolutionaries: 50 LGBTQ+ People Who Made History, which is illustrated by Sarah Papworth and releasing from HarperCollins on May 26th! (And pssst: Sarah’s holding an online launch party the same day! See details here.) Here’s the blurb:
Take a journey through the lives of fifty revolutionary queer figures who made history in this groundbreaking illustrated biography collection from the author of Queer, There, and Everywhere. Did you ever wonder who invented the computer? Or who advised Martin Luther King Jr. on his nonviolent activism? Author Sarah Prager and illustrator Sarah Papworth bring to life the vibrant histories of fifty pioneering LGBTQ+ people our history books forgot to mention. Delve into the lives of Wen of Han, a Chinese emperor who loved his boyfriend as much as his people; Martine Rothblatt, a trans woman who’s helping engineer the robots of tomorrow, and so many more! From athletes (Billie Jean King) to doctors (Magnus Hirschfeld) and activists (Marsha P. Johnson) to painters (Frida Kahlo), LGBTQ+ people have made their mark on every century of human existence. This book is a celebration of the many ways these hidden heroes have made a difference and will inspire young readers to make a difference, too.
And here’s the excerpt, with gorgeous illustrations from Sarah Papworth!
Frieda came from a musical family in Amsterdam, the Netherlands, and started playing cello when she was ten. Her sister says that because Frieda had small hands, she had to wrestle to handle the large instrument. Frieda conquered the cello just like she took on other difficulties in life.
Frieda, who was a lesbian, got the chance to try her hand at something else musical besides the cello—conducting. There she found her true passion. She was so talented at conducting student musicians that she got the opportunity to conduct a professional orchestra. Her friends were skeptical that she could pull it off—no woman had ever conducted a professional orchestra before in Europe! In 1937 Frieda tried . . . and succeeded.
But Frieda had to disband her orchestra in 1940 because of World War II. Frieda put her steady hands to work by forging fake identity documents for Jews. At that time in the Netherlands, the Nazis were trying to find all the Jewish people. Everyone was required to carry identification, so Frieda made documents for Jewish people to carry that said they weren’t Jewish, so they could escape. It was dangerous work, but Frieda knew it was the right thing to do.
She even helped plan a bombing of Amsterdam’s city hall so that all the original IDs were destroyed and Jewish people would be protected. After the bombing, in 1943, Frieda had to go into hiding. The Nazis captured many of the activists she had worked with on the attack, but Frieda disguised herself as a man and was able to go undetected for weeks. Her male look was so convincing that her own mother didn’t recognize her when she passed her on the street. Then Frieda escaped to Switzerland, crossing snowy mountains and fording icy rivers (even though she couldn’t swim) to get to a place where she could survive.
After the war, Frieda wanted a new life, so she moved to Southern California— somewhere to warm her heart after all the horrors she had seen. Years after her orchestra had been ended by the war, she got the chance to be a conductor again, this time with the Orange County Philharmonic until 1962. She spent her life breaking barriers in music and heroically helping people in need.
Tshepo Ricki Kgositau
Ricki didn’t just change her own life on December 12, 2017—she changed the lives of many more. On that day, a high court in her country of Botswana ruled in her favor in a historic case. But we’ll hear more about that later.
Before she was making history, Ricki was an energetic fashion-loving child playing house in rural southern Botswana, playing the part of the mommy (raising the curiosity of those around her because she had been assigned male at birth). She loved to steal her grandma’s food to pretend to cook, and play with makeup and high heels. When she moved to the capital, Gabarone, her kindergarten teachers called her parents in for a meeting to tell them there was something wrong with their “son,” who kept asking to be called a girl.
It took until middle school for Ricki’s transition to be respected. Her family got on board, and a supportive teacher encouraged her. In high school, Ricki still had to wear the boys’ uniform, but she dressed it up with bangles and wore makeup. It wasn’t until she saw Oprah’s special on Jazz Jennings on TV that she realized there was a word for who she was: trans.
One day in 2010, Ricki lost her Botswana national ID card. For someone else, getting it replaced would have been a routine inconvenience. However, when Ricki went to get it replaced, she was told that because the lost ID said she was male and she presented as female, they couldn’t give her a new one. This inconsistency around her sex on this little piece of laminated paper would turn into a years-long legal battle.
Ricki just wanted her new ID—she needed it for important things like getting a job. But to get it she needed to hire a lawyer and take on the entire government of Botswana! The case became about much more than Ricki’s ID—it would go on to affect trans rights in all of Africa. If Ricki won, it would mean no trans person in Botswana would have to go through this ordeal again. And in 2017, she won!
There was one thing left to do that her new female ID opened the door to—get married. Ricki happily wedded her love, Beltony Kanza, in 2018 in Botswana. (Always the fashionista, she designed her wedding dress herself.) This is just the beginning of her life story—and of the struggle for trans rights across her continent.
* * *
Sarah Prager is an advocate for queer history education particularly for youth. HarperCollins published her first book, Queer, There, and Everywhere: 23 People Who Changed the World, on May 23, 2017. The book received three starred reviews, was named an official selection of the Junior Library Guild, received five award nominations, and was named a Best Book for Teens 2017 by New York Public Library and Chicago Public Library. Her second book, Rainbow Revolutionaries: 50 LGBTQ+ People Who Made History, will be published by HarperCollins Children’s on May 26, 2020 and is currently available for pre-order. It has already been named a Junior Library Guild selection. Sarah’s writing has been published in The Atlantic, The Advocate, HuffPost, QED: A Journal in GLBTQ Worldmaking, Bustle, JSTOR Daily, them, Xtra, GO Magazine, Tagg Magazine, and various other outlets. Sarah has presented on LGBTQIA+ history to over 140 groups across five countries, including the U.S. Embassy in Mexico City, Harvard Business School, and Microsoft HQ in Times Square. She lives with her wife, two children, and three cats in central Massachusetts. www.sarahprager.com.
In something a little new for LGBTQReads, today we’re hosting the cover reveal for the brand-new paperback design of Real Queer America: LGBTQ Stories from Red States by Samantha Allen! The paperback releases June 16, and the great news is that if you can’t wait until then, you don’t have to, because you can get it in hardcover now! But for those who prefer paperback or who just need to have this new gorgeous cover on shelves, read on and see what it’s all about before we get to the revamped design!
A transgender reporter’s “powerful, profoundly moving” (New York Times Book Review) narrative tour through the surprisingly vibrant queer communities sprouting up in red states, offering a vision of a stronger, more humane America.
Ten years ago, Samantha Allen was a suit-and-tie-wearing Mormon missionary. Now she’s a GLAAD Award-winning journalist happily married to another woman. A lot in her life has changed, but what hasn’t changed is her deep love of Red State America, and of queer people who stay in so-called “flyover country” rather than moving to the liberal coasts.
In Real Queer America, Allen takes us on a cross-country road-trip stretching all the way from Provo, Utah to the Rio Grande Valley to the Bible Belt to the Deep South. Her motto for the trip: “Something gay every day.” Making pit stops at drag shows, political rallies, and hubs of queer life across the heartland, she introduces us to scores of extraordinary LGBT people working for change, from the first openly transgender mayor in Texas history to the manager of the only queer night club in Bloomington, Indiana, and many more.
Capturing profound cultural shifts underway in unexpected places and revealing a national network of chosen family fighting for a better world, Real Queer America is a treasure trove of uplifting stories and a much-needed source of hope and inspiration in these divided times.
Samantha Allen is a GLAAD Award-winning journalist and the author of Love & Estrogen (Amazon Original Stories). A former senior reporter for The Daily Beast, she has been published in The New York Times, Rolling Stone, and Out, among other places, and has appeared on MSNBC, CNN, and NPR’s On the Media. She received her Ph.D. in Women’s, Gender, and Sexuality Studies from Emory University in 2015 and was the 2013 recipient of the Kinsey Institute’s John Money Fellowship for Scholars of Sexology. She met her wife in a Kinsey Institute elevator–a true queer love story.
Today on the site I’m so excited to have Kristen Arnett, author of the flamingo-covered book everyone is talking about. (And if you think you haven’t heard about it, consider whether you’ve seen the words “lesbian taxidermy” cross your timeline at some point.) Believe the hype, because Arnett is a master of nailing that rare combination of brutal but funny, open and honest but dry and self-protective. It’s one of the most memorable books I’ve read in a long time, with an opening that knocked me flat on my ass. If you don’t believe me, you can go ahead and check out The New York Times or Autostraddle or any of Kristen’s brilliant essays, but you can also just go ahead and check out this interview, as long as you’re here!
First, though, let’s check out this debut novel, Mostly Dead Things, releasing tomorrow, June 4, by Tin House Books!
One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.
Let’s begin with the stuffed elephant in the room – your first novel! Mostly Dead Thingshas one of the most viscerally memorable openings I’ve read in a long time. How did this story of a lesbian taxidermist taking over the family business following her father’s suicide become The One after all your years in essays and short fiction? And please God can you share a little about your taxidermy research?
I was busy working on a short story about a brother and sister who attempt, and fail, to properly taxidermy one of their neighbors goats. At the time, I was doing a lot of weird internet deep dives into fucked up terrible taxidermy. It was funny to me, and I also loved the idea of writing about two siblings fighting over something as bizarre as a dead goat, so I sat inside that story for a while. When I was done, I realized I wanted to keep thinking about them: the characters, the setting, their relationship dynamics, all of it. So I decided to toss out that story and see what I could do with these characters in a broader sense. And that eventually became the novel!
With regard to taxidermy, I am a librarian, so research is a natural path my brain loves to take. When it came to looking up taxidermy, I spent a ton of time online: videos, chat rooms, web forums, etc. I also bought a lot of old school taxidermy manuals and read through them constantly. I wanted all the work I was having the characters do on any animal to not only feel authentic, but to seem hyper realistic. I wanted to make absolutely sure everything felt just right!
Speaking of short fiction, your fiction came a couple of years ago with felt in the jaw. For those who’ll be discovering you through Mostly Dead Things, what are some themes you see rising up in both works? Is there a particular story in that collection that’s closest to your heart, and if so, is it the same one you felt closest to when it first released?
I definitely want to write about the queer lives of women. By that I mean I am interested in something that I’ve called “the lesbian domestic.” I wanna see the day-to-day interactions of queer women in households. I know that theme filters into all of my work because it is something I also want to see as a reader. I am also deeply interested in bodies – tactile sensations, physical forms. That crops up over and over again in my work. Also Florida! I’d say all of these themes coalesce in much of my writing, but particularly in the title story from that first collection. I felt it exemplified all of the things I was trying so desperately to write about when it comes to queerness in a household: relationships between queer women, household dynamics and their breakdown, and the actual landscape of a Florida backyard.
Of course, you’re also well-known for your personal essays; I don’t think anyone could make the Olive Garden and 7-11 sound quite as poignant as you do. What’ve been your favorite and most unexpected reactions to your non-fiction work?
I would say the thing that has been the most surprising and what I have absolutely enjoyed the most in hearing from readers is that they have identified with Florida in my work. Specifically, I have loved hearing that from other Floridians. It is always so dicey, trying to write lovingly (or maybe not-so lovingly, maybe writing something in a raw, painful way) about home and the places where we live and live in us. So whenever I am putting my version of Florida out there, I always get that little worry that people won’t understand it, or maybe it won’t sit right with them like how I envisioned it in my own head. I have been so lucky in that, because the people who have read my work for place have all been so thoroughly encouraging about it. Not only that, but they share with me their own stories of Florida and home. That is very precious to me, so special. I feel like it’s just an even bigger kind of community, but through writing, and it makes me feel so glad.
Fellowships! Residencies! I’ve always wondered what it’s like to truly surround yourself with an environment dedicated to honing your craft and to experts in it. Do you have a favorite experience or anything that’s particularly notably emerged from those times?
I’ve been truly lucky to have experienced several residencies over the course of my writing career. I would say one that really stuck with me as a place that allowed me to get a tremendous amount of work done was my residency at the Millay Colony. It’s located in upstate New York and is pretty secluded. I decided to drive myself up there all the way from Florida, stopping midway in Virginia. I had never driven alone that far by myself before and took it as an opportunity to sit with myself and really try and think about things – my writing, my work, my relationships to those things. And when I got there I was able to still spend so much time in solitude. It truly gave me the time I needed to kind of fix my mind in the new directions I was trying to take it. I got so much from that residency. I know that I am lucky that I was able to do it – not everyone can afford to take time off from work like that, so I especially tried to appreciate every single moment of it.
What’s the first queer rep you saw that really resonated with you? Is there anything you’d still really like to see?
My first experience in queer reading was sitting down with Dorothy Allison’s Bastard out of Carolina. It was the first book I’d ever read where I just sat and thought, “wow, here I am – I see myself in here.” The writing was so raw and bare. It was a revelation for me. It’s the book I read that made me know I wanted to be a writer. I love all of Dorothy’s work for sure, but I can think about that book any time and still have that feeling in my chest, that huge heart glow that made me feel just a tiny bit less alone.
I would say I am always reading looking for other queer writing that makes me feel like I am experiencing the day-to-day dynamics of queer relationships. I am much less interested in reading coming out stories and would just love to see more narratives that focus on how dynamics sit between queer people in a family, in a household, in a region, in a place. Those little moments of time, smaller pockets. I am forever searching for that as a reader. Also I would love to see more queer horror narratives!
There’s a lot of talk about how adult fiction, particularly literary fiction, is harder to find online, and as a blogger for a site that tries to cover it all, I certainly can’t argue with that. How do you stay on top of queer lit coming out, and is there any you’d particularly like to recommend, or are especially excited to read?
I would say that I try and search for it, for sure, but there are places I definitely go to hear about new queer lit. One of those places is Lambda Literary. I also have a large community of queer writers who I trust and value their opinions, so I am forever picking everyone’s brains when it comes to new work. There is also a ton of queer poetry out there now that I am obsessed with and I don’t think gets talked about as much as it should. Tommy Pico’s entire body of work is a revelation. I wish everyone could read every single book of his! I love T Kira Madden’s memoir that dropped in March, Long Live the Tribe of Fatherless Girls. Also Nicole Dennis-Benn’s Patsy that drops very soon! Jaquira Diaz has an essay collection dropping as well called Ordinary Girls. That’s very queer and also VERY Florida.
And finally, perhaps most important question: what is, technically, the best ravioli?
Human beings are the finest raviolis on the planet.
Kristen Arnett is a queer fiction and essay writer. She was awarded Ninth Letter‘s 2015 Literary Award in Fiction, was runner-up for the 2016 Robert Watson Literary Prize at The Greensboro Review, and was a finalist for Indiana Review’s 2016 Fiction Prize. She’s a columnist for Literary Hub and her work has appeared or is upcoming at North American Review, The Normal School, Gulf Coast, TriQuarterly, Guernica, Electric Literature, McSweeneys, PBS Newshour, Literary Hub, Volume 1 Brooklyn, OSU’s The Journal, Catapult, Bennington Review, Portland Review, Tin House Flash Fridays/The Guardian, Salon, The Rumpus, and elsewhere. Her debut story collection, Felt in the Jaw,was published by Split Lip Press and was awarded the 2017 Coil Book Award. Her novel, Mostly Dead Things, will be published by Tin House Books in June 2019.
Precious and Adored: The Love Letters of Rose Cleveland and Evangeline Simpson Whipple, 1890–1918 ed. by Lizzie Ehrenhalt and Tilly Laskey (1st)
In 1890, Rose Cleveland, sister of President Grover Cleveland, began writing to Evangeline Simpson, a wealthy widow who would become the second wife of Henry Whipple, Minnesota’s Episcopal bishop. The women corresponded across states and continents, discussing their advocacy and humanitarian work—and demonstrating their sexual attraction, romance, and partnership. In 1910, after Evangeline Whipple was again widowed, the two women sailed to Italy and began a life together.
The letters, most written in Cleveland’s dramatic, quirky style, guide readers through new love, heartbreak, and the rekindling of a committed relationship. Lillian Faderman’s foreword provides the context for same-sex relationships at the time. An introduction and annotations by editors Lizzie Ehrenhalt and Tilly Laskey discuss the women’s social and political circles, and explain references to friends, family, and historical events.
After Rose Cleveland’s death, Evangeline Whipple described her as “my precious and adored life-long friend.” This collection, rare in its portrayal of nineteenth-century LGBTQ history, brings their poignant story back to life.
Twisted Wishes bass player Mish Sullivan is a rock goddess—gorgeous, sexy and comfortable in the spotlight. With fame comes unwanted attention, though: a stalker is desperate to get close. Mish can fend for herself, just as she always has. But after an attack lands her in the hospital, the band reacts, sticking her with a bodyguard she doesn’t need or want.
David Altet has an instant connection with Mish. A certified badass, this ex-army martial arts expert can take down a man twice his size. But nothing—not living as a trans man, not his intensive military training—prepared him for the challenge of Mish. Sex with her is a distraction neither of them can afford, yet the hot, kink-filled nights keep coming.
When Mish’s stalker ups his game, David must make a choice—lover or bodyguard. He’d rather have Mish alive than in his bed. But Mish wants David, and no one, especially not a stalker, will force her to give him up.
Much to her father’s dismay Lady Louisa Adele Kathryn Present is quite solidly on the shelf. She shows no interest in finding a husband after three long seasons of, well, not particularly trying.
She begins this season anew, somewhat jaded and uninterested in yet another season and the annoyance she’ll certainly face from her family when she remains with them, yet again.
But a single glance from one of the new set has her reeling— straight back into a potted palm.
Maitland Alice Elliot-Rigsby has trained to be the wife of a duchess.
Or perhaps a Viscount, an Earl at the very least. She has only her training — and a rather healthy dowry — to recommend her.
So when she catches the eye of a viscounts daughter her own mother is thrilled.
Louisa hasn’t ever trusted anyone the way she trusts Maitland and it frightens her, but how will they survive a world in which the both of them must marry?
Me, Myself, They: Life Beyond the Binary chronicles Joshua M. Ferguson’s extraordinary story of transformation to become the celebrated non-binary filmmaker, writer, and advocate for trans rights they are today. Beginning with their birth and early childhood years of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violent physical assault. But Ferguson’s story is above all about survival, empathy, and self-acceptance. By combining their personal reflections on what it feels like to never truly fit into the prescribed roles of girl or boy, woman or man, with an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for recognition and respect for all trans, non-binary, and gender non-conforming people, and an inclusive understanding of the rich diversity of human identity. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.
Fig, a sixth grader, wants more than anything to see the world as her father does. The once-renowned pianist, who hasn’t composed a song in years and has unpredictable good and bad days, is something of a mystery to Fig. Though she’s a science and math nerd, she tries taking an art class just to be closer to him, to experience life the way an artist does. But then Fig’s dad shows up at school, disoriented and desperately searching for Fig. Not only has the class not brought Fig closer to understanding him, it has brought social services to their door.
Diving into books about Van Gogh to understand the madness of artists, calling on her best friend for advice, and turning to a new neighbor for support, Fig continues to try everything she can think of to understand her father, to save him from himself, and to find space in her life to discover who she is even as the walls are falling down around her.
Nicole Melleby’s Hurricane Season is a stunning novel about a girl struggling to be a kid as pressing adult concerns weigh on her. It’s also about taking risks and facing danger, about love and art, and about coming of age and coming out. And more than anything else, it is a story of the healing power of love—and the limits of that power.
Regal romance abounds in this flirty, laugh-out-loud companion novel Royals, by New York Times bestselling author Rachel Hawkins.
Millie Quint is devastated when she discovers that her sort-of-best friend/sort-of-girlfriend has been kissing someone else. And because Millie cannot stand the thought of confronting her ex every day, she decides to apply for scholarships to boarding schools . . . the farther from Houston the better.
Millie can’t believe her luck when she’s accepted into one of the world’s most exclusive schools, located in the rolling highlands of Scotland. Everything about Scotland is different: the country is misty and green; the school is gorgeous, and the students think Americans are cute.
The only problem: Mille’s roommate Flora is a total princess.
She’s also an actual princess. Of Scotland.
At first, the girls can barely stand each other–Flora is both high-class and high-key–but before Millie knows it, she has another sort-of-best-friend/sort-of-girlfriend. Even though Princess Flora could be a new chapter in her love life, Millie knows the chances of happily ever afters are slim . . . after all, real life isn’t a fairy tale . . . or is it?
This second book in Rachel Hawkins’ fun, flirty Royals series brings a proud perspective to a classic romance.
Laura Dean, the most popular girl in high school, was Frederica Riley’s dream girl: charming, confident, and SO cute. There’s just one problem: Laura Dean is maybe not the greatest girlfriend.
Reeling from her latest break up, Freddy’s best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it’s really Laura Dean that’s the problem. Maybe it’s Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever. Fortunately for Freddy, there are new friends, and the insight of advice columnists like Anna Vice to help her through being a teenager in love.
Mariko Tamaki and Rosemary Valero-O’Connell bring to life a sweet and spirited tale of young love that asks us to consider what happens when we ditch the toxic relationships we crave to embrace the healthy ones we need.
For sixteen years, Nate was the perfect son—the product of a no-nonsense upbringing and deep spiritual faith. Then he met Cam, who pushed him to break rules, dream, and accept himself. Conflicted, Nate began to push back. With each push, the boys became more entangled in each others’ worlds…but they also spiraled closer to their breaking points. And now all of it has fallen apart after a fistfight-turned-near-fatal-incident—one that’s left Nate with a stab wound and Cam in jail.
Now Nate is being ordered to give a statement, under oath, that will send his best friend to prison. The problem is, the real story of what happened between them isn’t as simple as anyone thinks. With all eyes on him, Nate must make his confessions about what led up to that night with Cam…and in doing so, risk tearing both of their lives apart.
Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.
Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.
Fifteen-year-old Eleanor Fromme just chopped off all of her hair. How else should she cope after hearing that her bully, James, has taken his own life? When Eleanor’s English teacher suggests students write a letter to a person who would never read it to get their feelings out, Eleanor chooses James.
With each letter she writes, Eleanor discovers more about herself, even while trying to make sense of his death. And, with the help of a unique cast of characters, Eleanor not only learns what it means to be inside a body that does not quite match what she feels on the inside, but also comes to terms with her own mother’s mental illness.
Set against a 1993-era backdrop of grunge rock and riot grrrl bands, EVERYTHING GROWS depicts Eleanor’s extraordinary journey to solve the mystery within her and feel complete. Along the way, she loses and gains friends, rebuilds relationships with her family, and develops a system of support to help figure out the language of her queer identity.
An adaptation of Shaftesbury’s award-winning, groundbreaking queer vampire web series of the same name, Carmilla mixes the camp of Buffy the Vampire Slayer, the snark of Veronica Mars, and the mysterious atmosphere of Welcome to Nightvale.
Newly escaped from the stifling boredom of a small town, college freshman Laura is ready to make the most of her first year at Silas University. But when her roommate, Betty, vanishes and a sarcastic, nocturnal philosophy student named Carmilla moves into Betty’s side of the room, Laura decides to play detective. Turns out Betty isn’t the first girl to go missing; she’s just the first girl not to come back. All over campus, girls have been vanishing, and they are completely changed when (or if) they return. Even more disturbing are the strange dreams they recount: smothering darkness, and a strange pale figure haunting their rooms. Dreams that Laura is starting to have herself.
As Laura closes in on the answers, tensions rise with Carmilla. Is this just a roommate relationship that isn’t working out, or does Carmilla know more than she’s letting on about the disappearances? What will Laura do if it turns out her roommate isn’t just selfish and insensitive, but completely inhuman? And what will she do with the feelings she’s starting to have for Carmilla?
Thelia isn’t in line to inherit the crown, but she’s been raised to take power however she can. She’s been friends with Princess Corene her whole life, and she’s scheming to marry Bayled, the heir to the throne. But her plans must change when an army of elves invades the kingdom.
Thelia, her cousin Parsival, and Corene become trapped in the castle. An elf warrior, Sapphire, may be Thelia’s only hope of escape, but Sapphire has plans of their own. Meanwhile, an ancient magic is awakening within the castle, with the power to destroy the whole kingdom. Can Thelia find a way to protect her future–and her life?
A young woman and her wife’s attempts to have a child unfold in this poetic tale that ebbs and flows like the sea.
After years of difficulty trying to have children, a young couple finally announces their pregnancy, only to have the most joyous day of their lives replaced with one of unexpected heartbreak. Their relationship is put to the test as they forge ahead, working together to rebuild themselves amidst the churning tumult of devastating loss, and ultimately facing the soul-crushing reality that they may never conceive a child of their own.
Based on author Ingrid Chabbert’s own experience, coupled with soft, sometimes dreamlike illustrations by Carole Maurel, Waves is a deeply moving story that poignantly captures a woman’s exploration of her pain in order to rediscover hope.
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.
Non-binary poet Cyrus Parker returns with an all-new collection of poetry and prose dedicated to those struggling to find their own identity in a world that often forces one into the confines of what’s considered “socially acceptable.”
Divided into three parts and illustrated by Parker, masquerade grapples with topics such as the never-ending search for acceptance, gender identity, relationships, and the struggle to recognize your own face after hiding behind another for so long.
Seventeen-year-old internet video star Fit is on a mission to become famous at all costs. She shares her life with her fans through countless videos (always sporting some elaborate tinfoil accessory), and they love her for it. If she goes viral, maybe she can get out of her small casino town and the cramped apartment she shares with her brother and grandpa. But there’s one thing Fit’s fans don’t know about her: when Fit was three-years-old, her mother, suffering from postpartum psychosis, tried to kill her.
Now Fit’s mother, River, has been released from prison. Fit is outraged that River is moving in with the family, and it’s not long before Fit’s video followers realize something’s up and uncover her tragic past. But Fit soon realizes that the only thing her audience loves more than tragedy is a heartwarming tale of a family reunion. Is faking a relationship with River the key to all Fit’s dreams coming true?
Alma Rosales is on the hunt for stolen opium. Trained in espionage by the Pinkerton’s Detective Agency—but dismissed for bad behavior and a penchant for going undercover as a man—Alma now works for Delphine Beaumond, her former lover and the seductive mastermind of a West Coast smuggling ring.
When product goes missing at their Washington Territory outpost, Alma is offered a promotion if she can track the thief and recover the drugs. In disguise as the scrappy dockworker Jack Camp, this should be easy—once she muscles her way into the organization and wins the trust of the local boss and his boys, all while keeping them from uncovering her secrets. Her identity is not all she’s hiding: At the same time she’s searching for the missing opium, Alma is sending coded dispatches to the Pinkerton’s agents detailing the smuggling ring’s operations.
As the sailors tell it, Port Townsend is just five miles from hell. Which suits Alma fine. It’s the perfect setting for her game of aliases and double-crosses. But it’s getting harder and harder to keep her cover stories straight. And to know who to trust. One wrong move and she could be unmasked: as a woman, as a traitor, or as a spy.
It doesn’t matter what the prize for the Sun City Originals contest is this year.
Who cares that’s it’s fifteen grand? Who cares about a gig opening for one of the greatest bands to ever play this town?
Not Dia, that’s for sure. Because Dia knows that without a band, she hasn’t got a shot at winning Sun City. Because ever since Hanna’s drinking took over her life, Dia and Jules haven’t been in it. And ever since Hanna left — well, there hasn’t been a band.
It used to be the three of them, Dia, Jules, and Hanna, messing around and making music and planning for the future. But that was then, and this is now — and now means a baby, a failed relationship, a stint in rehab, all kinds of off beats that have interrupted the rhythm of their friendship. No contest can change that. Right?
But like the lyrics of a song you used to play on repeat, there’s no forgetting a best friend. And for Dia, Jules, and Hanna, this impossible challenge — to ignore the past, in order to jumpstart the future — will only become possible if they finally make peace with the girls they once were, and the girls they are finally letting themselves be.
Rebecca Barrow’s tender story of friendship, music, and ferocious love asks — what will you fight for, if not yourself?
Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It’s the highest honor they could hope for…and the most cruel.
But this year, there’s a ninth girl. And instead of paper, she’s made of fire.
In this lush fantasy, Lei is a member of the Paper caste, the lowest and most oppressed class in Ikhara. She lives in a remote village with her father, where the decade-old trauma of watching her mother snatched by royal guards still haunts her. Now, the guards are back, and this time it’s Lei they’re after–the girl whose golden eyes have piqued the king’s interest.
Over weeks of training in the opulent but stifling palace, Lei and eight other girls learn the skills and charm that befit being a king’s consort. But Lei isn’t content to watch her fate consume her. Instead, she does the unthinkable–she falls in love. Her forbidden romance becomes enmeshed with an explosive plot that threatens the very foundation of Ikhara, and Lei, still the wide-eyed country girl at heart, must decide just how far she’s willing to go for justice and revenge.
I know you’re angry. It’s true, I was sent to expose your mentor as a fraud illusionist, and instead I have put your secret in jeopardy. I fear I have even put your life in jeopardy. For that I can only beg your forgiveness. I’ve fallen for you. You know I have. And I never wanted to create a rift between us, but if it means protecting you from those who wish you dead―I’ll do it. I’ll do anything to keep you safe, whatever the sacrifice. Please forgive me for all I’ve done and what I’m about to do next. I promise, it’s one magic trick no one will ever see coming.
All Marian wants is for society to accept that she’s just not interested in… whatever society thinks she ought to be interested in. A princess with a reputation for insults and snide remarks, she’s afraid to show anyone who she would be if people would let her. In a fit of temper at her refusal to marry, her father creates her worst nightmare: she is to be wed to the first beggar who arrives at the gates.
Edel was visiting purely for diplomatic reasons, aiming to ensure her daughter inherits a strong and peaceful kingdom. She sees something in Marian that is achingly familiar and when Edel hears the king’s proclamation, only one thing is on her mind: to protect Marian from the fate that had befallen Edel herself.
Their lives threaded together by magic, Edel and Marian will have to find their way in the world in this queerplatonic, sapphic verse novel retelling of King Thrushbeard.
Carter’s fiancé is in love with someone else. Link has just been left at the altar. After bonding over mutual heartbreak at the would-be reception’s open bar, Link and Carter pass out in the honeymoon suite—and are mistaken for the happy newlywed couple the next morning. Reluctant to deal with the fallout from their breakups, they embark on an exciting week of fake honeymooning, during which Carter starts to have real feelings for Link. A genderqueer artist who lives life by their own rules, Link inspires Carter to build a new future. Against the eclectic and electric backdrop of New Orleans, Carter and Link have to decide if a second chance at love is in the cards, or if they’re only meant to be sidelined in someone else’s story.
One ice queen, one sweetheart, one last chance at happily ever after.
Gwendolyn Crawford is Superwoman personified. She runs her ex’s senatorial campaign while battling gossip rags, sleazy opponents, and her self-righteous former father-in-law. She does the job well, and as far as she’s concerned, that’s all she needs. Besides, there’s no time for romance. Not even when a pair of bright eyes catch hers at the highly exclusive Rose club.
Jacklyn Dunn is stuck in a rut. After a devastating stress fracture ended her WNBA career, she’s mostly been dodging her agent and binging TV. Then she meets Gwen and starts to wonder if there’s more to life than wishes and regrets.
There’s no denying the sparks between them. Jackie thrills in melting Gwen’s ice queen heart, and Gwen is instantly hooked on Jackie’s sweetness. But romance isn’t easy for two women in the spotlight. Stress, tabloids, and their own fears threaten to shake the foundation of their budding relationship. After years of building up walls, the two must open themselves up to love—and to getting hurt—to find what truly makes them happy.
In 1955, eighteen-year-old Janet Jones keeps the love she shares with her best friend Marie a secret. It’s not easy being gay in Washington, DC, in the age of McCarthyism, but when she discovers a series of books about women falling in love with other women, it awakens something in Janet. As she juggles a romance she must keep hidden and a newfound ambition to write and publish her own story, she risks exposing herself—and Marie—to a danger all too real.
Sixty-two years later, Abby Zimet can’t stop thinking about her senior project and its subject—classic 1950s lesbian pulp fiction. Between the pages of her favorite book, the stresses of Abby’s own life are lost to the fictional hopes, desires and tragedies of the characters she’s reading about. She feels especially connected to one author, a woman who wrote under the pseudonym “Marian Love,” and becomes determined to track her down and discover her true identity.
In this novel told in dual narratives, New York Times-bestselling author Robin Talley weaves together the lives of two young women connected across generations through the power of words. A stunning story of bravery, love, how far we’ve come and how much farther we have to go.
Lana and Lilly Wachowski have redefined the technically and topically possible while joyfully defying audience expectations. Visionary films like The Matrix trilogy and Cloud Atlas have made them the world’s most influential transgender media producers, and their coming out retroactively put trans* aesthetics at the very center of popular American culture.
Cáel M. Keegan views the Wachowskis’ films as an approach to trans* experience that maps a transgender journey and the promise we might learn “to sense beyond the limits of the given world.” Keegan reveals how the filmmakers take up the relationship between identity and coding (be it computers or genes), inheritance and belonging, and how transgender becoming connects to a utopian vision of a post-racial order. Along the way, he theorizes a trans* aesthetic that explores the plasticity of cinema to create new social worlds, new temporalities, and new sensory inputs and outputs. Film comes to disrupt, rearrange, and evolve the cinematic exchange with the senses in the same manner that trans* disrupts, rearranges, and evolves discrete genders and sexes.
Marshall Clayton Jensen’s job is to fix things for the people too weird for the government to touch—witches, fairies, monsters. When Clay finds himself on the receiving end of a witch’s curse following a breakup from the love of his life, a fairy named Cora, Clay enlists the help of his best friend Doc Irene and his ex-girlfriend’s promiscuous sister Adelaide to search for a cure before time runs out
This is the second book in the Runebinder Chronicles
Magic is sin.
Aidan desires only one thing: to rule. Arrogant, headstrong and driven by the element of Fire, he will stop at nothing to bring the evil Howls that destroyed Scotland to their knees. But Fire is a treacherous element, and the very magic that brought him to power could burn his world to ash.
Especially with the blood of his fellow Hunters on his hands.
Driven by a bloodlust he can’t control and dark whispers that may not be entirely in his head, he and his magic-eschewing friend Kianna will do whatever it takes to liberate their broken world. Even at the risk of confronting the Church. Even at the risk of losing his humanity.
But power isn’t the only thing on Aidan’s mind. He’s falling for the intoxicating Tomas, an Incubus who offers everything Aidan desires. For a price.
And if that price burns the world down, well… Aidan is used to playing with Fire
The Huntresses of Artemis must obey two rules: never disobey the goddess, and never fall in love. After being rescued from a harrowing life as an Oracle of Delphi, Kahina is glad to be a part of the Hunt; living among a group of female warriors gives her a chance to reclaim her strength, even while her prophetic powers linger. But when a routine mission goes awry, Kahina breaks the first rule in order to save the legendary huntress Atalanta.
To earn back Artemis’s favor, Kahina must complete a dangerous task in the kingdom of Arkadia— where the king’s daughter is revealed to be none other than Atalanta. Still reeling from her disastrous quest and her father’s insistence on marriage, Atalanta isn’t sure what to make of Kahina. As her connection to Atalanta deepens, Kahina finds herself in danger of breaking Artemis’ second rule.
She helps Atalanta devise a dangerous game to avoid marriage, and word spreads throughout Greece, attracting suitors willing to tempt fate to go up against Atalanta in a race for her hand. But when the men responsible for both the girls’ dark pasts arrive, the game turns deadly.
Today on the site we’ve got an excerpt from Greetings From Janeland, the sequel to Dear John, I Love Jane, a collection of essays from women writing about leaving men for other women. Check it out:
In an increasingly common phenomenon, women who once identified as straight are leaving men for women?and they have fascinating stories to tell.
In this sequel to Lambda Literary Finalist Dear John, I Love Jane: Women Write About Leaving Men for Women, writers who come from a diverse array of perspectives open up and bare their souls. Essays on subjects such as repercussions, both bad and good; exes, both furious and supportive; bewildered and loyal family and friends; mind-blowing sexual and emotional awakenings; falling in the deepest of love; and finding a sense of community fill the pages of this anthology. One story is as different from the next as one person is from another.
With a foreword by former Editor-in-Chief of AfterEllen and Trish Bendix, and essays by acclaimed writers including BK Loren, Louise A. Blum, and Leah Lax, relax, sit back and take a journey into Janeland–a very special place where women search for, discover, and live their own personal truths.
I said good-bye in a coffee shop on an appropriately bitter Iowa December night. He took my hands and held them in his own, warmed them with his breath. It was the kind of detail he’d been good at: the small comfort gestures—the cut flower, the rolled joint, the proffered mug of coffee, black. It felt so good to break it off, a clean, solid break, the kind that renders the bone twice as strong as it was before. He kissed my hands, and then, with a single phrase he determined the course of the rest of my life. If you don’t want me, he told me, softly, thenyou must be a lesbian. His breath on my palms chilled my skin. His reasoning was, to him, readily apparent: I’d have to be a lesbian not to want a guy as “sensitive” as him.
I left him there, sauntered out into the starlit sky. I tried to laugh it off, but the black Midwestern winter wind stole the sound from my throat before it could leave my lips. I walked home alone in the pale light of a distant constellation, fighting the chill that settled in my bones, his words seeding themselves deep within my brain, where they lingered like a curse. Then you must be a lesbian. Somewhere deep inside, I had the nagging desire to prove him wrong. But if I had learned anything from that relationship, it was that I would rather be single for the rest of my life than settle for less than I deserved.
Candace Walsh is the author of Licking the Spoon: A Memoir of Food, Family, and Identity, a New Mexico-Arizona Book Awards winner and the editor of Dear John, I Love Jane, and Ask Me About My Divorce. Her writing has appeared in numerous national and local publications, including Newsday, Travel + Leisure, Sunset, Mademoiselle, New York magazine, and New Mexico Magazine. Her essays have been published in the anthologies Here Come the Brides!, Reflections on Lesbian Love and Marriage, Blended, and Spent, and she is currently editor in chief of El Palacio Magazine. She lives in Santa Fe with her wife Laura André, their two children, and two dogs.
Barbara Straus Lodge is an essayist whose work has appeared in the New York Times Motherlode blog and the “LA Affairs” section of the Los Angeles Times. An essay under her pseudonym, Leigh Stuart, was published in the anthology Dear John, I Love Jane. Her work has also appeared in Parabola Magazine, The Rumpus, Literary Mama and a variety of anthologies.
Today on the site I’m psyched to have the incredibly prolific and wonderful Robin Stevenson! As it happens, I wasn’t the only one with the idea to shine a light on her this time of year; right after I asked Robin if I could interview her for August, a great interview with her went up on Gay YA, so make sure you check that out too!
You’re such an impressively prolific author, with over 20 books to your name now. How long have you been writing, and can you give us a little rundown on your books with LGBTQ narrators?
I started writing on maternity leave, soon after my son was born— which was thirteen years ago. My first book came out a couple of years later, in 2007. It began as a short story that grew and grew, and ended up as a YA novel called Out of Order. The main character, Sophie, is a sixteen year old girl who dealing with a history of being bullied, struggling with an undiagnosed eating disorder, and caught up in the orbit of a charismatic but troubled new friend. She is bisexual but not yet using this word… she is just beginning to realize she is attracted to girls.
My novel Big Guy came out the next year, and also has a queer narrator—-this time a teenage boy who is in an online relationship with another guy. It was my first hi-lo novel in the Orca Soundings series. (My most recent book in the series came out in 2016, and also has a queer narrator: It’s called Under Threat, and deals with anti-abortion violence. I wanted to write an unambiguously pro-choice novel that shows the cost of anti-abortion fanaticism. The main character, Franny, has a girlfriend called Leah and they are together throughout the novel—the book was an ALA Rainbow list selection.)
In 2009, my YA novelInferno came out— this one was also an ALA Rainbow list selection, which I was delighted about. The narrator is a queer teenage girl who has recently broken up with a girl with whom she was in a very closeted relationship. When the book begins, she has just cut off all her hair and changed her name from Emily to Dante, and she is about to meet a new group of friends who are going to complicate her life in interesting and challenging ways. Dante seemed to provoke strong reactions; readers either adored her and really related to her, or disliked her intensely! Personally, I adore her.
My newest book also has a queer narrator: It is a mystery/thriller called Blood on the Beach. I co-wrote it with Sarah N. Harvey, who is a senior editor at Orca, and was in fact my editor for a number of my novels and my non-fiction book Pride. Blood on the Beach is told in the alternating voices of two first person narrators: Sarah wrote from Caleb’s point of view, and I wrote from the point of view of Alice, who is bisexual.
Your most recent book, Pride, has received all sorts of award nominations, including a 2017 Stonewall Honor. What was the research experience for that book like?
Pride was my first non-fiction book, and the research and writing process was entirely new to me—so different from fiction. I read a lot, and watched documentaries, and sifted through archival photographs, but I also spoke with so many people about their experiences of Pride. And from activists in Russia and Uganda to 12 year old kids here on the west coast, everyone was so helpful and interested and enthusiastic. People shared their opinions and stories and personal photographs, and read drafts, and gave feedback. It felt like a very collaborative process and one that strengthened my own sense of connection to the LGBTQ community.
Do you have your own personal favorite Pride memory?
I’ve been going to Pride for 30 years so I have accumulated a lot of really great memories; I can’t pick just one! Here are a few that stand out: Going to my first-ever Dyke March with friends in Toronto, back in 1991. Seeing my parents walking in the Pride Parade with PFLAG a few years later. Taking my son to his first Pride when he was only a month old. Speaking about the history of Pride to teens at youth-organized events. Reading at Pride in the Word, which is my favorite literary Pride event ever. And this year, taking my spaniel puppy to Pride Victoria’s Big Gay Dog Walk!
You do the very cool work of writing Hi-Lo books for Orca, which, for those unfamiliar, are “high interest, low reading level” books. How did you specifically get into Hi-Lo, and how does the writing process differ for you from your other books?
I got into it entirely by accident. I’d written a short story for adults, which got way too long—novella length, really, around 15,000 words. It was about a gay teenager who lied his way into a job working as a caregiver in a residence for adults with disabilities, and I had no idea what to do with it. I’d just published by first YA novel with Orca, and I knew they had this series called Soundings that were about that length…and so I thought I’d tweak it a bit and try submitting it for that series. That story became my first hi-lo novel, Big Guy. I have written five books in that series now—they are fun to write, and they are a great writing exercise for me: because the word count is so tight, they force me to consider every word to make sure it is absolutely necessary and to work hard to make each scene serve multiple purposes (eg. developing character, building tension, furthering the plot). My writing process is a bit different for hi-lo…I’m not usually much of an outliner, but– with the exception of that first accidental hi-lo novel, of course– I outline all my hi-lo novels in a fair bit of detail before I begin.
I think hi-lo books reach a lot of kids, for a lot of reasons, and some of my favorite reader emails have come from kids who have read these books. They meet a real need, helping kids to gain confidence and to see themselves as readers—plus they are just fun, quick reads. I also edited hi-lo books for Orca for three years: the Limelights series, which are books about teens in the performing arts. It was very enjoyable work and I learned about everything from stand-up comedy to aerial silks!
I saw on Twitter you’re working on a book now about reproductive justice. Is that your next publication, and what can you tell us about that?
Yes! I am so excited about this. It’s scheduled to be published in spring 2019, in Canada and the US, and it’s aimed at older kids and teens. To be honest, after Pride came out, I wasn’t planning to write another non-fiction book—but the ongoing attack on abortion rights and access in the US is so disturbing, and the current threats to reproductive choice under the current administration are so serious, and there is so much propaganda and misinformation being taught to young people about abortion. And even in Canada, where the landscape with respect to abortion looks quite different than in the US, most kids have no idea of the long battle that was fought to legalize abortion and make it accessible. It seemed like such an important topic for kids to be aware of, and yet there aren’t a lot of kids’ books on the subject. So I proposed this book idea to Orca, and—being awesome—they agreed!
You’re a Canadian author, and I think we in the U.S. often miss a lot of the great titles that come out of Canada, the UK, and Australia that aren’t published here. What are some titles that haven’t crossed the border that you think should be getting way more attention on this side?
One Canadian book that I recently read and was very impressed by was a debut novel by a young author, Arushi Raina. It is called When Morning Comes and it is published by Tradewind Books. The story is set in South Africa and follows the lives of four young people during the student uprisings of 1976; it is well-researched, beautifully written, and very powerful. It was published in Canada in 2016 and has just been published in the US this year—I highly recommend it.
In terms of LGBTQ books more specifically, some Canadian authors whose books I love include Carrie Mac, Ivan Coyote, Tom Ryan, Mariko Tamaki, and M.E. Girard. And author Heather Smith has a new YA novel coming out this spring which includes queer characters… I just read an ARC and absolutely fell in love with it. It is called The Agony of Bun O’Keefe, and I’m very much hoping it will get all the attention it deserves on both sides of the border.
In your interview with Gay YA, you talked about writing the complexities of queer theory to a younger (Middle Grade) audience, and reminding yourself “this isn’t a university text.” What are your favorite texts on it for older audiences, and could you ever see yourself writing one that is a university text?
I love reading about queer history, and have devoured just about everything that’s crossed my path. When it comes to writing, though, my first love is fiction—and I am really looking forward to getting back to working on my middle grade novel, to a YA novel I am co-writing with a friend, and possibly also working on some short fiction for grown-up readers. No university texts in my plans!
According to your bio, you are quite well-traveled! Does that play into any of your books now, and will we see it playing into any in the future?
My partner Cheryl and I have been together 20 years, and we’ve travelled a lot together. One of the most amazing trips we have taken was the year that we spent living aboard a small sailboat and travelling from Lake Ontario, through the barge canals to New York, then down the waterways and offshore to Florida and the Bahamas. Ten years after our journey, I read over all our logbooks and used my memories of the winter we spent sailing in the Bahamas as the basis for my YA novel, A Thousand Shades of Blue. The characters and their story (and all the angst) is fictional, but the route they travel and all of the places they stay are entirely real—as is much of the scene where their boat runs aground on the rocks near Joe Sound on Long Island. It’s probably my favorite of my YA novels because it is so closely connected to so many wonderful memories for me and Cheryl.
I am working on a teen novel now that is mostly set in Australia, a country where I lived for a year as a teen and another year as a young adult– I actually came out as queer while I was living in Australia, aged 21. But most of my novels are set in BC, as this is the place I know and love best.
Please drop your thanks to Robin for dropping by, and make sure you check out her books!
Robin Stevenson is the author of twenty books for kids and teens. Her novels include The World Without Us and The Summer We Saved the Bees, as well as the Silver Birch Award-winner Record Breaker, and the Governor General’s Award finalist, A Thousand Shades of Blue. She lives in Victoria, British Columbia. For more information, visit http://www.robinstevenson.com.
Teen activist and trailblazer Jazz Jennings named one of The 25 Most Influential Teens of the year by Time shares her very public transgender journey, as she inspires people to accept the differences in others while they embrace their own truths.
Jazz Jennings is one of the youngest and most prominent voices in the national discussion about gender identity. At the age of five, Jazz transitioned to life as a girl, with the support of her parents. A year later, her parents allowed her to share her incredible journey in her first Barbara Walters interview, aired at a time when the public was much less knowledgeable or accepting of the transgender community. This groundbreaking interview was followed over the years by other high-profile interviews, a documentary, the launch of her YouTube channel, a picture book, and her own reality TV series “I Am Jazz” making her one of the most recognizable activists for transgender teens, children, and adults.
In her remarkable memoir, Jazz reflects on these very public experiences and how they have helped shape the mainstream attitude toward the transgender community. But it hasn’t all been easy. Jazz has faced many challenges, bullying, discrimination, and rejection, yet she perseveres as she educates others about her life as a transgender teen. Through it all, her family has been beside her on this journey, standing together against those who don’t understand the true meaning of tolerance and unconditional love. Now Jazz must learn to navigate the physical, social, and emotional upheavals of adolescence particularly high school complicated by the unique challenges of being a transgender teen. Making the journey from girl to woman is never easy especially when you began your life in a boy s body.
If you asked anyone in his small Vermont town, they’d tell you the facts: James Liddell, star athlete, decent student and sort-of boyfriend to cute, peppy Theresa, is a happy, funny, carefree guy.
But whenever James sits down at his desk to write, he tells a different story. As he fills his drawers with letters to the people in his world–letters he never intends to send–he spills the truth: he’s trying hard, but he just isn’t into Theresa. It’s a boy who lingers in his thoughts.
He feels trapped by his parents, his teammates, and the lies they’ve helped him tell, and he has no idea how to escape. Is he destined to live a life of fiction?
Mark and Kate have sat next to each other for an entire year, but have never spoken. For whatever reason, their paths outside of class have never crossed.
That is until Kate spots Mark miles away from home, out in the city for a wild, unexpected night. Kate is lost, having just run away from a chance to finally meet the girl she has been in love with from afar. Mark, meanwhile, is in love with his best friend Ryan, who may or may not feel the same way.
When Kate and Mark meet up, little do they know how important they will become to each other — and how, in a very short time, they will know each other better than any of the people who are supposed to know them more.