Welcome back to another Authors in Conversation post on LGBTQReads! If you’ve been following LGBTQA MG, you know it’s been blowing up in the most gorgeous way these past couple of years, and here are two of the authors responsible for that: Kit Rosewater (L), author of The Derby Daredevils, a brand-new illustrated series that kicks off with Kenzie Kickstarts a Team today(!), and Nicole Melleby (R), author of last year’s Hurricane Season, next month’s In the Role of Brie Hutchens…, and at least two more queer MGs after that! (Not to mention co-editor with Katherine Locke of the upcoming all-queer MG anthology This is Our Rainbow!)
Kit and Nicole are here to talk about their new books, what’s up next, and more, so pull up a seat and listen in!
Nicole: Hey Kit! I’m excited to get to do this interview with you! I’m a pretty easy sell when it comes to queer kid lit, but The Derby Daredevils is such a special addition to LGBTQ+ middle grade shelves. It made me want to go dust off my skates, which I haven’t used in, like, a decade. (It’s like riding a bike, though, right?) For those who weren’t lucky enough to get their hands on it before its March 24th release, why don’t you tell us a little bit about it?
Kit: Thank you so much Nicole! I literally dusted off my childhood skates as I researched and wrote The Derby Daredevils! (My feet didn’t grow much after fifth grade.) Book 1 of the illustrated series, Kenzie Kickstarts a Team, follows best friends Kenzie and Shelly as they set out to expand their Dynamic Duo into a whole team of roller derby skaters so they can play together on the Austin junior league. But for every potential new player they recruit, more and more tension gets wound into their own friendship… until Kenzie’s not sure she wants the Dynamic Duo to change at all. As the cast of characters slowly builds, the story shifts, and a big turning point comes when Shelly tries to get Kenzie’s secret crush to join the crew.
You should also tell us about your upcoming middle grade, In the Role of Brie Hutchens! I love how you’ve infused this in-depth history of soap operas and coming out scenes with Brie’s personal story. The way Brie sees the world is so darn relatable, and I have to admit that I slipped right back into my days of first girl crushes as I read along.
Nicole:In the Role of Brie Hutchens is what I keep referring to as Love, Simon meets Lady Bird. Brie is a soap opera obsessed Catholic school girl (much like myself) who has a complicated relationship with her mom, which is only further complicated by her mom’s strong faith and Brie’s first crush on another girl. Nothing seems to really go Brie’s way, especially when her mom walks in on Brie googling inappropriate photos of Brie’s favorite soap opera actress, and to divert her mom’s attention, Brie lies and says she’s been chosen to play the big role in her 8th grades religious May Crowning ceremony…which she obviously hasn’t been. So, to make that actually happen, Brie decides to ask the smartest girl in her class (who happens to be Brie’s crush) for help.
I’m excited we both have queer middle grade novels out this year, especially ones that deal with that awkwardness of a first crush (and those poor decisions you sometimes make because of them!) Kenzie Kickstarts a Team is your debut, and I know you’ll be following up with a sequel later in the year. Would you tell us a bit about your journey to publishing queer middle grade? Did you face any roadblocks or fears when you started?
Kit: I love that both our books explore first queer crushes too! Honestly, this was a subject that until a few years ago, I didn’t realize I was allowed to write about. I was a pretty escapist kid, always trying to disappear into worlds I made up in my head, and my earliest manuscripts were mostly fantasy. I experienced A LOT of typical roadblocks in my publishing journey, from moving between agents to having various projects not make it out of revisions. But the biggest roadblock for publishing queer middle grade was ultimately… me. For so long I had looked back on my first girl crushes in 5th and 6th grade with absolute shame–the same kind I get when I think about accidentally wrecking my mom’s car as a 16-yr-old. It took a long time to realize I could “escape” into positive queer middle grade stories. Now I never want to stop writing about kids who are queer and not cloaked with the type of shame I felt.
There is so much room for all kinds of queer stories in the middle grade canon, and I love every type of story out there–the coming out stories, the unrequited feelings stories, the found families stories, the happy ending stories–all of them! While reading Brie Hutchens, I was so impressed at the way you handled some hefty topics like reconciling being queer within a heavily religious setting. You said that like Brie, you were a Catholic school girl. Would you mind sharing your experience with writing some details from your own childhood into Brie’s story?
Nicole: It’s actually funny–I said earlier that In the Role of Brie Hutchens could be comped to the movie Lady Bird. I actually walked out of the theater after seeing Lady Bird and said, “I want to write about a coming of age queer middle grade story based on my experience in Catholic school.” Only, when I sat down to write that story, I realized that the experiences of middle grade readers now are much different than when I was that age. In big part thanks to the internet (I sound about a thousand years old right now), today’s middle grade readers have access to and an understanding of queer identities and vocabulary that I had no idea existed until I was in my twenties. I had to find a way to tell the story I wanted to tell, but for today’s audience. Brie is exactly like I was: dramatic, confused, a little self-centered, questioning the idea of faith and religion. But Brie knows that she has feelings for girls and doesn’t really struggle with understanding what that means–just what to do about it.
Speaking about main characters–Kenzie (or should I say Kenzilla?) was likeable and relatable right from the start. She’s determined to start her own team, and even with her mistakes along the way, I was rooting for her to succeed while maintaining her changing friendship with Shelly. Can you tell us more about Kenzie, and who she is as a character? Are there any similarities between Kenzie and your younger self?
Kit: Thank you so much! As much as I try not to get personally attached to reader’s opinions… it’s such a relief to know that Kenzie is relatable, because this girl is basically me. I tend to enfold myself into almost every character I write, and because The Derby Daredevils series has rotating protagonists, I wanted a huge chunk of my personality in each team member. But Kenzie feels especially close to home. At her best, Kenzie’s a leader, and she cares deeply about dynamics and how everyone works together. Whenever I’m thriving in a group setting, whether it’s a writers meeting or a school project, it’s because I’m taking on that same role. At her worst, well… Kenzie can be a bit exclusionary. And so was I. I’m embarrassed about how often I bristled when a new person came into my friend group. Maybe I was worried they would replace me in some way. Or maybe, like Kenzie, I was just scared of change. As an adult I try to be really conscientious of including others, but I can still be a bit of a butt about it from time to time. I was one of those kids who always pined for one best friend, and that kind of pining relies on exclusion to some extent.
Brie’s friendship with Parker really tugged on my heartstrings in the best way over the course of their relationship in the book. I love the moments of disconnect they have because they’re such different girls, but the ultimate reassurance that their friendship is one built on mutual support and care. Did you have a close friend like Parker growing up? Were there allies in your life as you explored various parts of your identity?
Nicole: I was actually the kid who was friends with everyone, so I had different groups of friends and different best friends throughout the years. What I wanted to do with Parker was a couple of things. Like I said above, I wanted to tell a coming of age Catholic school queer story for contemporary readers, and Parker played a big role in that. She’s understanding and supportive, because kids are full of empathy and understanding in ways that I didn’t always have growing up. She doesn’t question Brie’s sexuality; they have the knowledge and vocabulary to have a conversation about it. When I was Brie’s age, I remember turning to a friend of mine and saying, “Do you ever just…really like the way another girl’s face looks??” I had no idea I was talking about attraction! I also wanted Parker to be completely boy crazy–because some eighth grade girls are, and there’s nothing wrong with that!–so that I could have Brie encounter those awkward moments and feelings and conversations I was used to. Those ones where a friend says, “Which guy are you crushing on?” and you have to decide, “Am I going to lie?”
As an adult, when I knew I needed to fully come out of the closet, I did have important allies, though, which is why I put a lot of people in Brie’s corner. Teachers, friends, even some family members…it was important for me to build Brie’s support system, because my support system was the only thing that got me through my whole coming out process. I had friends who bought me ice cream and beer the night I came out to my parents, and I had a mentor who listened and helped me get to a point where I was ready to come out at all. Without all that, I don’t know what I would have done. So while not everything goes well for Brie, I wanted some things to go well, too.
What I really liked about Kenzie’s story is that she wasn’t new to the idea of queer identities either–Kenzie even has a transgender parent. It’s another one of those contemporary queer stories–our audience has queer friends and families and are discovering their queer identities themselves openly and in a way queer middle grade books are starting to reflect. Could you tell us more about your decision to write Kenzie’s dad’s identity, along with her own budding sexuality?
Kit: Absolutely! I wrote the queer themes in Kenzie Kickstarts a Teamboth as a queer/bisexual author and also as an ally to the transgender community. Someone very close in my life came out to friends and family as transgender in 2017. They were in the midst of seeking help for anxiety and depression, and the process of coming out was long and fraught with a lot of emotional speed bumps and roadblocks. As their primary support and contact, I spent so many days crying on the phone with this person, sending notes, contacting other people in our network to buffer negative reactions or intercept inappropriate questions… I couldn’t get any writing done during that time. I finally reached out to my agent and said I just wasn’t interested in continuing to work on the darker middle grade project we’d had in revisions for months. I needed to write a different story, one where being transgender was normalized and celebrated, and where being queer in general was normalized and celebrated. I had gotten into the Austin roller derby scene a few months earlier, and it was like all the pieces fell into place. Once I started writing through Kenzie’s lens, I knew I wanted her to explore her sexuality in a positive and open environment. The only queer stories I’d been exposed to as a kid were tragic ones! I wanted young readers–especially young queer readers–to know there is nothing inherently negative about the queer identity. If people react negatively, that’s 100% ON THEM.
Brie ends up dealing with a variety of reactions–both immediate and eventual reactions–as she explores her own sexuality. I absolutely loved the complexity in her dynamics within each of those relationships. There wasn’t a cliché bigot villain or hero ally, which allows Brie the agency and freedom to navigate the coming out process in her own beautiful, messy way. What would you say is the number one takeaway you hope young readers get from reading Brie’s story?
Nicole: My goal in having Brie come out again, and again, and again… throughout the novel, to a variety of responses, was to show that “coming out” isn’t one moment. It’s a lifetime of moments. And it sucks, it does. It’s frustrating for Brie as much as it is freeing. But I wanted to balance the bad reactions with the good ones. I wanted to show that, despite the struggle and the pain, there is good, there is hope. The soap opera scene that Brie consistently goes back to, the one where the character Bianca comes out to her mom, Erica Kane, is this sweet, heartbreaking scene where Bianca begs her mom to see her. “Can’t you see who I am? I want you to see who I am.” That’s exactly what Brie wants throughout her whole process, too. She wants to be seen, she wants her mom to see her. My number one takeaway I’ve always wanted my young readers to get from this story (and every story I write) is that *I* see them, regardless of the rest.
I think that’s so important in queer middle grade especially–for us to give our readers hope. I think you do that especially beautifully with Kenzie’s story, with the queerness being so celebrated and normalized. I know you have a sequel coming out, too. Could you give us a sneak preview of what we can expect from this continuing story? Are you working on anything else at the moment?
Kit: Book 2 of the Daredevils series is called Shelly Struggles to Shine, and follows Kenzie’s best friend Shelly as the Daredevils team gears up for their first roller derby tournament! Shelly’s story is an artist’s story as she tries to figure out how being creative fits into a sport setting… which it absolutely does in derby! But finding that “in” is tricky. Shelly doesn’t identify as queer, but I wanted to keep the loving and open queer community ongoing in this book. Kenzie’s crush continues to flourish. Shelly’s friend and mentor in art class is non-binary. And many characters from Book 1 make some surprising guest appearances!
Apart from the Daredevils series, I have an upper middle grade WIP with characters closer to Brie’s age. There is a fair bit of queerness in there… with some of my favorite cheesy tropes! One pivotal scene chases my two lead characters, who are camp enemies with secret hots for each other (f/f) up a tree and leaves them stranded. I love the camp setting and the bickering, and am having so much fun with the whole project. My biggest hope is that eventually it will make its way onto shelves and be comped to In the Role of Brie Hutchens!
Nicole, thank you so much for joining me in chatting about our upcoming releases. I’ve been a huge fan of yours since Hurricane Season, and couldn’t be more thrilled to sit down and gab about queer middle grade and the long and drawn out process of coming out! Thank you Dahlia at LGBTQ Reads for hosting us!
Kit Rosewater writes books for children. She lives in Albuquerque, New Mexico with her spouse and a border collie who takes up most of the bed. Before she was an author, Kit taught middle school theatre and high school English, then worked as a children’s bookseller. She has a master’s degree in Children’s Literature and a knack for finding her characters in clouds, ceiling plaster, and Cheetos. Books 1 & 2 of her debut series THE DERBY DAREDEVILS rolls out in 2020 through Abrams.
Nicole Melleby is a born-and-bred Jersey girl with a passion for storytelling. She studied creative writing at Fairleigh Dickinson University and currently teaches creative writing and literature courses with a handful of local universities. When she’s not writing, she can be found browsing the shelves at her local comic shop or watching soap operas with a cup of tea.
When Ollie meets his dream guy, Will, over summer break, he thinks he’s found his Happily Ever After. But once summer’s ended, Will stops texting him back, and Ollie finds himself one prince short of a fairytale ending. To complicate the fairytale further, a family emergency sees Ollie uprooted and enrolled at a new school across the country—Will’s school—where Ollie finds that the sweet, affectionate and comfortably queer guy he knew from summer isn’t the same one attending Collinswood High. This Will is a class clown, closeted—and, to be honest, a bit of a jerk.
Ollie has no intention of pining after a guy who clearly isn’t ready for a relationship. But as Will starts ‘coincidentally’ popping up in every area of Ollie’s life, from music class to the lunch table, Ollie finds his resolve weakening.
The last time he gave Will his heart, Will handed it back to him trampled and battered. Ollie would have to be an idiot to trust him with it again.
On an Ojibwe reservation called Languille Lake, within the small town of Geshig at the hub of the rez, two men enter into a secret romance. Marion Lafournier, a midtwenties gay Ojibwe man, begins a relationship with his former classmate Shannon, a heavily closeted white man obsessed with his image as a northern Minnesotan. While Marion is far more open about his sexuality, neither is immune to the realities of the lives of gay men in small towns and closed societies.
One night, while roaming the dark streets of Geshig, Marion unknowingly brings to life a dog from beneath the elementary school playground. The mysterious revenant leads him to the grave of Kayden Kelliher, an Ojibwe basketball star who was murdered at the young age of seventeen and whose presence still lingers in the memories of the townsfolk. While investigating the fallen hero’s death, Marion discovers family connections and an old Ojibwe legend that may be the secret to unraveling the mystery he has found himself in.
Meanwhile, Marion’s mother, Hazel, must come to terms not only with her role in her son’s haunting but also with a mummified jawbone she uncovers at her grandmother’s burial site and the possible curse it has cast on the Lafournier family.
Set on a reservation in far northern Minnesota, This Town Sleeps explores the many ways history, culture, landscape, and lineage shape our lives, our understanding of the world we inhabit, and the stories we tell ourselves to make sense of it all.
An enchanted tale of intrigue where a duke’s daughter is the only survivor of a magical curse.
When Ekata’s brother is finally named heir, there will be nothing to keep her at home in Kylma Above with her murderous family. Not her books or science experiments, not her family’s icy castle atop a frozen lake, not even the tantalizingly close Kylma Below, a mesmerizing underwater kingdom that provides her family with magic. But just as escape is within reach, her parents and twelve siblings fall under a strange sleeping sickness.
In the space of a single night, Ekata inherits the title of duke, her brother’s warrior bride, and ever-encroaching challengers from without—and within—her own ministry. Nothing has prepared Ekata for diplomacy, for war, for love…or for a crown she has never wanted. If Kylma Above is to survive, Ekata must seize her family’s power. And if Ekata is to survive, she must quickly decide how she will wield it.
Where Nirrim lives, crime abounds, a harsh tribunal rules, and society’s pleasures are reserved for the High Kith. Life in the Ward is grim and punishing. People of her low status are forbidden from sampling sweets or wearing colors. You either follow the rules, or pay a tithe and suffer the consequences.
Nirrim keeps her head down and a dangerous secret close to her chest.
But then she encounters Sid, a rakish traveler from far away who whispers rumors that the High Caste possesses magic. Sid tempts Nirrim to seek that magic for herself. But to do that, Nirrim must surrender her old life. She must place her trust in this sly stranger who asks, above all, not to be trusted.
For the past year, their close loss in the annual Boarding Games has haunted Interceptor Team: Zuma’s Ghost. With this year’s competition looming, they’re looking forward to some payback—until an unexpected personnel change leaves them reeling. Their best swordsman has been transferred, and a new lieutenant has been assigned in his place.
Maxine Carmichael is trying to carve a place in the world on her own—away from the pressure and influence of her powerful family. The last thing she wants is to cause trouble at her command on Jupiter Station. With her new team in turmoil, Max must overcome her self-doubt and win their trust if she’s going to succeed. Failing is not an option—and would only prove her parents right.
But Max and the team must learn to work together quickly. A routine mission to retrieve a missing ship has suddenly turned dangerous, and now their lives are on the line. Someone is targeting members of Zuma’s Ghost, a mysterious opponent willing to kill to safeguard a secret that could shake society to its core . . . a secret that could lead to their deaths and kill thousands more unless Max and her new team stop them.
Rescue those in danger, find the bad guys, win the Games. It’s all in a day’s work at the NeoG.
Keeping your magic a secret is hard. Being in love with your best friend is harder.
Alexis has always been able to rely on two things: her best friends, and the magic powers they all share. Their secret is what brought them together, and their love for each other is unshakeable—even when that love is complicated. Complicated by problems like jealousy, or insecurity, or lust. Or love.
That unshakeable, complicated love is one of the only things that doesn’t change on prom night.
When accidental magic goes sideways and a boy winds up dead, Alexis and her friends come together to try to right a terrible wrong. Their first attempt fails—and their second attempt fails even harder. Left with the remains of their failed spells and more consequences than anyone could have predicted, each of them must find a way to live with their part of the story.
Seventeen-year-old Dayna Walsh is struggling to cope with her somatic OCD; the aftermath of being outed as bisexual in her conservative Irish town; and the return of her long-absent mother, who barely seems like a parent. But all that really matters to her is ascending and finally, finally becoming a full witch-plans that are complicated when another coven, rumored to have a sordid history with black magic, arrives in town with premonitions of death. Dayna immediately finds herself at odds with the bewitchingly frustrating Meiner King, the granddaughter of their coven leader.
And then a witch turns up murdered at a local sacred site, along with the blood symbol of the Butcher of Manchester-an infamous serial killer whose trail has long gone cold. The killer’s motives are enmeshed in a complex web of witches and gods, and Dayna and Meiner soon find themselves at the center of it all. If they don’t stop the Butcher, one of them will be next.
Docile is a science fiction parable about love and sex, wealth and debt, abuse and power, a challenging tour de force that at turns seduces and startles.
To be a Docile is to be kept, body and soul, for the uses of the owner of your contract. To be a Docile is to forget, to disappear, to hide inside your body from the horrors of your service. To be a Docile is to sell yourself to pay your parents’ debts and buy your children’s future.
Elisha Wilder’s family has been ruined by debt, handed down to them from previous generations. His mother never recovered from the Dociline she took during her term as a Docile, so when Elisha decides to try and erase the family’s debt himself, he swears he will never take the drug that took his mother from him. Too bad his contract has been purchased by Alexander Bishop III, whose ultra-rich family is the brains (and money) behind Dociline and the entire Office of Debt Resolution. When Elisha refuses Dociline, Alex refuses to believe that his family’s crowning achievement could have any negative side effects—and is determined to turn Elisha into the perfect Docile without it.
Maddie Marrow lives for her summers at the Inn at Havenfall, hidden up in the mountains of Colorado. The inn is the only place where she gets to see the boy she loves, Brekken and it provides an escape from her real life, which consists of endless mind-numbing days at high school . . . and visits to the local prison where her mother sits on Death Row accused of murdering Maddie’s brother.
But the inn is much more than it appears. The manicured gardens, Mirror Lake, and even the building itself hold a tantalizing power, a magic meant to protect all who seek refuge and peace. Maddie’s uncle runs the inn, guardian of the gateways to the hidden worlds that converge in the tunnels, and she dreams of one day taking it over.
But this summer, everything is going wrong. Maddie almost gets run over by an alluring new staffer, Taya, her relationship with handsome Brekken becomes complicated, and then the impossible happens: a dead body is discovered, shattering the inn’s sanctity. As questions mount over who’s responsible, Maddie realizes even greater dangers face them all.
With everything she loves at stake, Maddie must confront startling truths about the secrets lurking beneath Havenfall, and within herself.
Big Burr, Kansas, is the kind of place where everyone seems to know everyone, and everyone shares the same values-or keeps their opinions to themselves. But when a national nonprofit labels Big Burr “the most homophobic town in the US” and sends in a task force of queer volunteers as an experiment-they’ll live and work in the community for two years in an attempt to broaden hearts and minds-no one is truly prepared for what will ensue.
Furious at being uprooted from her life in Los Angeles and desperate to fit in at her new high school, Avery fears that it’s only a matter of time before her “gay crusader” mom outs her. Still grieving the death of her son, Linda welcomes the arrivals, who know mercifully little about her past. And for Christine, the newcomers are not only a threat to the comforting rhythms of Big Burr life, but a call to action. As tensions roil the town, cratering relationships and forcing closely guarded secrets into the light, everyone must consider what it really means to belong. Told with warmth and wit, Under the Rainbow is a poignant, hopeful articulation of our complicated humanity that reminds us we are more alike than we’d like to admit.
This is the US release; the book was previously released in the UK.
Ever since her mom died and her family moved to a new town four years ago, sixteen-year-old Vetty Lake has hidden her heart. She’d rather keep secrets than risk getting hurt–even if that means not telling anyone that she’s pretty sure she’s bisexual.
But this summer, everything could change. Vetty and her family are moving back to her old neighborhood, right across the street from her childhood best friend Pez. Next to Pez, she always felt free and fearless. Reconnecting with him could be the link she needs to get back to her old self.
Vetty quickly discovers Pez isn’t exactly the boy she once knew. He has a new group of friends, a glamorous sort-of-girlfriend named March, and a laptop full of secrets. And things get even more complicated when she feels a sudden spark with March.
As Vetty navigates her relationship with Pez and her own shifting feelings, one question looms: Does becoming the girl she longs to be mean losing the friendship that once was everything to her?
Jude’s life is upended when his mother loses her job and moves them to a little town by the sea to live with Henry Lake–an eccentric old man with rooms to rent. Henry is odd, the town is dull, and worst of all, Jude feels out of place and alone.
So when Novo turns up in the house across the street, dressed all in black and looking unbearably handsome, Jude’s summer takes an immediate turn for the better. But Novo isn’t all that he seems to be–or maybe he’s more than Jude can possibly understand. Novo is a time traveler, someone who wakes up in different places and at different points in time with utter regularity. He knows that each Now is fleeting, that each moment is only worth the energy it expends on itself, and that each experience he has will be lost to him before long.
But Jude and Novo form a bond that shifts reality for both of them. Unlike anything he’s ever experienced, Jude begins to question what forever really means–only to find out that Novo knows that forever isn’t real. And when things go horribly wrong, he and Novo are faced with an impossible question that may change both of their lives irreparably–what is worth sacrificing for love?
In a collection of essays and personal mini-comics that span eight years of her young adult life, author-illustrator Noelle Stevenson charts the highs and lows of being a creative human in the world.
Whether it’s hearing the wrong name called at her art school graduation ceremony or becoming a National Book Award finalist for her debut graphic novel, Nimona, Noelle captures the little and big moments that make up a real life, with a wit, wisdom, and vulnerability that are all her own.
Everything Is Beautiful, and I’m Not Afraid perfectly captures the feelings of a young sojourner in America as she explores the nuances in searching for a place to belong. Baopu is a monthly serialized comic on Autostraddle, and this book includes beloved fan favorites plus new, never-before-seen comics.
This one-of-a-kind graphic novel explores the poetics of searching for connection, belonging, and identity through the fictional life of a young, queer immigrant. Inspired by the creator’s own experiences as a queer, China-born illustrator living in the United States, Everything Is Beautiful, and I’m Not Afraid has an undeniable memoir quality to its recollection and thought-provoking accounts of what it’s like to navigate the complexities of seeking belonging—mentally and geographically.
Tala Warnock has little use for magic – as a descendant of Maria Makiling, the legendary Filipina heroine, she negates spells, often by accident. But her family’s old ties to the country of Avalon (frozen, bespelled, and unreachable for almost 12 years) soon finds them guarding its last prince from those who would use his kingdom’s magic for insidious ends.
And with the rise of dangerous spelltech in the Royal States of America; the appearance of the firebird, Avalon’s deadliest weapon, at her doorstep; and the re-emergence of the Snow Queen, powerful but long thought dead, who wants nothing more than to take the firebird’s magic for her own – Tala’s life is about to get even more complicated….
Thirty-year-old Hetty Cartwright is tasked with the evacuation and safekeeping of the natural history museum’s collection of mammals. Once she and her exhibits arrive at Lockwood Manor, however, where they are to stay for the duration of the war, Hetty soon realizes that she’s taken on more than she’d bargained for.
Protecting her charges from the irascible Lord Lockwood and resentful servants is work enough, but when some of the animals go missing, and worse, Hetty begins to suspect someone – or something – is stalking her through the darkened corridors of the house.
As the disasters mount, Hetty finds herself falling under the spell of Lucy, Lord Lockwood’s beautiful but clearly haunted daughter. But why is Lucy so traumatized? Does she know something she’s not telling? And is there any truth to local rumours of ghosts and curses?
This is a sequel to The Watchmaker of Filligree Street
1888. Five years after they met in The Watchmaker of Filigree Street, Thaniel Steepleton, an unassuming translator, and Keita Mori, the watchmaker who remembers the future, are traveling to Japan. Thaniel has received an unexpected posting to the British legation in Tokyo, and Mori has business that is taking him to Yokohama.
Thaniel’s brief is odd: the legation staff have been seeing ghosts, and Thaniel’s first task is to find out what’s really going on. But while staying with Mori, he starts to experience ghostly happenings himself. For reasons Mori won’t–or can’t–share, he is frightened. Then he vanishes.
Meanwhile, something strange is happening in a frozen labor camp in Northern Japan. Takiko Pepperharrow, an old friend of Mori’s, must investigate.
As the weather turns bizarrely electrical and ghosts haunt the country from Tokyo to Aokigahara forest, Thaniel grows convinced that it all has something to do with Mori’s disappearance–and that Mori may be in serious danger.
As an escort, Ruby Scott is used to waking up in the bed of a wealthy woman. What she isn’t expecting is to wake up with a ring on her finger and married to Yvonne Maxwell, one of the executives behind the Mistress Media empire, a woman as alluring as she is cold.
For ten years, Yvonne has been sitting on an inheritance she can’t touch until she’s married. An encounter with an escort in a red dress presents the perfect solution—a marriage of convenience. In exchange for playing the role of her wife for a year, Yvonne is offering Ruby a life of glamour, decadence, and more money than Ruby ever dreamed of.
Yvonne is adamant that they keep their arrangement strictly business. But as Ruby’s submissive side is awakened, Yvonne can’t resist the temptation to make Ruby hers, and Ruby is intoxicated by the commanding woman and the release Yvonne grants her.
As Ruby falls deeper into Yvonne’s seductive world of luxury and power games, both women struggle to keep their hearts from getting caught up in the passion between them. When their inner demons emerge and their fake marriage plot is threatened, Ruby and Yvonne find they have far more to lose than just the inheritance.
Sixteen tales by bestselling and award-winning authors that explore the Black experience through fantasy, science fiction, and magic.
Evoking Beyoncé’s Lemonade for a teen audience, these authors who are truly Octavia Butler’s heirs, have woven worlds to create a stunning narrative that centers Black women and gender nonconforming individuals. A Phoenix First Must Burn will take you on a journey from folktales retold to futuristic societies and everything in between. Filled with stories of love and betrayal, strength and resistance, this collection contains an array of complex and true-to-life characters in which you cannot help but see yourself reflected. Witches and scientists, sisters and lovers, priestesses and rebels: the heroines of A Phoenix First Must Burn shine brightly. You will never forget them.
Authors include Elizabeth Acevedo, Amerie, Dhonielle Clayton, Jalissa Corrie, Somaiya Daud, Charlotte Davis, Alaya Dawn Johnson, Justina Ireland, Danny Lore, L.L. McKinney, Danielle Paige, Rebecca Roanhorse, Karen Strong, Ashley Woodfolk, and Ibi Zoboi.
Mackenzie is used to being different from other kids―and to being bullied for not fitting into the rigid social expectations of her Catholic High School. Luckily, Mack’s best friend Lila has her back so school isn’t the total hell it could be. But it’s pretty damn close.
Until something very mysterious happens―Mack becomes a cheerleader magnet. Even she has a hard time believing it. And Lila is not too happy about her friend’s sudden popularity with the cool kids.
Is Mack being set up for an epic fail? Or is she finally headed for acceptance–and maybe even romance…
Six months after Noam Álvaro helped overthrow the despotic government of Carolinia, the Atlantians have gained citizenship, and Lehrer is chancellor. But despite Lehrer’s image as a progressive humanitarian leader, Noam has finally remembered the truth that Lehrer forced him to forget—that Lehrer is responsible for the deadly magic infection that ravaged Carolinia.
Now that Noam remembers the full extent of Lehrer’s crimes, he’s determined to use his influence with Lehrer to bring him down for good. If Lehrer realizes Noam has evaded his control—and that Noam is plotting against him—Noam’s dead. So he must keep playing the role of Lehrer’s protégé until he can steal enough vaccine to stop the virus.
Meanwhile Dara Shirazi returns to Carolinia, his magic stripped by the same vaccine that saved his life. But Dara’s attempts to ally himself with Noam prove that their methods for defeating Lehrer are violently misaligned. Dara fears Noam has only gotten himself more deeply entangled in Lehrer’s web. Sooner or later, playing double agent might cost Noam his life.
At forty, Linus Baker lives in a tiny house with a devious cat and his old records. As a Case Worker at the Department in Charge Of Magical Youth, he spends his days overseeing the well-being of gifted children in government-sanctioned orphanages. When Linus is unexpectedly summoned by Extremely Upper Management, he’s given a curious and highly classified assignment: travel to Marsyas Island Orphanage, where six dangerous children and their elusive but charming caretaker, Arthur, live. As Arthur and Linus grow closer, long-held secrets are exposed, and Linus must make a choice: destroy a home or watch the world burn.
Claire has always wanted to work with superheroes, from collecting Warrior Nation cards as a kid to drafting “What to Say to a Hero” speeches in her diary. Now that she’s landed a coveted internship with the Chicago branch of Warrior Nation, Claire is ready to prove she belongs, super or not. But complicating plans is the newest WarNat hero, Girl Power (aka Joy), who happens to be egotistical and self-important . . . and pretty adorable.
Bridgette, meanwhile, wants out of WarNat. After years of dating the famous Vaporizer (aka Matt), she’s sick of playing second, or third, or five-hundredth fiddle to all the people-in-peril in the city of Chicago. Of course, once Bridgette meets Claire-who’s clearly in need of a mentor and wingman-giving up WarNat becomes slightly more complicated. It becomes a lot more complicated when Joy, Matt, and the rest of the heroes go missing, leaving only Claire and Bridgette to save the day.
The last place Angelina Moltisanti ever wants to go is home. She barely escaped life under the roof, and the thumb, of her violent but charismatic father, Jack. Yet home is exactly where she ends up after an SUV plows into her car just weeks after she graduates from college, fracturing her wrist and her hopes to start a career as an artist.
Angelina finds herself smothered in a plaster cast, in Jack’s obsessive urge to get her a giant accident settlement, in her mother Marie’s desperation to have a second chance, and in her own stifled creativity – until she meets Janet, another young artist who inspires her to push herself into making the dynamic, unsettling work that tells the story of her scars, inside and out. But excavating this damage, as relations with her father become increasingly tense, will push Angelina into making a hard choice: will she embrace her father’s all-consuming and empowering rage, or find another kind of strength?
When Paul Lisicky arrived in Provincetown in the early 1990s, he was leaving behind a history of family trauma to live in a place outside of time, known for its values of inclusion, acceptance, and art. In this idyllic haven, Lisicky searches for love and connection and comes into his own as he finds a sense of belonging. At the same time, the center of this community is consumed by the AIDS crisis, and the very structure of town life is being rewired out of necessity: What might this utopia look like during a time of dystopia?
Later dramatizes a spectacular yet ravaged place and a unique era when more fully becoming one’s self collided with the realization that ongoingness couldn’t be taken for granted, and staying alive from moment to moment exacted absolute attention. Following the success of his acclaimed memoir, The Narrow Door, Lisicky fearlessly explores the body, queerness, love, illness, community, and belonging in this masterful, ingenious new book.
Meet Kimberly, a regular suburban housewife and mother, whose discovery later in life that she was born intersex fuelled her to become an international human rights defender and globally-recognised activist.
Charting her intersex discovery and her journey to self-acceptance, this book movingly portrays how being intersex impacted Kimberly’s personal and family life, as well as her career. From uncovering a secret that was intentionally kept from her, to coming out to her family and friends and fighting for intersex rights, her candid and empowering story helps breakdown barriers and misconceptions of intersex people and brings to light the trauma and harmful impact medical intervention continues to have on the intersex community.
Written from a non-queer perspective, and filled with much-needed, straightforward information and advice about what it means to be intersex, this is a vital and timely resource for intersex people and their families, as well as the general reader.
Taylor Garland’s good looks have earned her the admiration of everyone in her small town. She’s homecoming queen, the life of every party, and she’s on every boy’s most-wanted list.
People think Taylor is living the dream, and assume she’ll stay in town and have kids with the homecoming king–maybe even be a dental hygienist if she’s super ambitious. But Taylor is actually desperate to leave home, and she hates the smell of dentists’ offices. Also? She’s completely in love with her best friend, Susan.
Senior year is almost over, and everything seems perfect. Now Taylor just has to figure out how to throw it all away.
Lindsay Sproul’s debut is full of compelling introspection and painfully honest commentary on what it’s like to be harnessed to a destiny you never wanted.
A highly illustrated middle-grade series that celebrates new friendships, first crushes, and getting out of your comfort zone.
Ever since they can remember, fifth-graders Kenzie (aka Kenzilla) and Shelly (aka Bomb Shell) have dreamed of becoming roller derby superstars. When Austin’s city league introduces a brand-new junior league, the dynamic duo celebrates! But they’ll need to try out as a five-person team. Kenzie and Shelly have just one week to convince three other girls that roller derby is the coolest thing on wheels. But Kenzie starts to have second thoughts when Shelly starts acting like everyone’s best friend . . . Isn’t she supposed to be Kenzie’s best friend? And things get really awkward when Shelly recruits Kenzie’s neighbor (and secret crush!) for the team. With lots of humor and an authentic middle-grade voice, book one of this illustrated series follows Kenzie, Shelly, and the rest of the Derby Daredevils as they learn how to fall—and get back up again.
Early one morning on a hot day in August, millennial Congress-bro Alexander Paine Wilson (R) is planning his reelection campaign when a mysterious FedEx delivery arrives at his townhouse. Inside is a gigantic taxidermied aardvark.
What does it mean?
To find out, this outrageous, edge-of-your-seat novel hurtles between present day Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England, where we meet the aardvark’s taxidermist and the naturalist who hunted her, and learn the secret that binds them all.
A young royal from the far north, is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully.
Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor’s lonely new wife and gets more than she bargained for.
At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She’s a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.
It’s Cameron Esposito and she-weighed down by Catholic guilt-immediately topples over. Butlike any scrappy protagonist with all the odds (and the Pope) stacked against them, she’s able to pick herself up.
Now she would like to tell the whole queer as hell story. Her story. Not the sidebar to a straight person’s rebirth-she doesn’t give a makeover or plan a wedding or get a couple back together. This isn’t a queer tragedy. She doesn’t die at the end of this book, having finally decided to kiss the girl. It’s the sexy, honest, bumpy, and triumphant dyke’s tale her younger, wasn’t-allowed-to-watch-Ellen self needed to read. Because there was a long time when she thought she wouldn’t make it. Not as a comic, but as a human.
Things Lulu Shapiro’s 10,000 Flash followers don’t know about her:
* That the video of her with another girl was never supposed to go public.
* That Owen definitely wasn’t supposed to break up with her because of it.
* That behind the carefully crafted selfies and scenes Lulu projects onto people’s screens, her life feels like a terrible, uncertain mess.
Then Lulu meets Cass. Cass isn’t interested in looking at Lulu’s life, only in living in it. And The Hotel–a gorgeous space with an intriguing, Old Hollywood history and a trust-fund kid to restore it–seems like the perfect, secret place for them to get to know each other. But just because Lulu has stepped out of the spotlight doesn’t mean it’ll stop following her every move.
Look is for fans of Emergency Contact, Everything, Everything, and We Are Okay. It’s a story about what you present vs. who you really are, about real intimacy and manufactured intimacy and the blurring of that line. It’s a deceptively glamorous, feminist, emotionally complex, utterly compelling, queer coming-of-age novel about falling in love and taking ownership of your own self–your whole self–in the age of social media.
It’s summer 1977 and closeted lesbian Tammy Larson can’t be herself anywhere. Not at her strict Christian high school, not at her conservative Orange County church and certainly not at home, where her ultrareligious aunt relentlessly organizes antigay political campaigns. Tammy’s only outlet is writing secret letters in her diary to gay civil rights activist Harvey Milk…until she’s matched with a real-life pen pal who changes everything.
Sharon Hawkins bonds with Tammy over punk music and carefully shared secrets, and soon their letters become the one place she can be honest. The rest of her life in San Francisco is full of lies. The kind she tells for others—like helping her gay brother hide the truth from their mom—and the kind she tells herself. But as antigay fervor in America reaches a frightening new pitch, Sharon and Tammy must rely on their long-distance friendship to discover their deeply personal truths, what they’ll stand for…and who they’ll rise against.
Nandan’s got a plan to make his junior year perfect. He’s going to make sure all the parties are chill, he’s going to smooth things over with his ex, and he’s going to help his friend Dave get into the popular crowd—whether Dave wants to or not. The high school social scene might be complicated, but Nandan is sure he’s cracked the code.
Then, one night after a party, Dave and Nandan hook up, which was not part of the plan—especially because Nandan has never been into guys. Still, Dave’s cool, and Nandan’s willing to give it a shot, even if that means everyone starts to see him differently.
But while Dave takes to their new relationship with ease, Nandan’s completely out of his depth. And the more his anxiety grows about what his sexuality means for himself, his friends, and his social life, the more he wonders whether he can just take it all back. But is breaking up with the only person who’s ever really gotten him worth feeling “normal” again?