Most Anticipated Middle Grade: July-December 2023

The Showdown by Jessica Burkhart (July 25th)

This is the second book in the Saddlehill Academy series

Now that Abby knows which of her so-called friends is the one behind the video of her talking “trash” on Emery, she’d love to do something with that information—if only her blackmailer didn’t know Abby’s one real secret, the one she can’t risk getting out. So, Abby’s stuck. And, to make matters worse, she’s so rattled by the drama that it’s affecting her performance on Beau. Abby wants to be as great a rider as Sasha Silver, but how can she do that when she’s making rookie mistakes?

When tensions come to a head, Abby’s score at the shows isn’t the only thing in jeopardy—so is her place on the team.

Buy it: Bookshop | Amazon

Continue reading Most Anticipated Middle Grade: July-December 2023

Exclusive Cover Reveal: Pluralities by Avi Silver

Today on the site, I’m delighted to welcome back Avi Silver, who’s revealing the cover of their upcoming sci-fi novella, Pluralities, which releases on October 3, 2023 from Atthis Arts! Here’s the story:

“Wait—rewind. I was still a girl back then, before the universes converged.”

Guided by premonitions and a fateful car ride, a burned-out retail worker stumbles into the grand exit from womanhood. Meanwhile, in a galaxy not so far away, an alien prince goes rogue with his sentient spaceship, seeking purpose in the great glimmering void. As the two of them come together in a fusion of body and mind, they must reckon with their assigned identities.

Tender, witty, and daring, Pluralities is a slipstream-meets-space-adventure story honoring the long and turbulent journey into gender euphoria.

And here’s the out-of-this-world cover by Lorna Antoniazzi!

A person with long brown hair looks wistfully off to the right, their face separate from their head. In the space where their face should be, there is an image of deep space, with stars and a small purple spaceship inside. The person's cheek has a smudged blue mark that says "SHE" on it. The background of the cover is white, with blue, green, and purple swirls. At the top of the cover, it reads "PLURALITIES" in a wavy font, with author Avi Silver's name below in smaller text.

Add on Goodreads | Add on Storygraph | Preorder from the Publisher

Avi Silver is a speculative fiction author, the Co-Editor-in-Chief of Augur Magazine, and poet. Pluralities, their trans slipstream-meets-space-opera novella, will be published with Atthis Arts in October 2023. In 2018, he co-founded The Shale Project, an award-winning indie arts collective through which he published the ongoing Sãoni Cycle (Two Dark Moons, Three Seeking Stars). Find his short fiction in Common Bonds: An Aromantic Speculative Anthology and Nothing Without Us Too. Their poetry has been published in Strange Horizons and Uncanny Magazine, and received an honorable mention in the 2022 Rhysling Awards. They are currently working on their first full-length book of poetry, funded by the Canada Council for the Arts.

Authors in Conversation: Keah Brown and Sarah Moon

Today on the site, I’m delighted to welcome authors Keah Brown and Sarah Moon to talk about their books, The Secret Summer Promise and Middletown, both of which released on Tuesday from Levine Querido! (The former was a brand new release, while the latter was a paperback rerelease with a beautiful new cover.) They’ve written their own intro, so I’m just gonna step aside and let them take it away! (Though I will mention that you can read more about both books in June 6th’s New Releases post!)

***

As queer writers, Keah Brown and Sarah Moon know how powerful it is to feel seen, especially for young people. In Brown’s The Secret Summer Promise and Moon’s Middletown, both young adult novels published by Levine Querido, these authors go beyond visibility and show how love and family, both given and chosen, can shape you.

Sarah Moon is a teacher and writer. She lives and works in Brooklyn, New York, with her wife, Jasmine, and their daughter, Zora. Middletown, a queer coming-of-age story following siblings Eli and Anna left to fend for themselves after their mom lands in court-ordered rehab, released in paperback June 6.

Keah Brown is a journalist, screenwriter, and author of The Pretty One and Sam’s Super Seats. She is the creator of #DisabledAndCute. Her first novel, The Secret Summer Promise, a friends-to-lovers ode to summer in all its glory, came out June 6.

This interview has been edited for length and clarity.

KB: I’m so excited to talk to you. This book, boy, from page one. I was so anxious for these girls. I spent the entire book just on the edge of my seat wondering what is going to happen to these children? How are they going to make it? I’ll stop gushing, but it’s so good.

SM: I feel the same way. I will say that I wasn’t worried as much as I spent a lot of time screaming at your characters. I was like “Guys come on, just tell her! Can’t you see it? I can see it!” I had fun with them. Why do you think Drea spends the beginning of the book so convinced that Hailee couldn’t possibly have feelings for her?

KB: I think she sort of believes inherently that she has certain hurdles she has to jump in order for somebody to want her. Which is so sad, to me, because I’ve been there. And she’s convinced that somebody like Hailee, somebody so magical and beautiful and wonderful couldn’t see her [that way].

SM: It made me want to scream at her: “It’s right there! She adores you”. It was honestly so delightful just to get to watch her be adored for most of the book without her understanding it. She had to be able to see herself – then she could see how Hailee saw her. And that’s so beautiful.

KB: For me it was important to showcase the community that Andrea has around her, that people with disabilities specifically have people who love them and it’s not based in fear or pity like the media would like us to believe.

SM: One thing I feel like I hear a lot, and I imagine you do too, is that you don’t have evil adults. There are a lot of evil adults in YA, but Andrea’s relationship with her parents is so special. Her father works in food and her mother works in fashion which can both be landmines for teenage girls. And it’s not for her – it’s just an interesting and beautiful choice for her to have such positive relationships both with them but also with their work.

KB: A lot of people who have read the book early have said that it reads a little young. Her parents are too young, it’s not complicated enough – but I wanted to show that was possible.

SM: So much of who she is and how she is comes from having such strong examples of what love looks like and she knows what it means to be loved. And that when, oh I hate him so much I forgot his name–

KB: George?

SM: George, right. Who’s hoping that she’ll be a secret. And I love that that lasts for her for like a day and a half before she’s like “This is ridiculous.”

KB: A lot of times in narratives featuring Black people, they have a broken home life, and those stories are absolutely valid, but I think it was important for Andrea to be someone who knew what she deserved without having to be like “oh my God I’m disabled and my life is so hard.”

SM: Had you written for teenagers before?

KB: I’m a Virgo, so I have a ten-year plan. It was always on my list. I’m a child of Sarah Dessen; I devoured her books in high school. I wanted to be able to give some Black girl trying to figure it all out an actual view of herself that she can maybe carry with her the same way I carry Sarah Dessen’s books with me today.

KB: OK, can we please talk about Middletown? This book – I’m a sucker for a sister story. And a found family story – you give us both. There’s a really special relationship between Teddy and Eli [who meet at an Alateen meeting]. Can you talk to me about that?

SM: That means the world to me – I’ve never had anybody ask me about the two of them. I wanted to write about found family because I wanted to write a queer story, and to me that’s the essence of a queer story. And I feel like there’s a special thing that happens when you meet somebody who immediately sees you. Because she’s going to look at him and judge him and think that he’s just like all the other guys she’s ever interacted with at school. And there’s a really special kind of teenage dude who can look at a female-bodied, masculine-presenting person and go, “it’s you and me.” I really wanted to give that to her. It’s the nod. “You, whatever little package you come in. You’re with me.”

KB: It was one of my favorite relationships in the book – I was like “Sarah can write another one that’s just about the two of them.” I want to talk to you about your process in creating these relationships – how did you figure out which way to go?

SM: Listen, I’m really bad at writing plot, so I write characters instead, and then they start to do things, and then I’m like “oh look, now there’s a plot.” I wanted found family everywhere, and I wanted Eli to get to explore what that would mean to her through these different relationships. There is this really special thing that happens with your first group of queer friends. And with her friends, Meena and Javi, having to learn to trust those friends was going to be the thing for her. And everything else sort of came later – well she has to learn how to trust them, she’s going to have to do some things that will propel the story forward, the plot for the story.

SM: I think that’s all the time we have. It was great talking to you, Keah.

KB: You too Sarah!

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Buy Middletown: Bookshop | Amazon

New Releases: June 6, 2023

Middle Grade

Will on the Inside by Andrew Eliopulos

Will loves playing center midfield on his middle school soccer team. This year, though, Will hasn’t felt like himself; his stomach has been bothering him, and he has no energy at all. When his new doctor diagnoses him with Crohn’s disease, Will hopes that means he’ll start feeling better soon and he can get back to playing with his team before the season ends.

But Will’s new medicines come with all kinds of side effects, Forced to sit out afternoon practice, Will finds himself hanging out with a kid at school, Griffin. This could be a real problem, seeing as Griffin just asked Will’s best friend to the spring dance. As in, guy friend. What would Will’s teammates say if they knew the whole story? Not to mention Will’s friends at church.

With all these changes happening faster than he can process them, Will knows that he has a lot to figure out about who he really is on the inside.

Buy it: Bookshop | Amazon | IndieBound

Young Adult

The Dos and Donuts of Love by Adiba Jaigirdar

The Dos and Donuts of Love“Welcome to the first ever Junior Irish Baking Show!”

Shireen Malik is still reeling from the breakup with her ex-girlfriend, Chris, when she receives news that she’s been accepted as a contestant on a new televised baking competition show. This is Shireen’s dream come true! Because winning will not only mean prize money, but it will also bring some much-needed attention to You Drive Me Glazy, her parents’ beloved donut shop.

Things get complicated, though, because Chris is also a contestant on the show. Then there’s the very outgoing Niamh, a fellow contestant who is becoming fast friends with Shireen. Things are heating up between them, and not just in the kitchen.

Buy it: Bookshop | Amazon | IndieBound

Love Letters for Joy by Melissa See

The cover of LOVE LETTERS FOR JOY, featuring Union Square and two white teenagers walking in opposite directions, holding a love letterLess than a year away from graduation, seventeen-year-old Joy is too busy overachieving to be worried about relationships. She’s determined to be Caldwell Prep’s first disabled valedictorian. And she only has one person to beat, her academic rival Nathaniel.

But it’s senior year and everyone seems to be obsessed with pairing up. One of her best friends may be developing feelings for her and the other uses Caldwell’s anonymous love-letter writer to snag the girl of her dreams. Joy starts to wonder if she has missed out on a quintessential high school experience. She is asexual, but that’s no reason she can’t experience first love, right?

She writes to Caldwell Cupid to help her sort out these new feelings and, over time, finds herself falling for the mysterious voice behind the letters. But falling in love might mean risking what she wants most, especially when the letter-writer turns out to be the last person she would ever expect.

Buy it: Bookshop | Amazon

Darkhearts by James L. Sutter

DarkheartsWhen David quit his band, he missed his shot at fame. For the past two years, he’s been trapped in an ordinary Seattle high school life, working summers for his dad’s construction business while his former best friends Chance and Eli became the hottest teen pop act in America.

Then Eli dies. Suddenly David and Chance are thrown back into contact, forcing David to rediscover all the little things that once made the two of them so close, even as he continues to despise the singer’s posturing and attention-hogging. As old wounds break open, an unexpected kiss leads the boys to trade frenemy status for a confusing, tentative romance―one Chance is desperate to keep out of the spotlight. Though hurt by Chance’s refusal to acknowledge him publicly, David decides their new relationship presents a perfect opportunity for him to rejoin the band and claim the celebrity he’s been denied. But Chance is all too familiar with people trying to use him.

As the mixture of business and pleasure becomes a powder keg, David will have to choose: Is this his second chance at glory? Or his second chance at Chance?

Buy it: Bookshop | Amazon | IndieBound

The Library of Broken Worlds by Alaya Dawn Johnson

As the daughter of a Library god, Freida has spent her whole life exploring the Library’s ever-changing tunnels and communing with the gods. Her unparalleled access makes her unique – and dangerous.

When Freida meets Joshua, a mortal boy desperate to save his people, and Nergüi, a Disciple from a persecuted religious minority, Freida is compelled to break ranks with the gods and help them. But in order to do so, she will have to venture deeper into the Library than she has ever known. There she will discover the atrocities of the past, the truth of her origins, and the impossibility of her future…

With the world at the brink of war, Freida embarks on a journey to fulfill her destiny, one that pits her against an ancient war god. Her mission is straightforward: Destroy the god before he can rain hellfire upon thousands of innocent lives – if he doesn’t destroy her first.

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The Secret Summer Promise by Keah Brown

62675014THE BSE (Best Summer Ever) LIST!

1. Blueberries
2. Art show in ShoeHorn
3. Lizzo concert
4. Thrift shop pop-up
5. Skinny Dipping at the lake house
6. Amusement Park Day!
7. Drew Barrymarathon
8. Paintball day

Oh, and ….

9. Fall out of love with Hailee

Andrea Williams has got this. The Best Summer Ever. Two summers ago, she spent all her time in bed, recovering from the latest surgery for her cerebral palsy. She’s waited too long for adventure and thrills to enter her life. Together with her crew of ride-or-die friends, and the best parents anyone could ask for (just don’t tell them that), she’s going to live it up.

There’s just one thing that could ruin it: Her best friend, Hailee, finding out Andrea’s true feelings. So Andrea WILL fall out of love with Hailee – even if it means dating the cute boy George who keeps showing up everywhere with a smile.

Do we want Andrea to succeed? No! Does she? We’re not telling!

Buy it: Bookshop | Amazon

Things I’ll Never Say by Cassandra Newbould

Ten years ago, the Scar Squad promised each other nothing would tear them apart. They stuck together through thick and thin, late-night surf sessions and after school spodies. Even when Casey Jones Caruso lost her twin brother Sammy to an overdose, and their foursome became a threesome, the squad picked each other up. But when Casey’s feeling for the remaining members—Francesca and Benjamin—develop into romantic attraction, she worries the truth will dissolve them and vows to ignore her heart.

Then Ben kisses Casey at a summer party, and Frankie kisses another girl. Now Casey must confront all the complicated feelings she’s buried—for her friends and for her brother who she’s totally pissed at for dying. Since Sammy’s death, Casey has spilled all the things she can no longer say to him in journals, and now more than ever, she wishes he were here to help her decide whether she should guard her heart or bet it on love, before someone else makes the decision for her.

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Pedro & Daniel by Federico Erebia

Pedro and Daniel are Mexican American brothers growing up in 1970s Ohio. Their mother resents that Pedro is a spitting image of their darker-skinned father, that Daniel likes dolls, that neither boy plays sports.

Life at home is rough, but the boys have an unbreakable bond that will last their entire lives.

Together, the brothers manage an abusive home life, coming out, first loves, first jobs, and the AIDS pandemic, in a coming-of-age story unlike any other.

Buy it: Bookshop | Amazon

Gay Club! by Simon James Green

This is the US release; the book is already out in the UK.

Barney’s a shoo-in for his school’s LGBTQ+ Society President at the club’s next election. But when the vote is opened up to the entire student body, the whole school starts paying attention. How low will the candidates go to win? Buckle up for some serious shade, scandals and sleazy shenanigans. It isn’t long before it’s National Coming Out Day – for everyone’s secrets!

But when the group faces an unexpected threat – and a big opportunity – can the club members put politics aside and stand united?

Buy it: Bookshop | Amazon

Basil and Oregano by Melissa Capriglione

Basil and OreganoPorta Bella Magiculinary Academy is the finest school for the art of cooking with magic, and Basil Eyres is determined to be the top student. On the first day of her senior year, Arabella Oregano, the daughter of a renowned chef, joins the academy for her senior year as well. The two are instantly smitten with each other, but Basil senses there’s something Arabella is hiding from her. Still, the two work together to stand out from the class as the end of year culinary festival approaches. But when Arabella’s secret is reveled, Basil is faced with the hardest decision of her life, which has the potential to throw her future aspirations in jeopardy.

Buy it: Bookshop | Amazon | IndieBound

Northranger by Rey Terciero (text) and Bre Indigo (art)

Northranger by [Rey Terciero, Bre Indigo]Cade has always loved to escape into the world of a good horror movie. After all, horror movies are scary—but to Cade, a closeted queer Latino teen growing up in rural Texas—real life can be way scarier.

When Cade is sent to spend the summer working as a ranch hand to help earn extra money for his family, he is horrified. Cade hates everything about the ranch, from the early mornings to the mountains of horse poop he has to clean up. The only silver lining is the company of the two teens who live there—in particular, the ruggedly handsome and enigmatic Henry.

But as unexpected sparks begin to fly between Cade and Henry, things get…complicated. Henry is reluctant to share the details of his mother’s death, and Cade begins to wonder what else he might be hiding. Inspired by the gothic romance of Jane Austen’s Northanger Abbey and perfect for fans of Heartstopper and Bloom comes a modern love story so romantic it’s scary.

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The Grimoire of Grave Fates ed. by Hanna Alkaf and Margaret Owen

A prestigious school for young magicians, the Galileo Academy has recently undergone a comprehensive overhaul, reinventing itself as a roaming academy in which students of all cultures and identities are celebrated. In this new Galileo, every pupil is welcome, but Professor Septimius Dropwort—everyone’s least favorite professor—is among those who aren’t so happy with the academy’s transformation. When the stodgy old professor is found dead on school grounds with a mysterious note clenched in his fist, the students must solve the murder themselves . . . because everyone’s a suspect.

Buy it: Bookshop | Amazon

Adult

Boys Weekend by Mattie Lubchansky

63249715Newly-out trans artist’s assistant Sammie is invited to an old friend’s bachelor weekend in El Campo, a hedonistic wonderland of a city floating in the Atlantic Ocean’s international waters—think Las Vegas with even fewer rules. Though they have not identified as a man for over a year, Sammie’s college buddies haven’t quite gotten the message—as evidenced by their formerly closest friend Adam asking them to be his “best man.”

Arriving at the swanky hotel, Sammie immediately questions their decision to come. Bad enough that they have to suffer through a torrent of passive-aggressive comments from the groom’s pals—all met with zero pushpack from supposed “nice guy” Adam. But also, they seem to be the only one who’s noticed the mysterious cult that’s also staying at the hotel, and is ritually dismembering guests and demanding fealty to their bloodthirsty god.

Part satire, part horror, Boys Weekend explores what it’s like to exist as a transfemme person in a man’s world, the difficulty of maintaining friendships through transition, and the more cult-like effects of masculinity, “hustle” culture, and capitalism—all through the vibrant lens of a surreal, scary, and immensely imaginative romp.

Buy it: BookshopAmazon

Translation State by Ann Leckie

Qven was created to be a Presger translator. The pride of their Clade, they always had a clear path before them: learn human ways, and eventually, make a match and serve as an intermediary between the dangerous alien Presger and the human worlds. The realization that they might want something else isn’t “optimal behavior”. I’s the type of behavior that results in elimination.

But Qven rebels. And in doing so, their path collides with those of two others. Enae, a reluctant diplomat whose dead grandmaman has left hir an impossible task as an inheritance: hunting down a fugitive who has been missing for over 200 years. And Reet, an adopted mechanic who is increasingly desperate to learn about his genetic roots—or anything that might explain why he operates so differently from those around him.

As a Conclave of the various species approaches—and the long-standing treaty between the humans and the Presger is on the line—the decisions of all three will have ripple effects across the stars.

Buy it: BookshopAmazon

Relentless Melt by Jeremy P. Bushnell

The year is 1909, and Artie Quick—an ambitious, unorthodox and inquisitive young Bostonian—wants to learn about crime. By day she holds down a job as a salesgirl in women’s accessories at Filene’s; by night she disguises herself as a man to pursue studies in Criminal Investigation at the YMCA’s Evening Institute for Younger Men.

Eager to put theory into practice, Artie sets out in search of something to investigate. She’s joined by her pal Theodore, an upper-crust young bachelor whose interest in Boston’s occult counterculture has drawn him into the study of magic. Together, their journey into mystery begins on Boston Common—where the tramps and the groundskeepers swap rumors about unearthly screams and other unsettling anomalies—but soon Artie and Theodore uncover a series of violent abductions that take them on an adventure from the highest corridors of power to the depths of an abandoned mass transit tunnel, its excavation suspiciously never completed.

Will Theodore ever manage to pull off a successful spell? Is Artie really wearing that men’s suit just for disguise or is there something more to it?  And what chance do two mixed-up young people stand up against the greatest horror Boston has ever known, an ancient, deranged evil that feeds on society’s most vulnerable?

Buy it: Bookshop | Amazon

Show Girl by Alyson Greaves

Show Girl by [Alyson Greaves]Alex is a young man in the employ of James McCain, founder of McCain Applied Computing and old family friend. But when their trade show models fall ill just days before the event that could make or break the company, someone has to step in and fill their shoes… and their dresses.

Buy it: Amazon

We Could Be So Good by Cat Sebastian

Nick Russo has worked his way from a rough Brooklyn neighborhood to a reporting job at one of the city’s biggest newspapers. But the late 1950s are a hostile time for gay men, and Nick knows that he can’t let anyone into his life. He just never counted on meeting someone as impossible to say no to as Andy.

Andy Fleming’s newspaper-tycoon father wants him to take over the family business. Andy, though, has no intention of running the paper. He’s barely able to run his life–he’s never paid a bill on time, routinely gets lost on the way to work, and would rather gouge out his own eyes than deal with office politics. Andy agrees to work for a year in the newsroom, knowing he’ll make an ass of himself and hate every second of it.

Except, Nick Russo keeps rescuing Andy: showing him the ropes, tracking down his keys, freeing his tie when it gets stuck in the ancient filing cabinets. Their unlikely friendship soon sharpens into feelings they can’t deny. But what feels possible in secret–this fragile, tender thing between them–seems doomed in the light of day. Now Nick and Andy have to decide if, for the first time, they’re willing to fight.

Buy it: Bookshop | Amazon | IndieBound

Open Throat by Henry Hoke

A queer and dangerously hungry mountain lion lives in the drought-devastated land under the Hollywood sign. Lonely and fascinated by humanity’s foibles, the lion spends their days protecting the welfare of a nearby homeless encampment, observing obnoxious hikers complain about their trauma, and, in quiet moments, grappling with the complexities of their gender identity, memories of a vicious father, and the indignities of sentience. “I have so much language in my brain,” our lion says, “and nowhere to put it.”

When a man-made fire engulfs the encampment, the lion is forced from the hills down into the city the hikers call “ellay.” As the lion confronts a carousel of temptations and threats, they take us on a tour that spans the cruel inequalities of Los Angeles and the toll of climate grief, while scrambling to avoid earthquakes, floods, and the noise of their own conflicted psyche. But even when salvation finally seems within reach, they are forced to face down the ultimate question: Do they want to eat a person, or become one?

Buy it: BookshopAmazon

All the Right Notes by Dominic Lim

Quito Cruz might be a genius piano player and composer in New York City now but it doesn’t mean that he’s any closer to his Broadway dream. Although Quito knows what the problem is. Or rather who. Because ever since that night in college—with pretty-boy jock Emmett Aoki—his inspiration has been completely MIA…

Now Quito’s dad wants him to put on a charity performance in his hometown. And there’s one hella big string attached: convince Emmett—now one of Hollywood’s hottest celebrities—to perform.

It’s all shaping up to be the biggest musical fiasco of Quito’s life. Especially when Emmett agrees to attend, and Quito realizes that undeniable vibe between them is stronger than ever. Because there’s nothing simple about falling for a movie star… even when he’s pitch-perfect.

Buy it: BookshopAmazon

Killingly by Katherine Beutner

Bertha Mellish, “the most peculiar, quiet, reserved girl” at Mount Holyoke College, is missing. One cold November morning the junior is spotted walking through the Massachusetts woods; then, she vanishes.

As a search team dredges the pond where she might have drowned, Bertha’s panicked father and sister arrive at the campus desperate to find some clue as to her fate or state of mind. Bertha’s best friend, Agnes, a scholarly loner studying medicine, might know the truth, but she is being unhelpfully tight-lipped, inciting the suspicions of Bertha’s family, her classmates, and the private investigator hired by the Mellish family doctor. As secrets from Agnes and Bertha’s lives come to light, so do the competing agendas driving each person who is searching for Bertha.

Where did Bertha go? Who would want to hurt her? And could she still be alive?

Buy it: Bookshop | Amazon

The Last Drop of Hemlock by Katharine Schellman

The rumor went through the Nightingale like a flood, quietly rising, whispers hovering on lips in pockets of silence.

Life as a working-class girl in Prohibition-era New York isn’t safe or easy. But Vivian Kelly has a new job at the Nightingale, an underground speakeasy where the jazz is hot and the employees look out for each other in a world that doesn’t care about them. Things are finally looking up for her and her sister Florence… until the night Vivian learns that her friend Bea’s uncle, a bouncer at the Nightingale, has died.

His death is ruled a suicide, but Bea isn’t so convinced. She knew her uncle was keeping a secret: a payoff from a mob boss that was going to take him out of the tenements and into a better life. Now, the money is missing.

Though her better judgment tells her to stay out of it, Vivian agrees to help Bea find the truth about her uncle’s death. But they uncover more than they expected when rumors surface of a mysterious letter writer, blackmailing Vivian’s poorest neighbors for their most valuable possessions, threatening poison if they don’t comply.

Death is always a heartbeat away in Jazz Age New York, where mob bosses rule the back alleys and cops take bootleggers’ hush money. But whoever is targeting Vivian’s poor and unprotected neighbors is playing a different game. With the Nightingale’s dangerously lovely owner, Honor, worried for her employees’ safety and Bea determined to discover who is responsible for her uncle’s death, Vivian once again finds herself digging through a dead man’s past in hopes of stopping a killer.

Buy it: Bookshop | Amazon

Farrell Covington and the Limits of Style by Paul Rudnick

Devastatingly handsome and insanely rich, Farrell Covington is capable of anything and impossible to resist. He’s a clear-eyed romantic, an aesthete but not a snob, self-indulgent yet wildly generous. As the son of one of the country’s most powerful and deeply conservative families, the world could be his. But when he falls for Nate Reminger, an aspiring writer from a nice Jewish family in Piscataway, New Jersey, the results are passionate and catastrophic.

Together, the two embark on a uniquely managed romance that spans half a century. They are inseparable—except for the many years when they are apart. Moving from the ivy-covered bastion of Yale to New York City, Los Angeles, and eventually all over the world, Farrell and Nate experience the tremendous upheaval and social change of the last fifty years. From the freedom of gay life in 1970s Manhattan to the Hollywood closet, the AIDS epidemic, and the profound strides of the LGBTQ+ movement, this witty and moving novel shows how the world changes around us while we’re busy doing other things. A story of chances lost and found (and sometimes just temporarily misplaced), with an epic reach, it reminds us that there is always the possibility of undiluted, unbridled, unstoppable happiness, if, as Farrell says, “You know where to look.” Style has its limits, love does not.

Buy it: BookshopAmazon

Mortal Follies by Alexis Hall

It is the year 1814, and life for a young lady of good breeding has many difficulties. There are balls to attend, fashions to follow, marriages to consider, and, of course, the tiny complication of existing in a world swarming with fairy spirits, interfering deities, and actual straight-up sorcerers.

Miss Maelys Mitchelmore finds her entry into high society hindered by an irritating curse. It begins innocuously enough with her dress slowly unmaking itself over the course of an evening at a high-profile ball, a scandal she narrowly manages to escape.

However, as the curse progresses to more fatal proportions, Miss Mitchelmore must seek out aid, even if that means mixing with undesirable company. And there are few less desirable than Lady Georgiana Landrake—a brooding, alluring young woman sardonically nicknamed “the Duke of Annadale”—who may or may not have murdered her own father and brothers to inherit their fortune. If one is to believe the gossip, she might be some kind of malign enchantress. Then again, a malign enchantress might be exactly what Miss Mitchelmore needs.

With the Duke’s help, Miss Mitchelmore delves into a world of angry gods and vindictive magic, keen to unmask the perpetrator of these otherworldly attacks. But Miss Mitchelmore’s reputation is not the only thing at risk in spending time with her new ally. For the reputed witch has her own secrets that may prove dangerous to Miss Mitchelmore’s heart—not to mention her life.

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Countries of Origin by Javier Fuentes

It is 2007, and twenty-four-year-old Demetrio is a celebrated pastry chef in New York at the French restaurant Le Bourrelet. This will be his seventh year as the pâtissier and the chef-owner, stern but paternal, feels he should move on. When Demetrio is offered a position as head of pastries at the Four Seasons restaurant in New York, he wants nothing more than to accept it.

But as an undocumented immigrant he is terrified that he will be found out, so Demetrio makes the difficult decision to return permanently to his homeland which he has not seen since he was a small child. It will mean leaving the only family he knows—his beloved uncle Chus who has brought him up. On his flight to Madrid, Demetrio sits next to the handsome, playful, and sensitive Jacobo, a student at NYU going home to his aristocratic, fascist family and there is an instant, unacknowledged electricity between them.

In dimly lit bars in Madrid and on pebbled beaches by the sea far outside the city, Demetrio and Jacobo’s subtle but intense relationship unfolds. Demetrio is tortured by a fear of true intimacy and by anxiety about their class difference. Both are struggling with their identities and sexuality, and they avoid their true feelings until a family tragedy sets them on a collision course back into one another’s lives.

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Dreaming Home by Lucian Childs

When a sister’s casual act of betrayal awakens their father’s demons—ones spawned by his time in Vietnamese POW camps—the effects of the ensuing violence against her brother ripple out over the course of forty years, from Lubbock, to San Francisco, to Fort Lauderdale. Swept up in this arc, the members of this family and their loved ones tell their tales. A queer coming-of-age, and coming-to-terms, and a poignant exploration of all the ways we search for home, Dreaming Home is the unforgettable story of the fragmenting of an American family.

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Non-Fiction

Gender Identity for Kids by Andy Passchier

What is gender and what does it mean to you? What are ways people express their gender? What if you don’t feel like the gender everyone says you are? This new resource is here to help kids make sense of who they are and how they feel.

As you grow up, you receive lots of messages about gender. Most kids start to define their own gender identity as early as age four! But what if the messages you receive don’t seem to describe you? What if the things you like don’t match who people say you are? What if you don’t even know what gender you are?

From the illustrator behind What Are Your Words? and other books on gender and personal identity, comes a resource for all kids, of any gender. This fun, heavily illustrated chapter book explains the basics of gender identity—what it is, what it means, and how to support yourself and others no matter who you are.

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Pageboy by Elliot Page

“Can I kiss you?” It was two months before the world premiere of Juno, and Elliot Page was in his first ever queer bar. The hot summer air hung heavy around him as he looked at her. And then it happened. In front of everyone. A previously unfathomable experience. Here he was on the precipice of discovering himself as a queer person, as a trans person. Getting closer to his desires, his dreams, himself, without the repression he’d carried for so long. But for Elliot, two steps forward had always come with one step back.

With Juno’s massive success, Elliot became one of the world’s most beloved actors. His dreams were coming true, but the pressure to perform suffocated him. He was forced to play the part of the glossy young starlet, a role that made his skin crawl, on and off set. The career that had been an escape out of his reality and into a world of imagination was suddenly a nightmare.

As he navigated criticism and abuse from some of the most powerful people in Hollywood, a past that snapped at his heels, and a society dead set on forcing him into a binary, Elliot often stayed silent, unsure of what to do, until enough was enough. Full of behind the scenes details and intimate interrogations on sex, love, trauma, and Hollywood, Pageboy is the story of a life pushed to the brink. But at its core, this beautifully written, winding journey of what it means to untangle ourselves from the expectations of others is an ode to stepping into who we truly are with defiance, strength, and joy.

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Moby Dyke by Krista Burton

A former Rookie contributor and creator of the popular blog Effing Dykes investigates the disappearance of America’s lesbian bars by visiting the last few in existence.

Lesbian bars have always been treasured safe spaces for their customers, providing not only a good time but a shelter from societal alienation and outright persecution. In 1987, there were 206 of them in America. Today, only a couple dozen remain. How and why did this happen? What has been lost—or possibly gained—by such a decline? What transpires when marginalized communities become more accepted and mainstream?

In Moby Dyke, Krista Burton attempts to answer these questions firsthand, venturing on an epic cross-country pilgrimage to the last few remaining dyke bars. Her pilgrimage includes taking in her first drag show since the onset of the pandemic at The Back Door in Bloomington, Indiana; competing in dildo races at Houston’s Pearl Bar; and, despite her deep-seated hatred of karaoke, joining a group serenade at Nashville’s Lipstick Lounge and enjoying the dreaded pastime for the first time in her life. While Burton sets out on the excursion to assess the current state of lesbian bars, she also winds up examining her own personal journey, from coming out to her Mormon parents to recently marrying her husband, a trans man whose presence on the trip underscores the important conversation about who precisely is welcome in certain queer spaces—and how they and their occupants continue to evolve.

Moby Dyke is an insightful and hilarious travelogue that celebrates the kind of community that can only be found in windowless rooms soundtracked by Britney Spears-heavy playlists and illuminated by overhead holiday lights no matter the time of year.

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And Don’t F&%k it Up: an Oral History of RuPaul’s Drag Race (The First Ten Years) by Maria Elena Fernandez

Told over the first ten years, And Don’t F&%k It Up tells a cultural history through the stories of the people who lived it: the creators of the show, the contestants, the crew, the judges, and even some key (famous) fans. It begins with RuPaul’s decades-long friendship and business relationship with World of Wonder Productions, the entertainment company that helped launch him into superstardom, and later talked him into giving a drag reality show a chance. From there, it follows the growth and evolution of the show—and its queens—through a decade of gag-worthy seasons, serving up all kinds of behind-the-scenes realness. With a history as shady and funny as it is dramatic and inspiring, And Don’t F&%k It Up shows how RuPaul’s Drag Race is a mirror reflecting the cultural and political mores of our time. Its meteoric rise to becoming a once-in-a-generation success story is explored here as never before, in intimate, exuberant, unfettered detail.

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New in Paperback

Middletown by Sarah Moon

Thirteen-year-old Eli likes baggy clothes, baseball caps, and one girl in particular. Her seventeen-year-old sister Anna is more traditionally feminine; she loves boys and staying out late. They are sisters, and they are also the only family each can count on. Their dad has long been out of the picture, and their mom lives at the mercy of her next drink. When their mom lands herself in enforced rehab, Anna and Eli are left to fend for themselves. With no legal guardian to keep them out of foster care, they take matters into their own hands: Anna masquerades as Aunt Lisa, and together she and Eli hoard whatever money they can find. But their plans begin to unravel as quickly as they were made, and they are always way too close to getting caught.

Eli and Anna have each gotten used to telling lies as a means of survival, but as they navigate a world without their mother, they must learn how to accept help, and let other people in.

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A Lady for a Duke by Alexis Hall

This is the Mass Market Paperback edition

When Viola Carroll was presumed dead at Waterloo she took the opportunity to live, at last, as herself. But freedom does not come without a price, and Viola paid for hers with the loss of her wealth, her title, and her closest companion, Justin de Vere, the Duke of Gracewood.

Only when their families reconnect, years after the war, does Viola learn how deep that loss truly was. Shattered without her, Gracewood has retreated so far into grief that Viola barely recognises her old friend in the lonely, brooding man he has become.

As Viola strives to bring Gracewood back to himself, fresh desires give new names to old feelings. Feelings that would have been impossible once and may be impossible still, but which Viola cannot deny. Even if they cost her everything, all over again.

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Just By Looking at Him by Ryan O’Connell

See our feature on this book here.

Elliott appears to be living the dream as a successful TV writer with a doting boyfriend. But behind his Instagram filter of a life, he’s grappling with an intensifying alcohol addiction, he can’t seem to stop cheating on his boyfriend with various sex workers, and his cerebral palsy is making him feel like gay Shrek.

After falling down a rabbit hole of sex, drinking, and Hollywood backstabbing, Elliott decides to limp his way towards redemption. But facing your demons is easier said than done.

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Rainbow Rainbow by Lydia Conklin

See our feature on this book here.

In this exuberant, prize-winning collection, queer, trans, and gender-nonconforming characters seek love and connection in hilarious and heartrending stories that reflect the complexity of our current moment.

A nonbinary writer on the eve of top surgery enters into a risky affair during the height of COVID. A lesbian couple enlists a close friend as a sperm donor, plying him with a potent rainbow-colored cocktail. A lonely office worker struggling with their gender identity chaperones their nephew to a trans YouTube convention. And in the depths of a Midwestern winter, a sex-addicted librarian relies on her pet ferrets to help resist a relapse at a wild college fair.

Capturing both the dark and lovable sides of the human experience, Rainbow Rainbow establishes debut author Lydia Conklin as a fearless new voice for their generation.

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Time is a Mother by Ocean Vuong

How else do we return to ourselves but to fold
The page so it points to the good part

In this deeply intimate second poetry collection, Ocean Vuong searches for life among the aftershocks of personal and social loss, embodying the paradox of sitting in grief while being determined to survive beyond it. Shifting through memory, and in concert with the themes of his novel On Earth We’re Briefly Gorgeous, Vuong contends with the meaning of family and the cost of being the product of an American war in America. At once vivid, brave, and propulsive, these poems circle fragmented lives to find both restoration as well as the epicenter of the break.

The author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the 2016 Whiting Award, the 2017 T. S. Eliot Prize, and a 2019 MacArthur fellowship, Vuong writes directly to our humanity without losing sight of the current moment. These poems represent a more innovative and daring experimentation with language and form, illuminating how the themes we perennially live in and question are truly inexhaustible. Bold and prescient, and a testament to tenderness in the face of violence, Time Is a Mother is a return and a forging forth all at once.

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Authors in Conversation: Vicki Johnson and Harry Woodgate

Today on the site, I’m thrilled to welcome a pair of wonderful picture book authors, Vicki Johnson and Harry Woodgate! They’re here to talk about their books (Molly’s Tuxedo, illustrated by Gillian Reid, and Grandad’s Pride, respectively), approaches, history, the process of working with illustrations, and more!

HW: Firstly, huge congratulations on Molly’s Tuxedo, it’s such a gorgeous book. Your writing is full of warmth and humour and Molly is such a memorable character, and Gillian’s illustrations are wonderfully textured and so expressive. It’s so lovely to be chatting to you for LGBTQReads Authors in Conversation.

VJ: I’m so happy to be here chatting with you. First, I have to say congratulations on all the many accolades you’ve received for Grandad’s Camper – Waterstones Children’s Book Prize for Best Illustrated Book; shortlisted for the British Book Awards Children’s Illustrated Category, and a 2022 ALA Stonewall Book Awards Honor, among others. Incredible, and so well deserved!

Grandad’s Pride is a beautiful and vibrant follow-up story, celebrating the diversity of our community and the fullness it brings to the world. Your art, as always, is layered and so inviting and full of color. I would have loved to read this to my daughter when she was young, to talk about all of the intricate details – the signs and t-shirts and hair colors and storefronts and animals and trees and flowers and families. It’s a perfect read together book.

HW: Thank you so much, that really means a lot and I’m so pleased you enjoyed it! I enjoy adding in those details because that’s what I loved when reading as a kid – looking at the buildings, outfits, characters, all the hidden stories within each book.

On a related note, I’m really interested to hear your thoughts on the intersections between fashion, gender and self-expression in picture books, because I think Molly’s Tuxedo explores these themes in such a playful yet meaningful way. How did you approach this and what do you hope your readers take from the story?

VJ: My goal was to explore my own experiences and feelings on these concepts, but to remember them from a child’s point of view. Young children have a tiny bit of agency over decisions in their lives, and self-expression in the form of what clothes feel right is a major opportunity for them to exercise their decision making. The push to conform is stronger as they get older but really young ones can be free and play and they have such strong feelings at that age. It was big for me as a child, and I observed the same with my own child. I also see it all around me every single day where this sense of play and self-discovery can be squashed by rigid and outdated ideas about gender. I drew on those experiences to write, hopefully, a very child-centered story about self-discovery and burgeoning self-confidence. I hope I’ve created some space for conversation about it for children and caregivers. I hope readers take from Molly’s experience that they can follow their inner compass and be brave if need be and feel just as happy as their classmates about their choices, even if it is a different one.

Regarding Grandad’s Pride, I’ve seen you talk about the need to recognize queer elders and their experiences as you have done in both of these books. I came out as a teen in 1980 and it has been a long and winding journey for this diverse community and there are so many untapped stories to tell! Our history and the rich tapestry of individuals within it will help sustain us, especially now. I have on my bucket list to write a story of historical fiction. How did you connect with these stories initially and are there more to come? And what is on your bucket list to write one day?

HW: In some ways I think my academic interest came first and from that I began to draw connections with my own experiences. In the UK, Section 28 prohibited the ‘promotion’ of LGBTQ+ identities in schools from the late 1980s all the way through to 2003 when it was finally repealed, and although almost all my school years came after that date, I still don’t recall learning a great deal about LGBTQ+ history or seeing many books in the library with openly queer characters and storylines. When I began researching these topics at sixth form and university, it revealed a whole alternate timeline of events and individuals and experiences I simply didn’t know had existed – and although I’m sure I could have sought them out sooner had I been so inclined, the point is that nobody should have to seek them out. They shouldn’t be on a separate shelf; they shouldn’t be consigned to a closing paragraph or a footnote; they should be readily available.

With Grandad’s Pride, I was keen to include key moments in LGBTQ+ history, such as Lesbians and Gays Support the Miners, Act UP, and the eventual legalization of same-sex marriage. I wanted to link up a few of the dots and reiterate that where we are today is simply another step along a path that has been trodden by countless generations of LGBTQ+ individuals, families, activists and campaigners.

In terms of what’s to come, I recently illustrated the cover for ‘Tales From Beyond The Rainbow’ by Pete Jordi Wood, which is a collection of lost or forgotten LGBTQ+ fairy tales from many different cultures, featuring illustrations by artists from around the world. It’s publishing with Puffin Classics this June. I’m also illustrating a non-fiction book of LGBTQ+ historical figures, which is a nice change to some of the projects I’ve worked on before. As for my bucket list, I think a graphic novel is definitely up there.

What I absolutely love about Molly’s Tuxedo is that we experience Molly’s journey at the same pace as her, which really allows us to understand her feelings in each moment and creates a wonderful sense of anticipation for the final reveal. How did you develop the pacing for the story, and were there any ways in which Gillian’s illustrations informed this?

VJ: I wish I had a grand explanation for my pacing of the story. I knew this was going to be an emotional journey for Molly so I had to write it in a way that kept the emotions high from the moment she wakes up on the big day! It was a bit tricky to find a way for Molly to have her tux with her at school, and for her mom to be there, too. Gillian’s illustrations have everything to do with carrying us moment by moment in Molly’s journey. The way she used spot illustrations to depict each and every line in the scenes where Molly expresses disdain for dresses was perfect. I loved her use of Molly’s cat to mirror Molly’s emotions. Her expressions! Picture books are magical for this interaction of words and images. As an author, it’s the most exciting thing. It will keep me writing picture books for sure.

Yes, I love Molly’s cat too! Your point about the interaction between word and image is so true, and I think sometimes the complexity of picture books in this regard is underappreciated. Visual literacy is such an important skill and picture books teach it so well.

What I love about Grandad’s Pride is the setting: this wonderful seaside village full of diverse individuals from all walks of life. It’s idyllic. I particularly love how you use sweeping lines across the spread like the colors of the pride flag or a road or the rolling hills of the landscape, giving your stories a very unique energy of place. How did you decide on the setting and what is your process for creating a story? Do you ever have to change the art to match the words or the words to match the art?

HW: Thank you! The British seaside has such a hold of my imagination and was a key part of my childhood, so I suppose it’s natural that it continues to crop up in my stories. The village in Grandad’s Pride is an amalgam of several places that are important to me. I wanted any child or family to be able to imagine themselves right there on the seafront amongst the celebrations, so I spent a lot of time populating the village with a diverse cast of characters.

As for how I create a story, I usually have to edit both art and text multiple times! Usually, I begin with character or location sketches before writing a first draft, which tends to come in several hundred words too long. Then I’ll cut out all the extra fluff and exposition by translating that into illustration. I’ll repeat that process until I have a set of rough layouts and a manuscript that flow as one – where the illustrations build upon the words, and the words give structure and rhythm to the illustrations.

It’s always fascinating hearing about other writers’ processes. Coming from an illustration background, I find I tend to begin with the visual world of the story, but I’d love to hear what aspect of the story came to you first: theme, character, structure, or something else? How did you transform those initial seeds into a full picture book, and were there any aspects you particularly struggled with or enjoyed along the way?

VJ: With all my writing I start with a character for sure, then I imagine, through a child’s eyes, the simple topic I’m thinking about. As I generate words it’s more like I am writing verses in a poem without an idea where it is going until I get there! Later I work on whether it makes sense and what kind of structure it needs and what may be missing. That usually means I need to dig deeper emotionally or enliven the language, both of which always work to make the story better. I naturally write in a poetry or lyrical picture book style, and then enhance and correct over several drafts.

I tend to be more serious in my writing and have the highest praise for Gillian who was able to inject lightheartedness and humor and color and motion with her artwork. I get the sense that you and I might be similar in that our stories are heartfelt, and I wonder if you’ve ever written a humorous or silly picture book, or if you’ve considered writing a book completely out of the norm for you? Admittedly I have tried and failed at this, ha.

HW: I think you’re probably right about the kinds of stories we’re drawn to write! I absolutely love how Gillian’s illustrations bring a levity to an experience which, for a child, can feel quite overwhelming, but I think your words portray Molly’s feelings in such an honest way and have their own gentle humour, too. There’s absolutely no doubt that kids love hilarious, silly books, but there are also lots of young readers who will cherish the quieter, more reflective stories such as ours, so there’s definitely a space for both.

Funnily enough, whilst I haven’t yet written a silly picture book, I am writing a middle grade series which is about as un-serious as you could possibly get! I’d been working on some other ideas which alongside the pressures of work, news and social media were beginning to weigh me down, so I just started writing to make myself laugh, and it unlocked an enthusiasm I genuinely feared I had lost.

On the topic of humour: are there any funny rituals, routines or ‘little treats’ that form part of your day-to-day writing process that you couldn’t do without? I think mine is that the closer it gets to deadline, the more I bribe myself with coffee shop trips or G&Ts once I’ve finished work for the day!

VJ: I was going to ask you something similar! You seem to be SO busy with multiple projects, all of the time. I rely on daily walks outside to clear my head, and I need so much head clearing that I live in an actual forest, ha. I also live with five rescue pets who amuse me and interrupt me to no end. So those things give me a respite. As to writing, I am an early bird and do my best generative work when it’s still dark outside, with hot coffee next to me and cats sleeping around me.

Big thumbs up for daily walks (and rescue pets!). Excellent stress relievers, both. I wish I was an early bird. I’m lucky if I haul myself into the office before 11am.

My question for you: Gillian Reid, who illustrated our book, is absolutely amazing, and we have met since and she is just as lovely in person and also very funny. She put a few “Easter eggs” or hidden gems in the book. For example, I have a photo of me at age 7 in a suit and clip-on tie in front of our red family car and it appears on Molly’s family wall. Do you ever include secret references in your books or use friends as visual references for your characters?

HW: Oh I love hearing about these little Easter eggs! Yes, I absolutely do this. My illustrations are full of references that probably only a select group of family and friends will recognize. After all, what is it that draws us to writing or illustrating in the first place if not the opportunity to translate and thereby more fully understand our own internal worlds? They’re not just stories, in the end, they’re time capsules. 

Something which is perhaps unique about picture books is how they need to speak to children and their caregivers simultaneously, without patronising either. I wonder if you have any thoughts about this, and if there are any ways it informed your writing, because it’s something I feel Molly’s Tuxedo really succeeds in doing.

VJ: This makes me very happy that you mention this. It was really important to me to write a story where the caregiver had a proper arc, too. I do think even the most present and involved adult can miss something about their child or make mistakes or just be busy and overlook something important. I did as a parent for sure! In this case, Molly’s mom wasn’t tuned in to how important the tux was to Molly until she overheard her talking with her friends at school. I wanted Mom to have an opportunity to have a course correction because this can happen in real life. I didn’t want adults leaving this book feeling bad if they made a mistake or missed something in their own family. I wanted them to feel as empowered as Molly. If you notice in that scene when she ‘sees’ Molly she is hugging Molly but her eyes are open. That’s a moment Gillian made more special with her attention to detail.

HW: It’s so amazing how much difference something small like a character’s eyes being open or closed can make! And that is a lovely point about giving Molly’s mum the space to make mistakes. It’s so important for young readers to know that parents don’t always have the right answers, too, but that you can help each other grow by listening and making space to be open about your feelings. That’s a really powerful message.

VJ: I enjoy photography as another creative outlet, and going to movies and museums, and I’m wondering if you have other things that you do for fun or to fill your creative well?

HW: Me too! I also enjoy music – listening to, playing and writing. It’s so lovely having a creative hobby which you don’t feel obliged to share with anyone. Apart from that, cycling is my favourite way of getting outdoors and making sure I’m not sat in front of a screen for seven hours a day!

A couple of shorter questions to finish! Firstly, are there any other recent or upcoming picture books that you are really excited about or would recommend (or perhaps an older title that you feel didn’t get the recognition and appreciation it deserved)?

And secondly, the various outfits Molly and her friends wear for school picture day are so varied and exciting. If you were back at school, what would you wear for the big day?

VJ: So far this year, I have really loved Out of the Blue by Robert Tregoning and Stef Murphy, and The Wishing Flower by A.J. Irving and Kip Alizadeh, and I look forward to reading Hope for Ryan White by Dano Moreno and Hannah Abbo. As for my time-traveling picture day, in kindergarten I was horse obsessed, and I told my teacher I wanted to be a cowboy when I grew up, so I would probably wear a cowboy hat and boots.

How about you? What would be your dream outfit or what was your favorite picture day memory (Do you have a picture day in the U.K.?)

HW: Yes, I loved Out of the Blue too, and I’m looking forward to the other two as well. And a cowboy outfit sounds iconic! I’m not sure what I’d pick – we had school uniforms in the UK so the only time we got to choose what to wear was on non-uniform day (which usually had a theme, like ‘book characters’ or ‘superheroes’). I think a very swishy, sparkly ball gown would make a fun statement in our imaginary class. 

Finally, are you working on anything new right now that you’re allowed to talk about? I’ve got a few picture books in the works, as well as the (hopefully!) funny middle grade series I mentioned earlier.

VJ: I recently wrote a new picture book I’m really excited about! It came to me very quickly and for me that feels like something really true and good. I’m also in developmental edits with my middle grade novel.

Thanks so much for chatting with me, Harry. I hope we get to meet in person one day.

I love what you bring to the world of children’s literature. As Lesléa Newman told me to remember, love wins. Your stories prove it.

Buy Vicki’s Tuxedo: Bookshop | Amazon

Buy Grandad’s Pride: Bookshop | Amazon

Harry Woodgate (pronouns: they/them) is an award-winning author and illustrator who has worked with clients including National Book Tokens, Google, The Sunday Times Magazine, Harper Collins, Simon & Schuster, Walker Books, Andersen Press, Bloomsbury, The Washington Post and Penguin Random House.

Their books include Grandad’s Camper, Grandad’s Pride, Timid, Little Glow, Shine Like the Stars, My First Baking Book and The Very Merry Murder Club.  Grandad’s Camper, their debut author-illustrator title, won the Waterstones Childrens Book Prize Best Illustrated Book 2022 and a Stonewall Book Award Honor from the American Library Association. It was also shortlisted for the Children’s Illustrated category at the British Book Awards as well as the inaugural Polari Children’s & YA Prize, and was nominated for the CILIP Yoto Kate Greenaway Award.

Harry is passionate about writing and illustrating diverse, inclusive stories that inspire children to be inquisitive, creative, kind and proud of what makes them unique.

Vicki Johnson (she/her) is a children’s book author, and a former band nerd, White House staffer, and nonprofit director, among other life adventures. Her debut picture book is Molly’s Tuxedo, illustrated by Gillian Reid, releasing June 27, 2023 from Little Bee Books in their publishing partnership with GLAAD.

Born and raised in rural GA, Vicki is a lesbian mom, proud first-gen graduate of Smith College and Emory University School of Law, and an MFA candidate in Writing for Children & Young Adults at VCFA. Vicki was a 2022 Lambda Literary Fellow, a 2020 PBChat Mentee, a 2020 WNDB MG mentorship finalist, and a 2018 grant recipient from the WV Div. of Arts, Culture & History and the National Endowment for the Arts. She’s an active member of SCBWI and was a nominee for the Sue Alexander Award for most promising new work. Vicki is currently working on her middle grade novel and texting cat photos to her college kid. Read more: www.vickijohnsonwrites.com

When an Old Friend Comes Back to Haunt You: a Guest Post by The Language of Love and Loss Author Bart Yates

Today on the site I’m honored to welcome Bart Yates, author of The Language of Love and Loss, which just released last week from Kensington Books! Here’s the story:

The Language of Love and Loss by Bart Yates

As it turns out, you can go home again. But sometimes, you really, really don’t want to . . .

Home, for Noah York, is Oakland, New Hampshire, the sleepy little town where Noah’s mother, Virginia, had a psychotic
breakdown and Noah got beaten to a pulp as a teenager. Then there were the good times—and Noah’s not sure which ones are
more painful to recall.

Now thirty-seven and eking out a living as an artist in Providence, Rhode Island, Noah looks much the same—and swears just as
colorfully—as he did in high school. Virginia has become a wildly successful poet who made him the subject of her most famous
poem, “The Lost Soul,” a label Noah will never live down. And J.D., the one who got away—because Noah stupidly drove him
away—is in a loving marriage with a successful, attractive man whom Noah despises wholeheartedly.

Is it any surprise that Noah wishes he could ignore his mother’s summons to come visit?

But Virginia has shattering news to deliver, and a request he can’t refuse. Soon, Noah will track down the sister and extended
family he never knew existed, try to keep his kleptomaniac cousin out of jail, feud with a belligerent neighbor, confront J.D.’s
jealous husband—and face J.D. himself, the ache from Noah’s past that never fades. . . . All the while, contending with his
brilliant, unpredictable mother.

Buy it: BookshopAmazon

And here’s the post!

When an Old Friend Comes to Haunt You

Once upon a time—when Saddam Hussein was still big news, and I still had a (mostly) full head of hair—I wrote a novel called LEAVE MYSELF BEHIND, about a seventeen year-old gay boy coming to terms with his sexuality, falling in love for the first time, and dealing with both the death of his father and the mental instability of his mother.  It was my debut novel.  I loved writing about the characters—especially the first-person narrator, Noah York, whose voice came naturally to me—and I missed them terribly when the book went to press.  But I thought their story was done.  I didn’t completely rule out doing a sequel one day, yet I doubted I ever would.

Never say ever.

Some voices just won’t leave you alone.  For nearly two decades, Noah York kept threatening to hijack my computer while I was busy working on five other novels.  (Four of these were eventually published, the fifth got exiled to a desk drawer for several years—it was driving me nuts and needed a timeout, though we’ve since kissed and made up; it’s now scheduled for publication next year.)  I was largely able to ignore Noah when I was immersed in the new books, but as I finished each one he became downright obnoxious, insisting it was time to let him take over the typing again.  Disinclined to reward bad behavior, I refused him again and again, but I finally surrendered when I realized he’d never shut up unless I let him repossess me.

Fictional characters can sometimes be a royal pain in the ass.

In some ways, THE LANGUAGE OF LOVE AND LOSS was an easy book to write.  I knew Noah’s voice inside and out, I had a ready-made cast of characters, a setting, and even a partial plot in place, all courtesy of the first book.  Everything went well at first: I started off the way I always do, with a one-page outline of the story, then I spent a few days trying to come up with an opening sentence that perfectly captured Noah’s personality.  This is the one I eventually settled on: 

The next time Mom wants me to come home, remind me why I’d rather roast my own balls over a campfire.

A promising start, or at least I thought so.

The story gradually took shape—I generally attempt to write a page a day, which may not sound like much but you’d be amazed at how much time I can waste, obsessing over the placement of a semicolon—and I was about halfway done with the first draft when Covid-19 came along and gave the world a major kick in the axis.

I used to fantasize about living in extreme isolation for months at a time, believing it would be good for my writing.  HAHAHAHAHAHA.  

I did manage to write during those endless months of the lockdown, but most of what came out of me felt forced and self-conscious.  I’m a proud introvert—I love living alone—but I quickly discovered just how much I rely on close physical proximity to my friends to inspire me in my work.  The restorative power of a shared meal and conversation with people I love dearly can’t be replicated online, no matter how hard I try.  When the company is great, a dinner party is a writer’s wet dream: A feast not only for the stomach but for all the senses at once.  The rich timbre of a human voice not flattened by technology, the touch of a hand on a wrist, the scent of ginger in a friend’s hair.  Simple, everyday things like these are the heart of good fiction, and have to be continually renewed for me to write about them with authenticity.  It’s amazing how much good material you can get for a novel in a three-hour conversation over a homemade pizza and a few bottles of red wine.

Besides the isolation, the other way Covid-19 messed with my head was in my acute reluctance to write about it.  My original intention for THE LANGUAGE OF LOVE AND LOSS was to have the story take place “here and now,” which, at the time, was 2020.  But half the book was already written before the pandemic got going full tilt, and I couldn’t bear the idea of starting over and turning Noah’s life into a Covid tale.  The “here and now” of the real world was immensely unappealing to me, so I chose to dodge the issue entirely, letting Noah & Co. continue to live in blissful ignorance of the plague affecting those of us with actual physical bodies.  Was that cowardly on my part?  Maybe.  But at that point Covid had already taken up far too much real estate in my head, and the thought of allowing it to take over my book, too, was just too damn depressing to contemplate.

(One of the best things about being a fiction writer, incidentally, is that I get to play God on a daily basis.  In my own life, I have precious little control of what happens; in my books, I can do whatever I want.  I try not to let the power go to my head, but just between you and me, I often don a toga, pick up a trident, and kill off a character or two with a bolt of lightning, just to prove how mighty I am.)

Another snag I didn’t anticipate in writing a sequel two decades after the prequel was how much I’ve changed as both a writer and a person in those intervening years.  When I started writing LEAVE MYSELF BEHIND, I was in my late thirties and had just moved from Massachusetts back to my home state of Iowa.  I hadn’t yet come out to my family, published a single thing, or figured out what I was going to do with the rest of my life.  I knew I’d continue to teach and play music—both my degrees are in woodwind performance, and I couldn’t imagine living without music as part of my day-to-day experience—but everything else was a crapshoot.  I wanted to write a novel, but I had no idea how to go about doing it.  Up until that point, I’d tried my hand at essays, poems, and short stories—none of which were very good—but I’d always been in love with novels, and felt that it might be a better fit for me.  Anyway, I eventually took a writing class from a magnificent teacher—Gordon Mennenga, may God forever set a flower on his beautiful bald head—then I wrote my book, got an agent, got an editor, and finally got published.  I also came out to my family, by the way, which in some ways was a harder process, though just as gratifying. 

And then twenty years went by.  Twenty years and five books.  Twenty years of friends, lovers, family, births, deaths, disappointments, victories, illnesses, trips to Europe, mortgage payments, music students, writing students, cats, kung fu training, t’ai chi classes, French lessons, laughter, tears, beers, late night conversations, stupid arguments, high school reunions, political brawls, manuscript revision, financial headaches, books books and more books, meal preparation, gigs, colonoscopies, dreams, wine-saturated evenings by the fireplace, anxieties, walks in the woods, swimming, parties, shoveling snow, grinding coffee beans, good sex, bad sex, television, gardening, literary critics, napping, depression, holidays, carpal tunnel syndrome, Bach, Ella Fitzgerald, NPR, new wrinkles at the corners of my mouth, new aches and pains in my joints…

In other words, twenty years of life.  So much life that the author of LEAVE MYSELF BEHIND now feels like a stranger to me—which is why I decided that Noah had to be twenty years older, too, in THE LANGUAGE OF LOVE AND LOSS.  

If I had to get older, then dammit, so did he.

Am I happy with the result of my second collaboration with Noah York?  Yes and no.  I don’t think any author ever looks at their own finished book and says “Wow, that’s perfect in every way.”  (And if they do, they’re delusional.) But I loved falling into Noah’s world again and seeing how everything turned out for him.  And if he’s a little more of a dick now than he was as a kid—life often makes a lot of us crankier—he’s also far more interesting to me.  I’ve always been a big fan of coming-of-age novels, but maturity, no matter how slow in coming, does have its advantages.  Noah’s body might not be as pretty as it once was, but his wit is sharper; experience has not only turned him into a excellent painter—he was a mere aspiring artist in the first book—but has also made him more multifaceted as a person.  

And every once in a while, he even manages to be lovable, and to do the right thing—though of course he’s still a work in progress, just like the rest of us.

Bart Yates is the Alex Award-winning author of novels including Leave Myself Behind, The Brothers Bishop, and The Third Hill North of Town, written as Noah Bly. He is also a musician, and plays clarinet, saxophone, and bass guitar. He lives in Iowa City, IA and can be found online at BartYates.com.

May 2023 Deal Announcements

Adult Fiction

NYT staff writer Elizabeth Harris‘s HOW TO SLEEP AT NIGHT, about two gay siblings whose lives are upended when one decides to run for office—as a Republican, to Rachel Kahan at William Morrow, in a pre-empt, for publication in 2025, by Brettne Bloom at The Book Group (world).

Rose Black‘s TIL DEATH DO US BARD, a queer light fantasy pitched for fans of LEGENDS & LATTES and Our Flag Means Death, about a grumpy ex-adventurer who must come out of retirement to save the kingdom and his sunshiny bard husband, with the “help” of a flirty necromancer grandmother and the ghost of his ex-wife, to Natasha Qureshi at Hodderscape, in a two-book deal, for publication in fall 2023, by Rebecca Podos at Rees Literary Agency (world English).

Kate Cochrane‘s debut WAKE UP, NAT & DARCY, a sapphic romance in which two former hockey teammates turned rivals with unresolved feelings for one another are paired to host a popular morning show’s Olympic coverage and must remain professional amid a nation of fans closely scrutinizing their incredible chemistry, to Errin Toma at Carina Adores, for publication in 2024, by Paige Terlip at Andrea Brown Literary Agency (world English).

Dana Hawkins‘s LOVE AND RAINBOW LATTES, an opposites-attract queer romance, to Emily Gowers at Storm Publishing, in a two-book deal, for publication in January 2024 (world).

Author of ZEUS GRANTS STUPID WISHES Cory O’Brien‘s TWO TRUTHS AND A LIE, a literary science fiction mystery set in a half-drowned future Los Angeles where knowledge is literally currency, following an aging combat veteran who is dragged into investigating a murder that brings his ex-boyfriend back into his life decades after they parted ways, in a humorous, heartfelt blend of noir and cyberpunk, to Anna Kaufman at Anchor, by Jessica Felleman at Jennifer Lyons Literary Agency (NA).

McSweeney’s contributor and one of Electric Literature’s emerging voices of Nigerian fiction Chukwuebuka Ibeh’s BLESSINGS, a coming-of-age story following a young gay man in Nigeria longing for love, acceptance, and queer joy, culminating in the Same-Sex Marriage Prohibition Act of 2014, interrogating how politics can impact ordinary lives, to Cara Reilly at Doubleday, for publication in 2024, by Emma Leong at Janklow & Nesbit (US).

Republic of Consciousness finalist Nate Lippens’s RIPCORD, which follows the narrator of MY DEAD BOOK as he navigates sex, intimacy, class, and queer aging in Milwaukee, Wisconsin, to Hedi El Kholti at Semiotext(e), in a nice deal, in an exclusive submission, in a two-book deal, for publication in 2024, by Chris Fischbach at Fischbach Creative (NA).

Children’s and Middle Grade Books

Author of JUDE SAVES THE WORLD Ronnie Riley‘s ASKING FOR A FRIEND, in which a socially anxious, nonbinary 12-year-old lies to their mother about having friends at their new school—and has to make them fast when Mom wants to throw them a 13th birthday party, to Erin Haggett and Amanda Sun at Scholastic, with Emily Seife editing, in an exclusive submission, for publication in 2024, by Jennifer Azantian at Azantian Literary Agency (world).

Emmy-winning journalist and poet Dr. Seema Yasmin, MD’s picture book THE ABCS OF QUEER HISTORY, a journey through key individuals, movements, and moments across a range of identities and experiences, illustrated by Lucy Kirk, to Pamela Bobowicz at Workman Kids, in an exclusive submission, for publication in spring 2024, by Lilly Ghahremani at Full Circle Literary for the author (world).

Author-illustrator Jayme Brodie’s debut graphic novel STICK TOGETHER, which follows a 12-year-old who is excited to become fast friends with her new neighbor and join her school’s field hockey team, but her burgeoning friendship with (and crush on) one of the prettiest and coolest girls that she’s ever seen threatens to come between them, and she must reconcile their differences, and her feelings for the pretty one, before they tear the team and each other apart, to Rachel Diebel at Feiwel and Friends, in a very nice deal, at auction, for publication in spring 2026, by Jennifer Azantian at Azantian Literary Agency (world).

Young Adult Fiction

Author of BIANCA TORRE IS AFRAID OF EVERYTHING Justine Pucella Winans‘s ONE KILLER PROBLEM, a humorous mystery following a bisexual teen with IBS and an attitude, who convinces her murder-mystery obsessed, bookish best friends to investigate the suspicious death of their favorite teacher, to Lily Kessinger at Harper Teen, with Alice Jerman editing, for publication in summer 2024, by Jordan Hamessley at New Leaf Literary & Media (world English).

Jessica Lewis‘s NAV’S FOOLPROOF GUIDE TO FALLING IN LOVE, a queer rom-com in which an expert at flirting who is allergic to love agrees to give the painfully shy new girl lessons in romance to win over her best friend, only to fall for the new girl herself, to Olivia Valcarce at Inkyard Press, in a pre-empt, in a two-book deal, for publication in summer 2024, by Holly Root at Root Literary (world English).

Author of ZOMBABE and BABYLOVE I. S. Belle’s GIRLS NIGHT, a sapphic YA in which four unlikely friends at an all-girls school start an underground fight club, but what starts out as a way to let off steam quickly snowballs into something larger until the girls are forced to choose between the friendships they’ve made or the club that brought them together, to Joshua Dean Perry at Tiny Ghost Press, in a nice deal, for publication in summer 2024 (world English).

Non-Fiction

Fashion Fair commentator and founder of The Ground Crew Audrey Smaltz‘s EVERY INCH A LADY: A MEMOIR, highlighting the author’s life from a model, Wall Street mutual funds broker, department store dynamo, Ebony fashion coordinator and commentator, Vogue editor, and successful businesswoman; taking readers behind-the-scenes with her work with fashion royalty including Michael Kors, Donna Karan, and Ralph Lauren, and candidly discussing her “coming out” after marrying her wife, former WNBA and Olympic silver medalist Gail Marquis in 2011, to Patrik Henry Bass at Amistad, in a good deal, in a pre-empt, for publication in fall 2025, by Alina Mitchell at MacGregor & Luedeke (world).

Long-term survivor of AIDS, prominent advocate for the LGBTQ+ community, and former Metropolitan Community Church pastor Rev. Dr. Steve Pieters‘s DANCING WITH JOY: COMING OUT, SURVIVING AIDS, AND EMBRACING GOD’S GRACE, the story of the man whose 1985 interview with Tammy Faye Baker changed how religious America perceived AIDS and the gay community, to Richard Brown at Rowman & Littlefield, in a nice deal, in an exclusive submission, for publication in March 2024, by George Greenfield at CreativeWell (NA).

Author of IN THE MARGINS Shannon T. L. Kearns‘s NO ONE TAUGHT ME HOW TO BE A MAN: A TRANSGENDER PERSPECTIVE ON NON-TOXIC MASCULINITY, in the author, a transgender man, examines how we got to this moment of a crisis of masculinity in modern culture and illustrates how transgender men provide unique insights on how readers can become better men, better feminists, and work more in solidarity with people of all genders, to Lil Copan at Broadleaf, for publication in spring 2025, by Trinity McFadden at The Bindery (world).

Justice, equity, and transformation post-doctoral fellow at the University of Calgary Lucas Wilson ed.’s SHAME-SEX ATTRACTION: SURVIVORS’ STORIES OF CONVERSION THERAPY, an anthology that collects the stories of those who have been harmed by anti-gay conversion therapy, offering hope in community and overcoming their shame, to Alex DiFrancesco at Jessica Kingsley, for publication in January 2025 (world).

New Releases: May 30, 2023

Picture Books

The Wishing Flower by A.J. Irving (text) and Kip Alizadeh (art)

Birdie finds comfort in nature and books, but more than anything she longs for connection, to be understood. At school, Birdie feels like an outsider. Quiet and shy, she prefers to read by herself, rather than jump rope or swing with the other kids. That all changes when Sunny, the new girl, comes along. Like Birdie, Sunny has a nature name. She also likes to read, and loves to rescue bugs. And when Sunny smiles at her, Birdie’s heart balloons like a parachute.

Buy it: Bookshop | Amazon

Continue reading New Releases: May 30, 2023

Exclusive Cover Reveal: It’s Pride, Baby! by Allen R. Wells and Dia Valle

Today on the site, we’re revealing the cover for It’s Pride, Baby! by Allen R. Wells and Illustrated by Dia Valle (Vah-yay), a love letter to the Black gay community that instills hope, assurance, and love within young readers releases May 7, 2024! Here’s the story:

Lift your soul to the sky.
Like summer sunbeams―
Don’t live behind clouds.
You shine!

It’s Black Gay Pride Day in Washington, DC, and two gay parents are getting their child ready for a day at the National Mall. From cheerful neighbors to colorful outfits to fireworks, the vast LGBTQIA+ community is represented here in body, spirit, and pride flags galore!

Allen R. Wells’s poetic text perfectly captures the expansiveness of a parent’s love, while Dia Valle’s joyful art bursts off the page. Here are words that children in every family—no matter its color, size, or shape—need to hear.

We are so proud of you!

And here’s the gorgeous, joyful cover, illustrated by Dia Valle and designed by Mariam Quraishi!

Buy it: Bookshop | B&N

(c) T. Williams

Allen R. Wells (he/him) is an author and engineer. He writes picture books to young adult novels, writing a diverse range of stories that reflect the multifaceted black and queer experiences that exist in the world. Born in the late-late 80s in Jackson, MS, and reared in the 90s and early 00s, Allen is definitely a product of Nickelodeon, 90s R&B, and hopeful endings. He’s not on social media that often…LOL, but you can follow him on Twiiter+IG @allenwriteswell allenwriteswell.com

(c) Dia Valle

Dia Valle (he/they) is an illustrator and teacher born in Virginia and currently based in Brooklyn, NY. He loves to draw cute outfits, tender moments, and colorful settings. They spend all their free time meticulously decorating their tiny apartment. Diavalle.com 

 

Queering up your shelf, one rec at a time!