For more, check out this post.
The (Un)Popular Vote by Jasper Sanchez (YA)
Something Like Possible by Miel Moreland (YA)
Red, White & Royal Blue by Casey McQuiston
Enter the Aardvark by Jessica Anthony
White Houses by Amy Bloom (Historical)
Bonus: These are all “realistic” fiction, but for political SFF, check out The Councillor by E.J. Beaton, Fireheart Tiger by Aliette de Bodard, and Winter’s Orbit by Everina Maxwell.
Love light Sapphic YA romance? Love queer holiday romance? Excited to see a book mesh the two and be resplendent with nerdery? It’s got enemies-to-lovers! It’s got Jewish rep! It’s cozy and funny and basically exactly what you want to read as the fall turns to winter, and I loved it so much I blurbed it, so I’ll throw that in here too, because why not: “With wit and chemistry that crackle like a roaring fire, the warmth and sweetness of gourmet hot cocoa, and the surprising softness of a gentle snowfall, How to Excavate a Heart truly gave me the romantic winter break of my dreams. You’ll want to savor every word, and then run and recommend it to everyone you know.” (Let the record show I am not usually so annoyingly flowery with blurbs, but like, the perfect winter vibes are so strong, it was beyond my control!) Anyway, it’s out now from HarperTeen, so go get it!
It all starts when Shani runs into May. Like, literally. With her mom’s Subaru.
Attempted vehicular manslaughter was not part of Shani’s plan. She was supposed to be focusing on her monthlong paleoichthyology internship. She was going to spend all her time thinking about dead fish and not at all about how she was unceremoniously dumped days before winter break.
It could be going better.
But when a dog-walking gig puts her back in May’s path, the fossils she’s meant to be diligently studying are pushed to the side—along with the breakup.
Then they’re snowed in together on Christmas Eve. As things start to feel more serious, though, Shani’s hurt over her ex-girlfriend’s rejection comes rushing back. Is she ready to try a committed relationship again, or is she okay with this just being a passing winter fling?
Buy from an indie using Jake’s very comprehensive website!
Special Edition: Dazzling Book Box
Today on the site we have Honeymoon for One author Rachel Bowdler, talking about the importance of queer characters in festive romance fiction! But before we get to the post, here’s a little more info on Honeymoon for One, which released yesterday from Embla/Bonnier Books UK in ebook and audio!
A cancelled engagement. A non-refundable honeymoon. A Christmas Robin will never forget.
Robin Ellis has had a year she’d like to forget. She’s tired, overworked and most definitely not ready to spend the holidays with her rowdy family in Manchester. So when she discovers she forgot to cancel her honeymoon she sees this as the perfect opportunity to get away; it’s time to relax and embrace adventure!
The last thing she expects is to clash with standoffish ski instructor Neve. But despite their rocky start these two unlikely people can’t help but fall for each other under the starry Canadian skies.
They know that holiday romances don’t last, and Robin has had her heart broken one too many times before, but can they overcome the distance between them and find a happily ever after together?
Buy it: Amazon
And here’s the post!
Despite the growing number of LGBTQ+ books being published in recent years, it’s sometimes difficult to find the words ‘queer’ and ‘festive romance’ in the same sentence — or ‘inclusive’ in general. You only have to browse holiday romance titles to see many variations of similar books and movies, most of which entail a romance between a city woman and a small-town man, or vice versa, who find a love of Christmas (and each other — insert ‘awws’ here) together. I enjoy cosy Hallmark-esque stories as much as anyone (you’ll find the Christmas24 channel turned on from November 1st in my house) but, as a queer person, I can’t pretend as though it isn’t a little bit disheartening to see the lack of diversity in this genre. Before we get into it, let’s talk about why we love festive romance.
My favourite thing about the genre is the sense of magic that comes with the winter season. Both the magical, snowy, fairy-lit backdrop of the setting and the sense of togetherness that comes with celebrating only bolsters the already uplifting romance. We get a happy ending, but now there are pretty lights everywhere, lots of cinnamon-spiced baked goods, and there is white stuff falling from the sky too! What more could you ask for?
Really, then, when it comes down to it, what makes the genre special is the added sense of joy: the joy of community and family, the joy of decorating, the joy of getting to wear big coats and jumpers, the possibility of a ‘Christmas miracle’ and of course, presents!
So why is it important to go beyond the average white heterosexual cisgender couple who are always very cute but never very queer? Because, to put it simply, queer people deserve to feel the same joy that straight people have always been granted without question. I read the Vintage anthology 100 Queer Poems by Mary Jean Chan and Andrew McMillan recently, and McMillan’s introduction, which discusses his own experience with queer works, included a line I can’t get out of my head: ‘I saw for the first time that who I was might be worthy of poetry, worthy of literature.’ This is important for queer readers of any genre — that sense of seeing yourself in another character, another book, another piece of art. Being told ‘this is for you, because you deserve to be seen and heard!’
With romance especially, when we are given queer characters, we’re told that we’re worthy of our happy endings. We’re worthy of love. We’re worthy of cheerful stories, not just the traumatic ones that are usually spotlighted in mass media. Even now, when you search for sapphic films, the majority of the ones you’ll find are historical pieces — as though we still exist in that hidden, restricted, uncomfortable space, unable to break into the open. When you think of more recent times, Happiest Season (2020) featuring Kristen Stewart comes to mind: a wonderful, hilarious movie, but the main character is outed without consent and the entire plot focuses on Harper being in the closet, not yet comfortable to be herself or be romantic with her partner in front of her family. Which, of course, will always be an important story to tell, but when are we allowed to just be?
That’s why I wrote Honeymoon For One, and that’s why we desperately need even more queer festive romance books, now and always. Because straight couples have never needed to earn the right to a happy ending, and neither should we. Our holidays should be joyful. We should feel included in the most wonderful time of the year — yet in so many subtle ways, we aren’t, and that lack of representation only causes more confusion and loneliness for those still figuring themselves out. Our sexuality does not have to be an obstacle or a cause for conflict. It can, and should, be celebrated.
The queer festive romance genre is one big ‘hi, you deserve to be kissed under the mistletoe, too!’ to our community. A warm hug. A sign that our stories don’t always have to be sad ones, and that we’re entitled to the same wonderful romance and joy that straight people have always been allowed freely. The power of a happy ending should never be exclusive to one group of people. I truly hope that we get more of that in the coming years, and I’m so grateful to authors who have already spread that message to their readers.
***
Rachel Bowdler is a freelance writer, editor, and sometimes photographer from the UK. She spends most of her time away with the faeries. When she is not putting off writing by scrolling through Twitter and binge-watching sitcoms, you can find her walking her dog, painting, and passionately crying about her favourite fictional characters. You can find her on Twitter and Instagram @RachelBowdler.
Màgòdiz (Anishinabemowin, Algonquin dialect): a person who refuses allegiance to, resists, or rises in arms against the government or ruler of their country.
Everything that was green and good is gone, scorched away by a war that no one living remembers. The small surviving human population scavenges to get by; they cannot read or write and lack the tools or knowledge to rebuild. The only ones with any power are the mindless Enforcers, controlled by the Madjideye, a faceless, formless spiritual entity that has infiltrated the world to subjugate the human population.
A’tugwewinu is the last survivor of the Andwànikàdjigan. On the run from the Madjideye with her lover, Bèl, a descendant of the Warrior Nation, they seek to share what the world has forgotten: stories. In Pasakamate, both Shkitagen, the firekeeper of his generation, and his life’s heart, Nitàwesì, whose hands mend bones and cure sickness, attempt to find a home where they can raise children in peace, without fear of slavers or rising waters. In Zhōng yang, Riordan wheels around just fine, leading xir gang of misfits in hopes of surviving until the next meal. However, Elite Enforcer H-09761 (Yun Seo, who was abducted as a child, then tortured and brainwashed into servitude) is determined to arrest Riordan for theft of resources and will stop at nothing to bring xir to the Madjideye. In a ruined world, six people collide, discovering family and foe, navigating friendship and love, and reclaiming the sacredness of the gifts they carry.
With themes of resistance, of ceremony as the conduit between realms, and of transcending gender, Màgòdiz is a powerful and visionary reclamation that Two-Spirit people always have and always will be vital to the cultural and spiritual legacy of their communities.
Buy it: Bookshop | Amazon | IndieBound
Anishinaabe culture and storytelling meet Alice in Wonderland in this coming-of-age graphic novel that explores Indigenous and gender issues through a fresh yet familiar looking glass.
Aimée, a non-binary Anishinaabe middle-schooler, is on a class trip to offer gifts to Paayehnsag, the water spirits known to protect the land. While stories are told about the water spirits and the threat of the land being taken over for development, Aimée zones out, distracting themselves from the bullying and isolation they’ve experienced since expressing their non-binary identity. When Aimée accidentally wanders off, they are transported to an alternate dimension populated by traditional Anishinaabe figures in a story inspired by Alice in Wonderland.
To gain the way back home, Aimée is called on to help Trickster by hunting down dark water spirits with guidance from Paayehnsag. On their journey, Aimée faces off with the land-grabbing Queen and her robotic guards and fights the dark water spirits against increasingly stacked odds. Illustrated by KC Oster with a modern take on their own Ojibwe style and cultural representation, Rabbit Chase is a story of self-discovery, community, and finding one’s place in the world.
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Shane is still reeling from the suicide of his kid sister, Destiny. How could he have missed the fact that she was so sad? He tries to share his grief with his girlfriend, Tara, but she’s too concerned with her own needs to offer him much comfort. What he really wants is to be able to turn to the one person on the rez whom he loves—his friend, David.
Things go from bad to worse as Shane’s dream of going to university is shattered and his grieving mother withdraws from the world. Worst of all, he and David have to hide their relationship from everyone. Shane feels that his only chance of a better life is moving to Toronto, but David refuses to join him. When yet another tragedy strikes, the two boys have to make difficult choices about their future together.
With deep insight into the life of Indigenous people on the reserve, this book masterfully portrays how a community looks to the past for guidance and comfort while fearing a future of poverty and shame. Shane’s rocky road to finding himself takes many twists and turns, but ultimately ends with him on a path that doesn’t always offer easy answers, but one that leaves the reader optimistic about his fate.
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Nina is a Lipan girl in our world. She’s always felt there was something more out there. She still believes in the old stories.
Oli is a cottonmouth kid, from the land of spirits and monsters. Like all cottonmouths, he’s been cast from home. He’s found a new one on the banks of the bottomless lake.
Nina and Oli have no idea the other exists. But a catastrophic event on Earth, and a strange sickness that befalls Oli’s best friend, will drive their worlds together in ways they haven’t been in centuries.
And there are some who will kill to keep them apart.
Darcie Little Badger introduced herself to the world with Elatsoe. In A Snake Falls to Earth, she draws on traditional Lipan Apache storytelling structure to weave another unforgettable tale of monsters, magic, and family. It is not to be missed.
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On an Ojibwe reservation called Languille Lake, within the small town of Geshig at the hub of the rez, two men enter into a secret romance. Marion Lafournier, a midtwenties gay Ojibwe man, begins a relationship with his former classmate Shannon, a heavily closeted white man obsessed with his image as a northern Minnesotan. While Marion is far more open about his sexuality, neither is immune to the realities of the lives of gay men in small towns and closed societies.
One night, while roaming the dark streets of Geshig, Marion unknowingly brings to life a dog from beneath the elementary school playground. The mysterious revenant leads him to the grave of Kayden Kelliher, an Ojibwe basketball star who was murdered at the young age of seventeen and whose presence still lingers in the memories of the townsfolk. While investigating the fallen hero’s death, Marion discovers family connections and an old Ojibwe legend that may be the secret to unraveling the mystery he has found himself in.
Meanwhile, Marion’s mother, Hazel, must come to terms not only with her role in her son’s haunting but also with a mummified jawbone she uncovers at her grandmother’s burial site and the possible curse it has cast on the Lafournier family.
Set on a reservation in far northern Minnesota, This Town Sleeps explores the many ways history, culture, landscape, and lineage shape our lives, our understanding of the world we inhabit, and the stories we tell ourselves to make sense of it all.
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As a young boy growing up within the Muskogee Creek Nation in rural Oklahoma, Josh experiences a yearning for something he cannot tame. Quiet and skinny and shy, he feels out of place, at once inflamed and ashamed by his attraction to other boys. Driven by a need to understand himself and his history, Josh struggles to reconcile the conflicting voices he hears—from the messages of sin and scorn of the non-Indian Christian churches his parents attend in order to assimilate, to the powerful stories of his older Creek relatives, which have been the center of his upbringing, memory, and ongoing experience.
In his fevered and passionate dreams, Josh catches a glimpse of something that makes the Muskogee Creek world come alive. Lifted by his great-aunt Lucille’s tales of her own wild girlhood, Josh learns to fly back through time, to relive his people’s history, and uncover a hidden legacy of triumphs and betrayals, ceremonies and secrets he can forge into a new sense of himself.
When as a man, Josh rediscovers the boyhood friend who first stirred his desires, he realizes a transcendent love that helps take him even deeper into the Creek world he has explored all along in his imagination.
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Taking fantasy literature beyond the stereotypes, Daniel Heath Justice’s acclaimed Thorn and Thunder novels are set in a world resembling eighteenth-century North America. The original trilogy is available here for the first time as a fully revised one-volume novel. The story of the struggle for the green world of the Everland, home of the forest-dwelling Kyn, is an adventure tale that bends genre and gender.
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It all starts when Shani runs into May. Like, literally. With her mom’s Subaru.
Attempted vehicular manslaughter was not part of Shani’s plan. She was supposed to be focusing on her monthlong paleoichthyology internship. She was going to spend all her time thinking about dead fish and not at all about how she was unceremoniously dumped days before winter break.
It could be going better.
But when a dog-walking gig puts her back in May’s path, the fossils she’s meant to be diligently studying are pushed to the side—along with the breakup.
Then they’re snowed in together on Christmas Eve. As things start to feel more serious, though, Shani’s hurt over her ex-girlfriend’s rejection comes rushing back. Is she ready to try a committed relationship again, or is she okay with this just being a passing winter fling?
Buy it: Bookshop | Amazon | IndieBound
If the walls of Number 8 Sunflower Street could talk …
As Ana celebrates the new millennium, she is shocked to learn that she must leave behind her childhood home, her hometown, and — hardest of all — her girlfriend for a new life in Rio de Janeiro.
Ten years later, Greg is sent to live with his aunt — who runs a video rental store from her garage and owns a dog named Keanu Reeves — as his parents work out their not-so-secret divorce.
And ten years after that, Beto must put his dreams of becoming a photographer on hold as the COVID-19 pandemic arrives in Brazil, forcing him to live with his overprotective mother and overachieving sister.
Set in and narrated by the same house, Number 8 Sunflower Street, and in three different decades – 2000, 2010, and 2020 respectively – This Is Our Place is a novel about queer teens dealing with sudden life changes, family conflict, and first loves, proving that while generations change, we will always be connected to each other.
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Magic! Murder! Shipboard romance! The second entry in Freya Marske’s beloved The Last Binding trilogy, the queer historical fantasy series that began with A Marvellous Light
The most interesting things in Maud Blyth’s life have happened to her brother Robin, but she’s ready to join any cause, especially if it involves magical secrets that may threaten the whole of the British Isles. Bound for New York on the R.M.S. Lyric, she’s ready for an adventure.
What she actually finds is a dead body, a disrespectful parrot, and a beautiful stranger in Violet Debenham, who is everything—a magician, an actress, a scandal—Maud has been trained to fear and has learned to desire. Surrounded by the open sea and a ship full of loathsome, aristocratic suspects, they must solve a murder and untangle a conspiracy that began generations before them.
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One year ago, recent Portland transplant Ellie Oliver had her dream job in animation and a Christmas Eve meet-cute with a woman at a bookstore that led her to fall in love over the course of a single night. But after a betrayal the next morning and the loss of her job soon after, she finds herself adrift, alone, and desperate for money.
Finding work at a local coffee shop, she’s just getting through the days—until Andrew, the shop’s landlord, proposes a shocking, drunken plan: a marriage of convenience that will give him his recent inheritance and alleviate Ellie’s financial woes and isolation. They make a plan to spend the holidays together at his family cabin to keep up the ruse. But when Andrew introduces his new fiancée to his sister, Ellie is shocked to discover it’s Jack—the mysterious woman she fell for over the course of one magical Christmas Eve the year before. Now, Ellie must choose between the safety of a fake relationship and the risk of something real.
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Eight years ago, everything changed for Devlin: Her country was attacked. Her father was killed. And her mother became the Royal Spymistress, retreating into her position away from everyone… even her daughter.
Joining the spy ranks herself, Dev sees her mother only when receiving assignments. She wants more, but she understands the peril their country, Aris, is in. The malevolent magic force of The Mists is swallowing Aris’s edges, their country is vulnerable to another attack from their wealthier neighbor, and the magic casters who protect them from both are burning out.
Dev has known strength and survival her whole life, but with a dangerous new assignment of infiltrating the royal court of their neighbor country Cerena to steal the magic they need, she learns that not all that glitters is weak. And not all stories are true.
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Many have called our time dystopian. But The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples and calls us to imagine what will persist in the aftermaths.
With lyric and tonal dexterity, these poems spin backwards and forwards in time. They look into the collective psyche of our years in the pandemic and in the throes of anti-racist uprisings, while imagining other vectors, directions, and futures. Stories of survival collide across space and time—from Korean comfort women during World War II to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. Throughout, Choi grapples with where the individual fits within the strange landscapes of this apocalyptic world, with its violent and many-layered histories. In the process, she imagines what togetherness—between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest—could look like. Bringing together Choi’s signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope.
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Màgòdiz (Anishinabemowin, Algonquin dialect): a person who refuses allegiance to, resists, or rises in arms against the government or ruler of their country.
Everything that was green and good is gone, scorched away by a war that no one living remembers. The small surviving human population scavenges to get by; they cannot read or write and lack the tools or knowledge to rebuild. The only ones with any power are the mindless Enforcers, controlled by the Madjideye, a faceless, formless spiritual entity that has infiltrated the world to subjugate the human population.
A’tugwewinu is the last survivor of the Andwànikàdjigan. On the run from the Madjideye with her lover, Bèl, a descendant of the Warrior Nation, they seek to share what the world has forgotten: stories. In Pasakamate, both Shkitagen, the firekeeper of his generation, and his life’s heart, Nitàwesì, whose hands mend bones and cure sickness, attempt to find a home where they can raise children in peace, without fear of slavers or rising waters. In Zhōng yang, Riordan wheels around just fine, leading xir gang of misfits in hopes of surviving until the next meal. However, Elite Enforcer H-09761 (Yun Seo, who was abducted as a child, then tortured and brainwashed into servitude) is determined to arrest Riordan for theft of resources and will stop at nothing to bring xir to the Madjideye. In a ruined world, six people collide, discovering family and foe, navigating friendship and love, and reclaiming the sacredness of the gifts they carry.
With themes of resistance, of ceremony as the conduit between realms, and of transcending gender, Màgòdiz is a powerful and visionary reclamation that Two-Spirit people always have and always will be vital to the cultural and spiritual legacy of their communities.
Buy it: Bookshop | Amazon | IndieBound
This is the sequel to The Grimrose Girls.
Nani, Yuki, Ella, and Rory have discovered the truth about the curse that’s left a trail of dead bodies at Grimrose. But the four still know nothing of its origins, or how to stop the cycle of doomed fates.
And each girl harbors her own secret. One is learning why she was brought to the school. One struggles to keep her new and deadly power under control. One knows exactly how much time she has left.
And one, trying to escape her dark destiny, will come even closer to fulfilling it.
Can the girls change their own stories and break the curse? Or must one of them die to end it forever?
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When Tennal—a rich socialite, inveterate flirt, and walking disaster—is caught using his telepathic powers for illegal activities, the military decides to bind his mind to someone whose coercive powers are strong enough to control him.
Enter Lieutenant Surit, the child of a disgraced general. Out of a desperate need to restore a pension to his other parent, Lieutenant Surit agrees to be bound to Tennal and keep him conscripted in the army, a task that seems impossible even for someone with Surit’s ability to control minds.
Tennal just wants to escape, but Surit isn’t all that he seems. And their bond may just be the key to their freedom.
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Ava Prescott has had one goal in life, to carry on the Prescott legacy by taking the reins of Diamond Unlimited Wealth Management. Her father’s determination to uphold the company’s wholesome family image propels Ava into a reluctant fake relationship with Kyle, a man she’s sure is a threat to the business. When her father is the victim of a suspicious accident, Ava believes Kyle is responsible and has no choice but to run.
Paige Richards saw enough violence to last a lifetime during her years as a counterintelligence specialist. She’s ready for some peace on her ranch in Oklahoma and is paying the bills as a private investigator. Paige takes a case to locate and bring back runaway heiress Ava Prescott. It seems simple enough, until she stumbles upon a bungled kidnapping attempt and her peaceful life is turned upside down. Now she must use every skill she has to secure Ava.
As they try to figure out who is out to hurt Ava and her family, Paige and Ava fight to stay one step ahead of the threat and resist their growing attraction. But ignoring their feelings may prove impossible when their hearts and lives are at stake.
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Sixteen-year-old Dale Cardigan is a loner who’s managed to make himself completely invisible at his all-boys high school. He doesn’t fit with his classmates (whom he gives nicknames in his head), his stepbrother (whom nobody at school knows he’s related to), or even his mother (who never quite sees how gifted a musician Dale might be)—but they don’t fit with him, either. And he’s fine with that. To him, high school and home are stages to endure until his real life can finally begin.
Somewhat against his will, he befriends his classmate Rusty, who gets a rare look at Dale’s complex life outside school, but their friendship is made awkward when Dale is uncertain whether his growing attraction to Rusty is one-sided. Still, it’s to Rusty that Dale turns when he stumbles upon a family secret that shakes everything he thought he knew.
An epistolary novel written in the form of letters to his late father, In the Key of Dale is a beguiling, pitch-perfect book about growing up, fitting in, and finding a way out of grief and loneliness toward the melodic light of adulthood.
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Paxton McKee, Clover Hill’s rideshare driver and handyman, is known by his customers as responsible, dependable, and loyal. On first dates, though, he’s known by another word: boring. His dates never seem to appreciate his in-depth knowledge of famous aviation disasters or his LEGO expertise. His book club buddy, Mrs. Sawyer, keeps trying to set him up. But after so many failed dates, Paxton’s given up on finding someone who can accept him, special interests, stims, and all.
Hand-crafter Remi Sawyer put Clover Hill in their rear-view mirror to sell at craft fairs across the country. But being a traveling artisan is harder than Remi thought. With mounting bills, they’ve ended up back home. Being in their old teenage bedroom is weird. Weirder, their mother keeps trying to set them up on dates, even after they’ve made it clear the homecoming is temporary.
To get Mrs. Sawyer off their backs, Paxton and Remi agree on a scheme: they’ll go on three dates. When it’s over, Paxton can pretend to be heartbroken, and Remi can get back on the road. They even shake on it. But awkward dates lead to the realization the two have a lot in common. Kissing is gross? Check. Spending quiet time doing projects together is enjoyable? Double check.
But Remi is still hell-bent on leaving Clover Hill again, and Paxton is dead-set on staying. Can they find a new vision that doesn’t involve Remi leaving their kindred spirit behind, or are they both destined to lose the person who might be their perfect companion?
Buy it: Amazon
Bisexual ex-barista Oliver is finally a high school math teacher, and it’s everything he ever wanted. Until he stumbles across the mysterious customer he crushed on back when he worked at Knockdown Coffee… and kinda sorta accidentally tells his Vice Principal that he’s dating her. Oops?
Octavia, a bi programmer, didn’t expect to run into the cute blue-haired barista again. Certainly not while volunteering at a local arts high school. He’s much too young and much too nice for her—but when she discovers he’s told people they’re dating, it’s a stroke of luck. She needs a fake relationship to stick it to her nemesis, and Oliver’s the perfect fit.
Their assignment is simple: one month of a convincing charade, and after the company gala, everything between them is absolutely and completely over.
Sometimes, however, the homework is harder than you expected.
Buy it: Amazon
In this laugh-and-cry-out-loud, memoir-esque exploration of selfhood, Zimmerman dives into the pros and cons of retiring a Bible-Belt-dwelling, meat-eating, God-fearing identity in exchange for a new, metropolitan lease on life—one of vegetarianism, atheism, queerness, and humor. Whether learning to absolve instilled religious guilt or reminiscing over Tinder dates gone horribly wrong, this book is a candid and hysterical look at one person’s journey toward making peace with the past and seeking hope in the future.
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My name is Callie, and I’m not a girl. I am here as Papa’s squire, and I want to train as a knight.
In a world where girls learn magic and boys train as knights, twelve-year-old nonbinary Callie doesn’t fit in anywhere. And you know what? That’s just fine. Callie has always known exactly what they want to be, and they’re not about to let a silly thing like gender rules stand in their way.
When their ex-hero dad is summoned back to the royal capital of Helston to train a hopeless crown prince as war looms, Callie lunges at the opportunity to finally prove themself worthy to Helston’s great and powerful.
Except the intolerant great and powerful look at Callie and only see girl.
Trapped in Helston’s rigid hierarchy, Callie discovers they aren’t alone–there’s Elowen, the chancellor’s brilliant daughter, whose unparalleled power is being stifled; Edwyn, Elowen’s twin brother, locked in a desperate fight to win his father’s approval; and Willow, the crown prince who was never meant to be king.
Buy it: Bookshop | Amazon | IndieBound | Libro.fm
Kaori and Kairi are the first twins to survive infancy on the ancient island of Mu, where gender is as fluid as the crashing waves. One was born of fire, the other of water.
But there’s a reason why none have survived before. A prophecy that has haunted the elders since time began. A rivalry destined to sink the entire island beneath a twin catastrophe of volcano and tsunami.
As hatred spills from the forbidden twins like the deadly poison of sacrificed sea snakes, they must decide what matters to them most…
The fight for the island – for tradition and duty.
Or the fight for freedom – for love and light.
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A magical detective dives into the affairs of Chicago’s divine monsters to secure a future with the love of her life. This sapphic period piece will dazzle anyone looking for mystery, intrigue, romance, magic, or all of the above.
An exiled augur who sold her soul to save her brother’s life is offered one last job before serving an eternity in hell. When she turns it down, her client sweetens the pot by offering up the one payment she can’t resist―the chance to have a future where she grows old with the woman she loves.
To succeed, she is given three days to track down the White City Vampire, Chicago’s most notorious serial killer. If she fails, only hell and heartbreak await.
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In Given’s debut novel, we follow Eartha on a wild, weird and seductive modern-day exploration as she commences life as an openly bisexual woman whilst also becoming a viral sensation on Wonder Land, a social media app where people project their dreamselves online. But as her online self and her offline self become more and more distanced, trauma from her past comes back to haunt and destroy her present. Eartha must make a choice: which version of herself should she kill off?
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As the city grinds to a halt, twelve teens band together to help a friend pull off the most epic apology of her life. But will they be able to make it happen, in spite of the storm?
No one is prepared for this whiteout. But then, we can’t always prepare for the magical moments that change everything.
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Adele grew up in the shadows–first watching from backstage at her mother’s Parisian dance halls, then wandering around the gloomy, haunted rooms of her father’s manor. When she’s finally sent away to boarding school in London, she’s happy to enter the brightly lit world of society girls and their wealthy suitors.
Yet there are shadows there, too. Many of the men that try to charm Adele’s new friends do so with dark intentions. After a violent assault, she turns to a roguish young con woman for help. Together, they become vigilantes meting out justice. But can Adele save herself from the same fate as those she protects?
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Is it truly better to have loved and lost? Bethany Cahill says nope. Eleven years ago, her fellow cheerleader Reid Thatcher held her heart in her hand…and crushed it like a bug. Since then, Bethany avoids risk, reward, and anything romantic on TV. Just, no. When a new patient walks into her office, she’s catapulted into the past and staring into Reid’s eyes, who is still annoyingly stunning. Forgiveness doesn’t come easy, and Bethany isn’t about to let Reid in. Not after all she took.
Reid never understood why Bethany ran from her all those years ago, but no kiss since has ever been as satisfying as Bethany’s lips on hers. Orchestrating a run-in was the best idea she’s ever had, and Reid plans to get to the bottom of Bethany’s silence, a mystery she can’t let drop. But she hadn’t planned on the reckoning in store when she learns the truth.
When Bethany and Reid confront their past, they give new meaning to letting go, forgiveness, and a future worth fighting for.
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During Will Betke-Brunswick’s sophomore year of college, their beloved mother, Elizabeth, is diagnosed with an aggressive form of cancer. They only have ten more months together, which Will documents in evocative two-color illustrations. But as we follow Will and their mom through chemo and hospital visits, their time together is buoyed by laughter, jigsaw puzzles, modern art, and vegan BLTs. In a delightful twist, Will portrays their family as penguins, and their friends are cast as a menagerie of birds. In between therapy and bedside chats, they navigate uniquely human challenges, as Will prepares for math exams, comes out as genderqueer, and negotiates familial tension.
A Pros and Cons List for Strong Feelings is an act of loving others and loving oneself, offering a story of coming-of-age, illness, death, and life that announces the arrival of a talented storyteller in Will Betke-Brunswick. At its heart, Will’s story is a celebration of a mother-child relationship filled with unconditional devotion, humor, care, and openness.
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![Calling the Shots (Out on the Ice Book 3) by [Kelly Farmer]](https://m.media-amazon.com/images/I/41QuDu7hdzL.jpg)
Retired superstar Regan Lane is known for being outspoken. She’s never been one to keep her opinions to herself. When she lands a head coaching job in the women’s pro league with the Boston Ice, her brash promise to win the championship in her first year shocks no one. Especially not Tierney McGovern, head coach of the rival New York Lady Libertys.
Single mom Tierney knows what it’s like to live in someone else’s shadow, and she won’t let Regan steal the spotlight. Besides, she knows exactly how Regan operates: when it comes to delivering on her promises, she falls pitifully short. At least she did when she ghosted Tierney after their long-ago amazing week together.
As their teams face each other game after game, it doesn’t take long for them to realize their hockey rivalry isn’t the only thing heating up. And that maybe the real victory is in taking big chances on the ice—and off.
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Stacey Evans wants only one thing: to be the best alpine ski racer she can be. Everything else—like her sweet and ultra-supportive best friend, and hot-but-vapid girlfriend—is just a bonus. Fresh from a medal at her first Olympics, Stacey knows she can only get better and is firmly focused on the future, and totally not thinking about how she’s kind of a little in love with that sweet, ultra-supportive best friend…
Gemma Archer has had a crush on Stacey from the moment she first saw her, but being her best friend is so amazing that she’s almost managed to push that crush aside. Almost. But even if Gemma finds the courage to tell Stacey how she really feels, there’s a mountain of obstacles to overcome—like the fact Gemma’s stepmom is Stacey’s coach (awkward) and Gemma will be going away to college in a few months. And most importantly…what if admitting how she feels ruins the best friendship she’s ever had?
Schuss brings back two beloved side characters from E. J. Noyes’ bestselling, award-winning novel Gold.
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Fairy tales have been spun for thousands of years and remain among our most treasured stories. Weaving fresh tales with unexpected reimaginings, At Midnight brings together a diverse group of acclaimed YA writers to breathe new life into a storied tradition.
Fifteen celebrated authors reclaim classic fairy tales for a new generation:
Dahlia Adler, “Rumplestiltskin”
Tracy Deonn, “The Nightingale”
H.E. Edgmon, “Snow White”
Hafsah Faizal, “Little Red Riding Hood”
Stacey Lee, “The Little Matchstick Girl”
Roselle Lim, “Hansel and Gretel”
Darcie Little Badger, “Puss in Boots”
Malinda Lo, “Frau Trude”
Alex London, “Cinderella”
Anna-Marie McLemore, “The Nutcracker”
Rebecca Podos, “The Robber Bridegroom”
Rory Power, “Sleeping Beauty”
Meredith Russo, “The Little Mermaid”
Gita Trelease, “Fitcher’s Bird”
and an all-new fairy tale by Melissa Albert
Once upon a time . . .
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For Astrid Parker, failure is unacceptable. Ever since she broke up with her fiancé a year ago, she’s been focused on her career—her friends might say she’s obsessed, but she’s just driven. When Pru Everwood asks her to be the designer for the Everwood Inn’s renovation that will be broadcasted on a popular home improvement show, Innside America, Astrid knows this is the answer to everything that is wrong with her life. It’ll be the perfect distraction from her failed love life, and her perpetually displeased mother might finally give her nod of approval.
However, Astrid never planned on Jordan Everwood, Pru’s granddaughter and lead carpenter for the inn’s renovation, who despises every modern design decision Astrid makes. Jordan is determined to preserve the history of her family’s inn, particularly as the rest of her life is in shambles. When that determination turns into a little light sabotage, ruffling Astrid’s perfect little feathers, the showrunners ask them to play up the tension. But somewhere along the way, their dislike for each other turns into something quite different, and Astrid must decide what success truly means. Is she going to pursue the life that she’s expected to lead, or the one she wants?
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Emma thinks she has her life all mapped out, until a flirty encounter at an Orioles game finds her thrown drastically off course. Mabel is everything her long-time boyfriend, Jack, isn’t—smart and funny, sweet and confident—and it doesn’t take Emma long to realize a relationship with Mabel could hold the keys to happiness. And it does…until Emma’s deep insecurities about their same-sex relationship emerge and she leaves for law school. Without Mabel.
As years pass, Emma and Mabel find themselves repeatedly crossing paths, even as distance tries to keep them apart. And now that Emma has finally found comfort in her own skin, it should be an easy road to their fairy tale happily-ever-after, right?
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Jamie Westenberg and Bea Wilmot have nothing in common except a meet-disaster and the mutual understanding that they couldn’t be more wrong for each other. But when the people closest to them play Cupid and trick them into going on a date, Jamie and Bea realize they have something else in common after all—an undeniable need for revenge.
Soon their plan is in place: Fake date obnoxiously and convince the meddlers they’re madly in love. Then, break up spectacularly and dash everyone’s hopes, putting an end to the matchmaking madness once and for all.
To convince everyone that they’ve fallen for each other, Jamie and Bea will have to nail the performance of their lives. But as their final act nears and playing lovers becomes easier than not, they begin to wonder: What if Cupid’s arrow wasn’t so off the mark? And what if two wrongs do make a right?
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Xich Si: bot maker, data analyst, mother, scavenger. But those days are over now-her ship has just been captured by the Red Banner pirate fleet, famous for their double-dealing and cruelty. Xich Si expects to be tortured to death-only for the pirates’ enigmatic leader, Rice Fish, to arrive with a different and shocking proposition: an arranged marriage between Xich Si and herself.
Rice Fish: sentient ship, leader of the infamous Red Banner pirate fleet, wife of the Red Scholar. Or at least, she was the latter before her wife died under suspicious circumstances. Now isolated and alone, Rice Fish wants Xich Si’s help to find out who struck against them and why. Marrying Xich Si means Rice Fish can offer Xich Si protection, in exchange for Xich Si’s technical fluency: a business arrangement with nothing more to it.
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What’s more important? Knowing the truth or keeping the peace?
The summer of her senior year, seventeen-year-old Avery Anderson finds herself uprooted from her life in DC and moved into the hostile home of her terminally ill grandmother, Mama Letty. The tension between her mom and Mama Letty makes for an unwelcoming arrival and unearths some family drama they refuse to talk about. Everytime Avery tries to look deeper, they turn her away, leaving her desperate to learn the secrets that split her family in two.
Where Mama Letty is cantankerous and closed off, Avery finds friendship in some unexpected places: in Simone, her captivating next-door neighbor, and Jade Oliver, daughter of the town’s most prominent family— whose mother’s murder remains unsolved.
But as the three girls grow closer—Avery and Simone’s friendship blossoming into something more—the sharp-edged opinions of their small southern town start to hint at something more insidious underneath. Turning to Mama Letty for answers only result in more questions, uncovering decades-old secrets that have been brewing for generations, exposing the towns racist history and threatening to topple the new life Avery’s built in Bardell County, Georgia.
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In 1891, Willa Marconi’s life falls apart when her mentor at the University of Bologna unexpectedly dies, but Willa refuses to let anyone take her research away. While testing her prototype radio equipment, she detects a mysterious signal and pursues its origin.
In 2034, a cataclysmic event has rendered Earth uninhabitable, and humankind survives by living inside artificial worlds. Riley would do anything for Jaideep, who lost his family in the collapse of the Bay Area pocket universe—and “anything” includes building a time machine so they can travel back to the nineteenth century to prevent the destabilization of the planet and rewrite history.
But the experiment goes wrong. Willa is pulled forward in time, and the three find themselves stranded in a strange, seemingly abandoned city. Now they’ve got a glitchy time machine, a scary android time cop hot on their trail—dead set on preserving the current timeline—and some tangled temporal mechanics to unravel. Can they save the Earth before there’s no Earth left to save?
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It’s been two years since Maya dumped her cheating ex-boyfriend Jordy, and she still can’t escape him: his sister married the crown prince of a minor European country, and in the lead up to the wedding he captured hearts globally as the eligible younger brother. So, when Maya receives an invitation to be a contestant on Second Chance Romance, a new reality show in which the now-famous Jordy will re-date his ex-girlfriends in an effort to find “the one that got away,” she isn’t interested…that is, until she realizes she can use this opportunity to exact her revenge. If she can make it to the finale, she can reject Jordy and publicly break his heart. As far as Maya’s concerned, it’s payback with interest: just what a guy like Jordy deserves.
But when she gets to the set, she’s confronted with the one person she hasn’t accounted for: Skye, the beautiful, charismatic girl Jordy cheated on Maya with. How is she supposed to live with this girl for six weeks? Sharing bunkbeds, for crying out loud?
Except, of course, there’s more to Skye than she lets most people see. Skye has her own reasons for being careful with her heart, and might be more willing to take Maya’s side than it initially seems. If they can sustain their reluctant alliance—and keep their unexpected chemistry from interfering—they might just have a chance to take Jordy down.
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Annae, a brilliant graduate student in psychiatric magic and survivor of academic abuse, can’t stop reading people’s minds. This is how she protects herself, by using her abilities to know exactly how her colleagues view her. This is how she escapes the torturous experience of her own existence.
When Annae moves to England to rebuild her life and finish her studies under the seminal magician Marec Górski—infamous for bringing to life a homunculus made from his unwanted better self—she sees, inside his head, a man who is both a destructive force to everyone around him, and her mirror image. For Annae to survive, she’ll need to break free of a lifetime of conditioning to embody her own self and forge her own path.
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My arch nemesis is now my fake boyfriend. Can you say drama?
Uptight drama teacher Everett and cocky jock Raleigh must pretend to be boyfriends at an upcoming wedding in order for Everett to save face in front of his mega-famous ex.
Buy it: Amazon
Maori author Rebecca K Reilly’s GRETA AND VALDIN, a humorous slice-of-life family saga that follows the titular siblings as they navigate queerness, multiracial identity, and their eccentric Maori-Russian-Catalonian family, all while flailing their way to love in contemporary Auckland, to Amy Guay in her first acquisition for Avid Reader Press, for publication in spring 2024, by Jenny Bent at The Bent Agency on behalf of Martha Perotto-Wills (NA).
Author of FERAL CITY and VANISHING NEW YORK under the pen name Jeremiah Moss ‘s SOME STRANGE MUSIC DRAWS ME IN, exploring the 1980s friendship between a young trans woman and a teen who will grow into a trans man, as he looks back on his youth from 2019, where he grapples with middle-age, the death of his mother, and the troubles of his right-wing sister amidst his own gender-related scandal, to Tom Mayer at Norton, by Douglas Stewart at Sterling Lord Literistic (NA).
‘s EXPERIENCED, about a 30-year-old woman whose blissful happiness is shattered when her first girlfriend insists she go explore the queer dating scene she missed out on before recently coming out, leading her to awkward dating mishaps, a few memorable nights, a found family, and unexpected love along the way, to Marie Michels at Pamela Dorman Books, in a pre-empt, in a two-book deal, by Zoe Ross at United Agents (NA).
Author duo ‘s THE HIGH COURT OF DREAMERS, the first book in an epic fantasy romance series, in which a princess and her assassin handmaid are sent to kill an ancient dragon god, plunging all three into a darkly sensual world of secrets, power, and love, to Lauren Plude at Montlake, in a two-book deal, for publication in fall 2023, by Sarah Younger at Nancy Yost Literary Agency (world English).
‘s THE 7-10 SPLIT, pitched as a Black sapphic, second chance romance between two high school teachers forced together to coach the school’s bowling team to victory amidst their long-standing rivalry, a group of meddling kids rooting for their HEA, and memories of that searing-hot kiss they shared as teens, to Errin Toma at an unnamed new imprint at Harlequin, in a three-book deal, for publication in February 2024, by Taj McCoy at Rees Literary Agency.
Courtney Smyth’s THE UNDETECTABLES, a queer fantasy murder mystery in which three witches and a ghost form a supernatural detective agency to track down the magical serial killer who is stalking their town, to George Sandison at Titan Books, in a two-book deal, for publication in fall 2023, by Zoe Plant at The Bent Agency (world English).
Winner of the 2021 Sewanee Review Fiction Prize ‘s HENRY HENRY, pitched as a queer, contemporary reimagining of Shakespeare’s Henriad that transposes the legend of Henry V’s wayward youth into 21st-century Britain, following the troubled relationship between 22-year-old English Catholic aristocrat Hal Lancaster and the father whose dukedom he will inherit, to Brandon Taylor in his first acquisition at Unnamed Press, by Martha Wydysh at Trident Media Group (NA).
‘s EVENINGS AND WEEKENDS, set over the course of one transformative weekend during a heatwave in London when a whale is beached on the banks of the Thames, following a group of friends coming to terms with the sexual, political, and economic challenges they must endure to exist in a 21st-century city, exploring issues of community, polyamory, environmental ruin, and housing instability, pitched for readers of Sally Rooney, Raven Leilani, and Torrey Peters, to Jessica Vestuto at Mariner, at auction, in a two-book deal, by Olivia Maidment at Madeleine Milburn Literary Agency (NA).
‘s JUST SHY OF ORDINARY, in which a 13-year-old nonbinary homeschooler attempts to find a “new normal” post-pandemic as they start public school, struggle to control their anxiety, meet new friends, and learn about their Jewish identity, to Lisa Yoskowitz at Little, Brown Children’s, with Caitlyn Averett editing, for publication in winter 2024, by Jordan Hamessley at New Leaf Literary & Media (world English).
James Laughlin Award-winning poet and lecturer at Stanford University ‘s YR DEAD, a queer Jewish diasporic bildungsroman told through the eyes of a young person as their life flashes in lyric fragments across time and geography during their final act of protest, exploring how historical memory shapes our political and emotional present, to Amanda Uhle at McSweeney’s, with Rita Bullwinkel editing, for publication in spring of 2024, by Rob McQuilkin at Massie & McQuilkin (NA).
‘s LOVE AND SPORTSBALL, a Black sapphic romance in which an athletic trainer who doesn’t like sports has an accidental one-night stand with the point guard of the women’s basketball team she’s about to work for, to John Jacobson at an unnamed new imprint at Harlequin, in a two-book deal.
Auburn Marrow’s debut 30 DAY TRIAL PERIOD, an LGBTQIA+ YA romance about two polar opposites who are challenged to date for 30 days to fix their bad dating habits, to Rebecca Sands at Wattpad, for publication in summer 2024 (world).
‘s debut LAST BOYFRIENDS, a coming-of-age novel pitched as Heartstopper meets THE FIRST WIVES CLUB, featuring three queer teenage boys in small-town Alabama who set out to get revenge on their ex-boyfriends and end up fighting their school’s anti-LGBTQ+ initiatives, to Alison Romig at Delacorte, in a pre-empt, in a two-book deal, for publication in summer 2024 and summer 2025, by Katie Shea Boutillier at Donald Maass Literary Agency (world English).
‘s LIBERTAD, set in Honduras, where the protagonist must come into her queerness and to terms with her country’s history of violence, heading into an unprecedented presidential election, to Rosie Ahmed at Dial, in a good deal, at auction, in a two-book deal, for publication in summer 2024, by Beth Phelan at Gallt and Zacker Literary Agency (NA).
Author of WHAT ARE YOUR WORDS: A BOOK ABOUT PRONOUNS Katherine Locke’s GENDER REBELS, an illustrated history of important trans/nonbinary/gender nonconforming trailblazers for a Middle Grade audience, illustrated by Shanee Benjamin, to Julie Matysik at Running Press Kids, in an exclusive submission, for publication in 2023, by Lara Perkins at Andrea Brown Literary Agency for the author (world).
Cultural worker and stem cell transplant survivor ‘s BLESS THE BLOOD, a poetry collection exploring what it means to be a young, queer, Black nonbinary medical patient facing racism and abuse within and outside of the hospital, meditating on traumas both physical and unseen, and celebrating the courage to grieve and the strength it takes to go on, to Sydnee Monday at Kokila, in a good deal, in a pre-empt, for publication in spring 2024, by Katherine Latshaw at Folio Literary Management (world).
The Spy With the Red Balloon by Katherine Locke
The Sound of Stars by Alechia Dow
Foul Lady Fortune by Chloe Gong
Little Thieves by Margaret Owen
Scavenge the Stars by Tara Sim
In this modern graphic novel retelling of Anne of Green Gables from graphic novelist Kathleen Gros, foster kid Anne Shirley finally lands in a loving home and befriends a girl who she may have more-than-friends feelings for.
Anne Shirley has been in foster care her whole life. So when the Cuthberts take her in, she hopes it’s for good. They seem to be hitting it off, but how will they react to the trouble that Anne can sometimes find herself in . . . like accidentally dyeing her hair green or taking a dangerous dare that leaves her in a cast?
Then Anne meets Diana Barry, a girl who lives in her apartment building, the Avon-Lea. The two become fast friends, as Anne finds she can share anything with Diana. As time goes on, though, Anne starts to develop more-than-friends feelings for Diana.
A new foster home, a new school, and a first-time crush—it’s a lot all at once. But if anyone can handle life’s twists and turns, it’s the irrepressible Anne Shirley.
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This is the sequel to The Scapegracers
It’s been a wild year for Sideways Pike. After forming a coven with the three most popular girls in school and developing a huge crush on a mysterious stranger named Madeline, Sideways’ Halloween was ruined by finding out that Madeline wasn’t trying to make out with her, but to steal Sideways’ specter, the force that gives witches the ability to cast magic spells. From Madeline’s perspective, it’s not her fault: after a doomed relationship with one of the creepy near-identical Chantry Boys turned into a witch hunt, they took her specter, so, really, she’s only borrowing Sideways’ until she can recover her own and punish the Chantrys.
The specter-less Sideways is in a horrid, distracted mood, unable to do magic and with part of her consciousness tied to Madeline’s, on the lam as she uses Sideways’ specter to hunt Chantrys. The other Scapegracers are much jollier, heading into the winter holidays having set up shop as curse crafters for girls in their school who’ve been done wrong by guys. When Sideways—through Madeline—gets a flash of how to track down both her foes at once, she asks the Scapegracers to help entrap them, only to be told her plan is unsafe and unwise. So if she’s going to find Madeline, her only ally is Mr. Scratch, the inky book demon currently inhabiting her as life support until she gets her spectre back.
Sideways is used to being an outcast loner, and is desperate to do magic again, so she’s not going to let little barriers like facing an betraying crush and a family of six demented witch hunters practically alone stop her. But she and her trusty stolen bike are in for a bumpy ride…
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This is the third book in the Singing Hills Cycle.
Wandering cleric Chih of the Singing Hills travels to the riverlands to record tales of the notorious near-immortal martial artists who haunt the region. On the road to Betony Docks, they fall in with a pair of young women far from home, and an older couple who are more than they seem. As Chih runs headlong into an ancient feud, they find themselves far more entangled in the history of the riverlands than they ever expected to be.
Accompanied by Almost Brilliant, a talking bird with an indelible memory, Chih confronts old legends and new dangers alike as they learn that every story―beautiful, ugly, kind, or cruel―bears more than one face.
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This is the sequel to The Atlas Six
Six magicians were presented with the opportunity of a lifetime.
Five are now members of the Society.
Two paths lay before them.
All must pick a side.
Alliances will be tested, hearts will be broken, and The Society of Alexandrians will be revealed for what it is: a secret society with raw, world-changing power, headed by a man whose plans to change life as we know it are already under way.
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Chen Tien-Hong, the only and desperately yearned for son of a traditional Taiwanese family with seven daughters, runs away from the oppression of his village to Berlin in the hope of finding acceptance as a young gay man.
The novel begins a decade later, when Chen has just been released from prison for killing his boyfriend. He is about to return to his family’s village, a poor and desolate place. With his parents gone, his sisters married, mad, or dead, there is nothing left for him there. As the story unfurls, we learn what tore this family apart and, more importantly, the truth behind the murder of Chen’s boyfriend.
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Jeanna Kadlec was a devout Evangelical and the wife of a pastor’s son before she came to the double realization that she was queer and that she had to leave the church in order to survive. This is a memoir of growing up Evangelical–of indoctrination, family, and working poor middle America–and a sharp critique of how the tenets of conservative Christianity have built our power structures and political systems, in addition to how they’ve shaped our culture and our daily interactions with each other.
From writing about Lilith and celebrity purity rings, to coming out and discovering F/F fanfiction, finding community outside of Christianity in the face of millennial loneliness, to interrogating the liberal and academic stigma against faith, this memoir traces the damage Evangelicalism, with its demands for unquestioning obedience, has caused in individuals, communities, and our country, past to present–and also imagines how could we radically leave it behind: new methods of building community, finding meaning, and reintegrating concepts of fellowship and love into our everyday discourse.
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It’s a good thing Allison Farley isn’t in love with her best friend.
They may both be star students in their costume design program, but when it comes to relationships, Allison and Kate are as different as their fashion senses.
Kate marches through life in combat boots and crop tops, breaking hearts as fast as she steals them and insisting anything more than an emotionless hook-up is a waste of time.
Allison knits her own sweaters, wears socks with tiny strawberries on them, and has spent her first two years of college utterly failing at her goal of getting a girlfriend before graduation.
Until the day it hits her: she’s got a master flirting coach right at her fingertips.
Kate, meanwhile, has vowed herself to a semester of solitude while she tries to figure out why heading home with strangers isn’t as fun as it used to be. Teaching her best friend the art of seduction seems like the perfect distraction from some of the inconvenient truths she’d rather not face.
Like maybe she doesn’t hate relationships.
Maybe she’s just afraid of them—too afraid to reach out and grab one when it’s staring her in the face.
So it’s a good thing Kate Davidson isn’t in love with her best friend either.
It’s a good thing Kate and Allison are just taking part in some purely platonic flirting lessons and are absolutely, totally, definitely not falling in love.
Buy it: Amazon
Happy Asexual Awareness Week! I’m thrilled to be celebrating it with some great ace authors, who’ve gathered together for a roundtable moderated by author Rosiee Thor! I’ll let them take it away!
***
Happy asexual awareness week! I love this week every year–not only is it an affirming celebration of people who share my identity, it’s also a great time to take a look at the growth we’ve seen in ace representation across media. This year has been an amazing year for ace books, so I sat down with a few of my favorite authors writing ace stories to talk about the state of asexual representation and what it means to them as storytellers.
Rosiee: Thank you so much for joining me today for this asexual-spectrum roundtable! I’m excited to chat with you all about ace representation, writing while ace-spec, and the future of asexual fiction. To start us off, could you each introduce yourselves and tell us a little about what you write?
Naseem: I’m psyched to be here; thanks for having us! I’m Naseem Jamnia (they/them), a nonbinary trans gray-ace Persian-Chicagoan currently living in Reno, NV. I write fantasy across the ages, but my debut novella, The Bruising of Qilwa, is adult. It’s about an aroace nonbinary refugee healer who is trying to cure a magical plague in their new home while hiding their blood magic. Heavily inspired by Dragon Age 2, Qilwa introduces my queernormative, Persian-inspired secondary world!
RoAnna: Hi y’all! Really happy and excited to be here, thank you Rosiee! So I’m RoAnna Sylver, a nonbinary gender-weird chronically ill writer/artist/musician/heathen. I write really weird queer SFF books (Chameleon Moon, Stake Sauce), and interactive fiction (Dawnfall from Choice of Games, The Great Batsby upcoming from Tales Fiction). I also have a soft spot for horror, so my next projects lean that way too. Also Naseem, your book sounds legit awesome and I want to check it out for sure. (For many reasons but also ahhh, more love for Dragon Age 2!)
Finn: So happy to have the chance to join in with this! Hi, I’m Finn (they/them), a queer disabled author and medievalist currently living in Cambridge, UK. I write all sorts of genreweird stuff, but my debut, The Butterfly Assassin, is a YA thriller about a traumatised teenage assassin trying and failing to live a normal life in a fictional closed city. And by failing, I mean she kills someone in chapter one. So, you know, doing a great job there.
Carly: Hi everyone! I’m Carly Heath (she/they) a writer, teacher, Libra and horse girl from the San Francisco Bay Area, currently living on the West Coast of the US. My debut YA novel is The Reckless Kind out now from Soho Teen and out in paperback November 1. Like me, the main character in The Reckless Kind, Asta, is hard of hearing, ace, and wants pigs not babies. I write (mostly historically-set) novels about characters who push back against the restrictions placed on them by society and I hope to inspire teens and young people to question and resist authority in all its forms.
AdriAnne: Hi all! So happy to be here. I’m a queer (panromantic gray-ace demigirl) author (she/they) of queer dark fantasy about monstrous or perceived-to-be-monstrous teens just trying to get by. I live in both Alaska and Spain (I just got back to Spain and am super jetlagged so pardon me if I make no sense), and my books are Beyond the Black Door (with a biromantic ace main character, ace love interest), In The Ravenous Dark (pansexual MC, ace side character), and the forthcoming Court of the Undying Seasons (demigirl pansexual MC, ace SCs), all published with Macmillan.
Rosiee: Yay! I’m so glad you’re all here to chat with me. Let’s jump right into it. Most of us were readers before we became writers, so I’m curious to know about your first experience was with asexual characters. Where did you first see an ace character in fiction? What was it like to see your experience reflected in a book?
RoAnna: Hmm… I believe the first ace character I ever read was either Henry from Viral Airwaves, or Hasryan in City of Strife – both by Claudie Arseneault! And highly recommended for fans of hopeful-dystopian/”solarpunk,” and sweeping fantasy, respectively. And the feeling I got was a sense of combined excitement and relief, if that makes sense? Like “oh wow thank God, someone else gets it/this is real… OH WOW THIS IS REAL!” So, really validating for myself as well. Online community is so important, but there’s also something about seeing yourself on a page, in a story, that’s just so wonderful.
Carly: I did not have anything ace-spec when I was growing up, so I think the any time I was first introduced to an ace character was when I was learning about Greek/Roman mythology and encountered Diana/Artemis who I was obsessed with for quite a while because she was not only a “virgin” goddess, but the goddess of wild animals—which I totally identify with (as someone who regularly befriends the neighborhood raccoons and possums). I was also drawn to horse girl books when I was younger—The Saddle Club and Thoroughbred series—I think because they focused more on the relationships between the characters and their horses rather than on romance.
AdriAnne: I didn’t find any ace-spec books as a kid or teen either, so the first time I came across an ace character was as an adult when I read Every Heart a Doorway by Seanan McGuire. Not only is the book an amazingly unique take on portal fantasy, but the main character is explicitly ace. I’d only recently discovered my own labels through internet research and AVEN (the Asexual Visibility and Education Network) and it made me feel so seen and not so alone. I can only imagine what it would have felt like to read this book as a teen, which is one of the reasons I wrote Beyond the Black Door–a book basically for teen-me.
Finn: I think the first book I ever read that used the word asexual on page was Quicksilver by RJ Anderson. Although the character’s experiences weren’t particularly similar to mine, since they were fairly specific to her circumstances, it was really validating to see the word in print, when before that I’d only ever seen it on Tumblr and in other online communities. Like, okay, this is a real thing, this is something that people know about. After that one, it would’ve been Radio Silence by Alice Oseman, which has a demisexual character. As someone who really struggled at university, I found that book Extremely Relatable in a lot of ways, possibly more even than Loveless, Oseman’s more recent book that deals much more directly with ace/aro experiences.
Naseem: I actually didn’t realize I was ace-spec (I’m somewhere on the demi/gray side of things) until a few years ago because of the conflation between aromanticism and asexuality. So I don’t honestly know when I first encountered ace characters, since often due to that conflation I didn’t recognize myself in those characters, if that makes sense.
Earlier this year I read We Were Restless Things by Cole Nagamatsu. Besides it being utterly beautiful, one of the main characters is a sex-repulsed ace (not aro), and while I’m sex-neutral, I really loved how Cole grappled with the character’s relationship with sex. Noemi really tries to get over her aversion to sex in order to please her partner, because she cares about her partner, and I thought that was handled with such tenderness and care, especially because these are teens who don’t necessarily have the language of healthy relationships and boundaries yet.
I also really love Kylee in the Skybound trilogy by Alex London. I was especially drawn to her because for her, it at first feels like a matter of priority rather than identity. Kylee isn’t thinking about romantic or sexual relationships because her brother is, and she needs to make sure they have enough money to put food on the table. It’s not until we get into her relationships with others that we see it’s not just a matter of responsibility but a matter of who she is, but I appreciate someone for whom such relationships just… aren’t on her radar because she has so much on her plate. Honestly, as someone who was constantly crushing on someone while being torn about all the other things I needed to do, it’s really nice to read someone who pieces together this part of herself in the midst of a war and all the other stuff going on.
Rosiee: Phew! My TBR always grows so much during these conversations! Can’t wait to read some of those. AdriAnne, you talked a bit about this, but what about the rest of you–what inspired you to write about ace characters? What has it been like to write ace-affirming books as an ace-spec author?
RoAnna: Really natural, actually – after a while, I realized that I basically write all of my characters (or at least the POV ones) as some flavor of neurodivergent, and many of them a-spec just automatically. Like that’s my brain’s default setting apparently, and it takes a bit of effort to turn it off and go “wait, how do you write sexual attraction again?” (I think a lot of ace writers are actually very good at writing sexual stuff though, because… we often have spent a lot of time pondering it from a unique perspective, ha!) So it’s partly super natural and freeing for me personally, but also the response from ace readers is always incredible, so I’m also very much writing for y’all too. I want everyone to have the feeling I mentioned last question, the “holy crap, I’m in a book!” rush of joy and relief. I obviously can’t speak for/give that to everyone, but I still want them to have it from somewhere.
Finn: I feel that about automatically writing ace characters, RoAnna… I sometimes joke that The Butterfly Assassin is not a queernorm world so much as a singlenorm world, because I accidentally forgot that people, like, have partners, and so almost every character throughout the trilogy is single. Whoops?
I didn’t really sit down to write An Asexual Assassin Novel, but that element of the book really arose from my frustration with other media, which at the time was full of sexy assassins who (a) never seemed to actually kill anybody and (b) could be distracted from their deadly missions by somebody being a bit hot. I was also frustrated that in order to get dark, complex upper YA stories, it felt like you had to have romance/sex as a major plot element, and if you wanted friendship-focused stories, well, then, back to MG for you. Not that there’s anything wrong with MG, but when I was seventeen or eighteen, I wanted a generous helping of murder and swearing, hold the sex, thanks. So I decided to write an assassin book that was “all murder, no sex”, where platonic relationships were prioritised and not treated as less important or less mature. And where the “emotionless” character wasn’t “humanised” by sexual attraction because… ew. I read too many of those; they always made me feel like an alien or a monster.
I do worry sometimes that my book is less marketable because of the lack of romance/sex (let’s be real, in marketing terms those are often treated as interchangeable!), but I’ve seen a couple of reviews where people have said they don’t normally like books without romance but didn’t feel like anything was missing from mine because they found the platonic relationships just as fulfilling. So I’m very glad that those people are giving it a chance, and that it’s speaking to them.
Naseem: Okay, I’m screaming, Finn—I need your book yesterday!!! Like RoAnna and Finn, a lot of my characters nowadays definitely sort of naturally fall under the ace spec. I started writing at a young age, and I look back on those stories and I see the ways in which things were ace but also how I tried so hard for them not to be—there were romantic partners in my stories, but I didn’t know how to grapple with sexual desire because I didn’t understand how that was separate from romantic desire.
Nowadays, I have to choose to write a main character who experiences sexual attraction and hope that they… come off as realistic?? The novel I’m about to turn into my agent has three POV characters—a demisexual lesbian who suddenly finds herself in love with a boy; an asexual aro-questioning/demi-aro anxious bean (aka the boy) who’s been in love with his best friend but has denied it and Suddenly Now Has A Crush On Someone Else, aka the demisexual lesbian; and aforementioned best friend, an allosexual enby who doesn’t understand the difference between romantic and platonic attraction but doesn’t think they experience romantic attraction, but does want to sleep with the people they care about. (Love triangle that resolves in polyamory, anyone??) Anyway, it’s been a TIME trying to get the aromantic and allosexual components down. Since all of my secondary worlds are queernormative, these conversations in the story happen differently than they do in real life, because the surrounding context is different. But I hope they still hit home.
AdriAnne: First off, WHEW, I also need The Butterfly Assassin! Anyway, writing an ace character didn’t come naturally to me at first because when I first began to write, I assumed everyone wanted characters who experienced sexual attraction. Realizing who I was and the breadth of possibility out there was eye-opening. (I, too, despite being married, have been baffled by the relationship between attraction and sex for a long while, but just figured I was “weird” and sexual attraction was “normal”–you can see that therapy also helped me.) So while there are many more ace books around now (YAY!), what first inspired me to write ace characters is that I didn’t often see myself reflected on the page. It felt very affirming to write Beyond the Black Door especially, where the MC Kamai is a sex-repulsed ace but also biromantic and interested in romance like I was as a teen. It’s confusing for her, and her journey from confusion and doubt and into wholeness and confidence in herself healed something within me. It was very cathartic. (And YAY for relationship resolutions that involve polyamory and ace folks! I did this in In the Ravenous Dark.)
Carly: The Reckless Kind was a book where I was just learning how to write, so I think it was also a book where I was figuring out my identity through Asta. The first draft was like—I want this girl to have very meaningful, close non-sexual relationships with these boys she loves… and then in later drafts I was realizing “oh, she’s ace” and then now I’m starting to realize “oh, she’s aro.” Like, I think society puts so much pressure on people to believe any type of closeness is sexual or romantic, and in writing and rewriting the book I sort of unpacked a lot of that baggage both in my characters and in myself. The followup books I’ve been writing do feature romances and allo main characters, but I also wanted them to be ace-positive so in many cases they have important relationships with ace characters and their interactions are very affirming. Like I have one character who’s in a romantic relationship with an ace boy and he pushes back against those “it’s not a real relationship if you’re not having sex” sorts of statements. And in the adult romance I’m writing, the main character has a relationship with a woman who’s aro and curious about some types of sex but repulsed by nudity and other types of sex and the conversations they have around those topics and consent are super important. I’d really like to see more characters in media and literature who reflect the reality of the spectrum of human sexuality and nuances of different types of relationships.
Rosiee: I love how much common ground you all have here! That’s the cool thing about the ace community and identity. But the asexual experience isn’t just one thing–we all experience this identity in different ways. So, what are some ace experiences you’d like to see more of in fiction?
Naseem: A lot of people conflate being aromantic with being ace, so I’d definitely like to see characters with all kinds of nuanced ace (and other!) identities. Not all asexual people are sex-repulsed, and some asexual people have sexual partners, and I imagine the same can be for aromantic-spec people—so let’s see the range!
RoAnna: Oh wow definitely seconding Naseem here. I want to see all the intersections and interactions between identities – trans aces, aro and allo aces, sex positive and negative and neutral aces, aces of color, disabled and neurodivergent aces – all of them! I also have a special soft spot for polyamorous narratives, and love to see navigation and negotiations there, between both people and identities. This is something I really got into in Stake Sauce Book 2, which is largely about Jude (our gray-ace, demi-aro and disabled/autistic trans guy MC) figuring out his feelings for several partners. Amid the Vampire Drama, he’s also sorting out which attractions are sexual, or romantic, or neither, and how it’s all rolled together with neurodivergence… it was a complicated, cathartic, fascinating, and deeply personal story to write. And also has queerplatonic witchy girlfriends, and cute chubby punk vampire boys, if y’all are into that.
Finn: I’d echo what the others have said about the range of ace attitudes towards romantic and sexual relationships. And I’d definitely like to see more books that explore the overlap between ace, trans, and disabled identities. Like, for me, so many of my feelings about my body are bound up in all of those things, and they can never be fully separated. On a related note, I think it’s also important to explore how things like trauma can impact on our sense of identity and self (and how that doesn’t negate the identity) – this is something I’m exploring a bit in the sequel to The Butterfly Assassin, but there are infinite angles somebody could take on this, looking at how we’re shaped by our experiences.
I think I’d like to see somebody explore faith and asexuality, too, though it’s not a topic I think I personally could do justice. I’ve left my childhood church behind, but having grown up in an evangelical Christian environment where things like sex were wreathed in shame and guilt, there was a lot I had to process and work through before I could separate my asexuality from that shame and work out how I actually felt, all while also having a gender crisis (which I also felt guilty about). I imagine it would feel quite healing and cathartic to read a book that grappled with that – as long as it did it well!
Naseem: I’m once again screaming that I haven’t read all of your books already, because I need them desperately!! And severely want to echo what Finn said about the intersection of these identities and also trauma—the way I feel about my body is directly tied to both my gender as a nonbinary trans person and the way I inhabit my body as a fat person and someone with a history of eating disorders, among other things.
One thing that’s been frustrating for me is how many fellow aces conflate ace and aro identities. I mean, you identify how you identify, but just within the last few weeks I’ve talked to several people who have ID’d as ace, and when I’m like oh I’m ace too, we talk some more and I realize while they may also be ace, they really are talking about being aro. (Which is 10000% valid!) So more representation that dives into the nuances of these identities can only be a good thing for all of us! People who object to labels don’t, I think, understand the power they can have when we choose those labels for ourselves. It’s partially about finding other like-minded individuals but more about how we learn to describe ourselves.
Carly: I share what you’ve all said about just wanting more diverse representation. The world is full of a multitude of identities and experiences, but for centuries in Western literature only the heteronormative identities got amplified. We need to bring reality back into fiction and the reality is that the heteronormative experience is just one small part of humanity. I’d also just love to see more allos affirming and respecting their ace/aro partners, especially in mainstream media.
AdriAnne: Echoing what others have said, as well! Even within myself I’ve experienced being ace differently. I’ve run the gamut from sex-repulsed as a teen to sex-neutral and sex-positive as an adult, after learning much more about myself and what I find appealing. (I’m one of those aces with a sexual partner.) My gender-feels can also impact how I see sex–and yes, so can trauma, which I’ve experienced as a child and as an adult. So I too would love to see all the ace intersections because no one iteration is “correct” or any one “wrong.” While I’ve written the more common ace/aro combination, I wrote Beyond the Black Door for my teen self when I was sex-repulsed and yet romantic, and have also written a nonbinary, poly, and ace character in In the Ravenous Dark. I would love to see more alloromantic and/or sex-neurtral and sex-positive aces out there, as well as how asexuality intersects with everything from gender to race to trauma to kink to neurodivergent identities and to all other forms of queerness.
Rosiee: Yes to all of that! Here’s to more varied ace experiences in literature going forward–and what about the books that do exist right now? What is a recent read, an upcoming book, or even an old favorite with asexual representation that you wish more people knew about?
RoAnna: An old fave (and auto-rec) is the Mangoverse series by Shira Glassman (starting with The Second Mango) – Rivka is a hetero-romantic demisexual and super-hot masked swordswoman, who gets to protect adorable princesses and also her bf is a dragon (and also super hot in human form). Is the book-crush coming through? Because wow. <3 Also may I say Tarnished Are the Stars? 😀 Because I just… really love Nathaniel still! On the more steamy/erotica side, I will still always rec Nine of Swords, Reversed and Eight Kinky Nights by my dear, always-beloved Corey (as Xan West), for many reasons but primarily their just mindblowingly-inclusive/positive/warm rep for kinky aces, as well as Jewish trans, disabled, fat, queer, so many kinds of people, they’re all welcome here. And an upcoming release that I’m a bit obsessed with is The Story of the Hundred Promises by Neil Cochrane. Lush, wonderful fantasy with so much a-spec, trans, and polyam rep, so much!
Naseem: RoAnna, you keep mentioning books that grow my TBR, and I already have so many books on that pile, so… thanks I think?? At least Tarnished Are The Stars has been on my shelf for a while, since I always try to buy my friends’ books. I want to again point to the books I mentioned above, We Were Restless Things and the Skybound saga, and also The Circus Infinite by Khan Wong, whose main character is a queer ace.
AdriAnne: I will always shout about the aforementioned Every Heart a Doorway and Tarnished are the Stars <3 but a recent read I really loved was What We Devour by Linsey Miller for the ace protag and the deliciously dark relationship therein.
Carly: Seconding what everyone has said about Tarnished Are The Stars. Get it if you want great YA, steampunk style SFF and awesome on-the-page ace discussion. Another favorite which I feel like not enough people know about is The Rat-Catcher’s Daughter by KJ Charles which is just the sweetest, most-endearing and delightful ace romance between trans music hall singer and a man who’s a fence for notorious criminals. They’re both ace and absolutely adorable to each other. It’s probably my favorite ace romance of all time.
Finn: Doing this roundtable has made me really want to reread Quicksilver and see if it holds up after all these years, because it’s ages since I read it, and it’s not a very well-known one. (It’s a sequel – book one is called Ultraviolet – but I actually read it first, and that was mostly fine.) Unfortunately, my copy is at my parents’ house, and I am not, so I can only rec this with the caveat of me not having read it since about 2013 and I take no responsibility for anything I might have forgotten about it that would make me hesitate if I remembered it. I love VE Schwab’s Vicious and Vengeful, which have ace-spec characters, but I would say those are probably not under the radar these days, since V’s work has taken off so much. I’m super behind on recent releases generally, so I’m excited to add lots more books to my TBR after this!
Rosiee: Aww thanks for the shoutouts, everyone! Now it’s your turn–you’re all amazing authors writing important stories. Tell us one or two things about one of your books that makes your ace heart happy! Plug your work
Carly: If you’ve ever wanted to escape to the mountains with your two best friends and a bunch of adorable animals, The Reckless Kind is the book for you.
AdriAnne: Since Kamai in Beyond the Black Door is my only ace MC thus far, I’ll plug that book even though it’s the oldest! It’s a dark fantasy with a darkly romantic relationship at the center. Kamai is a soulwalker, someone who can explore other people’s souls, and while doing so she discovers a deadly force trying to break into her world–a someone she might be more fascinated with than horrified, and she has to decide where her heart lies. My other books only have ace side characters, but I adore them: Japha in In The Ravenous Dark is nonbinary (they/them), ace, and also poly; and Claudia in my forthcoming Court of the Undying Seasons is aro/ace (and a vampire).
RoAnna: Oh boy, self-promo, everyone’s favorite! (/Big Sarcasm) I’m still trying to get better at this – and it’s important, because I DO have a really cool thing coming up! Chameleon Moon was my first published book, and it features Regan, a very soft and anxious dragon boy (but always green and scaly, not shapeshifting), who has to navigate a dystopian, permanently-burning city full of super-people (all very queer/disabled/polyam), and also his own traumatized brain. In the process he figures out that he’s asexual (and PTSD, and definitely ND too, but I wasn’t consciously writing that yet), and finds healing and strength through found family/queer community – it’s a weird book, but still very important to me, and probably my best-known.
And, FURTHER SELF PLUG – it’ll soon be an audiobook! (With the best narrator ever, Kyle Rocco East, though I’m definitely biased lol). I’m running a Kickstarter that features not only the audiobook, but special edition hardcovers, exclusive art/merch, actual original songs, and So Much More! https://www.kickstarter.com/projects/roannasylver/chameleon-moon-the-audiobook I’m ridiculously excited about this, and hope it sounds cool to y’all too! THANK YOU so much again!
Finn: The Butterfly Assassin is always a weird one to plug for queer rep of any kind, because it’s… it’s subtle. Isabel spends most of the book trying very hard not to die, she has got trauma coming out of her ears, and she is absolutely not in a position to be analysing her own sexuality, which means there’s not a lot of on-page discussion of it. Instead, the book’s ace/aro heart comes from the fact that I had dozens of opportunities for the plot to develop in romantic/sexual directions, and decided not to take them, instead foregrounding the various kinds of platonic relationships that Isabel forms. Thus, it is the All Murder, No Sex assassin book that teen me wanted. In the sequel, which comes out in the UK next May, Isabel’s in a much more stable position and she’s safe enough to start exploring her sense of self a bit more. She also finally has people her own age around her, and the result is that we get to see a lot more on-page queerness, which I’m really excited about.
Naseem: The Bruising of Qilwa has been out for about a month (it’s available in World English territories), and the audiobook comes out November 8! The world is queernormative (which also means transnormative), and I’ve got a list of both content notes and rep notes on my website, but the main character is explicitly aroace and nonbinary trans. While it’s a standalone, I’m writing more in this world (the novel I mentioned above is set 40 years after the events of Qilwa), so more to come! Any love for my little book, whether you can afford to pick it up or get it from your local library, is much appreciated!!
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Carly Heath (she/they) earned her BA from San Francisco State University and her MFA from Chapman University. Originally from the San Francisco Bay Area, Carly teaches design, art, theater, and writing for various colleges and universities. Her debut, The Reckless Kind (Soho Teen) is winner of the 2021-2022 Whippoorwhill Award and has garnered enthusiastic reviews (including a starred review from BCCB) for its nuanced depiction of queer and disabled identities.
Naseem Jamnia is a Persian-Chicagoan, former scientist, and the author of The Bruising of Qilwa (Tachyon Publications). Their work has appeared in The Washington Post, Cosmopolitan, The Rumpus, and other venues, and they’ve received fellowships from Bitch Media, Lambda Literary, and Otherwise. Named the inaugural Samuel R. Delany Fellow, Naseem lives in Reno, NV, with their husband, dog, and two cats. Find out more at www.naseemjamnia.com or @jamsternazzy on social media.
Finn Longman is a queer disabled writer and medievalist, originally from London. With a degree in Anglo-Saxon, Norse and Celtic and an MA in Early and Medieval Irish, they spend most of their time having extremely niche opinions on the internet. They write YA and Adult novels, and have a particular interest in genre-bending fiction that explores identity and tests moral boundaries.
A.M. Strickland was a bibliophile who wanted to be an author before she knew what either of those words meant. She shares a home base in Alaska with her spouse, her pugs, and her piles and piles of books. She loves traveling, dancing, tattoos, and writing about monstrous teens. Her books include Beyond the Black Door, In the Ravenous Dark and Court of the Undying Seasons. She uses both she/her and they/them pronouns, and you can find her on Twitter and Instagram.
RoAnna Sylver is the author of the Chameleon Moon and Stake Sauce series, as well as interactive fiction like Dawnfall and The Great Batsby – and passionate about stories that give hope, healing and even fun for LGBQTIA+, disabled and other marginalized people, and thinks we need a lot more. RoAnna is a member of the SFWA as well as a founding member of Kraken Collective Books, and highly recommends you check them out.
Rosiee Thor began their career as a storyteller by demanding to tell their mother bedtime stories instead of the other way around. They spent their childhood reading by flashlight in the closet until they came out as queer. They live in Oregon with a dog, two cats, and an abundance of plants. They are the author of Young Adult novels Tarnished Are The Stars and Fire Becomes Her and the picture book The Meaning of Pride.
Hell Followed With Us by Andrew Joseph White
The Restless Dark by Erica Waters
These Fleeting Shadows by Kate Alice Marshall
My Dearest Darkest by Kayla Cottingham
The Honeys by Ryan La Sala
