In this clever twist on a traditional tale, a boy who loves his frilly, swishy riding hood turns the tables on a big, bad, bullying wolf!
Better not mess with Little Red when he’s got on his favorite frilly red riding hood! It makes him feel happier than a pig in mud, more special than a birthday cake, and mighty as a firecracker. Nothing’s gonna stop him from being himself…Not even a big ol’ bully of a WOLF! With admirable spunk and a heaping helping of southern humor and hospitality, Little Red finds a way to crack the shell of the closed-minded wolf’s perception of frills and bows.
This refreshingly spirited version of the classic tale of Little Red Riding Hood explores the challenge of staying on your path when confronted by strangers who don’t want to understand you.
Eleven-year-old Joey is angry. All the time. And she doesn’t understand why. She has two loving moms, a supportive older half brother, and, as a triplet, she’s never without company. Her life is good. But sometimes she loses her temper and lashes out, like that time she threw a soccer ball—hard—at a boy in gym class and bruised his collarbone. Or the time jealousy made her push her (former) best friend (and crush), Layla, a little bit too hard.
After an incident at Joey’s apartment building leads to her family’s eviction, Joey is desperate to figure out why she is so angry. A new unit on genetics in her science class makes Joey wonder if maybe the reason is genetic. Does she lose control because of the donor her mothers chose?
have never felt like I belonged to my body. Never in the way rhythm belongs to a song or waves belong to an ocean.
It seems like most people figure out where they belong by knowing where they came from. When they look in the mirror, they see their family in their eyes, in their sharp jawlines, in the texture of their hair. When they look at family photos, they see faces of people who look like them. They see faces of people who they’ll look like in the future.
For me, I only have my imagination.
But I’m always trying.
Twelve-year-old Gabriela is trying to find their place in the world. In their body, which feels less and less right with each passing day. As an adoptee, in their all-white family. With their mom, whom they love fiercely and do anything they can to help with her depression. And at school, where they search for friends.
A new year will bring a school project, trans and queer friends, and a YouTube channel that helps Gabriela find purpose in their journey.
Zachary Ying never had many opportunities to learn about his Chinese heritage. His single mom was busy enough making sure they got by, and his schools never taught anything except Western history and myths. So Zack is woefully unprepared when he discovers he was born to host the spirit of the First Emperor of China for a vital mission: sealing the leaking portal to the Chinese underworld before the upcoming Ghost Month blows it wide open.
The mission takes an immediate wrong turn when the First Emperor botches his attempt to possess Zack’s body and binds to Zack’s AR gaming headset instead, leading to a battle where Zack’s mom’s soul gets taken by demons. Now, with one of history’s most infamous tyrants yapping in his headset, Zack must journey across China to heist magical artifacts and defeat figures from history and myth, all while learning to wield the emperor’s incredible water dragon powers.
And if Zack can’t finish the mission in time, the spirits of the underworld will flood into the mortal realm, and he could lose his mom forever.
The only time Eren Evers feels like herself is when she’s on her bike, racing through the deep woods. While so much of her life at home and at school is flying out of control, the muddy trails and the sting of wind in her face are familiar comforts.
Until she rescues a strange, magical bird, who reveals a shocking secret: their forest kingdom is under attack by an ancient foe—the vile Frostfangs—and the birds need Eren’s help to survive.
Seventh grade is hard enough without adding “bird champion” to her list of after-school activities. Lately, Eren’s friends seem obsessed with their crushes and the upcoming dance, while Eren can’t figure out what a crush should even feel like. Still, if she doesn’t play along, they may leave her behind…or just leave her all together. Then the birds enlist one of Eren’s classmates, forcing her separate lives to collide.
When her own mother starts behaving oddly, Eren realizes that the Frostfangs—with their insidious whispers—are now hunting outside the woods. In order to save her mom, defend an entire kingdom, and keep the friendships she holds dearest, Eren will need to do something utterly terrifying: be brave enough to embrace her innermost truths, no matter the cost.
In one week, Maude will be dead. At least, that’s what she wants everyone to think. After years of research, Maude has decided to fake her own death. She’s figured out the how, the when, the where, and who will help her unsuspectingly. The why is complex: revenge, partly. Her terrible parents deserve this. But there’s also l’appel du vide, the call of the void, that beckons her toward a new life where she will be tied to no one, free and adrift. Then Frankie, a step-cousin she barely knows, figures out what she’s plotting, and the plan seems like it’s ruined. Except Frankie doesn’t want to rat her out. Frankie wants in.
The girls vault into the unknown, risking everything for a new and limitless life. But there are some things you can never run away from. What if the poison is not in the soil, but in the roots? This pulse-pounding thriller offers a nuanced exploration of identity, freedom, and falling in love while your world falls apart.
Sometimes bitter rivalries can brew something sweet
Theo Mori wants to escape. Leaving Vermont for college means getting away from working at his parents’ Asian American café and dealing with their archrivals’ hopeless son Gabi who’s lost the soccer team more games than Theo can count.
Gabi Moreno is miserably stuck in the closet. Forced to play soccer to hide his love for dance and iced out by Theo, the only openly gay guy at school, Gabi’s only reprieve is his parents’ Puerto Rican bakery and his plans to take over after graduation.
But the town’s new fusion café changes everything. Between the Mori’s struggling shop and the Moreno’s plan to sell their bakery in the face of the competition, both boys find their dreams in jeopardy. Then Theo has an idea—sell photo-worthy food covertly at school to offset their losses. When he sprains his wrist and Gabi gets roped in to help, they realize they need to work together to save their parents’ shops but will the new feelings rising between them be enough to send their future plans up in smoke?
Lou has enough confusion in front of her this summer. She’ll be working in her family’s ice cream shack with her newly ex-boyfriend—whose kisses never made her feel desire, only discomfort—and her former best friend, King, who is back in their Canadian prairie town after disappearing three years ago without a word.
But when she gets a letter from her biological father—a man she hoped would stay behind bars for the rest of his life—Lou immediately knows that she cannot meet him, no matter how much he insists.
While King’s friendship makes Lou feel safer and warmer than she would have thought possible, when her family’s business comes under threat, she soon realizes that she can’t ignore her father forever.
Nate Hargraves – stage-shy singer-songwriter – is totally stoked for his cousin’s wedding in South Africa, an all-expenses-paid trip of a lifetime. Until he finds out his sleazeball ex-boyfriend is also on the guest list.
Jai Patel – hot-as-hell high school rock-god – has troubles too. His band’s lead singer has quit, just weeks before the gig that was meant to be their big break.
When Nate saves the day by agreeing to sing with Jai’s band, Jai volunteers to be Nate’s plus-one to the wedding, and the stage is set for a summer of music, self-discovery, and simmering romantic tension. What could possibly go wrong . . . ?
Danny Scudd is absolutely fine. He always dreamed of escaping the small-town life of his parents’ fish and chip shop, moving to London, and becoming a journalist. And, after five years in the city, his career isn’t exactly awful, and his relationship with pretentious Tobbs isn’t exactly unfulfilling. Certainly his limited edition Dolly Parton vinyls and many (maybe too many) house plants are hitting the spot. However, a visit to the local clinic reveals that Tobbs might not have been exactly faithful. In fact, Tobbs claims they were never operating under the “antiquated” terms of monogamy to begin with. Oh, and Danny’s flatmates are unceremoniously evicting him because they want to start a family. It’s all going quite well.
Newly single and with nowhere to live, Danny is forced to move in with his best friend, Jacob, a flamboyant non-binary artist whom he’s known since childhood, and their extravagant group of friends living in an East London “commune.” What follows is a colorful voyage of discovery through modern queer life, dating, work, and lots of therapy—all places Danny has always been too afraid to fully explore. Upon realizing just how little he knows about himself and his sexuality, he careens from one questionable decision (and man) to another, relying on his inscrutable new therapist and housemates to face the demons he’s spent his entire life trying to repress. Is he really fine, after all?
The first time Daisy Ellery killed a man with a pie, it was an accident. Now, it’s her calling. Daisy bakes sweet vengeance into her pastries, which she and her dog Zoe deliver to the men who’ve done dirty deeds to the town’s women. But if she can’t solve the one crime that’s not of her own baking, she’ll be out of the pie pan and into the oven.
Parking her Pies Before Guys mobile bakery van outside the local diner, Daisy is informed by Frank, the crusty diner owner, that someone’s been prowling around the van—and not just to inhale the delectable aroma. Already on thin icing with Frank, she finds a letter on her door, threatening to reveal her unsavory secret sideline of pie a la murder.
Blackmail? But who whipped up this half-baked plot to cut a slice out of Daisy’s business? Purple-haired campus do-gooder Melly? Noel, the tender—if flaky—farm boy? Or one of the abusive men who prefer their pie without a deadly scoop of payback?
The upcoming statewide pie contest could be Daisy’s big chance to help wronged women everywhere…if she doesn’t meet a sticky end first. Because Daisy knows the blackmailer won’t stop until her business is in crumbles.
“No maids, no funny talking, no fainting flowers.” Luli Wei is beautiful, talented, and desperate to be a star. Coming of age in pre-Code Hollywood, she knows how dangerous the movie business is and how limited the roles are for a Chinese American girl from Hungarian Hill—but she doesn’t care. She’d rather play a monster than a maid.
But in Luli’s world, the worst monsters in Hollywood are not the ones on screen. The studios want to own everything from her face to her name to the women she loves, and they run on a system of bargains made in blood and ancient magic, powered by the endless sacrifice of unlucky starlets like her. For those who do survive to earn their fame, success comes with a steep price. Luli is willing to do whatever it takes—even if that means becoming the monster herself.
Bad Girls by Camila Sosa Villada, trans. by Kit Maude
This was originally published in Spanish as Las Malas
Born in the small Argentine town of Mina Clavero, Camila is designated male but begins to identify from an early age as a girl. She is well aware that she’s different from other children and reacts to her oppressive, poverty-stricken home life, with a cowed mother and abusive, alcoholic father, by acting out—with swift consequences. Deeply intelligent, she eventually leaves for the city to attend university, slipping into prostitution to make ends meet. And in Sarmiento Park, in the heart of Córdoba, she discovers the strange, wonderful world of the trans sex workers who dwell there.
Taken under the wing of Auntie Encarna, the 178-year-old eternal whose house shelters this unconventional extended family, Camila becomes a part of their stories—of a Headless Man who fled his country’s wars, a mute young woman who transforms into a bird, an abandoned baby boy who brings a twinkle to your eye.
Bridget Berg grew up on the slopes of Elk Mountain, Utah. The daughter of a famous downhill skier, she was chasing her own Olympic dreams when her father’s unexpected death forced her to take over his ski lodge. It’s her home and she’ll protect it at all costs―especially from her insufferable neighbors.
Kennedy Fleming is only in Utah to put her dad’s vacation home on the market. She has no interest in living there. That is, until she meets her sexy redheaded neighbor. Sure, she’s rude and unwelcoming, but Kennedy isn’t one to shy away from a challenge.
When Kennedy makes a discovery that could cause Bridget to lose everything, she’s forced to choose between her family and her heart. There’s a mountain of history between their families, but as tempers rage and sparks fly, they’re about to discover that a love worth fighting for is right in front of them.
Feared and despised for the sinister power in her veins, Alyce wreaks her revenge on the kingdom that made her an outcast. Once a realm of decadence and beauty, Briar is now wholly Alyce’s wicked domain. And no one will escape the consequences of her wrath. Not even the one person who holds her heart.
Princess Aurora saw through Alyce’s thorny facade, earning a love that promised the dawn of a new age. But it is a love that came with a heavy price: Aurora now sleeps under a curse that even Alyce’s vast power cannot seem to break. And the dream of the world they would have built together is nothing but ash.
Alyce vows to do anything to wake the woman she loves, even if it means turning into the monster Briar believes her to be. But could Aurora love the villain Alyce has become?
In the late summer of 1936, a budding young photographer from Vienna named Anders travels to pre-war Paris. His mother sends him ostensibly to attend art school… and to survive as a Jew. But Anders is ready to explore his other secret: his sexuality. Living with over-the-top escort, Claude, above Giovanni’s gay bar, Anders and Claude build their lives among the ruins of Bohemia in Montmartre. Anders soon falls for Jean, Claude’s bitter rival in the escort scene. Anders captures Jean’s beauty with his camera lens and sells the photos by the Seine to make a living. One buyer, a wealthy American socialite, David, comes along and presents Anders with a scandalous new venture.
With David’s film camera, they set up a secret studio, capturing incriminating reels of the rich and powerful committing all manner of compromising acts. As Paris falls to Hitler and the occupation takes hold, senior Nazis commandeer David’s mansion as their personal brothel. Anders and David begin secretly filming the Nazis’ trysts, scattering the evidence across Paris. Anders’s old flame Eilas returns to Paris as an SS officer, and Jean has hatched a plot with the Resistance to assassinate Eilas’s superior, the head of the SS in Paris. Amidst betrayal, love, and blackmail, who will survive these plots is far from certain.
We’ve been teammates for two years, but it feels like a lifetime that Oliver Bergman’s been on my last nerve. A demanding captain and veteran player, I’m feared and friendless, while he’s the beloved rising star, all sunshine smiles and upbeat team spirit. To make matters worse, he’s obscenely attractive. In short: he’s genetically designed to get under my skin.
Avoiding Oliver has been my survival tactic on and off the field. But when Coach drops the bomb that we’re now co-captains, avoiding him becomes impossible, and keeping the truth from him–let alone my distance–is harder than ever.
Life was great until soccer legend Gavin Hayes joined the team and proved he’s nothing like the guy I grew up idolizing. Instead, he’s a giant–albeit gorgeous–grump who lives to rain on my parade. I’ve sworn off pranks since entering the public eye, so rather than settle our differences the Bergman way, I’ve had to settle for killing Gavin with kindness. There’s just one problem: killing him with kindness is killing me.
To make matters worse, Coach gives us an ultimatum: put an end to our enmity or say goodbye to being captains. I’m prepared to be miserable while we meet her demands and make nice, but the last thing I expect is to discover an explosive attraction we can’t help but act on, and worse yet, to realize the man hiding beneath Gavin’s gruff exterior is all I’ve ever wanted.
For Hazel, an introvert with a knack for people watching, campus life is awkward and hard and…lonely. That is, until she starts to let her guard down around her roommate, Maeve—who’s fun and has a wicked flair for drama. Could there be more than just a friendship here? Maybe. But Hazel has a lot of family trauma to work through before figuring out the other big parts of her life. For now, she’s just happy to have someone to talk to.
All seems to go well until a night in the Trap—the university’s green space—leads to a tense encounter with some drunk guys. When one of the guys ends up dead, Hazel is implicated, and she and Maeve set out to solve the crime before police can connect either of them to it. But how can two amateur sleuths put together a solid case to hand over to the police in time? By following the campus online diaries, that’s how.
Set at the beginning of the internet age, people are just starting to share all their deepest, darkest secrets via the World Wide Web, yet the assumption of online anonymity may be a critical mistake. As the perpetrator posts their criminal diary for public consumption, Hazel and Maeve scramble to use technology to piece together the murderer’s identity. Can they hack their way out of becoming suspects? And if so, could they ever go back to their boring majors?
The Women’s House of Detention, Greenwich Village’s most forbidding and forgotten queer landmark, stood from 1929 to 1974, imprisoning tens of thousands from all over New York City. The little-known stories of the queer women and trans-masculine people incarcerated in this building present a uniquely queer argument for prison abolition. The “House of D” acted as a nexus, drawing queer women down to Greenwich Village from every corner of the city. Some of these women—Angela Davis, Grace Paley, Andrea Dworkin, Afeni Shakur—were famous, but the majority were working-class people, incarcerated for the “crimes” of being poor and improperly feminine. Today, approximately 40 percent of people in women’s prisons identify as queer; in earlier decades, the percentage was almost certainly higher.
Historian Hugh Ryan explores the roots of this crisis of queer and trans incarceration, connecting misogyny, racism, state-sanctioned sexual violence, colonialism, sex work, and the failures of prison reform. At the same time, The Women’s House of Detention highlights how queer relation and autonomy emerged in the most dire of circumstances: from the lesbian relationships and communities forged through the House of D, to a Black socialist’s fight for a college education during the Great Depression, to the forgotten women who rioted inside the prison on the first night of the Stonewall Uprising nearby. This is the story of one building and so much more: the people it caged, the neighborhood it changed, and the resistance it inspired.