A Beautiful Crime by Christopher Bollen
The Savage Kind by John Copenhaver (Historical)
Cottonmouths by Kelly J. Ford
The Rabbi Who Prayed with Fire by Rachel Sharona Lewis
Sugar Run by Mesha Maren
In 1890, Rose Cleveland, sister of President Grover Cleveland, began writing to Evangeline Simpson, a wealthy widow who would become the second wife of Henry Whipple, Minnesota’s Episcopal bishop. The women corresponded across states and continents, discussing their advocacy and humanitarian work—and demonstrating their sexual attraction, romance, and partnership. In 1910, after Evangeline Whipple was again widowed, the two women sailed to Italy and began a life together.
The letters, most written in Cleveland’s dramatic, quirky style, guide readers through new love, heartbreak, and the rekindling of a committed relationship. Lillian Faderman’s foreword provides the context for same-sex relationships at the time. An introduction and annotations by editors Lizzie Ehrenhalt and Tilly Laskey discuss the women’s social and political circles, and explain references to friends, family, and historical events.
After Rose Cleveland’s death, Evangeline Whipple described her as “my precious and adored life-long friend.” This collection, rare in its portrayal of nineteenth-century LGBTQ history, brings their poignant story back to life.
Twisted Wishes bass player Mish Sullivan is a rock goddess—gorgeous, sexy and comfortable in the spotlight. With fame comes unwanted attention, though: a stalker is desperate to get close. Mish can fend for herself, just as she always has. But after an attack lands her in the hospital, the band reacts, sticking her with a bodyguard she doesn’t need or want.
David Altet has an instant connection with Mish. A certified badass, this ex-army martial arts expert can take down a man twice his size. But nothing—not living as a trans man, not his intensive military training—prepared him for the challenge of Mish. Sex with her is a distraction neither of them can afford, yet the hot, kink-filled nights keep coming.
When Mish’s stalker ups his game, David must make a choice—lover or bodyguard. He’d rather have Mish alive than in his bed. But Mish wants David, and no one, especially not a stalker, will force her to give him up.
Much to her father’s dismay Lady Louisa Adele Kathryn Present is quite solidly on the shelf. She shows no interest in finding a husband after three long seasons of, well, not particularly trying.
She begins this season anew, somewhat jaded and uninterested in yet another season and the annoyance she’ll certainly face from her family when she remains with them, yet again.
But a single glance from one of the new set has her reeling— straight back into a potted palm.
Maitland Alice Elliot-Rigsby has trained to be the wife of a duchess.
Or perhaps a Viscount, an Earl at the very least. She has only her training — and a rather healthy dowry — to recommend her.
So when she catches the eye of a viscounts daughter her own mother is thrilled.
Louisa hasn’t ever trusted anyone the way she trusts Maitland and it frightens her, but how will they survive a world in which the both of them must marry?
Me, Myself, They: Life Beyond the Binary chronicles Joshua M. Ferguson’s extraordinary story of transformation to become the celebrated non-binary filmmaker, writer, and advocate for trans rights they are today. Beginning with their birth and early childhood years of gender creativity, Ferguson recounts the complex and often challenging evolution of their identity, including traumatizing experiences with gender conversion therapy, bullying, depression, sexual assault, and violent physical assault. But Ferguson’s story is above all about survival, empathy, and self-acceptance. By combining their personal reflections on what it feels like to never truly fit into the prescribed roles of girl or boy, woman or man, with an informed analysis of the ongoing shifts in contemporary attitudes towards sex and gender, Ferguson calls for recognition and respect for all trans, non-binary, and gender non-conforming people, and an inclusive understanding of the rich diversity of human identity. Through their honest and impassioned storytelling, we learn what it means to reclaim one’s identity and to live beyond the binary.
Fig, a sixth grader, wants more than anything to see the world as her father does. The once-renowned pianist, who hasn’t composed a song in years and has unpredictable good and bad days, is something of a mystery to Fig. Though she’s a science and math nerd, she tries taking an art class just to be closer to him, to experience life the way an artist does. But then Fig’s dad shows up at school, disoriented and desperately searching for Fig. Not only has the class not brought Fig closer to understanding him, it has brought social services to their door.
Diving into books about Van Gogh to understand the madness of artists, calling on her best friend for advice, and turning to a new neighbor for support, Fig continues to try everything she can think of to understand her father, to save him from himself, and to find space in her life to discover who she is even as the walls are falling down around her.
Nicole Melleby’s Hurricane Season is a stunning novel about a girl struggling to be a kid as pressing adult concerns weigh on her. It’s also about taking risks and facing danger, about love and art, and about coming of age and coming out. And more than anything else, it is a story of the healing power of love—and the limits of that power.
Regal romance abounds in this flirty, laugh-out-loud companion novel Royals, by New York Times bestselling author Rachel Hawkins.
Millie Quint is devastated when she discovers that her sort-of-best friend/sort-of-girlfriend has been kissing someone else. And because Millie cannot stand the thought of confronting her ex every day, she decides to apply for scholarships to boarding schools . . . the farther from Houston the better.
Millie can’t believe her luck when she’s accepted into one of the world’s most exclusive schools, located in the rolling highlands of Scotland. Everything about Scotland is different: the country is misty and green; the school is gorgeous, and the students think Americans are cute.
The only problem: Mille’s roommate Flora is a total princess.
She’s also an actual princess. Of Scotland.
At first, the girls can barely stand each other–Flora is both high-class and high-key–but before Millie knows it, she has another sort-of-best-friend/sort-of-girlfriend. Even though Princess Flora could be a new chapter in her love life, Millie knows the chances of happily ever afters are slim . . . after all, real life isn’t a fairy tale . . . or is it?
This second book in Rachel Hawkins’ fun, flirty Royals series brings a proud perspective to a classic romance.
Laura Dean, the most popular girl in high school, was Frederica Riley’s dream girl: charming, confident, and SO cute. There’s just one problem: Laura Dean is maybe not the greatest girlfriend.
Reeling from her latest break up, Freddy’s best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it’s really Laura Dean that’s the problem. Maybe it’s Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever. Fortunately for Freddy, there are new friends, and the insight of advice columnists like Anna Vice to help her through being a teenager in love.
Mariko Tamaki and Rosemary Valero-O’Connell bring to life a sweet and spirited tale of young love that asks us to consider what happens when we ditch the toxic relationships we crave to embrace the healthy ones we need.
For sixteen years, Nate was the perfect son—the product of a no-nonsense upbringing and deep spiritual faith. Then he met Cam, who pushed him to break rules, dream, and accept himself. Conflicted, Nate began to push back. With each push, the boys became more entangled in each others’ worlds…but they also spiraled closer to their breaking points. And now all of it has fallen apart after a fistfight-turned-near-fatal-incident—one that’s left Nate with a stab wound and Cam in jail.
Now Nate is being ordered to give a statement, under oath, that will send his best friend to prison. The problem is, the real story of what happened between them isn’t as simple as anyone thinks. With all eyes on him, Nate must make his confessions about what led up to that night with Cam…and in doing so, risk tearing both of their lives apart.
Perpetually awkward Nima Kumara-Clark is bored with her insular community of Bridgeton, in love with her straight girlfriend, and trying to move past her mother’s unexpected departure. After a bewildering encounter at a local festival, Nima finds herself suddenly immersed in the drag scene on the other side of town.
Macho drag kings, magical queens, new love interests, and surprising allies propel Nima both painfully and hilariously closer to a self she never knew she could be—one that can confidently express and accept love. But she’ll have to learn to accept lost love to get there.
Fifteen-year-old Eleanor Fromme just chopped off all of her hair. How else should she cope after hearing that her bully, James, has taken his own life? When Eleanor’s English teacher suggests students write a letter to a person who would never read it to get their feelings out, Eleanor chooses James.
With each letter she writes, Eleanor discovers more about herself, even while trying to make sense of his death. And, with the help of a unique cast of characters, Eleanor not only learns what it means to be inside a body that does not quite match what she feels on the inside, but also comes to terms with her own mother’s mental illness.
Set against a 1993-era backdrop of grunge rock and riot grrrl bands, EVERYTHING GROWS depicts Eleanor’s extraordinary journey to solve the mystery within her and feel complete. Along the way, she loses and gains friends, rebuilds relationships with her family, and develops a system of support to help figure out the language of her queer identity.
An adaptation of Shaftesbury’s award-winning, groundbreaking queer vampire web series of the same name, Carmilla mixes the camp of Buffy the Vampire Slayer, the snark of Veronica Mars, and the mysterious atmosphere of Welcome to Nightvale.
Newly escaped from the stifling boredom of a small town, college freshman Laura is ready to make the most of her first year at Silas University. But when her roommate, Betty, vanishes and a sarcastic, nocturnal philosophy student named Carmilla moves into Betty’s side of the room, Laura decides to play detective. Turns out Betty isn’t the first girl to go missing; she’s just the first girl not to come back. All over campus, girls have been vanishing, and they are completely changed when (or if) they return. Even more disturbing are the strange dreams they recount: smothering darkness, and a strange pale figure haunting their rooms. Dreams that Laura is starting to have herself.
As Laura closes in on the answers, tensions rise with Carmilla. Is this just a roommate relationship that isn’t working out, or does Carmilla know more than she’s letting on about the disappearances? What will Laura do if it turns out her roommate isn’t just selfish and insensitive, but completely inhuman? And what will she do with the feelings she’s starting to have for Carmilla?
Thelia isn’t in line to inherit the crown, but she’s been raised to take power however she can. She’s been friends with Princess Corene her whole life, and she’s scheming to marry Bayled, the heir to the throne. But her plans must change when an army of elves invades the kingdom.
Thelia, her cousin Parsival, and Corene become trapped in the castle. An elf warrior, Sapphire, may be Thelia’s only hope of escape, but Sapphire has plans of their own. Meanwhile, an ancient magic is awakening within the castle, with the power to destroy the whole kingdom. Can Thelia find a way to protect her future–and her life?
A young woman and her wife’s attempts to have a child unfold in this poetic tale that ebbs and flows like the sea.
After years of difficulty trying to have children, a young couple finally announces their pregnancy, only to have the most joyous day of their lives replaced with one of unexpected heartbreak. Their relationship is put to the test as they forge ahead, working together to rebuild themselves amidst the churning tumult of devastating loss, and ultimately facing the soul-crushing reality that they may never conceive a child of their own.
Based on author Ingrid Chabbert’s own experience, coupled with soft, sometimes dreamlike illustrations by Carole Maurel, Waves is a deeply moving story that poignantly captures a woman’s exploration of her pain in order to rediscover hope.
In her powerful debut collection of poetry, Arielle Twist unravels the complexities of human relationships after death and metamorphosis. In these spare yet powerful poems, she explores, with both rage and tenderness, the parameters of grief, trauma, displacement, and identity. Weaving together a past made murky by uncertainty and a present which exists in multitudes, Arielle Twist poetically navigates through what it means to be an Indigenous trans woman, discovering the possibilities of a hopeful future and a transcendent, beautiful path to regaining softness.
Non-binary poet Cyrus Parker returns with an all-new collection of poetry and prose dedicated to those struggling to find their own identity in a world that often forces one into the confines of what’s considered “socially acceptable.”
Divided into three parts and illustrated by Parker, masquerade grapples with topics such as the never-ending search for acceptance, gender identity, relationships, and the struggle to recognize your own face after hiding behind another for so long.
Seventeen-year-old internet video star Fit is on a mission to become famous at all costs. She shares her life with her fans through countless videos (always sporting some elaborate tinfoil accessory), and they love her for it. If she goes viral, maybe she can get out of her small casino town and the cramped apartment she shares with her brother and grandpa. But there’s one thing Fit’s fans don’t know about her: when Fit was three-years-old, her mother, suffering from postpartum psychosis, tried to kill her.
Now Fit’s mother, River, has been released from prison. Fit is outraged that River is moving in with the family, and it’s not long before Fit’s video followers realize something’s up and uncover her tragic past. But Fit soon realizes that the only thing her audience loves more than tragedy is a heartwarming tale of a family reunion. Is faking a relationship with River the key to all Fit’s dreams coming true?
Teenage socialite Margo Manning leads a dangerous double life. By day, she dodges the paparazzi while soaking up California sunshine. By night, however, she dodges security cameras and armed guards, pulling off high-stakes cat burglaries with a team of flamboyant young men. In and out of disguise, she’s in all the headlines.
But then Margo’s personal life takes a sudden, dark turn, and a job to end all jobs lands her crew in deadly peril. Overnight, everything she’s ever counted on is put at risk. Backs against the wall, the resourceful thieves must draw on their special skills to survive. But can one rebel heiress and four kickboxing drag queens withstand the slings and arrows of truly outrageous fortune? Or will a mounting sea of troubles end them—for good?
For Nari, aka Narioka Diane, aka hacker digital alter ego “d0l0s,” it’s college and then a career at “one of the big ones,” like Google or Apple. Keagan, her sweet, sensitive boyfriend, is happy to follow her wherever she may lead. Reese is an ace/aro visual artist with plans to travel the world. Santiago is off to Stanford on a diving scholarship, with very real Olympic hopes. And Bellamy? Physics genius Bellamy is admitted to MIT—but the student loan she’d been counting on is denied when it turns out her estranged father—one Robert Foster—is loaded.
Nari isn’t about to let her friend’s dreams be squashed by a deadbeat billionaire, so she hatches a plan to steal just enough from Foster to allow Bellamy to achieve her goals.
Two solar eclipses. Two missing girls.
Sixteen years ago a little girl was abducted during the darkness of a solar eclipse while her older sister Cassie was supposed to be watching her. She was never seen again. When a local girl goes missing just before the next big eclipse, Cassie – who has returned to her home town to care for her ailing grandmother – suspects the disappearance is connected to her sister: that whoever took Olive is still out there. But she needs to find a way to prove it, and time is running out
Sydney’s dad is the only psychiatrist for miles around their small Ohio town.
He is also unexpectedly dead.
Is Sydney crazy, or is it kind of weird that her dad-a guy whose entire job revolved around other peoples’ secrets-crashed alone, with no explanation?
And why is June Copeland, homecoming queen and the town’s golden child, at his funeral?
As the two girls grow closer in the wake of the accident, it’s clear that not everyone is happy about their new friendship.
But what is picture perfect June still hiding? And does Sydney even want to know?
James Mills isn’t sure he can forgive his parents for dragging him away from his life, not to mention his best friend and sister, Anna. He’s never felt so alone.
Enter Tomas. Falling for Tomas is unexpected, but sometimes the best things in life are.
Then their world splits apart. A war that has been brewing finally bursts forward, filled with violence, pain, and cruelty. James and Tomas can only rely on each other as they decide how far they are willing to go―and who they are willing to become―in order to make it back to their families.
It’s been a year since the Catalog Killer terrorized the sleepy seaside town of Camera Cove, killing four people before disappearing without a trace. Like everyone else in town, eighteen-year-old Mac Bell is trying to put that horrible summer behind him—easier said than done since Mac’s best friend Connor was the murderer’s final victim. But when he finds a cryptic message from Connor, he’s drawn back into the search for the killer—who might not have been a random drifter after all. Now nobody—friends, neighbors, or even the sexy stranger with his own connection to the case—is beyond suspicion. Sensing that someone is following his every move, Mac struggles to come to terms with his true feelings towards Connor while scrambling to uncover the truth.
With a touch, Lexi can sense how and when someone will die. Some say it’s a gift. But to Lexi it’s a curse—one that keeps her friendless and alone. All that changes when Lexi foresees the violent death of a young woman, Jane, outside a club. But Jane doesn’t go to the afterlife quietly. Her ghost remains behind, determined to hunt down her murderer, and she needs Lexi’s help. In life, Jane was everything Lexi is not—outgoing, happy, popular. But in death, all Jane wants is revenge. Lexi will do anything to help Jane, to make up for the fact that she didn’t—couldn’t—save Jane’s life, and to keep this beautiful ghost of a girl by her side for as long as possible.
PRIVATE NUMBER: Wouldn’t you look better without a cheater on your arm?
AMANDA: Who is this?
The daughter of small town social climbers, Amanda Kelly is deeply invested in her boyfriend, real estate heir Carter Shaw. He’s kind, ambitious, the town golden boy—but he’s far from perfect. Because behind Amanda’s back, Carter is also dating Rosalie.
PRIVATE NUMBER: I’m watching you, Sweetheart.
ROSALIE: Who IS this?
Rosalie Bell is fighting to remain true to herself and her girlfriend—while concealing her identity from her Christian fundamentalist parents. After years spent in and out of conversion “therapy,” her own safety is her top priority. But maintaining a fake, straight relationship is killing her from the inside.
When an anonymous texter ropes Amanda and Rosalie into a bid to take Carter down, the girls become collateral damage—and unlikely allies in a fight to unmask their stalker before Private uproots their lives.
PRIVATE NUMBER: You shouldn’t have ignored me. Now look what you made me do…
It’s been eighteen months since the Raxter School for Girls was put under quarantine. Since the Tox hit and pulled Hetty’s life out from under her.
It started slow. First the teachers died one by one. Then it began to infect the students, turning their bodies strange and foreign. Now, cut off from the rest of the world and left to fend for themselves on their island home, the girls don’t dare wander outside the school’s fence, where the Tox has made the woods wild and dangerous. They wait for the cure they were promised as the Tox seeps into everything.
But when Byatt goes missing, Hetty will do anything to find her, even if it means breaking quarantine and braving the horrors that lie beyond the fence. And when she does, Hetty learns that there’s more to their story, to their life at Raxter, than she could have ever thought true.
On the run from the FBI.
Targeted by a murderous cult.
Labeled a cyber-terrorist by the media.
Irritated texts from his best friend.
Eye contact with a nice-looking guy on the train.
Aidan has a lot to deal with, and he’s not quite sure which takes top priority.
Finding himself alone in a posh New York City hotel room for the night, Aidan does what any red-blooded seventeen-year-old would do—he tries to hook up with someone new. But that lapse in judgement leads to him waking up next to a dead guy, which sparks an epic case of mistaken identity that puts Aidan on the run from everyone—faceless federal agents, his eccentric family, and, naturally, a cyber-terrorist group who will stop at nothing to find him.
He soon realizes the only way to stop the chase is to deliver the object everyone wants, before he gets caught or killed. But for Aidan, the hardest part is knowing who he can trust not to betray him—including himself.
I’m wildly excited for this month’s featured author, who’s written one of my favorite gay YAs ever, which is also one of my favorite mystery/thriller novels ever, and who just released his sophomore novel on April 24. He’s also got some killer (no pun intended) work coming up and one of my favorite accounts on Instagram, so basically, yeah, he’s a good guy to know! Get to know Caleb Roehrig and you’ll become a huge fan too!
New book! New book! I haven’t gotten to read it yet, but by all accounts, White Rabbit is nooo victim of the Sophomore Slump, and you know I’m a massive fan of your debut, Last Seen Leaving. Can you tell us a little about White Rabbit and what it was like to write book 2?
White Rabbit is about a boy named Rufus Holt who has one night to prove his sister is being framed for murder, with no allies to trust or count on but the ex-boyfriend who crushed his heart. The entire story unfolds over the course of about eight hours, and I call it my tribute to Agatha Christie—a murder mystery with a small pool of suspects, all of whom have something to hide.
As for writing Book 2, let me assure you that Second Book Syndrome is no joke! I actually completed a manuscript in between Last Seen Leaving and White Rabbit, but was in such a weird head space that I never felt comfortable with it. Once it was done, I shelved the project and started all over again. It was absolutely the right choice; the new story—this one—felt right from the very beginning, and I’m so excited to share it with the world!
You also recently announced a new book called Death Prefers Blondes, which I am so excited about. What can you share about it, and in what ways is it a departure from your previous work?
What I can say about Death Prefers Blondes is this: it’s my take on Hamlet, wherein Hamlet is a rebel heiress and Rosencrantz and Guildenstern are a pack of kickboxing drag queens. It’s a story I’ve told myself in one form or another since I was a teenager, and in many ways it feels surreal to finally have it captured in a manuscript. I tell everyone my signature content is Murder, Mayhem, & Make-outs, and Blondes has all of that in spades; but otherwise, it’s a huge departure for me. It’s less a whodunit than an action/adventure story, and I’ve never written a character quite like my protagonist, Margo—a wise-cracking, death-defying, face-punching socialite, hell-bent on revenge!
As a thriller master, you’ve got to get yourself into some pretty dark places, and do some really twisted plotting. What are your favorites ways to both get yourself into those modes and pull yourself back out as needed?
This is probably going to be an unsatisfying answer, but once upon a time, I was a professional actor; and as such, I have long experience with finding my way in and out of dark places. Acting is storytelling, of course—conjuring emotions out of words, and communicating that journey to the audience. The difference is that now I get to choose the tale that’s told, and how my reader will enter and exit the more intense scenes. To be honest, getting myself in and out of those frames of mind is easier than you might think; I get a lot of satisfaction when I feel like the mood is working right. In a way, creating misery is perversely rewarding.
Talk to me about your main characters. What do you see as common threads between Caleb Roehrig leads, and in what ways do they differ? How much do their very different romantic situations play into that?
I think my protagonists tend to be sarcastic, self-righteous, and prone to overthinking things. As for their differences, Flynn is definitely more of a joiner, and Rufus is more of a proud outcast. In terms of their respective journeys, Rufus has been out for a couple of years before the events White Rabbit, while Flynn is only just embarking on that journey in Last Seen Leaving, which definitely plays into their respective attitudes.
It’s hard to explain how being closeted affects a person, but the best way I can describe it is to say that it’s like living with a ten-second delay. Every word that comes out of your mouth has to clear the censors first, to be sure it won’t give away your secret. A lot of Flynn’s actions and interests are directed by what he thinks will best help him fit in with his friend group; on the flipside, Rufus has had more time to accept and embrace what makes him different, which is, in part, what helps him find his friend group.
As a result, Flynn’s romance is complicated by the fact that he’s put so much time and effort into resisting what he really wants, so that breaking through that shell is a challenge. For Rufus, knowing what he wants isn’t enough—because the boy he wants it with runs in a different social circle, and is going through a difficult journey of his own.
Anyone who doesn’t follow you on Instagram might not know that you take some seriously gorgeous travel photography, and are a hell of a traveler. What are your top 3 travel spots, and what are the top 3 on your travel bucket list? (Also, so everyone can see what I’m talking about, please share a fave travel photo!)
This one is hard! I’ve been a lot of places, but mostly in Europe, because I lived there for four years. That said, I think my top three might be: Venice, Italy; literally anywhere in Norway; and Vevey, Switzerland.
My bucket list includes: Tokyo, Marrakesh, and Rio de Janeiro. And Machu Picchu. And Australia.
As for a fave travel photo, please enjoy the attached snapshot I took of Silvaplana, a town in the Swiss canton of Graubünden, while hiking the Alps!
And as long as we’re discussing travel, if you were going to set a book outside the US, where would it be and why?
Without giving too much away, there’s a sequence in Death Prefers Blondes that takes place in Europe; but as for setting an entire novel outside the US, I definitely have every intention to do so! I was so fortunate to live in Finland for a while, and to get to know that part of the world in an intimate way, and I would love to set a book there. It would mean a lot to me to bring that country alive on the page as a personal love letter.
I would also love to set something in Stockholm. It’s another of my favorite world cities, and I have kind of an affinity for Swedish culture. I’ve been low-key studying the language for the past seven years, which involves reading tons of gritty, Nordic crime fiction, and it’s been making my imagination run wild.
We’ve been seeing some more discussion lately about the importance of queer-guy YA written by queer guys, and as one of my favorite authors bringing #ownvoices gay YA to the canon, what are some books/voices you’d love to see get some more attention? And what milestones would you still like to see hit?
One of my absolute favorite #ownvoices novels is Adam Silvera’s History is All You Left Me, and I think it deserve more love. It’s a beautifully-written work about some very ugly emotions, and digs its fingers into some situations that are very specific to the gay experience, and which ring with an authenticity that gay readers deserve. I’m also really fond of Tim Floreen’s Willful Machines, Cale Dietrich’s The Love Interest, and Simon Curtis’s Boy Robot, all of which are SciFi/Spec Fic stories with thriller sentimentalities and queer protagonists. I am 110% here for books about kids who navigate their queerness as only one element of a more expansive plot, because that’s how it works in real life, too.
As for milestones I’d like to see hit, well…there are so many. I’d love for more queer writers to hit The List with #OV fiction, of course, but beyond that I would love to see readers really engage with queer art. When we express ourselves in our own words, we communicate truths that can get lost in translation when others tell our stories for us, and sometimes those borrowed narratives deliberately misrepresent the queer experience to appeal to non-queer readers. (I want to add here: writing outside your lane with respect and accuracy is absolutely possible, and I’ve got a list of an incredibly well-done books in that vein to rec as well!)
Honestly, I could talk for ages about this, but to keep it short, I’ll go with this: a milestone I would love to see hit is for #OV gay YA writers to earn awards and recognition based on genre as much as on category. I’d love to see readers abandon their preconceptions and embrace a fuller representation of what queerness is.
Heading back to the root of my fandom, now that you’re a ways away from publication of Last Seen Leaving, what have your takeaways been from the experience, especially with gay YA thrillers being so rare?
My experience has so far been great. It’s funny…I always thought of myself as a thriller writer, because I’ve been telling murder mysteries since long before I ever believed I could sell a book with a gay protagonist. Last Seen Leaving was actually my first attempt at an #OwnVoices novel, and when I first started it, I didn’t actually expect it to go anywhere. So it took me a while to internalize that I’m also a queer lit writer.
I’m really lucky, I think, because with one foot in the genre world and another in the growing field of queer rep for young readers, I get the opportunity to speak on a number of topics that I’m really passionate about. And what’s so great is to know that the gay YA thriller is a growing subcategory right now. I’m not sure where it comes from, but most of the gay men I know love horror movies, and I think—I hope—that more and more OV books are on their way about queer teens fighting monsters and busting crime!
For better or for worse, what’s the earliest LGBTQIAP+ representation you remember reading or seeing onscreen?
I think the very first time that I saw definitively queer rep (something more than subtext) it was in excerpts of Madonna: Truth or Dare, the controversial documentary of the 1991 music tour, Blonde Ambition. I remember these black-and-white clips being played on the news, showing Madonna sitting around with her flamboyant and unapologetically gay back-up dancers, speaking in blunt, provocative terms. Everything featured on the news was heavily censored, of course, but they were there. Madonna was one of the most influential artists in the world at the time, and I’m not sure people can really appreciate what her deliberate and highly visible acceptance of the queer community meant at the time.
Other than Death Prefers Blondes, what’s up next for you? (This is only slightly leading for an HHH plug. Really.)
So, in addition to Death Prefers Blondes, I have a fourth book scheduled with Feiwel & Friends/Macmillan, and then I’m contributing a short story to an anthology of Edgar Allen Poe retellings, entitled His Hideous Heart, edited by one Dahlia Adler! (For those keeping score, I’ll be tackling The Pit and the Pendulum.) I’m also contributing to a second anthology, which has not been announced yet, and tweaking an adult fiction project I’ve been working on for a while. So…I think I have a busy year ahead!
Caleb Roehrig is a writer and television producer originally from Ann Arbor, Michigan. Having also lived in Chicago, Los Angeles, and Helsinki, Finland, he has a chronic case of wanderlust, and can recommend the best sights to see on a shoestring budget in over thirty countries. A former actor, Roehrig has experience on both sides of the camera, with a résumé that includes appearances on film and TV—as well as seven years in the stranger-than-fiction salt mines of reality television. In the name of earning a paycheck, he has: hung around a frozen cornfield in his underwear, partied with an actual rock-star, chatted with a scandal-plagued politician, and been menaced by a disgruntled ostrich.