The Spirit Bares its Teeth by Andrew Joseph White
Self-Made Boys by Anna-Marie McLemore
The Duke Steals Hearts and Other Body Parts by Elias Cold
Most Ardently by Gabe Cole Novoa
This Wretched Beauty by Elle Grenier

The Spirit Bares its Teeth by Andrew Joseph White
Self-Made Boys by Anna-Marie McLemore
The Duke Steals Hearts and Other Body Parts by Elias Cold
Most Ardently by Gabe Cole Novoa
This Wretched Beauty by Elle Grenier

Being a massive fangirl of both this author and this series, I am so thrilled to be revealing the cover today for Self Made Boys by Anna-Marie McLemore, a trans reimagining of The Great Gatsby publishing September 6, 2022 in Feiwel & Friends’s Remixed Classics series! Check it out:
Stonewall Honor recipient and two-time National Book Award Longlist selectee Anna-Marie McLemore weaves an intoxicating tale of glamor and heartache in Self-Made Boys: A Great Gatsby Remix, part of the Remixed Classics series.
New York City, 1922. Nicolás Caraveo, a 17-year-old transgender boy from Wisconsin, has no interest in the city’s glamor. Going to New York is all about establishing himself as a young professional, which could set up his future—and his life as a man—and benefit his family.
Nick rents a small house in West Egg from his 18-year-old cousin, Daisy Fabrega, who lives in fashionable East Egg near her wealthy fiancé, Tom—and Nick is shocked to find that his cousin now goes by Daisy Fay, has erased all signs of her Latine heritage, and now passes seamlessly as white.
Nick’s neighbor in West Egg is a mysterious young man named Jay Gatsby, whose castle-like mansion is the stage for parties so extravagant that they both dazzle and terrify Nick. At one of these parties, Nick learns that the spectacle is all meant to impress a girl from Jay’s past—Daisy. And he learns something else: Jay is also transgender.
As Nick is pulled deeper into the glittery culture of decadence, he spends more time with Jay, aiming to help his new friend reconnect with his lost love. But Nick’s feelings grow more complicated when he finds himself falling hard for Jay’s openness, idealism, and unfounded faith in the American Dream.
And here’s the absolutely stunning cover, illustrated by Elliott Berggren and designed by Veronica Mang!

Buy it: Bookshop | Amazon | IndieBound

Anna-Marie McLemore (they/them) grew up hearing la llorona in the Santa Ana winds, and now writes books as queer, Latine, and nonbinary as they are. They are the author of The Weight of Feathers, a 2016 William C. Morris YA Debut Award Finalist; Stonewall Honor Book When the Moon Was Ours, which was longlisted for the National Book Award in Young People’s Literature; Wild Beauty; Blanca & Roja, one of TIME Magazine’s 100 Best Fantasy Novels of All Time; Dark and Deepest Red; The Mirror Season, which was also longlisted for the National Book Award in Young People’s Literature; Lakelore; and the forthcoming Self-Made Boys: A Great Gatsby Remix (September 6, 2022). Find them online at annamariemclemore.com and on Twitter at @LaAnnaMarie.
What’s Left of the Night by Ersi Sotiropoulos, translated into English from Greek by Karen Emmerich (1897)
The Paris Bookseller by Kerri Maher (1919)
The Last Nude by Ellis Avery (1927)
The Book of Salt by Monique Truong (1929)
The Perfume Thief by Timothy Schaffert (1941)

Bonus: For a more recent historical set in France but not Paris, check out Lie With Me by Philippe Besson, translated into English from French by Molly Ringwald (1984)
The Paying Guests by Sarah Waters (1922)
Of Trust and Heart by Charlotte Anne Hamilton (1923)
Silhouette of a Sparrow by Molly Beth Griffin (1926, YA)
Dead Dead Girls by Nekesa Afia (1926)
The Last Nude by Ellis Avery (1927)

Bonus: These are all realistic fiction, but for historical fantasy, check out The Chosen and the Beautiful by Nghi Vo and Wild and Wicked Things by Francesca May, both of which are heavily Gatsby-inspired.
Double Bonus: For books that begin in 1919 and then span the next decade plus, check out The Paris Bookseller by Kerri Maher and Swearing Off Stars by Danielle Wong

With the second book in the Pentecost and Parker historical mystery series releasing on December 7th, now’s the perfect time to catch up with book one, Fortune Favors the Dead, which follows Willowdean “Will” Parker as she finds love, murder, and an unexpected career path in 1940s New York.
It’s 1942 and Willowjean “Will” Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of New York’s best, and most unorthodox, private investigator, Lillian Pentecost. When the dapper detective summons Will a few days later, she doesn’t expect to be offered a life-changing proposition: Lillian’s multiple sclerosis means she can’t keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will will receive a salary, room and board, and training in Lillian’s very particular art of investigation.
Three years later, Will and Lillian are on the Collins case: Abigail Collins was found bludgeoned to death with a crystal ball following a big, boozy Halloween party at her home–her body slumped in the same chair where her steel magnate husband shot himself the year before. With rumors flying that Abigail was bumped off by the vengeful spirit of her husband (who else could have gotten inside the locked room?), the family has tasked the detectives with finding answers where the police have failed. But that’s easier said than done in a case that involves messages from the dead, a seductive spiritualist, and Becca Collins–the beautiful daughter of the deceased, who Will quickly starts falling for. When Will and Becca’s relationship dances beyond the professional, Will finds herself in dangerous territory, and discovers she may have become the murderer’s next target.
Buy it: Bookshop | Amazon | IndieBound
Please welcome David C. Dawson to the site, author of historical gay mystery A Death in Bloomsbury, which releases today! He’s here to share a little more about how gay men survived in 1930s London, but first, here’s the story, which is the first in a brand-new series:
Everyone has secrets… but some are fatal.
1932, London. Late one December night Simon Sampson stumbles across the body of a woman in an alleyway. Her death is linked to a plot by right-wing extremists to assassinate the King on Christmas Day. Simon resolves to do his patriotic duty and unmask the traitors.
But Simon Sampson lives a double life. Not only is he a highly respected BBC radio announcer, but he’s also a man who loves men, and as such must live a secret life. His investigation risks revealing his other life and with that imprisonment under Britain’s draconian homophobic laws of the time. He faces a stark choice: his loyalty to the King or his freedom.
This is the first in a new series from award-winning author David C. Dawson. A richly atmospheric novel set in the shadowy world of 1930s London, where secrets are commonplace, and no one is quite who they seem.
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And here’s the post!
My latest novel A Death in Bloomsbury is set in the shadowy world of gay life in 1930s London. I wanted to write a book that explore what it was like if you were gay when homosexuality was illegal. The story is a thriller set at Christmas time with gay characters as the main protagonists.
If you were a man in love with another man back in 1932 it was tough. Really tough. In the UK, the anti-gay laws had become strengthened with a new law in 1885. So much so that the new regulations were called a blackmailer’s charter.
Ten years later Oscar Wilde was to fall foul of them.
He was sentenced to two years hard labour, something from which he never fully recovered and died a few years later at the age of just forty-one.
The law was so strict you could be charged if your letters to your lover were discovered. Or if your neighbour reported you for a having a gentleman friend stay over.
And then there was entrapment.
Police would sometimes use their “pretty officers” to hang around known gathering places for gay men. If they were propositioned, the propositioner was promptly arrested.
The penalties for being found guilty of “gross indecency” as it was known were harsh. Two years hard labour meant two years walking on a vertical treadmill for up to six hours a day, climbing the equivalent of fourteen thousand feet. If you were a gentleman like Wilde, unused to physical work, your body was all but destroyed.
So how did gay men avoid prosecution?
In my research I discovered that they were remarkably resourceful. The word gay in those days meant happy and bright. The word homosexual was hardly used. Men who loved other men referred to themselves as being other. Incidentally, the authorities considered it impossible for a woman to love another woman. Lesbians didn’t exist. Women who loved women referred to themselves as Sapphic-leaning.
There were many other euphemisms used in 1930s London. In fact, gay men used an entirely invented language called Polari.
Polari had been used in London’s fish markets, fairgrounds and the theatre. It borrowed words from Romany, London slang and Yiddish. For example legs became lallies and look became vada.
It also created code words by reversing certain words. Hence face became ecaf, shortened to eek. Many gay men worked in the theatre and so adopted the language to be able to talk openly to each other without fear of other people understanding. Two gay men in a pub could admire a handsome new arrival by saying to each other: “Vada the bona lallies on that uomi” meaning “Look at the attractive legs on that man” without anyone knowing.
Gay men also had allies. Through the centuries, straight allies have often helped gay men when they faced oppression. Straight allies are still crucially important today. In 1930s London they would provide safe meeting places for gay men. In A Death in Bloomsbury much of the action centres on a pub called The Fitzroy Tavern. This is an actual pub in the 1930s run by a straight couple. It was known to welcome gay men, as well as “artists, Bohemians and other creative types”. In my book I refer to the pub owner using persuasive techniques to ensure the local police didn’t raid them, and this did actually happen with another similar pub in London.
There was also the famous Lyon’s Corner House on the Strand. This popular restaurant had a whole floor where gay men could meet discreetly, and it became known as The Lily Pond. Of course Soho was the best place to go to meet other men, have a drink and maybe a dance. But you were always at risk of the police raiding the venue. Knowing your escape route in an emergency was crucial.
Straight allies remain vital for gay men up to this day. There are still many parts of the world where being gay is illegal with punishments ranging from a straightforward fine to stoning or death. Our struggle for the right to be who we are, to love who we love will sadly never be over. And it is with the love and support of our straight allies that we can continue that struggle. Thank you to all who have worked to support us.
***
David C. Dawson is an award-winning author, journalist and documentary maker. He writes British-themed thrillers, both contemporary and period. He also writes gay romance. His latest book, A Death in Bloomsbury, was published in November 2021. His first novel, The Necessary Deaths, won an FAPA award in the best suspense/thriller category. It’s the first of three books in the Delingpole Mysteries series. David has also written two gay romances: For the Love of Luke and Heroes in Love. David lives in London, with his boyfriend and two cats. In his spare time, he tours Europe and sings with the London Gay Men’s Chorus. You can find out more about David at his website: http://www.davidcdawson.co.uk
Historical YA is maybe the slowest-growing of all queer YA genres, so when we get a new one, and when it looks this good, it is exciting. Thus, I am thrilled to be sharing the cover for Kip Wilson’s upcoming The Most Dazzling Girl in Berlin, releasing March 29, 2022 from Houghton Mifflin Harcourt, on the site today! Here’s the story:
After her eighteenth birthday, Hilde, an orphan in 1930s Berlin, goes out into the world hoping to find her place. She comes up short, at least until she stumbles into Café Lila, a vibrant cabaret full of love and music, and meets Rosa, the club’s waitress and performer, whom she can’t take her eyes off of. There, Hilde starts to find her voice and embrace her blossoming feelings for Rosa.
But Berlin is in turmoil. Between elections, protests in the streets, and the growing unrest in Café Lila itself, Hilde will have to decide what’s best for her future . . . and what it means to love a place that will soon be changed forever.
And here’s the appropriately “dazzling” (but really though!!) cover, designed by Samira Iravani with art by Ana Novaes!

Preorder: Amazon | B&N | IndieBound
***

Kip Wilson is the author of WHITE ROSE, which won the Malka Penn Award for Human Rights in Children’s Literature. Kip holds a Ph.D. in German Literature and was the Poetry Editor of the Young Adult Review Network (YARN) for five years before joining Voyage in 2020. She lives in Boston, MA. Find her online at www.kipwilsonwrites.com, on Twitter @kiperoo, and on Instagram @kipwilsonwrites.
December 1st was World AIDS Day, and there’s a lot familiar in the horrible handling and terrible ignorance of it for anyone who was around during the AIDS crisis. Whether that’s a history that’s familiar to you or not, you’ll be hard-pressed to find a YA novel that handles it more poignantly than Abdi Nazemian’s Stonewall Honor sophomore YA, Like a Love Story, which follows three teens each experiencing the effects of the disease in different ways. Check it out:
It’s 1989 in New York City, and for three teens, the world is changing.
Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He’s terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he’s gay, but all he knows of gay life are the media’s images of men dying of AIDS.
Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance…until she falls for Reza and they start dating.
Art is Judy’s best friend, their school’s only out and proud teen. He’ll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.
As Reza and Art grow closer, Reza struggles to find a way out of his deception that won’t break Judy’s heart—and destroy the most meaningful friendship he’s ever known.
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So Forward by Mina V. Esguerra (bi m/f contemporary romance, $1.99)
Things Hoped For by Chencia C. Higgins (f/f contemporary romance, $2.99)
Set the Stage by Daniel De Lorne (m/m contemporary romance, $3.99)
The Care and Feeding of Waspish Widows by Olivia Waite (f/f historical romance, $3.99)
Trouble & Strife by Lara Kinsey (bi m/f historical romance, $3.99)
Hairpin Curves by Elia Winters (Contemporary f/f Romance, $4.99)
Links are Amazon affiliate. Using them helps earn a small percentage of income for the site, so please do!
Historical f/f Romance (especially Regency) is definitely having a moment, and whether or not it sounds like your jam, I submit The Lady’s Guide to Celestial Mechanics by Olivia Waite as the title that will tell you for sure. It’s smart and sexy, but my favorite thing about it is the way both heroines are passionate about not just each other but their personal skills. It feels groundbreaking and defiant while being beautifully queer, and there’s no better time to pick it up because the second in the series, The Care and Feeding of Waspish Widows, releases later this month!

As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.
Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.
While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?
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