New month, new author to meet! And today is a very special day to meet Fox Benwell, because he has a story in the all-#ownvoices disability anthology, Unbroken, edited by Marieke Nijkamp, which releases today! So let’s get right to it!
It’s September 2018, and that means two things: 1) you have a new short story out and 2) it’s been a year since your incredibly unique f/f YA novel set in South Africa, Kaleidoscope Song, released. Newest things first: What can you share with us about your contribution to Unbroken?
“A Play in Many Parts” is…sort of a Faustus retelling. Or a number of retellings all tangled together and on the page at onceIt’s a love letter to (Marlowe’s version of) the play, and to theatre itself…a tale of bargaining for one more curtain call, whoever you are.
And your narrator is a cane-using enby with chronic pain, dodgy joints, fatigue, and wild love for crafting stories that change people.
For those who aren’t familiar with Kaleidoscope Song, can you tell us a little about it?
Set in Khayelitsha, Kaleidoscope Song is a tale of first loves (both musical and human), of growing up queer in a sometimes-hostile environment, and of the power that lies in figuring out how to use your voice.
Both of your YA novels, The Last Leaves Falling and Kaleidoscope Song, are set in foreign countries (Japan and South Africa respectively). What draws you to writing about locations beyond your home nation of the UK, and what are your favorite ways to research them?
Honestly, while I’m intensely proud of those books in and of themselves, the world – and publishing – has shifted since I wrote those stories. Everything I’m working on at the moment is much closer to home, and I’d rather concede the floor to own-voices representation, for now.
That said, if you’re going to write other places (or experiences) than your own, research and respect in equal measure are the key. And not just for obvious facts: seeking out the stories and art and food and music and film (and hey, did I mention stories?) of those places and people is a good start to understanding someone else’s perspective, in addition to where your story might lie.
Music is really at the heart of Kaleidoscope Song, which of course means I must ask: what are you listening to and loving right now, and what are your forever favorites?
Oh my godddd, have you heard Grace Petrie’s new album, Queer as Folk? The entire thing is a roller coaster of queer feels. But I’ve had Black Tie on loop for a fortnight and it’s still making me cry. It’s big and hopeful and a little bit heartbreaking, and I love it.
And I’m working on a winter-and-music story right now, which means lots of not-so-Christmassy Christmas music is sneaking its way into my work playlists. Stuff like In Terra Pax, and old, obscure carols and folk songs.
Both The Last Leaves Falling and obviously Unbroken center around disability, as does your academic research. What are your thoughts on the state of disability rep in YA right now, both queer and otherwise?
How long have you got? No, seriously, my academic thesis will be 80k, and it’s not nearly enough. 😉
We have a tendency to use disability as a (tragic and/or inspirational) plot point, and to fall back on notions of intelligence, ability and beauty of measures of worth or humanity. Sometimes this is big and obvious. Sometimes it’s subtle, in subplots and casual language, but it’s nearly always there.
There are, of course, some excellent books with equally excellent representation! But on the whole we need, quite simply, to do better.
There are some excellent people working on that, and it takes time, and changing societal perceptions of us isn’t always going to be an easy sell. But we must, because right now we’re doing a massive disservice to readers, disabled or otherwise: they deserve better. Consistently. Emphatically. Better.
What are your favorite representations of disability in queer YA, and what would you still love to see?
Everyone should read Unbroken, obviously: so much intersectional fabulousness in those pages.
Jacqueline Koyanagi’s Ascension is totally badass. Rivers’ Solomon’s An Unkindness of Ghosts may be bleak in a lot of ways, but I love it anyway, for the things that it explores. Hannah Moskowitz’s A History of Glitter and Blood is just…so deep and twisty and full of layers.
And I know this is sort of sidestepping the YA thing, but if you’re interested in the intersection of queerness and disability, you should read everything that Kayla Whaley ever writes.
As for what I’d love to see: I had to go back to my shelves to answer this, because my first instinctive answers were all one or the other – queer, or disabled – which clearly means there’s not enough of us multiply-marginalised folks on the shelves yet. We shouldn’t have to think for answers.
You transitioned between books 1 and 2, which came complete with a name change to the fantastic Fox. What was the process of changing your authorial name like, and what advice would you give to authors pondering doing the same?
It was terrifying. And then not nearly as terrifying as I had imagined: I’d somehow expected more pushback than I got. And sure, sometimes there’s a disconnect between books under one name and the next (which eventually will fade, if books go into the next reprints) but it’s worth it. It’s worth it for that first time you see your real name right there on a cover (I did not get that feeling the first time around, under my old name, at all). It’s worth it for not wincing every time somebody talks to you, or every time you sign a book. It’s worth it, because somewhere out there is another kid just like us, for whom it means everything to see that they could live that out-and-proud life, too.
What’s the first LGBTQIAP+ representation you remember seeing in media, for better or for worse?
Uhhh. I think I discovered Boys don’t Cry and Priscilla in the same week O_o.
And 13-year-old me accidentally found the gay erotica shelves in his Borders bookstore and somehow found the guts to buy (and hide) an anthology of ‘fairies and fantasy beasts’ stories. I don’t remember story details, but I do remember the magically right feeling of gender and attraction not being fixed points.
What are you working on these days?
I just finished copyedits for another geeky (D&D/ bathroom rights) story, coming soon, in Stripes’ anthology, Proud.
And amongst my current WIPs you’ll find a pregnant trans boy building his kid a new, better world, a story of winter-song and deep dark voices, ace-spectrum rep and QPRs, transitioning, anxiety, neurodivergence, and chronic pain. And also pirates. Because we will populate your shelves with our adventures.
Fox Benwell is a perpetual student of the world, a writer, adventurer, and wannabe-knight, who holds degrees in international education and writing for young people, and believes in the power of both to change the world. His in-progress PhD research examines disability in current YA fiction.
He is the author of the critically acclaimed The Last Leaves Falling, and Kaleidoscope Song.