Tag Archives: Not Otherwise Specified

Fave Five: LGBTQA MCs with Eating Disorders

Not Otherwise Specified by Hannah Moskowitz (bi YA)

The Art of Starving by Sam J. Miller (gay YA)

Love and Other Carnivorous Plants by Florence Gonsalves (queer YA)

Take Me Home by Lorelie Brown (f/f)

Empty Net by Avon Gale (m/m)

Bonus: For a romance that reads demisexual but isn’t officially so on the page, try Second Position by Katherine Locke.

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Fave Five: Mental Health LGBTQ YAs

In honor of Mental Health Awareness Month, check out these excellent LGBTQ YAs featuring main characters dealing with mental health issues:

Not Otherwise Specified by Hannah Moskowitz (B, Eating Disorder)

Highly Illogical Behavior by John Corey Whaley (G, Agoraphobia)

History is All You Left Me by Adam Silvera (G, Obsessive-Compulsive Disorder)

Symptoms of Being Human by Jeff Garvin (GF, Anxiety)

Scars by Cheryl Rainfield (L, Depression w/suicidal ideation and self-harm)

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Backlist Book of the Month: Not Otherwise Specified by Hannah Moskowitz

Every month, the site will feature an LGTBQIAP+ read that’s over a year old, as part of a “Backlist Book of the Month” feature. I’m excited to kick it off with one of my personal favorites, Not Otherwise Specified by Hannah Moskowitz (Simon Pulse). Three reasons I love this book:

  1. Intersectionality FTW: Etta is a Black, bisexual ballerina in recovery for an eating disorder
  2. So much bi pride. So much. If you’re sick and tired of seeing bi erasure in lit, this book will make you do a serious fist pump of pride. (And yes, it’s nominated for a Bisexual Book Award.)
  3. The voice. Etta’s voice is killer. If you wanna see just how much that can matter for a book, this is definitely one to pick up.

ed201c_fe71b360b1994cf7859f2c2a7d1d853fEtta is tired of dealing with all of the labels and categories that seem so important to everyone else in her small Nebraska hometown.

Everywhere she turns, someone feels she’s too fringe for the fringe. Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; and not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere— until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca seems like Etta’s salvation, but how can Etta be saved by a girl who needs saving herself? 

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