I am delighted to welcome Caleb Roehrig back to the site today for an exclusive cover reveal of his upcoming paranormal romance The Fell of Dark, releasing July 14, 2020 from Feiwel & Friends/Macmillan and helping usher vampires back into YA!
Caleb himself had some words to say on that, so before we get to the cover you’re all here to see, let’s give the book some context, shall we?
(Okay, fine, I’ll tease it a little first. Happy now?)
But now, for real, is Caleb Roehrig:
Ten years ago, I read an interview with a literary agent that said: “Unless your manuscript has vampires, werewolves, or shapeshifters, you can’t get published in YA.” This was actually okay with me. I was part of the original cult following for Buffy the Vampire Slayer, and I longed to craft stories that had the same blend of thrills, humor, and emotional impact.
I wrote a novel about a girl, bitten and left for dead, who gradually develops abilities and cravings she doesn’t understand. She had a gay best friend that didn’t do much—because it was implicitly understood that gays had to be polite and peripheral if they wished to take up space—and she was caught between the attentions of two gorgeous vampire boys. I intended it as the first in a series of five novels…but, of course, it was never published. By the time I realized vampires were a popular trend, it was already far too late to jump on the bandwagon—a lesson I learned the hard way. But I’d sketched the entire series out, including some dramatic twists I could never quite get out of my head, and privately I hoped that someday I’d get the chance to raise my vampires from their untimely graves.
The Fell of Dark is a book that took a decade to see the light of day. I altered most of the plot and all of the players, the main character changing from a straight girl to a gay boy—because that was the story I had really wanted to tell all along—and I condensed my planned five-part series into a single novel that is stacked to the rafters with thrills, humor, action, pathos, magic, mayhem, and make-outs. This cover by Rich Deas evokes the pulp horror underpinnings of the gritty side of my vampire tale, where the stakes are nothing less than the end of the actual world—while still also managing to convey the cheeky humor and apocalyptic frustrations of a gay teen’s first attempt at romance. It’s perfect, and I can’t wait for readers to dive in.
The only thing August Pfeiffer hates more than algebra is living in a vampire town.
Located at a nexus of mystical energy fields, Fulton Heights is practically an electromagnet for supernatural drama. And when a mysterious (and annoyingly hot) vampire boy arrives with a cryptic warning, Auggie suddenly finds himself at the center of it.
An ancient and terrible power is returning to the earthly realm, and somehow Auggie seems to be the only one who can stop it.