History is All You Left Me by Adam Silvera
Release by Patrick Ness
White Rabbit by Caleb Roehrig
Jack of Hearts (and other parts) by L.C. Rosen
It’s Kind of an Epic Love Story by Kheryn Callender
I’m wildly excited for this month’s featured author, who’s written one of my favorite gay YAs ever, which is also one of my favorite mystery/thriller novels ever, and who just released his sophomore novel on April 24. He’s also got some killer (no pun intended) work coming up and one of my favorite accounts on Instagram, so basically, yeah, he’s a good guy to know! Get to know Caleb Roehrig and you’ll become a huge fan too!
New book! New book! I haven’t gotten to read it yet, but by all accounts, White Rabbit is nooo victim of the Sophomore Slump, and you know I’m a massive fan of your debut, Last Seen Leaving. Can you tell us a little about White Rabbit and what it was like to write book 2?
White Rabbit is about a boy named Rufus Holt who has one night to prove his sister is being framed for murder, with no allies to trust or count on but the ex-boyfriend who crushed his heart. The entire story unfolds over the course of about eight hours, and I call it my tribute to Agatha Christie—a murder mystery with a small pool of suspects, all of whom have something to hide.
As for writing Book 2, let me assure you that Second Book Syndrome is no joke! I actually completed a manuscript in between Last Seen Leaving and White Rabbit, but was in such a weird head space that I never felt comfortable with it. Once it was done, I shelved the project and started all over again. It was absolutely the right choice; the new story—this one—felt right from the very beginning, and I’m so excited to share it with the world!
You also recently announced a new book called Death Prefers Blondes, which I am so excited about. What can you share about it, and in what ways is it a departure from your previous work?
What I can say about Death Prefers Blondes is this: it’s my take on Hamlet, wherein Hamlet is a rebel heiress and Rosencrantz and Guildenstern are a pack of kickboxing drag queens. It’s a story I’ve told myself in one form or another since I was a teenager, and in many ways it feels surreal to finally have it captured in a manuscript. I tell everyone my signature content is Murder, Mayhem, & Make-outs, and Blondes has all of that in spades; but otherwise, it’s a huge departure for me. It’s less a whodunit than an action/adventure story, and I’ve never written a character quite like my protagonist, Margo—a wise-cracking, death-defying, face-punching socialite, hell-bent on revenge!
As a thriller master, you’ve got to get yourself into some pretty dark places, and do some really twisted plotting. What are your favorites ways to both get yourself into those modes and pull yourself back out as needed?
This is probably going to be an unsatisfying answer, but once upon a time, I was a professional actor; and as such, I have long experience with finding my way in and out of dark places. Acting is storytelling, of course—conjuring emotions out of words, and communicating that journey to the audience. The difference is that now I get to choose the tale that’s told, and how my reader will enter and exit the more intense scenes. To be honest, getting myself in and out of those frames of mind is easier than you might think; I get a lot of satisfaction when I feel like the mood is working right. In a way, creating misery is perversely rewarding.
Talk to me about your main characters. What do you see as common threads between Caleb Roehrig leads, and in what ways do they differ? How much do their very different romantic situations play into that?
I think my protagonists tend to be sarcastic, self-righteous, and prone to overthinking things. As for their differences, Flynn is definitely more of a joiner, and Rufus is more of a proud outcast. In terms of their respective journeys, Rufus has been out for a couple of years before the events White Rabbit, while Flynn is only just embarking on that journey in Last Seen Leaving, which definitely plays into their respective attitudes.
It’s hard to explain how being closeted affects a person, but the best way I can describe it is to say that it’s like living with a ten-second delay. Every word that comes out of your mouth has to clear the censors first, to be sure it won’t give away your secret. A lot of Flynn’s actions and interests are directed by what he thinks will best help him fit in with his friend group; on the flipside, Rufus has had more time to accept and embrace what makes him different, which is, in part, what helps him find his friend group.
As a result, Flynn’s romance is complicated by the fact that he’s put so much time and effort into resisting what he really wants, so that breaking through that shell is a challenge. For Rufus, knowing what he wants isn’t enough—because the boy he wants it with runs in a different social circle, and is going through a difficult journey of his own.
Anyone who doesn’t follow you on Instagram might not know that you take some seriously gorgeous travel photography, and are a hell of a traveler. What are your top 3 travel spots, and what are the top 3 on your travel bucket list? (Also, so everyone can see what I’m talking about, please share a fave travel photo!)
This one is hard! I’ve been a lot of places, but mostly in Europe, because I lived there for four years. That said, I think my top three might be: Venice, Italy; literally anywhere in Norway; and Vevey, Switzerland.
My bucket list includes: Tokyo, Marrakesh, and Rio de Janeiro. And Machu Picchu. And Australia.
As for a fave travel photo, please enjoy the attached snapshot I took of Silvaplana, a town in the Swiss canton of Graubünden, while hiking the Alps!
And as long as we’re discussing travel, if you were going to set a book outside the US, where would it be and why?
Without giving too much away, there’s a sequence in Death Prefers Blondes that takes place in Europe; but as for setting an entire novel outside the US, I definitely have every intention to do so! I was so fortunate to live in Finland for a while, and to get to know that part of the world in an intimate way, and I would love to set a book there. It would mean a lot to me to bring that country alive on the page as a personal love letter.
I would also love to set something in Stockholm. It’s another of my favorite world cities, and I have kind of an affinity for Swedish culture. I’ve been low-key studying the language for the past seven years, which involves reading tons of gritty, Nordic crime fiction, and it’s been making my imagination run wild.
We’ve been seeing some more discussion lately about the importance of queer-guy YA written by queer guys, and as one of my favorite authors bringing #ownvoices gay YA to the canon, what are some books/voices you’d love to see get some more attention? And what milestones would you still like to see hit?
One of my absolute favorite #ownvoices novels is Adam Silvera’s History is All You Left Me, and I think it deserve more love. It’s a beautifully-written work about some very ugly emotions, and digs its fingers into some situations that are very specific to the gay experience, and which ring with an authenticity that gay readers deserve. I’m also really fond of Tim Floreen’s Willful Machines, Cale Dietrich’s The Love Interest, and Simon Curtis’s Boy Robot, all of which are SciFi/Spec Fic stories with thriller sentimentalities and queer protagonists. I am 110% here for books about kids who navigate their queerness as only one element of a more expansive plot, because that’s how it works in real life, too.
As for milestones I’d like to see hit, well…there are so many. I’d love for more queer writers to hit The List with #OV fiction, of course, but beyond that I would love to see readers really engage with queer art. When we express ourselves in our own words, we communicate truths that can get lost in translation when others tell our stories for us, and sometimes those borrowed narratives deliberately misrepresent the queer experience to appeal to non-queer readers. (I want to add here: writing outside your lane with respect and accuracy is absolutely possible, and I’ve got a list of an incredibly well-done books in that vein to rec as well!)
Honestly, I could talk for ages about this, but to keep it short, I’ll go with this: a milestone I would love to see hit is for #OV gay YA writers to earn awards and recognition based on genre as much as on category. I’d love to see readers abandon their preconceptions and embrace a fuller representation of what queerness is.
Heading back to the root of my fandom, now that you’re a ways away from publication of Last Seen Leaving, what have your takeaways been from the experience, especially with gay YA thrillers being so rare?
My experience has so far been great. It’s funny…I always thought of myself as a thriller writer, because I’ve been telling murder mysteries since long before I ever believed I could sell a book with a gay protagonist. Last Seen Leaving was actually my first attempt at an #OwnVoices novel, and when I first started it, I didn’t actually expect it to go anywhere. So it took me a while to internalize that I’m also a queer lit writer.
I’m really lucky, I think, because with one foot in the genre world and another in the growing field of queer rep for young readers, I get the opportunity to speak on a number of topics that I’m really passionate about. And what’s so great is to know that the gay YA thriller is a growing subcategory right now. I’m not sure where it comes from, but most of the gay men I know love horror movies, and I think—I hope—that more and more OV books are on their way about queer teens fighting monsters and busting crime!
For better or for worse, what’s the earliest LGBTQIAP+ representation you remember reading or seeing onscreen?
I think the very first time that I saw definitively queer rep (something more than subtext) it was in excerpts of Madonna: Truth or Dare, the controversial documentary of the 1991 music tour, Blonde Ambition. I remember these black-and-white clips being played on the news, showing Madonna sitting around with her flamboyant and unapologetically gay back-up dancers, speaking in blunt, provocative terms. Everything featured on the news was heavily censored, of course, but they were there. Madonna was one of the most influential artists in the world at the time, and I’m not sure people can really appreciate what her deliberate and highly visible acceptance of the queer community meant at the time.
Other than Death Prefers Blondes, what’s up next for you? (This is only slightly leading for an HHH plug. Really.)
So, in addition to Death Prefers Blondes, I have a fourth book scheduled with Feiwel & Friends/Macmillan, and then I’m contributing a short story to an anthology of Edgar Allen Poe retellings, entitled His Hideous Heart, edited by one Dahlia Adler! (For those keeping score, I’ll be tackling The Pit and the Pendulum.) I’m also contributing to a second anthology, which has not been announced yet, and tweaking an adult fiction project I’ve been working on for a while. So…I think I have a busy year ahead!
Caleb Roehrig is a writer and television producer originally from Ann Arbor, Michigan. Having also lived in Chicago, Los Angeles, and Helsinki, Finland, he has a chronic case of wanderlust, and can recommend the best sights to see on a shoestring budget in over thirty countries. A former actor, Roehrig has experience on both sides of the camera, with a résumé that includes appearances on film and TV—as well as seven years in the stranger-than-fiction salt mines of reality television. In the name of earning a paycheck, he has: hung around a frozen cornfield in his underwear, partied with an actual rock-star, chatted with a scandal-plagued politician, and been menaced by a disgruntled ostrich.
Seventeen, fashion-obsessed, and gay, Abby Ives has always been content playing the sidekick in other people’s lives. While her friends and sister have plunged headfirst into the world of dating and romances, Abby has stayed focused on her plus-size style blog and her dreams of taking the fashion industry by storm. When she lands a prized internship at her favorite local boutique, she’s thrilled to take her first step into her dream career. She doesn’t expect to fall for her fellow intern, Jordi Perez. Abby knows it’s a big no-no to fall for a colleague. She also knows that Jordi documents her whole life in photographs, while Abby would prefer to stay behind the scenes.
Then again, nothing is going as expected this summer. She’s competing against the girl she’s kissing to win a paid job at the boutique. She’s somehow managed to befriend Jax, a lacrosse-playing bro type who needs help in a project that involves eating burgers across L.A.’s eastside. Suddenly, she doesn’t feel like a sidekick. Is it possible Abby’s finally in her own story?
But when Jordi’s photography puts Abby in the spotlight, it feels like a betrayal, rather than a starring role. Can Abby find a way to reconcile her positive yet private sense of self with the image that other people have of her?
Is this just Abby’s summer of fashion? Or will it truly be The Summer of Jordi Perez (and the Best Burger in Los Angeles)?
Twisted Wishes front man Ray Van Zeller is in one hell of a tight spot. After a heated confrontation with his bandmate goes viral, Ray is hit with a PR nightmare the fledgling band so doesn’t need. But his problems only multiply when they snag a talented new drummer—insufferably sexy Zavier Demos, the high school crush Ray barely survived.
Zavier’s kept a casual eye on Twisted Wishes for years, and lately, he likes what he sees. What he doesn’t like is how out of control Ray seems—something Zavier’s aching to correct after their first pulse-pounding encounter. If Ray’s up for the challenge.
Despite the prospect of a glorious sexual encore, Ray is reluctant to trust Zavier with his band—or his heart. And Zavier has always had big dreams; this gig was supposed to be temporary. But touring together has opened their eyes to new passions and new possibilities, making them rethink their commitments, both to the band and to each other.
Buy it: Amazon
Seventeen-year-old Lizzie Borden has never been kissed. Polite but painfully shy, Lizzie prefers to stay in the kitchen, where she can dream of becoming a chef and escape her reality. With tyrannical parents who force her to work at the family’s B&B and her blackout episodes—a medical condition that has plagued her since her first menstrual cycle—Lizzie longs for a life of freedom, the time and space to just figure out who she is and what she wants.
Enter the effervescent, unpredictable Bridget Sullivan. Bridget has joined the B&B’s staff as the new maid, and Lizzie is instantly drawn to her artistic style and free spirit—even her Star Wars obsession is kind of cute. The two of them forge bonds that quickly turn into something that’s maybe more than friendship.
But when her parents try to restrain Lizzie from living the life she wants, it sparks something in her that she can’t quite figure out. Her blackout episodes start getting worse, her instincts less and less reliable. Lizzie is angry, certainly, but she also feels like she’s going mad…
Julie Nolan is a pretty average girl with pretty average problems. She’s been in love with her best friend, Lorelei, ever since they met in grade three. Only Lorelei doesn’t know about it — she’s too busy trying to set Julie up with Henry, her ex, who Julie finds, in a word, vapid.
But life gets more complicated when Julie comes home to find her mother insisting that her heart is gone. Pretty soon it becomes clear: Julie’s mom believes that she has died.
How is Julie supposed to navigate her first year of high school now, while she’s making midnight trips to the graveyard to cover her mother with dirt, lay flowers and make up eulogies? And why is Henry the only person Julie feels comfortable turning to? If she wants to get through this, Julie’s going to have to find the strength she never knew she had, and to learn how to listen to both her mom’s heart and her own.
Buy it: Amazon Canada
The one you love…
Robert Selby is determined to see his sister make an advantageous match. But he has two problems: the Selbys have no connections or money and Robert is really a housemaid named Charity Church. She’s enjoyed every minute of her masquerade over the past six years, but she knows her pretense is nearing an end. Charity needs to see her beloved friend married well and then Robert Selby will disappear…forever.
May not be who you think…
Alistair, Marquess of Pembroke, has spent years repairing the estate ruined by his wastrel father, and nothing is more important than protecting his fortune and name. He shouldn’t be so beguiled by the charming young man who shows up on his doorstep asking for favors. And he certainly shouldn’t be thinking of all the disreputable things he’d like to do to the impertinent scamp.
But is who you need…
When Charity’s true nature is revealed, Alistair knows he can’t marry a scandalous woman in breeches, and Charity isn’t about to lace herself into a corset and play a respectable miss. Can these stubborn souls learn to sacrifice what they’ve always wanted for a love that is more than they could have imagined?
Buy it: Amazon
In this frank, funny and poignant book, transgender activist Juno Roche discusses sex, desire and dating with leading figures from the trans and non-binary community. Calling out prejudices and inspiring readers to explore their own concepts of intimacy and sexuality, the first-hand accounts celebrate the wonder and potential of trans bodies and push at the boundaries of how society views gender, sexuality and relationships. Empowering and necessary, this collection shows all trans people deserve to feel brave, beautiful and sexy.
Leah Burke—girl-band drummer, master of deadpan, and Simon Spier’s best friend from the award-winning Simon vs. the Homo Sapiens Agenda—takes center stage in this novel of first love and senior-year angst.
When it comes to drumming, Leah Burke is usually on beat—but real life isn’t always so rhythmic. An anomaly in her friend group, she’s the only child of a young, single mom, and her life is decidedly less privileged. She loves to draw but is too self-conscious to show it. And even though her mom knows she’s bisexual, she hasn’t mustered the courage to tell her friends—not even her openly gay BFF, Simon.
So Leah really doesn’t know what to do when her rock-solid friend group starts to fracture in unexpected ways. With prom and college on the horizon, tensions are running high. It’s hard for Leah to strike the right note while the people she loves are fighting—especially when she realizes she might love one of them more than she ever intended.
Rufus Holt is having the worst night of his life.
It begins with the reappearance of his ex-boyfriend, Sebastian—the guy who stomped his heart out like a spent cigarette. Just as Rufus is getting ready to move on, Sebastian turns up out of the blue, saying they need to “talk.” Things couldn’t get much worse, right?
But then Rufus gets a call from his sister April, begging for help. And then he and Sebastian find her, drenched in blood and holding a knife, beside the dead body of her boyfriend, Fox Whitney.
April swears she didn’t kill Fox—but Rufus knows her too well to believe she’s telling him the whole truth. April has something he needs, though, and her price is his help. Now, with no one to trust but the boy he wants to hate yet can’t stop loving, Rufus has one night to prove his sister’s innocence…or die trying.