Author of BEAST and TURDUCKEN ‘s debut A FLORAL ARRANGEMENT, pitched as Jane Austen meets Bridgerton, a sapphic romance between Charlotte Lucas and Mary Bennet that begins four years after the end of Pride and Prejudice, to Stephanie Doig at Carina Adores, for publication in spring 2025, by Laura Zats at Headwater Literary Management (world English).
Today on the site, we’re revealing the cover of Marley’s Pride by Joëlle Retener and DeAnn Wiley, a picture book about a queer Black family finding community at Pride releasing April 2, 2024 from Barefoot Books! Here’s the story:
Marley is a little nonbinary kid with big anxieties. Crowds? Pass. Loud noises? No, thanks. When their Zaza is up for an award at Pride, they want to go to the parade for the first time with their beloved grandparent. But can Marley overcome their fears? Highlighting the joyful experiences of a queer family of color finding community at Pride, this story features endmatter about the history of Pride, a glossary of LGBTQ+ terms, and a list of resources.
And here’s the joyful cover, illustrated by DeAnn Wiley and designed by Lindsey Leigh!
Buy it: Bookshop
Today on the site, I’m excited to have both brains behind the exciting upcoming Toronto Pride-centric YA, When You Get the Chance, coming May 4th from Running Press! Here’s a little more about the book:
As kids, Mark and his cousin Talia spent many happy summers together at the family cottage in Ontario, but a fight between their parents put an end to the annual event. Living on opposite coasts—Mark in Halifax and Talia in Victoria—they haven’t seen each other in years. When their grandfather dies unexpectedly, Mark and Talia find themselves reunited at the cottage once again, cleaning it out while the family decides what to do with it.
Mark and Talia are both queer, but they soon realize that’s about all they have in common, other than the fact that they’d both prefer to be in Toronto. Talia is desperate to see her high school sweetheart Erin, who’s barely been in touch since leaving to spend the summer working at a coffee shop in the Gay Village. Mark, on the other hand, is just looking for some fun, and Toronto Pride seems like the perfect place to find it.
When a series of complications throws everything up in the air, Mark and Talia—with Mark’s little sister Paige in tow—decide to hit the road for Toronto. With a bit of luck, and some help from a series of unexpected new friends, they might just make it to the big city and find what they’re looking for. That is, if they can figure out how to start seeing things through each other’s eyes.
Preorder: Bookshop | Amazon | IndieBound
And here are Tom Ryan and Robin Stevenson!
Tom: It’s been almost five years since I woke up to a text from you that said something like “hey Tom, I just had an idea: we should write a big queer Canadian YA novel together!” Obviously I was totally into it, and before long we were brainstorming and sending chapters back and forth. Do you remember what prompted you to reach out in the first place?
Robin: I missed you! You had moved two thousand miles away, and I missed hanging out and talking about writing. Plus I’d just written a non-fiction book about Pride, so I was out in schools and talking with young people, and realizing just how much queer kids and teens wanted to see their lives reflected in the books they were reading. It was really impulsive though- like I had the idea and sent the text about three seconds later!
Tom: One of the things I love most about When You Get the Chance is that the premise of the story grew from the situation we were in when we wrote it. I was on the east coast, you were on the west coast, and we both wished we could meet up somewhere in the middle to hang out. It was basically a no-brainer to echo that in the plot, bringing cousins Talia (your character, from B.C.) and Mark (my character, from Nova Scotia) together for a family funeral in Toronto. Once we had that framework established, I really felt like the rest of the story came together quite naturally – did you feel the same way?
Robin: Yeah, very much so. I think part of that came from the fact that we both think and care deeply about some of the same things: family, friendship, queer community and history, connections and sharing of ideas between older and younger people, the way our communities and language and identities continue to evolve. Once the characters came to life and the story started taking shape, it became clear that those themes were all woven into the book. I know we both have had opportunities to meet with lots of LGBTQ+ youth because of our previous books… Do you feel like those experiences and conversations influenced this story?
Tom: Absolutely. Like you, I’ve had a lot of opportunities to speak with LGBTQ+ youth groups, GSA’s, etc… and one of the things that I’ve been most struck by is how queer and gender non-conforming teens are able to hang out together in big groups, which would have been completely unimaginable when I was in high school. There’s a long – and proud! – tradition of coming out narratives in LGBTQ+ YA, and I will dig in my heels to defend those stories, because they’re really important, but the reality is that more and more they don’t reflect queer teens’ broader experiences. I will never forget visiting a large group of queer teens in Vancouver during Canadian Children’s Book Week, and during the Q&A one teen made a comment about how much they wanted to see more books that show lots of queer kids hanging out together, because that reflected their reality a lot more than a solitary queer teen in a world full of straight people. I described WYGTC and explained that it was on sub, and hopefully someone would pick it up. The group was so excited about it, and in the cab on my way back to my hotel, Eric called to say we had an offer! That was a definite high point in my career.
Robin: I remember that! I was actually at a cabin in the woods when I got the call…in the middle of a week of school visits as part of a book festival. In fact, the way we celebrated the news over the phone, from different parts of the country, fit right in with the way we wrote the book. And now, because of the pandemic, that will also be the way we’re launching it. We had originally hoped to be at Pride events together, in person, this summer- but it seems like those will have to be virtual events. Still, while parades can be canceled, pride itself cannot! Since Pride is a big part of our book, do you want to share something about your experiences at Pride?
Tom: I’ve lived in several different cities across Canada, which means I’ve been lucky enough to experience a bunch of different iterations of Pride. Each of them has developed its own traditions over time, but some aspects of Pride are universal, like the way the culture of a city or town transforms for just a short while into something much more vibrant and queer. At its heart, Pride is about community, and getting caught up in the energy created by so many people who are joyfully celebrating the right to be their truest selves is magical, every single time. What about you, Robin? Any particular Pride moments stand out?
Robin: I’ve been to Pride events in lots of different places too- from the Chicago Dyke March to the small and super friendly Pride celebrations on Salt Spring Island. Toronto Pride will always be special to me, because that is where my very first Pride events were, when I was still in my teens. And of course, I love going to Pride here in Victoria, with my family and community. My kid was just a month old at his first Pride march! In the last few years, I have been really lucky to celebrate with people who are attending their first Pride events, and that has brought me a whole new appreciation for how beautiful and brave and necessary it is. And of course, I love some of the other Pride events in my town as well- especially the Big Gay Dog Walk, which is exactly what it sounds like- lots of queer people meeting up to walk our dogs together!
Tom: I’ve really enjoyed doing this interview, because it played out exactly the same way the book did! I kicked it off and sent it over to you, and we went back and forth until we reached a natural end. On that note, I’m going to pass it back to you for the final word, but first I want to say that everything about this process has been a total pleasure. I value your friendship so much, and getting an opportunity to share this experience together has been a total treat! I can’t wait until we can finally meet again in person – at a Pride event obviously – and share a long overdue hug to celebrate WYGTC!
Robin: Oh, I CANNOT WAIT to celebrate this book with you in person! You are absolutely one of my favorite people and while I wish we lived closer, I am so grateful that we haven’t let the distance come between us. And I was thinking the same thing about this interview—it’s been so much like writing the book together! Condensed and sped up, and with less plot twists– but really fun! I’d write something with you anytime. Just saying…
When You Get the Chance releases May 4th, 2021 from Running Press Kids!
Today on the site I’m psyched to have the incredibly prolific and wonderful Robin Stevenson! As it happens, I wasn’t the only one with the idea to shine a light on her this time of year; right after I asked Robin if I could interview her for August, a great interview with her went up on Gay YA, so make sure you check that out too!
You’re such an impressively prolific author, with over 20 books to your name now. How long have you been writing, and can you give us a little rundown on your books with LGBTQ narrators?
I started writing on maternity leave, soon after my son was born— which was thirteen years ago. My first book came out a couple of years later, in 2007. It began as a short story that grew and grew, and ended up as a YA novel called Out of Order. The main character, Sophie, is a sixteen year old girl who dealing with a history of being bullied, struggling with an undiagnosed eating disorder, and caught up in the orbit of a charismatic but troubled new friend. She is bisexual but not yet using this word… she is just beginning to realize she is attracted to girls.
My novel Big Guy came out the next year, and also has a queer narrator—-this time a teenage boy who is in an online relationship with another guy. It was my first hi-lo novel in the Orca Soundings series. (My most recent book in the series came out in 2016, and also has a queer narrator: It’s called Under Threat, and deals with anti-abortion violence. I wanted to write an unambiguously pro-choice novel that shows the cost of anti-abortion fanaticism. The main character, Franny, has a girlfriend called Leah and they are together throughout the novel—the book was an ALA Rainbow list selection.)
In 2009, my YA novel Inferno came out— this one was also an ALA Rainbow list selection, which I was delighted about. The narrator is a queer teenage girl who has recently broken up with a girl with whom she was in a very closeted relationship. When the book begins, she has just cut off all her hair and changed her name from Emily to Dante, and she is about to meet a new group of friends who are going to complicate her life in interesting and challenging ways. Dante seemed to provoke strong reactions; readers either adored her and really related to her, or disliked her intensely! Personally, I adore her.
My newest book also has a queer narrator: It is a mystery/thriller called Blood on the Beach. I co-wrote it with Sarah N. Harvey, who is a senior editor at Orca, and was in fact my editor for a number of my novels and my non-fiction book Pride. Blood on the Beach is told in the alternating voices of two first person narrators: Sarah wrote from Caleb’s point of view, and I wrote from the point of view of Alice, who is bisexual.
Your most recent book, Pride, has received all sorts of award nominations, including a 2017 Stonewall Honor. What was the research experience for that book like?
Pride was my first non-fiction book, and the research and writing process was entirely new to me—so different from fiction. I read a lot, and watched documentaries, and sifted through archival photographs, but I also spoke with so many people about their experiences of Pride. And from activists in Russia and Uganda to 12 year old kids here on the west coast, everyone was so helpful and interested and enthusiastic. People shared their opinions and stories and personal photographs, and read drafts, and gave feedback. It felt like a very collaborative process and one that strengthened my own sense of connection to the LGBTQ community.
Do you have your own personal favorite Pride memory?
I’ve been going to Pride for 30 years so I have accumulated a lot of really great memories; I can’t pick just one! Here are a few that stand out: Going to my first-ever Dyke March with friends in Toronto, back in 1991. Seeing my parents walking in the Pride Parade with PFLAG a few years later. Taking my son to his first Pride when he was only a month old. Speaking about the history of Pride to teens at youth-organized events. Reading at Pride in the Word, which is my favorite literary Pride event ever. And this year, taking my spaniel puppy to Pride Victoria’s Big Gay Dog Walk!
You do the very cool work of writing Hi-Lo books for Orca, which, for those unfamiliar, are “high interest, low reading level” books. How did you specifically get into Hi-Lo, and how does the writing process differ for you from your other books?
I got into it entirely by accident. I’d written a short story for adults, which got way too long—novella length, really, around 15,000 words. It was about a gay teenager who lied his way into a job working as a caregiver in a residence for adults with disabilities, and I had no idea what to do with it. I’d just published by first YA novel with Orca, and I knew they had this series called Soundings that were about that length…and so I thought I’d tweak it a bit and try submitting it for that series. That story became my first hi-lo novel, Big Guy. I have written five books in that series now—they are fun to write, and they are a great writing exercise for me: because the word count is so tight, they force me to consider every word to make sure it is absolutely necessary and to work hard to make each scene serve multiple purposes (eg. developing character, building tension, furthering the plot). My writing process is a bit different for hi-lo…I’m not usually much of an outliner, but– with the exception of that first accidental hi-lo novel, of course– I outline all my hi-lo novels in a fair bit of detail before I begin.
I think hi-lo books reach a lot of kids, for a lot of reasons, and some of my favorite reader emails have come from kids who have read these books. They meet a real need, helping kids to gain confidence and to see themselves as readers—plus they are just fun, quick reads. I also edited hi-lo books for Orca for three years: the Limelights series, which are books about teens in the performing arts. It was very enjoyable work and I learned about everything from stand-up comedy to aerial silks!
I saw on Twitter you’re working on a book now about reproductive justice. Is that your next publication, and what can you tell us about that?
Yes! I am so excited about this. It’s scheduled to be published in spring 2019, in Canada and the US, and it’s aimed at older kids and teens. To be honest, after Pride came out, I wasn’t planning to write another non-fiction book—but the ongoing attack on abortion rights and access in the US is so disturbing, and the current threats to reproductive choice under the current administration are so serious, and there is so much propaganda and misinformation being taught to young people about abortion. And even in Canada, where the landscape with respect to abortion looks quite different than in the US, most kids have no idea of the long battle that was fought to legalize abortion and make it accessible. It seemed like such an important topic for kids to be aware of, and yet there aren’t a lot of kids’ books on the subject. So I proposed this book idea to Orca, and—being awesome—they agreed!
You’re a Canadian author, and I think we in the U.S. often miss a lot of the great titles that come out of Canada, the UK, and Australia that aren’t published here. What are some titles that haven’t crossed the border that you think should be getting way more attention on this side?
One Canadian book that I recently read and was very impressed by was a debut novel by a young author, Arushi Raina. It is called When Morning Comes and it is published by Tradewind Books. The story is set in South Africa and follows the lives of four young people during the student uprisings of 1976; it is well-researched, beautifully written, and very powerful. It was published in Canada in 2016 and has just been published in the US this year—I highly recommend it.
In terms of LGBTQ books more specifically, some Canadian authors whose books I love include Carrie Mac, Ivan Coyote, Tom Ryan, Mariko Tamaki, and M.E. Girard. And author Heather Smith has a new YA novel coming out this spring which includes queer characters… I just read an ARC and absolutely fell in love with it. It is called The Agony of Bun O’Keefe, and I’m very much hoping it will get all the attention it deserves on both sides of the border.
In your interview with Gay YA, you talked about writing the complexities of queer theory to a younger (Middle Grade) audience, and reminding yourself “this isn’t a university text.” What are your favorite texts on it for older audiences, and could you ever see yourself writing one that is a university text?
I love reading about queer history, and have devoured just about everything that’s crossed my path. When it comes to writing, though, my first love is fiction—and I am really looking forward to getting back to working on my middle grade novel, to a YA novel I am co-writing with a friend, and possibly also working on some short fiction for grown-up readers. No university texts in my plans!
According to your bio, you are quite well-traveled! Does that play into any of your books now, and will we see it playing into any in the future?
My partner Cheryl and I have been together 20 years, and we’ve travelled a lot together. One of the most amazing trips we have taken was the year that we spent living aboard a small sailboat and travelling from Lake Ontario, through the barge canals to New York, then down the waterways and offshore to Florida and the Bahamas. Ten years after our journey, I read over all our logbooks and used my memories of the winter we spent sailing in the Bahamas as the basis for my YA novel, A Thousand Shades of Blue. The characters and their story (and all the angst) is fictional, but the route they travel and all of the places they stay are entirely real—as is much of the scene where their boat runs aground on the rocks near Joe Sound on Long Island. It’s probably my favorite of my YA novels because it is so closely connected to so many wonderful memories for me and Cheryl.
I am working on a teen novel now that is mostly set in Australia, a country where I lived for a year as a teen and another year as a young adult– I actually came out as queer while I was living in Australia, aged 21. But most of my novels are set in BC, as this is the place I know and love best.
Please drop your thanks to Robin for dropping by, and make sure you check out
her books!
Robin Stevenson is the author of twenty books for kids and teens. Her novels include The World Without Us and The Summer We Saved the Bees, as well as the Silver Birch Award-winner Record Breaker, and the Governor General’s Award finalist, A Thousand Shades of Blue. She lives in Victoria, British Columbia. For more information, visit http://www.robinstevenson.com.
