Obie is Man Enough by Schuyler Bailar (MG, swimming)
The Passing Playbook by Isaac Fitzsimons (YA, soccer)
May the Best Man Win by ZR Ellor (YA, cheerleading)
Blood Sport by Tash McAdam (YA, boxing)
Cheer Up! by Crystal Frasier, Val Wise, and Oscar O. Jupiter (YA, cheerleading)
Bonus: These books all have binary trans main characters, but for a nonbinary athlete, check out Ana on the Edge by AJ Sass (MG, ice skating)
Hi, I’m Rumi.
Some of my friends have one mom and one dad.
Some have one mom or one dad.
I have two dads. Daddy and Dada.
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Eva, Celeste, Gina, and Steph used to think their friendship was unbreakable. After all, they’ve been though a lot together, including the astronomical rise of Moonlight Overthrow, the world-famous queer pop band they formed in middle school, never expecting to headline anything bigger than the county fair.
But after a sudden falling out leads to the dissolution of the teens’ band, their friendship, and Eva and Celeste’s starry-eyed romance, nothing is the same. Gina and Celeste step further into the spotlight, Steph disappears completely, and Eva, heartbroken, takes refuge as a songwriter and secret online fangirl…of her own band. That is, until a storm devastates their hometown, bringing the four ex-best-friends back together. As they prepare for one last show, they’ll discover whether growing up always means growing apart.
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Ever since seventeen-year-old Josie Wright can remember, writing has been her identity, the thing that grounds her when everything else is a garbage fire. So when she wins a contest to write a celebrity profile for Deep Focus magazine, she’s equal parts excited and scared, but also ready. She’s got this.
Soon Josie is jetting off on a multi-city tour, rubbing elbows with sparkly celebrities, frenetic handlers, stone-faced producers, and eccentric stylists. She even finds herself catching feelings for the subject of her profile, dazzling young newcomer Marius Canet. Josie’s world is expanding so rapidly, she doesn’t know whether she’s flying or falling. But when a young actress lets her in on a terrible secret, the answer is clear: she’s in over her head.
One woman’s account leads to another and another. Josie wants to expose the man responsible, but she’s reluctant to speak up, unsure if this is her story to tell. What if she lets down the women who have entrusted her with their stories? What if this ends her writing career before it even begins? There are so many reasons not to go ahead, but if Josie doesn’t step up, who will?
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Morgan, an elite track athlete, is forced to transfer high schools late in her senior year after it turns out being queer is against her private Catholic school’s code of conduct. There, she meets Ruby, who has two hobbies: tinkering with her baby blue 1970 Ford Torino and competing in local beauty pageants, the latter to live out the dreams of her overbearing mother. The two are drawn to each other and can’t deny their growing feelings. But while Morgan–out and proud, and determined to have a fresh start–doesn’t want to have to keep their budding relationship a secret, Ruby isn’t ready to come out yet. With each girl on a different path toward living her truth, can they go the distance together?Buy it: Bookshop | Amazon | IndieBound
Jeremy Harkiss, cheer captain and student body president, won’t let coming out as a transgender boy ruin his senior year. Instead of bowing to the bigots and outdate school administration, Jeremy decides to make some noise—and how better than by challenging his all-star ex-boyfriend, Lukas for the title of Homecoming King?
Lukas Rivers, football star and head of the Homecoming Committee, is just trying to find order in his life after his older brother’s funeral and the loss long-term girlfriend—who turned out to be a boy. But when Jeremy threatens to break his heart and steal his crown, Lukas kick starts a plot to sabotage Jeremy’s campaign.
When both boys take their rivalry too far, the dance is on the verge of being canceled. To save Homecoming, they’ll have to face the hurt they’re both hiding—and the lingering butterflies they can’t deny.
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In Thanopolis, those gifted with magic are assigned undead spirits to guard them―and control them. Ever since Rovan’s father died trying to keep her from this fate, she’s hidden her magic. But when she accidentally reveals her powers, she’s bound to a spirit and thrust into a world of palace intrigue and deception.
Desperate to escape, Rovan finds herself falling for two people she can’t fully trust: Lydea, a beguiling, rebellious princess; and Ivrilos, the handsome spirit with the ability to control Rovan, body and soul.
Together, they uncover a secret that will destroy Thanopolis. To save them all, Rovan will have to start a rebellion in both the mortal world and the underworld, and find a way to trust the princess and spirit battling for her heart―if she doesn’t betray them first.
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The boys of Kings Row are off to a training camp in Europe! Surrounded impressive scenery and even more impressive European fencing teams, underdog Nicholas can’t help but feel out of place. With the help of a local legend, though, he and the rest of the team finds it within themselves to face superior fencers, ex-boyfriends, expulsion, and even Nicholas’s golden-boy, secret half-brother, the infamous Jesse Coste. Will Aiden and Harvard end up together, though? En garde!
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Jonah Keller moved to New York City with dreams of becoming a successful playwright, but, for the time being, lives in a rundown sublet in Bushwick, working extra hours at a restaurant only to barely make rent. When he stumbles upon a photo of Richard Shriver—the glamorous Pulitzer Prize–winning playwright and quite possibly the stepping stone to the fame he craves—Jonah orchestrates their meeting. The two begin a hungry, passionate affair.
When summer arrives, Richard invites his young lover for a spell at his sprawling estate in the Hamptons. A tall iron fence surrounds the idyllic compound where Richard and a few of his close artist friends entertain, have lavish dinners, and—Jonah can’t help but notice—employ a waitstaff of young, attractive gay men, many of whom sport ugly bruises. Soon, Jonah is cast out of Richard’s good graces and a sinister underlay begins to emerge. As a series of transgressions lead inexorably to a violent climax, Jonah hurtles toward a decisive revenge that will shape the rest of his life.
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Following the recipe is the key to a successful bake. Rosaline Palmer has always lived by those rules—well, except for when she dropped out of college to raise her daughter, Amelie. Now, with a paycheck as useful as greaseproof paper and a house crumbling faster than biscuits in tea, she’s teetering on the edge of financial disaster. But where there’s a whisk there’s a way . . . and Rosaline has just landed a spot on the nation’s most beloved baking show.
Winning the prize money would give her daughter the life she deserves—and Rosaline is determined to stick to the instructions. However, more than collapsing trifles stand between Rosaline and sweet, sweet victory. Suave, well-educated, and parent-approved Alain Pope knows all the right moves to sweep her off her feet, but it’s shy electrician Harry Dobson who makes Rosaline question her long-held beliefs—about herself, her family, and her desires.
Rosaline fears falling for Harry is a guaranteed recipe for disaster. Yet as the competition—and the ovens—heat up, Rosaline starts to realize the most delicious bakes come from the heart.
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Punch Me Up to the Gods introduces a powerful new talent in Brian Broome, whose early years growing up in Ohio as a dark-skinned Black boy harboring crushes on other boys propel forward this gorgeous, aching, and unforgettable debut. Brian’s recounting of his experiences—in all their cringe-worthy, hilarious, and heartbreaking glory—reveal a perpetual outsider awkwardly squirming to find his way in. Indiscriminate sex and escalating drug use help to soothe his hurt, young psyche, usually to uproarious and devastating effect. A no-nonsense mother and broken father play crucial roles in our misfit’s origin story. But it is Brian’s voice in the retelling that shows the true depth of vulnerability for young Black boys that is often quietly near to bursting at the seams.
Cleverly framed around Gwendolyn Brooks’s poem “We Real Cool,” the iconic and loving ode to Black boyhood, Punch Me Up to the Gods is at once playful, poignant, and wholly original. Broome’s writing brims with swagger and sensitivity, bringing an exquisite and fresh voice to ongoing cultural conversations about Blackness in America.
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We’re here. We’re queer. We’re fat.
This one-of-a-kind collection of prose and poetry radically explores the intersection of fat and queer identities, showcasing new, emerging and established queer and trans writers from around the world.
Celebrating fat and queer bodies and lives, this book challenges negative and damaging representations of queer and fat bodies and offers readers ways to reclaim their bodies, providing stories of support, inspiration and empowerment.
In writing that is intimate, luminous and emotionally raw, this anthology is a testament to the diversity and power of fat queer voices and experiences, and they deserve to be heard.
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Nora Riendeau is a hard-charging attorney on the cusp of achieving the capstone of her career. When she collapses during a high-profile case, her doctor orders her to take time off. Reluctantly, Nora realizes that this rare opportunity will allow her to reconnect with her aunt Midge, who has turned to beekeeping to save her farm in Maine. While she’s there, Nora becomes friends with a mysterious beekeeper name Avril and reconnects with her old girlfriend, Johanna.
When a powerful storm ravages the community, the four women join forces to help the town rebuild. Despite this newfound energy and sense of belonging, Nora is soon compelled to return to her legal career in Boston. But, it doesn’t take long for her to begin questioning the decision because she can’t seem to shake herself free the bees and their passion for home and life.
Nora knows she needs to make some hard choices―about her career in Boston, about her feelings for Midge, Johanna, and Avril, and about her desire to care for the bees. For Nora, critical thinking is second nature, and so it becomes abundantly clear that the only question that matters is whether her truest passion lies in an adrenaline-filled Boston courtroom, or with the amazing women at Aunt Midge’s apiary.
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