Happy Asian American Pacific Islander Heritage month! May is a fabulous month to celebrate all these books and authors, so if there are any missing from your bookshelf, please use the links below to rectify that! (They are indeed affiliate links, so a percentage of your purchase goes to supporting LGBTQReads.) See a fave of yours that is or isn’t mentioned here? Please recommend it in the comments! (As always, this does not include posts fully covered in last year’s post, so to see those, click here.)
Michael Mahana’s personal disclosure to his parents leads to the uncovering of another family secret-about his uncle, Sam, who had fought in the Vietnam War.
Now, armed with his uncle’s diary, Michael goes searching for the truth about his uncle, about the secret the Mahana family has kept hidden for over thirty years, and what happened to Sam.
A powerful love story set in the war-torn jungles of Vietnam and in present-day New Zealand and North America, Witi Ihimaera’s powerful new novel courageously confronts Maori attitudes to sexuality and masculinity and contains some of Ihimaera’s most passionate writing to date.
In an alternate version of 1893 America, New York is part of the Free States, where people may live and love whomever they please (or so it seems). The fragile young scion of a distinguished family resists betrothal to a worthy suitor, drawn to a charming music teacher of no means. In a 1993 Manhattan besieged by the AIDS epidemic, a young Hawaiian man lives with his much older, wealthier partner, hiding his troubled childhood and the fate of his father. And in 2093, in a world riven by plagues and governed by totalitarian rule, a powerful scientist’s damaged granddaughter tries to navigate life without him—and solve the mystery of her husband’s disappearances.
These three sections are joined in an enthralling and ingenious symphony, as recurring notes and themes deepen and enrich one another: A townhouse in Washington Square Park in Greenwich Village; illness, and treatments that come at a terrible cost; wealth and squalor; the weak and the strong; race; the definition of family, and of nationhood; the dangerous righteousness of the powerful, and of revolutionaries; the longing to find a place in an earthly paradise, and the gradual realization that it can’t exist. What unites not just the characters, but these Americas, are their reckonings with the qualities that make us human: Fear. Love. Shame. Need. Loneliness.
Claudia Lin is used to disregarding her fractious family’s model-minority expectations: she has no interest in finding either a conventional career or a nice Chinese boy. She’s also used to keeping secrets from them, such as that she prefers girls—and that she’s just been stealth-recruited by Veracity, a referrals-only online-dating detective agency.
A lifelong mystery reader who wrote her senior thesis on Jane Austen, Claudia believes she’s landed her ideal job. But when a client goes missing, Claudia breaks protocol to investigate—and uncovers a maelstrom of personal and corporate deceit. Part literary mystery, part family story, The Verifiers is a clever and incisive examination of how technology shapes our choices, and the nature of romantic love in the digital age.
I Have Loved Me a Man takes readers inside the social revolution that has moved New Zealand from the 1960s to the present day through the story of the queer Maori performance artist, Mika. Adopted into a white family, Mika learnt Maori culture from the back of a cereal box. He discovered disco in the 1970s, worked with Carmen, Dalvanius Prime, and others to develop outrageous stage shows, and came out on screen with Harvey Keitel, playing a takatapui role in the film The Piano.
Mika has never been in the closet: his life has been an ongoing production of both the fabulous and the revolutionary. This highly visual book interweaves research with images hand-picked from Mika’s extensive archive to reveal the life and times of a queer brown boy from Aotearoa who took on the big white world.
When Neema Avashia tells people where she’s from, their response is nearly always a disbelieving “There are Indian people in West Virginia?” A queer Asian American teacher and writer, Avashia fits few Appalachian stereotypes. But the lessons she learned in childhood about race and class, gender and sexuality continue to inform the way she moves through the world today: how she loves, how she teaches, how she advocates, how she struggles.
Another Appalachia examines both the roots and the resonance of Avashia’s identity as a queer desi Appalachian woman, while encouraging readers to envision more complex versions of both Appalachia and the nation as a whole. With lyric and narrative explorations of foodways, religion, sports, standards of beauty, social media, gun culture, and more, Another Appalachia mixes nostalgia and humor, sadness and sweetness, personal reflection and universal questions.
How else do we return to ourselves but to fold The page so it points to the good part
In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of his mother’s death, embodying the paradox of sitting within grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with personal loss, the meaning of family, and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, Vuong’s poems circle fragmented lives to find both restoration as well as the epicenter of the break.
The author of the critically acclaimed poetry collection Night Sky With Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellow, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.
Sometimes bitter rivalries can brew something sweet
Theo Mori wants to escape. Leaving Vermont for college means getting away from working at his parents’ Asian American café and dealing with their archrivals’ hopeless son Gabi who’s lost the soccer team more games than Theo can count.
Gabi Moreno is miserably stuck in the closet. Forced to play soccer to hide his love for dance and iced out by Theo, the only openly gay guy at school, Gabi’s only reprieve is his parents’ Puerto Rican bakery and his plans to take over after graduation.
But the town’s new fusion café changes everything. Between the Mori’s struggling shop and the Moreno’s plan to sell their bakery in the face of the competition, both boys find their dreams in jeopardy. Then Theo has an idea—sell photo-worthy food covertly at school to offset their losses. When he sprains his wrist and Gabi gets roped in to help, they realize they need to work together to save their parents’ shops but will the new feelings rising between them be enough to send their future plans up in smoke?
This collection of short stories explores connections between extremes of heat and cold. Sometimes this is spatial or geographical; sometimes it is metaphorical. Sometimes it involves juxtapositions of time; sometimes heat appears where only ice is expected.
In the stories, a woman is caught between traditional Fijian ways and the brutality of the military dictatorship; a glaciology researcher falls into a crevasse and confronts the unexpected; two women lose children in freak shooting accidents; a young child in a Barbie Doll sweatshop dreams of a different life; secondary school girls struggle with secrets about an addicted janitor; and two women take a deathly trip through a glacier melt stream. These are some of the unpredictable stories in this collection that follow themes of ice and glaciers in the heat of the South Pacific and take us into unusual lives and explorations.
“No maids, no funny talking, no fainting flowers.” Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn’t care. She’d rather play a monster than a maid.
But in Luli’s world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her. For those who do survive to earn their fame, success comes with a steep price. Luli is willing to do whatever it takes—even if that means becoming the monster herself.
Alex Blackwood is a little bit headstrong, with a dash of chaos and a whole lot of flirt. She knows how to get the girl. Keeping her on the other hand…not so much. Molly Parker has everything in her life totally in control, except for her complete awkwardness with just about anyone besides her mom. She knows she’s in love with the impossibly cool Cora Myers. She just…hasn’t actually talked to her yet.
Alex and Molly don’t belong on the same planet, let alone the same college campus. But when Alex, fresh off a bad (but hopefully not permanent) breakup, discovers Molly’s hidden crush as their paths cross the night before classes start, they realize they might have a common interest after all. Because maybe if Alex volunteers to help Molly learn how to get her dream girl to fall for her, she can prove to her ex that she’s not a selfish flirt. That she’s ready for an actual commitment. And while Alex is the last person Molly would ever think she could trust, she can’t deny Alex knows what she’s doing with girls, unlike her.
As the two embark on their five-step plans to get their girls to fall for them, though, they both begin to wonder if maybe they’re the ones falling…for each other.
Echidna is a dangerous animal; she pokes holes in men just to
remind them what kind of monster she is wakes up every single
morning and chooses violence cos what choice does she really have?
essa may ranapiri’s second poetry collection follows the story of Echidna, their own interpretation of the Greek Mother of Monsters, as she tries to figure out life and identity living in a colonised world. Alongside this Māui and Prometheus get into a very hot relationship.
Echidna contends with three strands of tradition; Greek mythology, Christianity and Māori esoteric knowledge, and through weaving them together attempts to create a queerer whole. It is a book that is in conversation with the work of many others; from Milton and R.S. Thomas to jayy dodd and Joshua Whitehead to Hinemoana Baker and Keri Hulme. Situating and building its own world out of a community of queer and Māori/Pasifika writing, it carefully places itself in a whakapapa of takatāpui story-telling.
As an avid watcher of K-dramas, Hana knows all the tropes to avoid when she finally lands a starring role in a buzzy new drama. And she can totally handle her fake co-star boyfriend who might be falling in love with her. After all, she promised the producers a contract romance, and that’s all they’re going to get from her.
But when showrunners bring on a new girl to challenge Hana’s role as main love interest—and worse, it’s someone Hana knows all too well—can Hana fight for her position on the show while falling for her on-screen rival in real life?
Interim is a short collection of poems written by Des Spicer-Orak, a queer mixed Palauan poet from the Pacific Northwest. Interim signifies the experiences between life and death. Exploring the intersections of identity, Interim captures the weight of culture, religion, climate crises, rejection, and connection. This book highlights the duality that exists in all things, and intentionally emphasizes the connection between grief and growth. Through the lens of various relationships, Interim tells a story of hurt and healing. At the heart of these poems is the fight for existence, reclamation, and resistance.
Syyed is pining for his ex, who left home to—save the world? He doesn’t know much more, except to wish he’d gone along when Farouk asked. But Sy is shy and timid, from a controlling Indian Muslim family, and wants most to make a life and home with people he loves. Then he meets Reggie, an heiress—is she magical or just rich?—who, in exchange for his kindness, offers to grant Sy three wishes, the first of which is a million dollars, naturally!
But soon reality bites hard: His father realizes Sy is gay and kicks him out. Homeless and alone, he’s off with Reggie and his last two wishes, chasing Farouk to lands he never dreamed to visit to find his missing love for one last, desperate chance at rebuilding his life. And he’ll find out, maybe, that there is a loophole to everything, including wishes.
Things are looking up for Mr. and Mrs. Cho. Their dream of franchising their Korean plate lunch restaurants across Hawaiʻi seems within reach after a visit from Guy Fieri boosts the profile of Cho’s Delicatessen. Their daughter, Grace, is busy finishing her senior year of college and working for her parents, while her older brother, Jacob, just moved to Seoul to teach English. But when a viral video shows Jacob trying—and failing—to cross the Korean demilitarized zone, nothing can protect the family from suspicion and the restaurant from waning sales.
No one knows that Jacob has been possessed by the ghost of his lost grandfather, who feverishly wishes to cross the divide and find the family he left behind in the north. As Jacob is detained by the South Korean government, Mr. and Mrs. Cho fear their son won’t ever be able to return home, and Grace gets more and more stoned as she negotiates her family’s undoing. Struggling with what they don’t know about themselves and one another, the Chos must confront the separations that have endured in their family for decades.
Set in the months leading up to the 2018 false missile alert in Hawaiʻi, Joseph Han’s profoundly funny and strikingly beautiful debut novel is an offering that aches with histories inherited and reunions missed, asking how we heal in the face of what we forget and who we remember.
Startling stories that center the bodies, memories, myths, and relationships of Asian American women, from the National Book Award “5 Under 35” honoree and author of Bestiary
In “Auntland,” a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughter “Dog.” In “The Chorus of Dead Cousins,” ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm-chaser. In “Xífù,” a mother-in-law tortures a wife in increasingly unsuccessful attempts to rid the house of her. In “Mariela,” two girls explore one another’s bodies for the first time in the belly of a plastic shark while in “Virginia Slims,” a woman from a cigarette ad comes to life. And in “Resident Aliens,” a former slaughterhouse serves as a residence to a series of widows, each harboring her own calamitous secrets.
With each tale, K-Ming Chang gives us her own take on a surrealism that mixes myth and migration, corporeality and ghostliness, queerness and the quotidian. Stunningly told in her feminist fabulist style, these are uncanny stories peeling back greater questions of power and memory.
Santi has only had his heart broken one time, and it was all his fault. When he accidentally leaked his internet best friend Memo’s song, and it became an overnight hit, Memo disappeared—leaving their song’s cult fame, and Santi, behind.
Three years later, Santi arrives in Los Angeles with a mission: get over the ghost of Memo. Thankfully, his new school and its wildly-talented Sunshower marching band welcome him with open arms. All except for his section leader, the prickly, proud, musical prodigy Suwa. But when Santi realizes Suwa is trans, then Suwa realizes Santi takes his identity in stride, both boys begin to let their guards down. Santi learns Suwa’s surliness masks a painful, still raw history of his own, and as they open up to each other, their friendship quickly takes on the red-hot blush of a mutual crush.
Just as Santi is feeling settled in this new life, with a growing found family and a head-over-heels relationship with Suwa, he begins to put together the pieces of an impossible truth—that he knows both more and less of Suwa’s story than he’s been told. Their fragile fresh start threatens to rip apart at the seams again when Suwa is offered the chance to step into the spotlight he’s owed but has always denied himself. Now, Santi and Suwa must finally reckon with their dreams, their pasts—and their futures, together or apart.
Unwieldy Creatures, a biracial, queer, gender-swapped retelling of Mary Shelley’s classic novel Frankenstein, follows the story of three beings who all navigate life from the margins: Plum, a queer biracial Chinese intern at one of the world’s top embryology labs, who runs away from home to openly be with her girlfriend only to be left on her own; Dr. Frank, a queer biracial Indonesian scientist, who compromises everything she claims to love in the name of science and ambition when she sets out to procreate without sperm or egg; and Dr. Frank’s nonbinary creation who, painstakingly brought into the world, is abandoned due to complications at birth that result from a cruel twist of revenge. Plum struggles to determine the limits of her own ambition when Dr. Frank offers her a chance to assist with her next project. How far will Plum go in the name of scientific advancement and what is she willing to risk?
Graduating into the long maw of an American recession, Sneha is one of the fortunate ones. She’s moved to Milwaukee for an entry-level corporate job that, grueling as it may be, is the key that unlocks every door: she can pick up the tab at dinner with her new friend Tig, get her college buddy Thom hired alongside her, and send money to her parents back in India. She begins dating women—soon developing a burning crush on Marina, a beguiling and beautiful dancer who always seems just out of reach.
But before long, trouble arrives. Painful secrets rear their heads; jobs go off the rails; evictions loom. Sneha struggles to be truly close and open with anybody, even as her friendships deepen, even as she throws herself headlong into a dizzying romance with Marina. It’s then that Tig begins to draw up a radical solution to their problems, hoping to save them all.
In this modern reimagining of Anne of Green Gables, Anne is an ABBA-loving singer/actor/writer of disco-operas, queer, Japanese-American who longs to be understood for her artistic genius. Recently relocated to middle-of-nowhere Greenville and starting at a new school, Anne has a tendency to A) fall in love quickly, deeply, and effervescently and B) fly off the handle in the face of jerks. Both personality quirks quickly come into play when the soccer team boos the premiere of her disco performance, which—in a roundabout way—introduces her to her new BFF, Berry, and she soon after meets the girl of her dreams, Gilly.
Falling quickly into that age-old trap of ignoring the best friend for the new crush, Anne soon becomes embroiled in a series of dramatic and unfortunate events, and quickly finds herself wrapped up in a love triangle she never expected. Is she MTB with Gilly? Or is Berry her true soul mate? Only time (or 304 pages) will tell.
Aria Tang West was looking forward to a summer on Martha’s Vineyard with her best friends–one last round of sand and sun before college. But after a graduation party goes wrong, Aria’s parents exile her to California to stay with her grandmother, artist Joan West.Aria expects boredom, but what she finds is Steph Nichols, her grandmother’s gardener. Soon, Aria is second-guessing who she is and what she wants to be, and a summer that once seemed lost becomes unforgettable–for Aria, her family, and the working-class queer community Steph introduces her to. It’s the kind of summer that changes a life forever.
Thirteen-year-old Nikhil Shah is the beloved voice actor for Raj Reddy on the hit animated series Raj Reddy in Outer Space. But being a star on TV doesn’t mean you have everything figured out behind the scenes. . . .
When his mom temporarily moves them to the small town in Ohio where she grew up to take care of Nikhil’s sick grandfather, Nikhil feels as out of orbit as his character.
Nikhil’s fame lands him the lead in the school musical, but he’s terrified that everyone will realize he’s a fraud once they find out he has stage fright. And when a group of conservative parents start to protest, making it clear they’re not happy with an openly gay TV star being in the starring role, Nikhil feels like his life would be easier if only he could be Raj Reddy full-time.
Then Nikhil wakes up one morning and hears a crack in his voice, which means his job playing Raj will have to come to an end. Life on earth is way more complicated than life on television. And some mysteries—like new friendships or a sick grandparent or finding the courage to speak out about what’s right—don’t wrap up neatly between commercial breaks.
Eliot is grieving Babung, her paternal grandmother who just passed away, and she feels like she’s the only one. She’s less than excited to move to her new house, which smells like lemons and deception, and is searching for a sign, any sign, that ghosts are real. Because if ghosts are real, it means she can find a way back to Babung.
When Eliot chases the promise of paranormal activity to the presumably haunted Honeyfield Hall, she finds her proof of spirits. But these ghosts are losing their memory, stuck between this world and the next, waiting to cross over. With the help of Hazel, the granddaughter of Honeyfield’s owner (and Eliot’s new crush), she attempts to uncover the mystery behind Honeyfield Hall and the ghosts residing within.
And as Eliot fits the pieces together, she may just be able to help the spirits remember their pasts, and hold on to her grandmother’s memory.