Today on the site, we’re looking inside an anthology that’s edited by none other than yours truly! At Midnight is a collection of reimagined YA fairy tales (with the original source material in the back) authored by some of the category’s best and queerest, and it released today from Flatiron Books! Check out more about the volume and some of the queer stories within it below:
At Midnight: 15 Beloved Fairytales Reimagined ed. by Dahlia Adler (22nd)
Fairy tales have been spun for thousands of years and remain among our most treasured stories. Weaving fresh tales with unexpected reimaginings, At Midnight brings together a diverse group of acclaimed YA writers to breathe new life into a storied tradition.
Fifteen celebrated authors reclaim classic fairy tales for a new generation:
Dahlia Adler, “Rumplestiltskin”
Tracy Deonn, “The Nightingale”
H.E. Edgmon, “Snow White”
Hafsah Faizal, “Little Red Riding Hood”
Stacey Lee, “The Little Matchstick Girl”
Roselle Lim, “Hansel and Gretel”
Darcie Little Badger, “Puss in Boots”
Malinda Lo, “Frau Trude”
Alex London, “Cinderella”
Anna-Marie McLemore, “The Nutcracker”
Rebecca Podos, “The Robber Bridegroom”
Rory Power, “Sleeping Beauty”
Meredith Russo, “The Little Mermaid”
Gita Trelease, “Fitcher’s Bird”
and an all-new fairy tale by Melissa Albert
Once upon a time . . .
Buy it: Amazon | Bookshop | IndieBound
“Sugarplum” by Anna-Marie McLemore
Sugarplums. Glittering snow. Really snappy uniforms. Fabulous shoes used as weapons. It’s not like I had to make a huge leap (grand jeté?) to make The Nutcracker gay. But while my story got real gay, it also got real about what it means to have to perform for the audiences in our lives. A Latina dancer feels wound up like a music box ballerina. A soft butch girl with a chip on her shoulder and a spectacular curling throw can’t say what she really wants to say about the Christmas party going on downstairs. Two queer girls who always have the perfect insult for each other are quiet for once, leaving space for the conversations they’ve never had. And cake. Because sometimes enemies to lovers starts with cake.
“Say My Name” by Dahlia Adler
What if Rumpelstiltskin were a cruel Sapphic coding genius in love with her best friend? That’s the heart of “Say My Name,” which is actually a semi-repurposing of an idea I had for a different anthology to which I was asked to contribute but unfortunately didn’t sell. My main character in that story was a catfish who kept the game going a little too long when she got feelings, and naturally when I think catfish I think of the ultimate identity-hider of yore! And so Rumpelstiltskin became [redacted], and this became the story of a girl who would do anything to impress the girl she loves, even if it kind of turns her into a monster.
“HEA” by Alex London
HEA is a modern m|m reimagining of Cinderella, turned on its head. Asher (as in Aschenputtel–the little ash girl of the Grimm tale) is a teen social media star, who lives in service to his brand. Constant balls and parties and opportunities to create content. He longs for one night not to be a brand, but just to be a boy. So he disguises himself in sweatpants, ditches the Met Gala, and hides out at a coffee shop. Of course, it’s there that he meets his prince, the barista, and has to flee, back to his fabulous life and the endless churn of content. But he’s left something behind, more than his heart, and his prince is going to track him down…
“Mother’s Mirror” by H.E. Edgmon
When Dahlia asked me to join a fairytale retelling anthology, it was a no-brainer. I’ve been compelled by fairytales since my earliest days—I currently own three copies of the exact same Grimm Brothers collection, with different covers. My only question was which fairytale to make my own. And when I remembered that the original Snow White featured the protagonist’s own mother, not an evil step-mother, as the villain, I had my answer.
The often-fraught nature of mother/daughter relationships is one many of us are already familiar with. But what happens when the eldest daughter, the one expected to twist herself until she becomes a reflection of the mother, comes out as trans, instead? That’s the story I explore in “Mother’s Mirror.” The contemporary retelling features a narcissistic single mom as the evil queen, a main character who’s more huntsman than Snow, and the choice to cut out one’s own heart rather than face the slow poison of living a lie.
“A Flame So Bright” by Malinda Lo
I first encountered the little-known story of “Frau Trude” in an academic book called Transgressive Tales: Queering the Grimms, which includes an essay by Kay Turner titled “Playing with Fire: Transgression as Truth in Grimms’ ‘Frau Trude.” I was inspired by Turner’s queer reading of the very short tale of “Frau Trude,” and I loved the metaphorical possibilities of fire, especially because it has been connected closely with witchcraft. I lived in Salem, MA, for about a year and a half, and I’ve been fascinated by beliefs about witches since I was very young, so retelling “Frau Trude” gave me the opportunity to over-research witchcraft in colonial America and bring some local Salem-inspired flair to my story. I also loved this chance to return to what I call “fairy tale voice,” since I haven’t written fantasy in quite a while.