Tag Archives: Alcove Press

Excerpt Reveal: Our Rogue Fates by Sarah Glenn Marsh

Today on the site I’m delighted to reveal an excerpt from Our Rogue Fates by Sarah Glenn Marsh, and m/m Fantasy Romance releasing April 28th from Alcove Press! Here’s the story:

On the hunt for hidden treasure, two former best friends turned adversaries must put the past behind them if they hope to make it home.

This enemies-to-lovers male/male romantic fantasy for fans of Tusk Love and Sara Raasch crackles with tension and heat.

When he isn’t training as a Warden to become half the hero his father was, Griff Sayer is in the business of breaking hearts all across the town of Mayfair, although that slows down after settling in with his current boyfriend. Griff’s ex-best-friend, Mal Pryce, meanwhile, is in business with whatever or whoever puts good money in his hands. Now in their mid-20s, Griff and Mal have only exchanged scathing looks and carefully barbed jabs since the fight that sent them their separate ways years ago. But all that begins to change when an attack Mal plotted for his shady boss leaves Griff near death and their childhood friend Alys is his savior, forcing them back into each other’s orbit.

Livid at his boss, Mal makes a deal to earn his freedom and Griff’s safety. He has just four weeks to retrieve an ancient treasure from Rotrose Mire, a remote swamp known for its ghostly and beastly dangers, the same treasure Alys’s beloved father Rhun had been searching for when he disappeared for good. Armed with a map and a broken blade of Rhun’s, Mal sets off—with Alys and a reluctant and newly single Griff in tow.

Yet the explosive tension between the two men—along with the dangers of the mire pressing in around them—make for a more difficult journey than any of them could have anticipated. As Griff and Mal peel back their tough facades, and shared feelings heat up in unexpected ways as they learn to trust again, they also realize that someone—or something—seems to be following their path. Someone who doesn’t want them to succeed, no friend to their parents’ old enemies, but also no friend to would-be heroes…

Our Rogue Fates is a second-chance spicy Achillean romance with the questing spirit of Dungeons & Dragons, perfect for fans of Critical Role.

Preorder now!

Per the author:

This is a book for anyone who thought their DND campaign would be as epic as LOTR–but then had to go on a side quest with their first love, and it all went to shit from there. It’s also a book for anyone who hasn’t forgotten that LOTR is about more than elves and orcs- that it’s about triumphing over the darkness you’ve been forced to live in. There’s no epic world building here- rather, we’re here for boys kissing, orphans raised together growing up to be messy gays, an emotional support decapitated head, and a slow-burn, cozy Achillean romance featuring recovery, pastries, and a mule that’s the smartest party member.

And here’s an excerpt!

Continue reading Excerpt Reveal: Our Rogue Fates by Sarah Glenn Marsh

Exclusive Cover Reveal: Thirty Love by Tom Vellner

Today on the site, I’m delighted to help reveal the cover of Thirty Love by Tom Vellner, a gay tennis romance releasing March 10, 2026 from Alcove Press! Here’s the story:

Things heat up on and off the court for two tennis rivals in this steamy debut gay sports romcom perfect for fans of TJ Alexander and Casey McQuiston.

American tennis star Leo Chambers is determined to win the US Open by 30, the age when many players feel retirement looming. He’s just a year away from that dreaded birthday, but he can’t find his focus—considering he hasn’t told anyone he’s gay, he’s clashing with his strict coach (who also happens to be his dad), and he still can’t figure out how to beat his longtime nemesis on tour, Gabe Montoya, who, well, hits different. Gabe is playing better than ever, and Leo can’t seem to escape him—and maybe he doesn’t want to escape him.

Leo’s other obstacle is Sascha Volkov, a Russian legend who has such a powerful influence on the tennis world, he would destroy Leo’s career if he found out that he’s gay.

No distractions, Leo reminds himself. But when Gabe makes a shocking announcement, Leo is thrown off his game—in more ways than one. Ready? Play.

And here’s the steamy cover by Débora Islas!

Two tennis players leaning against a net on a court

A note from author Tom Vellner:

Débora brought my boys to life in the most beautiful, tender, vibrant way for the cover of Thirty Love. They’re exactly how I’ve been picturing them since I first started dreaming them up almost three years ago, especially how gone Leo (left) is over Gabe. That yearning gaze says it all. I’m over the moon to have a cover that so proudly shows two men in love — as we face an alarming surge of book bans and efforts seeking to erase LGBTQ stories. I can’t wait for this cover to sit on shelves in all its queerness. I hope it brings some joy and comfort when it’s needed most.

Buy it: Bookshop | Amazon | PRH

(c) Gabriela Barrantes

Tom Vellner is a writer, editor, and mediocre tennis player. A former staff writer at BuzzFeed, he has also contributed to VICE, Thrillist, ACLU Magazine, and more. This is his debut novel. He lives in the Hudson Valley with his husband and two dogs.

June 2023 Deal Announcements

Adult Fiction

Talia Samuels‘s THE CHRISTMAS SWAP, a queer Christmas romcom featuring a woman who fake dates her friend in order for him to bring someone home for the holidays, only to fall for his sister, to Melissa Rechter at Alcove Press, in a nice deal, for publication in October 2023, by Sarah Scarlett at Penguin Random House UK (NA).

Lyla Lee‘s LOVE IN FOCUS, an adult debut, featuring a sapphic second chance rom com pitched for fans of Delilah Green Doesn’t Care, in which a relationship advice columnist in her late 20s finds herself re-evaluating her own past after an unexpected breakup, when she’s forced to work with an ex-girlfriend who inexplicably abandoned her during college, the two must pair up to work on a career defining piece about modern love that could not only potentially save the protagonist’s job, but also maybe her heart, to Junessa Viloria at Forever, at auction, in a two-book deal, for publication in summer 2025, by Penny Moore at Aevitas Creative Management (NA).

Kelli Storm‘s CHALLENGE ACCEPTED, in which a small town business owner challenges her teenage boyband crush–and local hero–to save the town Main Street from a big business takeover and figures out her own happily ever after while navigating her mother’s dementia, asexuality, and sudden viral fame, to Megan Broderick at Harlequin Special Edition, in a two-book deal, by Jill Marsal at Marsal Lyon Literary Agency (world).

Author of FOR HER CONSIDERATION Amy Spalding’s next two novels in the Out in Hollywood series, to Norma Perez-Hernandez at Kensington, in an exclusive submission, in a two-book deal, for publication in winter 2025 and 2026, by Kate Schafer Testerman at kt literary (world).

Jem Zero‘s A SPARK IN HIS HAND, in which a vulnerable man stripped of his memories yearns for independence when forced to perform unpaid labor to earn his keep, and runs away to begin an affair with a shy, handsome politician who holds information about his true identity, to Lisa Green at City Owl Press, in a nice deal, for publication in June 2024 (US).

NYU graduate and ex-movie marketer Phil Melanson’s THE FIGUREHEAD, a queer historical novel set in Renaissance Florence, pitched as WOLF HALL meets THE SONG OF ACHILLES, in which the bloody feud between the ruling Medici family and the pope’s court in Rome forever alters the career of a young, gay painter, known today as Leonardo da Vinci, to Gina Iaquinta at Liveright, at auction, by Chad Luibl at Janklow & Nesbit (NA).

Laura Piper Lee’s ZOE BRENNAN, FIRST CRUSH, a sapphic rom-com about a Georgia vineyard owner who’s forced to team up with her childhood crush turned Napa vintner snob to win a prestigious wine festival’s local showcase and save her family’s vineyard, again to Laura Schreiber at Union Square & Co, by Carrie Pestritto at Laura Dail Literary Agency (world).

D.L. Sims’s EVERYTHING IS JUST FINE, a contemporary LGBTQIA+ love story following a college freshman who develops feelings for not one, but two of his classmates, to Anna Todd at Frayed Pages, for publication in fall 2024 (world).

Author of THE SHADOW CABINET Juno Dawson’s QUEEN B, a prequel to HER MAJESTY’S ROYAL COVEN, sweeping us to the reign of Henry VIII and the origins of the coven under the beautiful and bewitching Anne Boleyn, to Nidhi Pugalia at Penguin, by Katelyn Dougherty at Paradigm (NA).

Kamilah Cole’s THE SINISTER ELITE, a speculative dark academia thriller about a college freshman haunted by a sense of deja vu that turns deadly when she finds a message scrawled on her skin written in her own hand that simply says REMEMBER, to Mary Altman at Poisoned Pen Press, in a two-book deal, for publication in summer 2025, by Emily Forney at BookEnds (world).

Nebula, Lambda, and Hugo Award finalist Lee Mandelo, ed.’s AMPLITUDES: STORIES OF QUEER AND TRANS FUTURITY, a short fiction anthology about how we can imagine better worlds as an act of literary resistance during a time of rising threats against queer and trans people, to Diana Pho at Erewhon, in a nice deal, for publication in summer 2025, by Tara Gilbert at Jennifer De Chiara Literary Agency (world).

2017 PEN/Robert J. Dau Short Story Prize winner Laura Chow Reeve’s A SMALL APOCALYPSE, a debut collection of stories in which human bodies shape shift, queer ghosts haunt their friends, a young woman pickles memories with her Chinese grandmother, and a movie theater floods during an apocalyptic movie marathon, pitched for fans Carmen Maria Machado and Karen Russell, to Marisa Siegel at Northwestern University Press, for publication in spring 2024, by Soumeya Bendimerad Roberts at HG Literary (NA).

Briony Cameron’s THE BALLAD OF JACQUOTTE DELAHAYE, an epic tale pitched as based on the legend of a woman of color from colonial Haiti as she becomes one of the few infamous female pirate captains to sail the Caribbean in the 17th century, with a queer love story at its heart, in an exploration of human connection, friendship, and the search for freedom and home, to Natalie Hallak at Atria, in a good deal, in a pre-empt, by Rebecca Wearmouth at PFD, on behalf of Laurie Robertson (NA).

Rhodes Scholar and filmmaker Eli Zuzovsky’s MAZELTOV, an offbeat coming-of-age debut centered on a closeted gay boy in Israel, who on the day of his bar mitzvah must wrestle with lust and longing as he confronts the forces of family neurosis and national dysfunction, pitched as Philip Roth for millennials, to Riva Hocherman at Holt, in a nice deal, by Jessica Kasmer-Jacobs at Deborah Harris Agency (NA).

Children’s and Middle Grade Fiction Ben Kahn and Jeremy Whitley’s graphic novel THE DASHING SCHOOL FOR WAYWARD PRINCES, the story of a supposed prince who knows that, deep down, she’s really a princess; despite the school’s rigid and outdated gender norms, the princess and her newfound misfit friends find the courage to embrace themselves and stand up to anyone who says otherwise, illustrated by Melissa Capriglione, to Julia McCarthy at Atheneum, for publication in summer 2025, by Moe Ferrara at BookEnds for the authors, and by Laurel Symonds at kt literary for the illustrator (world).

Young Adult Fiction

Pushcart and Discovery/The Nation prize-winning poet, critic, and editor Rebecca Stafford’s RABBIT AND JULIET, a starstruck queer story about a grieving girl in a small Georgia town who meets the enigmatic daughter of a world-famous actor and embarks on a revenge plot to hold local boys accountable for a series of assaults, to Alyssa Miele at Quill Tree, in a pre-empt, in a two-book deal, for publication in fall 2024, by Marcy Posner at Folio Literary Management (NA).

Debut author-illustrator Mars Lauderbaugh’s HOLLOW MAGIC, in which a 17-year-old witch, searching for ways to understand her magic, meets an intriguing knight full of secrets, and, with their help, must find a way to lift the curse from an ancient castle or lose the chance to learn the truth about her lineage forever, to Rachel Diebel at Feiwel and Friends, for publication in fall 2026, by Jennifer March Soloway at Andrea Brown Literary Agency (world).

Cass Biehn’s debut VESUVIUS, a queer YA historical fantasy pitched as THEY BOTH DIE AT THE END by way of THE SONG OF ACHILLES, set in Pompeii days before the eruption of Mount Vesuvius in which two boys must grapple with their closely guarded secrets and untangle their fates to make it out of the burning city alive, to Zoie Konneker at Peachtree Teen, in a nice deal, for publication in summer 2025, by Annalise Errico at Ladderbird Literary Agency (world).

Author of QUEER AS A FIVE-DOLLAR BILL Lee Wind’s A DIFFERENT KIND OF BRAVE, an adventure romance in which two gay teens—one who has escaped from a gay reprogramming institute in California, and the other, a privileged New Yorker who idolizes James Bond—come together to save each other and free the other teens trapped in the institute, to Jerome Pohlen at Chicago Review Press, for publication in March 2024, by Marietta Zacker at Gallt and Zacker Literary Agency (world).

Author of THE BEST LIARS IN RIVERVIEW and THE HOUSE THAT WHISPERS Lin Thompson’s THE REAPER’S GLASS, pitched as Our Flag Means Death meets THE GENTLEMAN’S GUIDE TO VICE AND VIRTUE, a queer/trans historical duology about three teens who set sail to face down a secret magical society in 1840s New England, to Camille Kellogg at Bloomsbury Children’s, in a two-book deal, for publication in spring 2025, by Beth Phelan at Gallt and Zacker Literary Agency (world).

Author of KINGS, QUEENS AND IN-BETWEENS Tanya Boteju’s MESSY PERFECT, exploring questions of faith, sexuality, and responsibility in the story of an overachieving teen’s efforts to run an underground gender and sexuality alliance and the complications that arise—because not only does she attend a Catholic high school, she also happens to be closeted, to Jennifer Ung at Quill Tree, in a good deal, in a two-book deal, for publication in summer 2025, by Jim McCarthy at Dystel, Goderich & Bourret (world).

Brazilian author Clara Alves’s LONDON ON MY MIND, originally published in Brazil as ROMANCE REAL, translated into English by Nina Perrotta, in which a girl moves from Rio de Janeiro to London to live with her estranged father and his new family, and strikes up an unexpected romance with a beautiful and mysterious girl who is clearly hiding something about her connection to the royal family, to Orlando Dos Reis at Scholastic, for publication in summer 2024, by Danielle Burby and Alba Milena at Mad Woman Literary Agency, on behalf of Seguinte (world English).

Non-Fiction and Poetry

Illustrator, cartoonist, and author Lonnie Mann’s GAYTHEIST: COMING OUT OF MY ORTHODOX CHILDHOOD, a coming-of-age graphic memoir about growing up gay in an Orthodox Jewish community, to Liz Frances at Street Noise, with Matt Madden editing, in a nice deal, in an exclusive submission, for publication in February of 2024 (world).

Grammy Award-nominated, Mercury Prize-winning singer, songwriter, and poet Arlo Parks’s THE MAGIC BORDER, a collection of poetry exploring the queer experience, blackness, grief, trauma, and love, featuring photographs by Daniyel Lowden and the complete lyrics to her sophomore album My Soft Machine, to Stuart Roberts at Dey Street Books, at auction, for publication in September 2023, by Meredith Miller at UTA (NA).

Author of RAINBOW: A FIRST BOOK OF PRIDE Michael Genhart’s picture book biography EDIE FOR EQUALITY: EDIE WINDSOR STANDS UP FOR MARRIAGE EQUALITY, about the LGBTQ icon whose landmark case before the Supreme Court paved the way for marriage equality, illustrated by Cheryl Thuesday, to Jessica Echeverria at Lee and Low, for publication in spring 2025, by Nicole Geiger at Full Circle Literary (world).

Author of QUEERING THE TAROT, QUEERING YOUR CRAFT, and LESSONS FROM THE EMPRESS Cassandra Snow’s TAROT: IN OTHER WORDS, an anthology of essential writing by leading queer tarot writers and community leaders about their tarot practice and its relevance to LGBTQ+ issues, with contributions from Charlie Claire Burgess, Meg Jones Wall, Siri Vincent Plouff, Asalie Earthwork, Rebecca Scolnick, Maria Minnis, Nick Kepley, and others, to Peter Turner at Weiser Books, in an exclusive submission, for publication in spring 2025, by Kelly Van Sant at kt literary (world English).

Poet charles theonia’s GAY HEAVEN IS A DANCE FLOOR BUT I CAN’T RELAX, a poetry collection where poetic citation assumes the form of cross-generational conversation between queer and trans artists and writers, with methodologies and forms promiscuous (not limited to pop songs, paintings, a sexological study, and AIDS activist agitprop), variable in their structure, and invested in intergenerational queer connectivity, to Nicodemus Nicoludis at Archway Editions, for publication in spring 2024 (world English).

Exclusive Cover+Excerpt Reveal: The Manor House Governess by C.A. Castle

Today on the site we’re revealing the cover of The Manor House Governess by C.A. Castle, a classics-inspired literary novel with a genderfluid protagonist set amid Cambridge high society, releasing November 7, 2023 from Alcove Press! (The book even includes five period-inspired illustrations, which are certain to be gorgeous.) Here’s the story:

Orphaned young and raised with chilly indifference at an all-boys boarding school, Brontë Ellis has grown up stifled by rigid rules and social “norms,” forbidden from expressing his gender identity. His beloved novels and period films lend an escape, until a position as a live-in tutor provides him with a chance to leave St. Mary’s behind.

Greenwood Manor is the kind of elegant country house Bron has only read about, and amid lavish parties and cricket matches the Edwards family welcomes him into the household with true warmth. Mr. Edwards and the young Ada, Bron’s pupil, accept without question that Bron’s gender presentation is not traditionally masculine. Only Darcy, the eldest son, seems uncomfortable with Bron—the two of them couldn’t be more opposite.

When a tragic fire blazes through the estate’s idyllic peace, Bron begins to sense dark secrets smoldering beneath Greenwood Manor’s surface. Channeling the heroines of his cherished paperbacks, he begins to sift through the wreckage. Soon, he’s not sure what to believe, especially with his increasing attraction to Darcy clouding his vision.

Drawing energy and inspiration from Charlotte Brontë, Jane Austen, E.M. Forster, and more, while bowing to popular fiction such as Plain Bad Heroines and Red, White, and Royal BlueThe Manor House Governess is a smart, sublimely charming novel destined to become a modern classic.

And here’s the striking cover by Jaya Miceli!

A collage-style portrait of a young nonbinary person in front of an English manor house.

Buy it: Bookshop | Amazon | B&N

Want a little peek into the story itself? Check out this excerpt!

Tomorrow the bushes would be stripped of their berries but today they were abundant and blooming. From where Bron stood, naked at the window ledge of the dormitory’s top-most story, he could spy on the gardener clipping away at the stems of a tree. He’d been observing the man’s labored reach toward every branch—the length of his torso, the nod of his head with every snip—inadvertently mirroring this man’s posture as his own fingers dug into the sill’s grooves. Bron held himself out for one last glimpse of his surroundings: the woods on the left, the hills on the right, the pipes trailing the crumbling walls of the school’s east court. All the while he was doing sums in his head.

Below, the gardener descended the ladder, and raised his sleeves to gather the foliage which had fallen into a pyre at the base of the trunk. But captured by birdsong, he looked up to the building’s eaves. What did he see there? What did he make of the lone figure framed by the square lattice window, their shoulders bare and pearlescent, with hair loose and coiling down sharp, rung collarbones, a flat chest exposed? An androgyne statue, or a careless young woman trapped in an all-boys boarding school. A school teacher, perhaps, there through the holidays.

The gardener moved to get a better look when—“Ah, Christ!”—he tripped on a branch, falling to his knees. Above this scene, Bron stepped back and drew the window shut, having finally decided.

Upon arriving in Cambridge, he would take a taxi from the train station to the address on the envelope, a certain Greenwood Manor, which sounded very grand. Google Maps estimated a near two-hour walk to the manor, marked by a red pinpoint, and the weather forecast threatened the usual early-September drizzle, so there was no chance of walking. He couldn’t show up to his new place of employment drenched and smelling of sweat. What would his employer and new pupil think of him, then? He had to make a good first impression.

The television flickered scenes from Merchant Ivory as he dressed. The boys with whom he used to share these quarters had long since returned home for the summer holidays and were due back in the coming days. The place stood barren, no trace of character or belongings left behind except his own, most of which had already been packed away. He could only carry so much, and the remaining boxes would come to him at a later date, set aside and taped as they were in the furthermost corner of the room. Inside them were an assortment of clothes alongside his most prized possessions—sets of books by the Brontë sisters; a collection of Austen novels; those of Hardy, Forster, Woolf, and Shelley—all of them collected over the course of his life from the high-street’s second-hand bookstore, accompanying him through his years like a friend. He opened them up again and again for comfort. He’d highlighted his favorite passages, written notes to himself in the margins, and learned to turn his favorite quotes (Reader, I married him) into a digital scrawl of black calligraphy which he and thousands of others would post and share across their social media channels. His most cherished book, a hardback edition of Jane Eyre with foiled spine, lithograph illustrations, and a ribbon to demarcate his progress, was comfortably tucked away in the bag he’d be taking with him.

He fixed his hair, a bobby pin stuck between his teeth as he angled another in before applying a little bit of mascara and eyeliner. When it smudged, he wiped it away, and applied it again with a steadier hand. But it was no use. He couldn’t get the flick right. He stopped, shut the compact mirror, threw it into the open bag, and turned to watch the screen, comforted by its misty feel, the light it threw across the room, and the soundtrack muffled by aged speakers.

The film had played to his favorite part: a yellow-green poppy field pockmarked red, the display of wild barley and Italian countryside, and those two people who should not have been together by matter of convention, coming together almost in celebration, in tandem with Bron’s defiance of what some might call “normal.” For times had not changed, boundaries continued to exist, and a child born in possession of an external appendage, or lack thereof, must be either one thing or another.

As someone assigned male but who came to be fond of primarily feminine clothing in his early adolescence, this was not a truth Bron had been born into. It had been an otherwise uneventful Friday evening when Bron stumbled upon Judith Butler’s theory of gender performativity on the internet, and such power did he find in those words, where “performance” was no longer a thing ascribed to the arts, but a behavior in which we are all complicit. This theory proved to be a major checkpoint in his life, and with a new mantra to follow, he immediately swapped the shapeless, faded trousers and dull patterned hand-me-down shirts for leggings and other much-loved articles procured from the local Oxfam: high-waisted jeans, frilly blouses, and oversized jumpers that fell just below his natural hipline. Apart from the silhouette sculpting him to appear shorter, he was pleased with this newfound style and would eventually get used to walking without the luxury of pockets at his side. On the weekends he’d haunt the local bookstore in a pinafore dress and trail the fields in a maxi skirt, enjoying the way it flapped in the wind, all the while shrinking at the back of the classroom during the week in his stiff collar and baggy school trousers, waiting, cyclically, for his snippet of freedom. It always came back to this claim: It is the clothes that wear us, and not we them, and the notion coiled around his mind like a tourniquet, limiting the flow of other thoughts. He was not performing. He was fashioning himself in an already established social structure. He knew the codes, and from there governed his own being.

Buy it: Bookshop | Amazon | B&N

C. A. Castle is a writer and editor. He holds a BA in English Language and Literature from King’s College, London, and an MPhil from the University of Cambridge, where he focused on nineteenth- and twentieth-century literature, period adaptations, and queer studies. He is also a picture book author as well as an anthologist, where he contrasts the old with the new with a view to capturing the zeitgeist. He currently resides in Cambridgeshire.