When Patsy gets her long-coveted visa to America, it’s the culmination of years of yearning to be reunited with Cicely, her oldest friend and secret love, who left home years before for the “land of opportunity.” Patsy’s plans do not include her religious mother or even her young daughter, Tru, both of whom she leaves behind in a bittersweet trail of sadness and relief. But Brooklyn is not at all what Cicely described in her letters, and to survive as an undocumented immigrant, Patsy is forced to work as a bathroom attendant, and ironically, as a nanny. Meanwhile, back in Jamaica, Tru struggles with her own questions of identity and sexuality, grappling every day with what it means to be abandoned by a mother who has no intention of returning. Passionate, moving, and fiercely urgent, Patsy is a haunting depiction of immigration and womanhood, and the silent threads of love stretching across years and oceans.
When Aidan was born, everyone thought he was a girl. His parents gave him a pretty name, his room looked like a girl’s room, and he wore clothes that other girls liked wearing. After he realized he was a trans boy, Aidan and his parents fixed the parts of life that didn’t fit anymore, and he settled happily into his new life. Then Mom and Dad announce that they’re going to have another baby, and Aidan wants to do everything he can to make things right for his new sibling from the beginning–from choosing the perfect name to creating a beautiful room to picking out the cutest onesie. But what does “making things right” actually mean? And what happens if he messes up? With a little help, Aidan comes to understand that mistakes can be fixed with honesty and communication, and that he already knows the most important thing about being a big brother: how to love with his whole self.
When Aidan Became a Brother is a heartwarming book that will resonate with transgender children, reassure any child concerned about becoming an older sibling, and celebrate the many transitions a family can experience.
Emma Robledo has a few more responsibilities that the usual high school senior, but then again, she and her friends have left school to lead a fractured Resistance movement against a corrupt Heroes League of Heroes. Emma is the only member of a supercharged team without powers, and she isn’t always taken seriously. A natural leader, Emma is determined to win this battle, and when that’s done, get back to school. As the Resistance moves to challenge the League, Emma realizes where her place is in this fight: at the front.
It’s 1989 in New York City, and for three teens, the world is changing.
Reza is an Iranian boy who has just moved to the city with his mother to live with his stepfather and stepbrother. He’s terrified that someone will guess the truth he can barely acknowledge about himself. Reza knows he’s gay, but all he knows of gay life are the media’s images of men dying of AIDS.
Judy is an aspiring fashion designer who worships her uncle Stephen, a gay man with AIDS who devotes his time to activism as a member of ACT UP. Judy has never imagined finding romance…until she falls for Reza and they start dating.
Art is Judy’s best friend, their school’s only out and proud teen. He’ll never be who his conservative parents want him to be, so he rebels by documenting the AIDS crisis through his photographs.
As Reza and Art grow closer, Reza struggles to find a way out of his deception that won’t break Judy’s heart—and destroy the most meaningful friendship he’s ever known.
Julia hasn’t had sex in three years. Her roommate has a boyfriend—and their sex noises are audible through the walls, maybe even throughout the neighborhood. Not to mention, she’s treading water in a dead-end job, her know-it-all therapist gives her advice she doesn’t ask for, and the men she is surrounded by are, to be polite, subpar. Enough is enough.
So when Julia gets invited to a warehouse party in a part of town where “trendy people who have lots of sex might go on a Friday night”—she readily accepts. Whom she meets there, however, is surprising: a conceptual artist, also a woman.
Julia’s sexual awakening begins; her new lesbian life, as she coins it, is exhilarating. She finds her tribe at queer swing dancing classes, and guided by her new lover Sam, she soon discovers London’s gay bars and BDSM clubs, and . . . the complexities of polyamory. Soon it becomes clear that Sam needs to call the shots, and Julia’s newfound liberation comes to bear a suspicious resemblance to entrapment . . .
One morning, Jessa-Lynn Morton walks into the family taxidermy shop to find that her father has committed suicide, right there on one of the metal tables. Shocked and grieving, Jessa steps up to manage the failing business, while the rest of the Morton family crumbles. Her mother starts sneaking into the shop to make aggressively lewd art with the taxidermied animals. Her brother Milo withdraws, struggling to function. And Brynn, Milo’s wife—and the only person Jessa’s ever been in love with—walks out without a word. As Jessa seeks out less-than-legal ways of generating income, her mother’s art escalates—picture a figure of her dead husband and a stuffed buffalo in an uncomfortably sexual pose—and the Mortons reach a tipping point. For the first time, Jessa has no choice but to learn who these people truly are, and ultimately how she fits alongside them.
In Samsboro, Kentucky, Kalyn Spence’s name is inseparable from the brutal murder her father committed when he was a teenager. Forced to return to town, Kalyn must attend school under a pseudonym . . . or face the lingering anger of Samsboro’s citizens, who refuse to forget the crime.
Gus Peake has never had the luxury of redefining himself. A Samsboro native, he’s either known as the “disabled kid” because of his cerebral palsy, or as the kid whose dad was murdered. Gus just wants to be known as himself.
When Gus meets Kalyn, her frankness is refreshing, and they form a deep friendship. Until their families’ pasts emerge. And when the accepted version of the truth is questioned, Kalyn and Gus are caught in the center of a national uproar. Can they break free from a legacy of inherited lies and chart their own paths forward?
High school finally behind her, Winnie is all set to attend college in the fall. But first she’s spending her summer days working at her granny’s diner and begins spending her midnights with Dallas—the boy she loves to hate and hates that she likes. Winnie lives in Misty Haven, a small town where secrets are impossible to keep—like when Winnie allegedly snaps on Dr. Skinner, which results in everyone feeling compelled to give her weight loss advice for her own good. Because they care that’s she’s “too fat.”
Winnie dreams of someday inheriting the diner—but it’ll go away if they can’t make money, and fast. Winnie has a solution—win a televised cooking competition and make bank. But Granny doesn’t want her to enter—so Winnie has to find a way around her formidable grandmother. Can she come out on top?
Pretty Little Liars meets People Like Us in this taut, tense thriller about two teens who find their paths intertwined when an anonymous texter threatens to spill their secrets and uproot their lives.
PRIVATE NUMBER: Wouldn’t you look better without a cheater on your arm?
AMANDA: Who is this?
The daughter of small town social climbers, Amanda Kelly is deeply invested in her boyfriend, real estate heir Carter Shaw. He’s kind, ambitious, the town golden boy—but he’s far from perfect. Because behind Amanda’s back, Carter is also dating Rosalie.
PRIVATE NUMBER: I’m watching you, Sweetheart.
ROSALIE: Who IS this?
Rosalie Bell is fighting to remain true to herself and her girlfriend—while concealing her identity from her Christian fundamentalist parents. After years spent in and out of conversion “therapy,” her own safety is her top priority. But maintaining a fake, straight relationship is killing her from the inside.
When an anonymous texter ropes Amanda and Rosalie into a bid to take Carter down, the girls become collateral damage—and unlikely allies in a fight to unmask their stalker before Private uproots their lives.
PRIVATE NUMBER: You shouldn’t have ignored me. Now look what you made me do…
Seventeen-year-old Laurel Graham has a singular, all-consuming ambition in this life: become the most renowned nature photographer and birder in the world. The first step to birding domination is to win the junior nature photographer contest run by prominent Fauna magazine. Winning runs in her blood—her beloved activist and nature-loving grandmother placed when she was a girl.
One day Gran drags Laurel out on a birding expedition where the pair hear a mysterious call that even Gran can’t identify. The pair vow to find out what it is together, but soon after, Gran is involved in a horrible car accident.
Now that Gran is in a coma, so much of Laurel’s world is rocked. Her gran’s house is being sold, developers are coming in to destroy the nature sanctuary she treasures, and she still can’t seem to identify the mystery bird.
Laurel’s confusion isn’t just a group of warblers—it’s about what means the most to her, and what she’s willing to do to fight to save it. Maybe–just maybe-if she can find the mystery bird, it will save her gran, the conservatory land, and herself.
Ezra Slevin is an anxious, neurotic insomniac who spends his nights questioning his place in the universe and his days obsessing over Imogen, a nerdy girl with gigantic eyebrows and a heart of gold.
For weeks, Ezra has been working up the courage to invite Imogen to prom. The only problem is Imogen’s protective best friend, Wynonna Jones. Wynonna has blue hair, jams to ’80s rock, and has made a career out of tormenting Ezra for as long as he can remember.
Then, on the night of a total solar eclipse, something strange happens to Ezra and Wynonna–and they wake up in each other’s bodies. Not only that, they begin randomly swapping back and forth every day! Ezra soon discovers Wynonna’s huge crush on his best friend, Holden, a five-foot-nothing girl magnet with anger management problems. With no end to their curse in sight, Ezra makes Wynonna a proposition: while swapping bodies, he will help her win Holden’s heart…but only if she helps him woo Imogen.
Forming an uneasy alliance, Ezra and Wynonna embark on a collision course of mistaken identity, hurt feelings, embarassing bodily functions, and a positively byzantine production of Twelfth Night. Ezra wishes he could be more like Wynonna’s badass version of Ezra–but he also realizes he feels more like himself while being Wynonna than he has in a long time…
Wildly entertaining and deeply heartfelt, Where I End and You Begin is a brilliant, unapologetic exploration of what it means to be your best self.
A moving exploration of how gay men construct their identities, fight to be themselves, and live authentically
It goes without saying that even today, it’s not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized.
Through moving stories—of friends and patients, and his own—Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We—particularly the young—must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.
Seventeen-year-old Marisol has always dreamed of being American, learning what Americans and the US are like from television and Mrs. Rosen, an elderly expat who had employed Marisol’s mother as a maid. When she pictured an American life for herself, she dreamed of a life like Aimee and Amber’s, the title characters of her favorite American TV show. She never pictured stealing across the US border from El Salvador as “an illegal”, fleeing for her life, but after her brother is murdered and her younger sister, Gabi’s, life is placed in equal jeopardy, she has no choice, especially because she knows everything is her fault. If she had never fallen for the charms of a beautiful girl named Liliana, Pablo might still be alive, her mother wouldn’t be in hiding and she and Gabi wouldn’t have been caught crossing the border.
But they have been caught and their asylum request will most certainly be denied. With truly no options remaining, Marisol jumps at an unusual opportunity to stay in the United States. She’s asked to become a grief keeper, taking the grief of another into her own body to save a life. It’s a risky, experimental study, but if it means Marisol can keep her sister safe, she will risk anything. She just never imagined one of the risks would be falling in love, a love that may even be powerful enough to finally help her face her own crushing grief.
The Grief Keeper is a tender tale that explores the heartbreak and consequences of when both love and human beings are branded illegal.
Sisters Akeylah, Ren, and Zofi are all a step closer to their dying father’s throne, a step closer to the crown that will allow one of them to rule over Kolonya. But the sisters’ pasts continue to haunt them. Each hides a secret marked with blood and betrayal, and now their blackmailer is holding nothing back. When King Andros discovers the sisters’ traitorous pasts, the consequences will shake the entire kingdom to its core.
As Kolonya’s greatest threat stalks closer and closer, weaving a web of fear and deceit around Ren, Zofi, and Akeylah, even the people they love are under suspicion. If the sisters are going to survive, they’ll have to learn to trust each other above all else and work together, not only to save themselves, but to protect everyone and everything they hold dear.
Ryu Mori has had a stellar season as goalie for the Atlanta Venom. So when he’s called into management’s office, he’s expecting to hear he’s the new starting goalie for the team, not that some new guy—an incredibly hot, annoyingly bratty rookie—is here to compete for his spot.
Not everyone gets to play in the best league in the world. Emmitt Armstrong knows that, and he’s not about to waste the opportunity after grinding his way from the bottom to the top. If the Venom is looking for a meek, mild-mannered pushover, they’ve got the wrong guy.
Ryu doesn’t want to admit the other goalie’s smart mouth turns him on. Beating Armstrong at practice feels good, sure, but there are other, more fun ways to shut his rival up.
In this league, it’s winner takes all. But there’s more to life than winning, and if Emmitt and Ryu can get past their egos and competitive natures, they might just discover they work better as partners than they ever imagined possible.
Upon returning to the city of Khelathra-Ven after five years fighting a war in another universe, Captain John Wyndham finds himself looking for somewhere to live, and expediency forces him to take lodgings at 221b Martyrs Walk. His new housemate is Ms. Shaharazad Haas, a consulting sorceress of mercurial temperament and dark reputation.
When Ms. Haas is enlisted to solve a case of blackmail against one of her former lovers, Miss Eirene Viola, Captain Wyndham finds himself drawn into a mystery that leads him from the salons of the literary set to the drowned back-alleys of Ven and even to a prison cell in lost Carcosa. Along the way he is beset by criminals, menaced by pirates, molested by vampires, almost devoured by mad gods, and called upon to punch a shark.
But the further the companions go in pursuit of the elusive blackmailer, the more impossible the case appears. Then again, in Khelathra-Ven reality is flexible, and the impossible is Ms. Haas’ stock-in-trade.
Brody Fair feels like nobody gets him: not his overworked parents, not his genius older brother, and definitely not the girls in the projects set on making his life miserable. Then he meets Nico, an art student who takes Brody to Everland, a “knock-off Narnia” that opens its door at 11:21pm each Thursday for Nico and his band of present-day misfits and miscreants.
Here Brody finds his tribe and a weekly respite from a world where he feels out of place. But when the doors to Everland begin to disappear, Brody is forced to make a decision: He can say goodbye to Everland and to Nico, or stay there and risk never seeing his family again.
As Lucy Muchelney watches her ex-lover’s sham of a wedding, she wishes herself anywhere else. It isn’t until she finds a letter from the Countess of Moth, looking for someone to translate a groundbreaking French astronomy text, that she knows where to go. Showing up at the Countess’ London home, she hoped to find a challenge, not a woman who takes her breath away.
Catherine St Day looks forward to a quiet widowhood once her late husband’s scientific legacy is fulfilled. She expected to hand off the translation and wash her hands of the project—instead, she is intrigued by the young woman who turns up at her door, begging to be allowed to do the work, and she agrees to let Lucy stay. But as Catherine finds herself longing for Lucy, everything she believes about herself and her life is tested.
While Lucy spends her days interpreting the complicated French text, she spends her nights falling in love with the alluring Catherine. But sabotage and old wounds threaten to sever the threads that bind them. Can Lucy and Catherine find the strength to stay together or are they doomed to be star-crossed lovers?
When a guy named Martin Nathaniel Munroe II texts you, it should be obvious who you’re talking to. Except there’s two of them (it’s a long story), and Haley thinks she’s talking to the one she doesn’t hate.
A question about a class project rapidly evolves into an all-consuming conversation. Haley finds that Martin is actually willing to listen to her weird facts and unusual obsessions, and Martin feels like Haley is the first person to really see who he is. Haley and Martin might be too awkward to hang out in real life, but over text, they’re becoming addicted to each other.
There’s just one problem: Haley doesn’t know who Martin is. And Martin doesn’t know that Haley doesn’t know. But they better figure it out fast before their meet-cute becomes an epic meet-disaster . . .
In the busy city of Smokesburg, Heroes comes in all shapes and sizes. They’re processed through a training facility and given a classification based on their abilities and talents. The best of the best? Those are the faces that grace the newspaper and comic books. And Gemini? Well, Gemini rides the Metrorail because she can’t fly, can’t teleport, and doesn’t qualify for a Hero Mobile. It’s not a great living, but it’s a job, and one that Gemini is good at.
Well, good enough at.
Until she meets Felicity Webb. A Rescue, caught up in another stupid plot by another stupid Villain, and Gemini is stuck with her. She’s annoying and mouthy, and so beautiful Gemini isn’t quite sure how to even talk to her. It should be an easy case, an easy night, but nothing is ever as it seems in Smokesburg, and there’s more to Felicity than even she realizes. One night will change the course of their lives forever.